TILE TODAY 92
FULLY ENDORSED BY THE AUSTRALIAN TILE COUNCIL
CERAMIC TILE IMPORTS ON THE RISE
THE LATEST TRENDS IN CERAMIC AND MOSAIC TILES TRENDS
|
PROJECT SPOTLIGHT
A MELBOURNE BURGER BAR SHOWCASES VIDEO GAME INSPIRED TILES
|
M A R K E T U P D AT E
|
INDUSTRY NEWS
Do YOU Fit The Membership? ive g s u l Exc Pricin . 1 0 rial & e Mat
m u m i x e a c M n 03. ependa Ind
um m i x aid a M 02. bates P Re
e v i s k s r a o M etw . 4 0 ort N p p u S
‘Maximum support, rebates and benefits for independants’ We’re not a franchise - We’re a Professional Buying Group.
We’re Tile Power Limited *For membership enquiries contact Adam on : 0430 930 921 Scan QR code for more information
Tile Power Limited - 18 Kelso Crescent, Moorebank - NSW 2170 T : 02 9734 9200 - F : 02 9734 9211 - www.tilepower.com Tile Power Limited is a ceramic retailers buying group.
blackboard
exclusively for members
4 colours 2 sizes 2 finishes endless style
92
contents
TILE TODAY TRENDS 8
The latest ceramic tiles can replicate almost any texture or style, from wood and steel to soft furnishings and everything in between
18
Extra thick ceramics are ideal for outdoor use
26
Mosaics can be more adaptable than most other tiles
PROJECT SPOTLIGHT 20
A burger bar in Melbourne’s CBD is a showcase for tiles inspired by nineties video games
INTERVIEW 28
Colin Morrow from ACT Australia personifies what it is like to be a genuine entrepreneur in the tile industry
TECHNICAL 30
Tile cutters and wet-saws can now cut slim and extra thick tiles
INSTALLATION 36
Choosing the correct trowel can make a significant difference on a project
MARKETS 44
Ceramic tile imports have increased for the fourth year in a row
REGULAR ARTICLES 48
Featured Products
52
Industry News
READ ON THE GO: Scan code to view the latest FREE digital versions of the magazine on our website. Simply click on the front cover once you have scanned the code.
EZARRI GLASS MOSAIC TILES
simply…
GL AS S MOS AIC T I L E S
! g n i k a t breath
THE MOST HIGHLY RECOMMENDED TILES FOR YOUR POOL
EZARRI EMERALD
Phone: 1300 EUROPE (387-673) Email: sales@europeimports.com.au www.europeimports.com.au
Photo by Dan Kalma Photography
FO REWOR D
MEET THE TEAM
The early months of 2017 have seen The International Surface Event take place in Las Vegas, Nevada (USA). Colin Morrow, owner, ACT Australia made the trip this year and saw the continuing popularity of large format tiles at the trade show. Colin is interviewed for this issue of Tile Today and we track his interesting journey from Scotland’s cold, dark climate to the sunny beaches of Queensland. We also take a look at the latest developments in ceramic tiles and mosaics. Recent data suggests the growth of ceramic tile imports into Australia is ongoing. Peter Halliday, managing director, Decor8 Tiles interprets the most recent statistics from the Australian Bureau of Statistics.
Vicky Cammiade Publisher
This edition features the creative use of tiles in a burger bar located in Melbourne’s city centre. Its design is influenced by video games that were popular during the nineties. The right tools and equipment are essential in any tile project. We explore the latest tile cutters and wet saws in the market, and the importance of trowel selection.
Betty Tanddo Editor
In our occasional series of marketing articles, we highlight a range of tiles based on the work of acclaimed architect, Le Corbusier. The local surface and tile industry remains active with Caesarstone recently opening a flagship showroom in Melbourne and National Tiles building a new HQ in Brisbane. If this is any indication, we can expect a busy and productive year. Until next time,
Betty Tanddo Editor, Tile Today Magazine
Ashley Cooper Group National Sales & Marketing Manager
Anthony Stock Contributing Editor
FRONT COVER IMAGE The Italian made Edilcuoghi collection comes from a company that has one of the largest selections of porcelain tiles in that country. They have a process of making the tiles through the passage of history and tradition that is passed on from generation to generation.
6 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Philip Ashley Machinery Editor
Joe Simpson International Correspondent
NEW ARRIVAL
3D Durastone
™
Unglazed Porcelain Tile
Crema Luna
Available in 2 designs, 2 colours, natural surface, size 900x300mm.
®
Steel Grey
RIDGES
SYDNEY 02 9795 2000 | MELBOURNE 03 8792 3500 | BRISBANE 0418 886 833
RIVERSIDE
®
T RENDS
Get the look The aesthetic sophistication of ceramic tiles continues to evolve. Joe Simpson tracks the important trends.
Recupera (recover in Italian) by CIR comes in many distressed options including one inspired by the hollow honeycomb clay bricks used in Mediterranean construction. It combines the charm of old materials and the beauty of terracotta, wood and brick. The range comes in both a 100mm by 200mm brick format and 240mm by 277mm hexagonal.
T
oday’s designs span from the urban minimalism of ceramic tiles that recreate the look and feel of polished concrete, through to colourful artistic tiles offering the care-worn appearance of ancient encaustic tiled floors. In the past two years, a great deal of R&D effort has also been focused on construction materials such as wood, bricks and cement. Another common thread has been tiles that resemble oxidized metals and come in colours such as rust. These styles appeal to designers and architects seeking modern interiors with an edgier aesthetic. Manufacturers have responded with products that mimic different types of metals, including iron, steel and copper. The pioneer in this field, tiles with the rusted appeal of Corten steel, remain in vogue. However nuanced variations have appeared that have advanced this look in intriguing new ways.
8 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Stone is another source of ideas that continue to fascinate tile designers. Natural limestone in a range of light colours and appealing textures such as honed, has been favoured by many, alongside the perennially popular white marble look. White marble-effect tiles have been getting whiter, offering a clean, crisp look that satisfies a homeowner’s love of light spaces. Vein patterns are more pronounced, which gives marble tiles and slabs more visual impact on floors, worktops, halls and bathroom walls. Many manufacturers now offer coordinated white marble collections comprising square, rectangle, plank and mosaic tiles. They are also combining different types of white marble to create high-impact installations with an avant-garde twist. Calacatta, a classic marble look with its white background and grey veining, is enduring. Today’s marbleeffect tiles are more realistic than ever.
The versatility of the latest decoration technology means that producers can explore the potential of rare and exotic stones such as Swiss Onsernone and German Solnhofen limestone. Digital decoration can reproduce shades, veins, textures and colours that are incredibly realistic, and the production process has developed to the point that no two tiles need to be identical. Ceramic tile that looks like wood has become increasingly sophisticated over the past five years. Notably, manufacturers have perfected grain patterns and distressed wood effects. At the same time, elongated plank formats and parquet patterns have expanded the creative possibility of the timber-effect tile. Initially largely restricted to commercial environments, such as retail stores and restaurants, woodeffect tiles are becoming more indemand for domestic projects. These days, wood-look tiles have not only grown wider and longer,
T RENDS
but also come in hexagon and chevron shapes, and sport colourwashed finishes and heavily textured surfaces. Ultra-long rectangular plank tiles, suitable for both floors and walls, continue to be launched at a rapid rate. A different idea in wood-effect tiles is the cross grain. Most wood in the home shows the grain, but some manufacturers are showing interest in highlighting the type of grain found in a tree stump. ABOVE: The Lumina wall tile collection by Fap Ceramiche is a contemporary design with matte and polished finishes and several 3D reliefs: all in shades of white. LEFT: ABK’s Interno 9 collection draws inspiration from the industrial look. The lasting appeal of oxidised metals is evident in the Rust, Mud and Dark colour options; while Silver, Pearl and Dune are more hybrid, neutral tones reminiscent of resin and concrete floors. It comes with two different surface finishes. The rectified satin version features glossy details that create an almost 3D oxidation effect; while the honed version offers a more uniform reflecting surface. Available in 600mm by 1200mm, 300mm by 1200mm, 600mm by 600mm and 300mm by 600mm formats. BELOW: Strand is a design from Vives’ Fusion collection and is inspired by a very basic material, OSB. This porcelain tile with a matte finish comes in two formats: 593mm by 593mm and 593mm by 1,193mm. Strand offers six neutral tones: Natural, White, Grey, Hazelnut, Cement and Blue.
10 | TILE TODAY #92 | www.tiletodaymagazine.com.au
SNEAK PREVIEW INTO RAK CERAMICS’ NEWEST NOVELTIES COLLECTION!
COUNTRY BRICK
Where imagination is endless and sky’s the limit with RAK CERAMICS’ newest NOVELTIES COLLECTION!
CIRCLE WOOD
SHINE STONE
RAK CERAMICS AUSTRALIA
1300 CERAMIC
www.rakceramics.com
T RENDS
CLOCKWISE FROM TOP LEFT: GA by Giugiaro Architettura for Ceramica Del Conca was inspired by air intake patterns and the texture of carbon fibre. The result is balance between smooth and textured surfaces created with shades of black and grey. Dek by Belmontiles comes in 200mm by 1,200mm and 300mm by 1,200mm planks, while the colour options include grey. FAP’s Frame collection includes white body wall tiles in 305mm by 560mm, rectified, and in five colours: White, Talc, Sky, Earth and Sand. It includes a range of inserts, mosaics, listels and decorations. Quartzit by Agrob Buchtal features a glaze with granulates that is sprayed onto the surface and fully bonded to the biscuit during firing. Quarzit comes in Basalt-Grey, Quartz-Grey, Sand-Beige, Sepia-Brown and White-Grey; all available in R10/A and R11/B slip resistance. Formats are 250mm by 250mm, 250mm by 500mm, 300mm by 600mm and 600mm by 600mm. Skirtings, in two lengths, complete the range. Color Flow by Surpergres combines colour, gloss and 3D form. These 400mm by 800mm white body tiles come in White, Avio, Dark, Ivory, Tan and Cardinal colours. There are also two structured tiles: Drop and Line.
Another area of inspiration that is gaining momentum among tile manufacturers is the world of soft furnishings and wallpaper. The ability of digital lines to print on relief surfaces offer new possibilities for fabric and wallpaper effects. This is one reason why, at Cersaie 2016, colourful feminine designs and delicate fabric prints made such an impact. 12 | TILE TODAY #92 | www.tiletodaymagazine.com.au
T RENDS
CLOCKWISE FROM TOP: Mood from Gardenia Orchidea resulted from a careful study of clay itself. It features double-fired wall and porcelain wall and floor tiles, from an 800mm by 1,800mm mega format, through to 250 by 750mm classic wall tiles. It has six colours: White, Grey, Ash, Cream, Beige and Mud. Emil Ceramica’s Brick Design offers 60mm by 250mm tiles in six colour shades; both warm and cold. The tactile structure and strong, matte colours, generate light and shade effects that give surfaces movement and variety. Shadestone by Ceramica Sant’Agostino is a 10mm thick digitally-decorated porcelain range with sumptuous dark colourways.
14 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Being ceramic, these products can be applied in wet areas where traditional wallpaper would not work. Many top manufacturers are now producing tile ranges that combine the decorative look of wallpaper or fabric with the durability and “cleanability” of tile. Of all the current trends in ceramic tile, none is more exciting or offers as many possibilities as textured wall tile. Texture is nothing new. What is new is the possibility to decorate, edge-toedge over texture using digital print heads.
Over the past ten years, the tile industry has created myriad textures for walls and floors through developments in digital printing, pressing and glazing. Sometimes theses “textures” are optical illusions and sometimes they are real. They can add a winning tactile element and provide an enticing play of light and shade. The range of available textures is vast, from jagged split-stone effects, through to complex geometric projections. They encompass deep fabric effects, bush-hammered stone and concrete, and aged looks such as adze-scraped wood and sand-blasted brick. The brick look, in all its many forms, has been one of the ceramic tile sector’s star turns for the past 12 months. Brick tiles are now available in a large number of sizes, shapes, finishes and surfaces. The options include cobblestone forms, colourful painted finishes, and heavily textured surfaces. Applications range from fashion forward boutiques to domestic splashbacks as well as feature walls and floors. Shape is also becoming important. Squares and rectangles have been joined by an ever increasing choice of shapes. While hexagons made a big splash in 2014/15, the hottest shape right now is the chevron. The result is tile patterns that are all about the zigzag, where tiles run from point to point and the ends are cut at an angle to create a continuous design.
FACTORY HEXAGON BY CINCA
Ideal for: Commercial or Residential. with R10 - P3 rating Suitable for wall and floor
The new Factory series is also available in a 500x500 cushion edge format in Matt (R10) and External (R11) finishes which are ideal for high traffic areas. The range is characterised by a similarity to old, well - worn screeded surfaces.
WHITE
CONCRETE
TAUPE
ANTHRACITE
PICCADILLY
R
MATT / LAPPATO / EXTERNAL 10x30 / 30X30 / 30X60 / 60X60 / 40X80cm
HIGH QUALITY PORCELAIN Tested by Safe Environments SKID RESISTANCE SKID RESISTANCE MATT
EXTERNAL
R10 R11 NEW ARR IVALS
M - MATT L - LAPPATO
INSTALLATION FEATURES:
SOUL GREY
E - EXTERN AL
Available in: 150x900 Matt R9 250x1500 Matt R9 150x900 External R12
SOUL BY KEOPE
GREY GREY
PEARL PEARL
BEIGE BEIGE
WALNUT WALNUT
BLEND BLEND
MARFIL
SOUL BY Soul is aKEOPE versatile material at thematerial service Soul is a versatile at of design lendto alend a the service ofto design refined to refined stylestyle to residential and residential and commercial spaces. commercial spaces.
MARRONE
11-12 HEXHAM PLACE, WETHERILL PARK, N.S.W 2164
PHONE: 02 9757 1822 FAX: 02 9757 1710
EMAIL: TRADEPORT@TRADE-PORT.COM.AU
WEBSITE: WWW.TRADEPORT.COM.AU
ASH
GRIGIO
NERO
T RENDS
look will work in more classic designs rather than being the preserve of modern interiors. We are also seeing manufacturers exploiting some unlikely bedfellows such as distressed wood and marble, or white marble and concrete. Recent exhibitions stands at both Bologna and Valencia also showcased how multiple types of stone can be used together successfully in a single application. One manifestation was the use of contrasting tiles to frame another tile range, such as matte limestone tiles around a gnarly Indian slate or bushhammered granite. The next hot ticket item looks like being massive book-matched stone effect tile slabs, previously the exclusive preserve of high-end stone fabricators. TOP: Sophisticated timber effects come to the fore in Caesar’s Vibe collection. ABOVE: Fondovalle’s Acidic mixes patterned wood with rusted metal. The metallic effect was inspired by acid-etched steel sheets that have a slightly iridescent surface featuring tones from silver to blue/black. Acidic comes in 1,200mm by 2,400mm and 1,200mm by 1,200mm and 240mm by 1,200mm formats. RIGHT: Parquet patterns in a brick format, Marazzi’s Terramix uses small 70mm by 280mm tiles with a Scandinavian flavour. It comes in Bianco, Beige, Marrone and Nero, plus a Graffito decor.
They are also currently popular in a herringbone pattern. Here the tiles are laid perpendicular to each other, resulting in a broken zigzag. However, the hexagon still has more to offer. Designers are rediscovering the versatility of the format, such as stone effects that feature hexagonal shapes inside hexagonal shapes, creating a striking accent wall. Mix and match finishes are also on-trend. Wall and floor tiles featuring different surfaces are used together to highlight textural differences. As well as the long-lived juxtaposition of matte and polished finishes, today’s increasingly tactile tile installations utilise brushed, chiselled and handscraped faces, alongside plain matt field tiles. Another sought-after pairing is cotto and concrete. It can give a plain concrete look an upgrade by adding depth and character. The rustic and slightly aged appeals means that this 16 | TILE TODAY #92 | www.tiletodaymagazine.com.au
We can also expect to see more wood-look tile planks in all sorts of interesting patterns, especially herringbone. Wood-effect tiles also look set to make a strong appearance on walls, with the brand-new ultrashiny gloss “varnish” effects coming to the fore. The reclaimed, weathered, distressed look in all its forms remains fashionable and is likely to move beyond aged painted wood planks into wider areas. The painted wood effect has progressed and dramatic painted wood is extremely desirable in woodeffect floor tiles, with whitewashed looks and bright geometrics. Even floral designs are now available on a wood grain textured tile. ■
Original Lithofin Factory © 1953
WE’VE COME A LONG WAY!
GERMAN QUALITY PROVEN FOR OVER 60 YEARS COMBINING THE LATEST TECHNOLOGY AND MATERIALS CREATING THE BEST CARE PRODUCTS FOR YOUR PRECIOUS SURFACES Lithofin products were first developed by Glaubrecht Stingel in Stuttgart, Germany in 1953. Today Lithofin is expertly guided by grandson Garvin Stingel developing Lithofin into a worldwide market leader. The Lithofin standard applies to the product quality on the one hand, and to the service quality on the other. The satisfied customer is at the heart of all Lithofin’s activities.
Today Lithofin boasts a full range of specialised cleaners, sealers, problem solvers and maintenance products for natural and engineered stone, ceramic and porcelain tiles, compact sintered surfaces and external pavers used by both professionals and homeowners. To see the full Lithofin range or to locate your nearest reseller, visit: www.lithofin.com.au
EDW N UCT O R P Lithofin Care-Kit >KF< is a sample pack of KF Intensive-Cleaner and KF Vitra-Clean for cleaning ceramic and porcelain tiles. This pack is a perfect gift for tile customers and to introduce the Lithofin range. Contains 2 x 250ml. To receive a free sample, call Greg: 0414 514 000
Melbourne 03 8552 6000 | Sydney 02 9822 5155 | Gold Coast 07 5537 3222 | Adelaide 08 8340 2877 | Perth 08 6240 2200
T RENDS 1. The size and weight of the 20mm thickness tile from Italian manufacturer, Cotto dâ&#x20AC;&#x2122;Este allow users to install them in garden beds, without using adhesive or grout. Grass, mulch or pebbles can be used to fill the joints. (Image courtesy of Trend Tile).
The rise of extra thick tiles Ceramic tiles that are 20mm thick offer another option when conventional or slim tiles are not suitable.
T
he growing popularity of extra thick 20mm tile provides new opportunities to use tile in areas which will be subjected to heavy wear and substantial foot traffic, particularly in outdoor settings, where surfaces are exposed to the elements.
Benefits Leading European and Asian manufacturers of extra thick tile products primarily focus on producing precisely calibrated tiles that are perfectly squared to a single work size. Many of these products weigh less than cement-based materials, or natural stone tiles of similar dimensions. Regular thickness (approximately 9mm) ceramic floor tiles are commonly used in many internal 18 | TILE TODAY #92 | www.tiletodaymagazine.com.au
and external, residential and commercial environments. Extra thick tiles become an option when specifiers and homeowners want to use a product that will provide maximum resistance to breakage and thermal shock, combined with extra load bearing capacity. More importantly, manufacturers tend to produce tile ranges in finishes and thicknesses that will enable end users to extend a design idea from interior spaces to outdoor settings. For example, they can select a 9mm thickness glazed or polished product internally, combined with a 20mm version of the same tile which has a non-slip, matt finish designed for external use. The end user can usually choose the same format in the outdoor setting, or a larger model.
The potential to extend internal floor finishes to the exterior is one of the main advantages associated with the use of ceramic tile. The continuing emergence of 20mm thickness products enhances these opportunities.
Applications Extra thick tiles should be considered in any internal locations where surfaces will be subjected to heavy mechanical loads and high levels of foot traffic. Car showrooms, shopping malls, main thoroughfares in airports and public buildings are potential settings. Regardless of thickness, these large format products can be laid with an appropriate thin set adhesive which is applied using an approved technique to a sound, flat, well prepared substrate.
At 20mm thick, tiles can be used in a couple of ways that do not involve the use of a setting material or grout. The sheer size, weight and strength of each unit of product is practically all that is required to hold it in place. Tiles that are 20mm in thickness can be inset into garden lawns to create a pathway or an attractive design. Users simply remove the appropriate amount of soil, flatten the base and insert the tile flush with the surrounding soil. Grass can be allowed to grow between the joints or they can be filled with mulch or pebbles (Photo 1). A 20mm thick tile can also be used over old surfaces without having to remove, repair or replace existing substrate materials. Terralevel pedestals are installed to coordinate with the dimensions of the chosen tile format. The height of the pedestals can be adjusted and falls can be created. (This can be seen in Photo 2 and Photo 3)
The same system can be installed to cover cabling or pipework. The absence of adhesive or grout allows users to remove one or more tiles so that underfloor elements can be replaced or repaired. â&#x2013; By Anthony Stock.
2. & 3. These photos show how extra thick ceramic and natural stone tiles can be laid flat or to falls using Terra-level pedestals. No adhesive or grout is required. Old external surfaces can be covered; cables and pipes can be hidden. (Images courtesy of CDK Stone).
SAHARA
SAHARA Polished
Distinctive Tile Imports
Lappato
External
P ROJ E C T SP OTLIGH T
A tiled burger bar looks to 80s design Joe Simpson writes about a burger joint in Melbourne that revisits the popularity of video games.
8
Bit offers patrons the guilty pleasure of fast food – burgers, fries and shakes – in a stimulating setting. Located on Swanston Street in Melbourne’s CBD, the look of the diner is in line with the brand’s original outlet in the inner-Western suburb of Footscray. The design concept, which grew from an attraction to 80s and 90s nostalgia, is influenced by Ettore Sottsass’ Memphis Group. The Memphis Group was an affiliation of Italian designers and architects founded in Milan by Ettore Sottsass in 1981. It is known for its postmodern style ceramics, furniture, fabrics, glass and metal objects. The group stopped designing by 1987. The Memphis movement and Pop Art helped to inspire the shapes, joinery, colour, and detailing in 8 Bit. All these elements are fundamental to the overall experience. Dulux Atlas colours were used throughout the space. Brigadier Blue, Exploding Star and, especially,
20 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Salt Lake helped underline the consistency of the theme and its association with Memphis design. These eye-catching colours were applied to the servery bulkhead, throughout the graphic work and across servery wall. The colours imbue the space with vibrancy, and provide a sympathetic background for the work of Melbourne-based Studio io, who contributed to the stand-out branding and graphic design. Lachlan Cooper from Melbournebased architecture and interior design practice, Architects EAT, explains: “Play is a big part of any piece of the 8 Bit brand. The interiors, murals and packaging graphics are no exception. Utilising the fun icons and its playful approach as a starting point, we looked to create our very own 8 Bit world that our customers could play in. Responding to the architectural features of the interior, we built layers of our 8 Bit world on to them to allow the interior to work with the graphics and to give a sense of play.
“By using the Dulux Alphatec Powdercoat range, the Lemon Yellow gloss and the French Blue gloss on the metal trimmings on the servery bulkhead and table frame, we were able to keep the 8 Bit theme consistent, supporting and enhancing the graphic colours...”
NEW ARRIVAL
METALLIC GLAZED TILE
Starlight Tile & Mosaic SPECTRA - 600x600MM / 600x300MM / 300x75MM
MOSAIC BLENDS IN 6 DESIGNS
TILES IN 2 DESIGN & 3 SIZES
GLORY - 600x600MM / 600x300MM / 300x75MM
HEXAGON
83x96mm piece / 300x260mm sheet
SQUARE 30x30mm
30x30mm piece / 300x300mm sheet
HEXAGON PLUS MINI
150x50mm piece / 300x300mm sheet
RECTANGLE 15x50mm
15x50mm piece / 300x300mm sheet
SYDNEY 02 9795 2000 | MELBOURNE 03 8792 3500 | BRISBANE 0418 886 833
SCALLOP
78x66mm piece / 238x246mm sheet
JETSTAR
8x300mm piece / 300x300mm sheet
P ROJ ECERSAIE C T SP OTLIGH 2016 T
The paint colours contrast with the rigorous yet restrained use of small format ceramic tiles. Square mosaic tiles are featured on the dining table surface and were applied in a two-tone pattern to reference the restaurant’s theme, further suggesting the idea of pixelation similar to video games. Throughout its striking interior, this retro-style burger bar tips its hat to the iconic video games of the 80s. This concept largely inspired an interior that provides the ideal accompaniment to a cheeseburger and shake. Customers are encouraged to order at the bar, move through the space and then finger dance on the consoles before heading out into Melbourne’s bustling city streets. Following on from the success of 8 Bit’s flagship in Footscray, Cooper and his team was again entrusted with the colourful interior of this new outlet on Swanston Street. Providing a tonal contrast to the sprite-based graphics of the 80s video era and the Italian design movement, the latest 8 Bit is enhanced by Fibonacci Stone’s Fossil terrazzo floor tiles. As its name suggests, the Fossil range is inspired by geology that has undergone petrification from the past. It is characterised by a combination of subtle colours and textures. Featuring a subtle grey base against which are set warm natural grey and brown marble aggregate details, it provides an excellent foundation for 8 Bit’s vibrant interior scheme. The Memphis influence on 8 Bit, which shows through in its plastic laminate design, bursts of colour and asymmetrical shapes that tie in with the 80s video theme, is firmly grounded by the use of Fossil terrazzo. 8 Bit is just the latest in a growing portfolio of hospitality projects by Architects EAT. The firm also creates work for small scale private homes and apartments to high-rise residential developments, retail and local government. Directors, Albert Mo and Eid Goh said: “Our design process is driven by a consistent 22 | TILE TODAY #92 | www.tiletodaymagazine.com.au
philosophical approach – not a predetermined style – by which we create buildings that are intimately connected to their function and individual context. We are known for our sensitive approach, sensory elements and tactile quality in our projects. “The term ‘phenomenology’ is often used to describe our works. We pride ourselves in creating uniquely detailed projects, and avoid producing similar designs over time.” Due to the small size of the plot, the focus at 8 Bit’s Swanston Street location is more on takeaway trade. Owner Shayne McCallum said, “The space will have a seated capacity of 20, but we expect the flow to be far greater than at Footscray. People will order at the front and just keep going. They’ll play games while they wait and then exit through the back.” Although the decor at Swanston Street mirrored the primary colours
the natural look without the maintenance
THE REVERSO2 RANGE • Vein-cut travertine-look • Glazed porcelain tiles • Suitable for indoor and outdoor use • 3 colourways • 3 sizes: 300 x 300mm, 300 x 600mm and 450 x 900mm
REVERSO SILVER BRISTOL RUST
REVERSO BLACK
REVERSO WHITE
SMART SOLUTIONS FOR EASY LIVING No sealing
Easy to clean
Hard wearing
Very low maintenance
No staining
Low installation costs
Identical to the natural product
No fading
Superior performance
Visit a ColorTile Showroom near you
1300 265 678
www.colortile.com.au
ALEXANDRIA | BROOKVALE | MIRANDA | PADSTOW | WENTWORTHVILLE | COFFS HARBOUR | PORT MACQUARIE
P ROJ E C T SP OTLIGH T
of the Footscray venue, the palette is slanted towards darker hues. The wallpaper on the exterior carries a video game-like 8 Bit burger symbol, while the interior is disarmingly simple, with bursts of colour. Customers can perch along the counter on a colourful stool, sit at a table or lounge in a comfortable booth. Cooper said: “When developing 8 Bit’s second store in the heart of the Melbourne CBD, we wanted to bring to life the bold, sprite-based graphics and colours from the original Footscray store and set it apart from the visual clutter of Swanston Street. “When we discovered that the 8-bit era began around the same time the Memphis Group was formed (perhaps coincidentally), we knew that these two aesthetics would be a perfect match. Our design intent was to bring these bold colours, patterns and heavy geometric forms into the prominent city corner to create a
Memphis-inspired gaming haven for all burger-lovers.” The result of Cooper’s research and invention is a cheerful colour scheme with an upbeat and energetic vibe. Goh said: “That surreal kind of landscape of geometric and pixelated shapes has a real connection to those of us who grew up around gaming in the ’80s.” The architects worked closely with graphic designers Studio io to ensure the space, graphics and furniture all complemented and fitted the brand’s identity of vibrancy and playfulness. “The graphics play a significant part in the spatial identity,” adds Goh. “On the servery walls, pixelated images of a Super Mario-type landscape make it look like the objects are bouncing off the steps.” Studio io explains the process and its contribution: “Game rules: revive the convenience store setting, engage new gamers and reinvigorate the brand using Memphis motifs as
inspiration. The new location called for a cleaner, fresh approach to the identity than in gritty Footscray, but had to keep in touch with our origins for our loyal first players. “On the busiest street in Melbourne’s CBD the main challenge was to stand out amongst the visual commotion. Stripping signage down to basics provides an opportunity for clear recognition while the calm exterior helps the full on interior graphics captivate future players. “The energetic reinterpretation is bold and playful; 80s arcade fun mashed with a similarly short-lived but influential design movement.” And, in a nutshell, that is what make this place special and so memorable. Eating a burger may never be so much fun. ■ Photography by Renee Stamatis
24 | TILE TODAY #92 | www.tiletodaymagazine.com.au
leveltec click
metrotiles
DIRECT
Tile levelling with a
Worldâ&#x20AC;&#x2122;s QUICKEST Tile Levelling System Reversible - FAST - User Friendly Doubles As Tile Spacers - 1-2-3 or 5mm
BENEFITS No Tools Required No uncomfortable / expensive installation tools required.
Quality Product
Two Elements
Fast installation time
Designed, engineered & manufactured in Italy.
Only two elements required; a clip and a cap. Clip spacing: 1-2-3 or 5mm widths.
Installed by clicking cap onto the clip and with a simple twist ensures a tight, secure application.
Downward Compression
Reversible Design
Through applying downward compression ensures no joint expansion during installation.
CROSS CLIPS
Tee CLIPS Clips TEE
WALL
STRAIGHT CLIPS
Allows the installer the ability to unscrew the cap to replace or remove tiles (before adhesive dries) with no clip breakages.
Straight clips are ideal for levelling up to walls or if preferred, used as the primary clip.
Acts as a tile spacer and leveller in one
Cross clips level the corners of four tiles made Quality Italian simultaneously, saving 3 pieces per intersection.
metrotilesdirect.com.au sales@metrotilesdirect.com.au | (07)3363 4909
Tee clips level the corners of three tiles simultaneously, saving 2 pieces per intersection.
SHOP ONLINE DEMO VIDEOS USER GUIDES REVIEWS
TILE LEVELLING SYSTEMS DIAMOND CORE DRILLS DIAMOND BLADES TILE CUTTERS
T RENDS
1.Dark reef glass mosaic blend highlights how mosaic can be used to cover pool steps and curved surfaces. (All images courtesy of Europe Imports)
Mosaic tiles offer unique options While large-format tiles remain in-demand, mosaics provide a degree of flexibility that is difficult to match. Mosaic is an ancient material. Its use can be traced back to antiquity, particularly in the Greco-Roman world, where mosaics were fashioned from elements of stone, sea-shells and glass. In todayâ&#x20AC;&#x2122;s market, there is a variety of materials for end-users to choose from including glass mosaics and ceramic mosaics made from porcelain which can complement large format wall or floor tiles. Mosaics can also made from natural stone, in particular marble, and even metal mosaics are available. It is not uncommon to find mosaics that combine two of these elements on a single sheet. Most people typically think of mosaic as a small square tesserae, but small circular pebble mosaics are popular. In many countries, sheeted ceramic mosaics contain 100mm x 100mm or 50mm x 100mm pieces. In the 1970s local tile shops in Australia were awash with these larger mosaics, which were typically manufactured in Japan. It is still possible to find the entire facades 26 | TILE TODAY #92 | www.tiletodaymagazine.com.au
of large commercial buildings clad in 50mm x 100mm (approximately) sheeted mosaics in Tokyo and other Japanese cities. While there is a tendency to associate mosaic, particularly glass mosaic with use in swimming pools, the material is suited for broader use in a built environment than almost any other hard surface finish. The tesserae are sheeted to provide a sinuous material that can flow over twisting, curved, snaking surfaces that would be practically impossible to tile using conventional products.
Wet areas By nature, swimming pools feature graceful, curved surfaces that can be more easily clad in mosaic (Photo 1). Sheeted mosaic can be assembled to present a cascading vignette of colour. In addition, manufacturers and skilled mosaicists can produce dolphins and other figures which can be prominently positioned in and around the pool. Designers can create a digital image file which can be rendered
on to mosaic. An ordinary digital photograph can be used to create a totally unique design.
Other areas Glittering glass mosaic can be used to striking effect in small spaces, alcoves and niches. In kitchens, mosaic provides the ideal hard surface finish for the wall space between the cabinets (Photo 2). A few square metres of mosaic can provide a striking, practical and elegant finish in a space that is often the focal point in any home. In the United Kingdom, the United States and parts of Europe, mosaic is also used on the kitchen bench tops. The surface is protected by a cutting board, while the grout joints are filled with an easy to apply and clean epoxy grout, which resists discolouration, mould and bacteria. It is possible to align the wall and bench top grout joints to provide an attractive aesthetic. Some cabinet manufacturers provide timber bench tops with a raised lip designed to conceal the edge of the mosaic.
2. Mosaic has many uses in dry or fully immersed locations. It can be used in relatively small spaces to provide an eye-catching surface finish. This illustrated Kir Royal mosaic is by Ezarri.
3. A stylised floral design created in glass mosaic is contrasted effectively by a wall of bright red Metallica Rubi mosaic.
Fixing mosaic is a challenging process particularly in swimming pools where steps and curved substrates are encountered. However, by mastering this art, the tile fixer can create one-of-a-kind designs while covering any difficult background.
Artistry In the bathroom, mosaic can be used creatively, especially on feature walls and floors where it can provide a contrast to larger format porcelain and natural stone products.
While individual designs can be created using a blend of compatible ceramic tiles of different size and colour, mosaic is the material that permits designers and tile fixers to render something exceptional and exciting (Photo 3).
Tile fixers can also ask a supplier to create and pre-sheet a mosaic concept at the factory. Each sheet is numbered and assembled on site like a giant jig-saw. Every year, millions of square metres of mosaic of one kind or another is imported into Australia. Tile merchants and fixers who gain a real understanding of how to use these materials creatively will reap the biggest reward. â&#x2013; By Anthony Stock.
DIAREX ULTRA ÂŽ
VACUUM BRAZED PREMIUM STONE & TILE NEW
THE PROVEN PERFORMERS Diarex ULTRA, VIPER, EMS & BLACK MAGIC Thin Turbo Blades cut fast and cut clean. Like the ULTRA & VIPER our new EMS & BLACK MAGIC have been specifically developed for the tile trade. Featuring a new generation of diamond matrix with a unique rim pattern, the new VIPER Thin Turbo Blade last longer and produces even cleaner cuts in porcelain, stone and glass tile.
For your nearest stockist Phone 03 8552 6000
Premium quality long life drill bit for Porcelain, Ceramic, Marble and Limestone.
I NT ERVIEW
ACT Australia’s Colin Morrow and office manager, Courtney Parker.
Product
Paying it forward Colin Morrow’s enthusiasm for the Australian tile industry can be traced back to his Scottish roots.
I
n a world where the huge benefits of migration seem recently to be less mentioned, the story of Colin Morrow, owner of tile adhesive manufacturer ACT Australia is a reminder of just how much can be gained, both by migrants and the country to which they move. Raised in a small Scottish island village before moving to the “big smoke” of Glasgow, Colin initially trained as a shopfitter/joiner, working all over the UK. He always knew that his future would lead him to Australia.
The land down-under When Colin travelled to Australia in 1990 to explore a new lifestyle and instead of working “on the tools”, he found himself moving into sales – a career change that would have been much more difficult for him to achieve in Glasgow. Colin moved quickly to establish his new career. He said,“Since arriving in Australia, I have worked in the tile adhesive business. My first sales role was with Construction Chemicals before joining ABA, working in Sydney. “In 2000 I moved to Brisbane as Queensland manager for ABA, then Ardex as they acquired the ABA 28 | TILE TODAY #92 | www.tiletodaymagazine.com.au
business. In late 2007 I left Ardex to set up my own business MCB [later to become CTA]. I left CTA early in 2013 and set up ACT Australia Pty Ltd.”
Company ACT Australia emerged from Colin’s desire to build a manufacturing company that improved on his past business experience and offered an alternative in the market. ACT Australia is a company that places a priority on providing solutions for their customers, against a background of premium quality in products, service and technical support. One of the real opportunities he saw was that multinational companies operating in the industry were not always delivering what customers really wanted. More importantly, he says, multinationals can lose touch with what a business transaction really involves – which comes down to personal, human relationships. “At the end of the day, customers are not interested in excuses they only want their order delivered, in full and on time every time with no invoicing errors. That customer service is something we pride ourselves on at ACT Australia.”
Colin is very proud that ACT Australia’s range of products are all made locally, in its Queensland-based, high tech, automated manufacturing plant. He believes the company’s “wet adhesion transfer technology” that is incorporated as part of its range is a key point of difference in the market. As Colin states, “the first three years of our business plan was to develop and launch our core range of products in stage one which is now complete.” He continues to say, “From when ACT Australia started in April 2014 we have increased our range of products to cover the vast majority of tiling, grouting, waterproofing, acoustic underlay systems and levelling application scenarios.” Now, ACT Australia is moving into stage two: “Today, we are finalising the second stage of our growth plan by introducing and adding specialist, world leading fixing materials to our range. These new high tech products ensure ACT Australia continues to grow by offering the Australian market premium technology installation systems to cover all scenarios. More information on these product lines will be available as we launch them later this year to the Australian market place. I’m pleased to announce some of these products are completely unique with no equivalent currently available anywhere in the world never mind here in Australia.” With large format tiles becoming more common, ACT Australia has its own “Clip-It” tile levelling installation system. This is a unique tile-levelling system designed, engineered and manufactured in Australia with its own patent specifically for use with larger format tiles for all internal and external wall and floor applications. The Clip-it clip component is made from a premium blend of virgin polymer material designed to break easily where it is meant to, underneath the tile. Its wedge component also has a much larger thumb print, saving finger fatigue and negating the need for any tightening tool.
Tile adhesive products being made in the company’s Queensland-based manufacturing facility.
Resellers Another key strategy of ACT is that it works mostly with resellers. The company is focused on working with family-run, independent tile retailers where it can provide a profitable competitive advantage with their fixing materials. One of the key identifying factors ACT looks for is a strong and successful trade/contractor customer base, founded on close relations between the retailer and their trade customer.
Actively giving back A big part of ACT Australia’s mission as a company is to give back to the community. The name of the company is not just an abbreviation or acronym, but an incitement to action. He wanted the company “to act” in the sense that it would help support charities and other good works. For example, ACT Australia has taken on naming rights sponsorship
for the annual 1200kms for Kids Charity Bike Ride. The ride established in 2007 by two fathers, Gary Richardson and Trevelyan Bale, who were looking for a way to give back to the hospitals that had helped their own sick children. Since then, the 1200kms Kids Charity Bike Ride has brought together a group of cyclists and their support crew, who manage a ride down the east coast of Australia to
raise money so as to help the lives of seriously ill children and their families. This will be Colin’s fifth year riding the event. All proceeds raised go towards research and equipment for the Humpty Dumpty Foundation and the Children’s Hospital Foundation. For anyone interested joining the ride this October, contact Colin though the ACT Australia website on www.actaus.com to find out more. ■
We moved from a standard computer software package to ClearTile and what a difference! ClearTile’s reporting system is one of the best I’ve ever seen. Paul Cannizzaro, Director, Designer’s Ultimate Tiles, Victoria
T EC H N ICAL
1. The Raimondi Free-Cut 150 guide bar is designed to scribe products up to 1560 mm in length. (Images courtesy of B.A.T. Trims)
Cutting machines for modern tiles Tile Today looks at versatile tile cutters for slim and thick tiles, as well as panels. There are machines for almost every type of tile.
B
ack in 2009, I listened to a passionate speech delivered by a well-meaning industry personality who specialised in the supply and fix of ceramic tiles. He claimed that bigger, thicker or slim tiles and panels were problematic materials that would pose endless problems for tile fixers and ultimately for the industry as a whole. A lot of tile fixers who lack the skills, or the equipment required to cut and install large format materials, slim or thick, probably agreed with the speakerâ&#x20AC;&#x2122;s suggestion that we should get back to basics by limiting the overall dimensions of tiles. However larger tiles and panels of various thickness have emerged because architects and designers frequently favour large seamless surface finishes. As a result, the industry has produced the technology
30 | TILE TODAY #92 | www.tiletodaymagazine.com.au
and machinery to produce slim porcelain tiles and panels (3mm to 7 mm) which can be easily handled. The reduced weight and consumption of raw materials are viewed as beneficial to both the industry and the environment. Whenever new tile products emerge, manufacturers of allied products race to produce cutting equipment, adhesives and grouts that suit the latest styles. The popularity of dense, hard polished porcelain tiles, and the development of glazed porcelain prompted manufacturers of machinery, blades and cutting wheels to launch cutting implements that provide a smooth cut. More importantly, cutting machines were required that could handle products that range in length from 300mm to 3 metres.
The current trend is for many design and construction professionals and consumers to favour 20mm and 30mm thick natural stone products. Ceramic tile manufacturers recognised this trend by introducing 20mm thickness porcelain products in a variety of large formats.
Rising to the challenge Some tile fixers will try to avoid projects that involve handling slim or extra thick tiles because both materials present their own peculiar set of challenges. Tile fixers who want to provide a comprehensive service can take comfort in the fact that a number of tile cutters and wet-saws can now cut slim and extra thick tiles. Manufacturers like Raimondi of Italy produce machinery that is capable of cutting products which exceed 4 metres in length.
G REY
L IG H T G REY
HAMPTON
Size: 300 x 600 x 8.5mm (Porcelain) Finish: Grit 2 Colours | 1 Size | 1 Surface Random Pattern / Design: 2 faces
CEMENTUM
Colour: Grey Size: 300 x 600 x 8.5mm (Porcelain) 600 x 600 x 9.5mm (Porcelain) Finish: Matt 1 Colour | 2 Sizes | 1 Surface Random Pattern / Design: 6 faces
VIC Bayswater VIC Point Cook NSW Office QLD Office Hobart Office
– – – – –
Unit 1, 843 Mountain Highway, Bayswater, VIC 3153 Unit 2, 22–30 Wallace Ave, Point Cook, VIC 3030 Unit 4, 5 Merryvale Road, Minto, NSW 2566 62 Commercial Road Newstead QLD 4006 Unit 2, 94-98 Charles Street, Moonah, TAS 7009
Ph: 03 9720 4041 Ph: 03 8459 2828 Ph: 02 8795 0833 Ph: 07 3257 3255 Ph: 03 6272 9219
Orders: VIC, TAS, SA, NT – 1800 035 072 NSW, WA – 1800 354 759 QLD – 07 3276 8888
T EC H N ICAL
Two of Raimondi’s machines are exclusively marketed in Australia by B.A.T. Trims.
Free-Cut 150 and 200
2. Two sets of separating pliers are supplied to cope with slim products (3mm to 6mm), or more conventional products.
The Free-Cut system is designed to combine the versatility of a scribe and snap tile cutter, at lengths which are usually achieved on a wet-saw with a large table. The Free-Cut 150 system comprises the following: • A single guide bar (Photo 1) with a cutting head attachment that has a 12mm carbon tungsten wheel. The guide bar is 2060mm long. This allows the user to scribe or score a 1560mm cut. The two pieces are divided by careful use of the supplied separating pliers which are designed to handle 3mm to 6mm tiles and panels. (Photo 2) • Extension bars can be clipped on which stretch the cutting/scribing length to 3760mm. At this point, the cutting process is manual, relying entirely on the long guide bar, cutting head, and the ability of the user to separate the two pieces using the supplied separating pliers.
Flooring Magazine delivers to you the latest in design trends and innovative products PLUS valuable insights into how to give your business the edge. Register NOW Simply go to www.flooringmagazine.com.au and click on the “Free Registration” tab.
32 | TILE TODAY #92 | www.tiletodaymagazine.com.au
3. A jig housing an angle grinder can be added to provide electric cutting and mitring.
1 Day Job Solution... Rapid
Resistant
Bostik ASA Expressfix + Megalastic
Reliable
Bostik Primesil Designer Silicone Apply 3 hours after Tiling
▼
▼
Apply 4 hours after Primeseal Rapid
▼
Bostik Design Epoxy Grout 3 hours after Tiling
▼ Bostik Primeseal Rapid (1st coat: 30 mins after priming 2nd coat: 1 hour after 1st coat)
▼ Substrate
▼
(Check if substrate is porous or not to select a suitable primer)
Bostik PrimeGrip Non Porous (ASA Multiprime may be used for porous substrates)
Bostik Australia Customer Service Tel: 1300 364 710
PROJECT: TILING OF WET AREA
Always follow installation instructions on the TDS, available from the Bostik website www.bostik.com
www.bostik.com
T EC H N ICAL
4. The Zoe 130 A wet-saw can handle straight and bevel cuts and mitring. Cutting extra thick (20mm plus) tile and stone products does not pose a problem.
In the last two years, several Italian manufacturers have introduced technology to press porcelain panels in lengths that exceed 4 metres. This has led to Raimondi launching Free-Cut 200 which uses the same scribing and separating processes by adding extension bars cuts so it can be expanded to 4260mm. The Free-Cut system can be enhanced by adding a jig to the guide bar, which can house an angle grinder (Photo 3) thus providing an electric system. There are two jigs available; one that cuts different angles including mitres and the other allows 90 degree cutting. Recent tests have demonstrated that large 12mm thickness ceramic timber-look planks can be efficiently cut using this system. It can cut 3mm to 12mm tiles of practically any length. A different set of separating pliers 34 | TILE TODAY #92 | www.tiletodaymagazine.com.au
is required for products that exceed 6mm in thickness.
ZOE 130 A The “A” in this model stands for “advanced”. When it comes to cutting large format extra thick materials such as 20mm ceramic and natural stone tiles, fixers and stonemasons will usually turn to conventional wetsaws that have the grunt to produce clean straight, bevel and plunge cuts. Raimondi’s Zoe 130 A has a cutting table that delivers 1300mm cuts, using a 360mm blade powered by a 3 HP motor (Photo 4). Other features include: • Removable aluminium tables • Telescopic legs • Plastic water tray • Heavy duty water pump • Adjustable guides for 45 and 90 degree cutting or mitring
The 98kg machine is housed on wheels for manoeuvrability. In response to the continuing popularity of large extra thick products, Raimondi also released the Zoe 155 A, which shares similar specifications but produces cuts of 1550mm. It weighs around 106kg. Today, the tile industry can provide every kind of hard surface finish, from tiny mosaic tesserae to massive panels, slabs and planks. Each kind of internal and external surface can be covered. At the same time, it appears the machinery, adhesives and grouts are readily accessible to install these materials. But the industry must also ensure there are tradespeople equipped with the relevant skills, who are supported by effective standards. ■ By Anthony Stock.
I NSTALL AT I ON
Trowel choice makes a difference Fred Gray from Laticrete Technical Service discusses the importance of trowel selection. It has a direct influence on the outcome of the tile project.
F
or some time now, the tile industry has seen a shift in the size of tile that is used to clad a wall or floor. Historically, a tile was labelled as large format if it was larger than 200mm x 200mm and improvements in manufacturing technology have made it possible to make a tile that is larger than 1m x 1m (not taking into account the thin porcelain veneer panel) that can weigh as much as 45kg. In comparison, it would be difficult to consider a 200mm x 200mm tile as being large, but proper installation methods and materials can help to ensure that any size ceramic or stone tile, masonry veneer, or thin brick is installed in such a way as to meet the project and industry requirements for adhesive coverage, distribution and thickness. While an increasing demand for greater surface tolerances is critical to the success of the application, having suitable adhesive coverage, distribution and depth under the tile is as critical to the finished installation, as the flatness and structural integrity of the substrate. To this end, our own AS3958.1-2007 with caveats, suggests acceptable levels of coverage for given service requirements in Clause 5.6.4: “The contact coverage of the adhesive should be maximized. Minimum contact coverage should be: • Internal residential walls 65% • Residential floors 80% • Commercial and industrial walls 80% • Commercial and industrial floors 90% • Wet areas 90% • Swimming pools 90% • External walls 90% • Exterior floors, decks and roofs 90%” Further to coverage, adhesive distribution and thickness requirements are also commented on: “The coverage should be sufficiently distributed to give full support to the tile with particular attention to this support under all corners and edges of the tile. Expressing contact coverage as a percentage alone presents some problems. For example, 80% coverage on a floor tile is not generally acceptable if a significant portion of the tile (e.g., one edge) is left without any adhesive. “In conjunction with the amount of contact coverage, the depth of adhesive is also seen as critical, as this is an important point for stresses to be absorbed within the installation. It is essential that the manufacturer’s instructions be followed.” So exactly how do you achieve these coverage, distribution and thickness requirements when installing ceramic tile and stone? If you are installing a tile that is 150mm x 150mm or less, the answer is easy.
36 | TILE TODAY #92 | www.tiletodaymagazine.com.au
1. An example of a poor attempt to bed a tile. Insufficient adhesive coverage, distribution or technique in application
Typically, the adhesive coverage of a 150mm x 150mm tile can be achieved with most likely a 6mm x 6mm square notch trowel and the technique of moving the tile forward and back, perpendicular to the notches, whilst pushing it into the adhesive. However, as tile or stone starts to become larger in area, it becomes more difficult to achieve the adhesive coverage, distribution and thickness required. So it becomes necessary to take extra steps to ensure these are acceptable for the proposed installation and meet industry standards. One such method requires a combination of enough time to do the work; back buttering the tile (applying a coat of thin bed adhesive to the back of the tile to fill voids and help assist in the transfer of the adhesive) as seen in Picture 2. Using a trowel size that will achieve adequate adhesive coverage, distribution and thickness; trowelling out parallel ribs perpendicular to the direction of the tiling; moving the tile forward and back perpendicular to the notched adhesive ribs during the laying process (to collapse the adhesive notches and expel air); and using rubber mallets for further tile embedment, adjusting and levelling in the process of laying.
PRIMERS
SUSTAINABILITY
ADHESIVES
CONCRETE REPAIR
BONDING AGENTS
LEVELLING
GROUTS
TILES
TRANSPARENCY
PREMIUM GROUT
CERTIFICATION
SILICONE
SEALANTS
WATERPROOFING
STONE
MAPEI has been manufacturing building and construction products since 1937 and over the years has become a point of reference for the global market. MAPEI manufacture adhesives, grouts, sealants, waterproofing membranes, primers and bonding agents for the ceramic and stone markets and has a long, proud history which has always been closely connected to their capacity for groundbreaking research and innovation. Thanks to the inherent quality and innovation of their products and technology, MAPEI is the ideal partner for designers, contractors and clients operating on prestigious, eco-sustainable projects and sites. MAPEI now has over 80 years of experience and can offer high performance products to complete a perfect installation every time.
For further information please contact Mapei on 07 3276 5000 Email sales@mapei.com.au Website www.mapei.com.au
I NSTALL AT I ON
The guidelines for trowel sizes, as stated in AS3958.1 are guidelines and cannot address every installation circumstance. The substrate tolerances, type, size and tolerance of tile, intended service requirements of the installation, climatic conditions, interior or exterior use, and individual manufacturer’s recommendations are all factors the installer should consider in selecting the ideal trowel for the job. Picture 3 shows a 150mm x 150mm tile in a light duty installation that was set using a 6mm x 6mm square notched trowel without back buttering but using the method of moving the tile forward and back. The 150mm x 150mm tile falls into the range of good coverage without back buttering the tile.
2. A back buttered large format tile. The tile adhesive is worked into the back of the tile with the straight edge of a trowel to fill voids/depressions and cover the back of the tile with a thin, uniform layer of adhesive just before it is placed on the notched substrate.
So where service loads dictate; in immersed installations; where guided by AS3958; or where coverage is specified in the project specifications, back butter each tile greater than 200mm x 200mm and select a notched trowel sized to facilitate the correct coverage and adhesive thickness. Key/work the adhesive into the substrate with the straight side of the trowel, and then comb with the notched side of the trowel in one direction, parallel to the progression of the work. Embed the back buttered tile into the adhesive, pushing forward and back in a direction perpendicular to the combed ribs and beat with a rubber mallet to the required level and alignment. With the correct sized notch trowel, this method should produce maximum coverage with the corners and edges fully supported. Systematically remove and check a tile to assure that appropriate adhesive coverage, distribution and thickness is being attained.
Choosing the right size notch trowel AS3958.1 in clause 5.6.2 (a) (1) suggests the following, and is a good start: • 200mm × 200mm — 8mm notched trowel • 250mm × 250mm — 10mm notched trowel • 300mm × 300mm —12mm notched trowel • 400mm × 400mm and above — 12 mm notched trowel and buttering of the tile Irrespective of the various recommendations for trowel size, no installation of tile, stone veneer, or thin brick is ever exactly the same – much like the fact that substrates, jobsite conditions and tile flatness will vary. With this said, there is no universal rule on the proper size notched trowel required that will fit every application based simply on tile size. 38 | TILE TODAY #92 | www.tiletodaymagazine.com.au
3. A 150mm x 150mm ceramic tile being installed using a 6mm x 6mm square notch trowel. Sufficient coverage has been achieved without back buttering for light duty service requirements.
But in the tile industry, some job site failures or tile breakage have been due to the lack of adhesive coverage on the back of the tile or stone. A common cause for this type of failure is an inadequately sized notch trowel selection, incorrect adhesive application techniques, and neglecting to check coverage on a regular basis as the work progresses. (Picture 1 highlights a tile that delaminated due to these omissions.) The installation of a 450mm x 450mm tile on a good surface will probably require a 12mm x 12mm or larger trowel with back buttering. Initially the process should be one of trial and error to select the right trowel.
I NSTALL AT I ON
4. A 450mm x 450mm tile installed using a 10mm x 10mm square notch trowel and no back buttering – resulting in insufficient coverage
As Picture 4 clearly indicates, a nominal, minimum coverage of 90% is not being met for a commercial floor, as an example, as required by AS3958.1. Obviously insufficient coverage may lead to potential missteps such as loss of bond, cracking/breaking under load (due to lack of support), or a hollow sounding tile, especially on installations subject to impact and point load. A 10mm x 10mm trowel is not the proper size for a 450mm x 450mm tile where 90% coverage and bedding is required. For better coverage and bedding – back buttering – a 12mm x 12mm trowel and tile movement forward and back is the minimum starting point to begin to assess what will be required to meet installation expectations. Keep in mind that using or specifying larger trowel sizes does not always guarantee sufficient coverage. Factors that could alter the recommended size of the notch trowel used include tile warpage; the angle at which the notch trowel is held during installation; wear (age and use) of the trowel; and swirling of the adhesive during application. All these elements can play a role in affecting adhesive coverage. 40 | TILE TODAY #92 | www.tiletodaymagazine.com.au
5. A 450mm x 450mm tile installed using back buttering; a 12mm x 12mm square notch trowel and the forward and back movement – sufficient coverage and thickness “may” have been achieved.
New Product SMS 220 Introducing the new Raimondi SMS 220 Wet Saw. Powered by a 3hp motor, 360mm diamond blade and a massive 220cm cutting length, the SMS 220 will make light work of materials such as granite, marble and porcelain. Stock arriving soon - Place your order now. Contact B.A.T. Trims for all your Raimondi needs.
Berta Advanced
Easy-move Advanced
Pedalo
Zoe 105A
Pikus 130A
Mistral 150
www.battrims.com
1800 BAT TRIMS 2 2 8 8 7 4
I NSTALL AT I ON
Also, back buttering is not some sort of magic panacea and does not guarantee sufficient coverage or void free installation. It is just one part of the installation method for large format tile or critical installations that ensures the adhesive is worked well into the tile surface; provides wet on wet contact in hot, dry and/or windy conditions; and fills minor depressions or keys in the tile. Picture 6 shows coverage has not been achieved even though the tile was back buttered and manipulated forward and back. Note the cross hatched tile ribs that did not make contact with the adhesive bed on the substrate resulting in long voids along the length of the tile. The layer of adhesive back buttered to the tile can often conceal the real level of “effective” coverage for the unweary eye! Tile contractors are now faced with tile sizes from mosaics to large, heavy tiles so becoming familiar with the appropriate tools and techniques to help make sure that the tile or stone is properly bedded is important. Conduct test areas, check coverage during installation, be consistent when mixing batches of adhesive, back butter large format tile, clean tools frequently, make sure the substrate is flat prior to installing the tile or stone, make adjustments as necessary to achieve maximum coverage, and make sure the adhesive is of suitable consistency to “wet out” the back of the tile/stone and the substrate.
finishes& SURFACES
THE OFFICIAL > Annual preview & review of brand new products PUBLICATION FOR FINISHES & SURFACES > Innovative ideas, aspiring projects EXHIBITION > Distributed to leading specifiers, interior designers, retailers and newsagencies Australia wide
For more information and advertising opporturnities please contact: Vicky Cammiade
Phone: +61 3 9890 0815 Email: vicky.cammiade@ elitepublishing.com.au
Flooring>Carpet>Tile>Stone>Veneers>Vinyl>Laminate>Paint>Glass>Timber>Concrete
42 | TILE TODAY #92 | www.tiletodaymagazine.com.au
6. Shows coverage has not been achieved even though the tile was back buttered and manipulated forward and back. Note the cross hatched tile ribs that did not make contact with the adhesive bed on the substrate.
Although these are only guidelines, they can provide a great place to start. Correct methods should be followed throughout the installation and tiles should be checked periodically to ensure that the tile is consistently achieving acceptable coverage rates. As an aside, an interesting format that can present installation challenges is the large, thin porcelain panel with sizes in excess of 3m x 1m. With these products, surface preparation and flatness, adhesive application and panel laying techniques are even more critical due to, amongst other things, the product thickness and the very large areas of single modules. In particular, thinner product on floor applications are vulnerable. The current AS3958 guidelines do not address this new product category and it is hoped the next release will offer some guidance on these products. In the meantime, there is more of an imperative to observe the panel manufacturers’ installation instructions and specification. For instance, many of the manufacturers require not just back buttering of the panels but back notching as well. In a horizontal direction and parallel to the notchings on the substrate to encourage better mating of the two surfaces. Larger sheets are laid with the aid of handling frames and in some instances, vibrators. ■
NO TOOLS NEEDED EASY REMOVAL The New Tuscan SeamClip The Tuscan SeamClip™ is the world’s first one-piece tool less joint levelling system that will greatly assist in the installation of porcelain, stone, ceramic, marble, granite and large format tiles on floor or wall from 3mm - 13mm in thickness.
FOR FLOORS & WALLS Lippage Free
P P The interlocking design of the Tuscan SeamClip™ essentially P eliminates lippage whilst simultaneously minimising the possibility P of warping resulting in a smooth flat surface. P
1-Piece System that virtually eliminates lippage during tile installation No tools needed Easy to use Made in the USA* from recyclable material Designed for calibrated Tiles 300mm and above
AVAILABLE IN 3 SIZES
White 3mm - 6.5mm thickness
Blue 6.5mm - 9.5mm thickness
Red 9.5mm - 13mm thickness
LIPPAGE FREE HASSLE FREE The Tuscan Leveling System is the way to professionally lay large tiles, fast.
Position strap and cap
Lay the tile
Attach setting tool
P The system is easy to learn and use at any skill level P Makes installation twice as fast and more profitable P Reduces installer fatigue and stress
Tuscan Leveling System Setting Tool - Ergonomic 1 unit
Tension until level
Wait for glue to dry
Remove strap and cap
P Prevents tiles from moving whilst drying P Drastically reduces the need for grinding P For use with tiles 300mm or larger
Tuscan Leveling System Cap Box of 250 pcs
Tuscan Leveling System Strap Box of 200 or 1000 pcs
Phone 03 8552 6000 to find your nearest stockist. For more information or a demonstration visit www.tuscanleveling.com *Patent Pending
MARKETS
Ceramic tile imports fuel record market size Peter Halliday writes that tile imports rose by 7 per cent in 2016, totalling 46.11 million square metres.
F
or the fourth consecutive year, the Australian Bureau of Statistics (ABS) is reporting another increase in imports of ceramic tiles. This is the longest continuous run of annual increases since the year 2000. However, there are some signs this growth rate may be moderating. The latest ABS figures show Australia imported 46,113,193 square metres of ceramic tiles in 2016. This was a 7 per cent increase over 2015. The Australian customs value of the tiles imported was AUD483,168,120, an increase of 4 per cent. This is a much lower increase in value than previous years and reflects a stabilising in both the foreign exchange rates of the Australian dollar against the
Euro and US Dollar over the last 12 months as well as more stable prices from producers. There are indications the growth rate may be slowing down somewhat because the December quarter figures were 142,768 square metres or 1 per cent lower than the 2015 December quarter. This is the first year-on-year quarterly decline since June 2013 which has averaged 12 per cent since mid-2013. It has also been noted in building figures released by the ABS that the number of dwellings approved fell 2.5 per cent in December and in trend terms, has fallen for seven consecutive months. While December may have been low, the June quarter in 2016 saw the biggest increase over the previous year (+16 per cent).
Unglazed tile imports (HS Code 6907) totalled 7,097,445 square metres. This represents 15.4 per cent of all tiles imported. Unglazed tile imports increased just 0.1 per cent in 2016. Glazed tiles (HS Code 6908) increased by 7.8 per cent over the previous year. Detailed breakdown by square metres and percentage of each state total can be seen in Fig.1 and Fig.2. The table of total ceramic tile imports for 2016, listing country of origin, declared destination state and Australian Customs value is shown in Fig.3. The total figure for New South Wales includes 217 square metres that were declared as destined for Australian Capital Territory.
FIG.1 CERAMIC TILE IMPORTS (SQUARE METRES) BY HS CATEGORY CALENDAR YEAR
HS CODE
TYPE
NEW SOUTH WALES*
NORTHERN TERRITORY
QUEENSLAND
SOUTH AUSTRALIA
TASMANIA
VICTORIA
WESTERN AUSTRALIA
TOTAL M2
TOTAL CUSTOMS VALUE AUD
2013
6907
Unglazed
1,983,458
46,714
1,048,171
289,547
14,725
1,908,973
371,103
5,662,691
65,278,826
2013
6908
Glazed
10,178,126
462,027
5,952,305
1,702,579
167,591
6,593,453
,720,355
28,776,435
232,966,144
2014
6907
Unglazed
2,380,019
84,630
1,660,548
313,269
3,501
1,822,993
470,334
6,735,293
84,122,813
2014
6908
Glazed
12,029,396
578,876
6,395,917
1,680,299
185,043
7,467,556
,562,870
32,899,957
291,657,126
2015
6907
Unglazed
2,549,589
91,739
1,733,410
441,135
768
1,725,860
548,017
7,090,518
97,113,849
2015
6908
Glazed
13,531,064
547,333
7,131,747
1,819,411
206,899
8,412,512
,541,524
36,190,491
367,362,457
2016
6907
Unglazed
2,747,607
72,891
1,531,776
359,739
2,582
1,825,739
557,110
7,097,445
103,173,778
2016
6908
Glazed
15,961,936
351,418
8,486,884
1,780,854
212,247
8,414,556
3,807,853
39,015,748
379,994,342
WESTERN AUSTRALIA
TOTAL M2
TOTAL CUSTOMS VALUE AUD
Data source: ABS * Incudes figures for ACT direct imports
FIG.2 CERAMIC TILE IMPORTS HS CATEGORY AS PERCENTAGE OF TOTAL STATE IMORTS CALENDAR YEAR
HS CODE
TYPE
NEW SOUTH WALES*
NORTHERN TERRITORY
QUEENSLAND
SOUTH AUSTRALIA
TASMANIA
VICTORIA
2013
6907
Unglazed
16%
9%
15%
15%
8%
22%
9%
16%
22%
2013
6908
Glazed
84%
91%
85%
85%
92%
78%
91%
84%
78%
2014
6907
Unglazed
17%
13%
21%
16%
2%
20%
9%
17%
22%
2014
6908
Glazed
83%
87%
79%
84%
98%
80%
91%
83%
78%
2015
6907
Unglazed
16%
14%
20%
20%
0%
17%
11%
16%
21%
2015
6908
Glazed
84%
86%
80%
80%
100%
83%
89%
84%
79%
2016
6907
Unglazed
15%
17%
15%
17%
1%
18%
13%
15%
21%
2016
6908
Glazed
85%
83%
85%
83%
99%
82%
87%
85%
79%
Data source: ABS * Incudes figures for ACT direct imports
44 | TILE TODAY #92 | www.tiletodaymagazine.com.au
FIG. 3 TOTAL CERAMIC TILE IMPORTS 2016 Square Metres by State All Ceramic Tile HS Codes Country of Origin
State of Final Destination New South Wales*
Northern Territory
Queensland
South Australia
Tasmania
Argentina Australia (Re-imports) Austria Belgium
17,679
6,829
China (excluding SARs and Taiwan) Croatia Czech Republic
Total SQM
42,871
100
1,600
4,446
952
5,400
0.0%
177,029
26,131
0.1%
313,963
56,199
270 12,688,937
344,608
13
0.0%
1,318
52
1,735
0.0%
31,806
898
0.0%
1,039
12,338
267,980
0.6%
4,324,740
1,570
1,840
0.0%
16,065
1,701
0.0%
15,623 266,746,734
1
6,913,743
1,497,814
144,905
6,696,768
2,529,045
30,815,820
66.8%
633
0.0%
26,456
1,363
13,679
1,134
2,612
1,203
31,067
0.1%
153,004
633 11,077
Egypt
Customs Value AUD
1,623
898 151,175
% Total SQM
5,400
19
Bulgaria Canada
Western Australia
13 1,664
Bosnia and Herzegovina Brazil
Victoria
1,204
0.0%
6,845
France
25,625
3,311
31,777
60
3,838
64,611
0.1%
1,204,429
Germany
53,848
23
571
85,206
16,630
156,279
0.3%
3,322,337
17
0.0%
1,629 948,380
Greece Hong Kong (SAR of China) Hungary India Indonesia Iran
1,204
17 71,808
293
Japan Korea, Republic of
11,636
89,679
0.2%
239 196,145 88,458
7,841
239
0.0%
7,238
26,916
7,543
1,953
43,008
41,379
316,943
0.7%
3,442,797
158,006
24,500
23,092
101,549
77,882
481,327
1.0%
5,224,156
3,316
4,500
0.0%
61,080
950
950
0.0%
19,650
4,246,623
9.2%
99,224,837
1,184
Israel Italy
5,943
1,887,022
10,218
549,546
1,054
8,382
11,223 127,964
Lebanon
1,089
Malaysia
1,005,640
177,204
22,392
490
47,637
1,377,834
1,010 282,482
846,995
753,246
36,687
1,192
312 1,134
0.1%
1,560,107
0.3%
1,356,264
1,089
0.0%
22,969
1,380,497
247,841
4,343,065
9.4%
31,426,765
939
24
Mexico
18,244
21,998
0.0%
181,402
Morocco
3,317
2,573
5,890
0.0%
371,480
Netherlands
6,171
10,023
16,194
0.0%
852,423
New Zealand
2,001
0.0%
105,831
Philippines
10,162
Portugal
36,216
2,791
49,592 138,723
2,966 930
114,405
6,781
2,140
1,018
50
6,035 10,162
0.0%
62,094
68,188
5,723
234,382
0.5%
2,559,688
80
80
0.0%
3,290
2,098
540
2,638
0.0%
29,215 297,371
Romania Saudi Arabia Singapore
4,973
5,226
South Africa
3,855
1,873
Spain
699,865
Sri Lanka
132,377
Sweden
20
Switzerland
30
Taiwan Thailand
Viet Nam Grand Total State Share
17,220
11,537
141,113
12,746
9 474,991
29,462
0.1%
400
3,371
9,514
0.0%
197,681
17,096
476,068
185,806
1,638,362
3.6%
32,212,053
28,148
221,268
533,915
1.2%
4,927,163
20
0.0%
2,978
171
0.0%
36,690
141 10,770
26
United States of America
134,901
201,098
83,890
United Kingdom
30,418
2,651
Turkey United Arab Emirates
228,185
702,473
Tunisia Ukraine
925
19,264 15
17
3,498
20
16,939
0.0%
214,159
226,180
153,731
1,295,036
2.8%
8,011,484
26
0.0%
7,570
25,484
60,579
323,812
0.7%
4,269,422
1,149
0.0%
15,649
87,165
7,122
625,121
1.4%
5,829,205 1,044,459
1,140 9,896
37,769
8,178
32,017
8,910
30,954
31
71,912
0.2%
7,740
484
785
4,350
13,359
0.0%
315,238
8,590
5,156
208,958
0.5%
1,984,314
10,138,373 23%
5,089,541
46,113,193
100.0%
483,168,120
12%
100%
146,975
1,201
35,488
11,547
16,080,653 37%
639,072 1%
8,865,158 20%
,260,547 5%
207,667 0%
Data source: ABS * NSW figures inc 217 for ACT
www.tiletodaymagazine.com.au | TILE TODAY #92 | 45
MARKETS
FIG. 4 TOP FIVE ANNUAL IMPORT SOURCES
Country of Origin
2010
2011
China
2012
2013
2014
2015
2016 30,815,820
18,554,492
19,765,891
19,413,587
21,687,732
25,705,821
28,648,766
Malaysia
4,586,344
4,017,610
3,680,670
3,688,549
4,007,507
4,396,251
4,343,065
Italy
2,374,288
2,732,742
2,625,742
2,843,563
3,462,958
3,908,293
4,246,623
Spain Thailand
993,979
975,730
1,094,577
845,097
1,416,971
1,601,318
1,638,362
3,130,978
2,433,672
1,951,623
1,594,812
1,456,089
1,060,175
1,295,036
Two countries supplied almost 85 per cent of all unglazed tiles (HS 6907) to Australia; China (61 per cent) and Italy (23.7 per cent). Although China supplied over 66 per cent of Australian unglazed tile imports in 2014, the number has declined by 3 per cent over the last year. Imports of unglazed tiles from Italy grew by 14 per cent in 2016. Spain increased its unglazed tile exports to Australia by 87 per cent, with most of that increase coming in the December quarter. Imports of glazed tiles were by far the largest category and made up 84.6 per cent of total imports. China now supplies 66.8 per cent of all ceramic tiles imported into Australia and 55 per cent of the total customs value of imports. The average Australian customs value from most countries dropped slightly in 2016 (although the Spanish average increased). Imports from China rose by 8 per cent but the average Australian customs value dropped from $8.93 to $8.66 per square metre. Import volumes from Malaysia made up 9.4 per cent of the total and the value remained almost the same as the previous year. The average value was $7.24. Imports from Italy made up 9.2 per cent of the total and rose by 9 per cent over the previous year. The average value from Italy dropped from $23.88 46 | TILE TODAY #92 | www.tiletodaymagazine.com.au
to $23.37 per square metre. But imports from Spain increased by 2 per cent and the average value rose from $18.18 to $19.66. Imports from Thailand increased by 22 per cent, with most of the increase coming in the last two quarters. The average value dropped from $7.61 to $6.19 per square metre. In looking at the composition of the list of top 10 source countries, the top 5 that supply over 92 per cent of all imports remain unchanged. Of the next five countries, United Arab Emirates increased exports by 8 per cent and overtook Sri Lanka which declined by 12 per cent. Indonesia declined by 7 per cent but held its position at number 8, while Turkey increased by 16 per cent, replacing Vietnam at number 9. India increased by 19 per cent and entered the top 10 for the first time. Vietnam dropped out of the top 10 source list for the first time in more than a decade, falling 28 per cent in 2016, to number 13 on the same list, supplying less than Brazil and Portugal. Fig.4 shows the top five source countries for all tiles imported over the last seven years. During 2016, imports increased in New South Wales by the greatest volume (+16 per cent), Queensland (+13 per cent), Tasmania (+3 per cent) and Victoria (+1 per cent). Imports decreased in the Northern
Territory (-34 per cent), Western Australia (-14 per cent), South Australia (-5 per cent). Each state percentage share of total imports altered during 2016. New South Wales received 40.6 per cent of all imports, the first time it has exceeded 40 per cent of total imports since 2001. Queensland received 21.7 per cent of the national total, and Victoria 22.2 per cent. South Australia represented just 4.6 per cent of the national total. There was a significant fall in Western Australian imports with the state receiving only 9.5 per cent of total imports. Once local manufacturing capacity is added to the import numbers, the Australian ceramic tile market has exceeded 50 million square metres per annum for the first time ever.
Export code changes The Australian Harmonized Export Commodity Classification (AHECC) is designed for use by exporters, customs brokers and freight forwarders in the classification of goods when providing export declarations to the Department of Immigration and Border Protection. It also assists users in interpreting statistics published by the ABS. The classification is based on the six-digit international Harmonized Commodity Description and Coding System (HS) developed by the World Customs Organization (WCO) for describing internationally traded goods. The ABS extends the six digit international HS by two digits to provide a finer level of detail to meet Australian statistical requirements. The ABS has also reviewed the Harmonized Tariff Item Statistical Code (HTISC) classification with new codes opening on 1 January 2017 and replacing codes closed on 31 December 2016. The World Ceramic Tiles Forum (WCTF) guidelines that were released on 15 December 2016 state that the changes were initiated with support from the WCTF. It sought to modernise and simplify the code system regarding ceramic tiles and ensure that trade statistics became PAGE 58 more accurate and reliable.
F E AT U R ED P R ODUCTS
The great leveller
Retro style
The Leveltec tile levelling system allows effortless lippage free tiling which can save the installer time with its patented cap that clicks down onto the tile. With half a turn, it ensures a tight, secure application. Leveltec’s user friendly design is fully reversible to allow the cap to be unscrewed to replace or remove tile before the adhesive has dried without the cost or hassle of breaking clips. For extra convenience, the Leveltec clips also double as tile spacers which are available in 1, 2, 3 or 5mm.
The Anthology range is about pressed metal meeting porcelain tile. It has six designs in 16 colour ways. Inspired by pressed metals, it is a reprisal of vintage charm. Created to bring something special to kitchens, bathrooms, feature walls or low traffic residential floors.
METRO TILES 07 3216 5800 www.metrotiles.com.au SOUTHERN CROSS CERAMICS 03 9561 9911 www.scceramics.com
Poetic licence The Poetry range is made from an Onyx pattern with an emphasis on its simplicity. The tiles are available in two finishes: Satin and Polished. They come in three sizes, 600 x 600mm, 300 x 600mm and 300 x 300mm. STARSTILE (FENICE INTERNATIONAL) www.starstile.it
Natural beauty Inspired by earth-bound rocks, Shine Stone is a modern glazed porcelain tile collection that interprets elegance by creating a harmonious environment. Made in eight different colours, in dimensions of 75 x 75cm, 60 x 60cm, 60 x 90cm and 30 x 60cm, it is suitable for both residential and light commercial settings. Along with matching mosaics, Shine Stone is also available for outdoor environments with an R11 rating. RAK CERAMICS 1300 661 727 www.rakceramics.com
Style and versatility The PuntoZero collection features surfaces with different technical characteristics that share the same material and chromatic language. Natural or semi-polished effect to emphasise a mood and style, PuntoZero is also about safety, guaranteed by the use of “Grip” anti-skid surfaces for the 60x120, 20x120 and 60x60 formats. Trade Port supplies the Puntozero range to the NSW market. TRADE PORT INTERNATIONAL 02 9757 1822 www.tradeport.com.au
48 | TILE TODAY #92 | www.tiletodaymagazine.com.au
REGISTER TODAY!
EXPERIENCE SYDNEY’S BRAND NEW EXHIBITION VENUE AND JOIN US AT AUSTRALIA’S LEADING EVENT FOR THE ARCHITECTURE, BUILDING, CONSTRUCTION AND DESIGN INDUSTRY 3-5 MAY 2017
INTERNATIONAL CONVENTION CENTRE, SYDNEY
DESIGNBUILDEXPO.COM.AU
PROUDLY SUPPORTED BY
Image Source: ICC Sydney Photographer: Paul Foskett, Populous
MAR K ETIN G
Tiles inspired by Le Corbusier Italian manufacturer Gigacer has launched a range based on the work of renowned architect, Le Corbusier. Joe Simpson reports.
T
he marketing campaign behind the new LCS collection by Gigacer is well focused, coherent and relevant. Not many campaigns from ceramic tile companies achieve the same standard. This is one factor that makes the collection memorable. LCS is based on the philosophy of Charles-Edouard Jeanneret-Gris (1887–1965), better known as Le Corbusier. He is widely considered to be the most important architect of the modern age. His works continue to exert significant influence on architecture and design today. The LCS range is based on an essay by Le Corbusier entitled, “Polychromie Architecturale”. Fascinated by the balanced colours he found in nature, Le Corbusier wrote about his structured and artistic choice of pigments. Twelve of the 63 colours referenced in this seminal work feature in this new porcelain tile collection. Dating from the 1930s, Le Corbusier’s essay emphasised the importance of colour in architecture, and its visual and emotional impact on a building’s occupants.
Gigacer’s LCS range embraces Le Corbusier’s philosophy of colour.
Anti Skid Rug Spray
New
If slippery rugs are a problem,
Anti Skid Rug Spray is your solution
The space age solution to an age old rug problem years ahead of other costly yet clumsy alternatives
Stops rugs, carpets squares, bath mats, slip on covers from slipping Does not stick or transfer to other surfaces Does not pick up dirt or lint Works on any smooth surfaces. Helps prevent carpet runners from slipping on carpet Improves grip on fabric covered handles of rackets, golf clubs, baseball and cricket bats
Before
If stains are your problem why don’t you try
Sandi’s Carpet, Rug & Upholstery Stain Remover
After Distributor wanted for New Zealand
Available at most Carpet and Rug Stores For your nearest stockist ph 0407 435 872 50 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Commissioned at the time by a Swiss wallpaper company to create a sample book, the architect compiled a list of 43 colours that he believed to be the most suitable for architecture. Muted in tone, this first palette of colours was eventually followed by 20 bolder hues, creating a versatile range of 63 colours. Gigacer’s LCS range pays homage to the legendary architect, and fully embraces his philosophy of colour. Working closely with Les Couleurs Suisse, the Fondation Le Corbusier–certified company that holds exclusive international rights to the Le Corbusier colour system, Gigacer has achieved the exact colours Corbusier highlighted in his sample books.
Gigacer’s Le Corbusier collection has three components. The first – LCS1 –comprises 12 of the 63 hues from the architect’s sample books delivered in gloss, 300mm by 1,200mm, ceramic tiles. They would be suitable for indoor and outdoor wall applications. The palette includes iconic hues such as vermillion, umber, and ultramarine. The LCS collection also includes two neutral, base tiles: Beton Gris and Beton Blanc. These matte tiles, which recall Le Corbusier’s love of concrete, come in five modular formats: 1,200mm by 2,500mm, 1,200mm by 1,200mm, 600mm by 1,200mm, 600mm by 600mm and 300mm by 1,200mm. With a subtly variegated surface, these tiles are suitable for wall or floor applications in commercial or residential properties. A second colour collection – LCS2 – adds six additional matte tiles that highlight Le Corbusier’s colours on a Beton Blanc background through bas relief–engraved stripes. Suitable for both wall and floor coverings, LCS2 tiles are available in the on-trend 600mm by 1,200mm format. The polychromie architecturale colour collections grew from experiences, insights and convictions Le Corbusier developed during his long, creative life. As well as an architect, he was an all-round artist producing paintings, sculpture, collages, engravings, furniture and tapestries; all sharing the same unmistakable design imprint. Le Corbusier believed the key aspect in design was the harmony of colours. His approach to colour has three underlying three principles: colour modifies space; classifies objects; and acts physiologically on humans and impacts strongly on human sensitivities. Le Corbusier’s two colour collections, the first from 1931 and the second from 1959, both comprise of a set of shades that are organised in such a way that an individual colour selection corresponding to the personality of the customer can be achieved very simply. Each consists of a set of claviers de couleurs (colour keyboards). In his first palette, Le Corbusier developed twelve emotive hues with representative names such as Space, Sky, Velvet, and Sand that can be mixed in accordance with the needs and designs of architects and customers. Almost 30 years later, another 20 stronger and more dynamic base tones were added to this palette. In an era where ceramic tiles are starting to provide architects and interior designers with more than just an alternative surface finish, Gigacer’s latest collection demands the specifier’s attention and comes with a fully realised intellectual thesis that has already stood the test of time. ■ C
M
Y
CM
CLOCKWISE FROM TOP: The LCS collection by Gigacer is based on Le Corbusier’s Polychromie Architecturale essay; The LCS collection also includes 1 20/07/2016 3:39 PM two neutral,IBS_TileToday_ShowerGrip_QPC.pdf base tiles: Beton Gris and Beton Blanc; Gigacer’s collection features 12 of the 63 hues developed by Le Corbusier.
SHOWER-GRIP The NON-SLIP solution for sealing areas
wet
R11 W&P4
Can be used internally & on floors in showers, Wet test change rooms, bathrooms, and externally around swimming pools Anti-microbial
MY
CY
Can be applied on surfaces that are constantly submerged under liquids, with excellent adhesion
CMY
K
Shower-Grip can be applied to Ceramic Tiles, Polished Concrete, Terrazzo and Vinyl Use on shower floors in change rooms, toilets, around pools and public areas. Internal and external use Resistant to xylene, butoxy ethanol, isopropyl alcohol, clorex, engine oil, brake fluid, glacial acetic acid & many more
www.ibssales.com.au SALES 02 8338 0000 EMAIL sales@ibssales.com.au
NEWS
Caesarstone’s new Melbourne showroom features a 5.2m kitchen island benchtop and large wall panels.
LOCAL NEWS
Proud Naming Sponsor of ACT Australia 1200kms for kids charity bike ride from Sydney to Brisbane Want to join us for the ride of a lifetime this October? Contact us at info@actaus.com or hello@1200kmsforkids.com to find out more or just to donate to a great cause. All funds go to the Humpty Dumpty and Children's Hospital foundations to help sick kids.
Flagship showroom for Caesarstone
Laminex “Inspired By” campaign
Caesarstone has relocated its Melbourne operations to the company’s state-of-the-art sales and distribution centre in Heatherton (VIC). Chris Lenihan, regional manager for Caesarstone in Victoria, said: “We are thrilled to open our new showroom here in Melbourne and offer our customers the full Caesarstone brand experience.” Caesarstone quartz surfaces feature throughout the location with large wall panels of every colour and a kitchen island benchtop that spans 5.2 metres long. It features the Supernatural design, Statuario Maximus combined with high-end appliances such as a Bora down draft induction cooktop, Abey undermount sink, Gessi mixer, Gaggenau oven and Vintec wine fridge. The showroom displays the latest colours in large format panels and in other applications. For example, Caesarstone’s White Attica is highlighted in a 4 metre long reception desk. Inspired by classic natural marbles, White Attica has a clean white base with dense, dark grey interwoven veins. To present its concrete range, Caesarstone has created a 3 metre island with a feature wall that includes a flush integrated drawer system cladded in its Raw Concrete for a minimalist industrial look. Following on from its collaboration with designer Tom Dixon, the showroom also has several Tom Dixon Fade pendant lights and table lamps. Expert staff are on hand to assist with colour selection.
Decorative surfaces company, Laminex is helping Australians discover their own style. Influenced by the latest design trends from around the globe, it has identified 12 individual interior looks. To help bring them to life, Laminex is partnering with four wellknown Australian creatives who have a flair for style and design in their respected fields. Together they have created the “Inspired By” series. The first four creative muses – Chkya Keebaugh, Anna Polyviou, Steve Cordony and Virginia Martin – have been selected to represent four looks to reflect their personal inner styles, and help bring inspiration into residential or commercial spaces. Laminex communications marketing manager Susan Foley said the resulting images can provide homeowners, designers and builders with even more design ideas. “It’s time to rethink design. BELOW: The “Classic” kitchen (left) from Laminex is inspired by event and design entrepreneur, Chyka Keebaugh. Laminex’s “Mineral” kitchen (right) reflects the personal style of interior and event stylist, Steve Cordony.
What it is, how it works and the role it plays in our lives. Just as form follows function, at Laminex, we believe good design enables good living and this is something we want to help every Australian achieve,” she explains. “By combining colour, shape and texture, you can create spaces that are as individual as your customers.” Event and design entrepreneur, Chyka Keebaugh, was the inspiration behind the “Classic” kitchen which is a warm and timeless space that reflects her style. Award-winning pastry chef at the Shangri-La Hotel, Anna Polyviou represents what “Inner Urban” means to Laminex. Many styles are blended into one, both old school yet contemporary and very inner city. Steve Cordony is an interior and event stylist, and style director atlarge for Belle magazine. “Mineral” is a style that reflects those who not only live and breathe design, but also want to make a strong statement. Finally, owner and designer of the fashion label búl, Virginia Martin, reflects “Scandinavian”. Designing simplistic, timeless pieces that subtly incorporate distinctive shapes and colour, Martin represents this theme – one in which simplicity is highlighted by its core palette while accented by muted pastel touches and geometric patterns. The other eight styles Laminex have identified include Glamour, Natural, Modern & Co, Noir, Industrial, Coastal, Vintage and Zen.
The DuPont Corian Charging Surface replaces messy cables and unattractive power points.
Technology charging surface Australians’ growing reliance on smartphones means residential and commercial spaces are demanding smarter interior design solutions that provide quick, reliable and seamless access to charging options. This means convenient charging is needed regularly by everyone, everywhere. The DuPont™ Corian® Charging Surface replaces messy cables and unattractive power points to create user-friendly work and living areas. A practical and simple to install technology solution for anywhere a smart device may want to be recharged wirelessly, this surface is suitable for one or multiple locations throughout a home. The charging surface is also ideal for commercial applications such as conference and meeting rooms, communal office areas and social hubs, as well as service, retail and hospitality environments – wherever durability meets design. It can be scaled and customised to match any design scheme. Each surface can have multiple charging points integrated to match occupant requirements. Enabled by unit harnessing induction technology, the Corian Charging Surface has a transmitter discreetly hidden under the surface. This avoids the need to make penetrations into the surface and maintains a seamless and precise finish. When the device is positioned over the charging spot, power up begins automatically. When the battery is full, charging stops. The transmitter is simple to retrofit where there are existing Corian surfaces. Firmware updates will be easy to action.
Laticrete adds to sales team Laticrete Australia has announced the appointment of Shane Anderson to the position of Queensland technical sales representative. National sales manager, Neil Warden, said Shane is a tiler by trade and comes to the company with many years of experience in the tile and stone industry after working previously in technical sales positions. Shane joins the Laticrete technical sales team working alongside Mitchell Haw in Queensland, Joe Tabone and Craig Hunter in New South Wales and Erin Fraser based in Victoria.
Shane Anderson is Laticrete’s new Queensland technical sales representative.
New HQ for National Tiles Australian tile retailer, National Tiles has secured a deal for its new Queensland head office at an industrial estate south of Brisbane. The company has a five-year lease on a yet to be built office/warehouse to be developed by Frasers Property Australia at South West Industrial Estate at Berrinba. The 13,159sqm facility is expected to be completed by mid-2017. National Tiles is building a new head office in South West Industrial Estate at Berrinba (QLD).
National Tiles’ operations manager Simon Duggan said the company is rapidly expanding in Queensland because of the strong residential and commercial property markets. He told The Courier Mail: “National Tiles needed a bigger and more efficient facility. The new warehouse will replace the existing facility in Acacia Ridge and is double the size. Frasers Property made the choice very easy. “The quality of the proposed finishes, design of the warehouse including a 2500sqm super awning, good traffic management, reputation of the company and location close to the worker base in South Brisbane secured this new relationship.” Frasers general manager – new business Troy Whalan said, “South West 1 Industrial Estate is recognised as a key strategic location by many leading companies.” South West 1 Industrial Estate is located on Wayne Goss Drive, Berrinba (QLD). Companies currently in the estate include Sigma Pharmaceuticals, DHL, Energex and Langdon Foods. Sourced from The Courier-Mail
Self-cleaning ceramic tiles Retail group, Beaumont Tiles are featuring a new range of laminated porcelain tiles for its customers. Made using roller press technology, the Coverlam porcelain rectified tiles have a minimum 3.5mm or 5.6mm depth profile, creating ceramic skins for diverse applications in exterior and interior environments. Offering fibreglass strength, the tiles can bend on a curve and are reinforced on the back with a 0.5mm thick glass fibre mesh for optimal mechanical strength.
Coverlam porcelain rectified tiles are being sold through Beaumont Tiles.
The Coverlam tiles can offer multiple advantages in their chosen application ranging from facades, cladding and curved walls to hygienic surfaces in healthcare settings. They can be used on kitchen countertops, islands and bathrooms in residential developments too. While the 3.5mm thick tile weighs 7.8kg/m², the 5.6mm profile weighs 14kg/m². Key features of the Coverlam porcelain rectified tiles include a slim profile that makes cutting/handling easier and faster; resistance to UV light, chemicals, wear, fire and frost; the easy-to-clean surface can prevent mould and bacteria; and eco-friendly material uses 2-3 times less raw quarry materials than other types of porcelain tile. Fired in a hybrid kiln (using both gas and electricity), these tiles require less energy to produce. Made from recyclable material, the Hydrotect treatment (titanium dioxide coating) provides selfcleaning, antibacterial and odourelimination properties. When the titanium dioxide coating is exposed to ultraviolet radiation, it produces a photocatalytic reaction that generates active oxygen and breaks down the dirt into smaller, less adhesive particles. Due to its hydrophilic properties, water spreads uniformly over the surface, facilitating drag and removal of dirt particles. Beaumont Studio Design and communications specialist, Christie Wood says Coverlam has versatile use in heavy transit areas, as well as interior and exterior walls and floors. Coverlam porcelain rectified tiles are suitable for ventilated facades,
with their large 1000mm x 3000mm size allowing for quick installation. The tiles’ high resistance to mould and bacteria as well as its large format size with fewer joins, makes them ideal for wall coverings in hospitals, clinics and surgeries. These tiles are also recommended in design applications such as decorative features and curved walls. Manufactured by Grespania (Spain), Coverlam tiles are available in a choice of colours from black to marble effect taupe, off white and creams.
Gearing up for DesignBUILD 2017 In 2017, DesignBUILD will return to Sydney from 3-5 May. It will be the first building and architectural event to be held at the AUD1.5 billion International Convention Centre (ICC) designed by HASSELL and Populous. The keynote speaker has been confirmed as Michael Lockwood, global design director at Populous’ convention centre practice. Marketing manager, Stephanie Bleakley, said the ICC provides the ideal location to inspire and inform about how grand building visions become realities. “Delegates will get a unique perspective of the current state of our industry but also receive unprecedented access to this brand new venue, through a series of breakfasts, lunch and cocktail functions, as well as exclusive behindthe-scene venue tours,” she said. For the first time, DesignBUILD will co-locate with the Australian Institute of Architecture’s national conference. The event will also welcome first time partner, the Planning Institute of Australia, who will also be co-locating its own national conference. The simultaneous events will help to create an architectural and planning hub at the ICC. DesignBUILD 2017 will see the Sydney launch of DesignBUILD RAW, an initiative to showcase the best in emerging talent, run in partnership with the University of New South Wales, University of Sydney and the University of
NEWS
advisory
panel The 2016 Editorial Advisory Board includes leading authorities on standards, installation practices and products, architecture and developing trends and technologies. Peter Carter President, Australian Tile Council Gianni Pallotti Everstone Pty Ltd
Technology Sydney. Students will be invited to design the two speaker theatres and the incubator pavilion. In addition to the keynote address, the DesignBUILD speaker series will include lead architects on the ICC project, Paul Foskett and Graeme Spencer, plus a range of industry speakers across various disciplines. According to the organisers, DesignBUILD 2017 event is already set to be 40% larger than previous year and 60% larger than the award winning 2015 and 2016 events. Registration is now open via www. designbuildexpo.com.au/register
INTERNATIONAL NEWS Buyers choose China Ceramics
The 29th CeramBath Fair will be held between 18-21 April, 2017 in Foshan, China
Raewyn Hughes Ardex Australia Peter Hartog Jackson Teece Chesterman & Willis Architects Carl Strautins Safe Environments
DesignBUILD is now in its 31st year.
Alex Njoo Architect and member of ARB, Victoria
Sleek subway tiles
Fred Gray Laticrete Australia Andrew Nunn Parex Group Gary Jones Eco Ceramic Faรงade Systems
The Piccadilly is a new collection of subway tiles from Trade Port International. They comprise 100 x 300 10mm wall tiles in five colours: Ash, Grigio, Marfil, Marrone and Nero in Lappato and Matt finishes. Contact Trade Port International on (02) 9757 1822 for more information.
Richard Mackenzie Ocean & Merchant
Specialist B2B Publisher Supporting the industry since 1981
China Ceramics City (known as CCC) is located in Foshan, a city in central Guangdong Province. It is regarded as the top trade event for ceramic and bathroom products in China, and a major procurement destination for buyers from all over the world. Integrating trading, exhibition and business services, CCC gathers more than 200 local and international brands in categories such as ceramic and mosaic tiles, sanitaryware, bathroom products, cabinetry as well as taps and fittings. By the end of 2016, CCC has hosted approximately 400,000 global buyers and 2.8 million domestic visitors. It has successfully held the China International Ceramic & Bathroom Fair (CeramBath) 28 times. The event is held twice a year in Foshan, as the permanent venue of CeramBath. The 29th CeramBath Fair will be held between 18-21 April, 2017. For more information about this event, please visit the CeramBath website, http://en.cerambath.org/ or email: export@eccc.com.cn.
To discuss advertising opportunities, contact: Ashley Cooper E: ashley.cooper@ elitepublishing.com.au Ph: 03 9890 0815 Fax: 03 9890 0087
www.elitepublishing.com.au
Tile group creates digital experiences
www.infotile.com
56 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Trade Port International has released a new range of subway tiles.
US-based The Tile Shop, a retailer of ceramic tiles with 120 stores, adopted secure networking technology from Citrix to bring an expanded digital
advertiser
index ACT Australia
52, 53, 54, 56
Ardex Australia 35 Australian Tile Council
47
B.A.T. Trims 41 Bostik Australia 33 CDK Stone
17, 27, 43
Cinajus 59 Clear Software 29 Colortile Distributors
So far, 90 stores have since been shifted to the digital networking architecture and virtualisation solution with deployment averaging approximately 30 minutes per store. The Tile Shop expects a solid return on investment within 16-20 months of implementation. The Tile Shop is enhancing its digital shopping experience
New York designer Todd Bracher selected Caesarstone as his kitchen surface for his futuristic vision of a house at Das Haus 2017 – imm Cologne, an international interiors event, held recently in Germany. Bracher reimagines a conventional home by breaking down layout boundaries and creating three different, overlapping zones, reflective of the daily functions –hygiene, rest, nutrition and sustenance. The nutrition and sustenance zone features a large scale 7-metre long kitchen island made with Caesarstone 4003 Sleek Concrete. “When Todd approached us with his vision we loved the idea of breaking down the boundaries of the home…as our material moves away from its traditional use in kitchens and bathrooms and into other areas of the home, endlessly expanding the design possibilities,” said Eli Feiglin, vice president of marketing at Caesarstone. Bracher explains, “I sought to collaborate with Caesarstone on
DesignBuild 49 Distinctive Tile Imports Europe Imports
19 5
Everstone
7, 21
Foshan China Ceramics
39
International Building Supply
51
Johnson Tiles
31
Liquid Rubber
50
Mapei Australia 37 Metro Tiles
25
National Ceramics Industries
9
Prestige Tiles/RAK Ceramics
11
Southern Cross Ceramics Back Cover Starstile (Fenice International)
13
Tile Power
2-3
Trade Port
15
TILE TODAY
SUBSCRIBE
shopping experience to each physical store. Its IT team implemented software to enable accelerated access to internal business applications from every store, and increased bandwidth for mobile apps. The key objective for store staff at The Tile Shop is to help customers understand the variety of products that are offered, assist in designing their dream space, and utilise technologies such as the new Design Studio software. This allows customers to create a virtual project space to see what their tile renovation would look like. Helping customers become more engaged and enabling employees to work better to improve productivity is the reason Citrix secure desktop and networking solutions were chosen. Emergent Networks, an IT advisory firm, advised The Tile Shop IT team to adopt a solution that would improve network speed for all the branches, and offer ease-of-use and connection redundancy.
Quartz stars in kitchen of the future
23
To subscribe to Tile Today magazine email info@ elitepublishing.com.au. Online versions of Tile Today and Discovering Stone magazines are available to view on the Tile Today page of the Elite Publishing website. Go to www. elitepublishing.com.au and click on the Tile Today tab. Overseas
A$85 per year
Digital Magazine FREE Online at www.elitepublishing.com.au
www.tiletodaymagazine.com.au | TILE TODAY #92 | 57
N EW S
TILE TODAY
Todd Bracher selected Caesarstone as his kitchen surface at Das Haus 2017. Image credit: Constantin Meyer.
Proudly produced and printed in Australia ELITE PUBLISHING CO PTY LTD ABN: 27 006 876 419 PO BOX 800, Templestowe, Victoria, Australia 3106 Ph: + 61 3 9890 0815 Fax: + 61 3 9890 0087 Email: info@elitepublishing.com.au Website: www.tiletodaymagazine.com.au www.elitepublishing.com.au PUBLISHER Vicky Cammiade vicky.cammiade@elitepublishing.com.au EDITOR Betty Tanddo betty.tanddo@elitepublishing.com.au
Das Haus 2017, in order to create a monolithic experience where all activities of sustenance happen organically together in the house. Traditionally speaking, sustaining focuses on the body and nutrition, however one can argue that mental and emotional sustenance is equally important. That is why we selected the Caesarstone concrete surface, as
it provides a raw, concrete appearance with durable and sustainable quality, whilst incorporating the necessary functions of dining, exploring, creating and sharing.” Since its inception in 2012, Das Haus has been a display of trends for the future and a showcase of the leading brands in innovation and design. ■
CONTRIBUTING EDITOR Anthony Stock anthony.stock@elitepublishing.com.au MACHINERY EDITOR Philip Ashley philipneilashley@yahoo.com.au INTERNATIONAL CORRESPONDENT Joe Simpson joe.simpson@elitepublishing.com.au NATIONAL SALES & MARKETING MANAGER Ashley Cooper ashley.cooper@elitepublishing.com.au CIRCULATION MANAGER Georgia Gilmour georgia.gilmour@elitepublishing.com.au
Ceramic tile imports fuel record market size CONTINUED FROM PAGE 46
Following this approach, headings 6907 (unglazed ceramic products) and 6908 (glazed ceramic products) were merged in order to reflect the evolution of the product categories on the market and the lower relevance of glazed /unglazed criterion for the purpose of classification. Instead the classification will now be based on the water absorption capacity of each product, also in line with the classification under ISO Standard 13006 for ceramic tiles. Heading
HS Code
Export Statistical Item
UQ
6907
The international customs codes for ceramic tiles will now be as shown below. Mosaics will be defined in a similar manner as ceramic tiles – whether or not they are rectangular – the largest surface area of which is capable of being enclosed in a square, the side of which is less than 7 cm. Finishing ceramics are composed of every product not considered as field products, ie. skirting, capping and bullnose corner tiles. These are the tile products used to “finish” a job. ■
GRAPHIC DESIGN Uber Creative – Annette Epifanidis Mobile: 0416 087 412 annette@ubercreative.com.au www.ubercreative.com.au PRODUCTION For artwork and production enquiries please email: production@elitepublishing.com.au INFOTILE WEBSITE COORDINATOR Stephanie Thompson 0407 873 370 stephanie@grafixaction.com.au PRE-PRESS Prominent Digital PRINTED BY Prominent Press Pty Ltd ELITE PUBLISHING CO PTY LTD PUBLISHERS OF: Flooring Magazine, Discovering Stone Magazine, Surfaces & Finishes Magazine, TileToday Magazine, Supplier Magazine and FB Magazine.
Description Ceramic flags and paving, hearth or wall tiles; ceramic mosaic cubes and the like, whether or not on backing; finishing ceramics
69072
Flags and paving; hearth or wall tiles, other than those of sub-headings 6907.30 and 6907.40
690721
69072100
SM
Of a water absorption coefficient by weight not exceeding 0.5%
690722
69072200
SM
Of a water absorption coefficient by weight exceeding 0.5% but not exceeding 10%
690723
69072300
SM
Of a water absorption coefficient by weight exceeding 10%
690730
69073000
SM
Mosaic cubes and the like, other than those of subheading 6907.40
690740
69074000
SM
Finishing ceramics
Source: ABS 1233.0 Australian Harmonised Export Commodity Classification *The 6908 heading will be deleted
58 | TILE TODAY #92 | www.tiletodaymagazine.com.au
Leading the Industry
Endorsed by Australian Tile Council www.australiantilecouncil.com.au ELITE PUBLISHING CO PTY LTD. All rights reserved. No part of this publication maybe reproduced, transmitted or copied in any form or by any means, electronic or mechanical including photocopying, recording, or any information storage or retrieval system, without the express prior written consent of Elite Publishing Co Pty Ltd. Viewpoints, opinions, claims, etc expressed in articles appearing in this publication are those of the authors. The Publishers accept no responsibility for the information supplied or for claims made by companies or their representatives regarding product performance, etc or for any errors, omissions, misplacement, alterations, or any subsequent changes, or for any consequences of reliance on this information or this publication.
Please note: Shade variation is an inherent feature of tile production. The Publisher is not liable for any discrepancy between images published in Tile Today and actual products.
Sandstone
Limestone
Granite Bluestone Travertine Basalt
Beachwood Stone
DISPLAY, SALES & WAREHOUSE â&#x20AC;&#x201C; SYDNEY 32 Bryant Street, Padstow NSW 2211 Ph: 02 9773 5677 Fax: 02 9773 5644 Email: info@cinajus.com Online Catalogue: www.cinajus.com
INFINITY FEATURE WALLS
FOUR NEW COLOURS | THREE NEW DESIGNS
Want to see more?
southerncrossceramics.com