SPRING2012 continuing studies courses + programs
ADVANCED STUDY CERTIFICATES
in Drawing, Painting and Illustration Learn more on page 52
EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES
1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs
3626881
SPRING2012 continuing studies courses + programs
SUMMER INSTITUTE FOR TEENS JULY 3 – 27, 2012
This four-week intensive includes lots of hands-on studio exploration, core skills classes, field trips and your very own gallery show. Tuition fee includes basic supplies, and field trips. Students attend classes Monday to Friday, 9:00 am – 4:00 pm.
Fees:
INTRODUCTION TO RAVENSTAIL WEAVING p. 5
TOWARD A BUSINESS PLAN p. 44 February 18
March 23 – 25
ART IN PUBLIC SPACES: WALKING TOURS p. 11 March 31, April 14 or April 21
Domestic Students Early Bird rate: $2050 (December 5 - March 31) Regular rate: $2150 (after April 1) International Students Early Bird rate: $2350 (December 5 - March 31) Regular rate: $2450 (after April 1)
Choose one of the following studios: Painting Ceramics Drawing
Architectural Design Digital Photography Graphic Design
Graphic Novel Illustration Textile Design
SHORT AND SWEET
Registration opens December 5, 2011
ecuad.ca/cs/teens teens@ecuad.ca
Looking for one-day or two-day workshops? Think fast – these short courses are sure to spark your creativity.
SUMMER INSTITUTE FOR ABORIGINAL TEENS July 3 – 27, 2012
Scholarship applications are available December 5, 2011.
This multi-disciplinary studio explores traditional and contemporary First Nations art practices. You’ll also enjoy core skills classes, field trips and your very own gallery show. Students attend classes Monday to Friday, 9:00 am – 4:00 pm.
DRUM AND DRUM STICK WORKSHOP p. 5
CONTAINER GARDEN DESIGN p. 32
LASER CUTTER WORKSHOP p. 32
February 4
March 24 + March 31
March 11 + March 18
SPRING
2012 Table of Contents Courses + Workshops Aboriginal Arts Book Arts Communication Design Computer Skills Cultural Studies Walking Tours Digital Media Interaction Design Drawing Film + Video Graphic Novel Illustration Industrial Design Material Practice Painting Photography Printmaking Professional Development Social Media Sculpture + Installation Teen Programs
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
5 6 7 8 10 11 12 13 14 19 20 22 31 35 36 41 43 44 46 47 49
Timetable Certificate Programs Fine Art Techniques 2D Design Basics 3D Design Basics Advanced Study Certificates Design Essentials Frequently Asked Questions How to Register Registration Information and Policies Registration Form
27 50 51 51 51 52 53 54 3 55 56
Instructor biographies are available at ecuad.ca/people/faculty/cs Registration Opens November 8, 2011
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EXPLORE, CREATE + ENJOY
CONTINUING STUDIES STAFF (L to R):
Sadira Rodrigues, Danielle Benda, Allie Tweedie, Ted Bois, Valerie Ceppi, Laura Kozak, Terry Plummer, Nicky Ward, Amy Clausen, Jacqueline Robins, Marlene Yuen. Some staff members absent.
Meet the Continuing Studies Team Danielle Benda Administrative Assistant/Web Registration, CS Ted Bois Office Assistant, Registration, CS Valerie Ceppi Office Assistant, CS
Amy Clausen Program Assistant, CS
Sadira Rodrigues Dean, CS
Laura Kozak Special Projects Assistant, CS
John Skibinski Office Assistant, CS
Terry Plummer Senior Administrative Assistant, CS
Nicky Ward Operations Manager, CS
CS TECHNICAL TEAM Aja Billas (on leave) Vanessa Hall-Patch (on leave) Gwen Phelan Jacqueline Robins Claire Schagerl Lauren Scott Marlene Yuen
DESIGN/ART DIRECTION Cari Bird Sr Graphic Designer, Communications
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PHOTOGRAPHY Front Cover: Josh Bowie Back Cover: Jeff Vinnick Inside: Jeff Vinnick, John Lee, Josh Bowie, William Ting.
Š2011 Published by Continuing Studies
ecuad.ca/cs
Printed in Canada
EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
HOW TO REGISTER Registration for all Continuing Studies courses and programs for the Spring 2012 semester begins at 9 am on November 8, 2011. Register early as space is limited. Online
Find us Online!
New and returning students can register online. ecuad.ca/cs
In Person Register in person at the Continuing Studies office at Emily Carr University, 1399 Johnston Street, Vancouver. Payment may be made by cheque, money order, cash, Interac, VISA or MasterCard.
www.twitter.com/EmilyCarrCS www.youtube.com/EmilyCarrUniversity search “Emily Carr University” on Facebook
By Phone Call 604 844 3810 with your VISA or MasterCard information ready.
By Fax Complete the registration form (page 56), using type or black ink, and fax it with your VISA or MasterCard information to 604 630 4535.
By Mail
Gift Certificates
Complete and return the registration form (page 56), with your cheque or money order (payable to Emily Carr University of Art + Design), VISA or MasterCard information to Continuing Studies.
Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.
Continuing Studies Office Hours
PURCHASE BY PHONE OR IN PERSON AT:
Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm Saturday, Sunday + statutory holidays closed
Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:30 pm Friday 10:00 am – 4:30 pm
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC
Tel 604 844 3810
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Tool Crib
GENERAL INFORMATION Student Code of Conduct A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others. Students are responsible for knowing and observing student-related Emily Carr policies and procedures. Students can obtain a copy of Emily’s A to Z – A Student Guide from the main reception desk.
Waiver Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of October 25, 2011.
Course Materials Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.
The Tool Crib has a variety of hand and power tools available for loan for curriculum-related projects. All equipment loans are on a first-come, first-served basis; the standard loan period is 24 hours. Continuing Studies students must present their registration confirmation/receipt and Access Card for equipment loans. Restricted tools and equipment require students to seek prior approval from the Tool Crib Studio Technician; students may be required to prove knowledge, ability, and safety regulations to gain access. Tool Crib hours are posted; the Crib is closed on statutory holidays.
Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.
The Gallery The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit chscott.ecuad.ca.
The READ area at the Charles H. Scott Gallery READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.
Holidays Emily Carr Continuing Studies will not run any courses on the Easter long weekend, April 6 – 9 inclusive.
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
ABORIGINAL ARTS NOTE: Tuition for these courses includes all supplies DRUM AND DRUM STICK WORKSHOP Brenda Crabtree CEAB 120 S001 Feb 4 Sat 9:30 am - 5:30 pm 1 Session
Spend a day exploring First Nations drum making techniques in Emily Carr’s Aboriginal Gathering Place studio. In this workshop you will work with prepared deer hide and a pre-made frame to stretch and string your own 14-inch drum. In addition, you will create your own drum stick. The course will include discussion on the preparation of hides and demonstration for design application.
7 total hrs
$210 / Class Limit 12 / Prerequisite None
CEDAR BARK BASKETRY WORKSHOP Brenda Crabtree CEAB 130 S001 Mar 3 Sat 9:30 am - 5:30 pm 1 Session
This one-day workshop at Emily Carr’s Aboriginal Gathering Place studio will focus on cedar bark basketry practiced by the First Nations of BC’s coastal regions. Through lecture, video, demonstrations and hands-on practice, you will learn traditional and contemporary techniques for weaving a small container using the inner bark of local cedars. Bark from both red and yellow cedar will be provided, as well as the tools necessary to complete the project.
7 total hrs
$150 / Class Limit 12 / Prerequisite None
INTRODUCTION TO RAVENSTAIL WEAVING (NEW) Cheryl Samuel CEAB 140 S001 Mar 23 - Mar 25 Fri - Sun 9:30 am - 4:30 pm 3 Sessions 18 total hrs
Explore the twining techniques used by native weavers of the Northwest Coast to create their magnificent Chief’s cloaks. Ravenstail is one of the older weaving styles used on the coast and is a direct adaptation of Aboriginal basketry techniques. It experienced a renaissance in the 1990s, and weavers all along the coast are now practicing this ancient art form, creating a variety of intricate ceremonial pieces. In this course, you will make a small medicine bag using the traditional techniques, patterns and colours that transcend generations. $650 / Class Limit 10 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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BOOK ARTS LETTERPRESS I Andrea Taylor CEBA 112 S001 Jan 17 - Feb 21 Tue 6:00 pm - 10:00 pm 6 Sessions 24 total hrs Andrea Taylor CEBA 112 S002 Mar 1 - Apr 12 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Explore the expressive art of letterpress printing in this hands-on workshop. This introductory workshop will suit both those who are new to letterpress and those who wish to try it for the very first time. You will explore typography, metal and wood type, hand typesetting for letterpress printing, embossing, and applications for your own books and broadsides. We will discuss typefaces, paper, colour, and using illustrations in your design. You will go all the way from start to finish by designing and setting your own text, printing, sorting, and distributing type. Bring words and ideas to class. Instruction will be in the Letterpress Room at Emily Carr.
BASICS OF BOOK MAKING Grace Partridge CEBA 170 S001 Feb 13 - Mar 19 Mon 6:30 pm - 9:30 pm 6 Sessions 18 total hrs
$220 / Class Limit 16 / Prerequisite None
LETTERPRESS OPEN STUDIO Andrea Taylor
$395/ Class Limit 7 / Prerequisite None; for all levels
CEBA 212 S001 Mar 10 - Mar 31 Sat 10:00 am - 2:00 pm 4 Sessions
IMAGE TRANSFERS FOR BOOK ARTS Nicole Dextras CEBA 131 S001 Mar 17 - Mar 31 Sat 10:00 am - 5:00 pm 3 Sessions 18 total hrs
Photo-transfer processes offer the book artist alternative techniques for incorporating text and image in projects. This course explores different methods of transferring images onto a variety of surfaces that may include fabric, wood, metal, 3D objects, and canvas. The processes will be applied to a sampler book as a reference tool and will be discussed in light of personal ongoing projects. You will leave the course with a base for further exploration of these exciting processes.
Experience the joy of making your own book as you create a variety of book structures. You will be introduced to folded books and other unbound book structures from zines to hard-covers. Through presentations, demonstrations, workshops, and in-class work, you will develop concepts for and create a variety of volumes. Your books may incorporate mixed media, two and three dimensions, type applications, and image transfer techniques.
16 total hrs
This is a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to letterpress printing. $250 / Class Limit 7 / Prerequisite CEBA 112 Letterpress I or equivalent
$225/ Class Limit 14 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
COMMUNICATION DESIGN BASICS OF COMMUNICATION DESIGN Carolina Becerra CECD 110 S001 Jan 9 - Feb 13 Mon 6:30 pm - 9:30 pm 6 Sessions 18 total hrs Carolina Becerra CECD 110 S002 Feb 29 - Apr 4 Wed 6:30 pm - 9:30 pm
This course introduces you to visual communication design and the role of the communication designer. Exercises engage you in the design process and creative problem solving: problem definition, research and analysis, concept development, production, and presentation. The course is spent working on different design projects through to completion of a mock-up and short design presentation. You will work individually and in teams.
DRAWING FOR DESIGN Vjeko Sager CECD 160 S001 Jan 18 - Feb 22 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
6 Sessions 18 total hrs
$250 / Class Limit 16 / Prerequisite None
Linda Coe
Whether in print or on-screen, typographic presence in good design is always evident. This course introduces the anatomy of letterforms, principles of typographic usage, and fundamentals of choosing and combining type, as well as the terminology of typography. Along with the anatomy of the letterform, you will explore distinctions between typefaces, typographic usage and shaping the page with type. Past and contemporary typographers and their contribution to design and the written language will be discussed. By the end of this course, you will successfully apply typographic knowledge to your design projects.
THE ART OF FONTS CECD 112 S001 Jan 18 - Feb 8 Wed 6:30 pm - 9:30 pm 4 Sessions 12 total hrs
$225 / Class Limit 16 / Prerequisite None
Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing: point, line, form, tone and value, the representation of mass and volume, and composition. Assignments include exercises in drawing techniques and will involve skills required for problem solving and communication; some assignments may be framed as specific design projects. $285 / Class Limit 16 / Prerequisite None
DESIGN AND CRITICAL THINKING Dante Comoglio CECD 280 S001 Jan 23 - Feb 27 Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course is a unique opportunity for designers to focus on the process of idea-generation and critical thinking. You will be guided in an exploratory journey through ideas, concepts, imagery, metaphors, materials and alternative media. You will learn tools and strategies to help visualise concepts that will be as strong tomorrow as they are today. This course is designed for individuals with the courage to let go of their position, and venture into a think tank of intelligent design and communication. Active participation is a must. $250 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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COMMUNICATION DESIGN (CONT’D) TYPOGRAPHY Linda Coe CECD 320 S001 Feb 19 - Apr 15 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs
This course is perfect for those ready to pursue a more in-depth study of typography. You will develop your type-terminology vocabulary, an understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through personal and group assignments, you will develop techniques to shape the page with type as a dominant element.
PUBLICATION DESIGN Dante Comoglio CECD 330 S001 Mar 5 - Apr 16 Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course is intended for those with an understanding of InDesign and Photoshop. The program will be fundamental in designing a publication of eight or more pages that will be made ready for the commercial printer. You are encouraged to bring a project and all its materials for the first day of class. The course will cover basic design and layout strategies for multi-page documents, as well as the principles of printing. $335 / Class Limit 14 / Prerequisite A working knowledge of Photoshop, and QuarkXPress or InDesign is required; expertise with Illustrator is recommended
$270 / Class Limit 16 / Prerequisite Some Illustrator, Photoshop, InDesign or Quark experience is required
COMPUTER SKILLS INTRODUCTION TO THE MACINTOSH COMPUTER Carolina Becerra CECS 100 S001 Jan 14 Sat 9:30 am - 1:30 pm 1 Session 4 total hrs Jaime Clay CECS 100 S002
In this introduction, you will learn the basics of the Macintosh environment. You will learn to open, close, and save files, to create folders, access fonts, print basic documents, and burn files to disc. This workshop is for students with little or no experience with computers and specifically the Mac environment, and is the prerequisite for our Computer Skills courses.
Jan 16 Mon 6:00 pm - 10:00 pm
$60 / Class Limit 16 / Prerequisite None
1 Session 4 total hrs
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
COMPUTER SKILLS (CONT’D) ADOBE ILLUSTRATOR: THE BASICS Brooke Allen CECS 130 S001 Jan 11 - Feb 15 Wed 6:30 pm - 9:30 pm 6 Sessions 18 total hrs Jaime Clay CECS 130 S002 Jan 21 - Feb 25
Explore the potential of the drawing program Adobe Illustrator in our Macintosh labs. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to use all the skills learnt in class. Final work can be printed in colour.
INDESIGN: THE BASICS Ken Jeffery CECS 133 S001 Feb 19 - Mar 25 Sun 1:30 pm - 4:30 pm 6 Sessions 18 total hrs
Sat 9:30 am - 12:30 pm 6 Sessions 18 total hrs
$375 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent
PHOTOSHOP: THE BASICS Arthur Babiarz CECS 131 S001 Jan 15 - Feb 19 Sun 1:30 pm - 4:30 pm 6 Sessions 18 total hrs Kathryn Mussallem CECS 131 S002
Explore the potential of Adobe Photoshop, the industry standard program for digital image processing, in our Macintosh labs. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining images, and adding text to image. Other topics such as resolution, masks, channels, and paths are also introduced. Final work can be printed in colour.
Discover the latest tool for page layout and electronic pre-press file preparation in our Macintosh labs. As an Adobe product, InDesign is designed to work together with Photoshop, Illustrator and Acrobat, enhancing compatibility with these programs. In this course you will gain basic experience with the software as you work with page layout creation, create and format text, input and manipulate images and gain a basic understanding of colour as it relates to printing. Exercises and projects are designed to take full advantage of the basic tools within InDesign. Note: Six hours per week of supervised access to the computer lab may be scheduled between class sessions. $375 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset
Jan 21 - Feb 25 Sat 1:30 pm - 4:30 pm 6 Sessions 18 total hrs
$375 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent
THE ADOBE SUITE FOR DESIGN AND PRODUCTION Christine Yoon CECS 136 S001
Jaime Clay
Jan 25 - Mar 28
CECS 131 S003
Wed 6:30 pm - 9:30 pm
Mar 3 - Apr 14
10 Sessions
Sat 9:30 am - 12:30 pm
30 total hrs
6 Sessions 18 total hrs
Christine Yoon CECS 136 S002 Mar 4 - Apr 1
This course will introduce Illustrator, Photoshop, and InDesign as an integrated software tool for the design and production of print media. Through presentation, demonstration, assignments, and projects, you will learn to use the Adobe Suite in document layout, typesetting, and combining both vector art and raster art to design and produce work for both print and the web.
Sun 10:00 am - 5:00 pm 5 Sessions 30 total hrs
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
$410 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent
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CULTURAL STUDIES ISSUES IN CONTEMPORARY DESIGN Dante Comoglio CESE 110 S001 Mar 7 - Apr 11 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course examines a range of contemporary debates, themes, and issues that affect designers today. Topics are examined through reading, writing, discussions, and projects. Issues discussed include: the designer as author and producer, social responsibility, advertising, participatory design, radical design, and many others. You will be required to analyze and discuss a variety of visual representations using a range of methodologies. Slide lectures, field trips, and readings are included. You will receive an overview of the vocabulary and thought that informs the contemporary design practice. You will also complete a research and writing exercise that will be discussed and critiqued in class.
A SURVEY AND HISTORY OF ART Nadia Thibault CESE 180 S001 Feb 21 - Apr 10 Tue 7:00 pm - 10:00 pm 8 Sessions 24 total hrs
From the Renaissance and Michelangelo to Conceptualism and Yoko Ono, this course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal for students who want to be better informed museum visitors or who want to understand their own practice in the context of what went before. You will leave the course with a greater awareness of the histories Western art and, most importantly, the skills to look at art in new ways. A visit to the Vancouver Art Gallery is planned. $245 / Class Limit 16 / Prerequisite None
$285 / Class Limit 20 / Prerequisite None
ISSUES IN CONTEMPORARY ART Ramon Kubicek CESE 160 S001 Feb 11 - Mar 31 Sat 10:30 am - 1:30 pm 8 Sessions 24 total hrs
This course introduces you to a range of issues affecting contemporary art from the late 1980s onwards. You will examine a number of themes including: the changing role of the artist, the problem of the avant-garde and originality, the idea of discourse, postmodernism and beyond, the problem of ‘beauty’, nature as subject, pastoral tradition and nostalgia, ecological art, new feminism, radical art, cyberculture and the post-human, and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises. $285 / Class Limit 20 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
WALKING TOURS Join independent curator and vice-chair of Vancouver’s Public Art Committee, Rachel Rosenfeld Lafo, for a lively exploration of art in public spaces in selected Vancouver neighbourhoods and Richmond on three different Saturday mornings. We will visit art on transit, art commissioned through the City of Vancouver’s Public Art Program – including both civic and private development projects and projects sponsored by organizations such as Other Sites for Artists Projects – and sculptures brought to the city by Vancouver Biennale. Discussions will focus on varied definitions of public art, how projects are selected and funded, and public reaction and involvement. Each week, we will break for refreshments and an opportunity to discuss what we’ve seen. Sign up for one, two or all three dates. NOTE: Students are responsible for their own transportation and refreshment costs. WALKING TOUR: ART IN PUBLIC SPACES – COAL HARBOUR Rachel Lafo CESE 162 S001 Mar 31 Sat 10:00 am – 2:00 pm 1 Session 4 total hrs
Explore public art in downtown Vancouver and Coal Harbour, including stops at the Convention Centre, the Seawall and Vancouver Biennale sculptures sited throughout. Artworks include Inges Indee’s The Drop, Douglas Coupland’s Digital Orca, Liz Magor’s LightShed, and the latest installation at Vancouver Art Gallery Offsite, among others. $45/ Class Limit 16 / Prerequisite None
WALKING TOUR: ART IN PUBLIC SPACES – YALETOWN Rachel Lafo CESE 162 S002 April 14 Sat 10:00 am – 2:00 pm 1 Session 4 total hrs
Explore public art in Yaletown and North False Creek neighbourhoods, including projects coordinated by Other Sites for Artists’ Projects, the CBC wall, and the City of Vancouver’s Public Art Program. Artworks include Alan Storey’s The Cooper Mews, Jerry Pethick’s Time Top Project, and Noel Best and Chris Dikeakos’ Lookout, among others. $45 / Class Limit 16 / Prerequisite None
WALKING TOUR: ART IN PUBLIC SPACES – RICHMOND Rachel Lafo CESE 162 S003 April 21 Sat 10:00 am – 2:00 pm 1 Session 4 total hrs
Take the Canada Line to Richmond, on the way to viewing artworks created specifically for transit stations. Explore public art in the City of Richmond, including works sited thorough the Vancouver Biennale and those commissioned as part of Vancouver 2010, with Public Art Planner Eric Fiss. Artworks include Buster Simpson’s Iceblade, Janet Echelman’s Water Sky Garden, Susan Point’s Buttress Runnels, and many others. Class will end in Richmond and you will be responsible for returning home on your own. $45 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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DIGITAL MEDIA INTRODUCTION TO MAYA This two-day intensive workshop offers an introduction to Autodesk Maya. Develop CEAN 152 S001 your design and computer skills through Jan 28 + Jan 29 Sat + Sun 10:00 am - 4:30 pm an introduction to computer animation. Learn fundamentals of modeling, texturing, 2 Sessions animation, lighting, and rendering in 12 total hrs three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic, and expressive potential of the 3D environment and demonstrate various design strategies for 3D imaging and animation. At course end, you will be comfortable within Autodesk Maya and able to create simple films or simulations. Thomas Groppi
$210 / Class Limit 16 / Prerequisite Basic computer skills
WORDPRESS Kevin McMillan CEDA 250 S001 Mar 4 + Mar 11 Sun 9:30 am - 5:30 pm 2 Sessions 14 total hrs Kevin McMillan CEDA 250 S002 Mar 25 + Apr 1 Sun 9:30 am - 5:30 pm 2 Sessions 14 total hrs
$215 / Class Limit 16 / Prerequisite General computer and internet proficiency
INTRODUCTION TO GOOGLE SKETCHUP (NEW) Erick Villagomez CEDA 255 S001 Jan 29 + Feb 5
Kevin McMillan CEDA 232 S001 Jan 21 - Feb 25 Sat 9:30 am - 12:30 pm 6 Sessions 18 total hrs
INTRODUCTION TO WEB DESIGN
Sun 9:00 am - 5:30 pm
This studio course explores the many facets of World Wide Web site design and development, as well as some of the ways that the Internet is being used by artists and designers for promotion of their work and as a site-specific medium for Internet art. You will learn the basics of web page creation, user-centered design principles, web authoring and editing, and design techniques for interactivity. Through exercises, projects, demonstrations, and discussions, your projects will focus on the design and technical issues of developing a web site as a place that delivers information about your work, or as an art or design project in itself.
2 Sessions 16 total hrs
This two-day course provides students with a solid introduction to the free 3D modeling software called Google SketchUp. Whether creating models for furniture, buildings, products or machines, SketchUp provides a quick, fun and easy way to visualize your ideas. This course will shed light on some of the subtle sticking points of the software, and will give you a strong foundation of tools and shortcuts required to make your transition to 3D modeling painless. $285 / Class Limit 16 / Prerequisite Basic Macintosh skills and internet proficiency
INTRODUCTION TO SOLIDWORKS Philip Robbins CEID 231 S001 Jan 23 - Feb 13 Mon 6:30 pm - 9:30 pm
$360 / Class Limit 16 / Prerequisite General computer and internet proficiency
An introduction to web design using the WordPress platform, this two-day course offers an in-depth look at the technology and skills needed to develop your own web site. Through the development and production of your own WordPress site, you will also learn how to build templates. The course will demonstrate a variety of user interactions and aesthetic approaches that outline the easiest and most effective ways of designing and building your personal website with WordPress.
4 Sessions 12 total hrs
You will learn how to use the basics of SolidWorks mechanical design automation software. Helping designers to move from 2D planning to 3D design, this course explores how to build parametric models of parts and assemblies, and how to make drawings of those parts and assemblies in SolidWorks. This course is ideally suited for designers, engineers, and other creative professionals interested in exploring tools for product design. $200 / Class Limit 16 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
INTRODUCTION TO AUTOCAD LT This two-day intensive workshop offers an introduction to the fundamentals of CEID 232 S001 computer-aided design and drafting for Feb 25 + Feb 26 Sat + Sun 10:00 am - 4:30 pm industrial design. You will learn the basics of 2D drafting and detailing with a focus on 2 Sessions the production of dimensioned drawings 12 total hrs for fabrication and production. You will document your ideas and designs accurately with a comprehensive set of 2D drafting and detailing tools. At course end, you should be comfortable using AutoCad LT independently. Thomas Groppi
INTRODUCTION TO RHINO Thomas Groppi CEID 235 S001 Mar 24 + Mar 25 Sat + Sun 10:00 am - 4:30 pm 2 Sessions 12 total hrs
$210 / Class Limit 16 / Prerequisite None
This two-day intensive workshop provides hands-on 3D prototyping skills using Rhinoceros. Students will learn how to model, edit and analyze organic 3D surfaces using this powerful industry standard software. Over the course of a weekend, you will work from real-life scenarios and problem solve using professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model and/or prototype products for manufacturing. $210 / Class Limit 16 / Prerequisite None
INTERACTION DESIGN iPHONE APP CREATION Miles Thorogood CEIN 150 S001 Feb 4 - Mar 3 Sat 1:30 pm - 4:30 pm 5 Sessions 15 total hrs
This course will show you how to make your own app for the iPhone, iPad and iPod Touch. Using a simple set of tools, you will learn how to design and build an app with an interactive graphical interface and sound components. Issues regarding user interaction and current design methodologies will be introduced for mobiles devices. At the end of the course, you will be able to put the app on an iPhone, iPad or iPod Touch device and will be shown how to upload it to the online App Store. You will be encouraged to investigate the conceptual and aesthetic potential of mobile technologies and demonstrate design strategies for an interactive work. Note: Not for android devices. $190 / Class Limit 14 / Prerequisite Basic Macintosh skills and access to a Mac outside of class; no prior programming experience required
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS Frances Grafton
James Lindfield
CEDR 160 S001
CEDR 160 S003
Jan 14 - Mar 31
Feb 19 – Apr 15
Sat 1:30 pm - 4:30 pm
Sun 9:30 am - 12:30 pm
8 Sessions
8 Sessions
24 total hrs
24 total hrs
Martin Guderna
Keith Langergraber
CEDR 160 S002
CEDR 160 S004
Jan 23 - Mar 12
Feb 22 - Mar 28
Mon 6:30 pm - 9:30 pm
Wed 6:00 pm - 10:00 pm
8 Sessions
6 Sessions
24 total hrs
24 total hrs
The elements of drawing, observation, recording, and compositional organization are fundamental to an artist’s visual education. Aspects of this challenging visual thought process include studies in line, shape, value, perspective, proportion, positive and negative space, and the human figure. Using a wide range of drawing materials in hands-on practice, you will be introduced to drawing as a means of intense visual investigation. Individual and class guidance accommodate varying levels of student ability. Class work may include drawing from a model. $270 / Class Limit 16 / Prerequisite None
Samuel Roy Bois CEDR 160 S005 Mar 5 - Apr 16 Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
DRAWING PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS Tony O’Regan CEDR 162 S001 Feb 11 - Mar 31 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs
This course is essential for artists, designers, illustrators, and animators who wish to create convincing images of form, depth, and space. From the Renaissance to the Computer Age, artists have used perspective techniques in their imagery. Whether working in realism, in the compressed space of abstraction, or with a computer, you will improve the impact of your work with an understanding of this powerful drawing technique. Addressing various techniques throughout the course, you will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles, and the human form. $275 / Class Limit 16 / Prerequisite None
CREATIVE DRAWING AND ARCHITECTURE Tony O’Regan CEDR 163 S001 Feb 11 - Mar 31 Sat 1:30 pm - 4:30 pm 8 Sessions
This structured, high-energy course will develop your basic to intermediate drawing and sketching skills. Exercises and projects lead to understanding and applying perspective drawing, sketch concepts, the figure/ground concept, and compositional strategies. A variety of creative freehand techniques will develop your approach to architectural figurative drawing. Class work includes some drawing from a model.
24 total hrs
$300 / Class Limit 16 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
DRAWING INTO PAINTING: AN INTRODUCTION Lori Goldberg CEDR 164 S001 Jan 19 - Feb 23 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course provides an introduction to the fundamentals of drawing and painting and the transition from black-and-white to colour. You will investigate line, form, value, colour, and pictorial composition using a variety of drawing materials and waterbased paints. You will begin with drawing and move into painting using still lifes, the model, and imagination. Guided exercises and discussion of historical and contemporary art will be used to support the learning process.
DRAWING ACROSS DISCIPLINES Vjeko Sager CEDR 168 S001 Jan 24 - Feb 28 Tue 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
$285 / Class Limit 16 / Prerequisite None
DRAWING AND COLLAGE Ian Forbes CEDR 165 S001 Jan 24 - Mar 13 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
This course introduces different approaches to the use of collage in drawing while exploring the process of combining varied two-dimensional materials with drawing media. The focus will be on how variations in shapes and textures alter the composition and mark-making of a drawing. Subject matter will include the model, still life, found imagery, and imagination. A wide range of drawing and collage materials may be used.
$275 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience
DRAWING FOR PRINTMAKING Shinsuke Minegishi CEDR 170 S001 Mar 20 - Apr 10 Tue 6:00 pm - 10:00 pm 4 Sessions 16 total hrs
$275 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience
DRAWING WITH PEN AND INK: BLACK-AND-WHITE Stan Hunc CEDR 167 S001 Jan 18 - Feb 22 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Take a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-bystep tutorials, you will learn to create a range of work from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion, and visual balance.
This course will introduce you to the principles of drawing techniques used to develop conceptual, expressive, and technical aspects of imagery for the purposes the printmaking. Through exercises and step-by-step tutorials, you will learn how to convert a rough sketch of a simple object or fantasy image into a printed image. You will explore tone, texture, line and stroke, negative and positive space, proportion and visual balance as you prepare to move to the printed medium. The course will culminate in the printing of your final image from a linoleum block. $225 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience
DRAWING WITH CHARCOAL AND CHALK Stan Hunc CEDR 171 S001 Mar 7 - Apr 11
$285 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience
As the essence of visual expression, drawing is capable of communicating different ideas and aesthetics while connecting diverse art practices at the same time. In this course, you will explore drawing as it is applied to various disciplines: visual arts, design, architecture, etc. Through a multidisciplinary approach, you will be introduced to drawing as a means of visual investigation and will develop your creative, perception, and observation skills. As you gain experience and confidence, you will begin to cross the boundaries of art and design disciplines while exploring personal creative preferences.
Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Explore the expressive qualities of charcoal and chalk, from basic techniques to more complex renderings. Throughout the course you will work on a series of projects, presented in order of difficulty. These will be supplemented with practical suggestions, ideas for line, value, texture experiments, and techniques for creating special effects. $285 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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DRAWING (CONT’D) DRAWING FOR ANIMATION Julian Lawrence CEDR 210 S001 Feb 1 - Mar 21 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
This course will introduce you to the fundamentals of drawing for animation. You will work on visualizing and composing pictures, drawing shapes and line, rendering form, and expressing volume and perspective. You will experiment with several ways that drawing can be used in animation, including the principles of traditional animation, combining drawings and collage, and animating cut-out drawings. You will learn to observe and express movement, construct simple narratives, and explore the exciting ways animation is used in contemporary art today.
DRAWING THE FIGURE AND FACE Vjeko Sager CEDR 261 S001 Jan 16 - Feb 6 Mon 6:00 pm - 10:00 pm 4 Sessions 16 total hrs
$285 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience
In this course, you will draw and study the live model, towards the goal of constructing a figure or face without a model. Emphasis will be placed on helping you to develop an ‘internal model’ using basic anatomical proportions, gesture, contour and modelled shading. Subjects will include proportion and construction of the head and figure, drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of use to students interested in any type of interior, architectural or design-oriented illustration, animation, or fine art where the ability to draw scale figures is desired. $290 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I or equivalent is recommended, but not required
DRAWING FUNDAMENTALS II Janet Jones CEDR 260 S001 Mar 6 - Apr 10 Tue 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course is designed to provide an intensive exploration of techniques, ideas and approaches to drawing. You will begin working with representational modes aimed at investigating seeing, and knowing the relationship to the sensed world through the eyes. You will work through a variety of formal problems such as volume, value, composition, mass, positive and negative space and depth. Projects will also involve working from memory and imagination. You will experiment working with materials, surfaces, scale, repetition and unconventional drawing tools. Projects are designed to help you work with your materials so you are better able to express your ideas and work through technical issues in drawing. The practice of drawing will be discussed in relation to the work of both historical and contemporary artists.
INTRODUCTION TO LIFE DRAWING Frances Grafton CEDR 263 S001 Jan 15 - Feb 19 Sun 9:00 am - 1:00 pm 6 Sessions 24 total hrs
Develop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form, and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included. $335 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
$250 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I or equivalent
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
DRAWING WITH PEN AND INK: COLOUR (NEW) Stan Hunc CEDR 267 S001 Mar 8 - Apr 12 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Take a colourful and unconventional approach to pen and ink drawing. In this class you will learn to create a range of unusual, colour-oriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour, and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value, and colour-generating methods in a series of independent projects. $285 / Class Limit 16 / Prerequisite CEDR 167 Drawing with Pen and Ink: Black and White or equivalent experience
ANATOMICAL DRAWING Frances Grafton CEDR 361 S001 Feb 17 - Apr 13 Fri 9:30 am - 12:30 pm 8 Sessions 24 total hrs
$285 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
DRAWING THE PORTRAIT Vjeko Sager CEDR 362 S001 Feb 13 - Mar 19
DRAWING THROUGH MEDIA: TECHNOLOGY AND THE HANDMADE MARK Gwenessa Lam CEDR 280 Mar 10 - Apr 14 Sat 9:00 am - 12:30 pm 5 Sessions 16 total hrs
This course considers how technology and the broad array of print and digital images have influenced our notion of drawing. Given the ease with which one can take a photo or print out a picture, what is the relevancy or role of drawing? Discussions will consider how changes in photography and the Internet have shaped the way artists have depicted images, from Degas to Chuck Close. Projects will incorporate pencil, charcoal, and a variety of materials to examine the connections between the hand-made and mediated mark.
This drawing course focuses on the human figure, its construction, and the relationship between skeleton and muscle in order to enhance the understanding of surface anatomy, locomotion, and proportion. Through observation and visual research, you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model.
Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course provides an in-depth study of the head for portraiture. Using a variety of media (charcoal, ink, graphite, etc.), you will explore proportion, resemblance, texture, shape, and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model. $285 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience; experience drawing from a model is recommended
$215 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I or equivalent
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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DRAWING (CONT’D) DRAWING: HANDS, FACE AND FEET Vjeko Sager CEDR 363 S001 Feb 19 - Apr 15 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs
This course centers on three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. This combination has proven successful in dramatically improving one’s ability to draw these body parts. Each class will focus on one of the three parts with one hour of presentation/ discussion followed by two of drawing. Discussion topics will include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.
LIFE DRAWING OPEN STUDIO No Instruction CEDR 400 S001 Mar 10 - Mar 31 Sat 1:30 pm - 5:30 pm 4 Sessions 18 total hrs
Take advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish the opportunity to work on your figure or life drawing, this series of weekly sessions is for you. $95 / Class Limit 16 / Prerequisite Experience drawing or painting from the model is strongly recommended
$285 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience; experience drawing from a model is recommended
Advanced Study Certificate in
DRAWING
page 52
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
FILM/VIDEO INTRODUCTION TO FINAL CUT PRO 7 Eddie Ochmanek CEFV 254 S001 Jan 30 - Mar 5 Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
In this course you will be introduced to the basics of using Final Cut Pro version 7 in order to create professional-quality video. You will cover topics including navigating the interface, basic editing techniques, capturing video and audio, effects, transitions, titling, trimming, audio editing, finishing, and final output. This course is intended for beginners who already have basic Macintosh skills and are interested in learning Final Cut Pro from the ground up. $385 / Class Limit 12 / Prerequisite Basic Macintosh skills
THE ART OF THE DOCUMENTARY: FROM 2D TO 3D Alan Goldman CEFV 375 S001 Jan 23 - Mar 26 Mon 7:00 pm - 10:00 pm 10 Sessions 30 total hrs
This ten-week course is intended to be an examination of documentary practice. The content is a combination of in-class instruction and exercises. You will learn the conventions required to produce, write, direct, shoot and capture documentary films. A primer on documentary history will be provided and the evolution of different genres will be explored. Specific aspects of production will be taught: how to conduct an interview, lighting for interiors and exteriors and obtaining good sound. The basics of editing will be discussed and you will be introduced to iMovie. As well, you will be exposed to the latest tool in documentarian’s arsenal — 3D. Through the use of new consumer point-andshoot cameras you will study how 3D has created new visual storytelling possibilities. $350 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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GRAPHIC NOVEL THE CONTEMPORARY COMIC: AN INTRODUCTION Julian Lawrence CEGN 160 S001 Jan 26 - Mar 1 Thu 6:30 pm - 9:30 pm 6 Sessions
Comics bring together the arts of storytelling and illustration. In this course, you will learn about building stories through illustration, dialogue, and character development. Body language, passage of time, flow, perspective, composition, and personal style will also be addressed. Through exercises, projects, and critiques, you will learn to develop your own ideas from concept to final product.
18 total hrs
$225 / Class Limit 16 / Prerequisite None
THE GRAPHIC MEMOIR: AN INTRODUCTION Miriam Libicki CEGN 170 S001 Jan 23 - Feb 27 Mon 7:00 pm - 10:00 pm 6 Sessions 18 total hrs
From Maus to Persepolis to Blankets, memoirs in graphic novel form are among the most powerful stories being told today. This course offers practical and wide-ranging techniques for translating your life experiences into sequential art. Classroom writing and drawing exercises, as well as take-home assignments, help you develop a creative process from brainstorm to script to layouts and editing. These projects, as well as group and individual critiques, will guide you towards effective storytelling in creating an original graphic memoir. $225 / Class Limit 16 / Prerequisite Some writing and drawing experience is recommended
WRITING FOR GRAPHIC NOVELS Robin Thompson CEGN 230 S001 Mar 5 - Apr 16 Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Are you fascinated by the interplay between words and images? Have you wanted to take your drawing and illustration skills and put them to writing a graphic novel or comic? Whether you want to write comic books, illustrated texts or just play with the possibilities of narrative storytelling, this course will help you explore the challenges and rewards of writing for graphic novels. You will explore storyboarding, narrative structures, and principles for combining image and text in exciting ways. This course is ideal for intermediate to advanced students who are looking to apply their creative skills. Please note that although you will be taught minor drawing and illustration skills, there will be a major emphasis on creative writing. $250 / Class Limit 16 / Prerequisite CEGN 160 The Contemporary Comic: An Introduction or equivalent
NARRATIVE STRUCTURES IN GRAPHIC NOVELS Robin Thompson CEGN 240 S001 Mar 3 - Apr 14 Sat 1:30 pm - 4:30 pm 6 Sessions 18 total hrs
The medium of comics presents the storyteller with an extensive library of tools and techniques to create fiction. Through drawing and text, comics can be applied to all types of stories — from short vignettes to sprawling sagas — without being limited to a particular genre or audience. This course will take the form of a participatory creative workshop. You will start with a variety of exercises and one-page assignments designed to perform two functions: to learn the principles of comics storytelling and to spark the imagination, developing ideas that may be incorporated in future work. You will then choose a long-term project, which will be discussed and delineated at the beginning of the semester. The remainder of the course will consist of studio time and critiques. $210 / Class Limit 16 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
GRAPHIC NOVEL OPEN STUDIO Julian Lawrence CEGN 280 S001 Mar 8 - Apr 12 Thu 6:30 pm - 9:30 pm 6 Sessions 18 total hrs
Continuing from CEGN 260 The Contemporary Comic II: Towards the Digital, this advanced course offers you the opportunity to blend the various concepts investigated in the earlier Contemporary Comic courses. You are encouraged to initiate an original comic strip, book, storyboard, graphic novel or further develop your previous projects. The instructor will guide you according to your needs, and can assist you as you explore advanced techniques, develop character and story, and further explore your personal projects, from thumbnails, to inks, to digital colouring and web-uploading. $225 / Class Limit 16 / Prerequisite CEGN 260 The Contemporary Comic II: Towards the Digital or equivalent
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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ILLUSTRATION BOTANICAL ILLUSTRATION: THE DRAWING STUDIO Elizabeth Mancini CEIL 110 S001 Feb 4 - Feb 25 Sat 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This course will focus on the drawing techniques specific to botanical illustration for scientific accuracy. Class work will lead to the steps necessary to prepare for traditional botanical illustration in watercolour while providing you with the skills to create clear and accurate drawings strong enough to stand on their own. You will be exposed to masterworks of the genre, both past and present. Mediums will include pencil and ink on paper.
ILLUSTRATING NATURE Gwenessa Lam CEIL 200 S001 Jan 22 - Feb 26 Sun 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
$215 / Class Limit 14 / Prerequisite Some drawing experience required; some painting experience recommended
This course introduces you to the principles of creating accurate drawings from nature. Focussing on form and structure, you will learn to observe natural elements including birds, insects and other fauna. You will learn skills for close observation with the objective of translating proportion and depth into two-dimensional representations. Line, tone and value will be explored through work in pen, pencil and ink. Emphasis will be on adherence to detail, literal representation, and measured accuracy towards precise communication through illustration. $250 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I, CEIL 170 Introduction to Illustration, or equivalent
INTRODUCTION TO ILLUSTRATION Robin Thompson CEIL 170 S001 Jan 8 - Feb 12 Sun 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
Illustration is an effective visual form for communicating ideas, offering commentary, educating or catching the attention of the audience. In this course you are introduced to illustration and the many roles it can play. Hands-on projects, slide presentations, discussion and critique expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translating of ideas into images. $225 / Class Limit 14 / Prerequisite None
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BOTANICAL ILLUSTRATION: THE PAINTING STUDIO Elizabeth Mancini CEIL 210 S001 Mar 17 - Apr 14 Sat 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This course picks up where CEIL 110 Botanical Illustration: the Drawing Studio leaves off, exploring botanical illustration in the tradition of noted botanical painters such as Redoute, Sowerby and the Bauer Brothers. Using detailed watercolour techniques on smooth, hot-pressed paper, you will create clear, accurate and luminous renderings of botanical subjects. $165 / Class Limit 14 / Prerequisite CEIL 110 Botanical Illustration: The Drawing Studio
EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
WHIMSICAL ILLUSTRATION Robert Chaplin CEIL 220 S001 Feb 5 - Mar 25 Sun 1:30 pm - 4:30 pm 8 Sessions 24 total hrs
Explore the principles of humour through illustration, from traditional book publishing to web-based communication. Ideally suited for more advanced students, in this course you will learn to communicate more effectively with pictures by exploring concepts of timing and nuance in illustration. Through intensive exercises, you will enjoy and expand your ability to integrate pictures and texts. As well, you will gain insight into the whimsical manner in which pictures and words direct the thought process of the audience. You will be encouraged to work on in-class exercises and personal illustration projects, while enjoying the development of your own style.
ILLUSTRATION FOR PICTURE BOOKS Lisa Cinar CEIL 240 S001 Feb 22 - Apr 11 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
Do you love picture book illustrations and want to create your own? This course will introduce you to key classic and current work in this art form, teach you how to create an effective illustration and main character and help you develop your own unique style. You will develop your own characters using storyboarding and composition exercises and experiment with ink pen, brush work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers. $270 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
$215 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
FASHION ILLUSTRATION I Jean Okada
Ian Forbes CEIL 225 S001 Feb 20 - Apr 16 Mon 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
NOVEL MATERIALS AND ASSEMBLAGE IN ILLUSTRATION
CEIL 250 S001
From Joseph Cornell’s boxes to the comic book covers of Dave McKean (Sandman), artists use assemblage and novel materials to shake up preconceptions. Skills and approaches taught in this course will be applied to creatively solve illustration problems. You will use assemblage and unusual materials to create camera-ready, illustrative objects that push the boundary of traditional 2D illustration.
Wed 6:00 pm - 10:00 pm
$275 / Class Limit 16 / Prerequisite CEFA 170 Materials and Media in Fine Art Practice, CEIL 170 Introduction to Illustration, or equivalent
Feb 8 - Feb 29 4 Sessions 16 total hrs
$215 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
PEN AND INK BOOK ILLUSTRATION Stan Hunc CEIL 260 S001 Feb 5 - Mar 25 Sun 9:30 am - 12:30 pm 8 Sessions
COMMERCIAL ILLUSTRATION Robin Thompson CEIL 230 S001 Jan 26 - Mar 1 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course explores illustration techniques as applied to commercial marketing and branding. Learn to apply creative designing, drawing, and colouring skills to the graphic design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.
In this course, you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs, and the model, you will create fashion figures through the study of proportion, line, and silhouette as you work on communicating your fashion direction.
24 total hrs
This course focuses on the exploration of pen and ink illustration, visual interpretation, and communicating ideas and stories using illustrative techniques. You will be guided through line drawing exercises and will explore gesture, tone, and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples. $265 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
$215 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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ILLUSTRATION (CONT’D) FANTASY ILLUSTRATION Stan Hunc CEIL 270 S001 Mar 4 - Mar 25 Sun 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This course offers a step-by-step introduction to the process of creating images for the fantasy genre, from the first seeds of a visual concept to an illustrated fantasy world. In a series of progressive art projects, you will explore the basic principles behind the conceptual and technical aspects of fantasy character evolution. You will examine aesthetics and literary canons of traditional and contemporary fantasy illustration, and explore your own creative text interpretation and visual imagery. $225 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent
ANATOMICAL ILLUSTRATION Vjeko Sager CEIL 300 S001 Feb 11 - Mar 17 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
This course is designed for students who are interested in expanding their knowledge of human anatomy. Working with a live model each class, you will study anatomical features, proportions and analyze details of the human body, using various drawing and illustration techniques and methods. Through lectures, demonstrations and exercises, you will also learn the basics of both artistic and scientific anatomical terminology. This course focuses on realistic studies of the figure, using various techniques and historic examples of anatomical illustration. $325 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I, CEIL 170 Introduction to Illustration, or equivalent
Advanced Study Certificate in
ILLUSTRATION
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
ILLUSTRATION FOR PICTURE BOOKS II Lisa Cinar CEIL 340 S001 Feb 19 - Apr 15 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs
Building on the introductory skills of CEIL 240 Illustration for Picture Books, in this course you will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brainstorming and writing exercises, as well as the analysis of existing works, will help you in writing your own stories. Additionally, you will have the chance to experiment with paper collage and brush and ink to strengthen your composition and color skills in class and be exposed to more groundbreaking work in the field. $215 / Class Limit 16 / Prerequisite CEIL 240 Illustration for Picture Books
PUBLISHING YOUR PICTURE BOOK
Kallie George CEIL 360 S001 Jan 30 - Mar 5 Mon 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
WRITING FOR PICTURE BOOKS: AN INTRODUCTION
Kallie George
Join in this interactive examination of the writing process for many genres of picture books: Board Books, Early Readers, Wordless Picture Books, Illustrated Books, Comics Chapter Books, Middle Grade and Young Adult. Follow a brief history of each type of book, and techniques on how to write each. You will study traditional approaches, current trends, and learn established techniques to write for each genre, and experiment writing each type of genre yourself through writing prompts and workshopping. This course will introduce you to the wide variety of writing with the hope of your finding the genre that suits your writing voice the best.
Mar 19 - Apr 16
CEIL 450 S001 Mon 6:00 pm - 10:00 pm 4 Sessions 16 total hrs
In this course you will learn the ins and outs of the publishing world and how to prepare your manuscripts for submission to publishers. Finding the right publisher can be challenging and competitive, but you can learn how to catch an editor’s attention within the first few pages of your work. From writing a cover or query letter to learning about agents and contracts, this course will help you prepare the perfect package to submit to publishers. You will also explore the exciting possibilities of self publishing. $185 / Class Limit 16 / Prerequisite Writing experience recommended; students are welcome to bring manuscripts and projects currently in progress
$270 / Class Limit 16 / Prerequisite CEIL 240 Illustration for Picture Books or equivalent
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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LOOKING FOR A UNIQUE GIFT THAT’S EASY TO PICK UP AND SUITS ANYONE? Consider a Continuing Studies gift certificate and share the gift of creativity.
Gift Certificates Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.
PURCHASE BY PHONE OR IN PERSON AT:
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Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC
Tel 604 844 3810
EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
TIMETABLE ABORIGINAL ARTS - page 5 CEAB 120 S001 DRUM + DRUM STICK WORKSHOP CEAB 130 S001 CEDAR BARK BASKETRY WORKSHOP CEAB 140 S001 INTRODUCTION TO RAVENSTAIL WEAVING
FEB 4 MAR 3 MAR 23 - MAR 25
S S F - SU
9:30 am - 5:30 pm 9:30 am - 5:30 pm 9:30 am - 4:30 pm
BRENDA CRABTREE BRENDA CRABTREE CHERYL SAMUEL
BOOK ARTS - page 6 CEBA 112 S001 LETTERPRESS I CEBA 112 S002 LETTERPRESS I CEBA 131 S001 IMAGE TRANSFERS FOR BOOK ARTS CEBA 170 S001 BASICS OF BOOK MAKING CEBA 212 S001 LETTERPRESS OPEN STUDIO
JAN 17 - FEB 21 MAR 1 - APR 12 MAR 17 - MAR 31 FEB 13 - MAR 19 MAR 10 - MAR 31
T TH S M S
6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 10:00 am - 5:00 pm 6:30 pm - 9:30 pm 10:00 am - 2:00 pm
ANDREA TAYLOR ANDREA TAYLOR NICOLE DEXTRAS GRACE PARTRIDGE ANDREA TAYLOR
COMMUNICATION DESIGN - page 7 CECD 110 S001 BASICS OF COMMUNICATION DESIGN CECD 110 S002 BASICS OF COMMUNICATION DESIGN CECD 112 S001 THE ART OF FONTS CECD 160 S001 DRAWING FOR DESIGN CECD 280 S001 DESIGN + CRITICAL THINKING CECD 320 S001 TYPOGRAPHY CECD 330 S001 PUBLICATION DESIGN
JAN 9 - FEB 13 FEB 29 - APR 4 JAN 18 - FEB 8 JAN 18 - FEB 22 JAN 23 - FEB 27 FEB 19 - APR 15 MAR 5 - APR 16
M W W W M SU M
6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 9:30 am - 12:30 pm 6:00 pm - 10:00 pm
CAROLINA BECERRA CAROLINA BECERRA LINDA COE VJEKO SAGER DANTE COMOGLIO LINDA COE DANTE COMOGLIO
COMPUTER SKILLS - page 8 CECS 100 S001 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 100 S002 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS CECS 130 S002 ADOBE ILLUSTRATOR: THE BASICS CECS 131 S001 PHOTOSHOP: THE BASICS CECS 131 S002 PHOTOSHOP: THE BASICS CECS 131 S003 PHOTOSHOP: THE BASICS CECS 133 S001 INDESIGN: THE BASICS CECS 136 S001 THE ADOBE SUITE FOR DESIGN + PRODUCTION CECS 136 S002 THE ADOBE SUITE FOR DESIGN + PRODUCTION
JAN 14 JAN 16 JAN 11 - FEB 15 JAN 21 - FEB 25 JAN 15 - FEB 19 JAN 21 - FEB 25 MAR 3 - APR 14 FEB 19 - MAR 25 JAN 25 - MAR 28 MAR 4 - APR 1
S M W S SU S S SU W SU
9:30 am - 1:30 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 10:00 am - 5:00 pm
CAROLINA BECERRA JAIME CLAY BROOKE ALLEN JAIME CLAY ARTHUR BABIARZ KATHRYN MUSSALLEM JAIME CLAY KEN JEFFERY CHRISTINE YOON CHRISTINE YOON
CULTURAL STUDIES - page 10 CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN CESE 160 S001 ISSUES IN CONTEMPORARY ART CESE 180 S001 A SURVEY AND HISTORY OF ART
MAR 7 - APR 11 FEB 11 - MAR 31 FEB 21 - APR 10
W S T
6:00 pm - 10:00 pm 10:30 am - 1:30 pm 7:00 pm - 10:00 pm
DANTE COMOGLIO RAMON KUBICEK NADIA THIBAULT
Walking Tours CESE 162 S001 CESE 162 S002 CESE 162 S003
page 11 WALKING TOUR: ART IN PUBLIC SPACES - COAL HARBOUR MAR 31 WALKING TOUR: ART IN PUBLIC SPACES - YALETOWN APR 14 WALKING TOUR: ART IN PUBLIC SPACES - RICHMOND APR 21
S S S
10:00 am - 2:00 pm 10:00 am - 2:00 pm 10:00 am - 2:00 pm
RACHEL LAFO RACHEL LAFO RACHEL LAFO
DIGITAL MEDIA CEAN 152 S001 CEDA 232 S001 CEDA 250 S001 CEDA 250 S002 CEDA 255 S001 CEID 231 S001 CEID 232 S001 CEID 235 S001
page 12 INTRODUCTION TO MAYA INTRODUCTION TO WEB DESIGN WORDPRESS WORDPRESS INTRODUCTION TO GOOGLE SKETCHUP INTRODUCTION TO SOLIDWORKS INTRODUCTION TO AUTOCAD LT INTRODUCTION TO RHINO
JAN 28 + JAN 29 JAN 21 - FEB 25 MAR 4 + MAR 11 MAR 25 + APR 1 JAN 29 + FEB 5 JAN 23 - FEB 13 FEB 25 + FEB 26 MAR 24 + MAR 25
S + SU S SU SU SU M S + SU S + SU
10:00 am - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 5:30 pm 9:30 am - 5:30 pm 9:00 am - 5:30 pm 6:30 pm - 9:30 pm 10:00 am - 4:30 pm 10:00 am - 4:30 pm
THOMAS GROPPI KEVIN MCMILLAN KEVIN MCMILLAN KEVIN MCMILLAN ERICK VILLAGOMEZ PHILIP ROBBINS THOMAS GROPPI THOMAS GROPPI
Interaction Design - page 13 CEIN 150 S001 iPHONE APP CREATION
FEB 4 - MAR 3
S
1:30 pm - 4:30 pm
MILES THOROGOOD
DRAWING - page 14 CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS
JAN 14 - MAR 31 JAN 23 - MAR 12 FEB 19 - APR 15
S M SU
1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm
FRANCES GRAFTON MARTIN GUDERNA JAMES LINDFIELD
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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TIMETABLE (CONT’D) DRAWING (CONT’D) CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS + DESIGNERS CEDR 163 S001 CREATIVE DRAWING + ARCHITECTURE CEDR 164 S001 DRAWING INTO PAINTING: AN INTRODUCTION CEDR 165 S001 DRAWING + COLLAGE CEDR 167 S001 DRAWING WITH PEN + INK: BLACK + WHITE CEDR 168 S001 DRAWING ACROSS DISCIPLINES CEDR 170 S001 DRAWING FOR PRINTMAKING CEDR 171 S001 DRAWING WITH CHARCOAL + CHALK CEDR 210 S001 DRAWING FOR ANIMATION CEDR 260 S001 DRAWING FUNDAMENTALS II CEDR 261 S001 DRAWING THE FIGURE + FACE CEDR 263 S001 INTRODUCTION TO LIFE DRAWING CEDR 267 S001 DRAWING WITH PEN + INK: COLOUR CEDR 280 S001 DRAWING THROUGH MEDIA: TECHNOLOGY + THE HAND-MADE MARK CEDR 361 S001 ANATOMICAL DRAWING CEDR 362 S001 DRAWING THE PORTRAIT CEDR 363 S001 DRAWING: HANDS, FACE + FEET CEDR 400 S001 LIFE DRAWING OPEN STUDIO
FEB 22 - MAR 28 MAR 5 - APR 16 FEB 11 - MAR 31 FEB 11 - MAR 31 JAN 19 - FEB 23 JAN 24 - MAR 13 JAN 18 - FEB 22 JAN 24 - FEB 28 MAR 20 - APR 10 MAR 7 - APR 11 FEB 1 - MAR 21 MAR 6 - APR 10 JAN 16 - FEB 6 JAN 15 - FEB 19 MAR 8 - APR 12
W M S S TH T W T T W W T M SU TH
6:00 pm - 10:00 pm 6:00 PM - 10:00 PM 9:30 AM - 12:30 PM 1:30 pm - 4:30 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 9:00 am - 1:00 pm 6:00 pm - 10:00 pm
KEITH LANGERGRABER SAMUEL ROY BOIS TONY O’REGAN TONY O’REGAN LORI GOLDBERG IAN FORBES STAN HUNC VJEKO SAGER SHINSUKE MINEGISHI STAN HUNC JULIAN LAWRENCE JANET JONES VJEKO SAGER FRANCES GRAFTON STAN HUNC
MAR 10 - APR 14 FEB 17 - APR 13 FEB 13 - MAR 19 FEB 19 - APR 15 MAR 10 - MAR 31
S F M SU S
9:00 am - 12:30 pm 9:30 am - 12:30 pm 6:00 pm - 10:00 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm
GWENESSA LAM FRANCES GRAFTON VJEKO SAGER VJEKO SAGER NO INSTRUCTION
FILM / VIDEO - page 19 CEFV 254 S001 INTRODUCTION TO FINAL CUT PRO 7 CEFV 375 S001 THE ART OF THE DOCUMENTARY: FROM 2D TO 3D
JAN 30 - MAR 5 JAN 23 - MAR 26
M M
6:00 pm - 10:00 pm 7:00 pm - 10:00 pm
EDDIE OCHMANEK ALAN GOLDMAN
GRAPHIC NOVEL CEGN 160 S001 CEGN 170 S001 CEGN 230 S001 CEGN 240 S001 CEGN 280 S001
- page 20 THE CONTEMPORARY COMIC: AN INTRODUCTION THE GRAPHIC MEMOIR: AN INTRODUCTION WRITING FOR GRAPHIC NOVELS NARRATIVE STRUCTURES IN GRAPHIC NOVELS GRAPHIC NOVEL OPEN STUDIO
JAN 26 - MAR 1 JAN 23 - FEB 27 MAR 5 - APR 16 MAR 3 - APR 14 MAR 8 - APR 12
TH M M S TH
6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 6:00 pm - 10:00 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm
JULIAN LAWRENCE MIRIAM LIBICKI ROBIN THOMPSON ROBIN THOMPSON JULIAN LAWRENCE
ILLUSTRATION CEIL 110 S001 CEIL 170 S001 CEIL 200 S001 CEIL 210 S001 CEIL 220 S001 CEIL 225 S001 CEIL 230 S001 CEIL 240 S001 CEIL 250 S001 CEIL 260 S001 CEIL 270 S001 CEIL 300 S001 CEIL 340 S001 CEIL 360 S001 CEIL 450 S001
page 22 BOTANICAL ILLUSTRATION: THE DRAWING STUDIO INTRODUCTION TO ILLUSTRATION ILLUSTRATING NATURE BOTANICAL ILLUSTRATION: THE PAINTING STUDIO WHIMSICAL ILLUSTRATION NOVEL MATERIALS + ASSEMBLAGE IN ILLUSTRATION COMMERCIAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS FASHION ILLUSTRATION I PEN + INK BOOK ILLUSTRATION FANTASY ILLUSTRATION ANATOMICAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS II WRITING FOR PICTURE BOOKS: AN INTRODUCTION PUBLISHING YOUR PICTURE BOOK
FEB 4 - FEB 25 JAN 8 - FEB 12 JAN 22 - FEB 26 MAR 17 - APR 14 FEB 5 - MAR 25 FEB 20 - APR 16 JAN 26 - MAR 1 FEB 22 - APR 11 FEB 8 - FEB 29 FEB 5 - MAR 25 MAR 4 - MAR 25 FEB 11 - MAR 17 FEB 19 - APR 15 JAN 30 - MAR 5 MAR 19 - APR 16
S SU SU S SU M TH W W SU SU S SU M M
1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 9:30 am - 12:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm
ELIZABETH MANCINI ROBIN THOMPSON GWENESSA LAM ELIZABETH MANCINI ROBERT CHAPLIN IAN FORBES ROBIN THOMPSON LISA CINAR JEAN OKADA STAN HUNC STAN HUNC VJEKO SAGER LISA CINAR KALLIE GEORGE KALLIE GEORGE
JAN 28 - FEB 11 MAR 17 - MAR 31 FEB 26 - APR 1 JAN 22 - MAR 11 JAN 19 - FEB 23 FEB 5 - MAR 25 FEB 25 - MAR 31 MAR 24 + MAR 31 JAN 25 - FEB 29 MAR 11 + MAR 18
S S SU SU TH SU S S W SU
10:00 am - 5:00 pm 10:00 am - 5:00 pm 1:30 pm - 5:30 pm 9:30 am - 12:30 pm 6:00 pm - 10:00 pm 1:30 pm - 4:30 pm 1:30 pm - 5:30 pm 9:30 am - 5:30 pm 6:00 pm - 10:00 pm 9:30 am - 5:30 pm
ROMAN IZDEBSKI ROMAN IZDEBSKI LUKAS ARMSTRONG TONY O’REGAN YING-CHIU CHAN TONY O’REGAN YING-CHIU CHAN JONAS DODD + MAGALI BAILEY DANTE COMOGLIO PHILIP ROBBINS
INDUSTRIAL DESIGN - page 31 CEID 120 S001 BASICS OF INDUSTRIAL DESIGN CEID 120 S002 BASICS OF INDUSTRIAL DESIGN CEID 121 S001 EXPLORATION OF 3D DESIGN CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN CEID 160 S001 RAPID VISUALIZATION + PRODUCT RENDERING CEID 223 S001 ARCHITECTURAL MODELING + MAQUETTES CEID 224 S001 INTRODUCTION TO MODEL MAKING CEID 230 S001 CONTAINER GARDEN DESIGN CEID 240 S001 DESIGN FOR EXHIBITS CEID 250 S001 LASER CUTTER WORKSHOP
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
TIMETABLE (CONT’D) INDUSTRIAL DESIGN (CONT’D) CEID 255 S001 CARRY ALL: DESIGN + BUILD YOUR OWN BAG CEID 260 S001 3D DESIGN SKETCHING CEID 350 S001 URBAN CARTOGRAPHY CEID 363 S001 3D RENDERING FOR DESIGN PRESENTATION CEID 390 S001 DESIGN FOR SOCIAL CHANGE CEID 420 S001 3D DESIGN STUDIO
JAN 28 - MAR 17 MAR 1 - APR 5 FEB 8 - MAR 28 FEB 7 - APR 10 FEB 22 - MAR 28 MAR 4 - APR 15
S TH W T W SU
9:30 am - 12:30 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 1:30 pm - 5:30 pm
JEN HIEBERT YING-CHIU CHAN LAURA KOZAK CHRISTOPHER KOWAL KARA PECKNOLD SCOTT STANILAND
MATERIAL PRACTICE - page 35 CEFA 160 S001 BASICS OF COMPOSITION + FORM JAN 14 - MAR 3 S 9:30 am - 12:30 pm CEFA 160 S002 BASICS OF COMPOSITION + FORM FEB 12 - APR 1 SU 2:30 pm - 5:30 pm CEFA 170 S001 MATERIALS + MEDIA IN FINE ART PRACTICE JAN 24 - FEB 14 T 6:00 pm - 10:00 pm CEFA 170 S002 MATERIALS + MEDIA IN FINE ART PRACTICE FEB 12 - MAR 4 SU 9:30 am - 2:00 pm CEFA 260 S001 DEVELOPING YOUR VISUAL STYLE MAR 7 - APR 11 W 6:30 pm - 9:30 pm CEFA 270 S001 MIXED MEDIA SCULPTURE FEB 2 - MAR 22 TH 6:30 pm - 9:30 pm
FRANCES GRAFTON FRANCES GRAFTON KAREN KAZMER KAREN KAZMER VJEKO SAGER PHILIP ROBBINS + KAREN KAZMER
PAINTING - page 36 CEPN 160 S001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 160 S002 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 161 S001 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 161 S002 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 162 S001 FUNDAMENTALS OF OIL PAINTING CEPN 163 S001 FUNDAMENTALS OF WATERCOLOUR CEPN 164 S001 USING COLOUR CEPN 164 S002 USING COLOUR CEPN 165 S001 THE BUILT SURFACE: PAINT + COLLAGE CEPN 165 S002 THE BUILT SURFACE: PAINT + COLLAGE CEPN 169 S001 MIXED MEDIA PAINTING TECHNIQUES CEPN 169 S002 MIXED MEDIA PAINTING TECHNIQUES CEPN 178 S001 TIBETAN THANGKA PAINTING CEPN 180 S001 EXPLORING MANDALA CEPN 190 S001 ANYTHING BUT THE BRUSH CEPN 260 S001 PAINTING FUNDAMENTALS II CEPN 261 S001 ACRYLIC PAINTING II CEPN 262 S001 OIL PAINTING II CEPN 263 S001 WATERCOLOUR PAINTING II CEPN 264 S001 USING COLOUR II CEPN 265 S001 EXPLORING THE BUILT SURFACE CEPN 270 S001 FORMS + CONCEPTS IN CONTEMPORARY PAINTING CEPN 271 S001 TECHNIQUE BOOT CAMP: PAINTING CEPN 271 S002 TECHNIQUE BOOT CAMP: PAINTING CEPN 276 S001 PAINTING FROM DIGITAL: USING OILS CEPN 278 S001 PAINTING THE PORTRAIT CEPN 360 S001 PAINTING OPEN STUDIO CEPN 365 S001 OPEN STUDIO LAYERING TECHNIQUES CEPN 371 S001 BOOT CAMP II: COMPOSITION + THE PICTURE PLANE CEPN 372 S001 BOOT CAMP II: LANDSCAPE + NATURAL ELEMENTS
JAN 18 - FEB 22 MAR 6 - APR 10 JAN 10 - FEB 28 FEB 19 - APR 15 FEB 18 - APR 14 JAN 29 - MAR 4 JAN 21 - FEB 11 MAR 21 - APR 11 JAN 21 - FEB 25 MAR 7 - APR 11 JAN 28 - MAR 17 FEB 12 - APR 1 FEB 4 - MAR 24 FEB 12 - APR 1 FEB 11 - MAR 31 MAR 7 - APR 11 FEB 5 - FEB 26 MAR 17 - APR 14 MAR 18 - APR 15 MAR 19 - APR 16 MAR 6 - APR 10 FEB 4 - MAR 24 JAN 22 - FEB 26 MAR 4 - APR 15 JAN 15 - FEB 5 MAR 4 - APR 15 MAR 1 - APR 5 MAR 8 - APR 12 FEB 18 - MAR 10 MAR 17 - APR 14
W T T SU S SU S W S W S SU S SU S W SU S SU M T S SU SU SU S TH TH S S
6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 6:00 pm - 10:00 pm 1:30 pm - 5:30 pm 6:00 pm - 10:00 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 9:30 am - 12:30 pm 6:00 pm - 10:00 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 10:30 am - 5:30 pm 1:30 pm - 5:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm
MARTIN GUDERNA LORI GOLDBERG LORI GOLDBERG LORI GOLDBERG JAMES LINDFIELD JAMES PICARD ELIZABETH BARNES LORI GOLDBERG JEANNE KRABBENDAM JEANNE KRABBENDAM MARTIN GUDERNA DIANA KUBICEK KALSANG DAWA KALSANG DAWA JEANNE KRABBENDAM MARTIN GUDERNA LORI GOLDBERG JAMES LINDFIELD JAMES PICARD MARTIN GUDERNA JEANNE KRABBENDAM ELIZABETH BARNES ELIZABETH BARNES ELIZABETH BARNES SEAN COGGINS JAMES LINDFIELD LORI GOLDBERG JEANNE KRABBENDAM ELIZABETH BARNES ELIZABETH BARNES
PHOTOGRAPHY - page 41 CEPH 141 S001 BLACK + WHITE PHOTOGRAPHY I CEPH 141 S002 BLACK + WHITE PHOTOGRAPHY I CEPH 230 S001 THE MAGIC OF STREET PHOTOGRAPHY CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 250 S002 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 255 S001 DIGITAL PHOTOGRAPHY OPEN STUDIO CEPH 270 S001 MANAGING YOUR PHOTOS USING iPHOTO CEPH 352 S001 ADVANCED DIGITAL PHOTOGRAPHY
FEB 2 - FEB 23 MAR 3 - MAR 24 FEB 12 - APR 1 JAN 14 - MAR 3 MAR 4 - APR 15 MAR 3 - APR 14 JAN 28 - FEB 18 MAR 3 - APR 14
TH S SU S SU S S S
6:00 pm - 10:00 pm 1:30 pm - 5:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm
DIANE EVANS RAND BERTHAUDIN VENDULA RALKOVA KATHRYN MUSSALLEM JOSH HITE KATHRYN MUSSALLEM JAIME CLAY MATILDA ASLIZADEH
PRINTMAKING - page 43 CEPR 150 S001 PHOTO-BASED PRINTMAKING CEPR 160 S001 INTRODUCTION TO RELIEF PRINTMAKING
JAN 28 - MAR 10 FEB 12 - MAR 18
S SU
1:30 pm - 5:30 pm 9:30 am - 12:30 pm
CHERYL CARPENTER LAWRENCE LOWE
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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TIMETABLE (CONT’D) PRINTMAKING (CONT’D) CEPR 163 S001 INTRODUCTION TO WOOD ENGRAVING CEPR 164 S001 TEXTILE PRINTING I CEPR 165 S001 PRINTMAKING TECHNIQUES
FEB 26 - MAR 11 FEB 5 - MAR 25 JAN 29 - FEB 12
SU SU SU
10:00 am - 4:00 pm 1:30 pm - 4:30 pm 10:00 am - 4:30 pm
SHINSUKE MINEGISHI ELEANOR HANNAN SHINSUKE MINEGISHI
PROFESSIONAL DEVELOPMENT - page 44 CEPD 190 S001 THE BUSINESS OF ART PRACTICE JAN 15 - MAR 4 CEPD 190 S002 THE BUSINESS OF ART PRACTICE FEB 2 - MAR 22 CEPD 260 S001 TOWARD A BUSINESS PLAN FEB 18 CEPD 392 S001 MARKETING 2D DESIGN SERVICES JAN 18 - FEB 22 CEPD 393 S001 MARKETING 3D DESIGN SERVICES MAR 7 - APR 11 CEPD 420 S001 DRAWING IDEAS INTO ACTION WITH GRAPHIC FACILITATION FEB 29 - APR 18 CEWR 175 S001 WORDPLAY: CREATIVE PROCESS FOR WRITERS JAN 26 - MAR 15
SU TH S W W W TH
9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 5:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm
CHRIS TYRELL CHRIS TYRELL CHRIS TYRELL CAROLINA BECERRA TONY O’REGAN ELENA UNDERHILL INGRID ROSE
Social Media - page 46 CESM 101 S001 TWITTER CREATIVELY CESM 102 S001 CREATE A FACEBOOK FAN PAGE CESM 110 S001 FINDING YOUR SOCIAL MEDIUM
M M M
7:00 pm - 10:00 pm 7:00 pm - 10:00 pm 7:00 pm - 10:00 pm
REBECCA COLEMAN REBECCA COLEMAN REBECCA COLEMAN
JAN 16 + JAN 23 FEB 6 + FEB 13 FEB 20 - APR 16
SCULPTURE + INSTALLATION - page 47 CESC 178 S001 INTRODUCTION TO MOLD DESIGN + CASTING JAN 18 - FEB 22 W 6:00 pm - 10:00 pm CESC 179 S001 SMALL SCALE MODELING FEB 18 - APR 14 S 9:30 am - 12:30 pm CESC 180 S001 INTRODUCTION TO METAL SCULPTURE JAN 17 - MAR 27 T 7:00 pm - 10:00 pm CESC 190 S001 INTRODUCTION TO METAL CASTING JAN 21 - MAR 31 S 10:00 am - 1:00 pm CESC 278 S001 MOLD DESIGN + CASTING OPEN STUDIO FEB 12 - MAR 4 SU 10:00 am - 5:00 pm CESC 280 S001 METAL SCULPTURE OPEN STUDIO FEB 2 - APR 12 TH 7:00 pm - 10:00 pm
PHILIP ROBBINS VICKI ISRAEL IAN RHODES IAN RHODES + PHILIP ROBBINS PHILIP ROBBINS IAN RHODES
TEEN PROGRAMS - page 49 CETP 150 S001 INTRODUCTION TO ARCHITECTURE CETP 165 S001 PAINTING CETP 180 S001 DIGITAL PHOTOGRAPHY
LAURA KOZAK MARTIN GUDERNA JOSH HITE
FEB 11 - MAR 3 JAN 21 - FEB 11 JAN 22 - FEB 12
S S SU
9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm
DID YOU KNOW
Continuing Studies also offers Custom Training? consult@ecuad.ca
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
BASICS OF INDUSTRIAL DESIGN Roman Izdebski
Roman Izdebski
CEID 120 S001
CEID 120 S002
Jan 28 - Feb 11
Mar 17 - Mar 31
Sat 10:00 am - 5:00 pm
Sat 10:00 am - 5:00 pm
3 Sessions
3 Sessions
18 total hrs
18 total hrs
This course introduces you to the field of Industrial Design. You will gain an awareness of the design process with an emphasis on design criteria, followed by formulation of the design brief, development of creative concepts, user testing, and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation. $250 / Class Limit 16 / Prerequisite None
INDUSTRIAL DESIGN EXPLORATION OF 3D DESIGN Lukas Armstrong CEID 121 S001 Feb 26 - Apr 1 Sun 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
This course familiarizes you with the principles of three-dimensional design as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale, and surface are developed. You will create both functional and sculptural objects through projects that explore threedimensional concepts, forms, and materials. The emphasis is on problem solving and imaginative and experimental responses to proposed projects. $310 / Class Limit 16 / Prerequisite None
BASICS OF ARCHITECTURAL DESIGN Tony O’Regan CEID 122 S001 Jan 22 - Mar 11 Sun 9:30 am - 12:30 pm 8 Sessions
This 3D studio course introduces you to the design process as it applies to architecture. Through idea generation, sketch models, proposal research and presentation, and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual, and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.
24 total hrs
$285 / Class Limit 16 / Prerequisite None
RAPID VISUALIZATION AND PRODUCT RENDERING Ying-Chiu Chan CEID 160 S001 Jan 19 - Feb 23 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Rapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, graphic design, industrial design, illustration, architecture, furniture, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and begin to solve problems. This course introduces you to the methods, techniques, and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection, and texture are examined, followed by demonstrations of approaches and techniques. Practical exercises are supplemented with discussion, slide presentations, and critiques. $315 / Class Limit 16 / Prerequisite Strong drawing skills with an enthusiasm for realism and detail
ARCHITECTURAL MODELING AND MAQUETTES Tony O’Regan CEID 223 S001 Feb 5 - Mar 25 Sun 1:30 pm - 4:30 pm
This studio course introduces you to architectural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design, or industrial design applications. Emphasis is on quick building techniques which are useful in the design process.
8 Sessions 24 total hrs
$315 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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INDUSTRIAL DESIGN (CONT’D) INTRODUCTION TO MODEL MAKING Ying-Chiu Chan CEID 224 S001 Feb 25 - Mar 31 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
Models are three-dimensional previews of designs before they go to production. They can serve as the proof-of-concept, be subjected to ergonomic testing, or they can be a sales tool. Through slide presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block materials and sheet materials.
LASER CUTTER WORKSHOP Philip Robbins CEID 250 S001 Mar 11 + Mar 18 Sun 9:30 am - 5:30 pm 2 Sessions 14 total hrs
$325 / Class Limit 16 / Prerequisite Basic hand-tool skills, reasonable sketching ability
CONTAINER GARDEN DESIGN Jonas Dodd + Magali Bailey CEID 230 S001 Mar 24 + Mar 31 Sat 9:30 am - 5:30 pm 2 Sessions 14 total hrs
Using found, recycled and new building materials, design and construct imaginative and functional containers for growing food on your balcony or window sill. An introduction to contemporary gardening culture will be followed by a group discussion of small-scale agricultural design strategies and materials. Instruction will be provided regarding construction techniques, as well as seasonal and material considerations. You will take home your completed projects.
$200 / Class Limit 15 / Prerequisite This course is for practicing artists/designers or those with a good working knowledge of Adobe Illustrator
CARRY ALL: DESIGN AND BUILD YOUR OWN BAG (NEW) Jen Hiebert CEID 255 S001 Jan 28 - Mar 17 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs
$240 / Class Limit 14 / Prerequisite None
DESIGN FOR EXHIBITS Dante Comoglio CEID 240 S001 Jan 25 - Feb 29 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This course will focus on creating dynamic immersive experiences for museums and cultural spaces. Drawing upon principles of communication design and threedimensional design, you will complete assignments that consider space, flow of information, sight lines, aesthetics, logistics, and user experience. Visioning sessions will involve sketching and paper modeling. Final projects will propose innovative solutions for a cultural or museum space.
This workshop offers an exploration of the precision, speed and creative potential of Emily Carr’s laser cutting equipment. The laser cutter offers an unparalleled means of manipulating material, and presents a variety of workflows (vector, raster, combined, and colour mapping) to produce specific types of output. Emily Carr’s laser can cut wood, plastic, paper, leather and rubber. In this workshop, you will examine the possibilities of this technology as a means of personal expression, with a strong emphasis on material exploration, technology, and problem solving.
Working in the Emily Carr Soft Shop, you will be introduced to historical and contemporary bag design, design process and basic pattern-making, as well as sewing techniques specifically geared for heavy-weight fabrics. With safety training and technical instruction on the heavy-weight industrial sewing machines, you will design and sew your own bag with leather handles to take home. All materials will be provided, but you can bring your own canvas or upholstery-weight fabric for your final project. $380 / Class Limit 9 / Prerequisite Sewing experience an asset
$270 / Class Limit 16 / Prerequisite Some experience in communication and/ or industrial design
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
3D DESIGN SKETCHING Ying-Chiu Chan CEID 260 S001 Mar 1 - Apr 5 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Sketching is an essential process in threedimensional design; it documents the flow of ideas and can be used as an effective tool for communication. In this course, you will explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architectural design. Through slides, lectures, demonstrations, discussion, and design projects, you will apply design drawing techniques to the visualization of products and environment, form, and space. $275 / Class Limit 16 / Prerequisite None
URBAN CARTOGRAPHY Laura Kozak CEID 350 S001 Feb 8 - Mar 28 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
Learn to critically read and record the underlying geometry, overlapping histories and multiple agendas of the city through practices of mapping, measuring and sketching. Using architectural and cartographic tools and techniques, you will work at multiple and nested scales to understand the metrics behind what makes neighbourhoods different, how we move through the city, and how the built environment has taken shape. The final outcome of the course will be a critical and technically drafted cartographic drawing. This is a beginner course aimed to introduce urban inhabitants to ways of reading the city and understanding it through processes of measuring and mapping. Students may include those with an interest in Vancouver history or urban change, or students looking to build an architecture or design portfolio.
3D RENDERING FOR DESIGN PRESENTATION Christopher Kowal CEID 363 S001 Feb 7 - Apr 10 Tue 6:30 pm - 9:30 pm 10 Sessions 30 total hrs
For industrial designers, interior designers, jewelry makers, architects, and anyone who needs to visualize products for presentation, this course is ideal in providing hands-on 3D prototyping skills using Autodesk 3DS MAX. You will learn how to model, render and animate photorealistic simulation (including fly-through) using this powerful software. You will work on a project of your choosing and have the opportunity to import existing models from Rhino, AutoCAD, SolidWorks, Maya, and others. $350 / Class Limit 16 / Prerequisite Basic computer skills
$225 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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INDUSTRIAL DESIGN (CONT’D) DESIGN FOR SOCIAL CHANGE Kara Pecknold CEID 390 S001 Feb 22 - Mar 28 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Have you ever had an idea for making your community or organization better? In this studio/seminar course you will be challenged to use design thinking and process to consider complex social and economic problems. Through discussions, collaborations, research and prototyping of ideas you will learn about design as it relates to the social, cultural, environmental and economic systems we live in. The outcome of this course will be a real project that could be presented to a potential client or community leader for implementation. Ideal for people who want to learn how to apply creative process to complex topics, in order to realize tangible outcomes. $275 / Class Limit 12 / Prerequisite None
3D DESIGN STUDIO Scott Staniland CEID 420 S001 Mar 4 - Apr 15 Sun 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
In this advanced-level studio course you will apply product design processes and methods to the development of functional or experimental objects or environments. The emphasis is on research, problem solving, and creative experimental responses to projects, discussions, and critiques of ideas and form. Course content focuses on analysis, concept development, and communicating 3D concepts for products or environments as models or prototypes. Slide lectures, demonstrations, and discussions will encourage you to develop innovative solutions to the course projects. $335 / Class Limit 14 / Prerequisite All core courses in the Certificate Program in 3D Design or equivalent experience are required; elective courses are strongly recommended
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
MATERIAL PRACTICE BASICS OF COMPOSITION AND FORM Frances Grafton
Frances Grafton
CEFA 160 S001
CEFA 160 S002
Jan 14 - Mar 3
Feb 12 - Apr 1
Sat 9:30 am - 12:30 pm
Sun 2:30 pm - 5:30 pm
8 Sessions
8 Sessions
24 total hrs
24 total hrs
This course introduces you to ideas in art making while examining the relationship of concept and composition in two-dimensional art practices. You will develop skills in composition by investigating how line, shape, colour, texture, and surface treatment enhance and influence form. Exercises and experimentation with a variety of media allow you to explore aesthetics and meaning by applying the elements and principles of composition. Through illustrated lectures, demonstrations, discussions, observations, and critiques you will learn to reference historical and contemporary theories and image sources as inspirations for art making. $335 / Class Limit 16 / Prerequisite None
MATERIALS AND MEDIA IN FINE ART PRACTICE Karen Kazmer
Karen Kazmer
CEFA 170 S001
CEFA 170 S002
Jan 24 - Feb 14
Feb 12 - Mar 4
Tue 6:00 pm - 10:00 pm
Sun 9:30 am - 2:00 pm
4 Sessions
4 Sessions
16 total hrs
16 total hrs
This course introduces you to the diversity of materials and media used in the contemporary visual arts to create three-dimensional objects and communicate ideas. Traditional and unconventional materials and processes are employed in exercises and projects as you gain an understanding of basic three-dimensional elements such as space, mass, volume, plane, and texture. How these elements are affected and can be manipulated through choice of materials is explored and discussed as you advance your understanding of relationships between ideas, materials, media, and context. $235 / Class Limit 16 / Prerequisite None
DEVELOPING YOUR VISUAL STYLE Vjeko Sager CEFA 260 S001 Mar 7 - Apr 11 Wed 6:30 pm - 9:30 pm 3 Sessions
This course provides an opportunity to work on and develop your own artistic style. You will be introduced to examples, principles, and methods of major historic styles including classical and modern. This course is designed to merge hands-on practice with your creative ideas by experimenting with numerous materials and techniques. Throughout the course you will analyze your creative process and refine your aesthetic abilities.
18 total hrs
$235 / Class Limit 16 / Prerequisite Some drawing or painting experience
MIXED MEDIA SCULPTURE (NEW) Karen Kazmer + Philip Robbins This course, which can be seen as an extension of CEFA 170 Materials and Media in Fine Art CEFA 270 S001 Feb 2 – Mar 22 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
Practice and CESC 178 Introduction to Mold Design and Casting, allows you to further develop your creative skills building on your pre-existing skill sets by exploring more sophisticated concepts, materials and techniques. Emphasis will be on the development of a personal sculptural language refined through creative process exercises, research, drawing and mixed media projects that will further advance your understanding of the relationships between ideas, traditional and non-traditional materials, woodworking and other techniques. Learning to use basic hand and power tools, and to develop research and verbal skills, will increase your confidence. $395 / Class Limit 14 / Prerequisite CEFA 170 Materials and Media in Fine Art Practice and CESC 178 Introduction to Mold Design and Casting
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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PAINTING PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS Martin Guderna
Lori Goldberg
CEPN 160 S001
CEPN 160 S002
Jan 18 - Feb 22
Mar 6 - Apr 10
Wed 6:00 pm - 10:00 pm
Tue 6:00 pm - 10:00 pm
6 Sessions
6 Sessions
24 total hrs
24 total hrs
This course is an introduction to painting and two-dimensional design. Various painting techniques are introduced while you explore basic composition, colour, and use of tools and materials. Through hands-on experience, you will take an investigative approach to the techniques and methods artists have used through the ages. Linear structure, mass, and spatial properties will be explored as you experiment with a variety of techniques including impasto, transparencies, and decalcomania. $345 / Class Limit 16 / Prerequisite None
FUNDAMENTALS OF ACRYLIC PAINTING Lori Goldberg
Lori Goldberg
CEPN 161 S001
CEPN 161 S002
Jan 10 - Feb 28
Feb 19 - Apr 15
Tue 6:30 pm - 9:30 pm
Sun 9:30 am - 12:30 pm
8 Sessions
8 Sessions
24 total hrs
24 total hrs
This course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space, and composition while being introduced to technical and conceptual concerns. Thinning, thickening, and texturing techniques and their applications will be explored. Lectures, demonstrations, slide presentations, and critiques will supplement hands-on practice. $295 / Class Limit 16 / Prerequisite None
FUNDAMENTALS OF OIL PAINTING James Lindfield CEPN 162 S001 Feb 18 – Apr 14 Sat 9:30 am - 12:30 pm
Experience the beauty and texture of oil painting. Explore the tools, skills, terminology, and imagery through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition, and texture will be examined. Lectures, demonstrations, discussions, and critiques will be included.
8 Sessions 24 total hrs
$295 / Class Limit 16 / Prerequisite None
James Picard
This course introduces the basic, essential techniques of painting with watercolour. Through projects you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective, and understanding the relation of values to colour will be introduced.
FUNDAMENTALS OF WATERCOLOUR CEPN 163 S001 Jan 29 - Mar 4 Sun 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
$295 / Class Limit 16 / Prerequisite None
USING COLOUR Elizabeth Barnes
Lori Goldberg
CEPN 164 S001
CEPN 164 S002
Jan 21 - Feb 11
Mar 21 - Apr 11
Sat 1:30 pm - 5:30 pm
Wed 6:00 pm - 10:00 pm
4 Sessions
4 Sessions
16 total hrs
16 total hrs
This introductory studio course provides an opportunity to investigate the creative use of colour in a variety of mediums. You will explore the use of colour to develop observational and painting skills, create compositional structure, and develop individual imagery. Through a range of projects designed to extend creative and imaginative explorations, you will explore expressive and conceptual possibilities primarily through colour projects. Colour theory and contemporary and historical applications with special reference to painting will be discussed. $265 / Class Limit 16 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
THE BUILT SURFACE: PAINT AND COLLAGE Jeanne Krabbendam CEPN 165 S001 Jan 21 - Feb 25 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs Jeanne Krabbendam CEPN 165 S002 Mar 7 - Apr 11 Wed 6:00 pm - 10:00 pm 6 Sessions
Explore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle, and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining, and separation effects. Themes, symbols, and concepts related to the object or the place it was found will be developed through discussion and critiques.
TIBETAN THANGKA PAINTING Kalsang Dawa CEPN 178 S001 Feb 4 - Mar 24 Sat 1:30 pm - 5:30 pm 8 Sessions 32 total hrs
Explore your individual creative process as you are introduced to the art of traditional Tibetan Thangka painting. You will learn about the history, symbolism, and rituals of Tibetan art as you learn to prepare your canvas and to prepare pigments using traditional techniques, including grinding semi-precious stones into paint. Using the traditional techniques of basic proportions, you will learn to draw a Buddha. You will then create and paint your own thangka. $400 / Class Limit 10 / Prerequisite None
24 total hrs
$315 / Class Limit 16 / Prerequisite None
EXPLORING MANDALA Kalsang Dawa Martin Guderna CEPN 169 S001 Jan 28 - Mar 17 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs Diana Kubicek
MIXED MEDIA PAINTING TECHNIQUES
CEPN 180 S001
For both beginners and experienced painters, this course introduces the process of image-making on built surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers you will explore expression and emotion through layering, drawing, and brushwork.
Feb 12 - Apr 1 Sun 1:30 pm - 5:30 pm 8 Sessions 32 total hrs
Learn about the cross-cultural art of Mandalas, including the sacred geometry and symbolism of Tibetan Buddhist and Hindu Mandala. You will learn how to prepare and paint on a wood surface using a unique set of mixed media, including semi-precious minerals, gold leaf, herbs and spices, sand and sea shells. $400 / Class Limit 10 / Prerequisite None
CEPN 169 S002 Feb 12 - Apr 1
$275 / Class Limit 14 / Prerequisite None
ANYTHING BUT THE BRUSH
Sun 9:30 am - 12:30 pm 8 Sessions
Jeanne Krabbendam
24 total hrs
CEPN 190 S001 Feb 11 - Mar 31 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs
This course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods, and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects, and on creating paint-based mixed media art in nonconventional ways. $290 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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PAINTING (CONT’D) PAINTING FUNDAMENTALS II Martin Guderna CEPN 260 S001 Mar 7 - Apr 11 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
Building on the knowledge and experience gained in CEPN 160 Painting Fundamentals I, you will continue to explore painting techniques, tools, and materials, and their applications through which you can convey messages, ideas, emotions, and issues. Traditional techniques and systems are explored, however the emphasis is on contemporary painting.
WATERCOLOUR PAINTING II James Picard CEPN 263 S001 Mar 18 - Apr 15 Sun 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
$295 / Class Limit 16 / Prerequisite CEPN 160 Painting Fundamentals I or CEPN 161 Fundamentals of Acrylic Painting or CEPN 164 Using Colour, or equivalent
$245 / Class Limit 16 / Prerequisite CEPN 163 Fundamentals of Watercolour or equivalent
ACRYLIC PAINTING II Lori Goldberg CEPN 261 S001 Feb 5 – Feb 26 Sun 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This advanced course builds upon skills learned in CEPN 163 Fundamentals of Watercolour. You will continue to explore traditional, alternative, and experimental approaches to creating imagery that is lively, vibrant, and authentic. Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from still life, the human figure, and your imagination.
USING COLOUR II
This course is designed to further the development of students who are ready to move beyond the skills gained in CEPN 161 Fundamentals of Acrylic Painting. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development, and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications, and the abstract and expressive.
Martin Guderna
$235 / Class Limit 16 / Prerequisite CEPN 161 Fundamentals of Acrylic Painting or equivalent
Jeanne Krabbendam
CEPN 264 S001 Mar 19 - Apr 16 Mon 6:00 pm - 10:00 pm 4 Sessions 16 total hrs
Building on previous course work in colour, you will develop the creative use of compositional colour structures in painting. Intense and diminished colour, discords and spatial effects are explored through analysis and practise. Emphasis is on developing both practical skill and imaginative approaches to colour in your personal work. $245 / Class Limit 16 / Prerequisite CEPN 164 Using Colour or equivalent
EXPLORING THE BUILT SURFACE CEPN 265 S001 Mar 6 - Apr 10 Tue 6:00 pm - 10:00 pm 6 Sessions
OIL PAINTING II James Lindfield CEPN 262 S001 Mar 17 - Apr 14 Sat 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This course is a continuation of CEPN 162 Fundamentals of Oil Painting. Focus on your development, exploration and analysis of colour, composition, use of scale, subject matter, and technical processes. Throughout the course you will consider examples from contemporary and historical painting as an integral part in the discussions, critiques, and lectures. $245 / Class Limit 16 / Prerequisite CEPN 162 Fundamentals of Oil Painting or equivalent
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24 total hrs
This course expands on the techniques introduced in CEPN 165 The Built Surface: Paint and Collage. More challenging projects will include experimenting with the juxtaposition of objects and materials for meaningful configurations. Further development of painting techniques, image alteration, and the use of wax and pigments will encourage risk-taking as you move beyond your traditional practice. Personal imagery, themes and symbols will continue to be developed through discussion and critiques, with an emphasis on design and personal style. $325 / Class Limit 12 / Prerequisite CEPN 165 The Built Surface: Paint and Collage
EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
Advanced Study Certificate in
PAINTING
page 52
FORMS AND CONCEPTS IN CONTEMPORARY PAINTING Elizabeth Barnes CEPN 270 S001 Feb 4 - Mar 24 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs
This exciting course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work while being encouraged to develop ways of talking about your painting practice in new and contemporary ways. $265 / Class Limit 16 / Prerequisite Students should have a current painting practice
TECHNIQUE BOOT CAMP: PAINTING Move beyond technical deficiencies keeping you from reaching your full painting potential as you work through this intensive circuit of exercises designed to explore the full muscle power of your brush and palette. Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in paint application.
Elizabeth Barnes
Elizabeth Barnes
CEPN 271 S001
CEPN 271 S002
Jan 22 - Feb 26
Mar 4 - Apr 15
Sun 1:30 pm - 5:30 pm
Sun 1:30 pm - 5:30 pm
6 Sessions
6 Sessions
24 total hrs
24 total hrs
$295 / Class Limit 16 / Prerequisite Some painting experience
Sean Coggins
The integration of digital processes into contemporary studio practices can facilitate new forms of image production. This course will take you through demonstrations, directed projects, hands-on work and basic principles of generating image content digitally with the intent of translating it to painting. You will learn the benefits of generating images digitally for the purpose of rapid visualization, composition, content, colour palette and scale. You will create your own content, render it digitally, and translate your imagery into an oil painting.
PAINTING FROM DIGITAL: USING OILS CEPN 276 S001 Jan 15 - Feb 5 Sun 10:30 am - 5:30 pm 4 Sessions 24 total hrs
$295 / Class Limit 16 / Prerequisite Intermediate Photoshop and Illustrator experience and experience with oil painting
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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PAINTING (CONT’D)
OPEN STUDIO LAYERING TECHNIQUES Jeanne Krabbendam CEPN 365 S001
James Lindfield CEPN 278 S001 Mar 4 – Apr 15 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
PAINTING THE PORTRAIT
Mar 8 - Apr 12
Explore portraiture through ‘pushing paint’. Each class will include a brief presentation on techniques of glazing, underpainting, building textures, etc., as well as underlying anatomy, followed by painting from the live model. You will focus on developing your own individual approach, whether realistic, expressive or abstract, as you work on self-directed portraiture projects in your preferred paint medium. Classes will be supplemented with individual and group critiques, brief demonstrations, and slide presentations.
Thu 6:00 pm - 10:00 pm
$285 / Class Limit 14 / Prerequisite Any 100-level painting course; students must have proficiency in their chosen paint medium
6 Sessions 24 total hrs
$325 / Class Limit 16 / Prerequisite CEPN 165 The Built Surface: Paint and Collage and CEPN 265 Exploring The Built Surface or equivalent experience in mixed media painting
BOOT CAMP II: COMPOSITION AND THE PICTURE PLANE Elizabeth Barnes CEPN 371 S001 Feb 18 - Mar 10 Sat 1:30 pm - 5:30 pm
Lori Goldberg CEPN 360 S001 Mar 1 - Apr 5 Thu 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This Open Studio will offer you room and experience to create your own work in mixed media layering techniques while being supported and coached by a mixed media art instructor. The course will offer further development of painting techniques and use of new and different materials and tools. Through discussion, critiques and individual guidance, you will be challenged to develop your style and grow in your art practice.
PAINTING OPEN STUDIO
4 Sessions
Painting Open Studio is a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting.
16 total hrs
This course will expand on basic skills learned in CEPN 271 Technique Boot Camp with a focus on how to create successful compositions exploring balance, form and colour in both traditional and contemporary painting. You will learn how to transition between specific techniques introduced in Technique Boot Camp and how to use these within the same painting. You will work on using the full potential of the picture plane, establishing a strong sense of perspective, dynamism, and unity. Exercises will focus on both the abstract and still life genres. $235 / Class Limit 16 / Prerequisite CEPN 271 Technique Boot Camp
$280 / Class Limit 14 / Prerequisite Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended
BOOT CAMP II: LANDSCAPE AND NATURAL ELEMENTS Elizabeth Barnes CEPN 372 S001 Mar 17 - Apr 14 Sat 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This course will continue with the CEPN 271 Technique Boot Camp structure with a focus on different approaches to painting natural elements such as cloud, sky, water, land, trees and atmosphere and how to combine these together to create landscape and/or narrative paintings. You will learn how to use colour and brush stroke variation to create a strong sense of space, perspective, and light, and how to successfully translate the energy and movement you see in the world around you into paint. $235 / Class Limit 16 / Prerequisite CEPN 271 Technique Boot Camp
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
PHOTOGRAPHY BLACK-AND-WHITE PHOTOGRAPHY I Diane Evans CEPH 141 S001 Feb 2 - Feb 23 Thu 6:00 pm - 10:00 pm 4 Sessions 16 total hrs Rand Berthaudin CEPH 141 S002 Mar 3 - Mar 24 Sat 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
This is the ideal course for students seeking an introduction to the manual operation of a 35mm camera and basic black-and-white darkroom techniques. The course includes principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques, and the machine processing of prints. Through lecture, discussion, demonstration, and stimulating projects you will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. $265 / Class Limit 14 / Prerequisite None; students are required to bring their own 35mm film camera (manual operation)
INTRODUCTION TO DIGITAL PHOTOGRAPHY Kathryn Mussallem CEPH 250 S001 Jan 14 - Mar 3 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs Josh Hite CEPH 250 S002 Mar 4 - Apr 15 Sun 1:30 pm - 5:30 pm 6 Sessions
This course is designed for those beginning to explore photography with digital cameras, as well as for those adding digital techniques to their current photographic practice. You will learn the basics of digital photography, image editing, and printing. Issues relating to camera settings and image quality will be discussed in the context of the digital revolution. The course will be organized around a series of projects and will offer the opportunity for independent work.
24 total hrs
$275 / Class Limit 15 / Prerequisite Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity
THE MAGIC OF STREET PHOTOGRAPHY Vendula Ralkova CEPH 230 S001 Feb 12 - Apr 1 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs
The street as a subject of the photograph has been a part of the medium since its inception in the 1800s. Street photography is the never-ending dialog between the observer/ photographer and the life around him. The streets are the stage where everything is possible — just pick up your camera. In this class, you will learn not only the history and the contemporary tendencies of the genre but will also regularly and actively photograph during the field trips on the streets. Lectures with enticing images, discussions, critiques and hands-on practical assignments will ensure the well-rounded foundation for any amateur or professional. $285 / Class Limit 14 / Prerequisite Foundation in photographic principles and practical knowledge of your own camera
Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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PHOTOGRAPHY (CONT’D) DIGITAL PHOTOGRAPHY OPEN STUDIO Kathryn Mussallem CEPH 255 S001 Mar 3 - Apr 14 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
This Open Studio course is an opportunity to compose, shoot, edit and print digital photos in a dynamic and independent environment. This course is designed to encourage exploration and stimulate an exchange of ideas among participating students within a creative communal atmosphere. With the support of an instructor, you will work independently on self-directed projects utilizing digital photography and Photoshop. Instruction will include slide lectures and discussion of contemporary and past artists and photographers, project guidance, technical assistance and individual and group critiques.
ADVANCED DIGITAL PHOTOGRAPHY Matilda Aslizadeh CEPH 352 S001 Mar 3 - Apr 14 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs
This course is for those interested in pursuing a more advanced study of digital photography. Through a series of projects and critiques, you will expand your technical abilities and explore your personal aesthetic. Content, form, aesthetics, technical issues around processing, file formats, controlling exposure, and special effects techniques will be covered. Digital SLR cameras are recommended. $265 / Class Limit 14 / Prerequisite Class is for photographers experienced in both digital photography and processing (i.e. uploading images, understanding image size and resolution, cropping, adjusting levels, and saving files)
$325 / Class Limit 14 / Prerequisite Proficient Macintosh skills and CECS 131 Photoshop: The Basics or equivalent; students are required to bring their own digital camera with USB connectivity
MANAGING YOUR PHOTOS USING iPHOTO (NEW) Jaime Clay CEPH 270 S001 Jan 28 - Feb 18 Sat 1:30 pm - 5:30 pm 4 Sessions 16 total hrs
Apple’s photo management program, iPhoto, makes managing all your digital images and movies easy and fun. Learn how to organize your images properly, by date, place and even by facial recognition. Use the powerful editing tools to enhance your photographs, colour correct and treat with special effects. By the end of this course, you will be able to create a slide show presentation with music on DVD. Note: Students should bring their own digital cameras on the first day, or a USB memory stick with photographs stored on it. $235 / Class Limit 16 / Prerequisite Proficient Macintosh skills or equivalent
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
PRINTMAKING PHOTO-BASED PRINTMAKING Cheryl Carpenter CEPR 150 S001 Jan 28 - Mar 10 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs No class Feb 25
Explore a variety of exciting photo-based printmaking techniques in this intensive, introductory course. Through demonstrations, directed projects, and hands-on work you will learn the basic principles of photo-based printmaking through methods in intaglio, relief, and lithography. All stages of the techniques will be discussed and demonstrated, including product qualities, image preparation, exposing, developing, and printing. You will have the opportunity to create works using each process, and techniques may be combined to create a ‘multimedia’ print.
TEXTILE PRINTING I Eleanor Hannan CEPR 164 S001 Feb 5 - Mar 25 Sun 1:30 pm - 4:30 pm 8 Sessions 24 total hrs
$305 / Class Limit 12 / Prerequisite None
INTRODUCTION TO RELIEF PRINTMAKING Lawrence Lowe CEPR 160 S001 Feb 12 - Mar 18 Sun 9:30 am - 12:30 pm 6 Sessions 18 total hrs
Create your own cards, invitations, or art works. In this course you will be introduced to relief and woodblock printmaking using linoleum, wood, and collograph techniques. You will explore printing by hand and press with one to three colours, and create your own linoleum and wood blocks to continue printing at home. Slide presentations, demonstrations, and studio work will guide you as you develop your understanding of printing and of your own strengths and interests. $235 / Class Limit 16 / Prerequisite None
INTRODUCTION TO WOOD ENGRAVING Shinsuke Minegishi CEPR 163 S001 Feb 26 - Mar 11 Sun 10:00 am - 4:00 pm 3 Sessions 18 total hrs
In the 19th century, until the introduction of photo engraving, wood engraving was the prime method of illustrating books, magazines, and newspapers. Traditionally, the beautiful black-and-white wood engraved images are achieved by carving end-grain boxwood blocks with engravers. In this class, you will explore the use of a synthetic called Resingrave as well as boxwood blocks. At the end of the course, you will have a complete set of prints and the knowledge of how to continue printing by hand at home.
Textile printing is the local application, to textile fabrics, of any colour or colours in definite patterns or designs. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated. Sources for all materials will be discussed and an extensive list provided. $420 / Class Limit 14 / Prerequisite None
PRINTMAKING TECHNIQUES Shinsuke Minegishi CEPR 165 S001 Jan 29 - Feb 12 Sun 10:00 am - 4:30 pm 3 Sessions 18 total hrs
This course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. Discussion and historical review will supplement hands-on work. On completion, you will have a broad knowledge of printmaking and three sets of prints. $245 / Class Limit 12 / Prerequisite None
$235 / Class Limit 12 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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MARKETING 2D DESIGN SERVICES Carolina Becerra CEPD 392 S001 Jan 18 - Feb 22 Wed 6:30 pm - 9:30 pm 6 Sessions 18 total hrs
PROFESSIONAL DEVELOPMENT
$225 / Class Limit 20 / Prerequisite For practicing communication, graphic and publication designers, and those just starting out
THE BUSINESS OF ART PRACTICE Chris Tyrell CEPD 190 S001 Jan 15 - Mar 4 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs Chris Tyrell CEPD 190 S002 Feb 2 - Mar 22 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
This practical course introduces you to the skills and professional documents needed for the pursuit of a career in the visual arts. For those beginning their own professional art practice and/or those studying visual arts, this course is focused on the business of art practice: record keeping, seeking representation and exhibition, pricing, marketing, publicity and legal considerations. You will develop professional materials, including a basic business plan, as well as core portfolio materials and you will learn the basics of sourcing financial, space, equipment and other professional resources. $230 / Class Limit 20 / Prerequisite For practicing artists and designers, and those just starting out
In a competitive marketplace, ability is not enough. You must be able to market your abilities effectively and efficiently. Through lecture and discussion, this workshop introduces strategies and techniques for the profitable marketing of your creative services. Determining your audience, crafting your communications to appeal to a specific audience, identifying your distinctive qualities as a creative professional, developing a marketing plan and a marketing package, setting a price, and making a winning presentation are discussed.
MARKETING 3D DESIGN SERVICES Tony O’Regan CEPD 393 S001 Mar 7 - Apr 11 Wed 6:30 pm - 9:30 pm 6 Sessions 18 total hrs
Artists and designers who understand the basics of sales and marketing will improve their own business and add value to their clients’ marketing efforts. Marketing an art or design service is different in many important ways from marketing a mass-produced product. Through discussions, exercises, and case studies you will develop and improve your abilities to prepare a marketing plan for your art or design practice, write effective proposals, cover letters and CVs, and create or refine your portfolio. This course will help you gain visibility in the marketplace and prospect for clients, plan and deliver effective personal presentations, and understand client motivations, decision making, and the ‘art of persuasion’.
TOWARD A BUSINESS PLAN Chris Tyrell CEPD 260 S001 Feb 18 Sat 9:30 am - 5:30 pm 1 Session 7 total hrs
This one-day workshop course will guide professional and emerging artists in the creation of a five-year career development plan. You will develop a working mission statement for your creative practice, measurable annual objectives, a practical inventory development strategy and a basic marketing/sales plan. In this course you will develop your long-term business planning skills.
$225 / Class Limit 20 / Prerequisite For practicing product and industrial designers, sculptors, architects, installation artists, urban and interior designers and those just starting out
$85 / Class Limit 12 / Prerequisite Must be a practicing professional and have economic self-reliance as your goal. Please bring any existing notes on your strategy for career development
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
DRAWING IDEAS INTO ACTION WITH GRAPHIC FACILITATION Elena Underhill CEPD 420 S001 Feb 29 - Apr 18 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
Graphic Facilitation is the process of putting ideas into images with the intent of guiding these ideas into action. This dynamic course will introduce you to the methods used to interpret and guide strategic planning sessions, curriculum reviews, design meetings, community meetings, vision or life coaching sessions and more. Building on your existing drawing skills, you will hone these abilities into the skills used to visually represent ideas, concepts and words. You will be required to complete in-class projects. $225 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience; some design skills an asset
WORDPLAY: CREATIVE PROCESS FOR WRITERS Ingrid Rose CEWR 175 S001 Jan 26 - Mar 15 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs
This course introduces you to a wide range of writing techniques designed to open up the possibilities of language and the playful, intuitive side of the creative process. Through diverse writing forms and techniques you will be encouraged to experience and explore language as an artistic medium equivalent to paint or charcoal. You will create works in a variety of forms including cut-ups, sound poetry, lyric prose and manifesto as you learn to stretch your creative boundaries, play with language in your work and investigate your own creative practice. Writing exercises, readings, journal keeping, discussions and making your own chapbook, will allow you to investigate the aesthetic considerations of language as it emerges through personal and cultural symbols, dreams, memories, fears and desires. $250 / Class Limit 14 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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PROFESSIONAL DEVELOPMENT (CONT’D)
SOCIAL MEDIA TWITTER CREATIVELY Rebecca Coleman CESM 101 S001 Jan 16 + Jan 23 Mon 7:00 pm - 10:00 pm 2 Sessions 6 total hrs
Interested in growing a wider audience for your creative work? With 140 characters you can become strategically connected to influential artists and creators, build relationships with your audience, and listen to or participate in millions of conversations that inspire you. This workshop-style course will help you understand what Tweets, hashtags, trending topics, micro-blogging, fail whales and followers are, all while helping you be creative and attract new eyes to your work. $95 / Class Limit 16 / Prerequisite None
CREATE A FACEBOOK FAN PAGE Rebecca Coleman CESM 102 S001 Feb 6 + Feb 13 Mon 7:00 pm - 10:00 pm 2 Sessions 6 total hrs
A Facebook Fan page helps you grow your audience, send updates to everyone who expressed interest in your page, and keep the focus on the artist or organization without necessarily revealing the administrator. This workshop style course will help you set and achieve goals using Facebook Fan pages while encouraging creative expression and fan interaction. $95 / Class Limit 16 / Prerequisite None
FINDING YOUR SOCIAL MEDIUM Rebecca Coleman CESM 110 S001 Feb 20 - Apr 16 Mon 7:00 pm – 10:00 pm 8 Sessions 24 total hrs
Facebook. Twitter. Blogs. YouTube. Flickr. Everyone is buzzing about how these free social networking sites can be powerful marketing tools for your artwork. But where do you start? What’s the right approach? At the conclusion of this course, you will have created and implemented a social media marketing program. This course will cover the philosophy behind social media, the technology, interface and the etiquette. Each week the class will delve into one of the major social media platforms (Facebook, Twitter, blogs, photo sharing, YouTube), and you will use a hands-on approach to creating and developing your online presence. $350 / Class Limit 16 / Prerequisite None
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
INTRODUCTION TO MOLD DESIGN AND CASTING Philip Robbins CESC 178 S001 Jan 18 - Feb 22 Wed 6:00 pm - 10:00 pm 6 Sessions 24 total hrs
This intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design, and material tips and tricks. Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, ceramic, organic).
INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 S001 Jan 17 - Mar 27 Tue 7:00 pm - 10:00 pm 11 Sessions 32 total hrs
$240 / Class Limit 14 / Prerequisite None
SCULPTURE + INSTALLATION
This hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation you will be encouraged to combine, refine and evaluate these materials, processes, and techniques, using them effectively in the creation of a modestly sized metal sculpture. The course will begin with an introduction to a variety of techniques for material cutting, shaping, and joining, in addition to general shop and equipment safety, work flow and planning, and material characteristics. Hand tools, stationary equipment, and MIG/oxyacetylene welding will also be examined. $405 / Class Limit 12 / Prerequisite Prior art-making experience is required; experience in three-dimensional art is recommended
SMALL-SCALE MODELING Vicki Israel CESC 179 S001 Feb 18 - Apr 14 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs
Explore the fundamental sculptural techniques of modeling in this hands-on studio course. Using Plastalina and clay you will be introduced to the additive process of modeling; the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. Through demonstrations, exercises, and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement, and texture. Techniques and skills learned may be applied to a wide range of creative projects and will appeal to animators, sculptors, potters, and product designers. $250 / Class Limit 12 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
INTRODUCTION TO METAL CASTING (NEW) Ian Rhodes + Philip Robbins CESC 190 S001 Jan 21 - Mar 31 Sat 10:00 am - 1:00 pm 11 Sessions 32 total hrs
This intensive, hands-on course explores the creative dynamics of metal casting, centered around Emily Carr’s induction furnace. You will directly examine the creative, aesthetic and technical potential of the foundry process, from lost foam (sand casting) to lost wax (investment casting). You will then design, create, cast, clean up and patinate moderately sized objects in bronze and aluminum. $575 / Class Limit 12 / Prerequisite This course is labour-intensive; students must be physically capable and must be able to lift 15 kg
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SCULPTURE + INSTALLATION (CONT’D) MOLD DESIGN AND CASTING OPEN STUDIO (NEW) Philip Robbins CESC 278 S001 Feb 12 - Mar 4 Sun 10:00 am - 5:00 pm 4 Sessions 24 total hrs
Many objects cannot be cast from simple molds and require a careful, systematic and deliberate approach. This course directly addresses the array of technical, material, and aesthetic options the production of multi-piece, multi-material molds presents. You will examine the methods and materials used in the production of modestly-sized, multi-piece plaster molds, building on the fundamental skills developed in CESC 178 Introduction to Mold Design and Casting. Self-directed projects that meet the instructor’s approval will be supported by guidance throughout the creative process. $240 / Class Limit 14 / Prerequisite CESC 178 Introduction to Mold Design and Casting
METAL SCULPTURE OPEN STUDIO (NEW) Ian Rhodes CESC 280 S001 Feb 2 - Apr 12 Thu 7:00 pm - 10:00 pm 11 Sessions 32 total hrs
This class is for more advanced metalworking students and is intended to further refine your abilities, skills and knowledge concerning contemporary metal sculpture and all the techniques and processes involved in this practice. Self-directed projects can be realized using the full metal shop facilities, including limited access to the foundry, where bronze and aluminum can be cast into two-part sand molds. Throughout the creative process you will work on projects approved and supported by the instructor. Note: Costs for the production of projects are not included in the tuition. $440 / Class Limit 12 / Prerequisite CESC 180 Introduction to Metal Sculpture or previous metal working experience
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
SUMMER INSTITUTE
For Teens Inside Front Cover
TEEN PROGRAMS For youth aged 15 - 18
Visual Art Workshops
Design Workshops
PAINTING Martin Guderna CETP 165 S001 Jan 21 - Feb 11 Sat 1:30 pm - 4:30 pm 4 Sessions 12 total hrs
Explore the colourful and creative world of painting in this intensive workshop. Through hands-on experience using a variety of tools, materials and techniques, you will investigate the principals of painting including structure, mass, composition and colour theory. This is a great introduction to painting, and an opportunity to build your skills, your creative style and your portfolio. $195 / Class Limit 16 / Prerequisite None
DIGITAL PHOTOGRAPHY Josh Hite CETP 180 S001 Jan 22 - Feb 12 Sun 9:30 am - 12:30 pm 4 Sessions 12 total hrs
This intensive workshop will focus on composition skills and concept development in the digital environment. You will work with your own digital camera to capture and compose original photo-based works. Using our mac labs, you will also explore image manipulation, and collections of appropriated images from sources like Facebook, Flickr and Google Images. You will develop work for your portfolio while expanding your skills. $115 / Class Limit 16 / Prerequisite None
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
INTRODUCTION TO ARCHITECTURE Laura Kozak CETP 150 S001 Feb 11 - Mar 3 Sat 9:30 am - 12:30 pm 4 Sessions 12 total hrs
Learn to read and understand buildings, cities and spaces through the eyes of an architect. For aspiring designers, architects and engineers, this beginnerlevel course will introduce you to architectural language, such as geometry, massing, circulation and materiality, and to the tools and techniques used in these trades. Over the course of this workshop, you will learn technical drafting skills, how to create plans, sections and elevations, and how to translate those drawings into scale-models. You will also learn how to be an imaginative problem-solver when working within constraints. Students in this course will create a complete set of architectural drawings and a scale-model. $195 / Class Limit 16 / Prerequisite None
ecuad.ca/cs/teens teens@ecuad.ca
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CERTIFICATE PROGRAMS With the launch of three new Advanced Study Certificates, Continuing Studies now offers a wide variety of Certificate programs to guide your learning, studio practice and development in art or design. Certificate programs provide the student with a carefully planned package of courses designed for a variety of purposes.
The information provided here is an overview of these programs only. Please visit ecuad.ca/cs/certificate and click on the program(s) that interest you, then download the Certificate Handbook, which includes required and elective courses, acceptable course substitutions, policies, and
timelines for Certificate completion. You may also download the Certificate Application Form from this page, and get information about upcoming free Information Sessions for all of our Certificate Programs.
ecuad.ca/cs/certificate cscertificates@ecuad.ca
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
INTRODUCTORY CERTIFICATES Certificate in Fine Art Techniques This certificate program offers you an introduction to contemporary issues in art, visual studies, creative processes, concept development, and the materials, techniques, and skills fundamental to fine art practice. This is a part-time, flexible program, designed to be completed in three years or less. No portfolio required; Certificate registration fee is $200. For more information, including required and elective courses, please visit ecuad.ca/cs/certificate/fa.
Certificate in 2D Design Basics
This program equips you with a creative and intellectual framework in which contemporary issues in design and the activities of two-dimensional design principles, processes, and techniques may be understood and developed. This is a part-time, flexible program, designed to be completed in three years or less. No portfolio required; Certificate registration fee is $200. For more information, including required courses, please visit ecuad.ca/cs/certificate/2d.
Certificate in 3D Design Basics
This certificate in three-dimensional design basics places emphasis on contemporary issues in design, exploration, and experimentation through the experience of a variety of design methods, techniques, processes, and materials. This is a part-time, flexible program, designed to be completed in three years or less. No portfolio required; Certificate registration fee is $200. For more information, including required and elective courses, please visit ecuad.ca/cs/certificate/3d.
Find out more about Introductory Certificates at one of our free Info Sessions. RSVP from any one of the web addresses listed above.
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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ADVANCED STUDY CERTIFICATES Advanced Study Certificate in Painting
The Advanced Study Certificate in Painting provides you with an opportunity to explore colour, image, structure, surface and support combined with a rigorous dialogue about painting today. You will learn to employ a range of materials including acrylic and oil paints along with other media. The curriculum includes courses in cultural studies, professional development and portfolio development. This is a part-time, flexible program, designed to be completed in four years or less. No portfolio required; Certificate registration fee is $300. For more information, including elective and required courses, please visit ecuad.ca/programs/cs/certificate/pn.
Advanced Study Certificate in Drawing
The Advanced Study Certificate in Drawing provides you with an opportunity to study drawing in-depth in a studio environment. From the fundamentals of drawing as a creative practice, to advanced skills in charcoal, pencil, ink and conte, this Certificate program is ideal for students looking to develop significant skills in drawing. The flexible curriculum combines instruction in technique and concept with modules in cultural studies, professional development and portfolio development. This is a part-time, flexible program, designed to be completed in four years or less. No portfolio required; Certificate registration fee is $300. For more information, including elective and required courses, please visit ecuad.ca/programs/cs/certificate/dr.
Advanced Study Certificate in Illustration
The Advanced Study Certificate in Illustration focuses on illustrative approaches to communicating ideas, exploring pictorial strategies that span across the territories, histories and disciplines of commercial illustration. Students will gain a solid foundation in the basic practical and theoretical skills of illustration, while being introduced to particular aspects of the discipline including commercial illustration, computer illustration, animation, graphic novels and book illustration. Students in this program may pursue one of two streams: Illustration for Picture Books or Commercial Illustration. This is a part-time, flexible program, designed to be completed in four years or less. No portfolio required; Certificate registration fee is $300. For more information, including elective and required courses, please visit ecuad.ca/programs/cs/certificate/il.
Find out more about Advanced Study Certificates at a free Info Session on November 23, 2011. RSVP from any one of the web addresses listed above.
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
DESIGN ESSENTIALS A one-year certificate program in graphic design essentials offered in partnership through Emily Carr and BCIT. The Design Essentials Program offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practice of graphic design, and the technical skills required in the industry. Completion of the Design Essentials Program provides a foundation in the practical and theoretical processes of the design professional,
Next Intakes April 2012 and October 2012
and a Management Certificate from BCIT representing proficiency and industry-ready skills. The program is intended for students with limited experience in art and design, and begins with fundamental courses in applied art and the creative process. The candidate for the certificate must successfully complete all prescribed courses in order to earn the Certificate.
Prospective Design Essentials students are encouraged to attend an Information Session prior to applying. For information about upcoming Information Sessions, please visit bcit.ca and enter “Design Essentials” in the search box.
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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FREQUENTLY ASKED QUESTIONS DO YOU OFFER COURSES FOR TEENS? Yes! Every term, Continuing Studies offers courses and workshops for artists and designers aged 15 to 18. Please see page 49 for more details.
WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.
I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT? You’ll need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments, and will answer any questions that you may have. To sign up, please email admissions@ecuad.ca.
CAN I GET SOMEONE TO LOOK AT MY ART? WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.
WHAT ARE THE CERTIFICATE PROGRAMS? Continuing Studies offers introductory Certificate Programs in Fine Art Techniques, 2D Design Basics, and 3D Design Basics, as well as new Advanced Study Certificates in Painting, Drawing, and Illustration. These are flexible, part-time programs designed to be completed at your own pace. Anyone may register, and no portfolio is required to apply. Design Essentials is a full-time, one-year, job-ready Certificate Program in graphic design, offered in partnership with BCIT. More information on our certificates can be found on pages 50 through 53.
Continuing Studies does offer personal consultations. Email consult@ecuad.ca to book your appointment. If you are applying for a Degree Program, learn about National Portfolio Day at www.portfolioday.net.
DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS? Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. Email consult@ecuad.ca for more information.
WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION? If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on page 55 before you register.
DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Currently, the Certificate Programs do not ladder into the University’s credit programs.
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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
REGISTRATION INFORMATION + POLICIES Registration for all Continuing Studies courses and programs for the Spring 2012 semester begins at 9 am on November 8, 2011. Certificate students may register via the web (only) beginning November 7. For your Registration options, see page 3.
Admission to individual courses is on a first-come, first-served basis. Early registration is strongly recommended as class sizes are limited to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.
Fees The tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.
Cancellations We reserve the right to cancel a course up to five days prior to the course start date, if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants.
Transfers No transfers of fees will be granted within seven days of the course start date. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven calendar days prior to the course start date of the course the student is leaving. Students must pay any additional fees at the time of transfer. Students may transfer from one course to another by phone, fax, or email.
Withdrawals
Seniors A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification. Alumni A discount of 10% is available for those who have completed an Emily Carr diploma, degree, or certificate, including the Design Essentials programs (some limitations apply).
No refund will be given for withdrawal within seven days of the course start date. Exceptions are made on compassionate grounds. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven calendar days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop.
Registration Deadlines
Registration Confirmation
Courses often fill long before the start date, so students are encouraged to register far in advance. However, registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started.
Your registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment. You must present your registration confirmation/ receipt to the instructor at the first class.
Discounts
Wait Lists If seats are no longer available in a class, students can be added to a wait list. If a seat opens in the class, the student will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list, and no obligation to register if a space becomes available.
T 604 844 3810 F 604 630 4535
E csinfo@ecuad.ca W ecuad.ca/cs
Registration information and fees must be received together.
Students on wait lists are asked not to attend classes unless they have been contacted in advance by the CS office. Instructors do not admit students to the class on the first day.
REGISTRATION BEGINS NOVEMBER 8, 2011 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS
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CONTINUING STUDIES REGISTRATION FORM LAST NAME
LEGAL FIRST AND MIDDLE NAME
PREFERRED NAME
STREET ADDRESS
CITY
PHONE
PROVINCE
EMAIL ADDRESS
POSTAL CODE
PHONE (ALT)
EMILY CARR STUDENT ID NUMBER (CURRENT AND RETURNING STUDENTS)
BIRTHDATE (YY/MM/DD)
❍ MALE ❍ FEMALE
Please register me for the following:
COURSE NO.
SECTION NO.
ARE YOU ELIGIBLE FOR A DISCOUNT?
COURSE NAME
START DATE
COURSE FEE
❍ ALUMNI ❍ SENIOR ❍ YES ❍ NO
TOTAL FEE PAYABLE
WOULD YOU LIKE TO RECEIVE INFORMATION FROM EMILY CARR?
Payment
❍ Cash or Interac (in person only) ❍ Money Order/Cheque (payable to Emily Carr University of Art + Design) ❍ MasterCard ❍ Visa
Fees are payable at the time of registration. Post-dated cheques are not accepted.
CARD NUMBER
EMILY CARR GATHERS AND MAINTAINS INFORMATION USED FOR PURPOSES OF ADMISSIONS,
Registration for Continuing Studies Spring 2012 courses and programs begins November 8, 2011.
REGISTRATION, AND OTHER FUNDAMENTAL ACTIVITIES RELATED TO BEING A MEMBER OF AND ATTENDING A PUBLIC POST-SECONDARY INSTITUTE IN THE PROVINCE OF BRITISH COLUMBIA. IN EXPIRY DATE
SUBMITTING AN APPLICATION FOR ADMISSION OR REGISTRATION FORM, ALL APPLICANTS ARE ADVISED THAT BOTH THE INFORMATION THEY PROVIDE AND ANY OTHER INFORMATION PLACED INTO THE STUDENT RECORD WILL BE PROTECTED AND USED IN COMPLIANCE WITH THE BRITISH COLUMBIA FREEDOM OF INFORMATION AND PRIVACY PROTECTION ACT (1992).
NAME OF CARDHOLDER
SIGNATURE
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Emily Carr University of Art + Design Continuing Studies Courses + Programs 1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
SUMMER INSTITUTE FOR TEENS JULY 3 – 27, 2012
This four-week intensive includes lots of hands-on studio exploration, core skills classes, field trips and your very own gallery show. Tuition fee includes basic supplies, and field trips. Students attend classes Monday to Friday, 9:00 am – 4:00 pm.
Fees:
INTRODUCTION TO RAVENSTAIL WEAVING p. 5
TOWARD A BUSINESS PLAN p. 44 February 18
March 23 – 25
ART IN PUBLIC SPACES: WALKING TOURS p. 11 March 31, April 14 or April 21
Domestic Students Early Bird rate: $2050 (December 5 - March 31) Regular rate: $2150 (after April 1) International Students Early Bird rate: $2350 (December 5 - March 31) Regular rate: $2450 (after April 1)
Choose one of the following studios: Painting Ceramics Drawing
Architectural Design Digital Photography Graphic Design
Graphic Novel Illustration Textile Design
SHORT AND SWEET
Registration opens December 5, 2011
ecuad.ca/cs/teens teens@ecuad.ca
Looking for one-day or two-day workshops? Think fast – these short courses are sure to spark your creativity.
SUMMER INSTITUTE FOR ABORIGINAL TEENS July 3 – 27, 2012
Scholarship applications are available December 5, 2011.
This multi-disciplinary studio explores traditional and contemporary First Nations art practices. You’ll also enjoy core skills classes, field trips and your very own gallery show. Students attend classes Monday to Friday, 9:00 am – 4:00 pm.
DRUM AND DRUM STICK WORKSHOP p. 5
CONTAINER GARDEN DESIGN p. 32
LASER CUTTER WORKSHOP p. 32
February 4
March 24 + March 31
March 11 + March 18
SPRING2012 continuing studies courses + programs
ADVANCED STUDY CERTIFICATES
in Drawing, Painting and Illustration Learn more on page 52
EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES
1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs
3626881
SPRING2012 continuing studies courses + programs