Emily Carr University Continuing Studies Spring 2015 by Emily Carr University of Art + Design

SPRING2015 continuing studies courses + programs

COVER ILLUSTRATION BY MATT HEXIMER

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881

SPRING2015 continuing studies courses + programs

Continuing Studies Essentials Programs • Professional Certificates

Accepting Applications Now!

The Essentials are intensive programs that focus on gaining the creative experience and technical knowledge to enter industry, job-ready. Graduates enter creative fields of communication design, web design, web development and mobile application development. The Essentials Programs are perfect for those looking to gain foundational skills towards career transition or enhancement.

Communication Design Essentials Start Dates: April + October 2015 An innovative communication design program where Emily Carr provides creative, conceptual design fundamentals and BCIT provides technical knowledge, Communication Design Essentials offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practices of graphic design and the technical skills required in the industry.

Interaction Design Essentials Start Dates: March + September 2015 With a blend of design principles and technical training, this innovative program gives students the foundational skills to begin a career in interaction design, such as designing for mobile devices and websites, developing websites, utilizing XML, PHP and JavaScript, and effectively managing projects.

essentials.ecuad.ca

Summer Institute for Teens July 6-30, 2015*

A Pre-Unıversity Program that helps teens to prepare for an educatıon ın art and desıgn. Areas of study include: Animation • Architecture + Urban Design • Communication Design • Drawing • Fashion + Textiles • Illustration • Painting • Photography • Sculpture

We are ex cited to announ ce that Communic ation Desi gn Essenti graduates als will now b e able to re ceive

transfer cre dits into Emily Carr Unive rsity’s Communic ation Desi gn 4-year Degree pro gram! For more informatio n visit ecuad.ca/c s.

*REGISTRATION OPENS DECEMBER 8, 2014 TO REGISTER: csinfo@ecuad.ca 604 844 3810

teens.ecuad.ca

SPRING 2015 Table of Contents Courses + Workshops Book Arts 5 Communication Design 6 Core Skills 7 Cultural Studies 7 Digital Skills, Media + Technologies 9 Drawing 12 Graphic Novel 16 Illustration 17 Industrial Design 23 Painting 25 Photography 29 Printmaking 31 Professionalising Your Practice 32 Sculpture + Installation 33 Teens 34 The Leeway 35

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

How to Register 2 Clusters 3 Access Points 4 Certificates 19 Timetable 20 Registration Policies and General Information 38 Frequently Asked Questions 40

Instructor biographies are available at ecuad.ca/people/faculty/cs Registration Opens November 18, 2014

HOW TO REGISTER Emily Carr Continuing Studies Spring Registration opens at 9:00 am November 18, 2014. Continuing Studies has a variety of ways you can register:

Register Online ecuad.ca/cs You have the power! Online registration is easy, fast and secure and you can do it anytime from anywhere in the world. To get your registration access in advance of the registration opening date, or for instructions on how to use our online registration system, insideEC, visit our website: ecuad.ca/program/cs/how_to_enroll

Questions about prerequisites or language requirements? See our Registration Policies and FAQs on pages 38-40. Holidays Emily Carr Continuing Studies will not run any courses on February 9 (Family Day), April 3 (Good Friday), or April 6 (Easter Monday).

Register in Person Drop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver. CONTINUING STUDIES OFFICE HOURS Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pm Friday 10:00 am – 4:00 pm

Gift Certificates Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT: www.twitter.com/EmilyCarrCS www.youtube.com/EmilyCarrUniversity search “Emily Carr University” on Facebook

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CLUSTERS Looking for courses to help you develop your portfolio, brush up on your skills or become an Architect? Consider some of these course groupings:

PORTFOLIO DEVELOPMENT  Portfolio Workshop for Teens - pg 34  Photo-Documentation for Portfolio - pg 35

PICTURE BOOKS  Illustration for Picture Books - pg 17  Illustration for Picture Books III - pg 18  Basics of Book Making - pg 5  Fundamentals of Letterpress - pg 5  Writing for Graphic Novels - pg 16

ARCHITECTURAL DESIGN  Basics of Architectural Design - pg 23  Architectural Modeling and Maquettes - pg 24  Creative Drawing and Architecture - pg 12  Rapid Visualization and Product Rendering - pg 24

ACCESS POINTS We have so many ways for you to increase your knowledge, expand your creativity and move into new areas of art, media and design.

Courses - pg 5 Each semester courses and workshops ranging from introductory to advanced offer you numerous opportunities for personal enrichment, skills advancement and creative application.

Short Courses + Events - pg 35 Each semester we offer workshops, demonstrations and open studio events in the Leeway designed to introduce you to a new skill, technique or material.

The Leeway - pg 35 Imagine a resourced studio space to work on your creative practice! Open to anyone, the Leeway is available for monthly, termly or annual rental, and will bring community back into your studio practice.

Professional Certificates - inside front cover Our two professional certificates focus on gaining job-ready, entry-level creative experience combined with technical knowledge. Our Communication Design Essentials and Interaction Design Essentials professional certificates focus on broad training in the areas of graphic design, web design, web development and mobile application development.

Teen Programs - pg 34 For budding new artists and designers between the ages of 15-18, our robust programs provide access to state-of-the-art facilities, hands-on making, experienced instruction and support in the development of a university portfolio. See inside back cover for details on our summer programs.

Off-site Programs - pg 22 We are getting off the Island and working with partners in Whistler, Prince George and Penticton. Explore the range of options we offer.

Certificate Programs - pg 40 Certificates in Photography, Painting, Drawing, Illustration, 2D Design and 3D Design offer a focused exploration of technique and skill, combined with professional practice and historical precedents. Our part-time certificates are flexible and adaptable, and ideal for someone wanting pathways of learning while being given feedback.

Custom + Corporate Training - pg 40 Creativity in the workplace can take a variety of forms. Whether you are looking for a team-building activity or looking to expand the skills and knowledge of your colleagues, we are responsive and flexible in meeting your desire to bring creative thinking to your business or organisation.

Portfolio Development + Professional Development for Individuals - pg 40

We can provide you with services to help enhance your chances for success. Join our portfolio workshop, take a class to enhance the success of your commercial practice or get a personal consultation with one of our faculty, and receive feedback specifically tailored to you.

BOOK ARTS

FUNDAMENTALS FUNDAMENTALS OF LETTERPRESS Andrea Taylor CEBA 112 S001 Feb 21 - Mar 28 Sat 9:30 am - 1:30 pm 6 sessions / 24 total hrs $395 Register by Feb 16

Come and learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print, and distribute type. You can print cards or broadsides, short poems or other short text of your choice using the selection of wood and metal type and ornaments available in Emily Carr’s Letterpress room. This course focuses on the traditional methods of hand typesetting using the school’s collection of metal and wood type. The class also includes an opportunity for students to do linocut printmaking, and hot foil stamping. Our rich printing history comes to life as you discover the origins of design methods and language we all use in the digital world today. Prerequisite: None

BASICS OF BOOK MAKING Aimée Brown CEBA 170 S001 Feb 2 - Mar 30 Mon 6:30 pm - 9:30 pm

This course will introduce you to creating a variety of book structures. From unbound structures including folded books to zines and hardcovers, this hands-on class will also look at incorporating mixed media techniques, two and three dimensionality, as well as type applications and image transfer techniques.

8 sessions / 24 total hrs $350

Prerequisite: None

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

COMMUNICATION DESIGN FUNDAMENTALS BASICS OF COMMUNICATION DESIGN Carolina Becerra

Carolina Becerra

CECD 110 S001

CECD 110 S002

Jan 20 - Feb 24

Mar 10 - Apr 14

Tues 6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$265

Learn the fundamentals of Communication Design including process, ideation, research, analysis, concept development, problem definition, and creative problem solving. Through collaborative exercises, you will be introduced to design process â&#x20AC;&#x201C; from development through to the creation of a mock-up and a short design presentation. Prerequisite: None

THE ART OF FONTS Carley Hodgkinson CECD 112 S001 Jan 17 - Feb 7 Sat 9:30 am - 12:30 pm 4 sessions / 12 total hrs

This course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.

$225 Register by Jan 12

Prerequisite: None

Vjeko Sager

Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point; line; form; tone and value; the representation of mass and volume; and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles.

DRAWING FOR DESIGN CECD 160 S001 Feb 25 - Apr 15 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $325 Register by Feb 20

Prerequisite: None

SKILL BUILDING TYPOGRAPHY Linda Coe CECD 320 S001 Feb 11 - Apr 1 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs

This course is perfect for those ready to pursue a more in-depth study of typography. Building on your basic knowledge of fonts, you will further develop your understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through hands-on individual and group assignments, you will develop techniques to shape the page with type as a dominant element.

$285 Register by Feb 6

Prerequisite: Working knowledge of Illustrator, Photoshop or InDesign

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CORE SKILLS BASICS OF COMPOSITION AND FORM Frances Grafton CEFA 160 S001 Jan 25 - Mar 15 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $350

This course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.

Prerequisite: None

MATERIALS AND MEDIA IN FINE ART PRACTICE Karen Kazmer CEFA 170 S001 Jan 31 - Feb 21 Sat 9:30 am - 1:30 pm 4 sessions / 16 total hrs

In this course you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include: space; mass; volume; plane; and texture, as well as how these elements can be manipulated, through your choice of materials.

$250 Register by Jan 26

Prerequisite: None

CULTURAL STUDIES FUNDAMENTALS ISSUES IN CONTEMPORARY DESIGN Ramon Kubicek CESE 110 S001 Feb 14 - Apr 4 Sat 10:30 am - 1:30 pm 8 sessions / 24 total hrs $295 Register by Feb 9

This course examines a range of contemporary debates, themes and issues that affect designers including: ‘wicked problems’ in design; social responsibility; design thinking; architecture and urban planning; user-centered design; objects we think with; and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will develop a greater awareness of ways in which design is connected to your everyday life. Prerequisite: None

ISSUES IN CONTEMPORARY ART Janet Piper Jones CESE 160 S001 Feb 4 - Mar 25 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295

This course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including: the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

Prerequisite: None REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

CULTURAL STUDIES (CONT’D) SKILL BUILDING

FUNDAMENTALS (cont’d) new!

A SURVEY AND HISTORY OF ART Rajdeep Gill CESE 180 S001 Feb 12 - Apr 2 Thurs 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $260 Register by Feb 7

This course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or for artists who want to understand their own practice in the context of what went before.

Donald Brackett CESE 181 S001 Feb 7 - Mar 28 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $295 Register by Feb 2

WALTER BENJAMIN: ART AND THE AGE OF MECHANICAL REPRODUCTION This course is a broad introduction to the writings and ideas of German cultural theorist Walter Benjamin, and in particular his seminal text The Work of Art in the Age of Mechanical Reproduction (1936). Through looking at the work of Pablo Picasso, Marcel Duchamp, Andy Warhol and Joseph Beuys, this course introduces you to 20th century ideas about the influences of printing, reproduction, photography, films, television, and how these questions remain relevant in the digital age.

Prerequisite: None Prerequisite: None

CONTEMPORARY CANADIAN ART Ramon Kubicek CESE 260 S001 Feb 8 - Mar 29 Sun 10:30 am - 1:30 pm 8 sessions / 24 total hrs $295 Register by Feb 3

Curious about Contemporary Art in Canada? This course offers a broad survey of some of the significant artists and movements that have emerged since the 1980s. From British Columbia, the Prairies, Ontario and Quebec, to the Maritime Region and the breadth of Aboriginal communities across the country, this course is ideal for anyone who is culturally curious. Prerequisite: CESE 160 Issues in Contemporary Art is recommended, but not required

APPLIED TECHNIQUES THE GENTLE ART OF WATCHING MOVIES Perry Taylor CESE 285 S001 Jan 27 - Mar 17 Tues 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Jan 22

Digital Orca by Douglas Coupland. Photo courtesy of City of Vancouver.

The movies you find memorable often affect you through design and composition. Explore this aspect of film through visual imagery, setting, audio, framing, and body presentation. Work in small groups, analyzing clips from classic Hollywood movies. In a class presentation, apply what you’ve learned to a movie of your choosing. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DIGITAL SKILLS, MEDIA + TECHNOLOGIES FUNDAMENTALS INTRODUCTION TO MAYA Develop your design and computer skills CEAN 152 S001 through an introduction to computer Mar 7 - Mar 8 animation in this two-day intensive workshop Sat+Sun 10:00 am - 4:30 pm offering an introduction to Autodesk Maya. 2 sessions / 12 total hrs Learn fundamentals of modeling, texturing, $225 animation, lighting, and rendering in Register by Mar 2 three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment, and demonstrate various design strategies for 3D imaging and animation. By the end of the course you will be comfortable using Autodesk Maya and able to create simple films or simulations. Thomas Groppi

PHOTOSHOP: THE BASICS Jen Hiebert CECS 131 S001 Feb 8 - Mar 29 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $425 Register by Feb 3 No class on Apr 5

Explore the creative potential of Adobe Photoshop for digital image processing and photo editing. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining image, and adding text to image. Other topics include: resolution; masks; channels; and paths. This course is an ideal introduction to the skills and techniques needed to work in this industry standard program, and will allow you to immediately apply your knowledge to practical projects. Note: This course is taught in our Mac Labs using Creative Cloud. Prerequisite: Strong computer skills recommended

Prerequisite: Basic computer skills

INDESIGN: THE BASICS Jamie Clay CECS 130 S001 Feb 28 - Apr 18 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $425 Register by Feb 23

ADOBE ILLUSTRATOR: THE BASICS

Sean Coggins

Adobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.

CECS 133 S001

Prerequisite: Experience with Macintosh computer is highly recommended

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

Feb 26 - Apr 16 Thurs 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $425 Register by Feb 21

Adobe InDesign is a powerful tool for design, page-layout and production, and is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course you will gain basic experience with the software as you work with page layout, creating and formatting text, inputting and manipulating images, as well as gaining a basic understanding of colour as it relates to printing. Note: This course is taught in our Mac Labs using Creative Cloud. Prerequisite: Experience with Macintosh computer is highly recommended; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONTâ&#x20AC;&#x2122;D) SKILL BUILDING THE ADOBE SUITE FOR DESIGN AND PRODUCTION Eduardo Rodriguez

Arthur Babiarz

CECS 136 S001

CECS 136 S002

Jan 26 - Mar 30

Feb 28 - Apr 18

Mon 6:00 pm - 9:30 pm

Sat 9:30 am - 1:30 pm

9 sessions / 32 total hrs

8 sessions / 32 total hrs

$495

This course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typesetting and combining both vector art and raster art to design and producing work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud.

No class on Feb 9

Prerequisite: Strong computer skills are highly recommended

PHOTOSHOP FOR PHOTOGRAPHERS Kathryn Mussallem CECS 140 S001 Feb 15 - Apr 12 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $425 Register by Feb 10

Designed for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format;, colour management; basic selection techniques; a variety of techniques for tonal and colour correction; retouching; and final image output. Note: This course is taught in our Mac Labs using Creative Cloud.

No class on April 5

Prerequisite: Experience with a Macintosh computer is highly recommended, as well as general experience in either digital or film photography

DIGITAL ANIMATION Ceile Prowse CEDA 140 S001 Jan 28 - Mar 18 Wed 6:30pm - 9:30pm 8 sessions / 24 total hrs $390

This introductory class will focus on how to use After Effects for animation. This course is aimed at working professionals looking to expand their skill set through animation. Topics will include motion graphics, animated text and digital cut-out animated characters. Through practical exercises, you will learn animation principles, key-frames, motion-paths, how to work with layers, nested compositions, rendering, adding sound to animation using Adobe Premiere and much more.

Prerequisite: Working knowledge of Adobe Photoshop and/or Illustrator is an asset

INTRODUCTION TO WEB DESIGN Kevin McMillan CEDA 232 S001 Feb 8 - Mar 29 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $385 Register by Feb 3

This course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a web site including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. Promote your own work or that of your clients. Prerequisite: General computer and internet proficiency

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING (cont’d) INTRODUCTION TO WORDPRESS Kevin McMillan CEDA 250 S001 Feb 14 - Mar 7 Sat 9:30 am - 4:30 pm 4 sessions / 24 total hrs $385 Register by Feb 9

As an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more before committing them to your live site.

ADVANCED WEB DESIGN Kevin McMillan CEDA 332 S001 Feb 8 - Mar 29 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $395 Register by Feb 3

This advanced course builds on the HTML & CSS skills gained in Introduction to Web Design as well as Introduction to WordPress. You will start by learning the interface and metaphors of the program before moving to designing themes and integrating blogs, image galleries, social media APIs and plugins into your site. You will also learn basic troubleshooting and security options. By the end of the course, you will have the tools to make a website that is functional, beautiful, accessible, reliable, and extensible. Prerequisite: CEDA 232 Introduction to Web Design; CEDA 250 Introduction to WordPress or equivalent

Prerequisite: Basic computer and internet skills

APPLIED TECHNIQUES INTRODUCTION TO RHINO Thomas Groppi CEID 235 S001 Jan 17 - Jan 18 Sat + Sun 10:00 am - 4:30 pm 2 sessions / 12 total hrs $225 Register by Jan 12

Learn how to model, edit and analyze organic 3D surfaces using the industry’s powerful, standard software Rhinoceros. In this two-day intensive weekend workshop you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving with professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing. Prerequisite: None

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

FUNDAMENTALS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS Keith Langergraber

Frances Grafton

Dan Starling

CEDR 160 S001

CEDR 160 S002

CEDR 160 S004

Jan 12 - Mar 9

Jan 17 - Mar 7

Feb 25 - Apr 15

Mon 6:30 pm - 9:30 pm

Sat 9:30 am - 12:30 pm

Wed 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$285

Frances Grafton

Martin Guderna

CEDR 160 S003

CEDR 160 S005

Feb 22 - Apr 19

Feb 28 - Apr 18

Sun 9:30 am - 12:30 pm

Sat 9:30 am - 12:30 pm

8 sessions / 24 total hrs

$285

No class Feb 9

Drawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing and are looking to gain skills that will be broadly applicable. Prerequisite: None

No class Apr 5

DRAWING

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS Tony Oâ&#x20AC;&#x2122;Regan CEDR 162 S001 Jan 25 - Mar 22 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $315 Register by Jan 20 No class March 8

This course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form. Prerequisite: None

CREATIVE DRAWING AND ARCHITECTURE Tony Oâ&#x20AC;&#x2122;Regan CEDR 163 S001 Jan 24 - Mar 14 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $315 Register by Jan 19

This structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING DRAWING AND COLLAGE Ian Forbes CEDR 165 S001 Feb 25 - Apr 15 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Feb 20

This course introduces you to various approaches of collage in drawing while exploring the process of combining varied two-dimensional materials with drawing media. The focus will be on how variations in shapes and textures alter the composition and mark-making of a drawing. Subject matter will include the model, still life, found imagery and imagination. A wide range of drawing and collage materials will be used.

DRAWING THE PORTRAIT Vjeko Sager CEDR 252 S001 Feb 24 - Apr 14 Tues 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Feb 19

This course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model. Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

Prerequisite: Any 100-level drawing course or equivalent

DRAWING THE FIGURE AND FACE

Stan Hunc CEDR 167 S001 Feb 14 - Apr 4 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $300 Register by Feb 9

DRAWING WITH PEN AND INK: BLACK-AND-WHITE

Elena Underhill

Take a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-bystep tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Jan 20 - Feb 17

CEDR 261 S001 Tues 6:30 pm - 9:30 pm 5 sessions / 16 total hrs $235 Register by Jan 15 Last class 4 hours long: 6-10pm

Prerequisite: Any 100-level drawing course or equivalent

This course will teach you how to construct the human form without relying on a model. By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illustration, animation or any other artistic form. Prerequisite: CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended, but not required

ANATOMICAL DRAWING I Dan Starling CEDR 220 S001 Jan 26 - Mar 23 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Jan 21 No class Feb 9

This drawing course focuses on the human figure, its construction, and the relationship between skeleton and muscle in order to enhance the understanding of surface anatomy, locomotion and proportion. Through observation and visual research, you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model. Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

INTRODUCTION TO LIFE DRAWING Keith Langergraber CEDR 263 S001 Jan 14 - Mar 4 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $345 Register by Jan 9

Develop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included. Prerequisite: Any 100-level drawing course or equivalent

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

DRAWING (CONT’D) SKILL BUILDING (cont’d) DRAWING WITH PEN AND INK: COLOUR Stan Hunc CEDR 267 S001 Jan 11 - Mar 1 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $300

Take a colourful and unconventional approach to pen and ink drawing. In this class you will learn to create a range of unusual, colour-oriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value and colour-generating methods in a series of independent projects.

Prerequisite: CEDR 167 Drawing with Pen and Ink: Black-and-White or equivalent

COGNITIVE DRAWING AND CRITICAL THINKING Chris Doray CEDR 270 S001 Jan 29 - Mar 19 Thurs 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $285

This dynamic, high-energy course develops your basic to intermediate drawing skills. Projects will lead students to understand the basic issues of both conscious and unconscious recordings, suspending one’s state of mind and motive. Drawing exercises will be spontaneous, incorporating ‘figure-ground’ concepts and compositional strategies. A variety of creative drawing techniques will assist in developing an approach to an architectural figurative drawing skill-set. The objective of this class is to eliminate all inhibitions to jotting down ideas.

Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

APPLIED TECHNIQUES TECHNIQUE BOOT CAMP: DRAWING Stan Hunc CEDR 271 S001 Feb 3 - Mar 24 Tues 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Jan 29

Move beyond technical deficiencies keeping you from reaching your full drawing potential as you work through this intensive circuit of drawing exercises designed to explore the power of the medium. In this course you will explore various forms of line drawing, visual interpretation and personal style in a series of challenging projects. Expand your understanding and expertise of lines and tones, wet-on-wet pen strokes and splashes, gestures and textures, and experiment with combinations of drawing tools in unconventional black-and-white, mixed media, pencil, charcoal and pen and ink drawing projects. Prerequisite: Any 100-level drawing course or equivalent

DRAWING: HANDS, FACE AND FEET Vjeko Sager CEDR 363 S001 Feb 26 - Apr 16 Thurs 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300

This course centers specifically on these three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. Each class will focus on one of the three parts, with one hour of presentation/ discussion followed by guided drawing exercises. Topics include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.

Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

new! Stan Hunc CEDR 367 S001 Feb 1 - Mar 22 Sun 1:30 pm - 4:30 pm

ADVANCED WORKSHOP: PEN AND INK This course has been designed for students who have solid pen and ink drawing skills, and would like to continue their medium exploration. In addition to a series of advanced technique assignments, you will be able to work on your own projects and ideas while receiving robust and relevant feedback.

8 sessions / 24 total hrs $300

Prerequisite: Intermediate pen and ink skills

LIFE DRAWING OPEN STUDIO Uninstructed CEDR 400 S001 Jan 18 - Feb 8

Take advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish for the opportunity to work on figure or life drawing, this series of weekly sessions is for you.

Sun 1:30 pm - 5:30 pm 4 sessions / 16 total hrs

Prerequisite: Experience drawing or painting from the model is strongly recommended

$95 Register by Jan 13

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

GRAPHIC NOVEL

Illustration by Maria Cruz in Illustration for Picture Books. Paper collage and computer

FUNDAMENTALS THE CONTEMPORARY COMIC: AN INTRODUCTION Julian Lawrence CEGN 160 S001 Feb 25 - Apr 15 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs

In this course you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling with illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product and have a draft comic on completion of the course.

$235 Register by Feb 20

Prerequisite: None

SKILL BUILDING WRITING FOR GRAPHIC NOVELS Robin Thompson CEGN 230 S001 Jan 27 - Mar 17 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs

This course helps students learn the fundamentals of narrative storytelling in a unique graphic novel and comic format. Techniques in developing stories, plot and character as well as a variety of writing tools will be explored with in-class exercises, lectures, and assignments. Although some basic illustration skills are implied, the emphasis of the course is on creative writing.

$250 Register by Jan 22

Prerequisite: CEGN 160 The Contemporary Comic: an Introduction or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

ILLUSTRATION FUNDAMENTALS INTRODUCTION TO ILLUSTRATION Robin Thompson CEIL 170 S001 Jan 29 - Mar 19 Thurs 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $275

Illustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.

Prerequisite: None

SKILL BUILDING ILLUSTRATION ICONOGRAPHY Calef Brown CEIL 215 S001 Feb 25 - Apr 15 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $275

In this course you will deepen and broaden your illustration skills and your understanding of cultural context. Learn the iconographies of the field of illustration. Understand how image strategies employ persuasion, promotion, celebration, curiosity and criticism. From ads to culture-jamming, from commemoration to caricature, and from protest to propaganda, you will learn conceptual approaches to problem solving as they apply to both professional practices in illustration.

Prerequisite: Any 100-level drawing course or equivalent

EDITORIAL ILLUSTRATION Calef Brown CEIL 235 S001 Mar 3 - Apr 21 Tues 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $275 Register by Feb 26

Editorial Illustration describes the creation of images to accompany text in an effort to illuminate or point to a particular aspect. In this course you will be introduced to the history of editorial work, and through instruction using a variety of traditional and non-traditional media you will create illustrations for magazine articles, opinion pieces, short fiction and essays. Discussions will address the working practices of editorial illustrators, working with art directors and clients, and the different types of illustration that lend themselves to editorial works. Prerequisite: CEIL 170 Introduction to Illustration

ILLUSTRATION FOR PICTURE BOOKS Lisa Cinar CEIL 240 S001 Jan 25 - Mar 15 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $295

This creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

Prerequisite: Any 100-level drawing course or equivalent; basic Macintosh skills recommended

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

ILLUSTRATION (CONT’D) SKILL BUILDING (cont’d) new! Robin Thompson CEIL 280 S001 Feb 25 - Apr 15 Wed 6:30 pm - 9:30 pm

ILLUSTRATION II: EXPANDING YOUR PRACTICE This course expands on Introduction to Illustration by combining advanced technique instruction with guided studio exercises and feedback. You will begin to work on in-depth projects in a supported environment, which expands both conceptual development and pencil and ink techniques.

8 sessions / 24 total hrs $275

Prerequisite: CEIL 170 Introduction to Illustration or equivalent

APPLIED TECHNIQUES ILLUSTRATION FOR PICTURE BOOKS III Lisa Cinar CEIL 440 S001 Jan 26 - Apr 20 Mon 6:30 pm - 9:30 pm 10 sessions / 32 total hrs

Develop an illustration portfolio geared towards children’s picture books and related fields, or choose to create illustrations for a personal book project. Students are encouraged to produce assignments that build on concepts such as composition, tone and colour to fit their specific portfolio needs. Longer group and one-on-one critiques as well as in-class exercises and presentations will help develop a tailored approach to illustration.

$350 Register by Jan 28

Prerequisite: CEIL 240 Illustration for Picture Books

No class Feb 9, Mar 23 or Apr 6

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Our C Progra ertificate ms giv e you: A Reco mmen

Course ded Pathwa y thro s A ugh s Feedb ack fro sessment a nd m Graded y o u r Facu Transc lty ripts of Com A Cert pletion ificate Advan Regist ce ration



  



CERTIFICATES Emily Carr Continuing Studies Certificate Programs allow focused and serious exploration of art and design in a creative community of like-minded individuals. Explore or further deepen your understanding of your creative practice through our certificates.

INTRODUCTORY STUDY CERTIFICATES Explore the fundamentals; master the basics Fine Arts • 2D Design • 3D Design • Photography

ADVANCED STUDY CERTIFICATES Expand your knowledge; hone your skills Drawing • Painting • Illustration • Sculpture

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

TIMETABLE BOOK ARTS – PAGE 5 CEBA 112 S001 FUNDAMENTALS OF LETTERPRESS CEBA 170 S001 BASICS OF BOOK MAKING

FEB 21 - MAR 28 FEB 2 - MAR 30

S M

9:30 am - 12:30 pm 6:30 pm - 9:30 pm

TAYLOR BROWN

$395 $350

COMMUNICATION DESIGN – PAGE 6 CECD 110 S001 BASICS OF COMMUNICATION DESIGN CECD 110 S002 BASICS OF COMMUNICATION DESIGN CECD 112 S001 THE ART OF FONTS CECD 160 S001 DRAWING FOR DESIGN CECD 320 S001 TYPOGRAPHY

JAN 20 - FEB 24 MAR 10 - APR 14 JAN 17 - FEB 7 FEB 25 - APR 15 FEB 11 - APR 1

T T S W W

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

BECERRA BECERRA HODGKINSON SAGER COE

$265 $265 $225 $325 $285

CORE SKILLS – PAGE 7 CEFA 160 S001 BASICS OF COMPOSITION AND FORM CEFA 170 S001 MATERIALS AND MEDIA IN FINE ART PRACTICE

JAN 25 - MAR 15 JAN 31 - FEB 21

SU S

1:30 pm - 4:30 pm 9:30 am - 1:30 pm

GRAFTON KAZMER

$350 $250

FEB 14 - APR 4 FEB 4 - MAR 25 FEB 12 - APR 2

S W TH

10:30 am - 1:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

KUBICEK JONES GILL

$295 $295 $295

FEB 7 - MAR 28 FEB 8 - MAR 29 JAN 27 - MAR 17

S SU T

1:30 pm - 4:30 pm 10:30 am - 1:30 pm 6:30 pm - 9:30 pm

BRACKETT KUBICEK TAYLOR

$295 $295 $295

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 9 CEAN 152 S001 INTRODUCTION TO MAYA CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS CECS 131 S001 PHOTOSHOP: THE BASICS CECS 133 S001 INDESIGN: THE BASICS CECS 136 S001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 136 S002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 140 S001 PHOTOSHOP FOR PHOTOGRAPHERS CEDA 140 S001 DIGITAL ANIMATION CEDA 232 S001 INTRODUCTION TO WEB DESIGN CEDA 250 S001 INTRODUCTION TO WORDPRESS CEDA 332 S001 ADVANCED WEB DESIGN CEID 235 S001 INTRODUCTION TO RHINO

MAR 7 - MAR 8 FEB 28 - APR 18 FEB 8 - MAR 29 FEB 26 - APR 16 JAN 26 - MAR 30 FEB 28 - APR 18 FEB 15 - APR 12 JAN 28 - MAR 18 FEB 8 - MAR 29 FEB 14 - MAR 7 FEB 8 - MAR 29 JAN 17 - JAN 18

S+SU S SU TH M S SU W SU S SU S+SU

10:00 am - 4:30 pm GROPPI 9:30 am - 12:30 pm CLAY 9:30 am - 12:30 pm HIEBERT 6:30 pm - 9:30 pm COGGINS 6:00 pm - 9:30 pm RODRIGUEZ 9:30 am - 1:30 pm BABIARZ 1:30 pm - 4:30 pm MUSSALLEM 6:30 pm - 9:30 pm PROWSE 9:30 am - 12:30 pm MCMILLAN 9:30 am - 4:30 pm MCMILLAN 1:30 pm - 4:30 pm MCMILLAN 10:00 am - 4:30 pm GROPPI

DRAWING – PAGE 12 CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS CEDR 163 S001 CREATIVE DRAWING AND ARCHITECTURE CEDR 165 S001 DRAWING AND COLLAGE CEDR 167 S001 DRAWING WITH PEN AND INK: BLACK-AND-WHITE CEDR 220 S001 ANATOMICAL DRAWING I CEDR 252 S001 DRAWING THE PORTRAIT CEDR 261 S001 DRAWING THE FIGURE AND FACE CEDR 263 S001 INTRODUCTION TO LIFE DRAWING CEDR 267 S001 DRAWING WITH PEN AND INK: COLOUR CEDR 270 S001 COGNITIVE DRAWING AND CRITICAL THINKING CEDR 271 S001 TECHNIQUE BOOT CAMP: DRAWING CEDR 363 S001 DRAWING: HANDS, FACE AND FEET CEDR 367 S001 ADVANCED WORKSHOP: PEN AND INK CEDR 400 S001 LIFE DRAWING OPEN STUDIO

JAN 12 - MAR 9 JAN 17 - MAR 7 FEB 22 - APR 19 FEB 25 - APR 15 FEB 28 - APR 18 JAN 25 - MAR 22 JAN 24 - MAR 14 FEB 25 - APR 15 FEB 14 - APR 4 JAN 26 - MAR 23 FEB 24 - APR 14 JAN 20 - FEB 17 JAN 14 - MAR 4 JAN 11 - MAR 1 JAN 29 - MAR 19 FEB 3 - MAR 24 FEB 26 - APR 16 FEB 1 - MAR 22 JAN 18 - FEB 8

M S SU W S SU S W S M T T W SU TH T TH SU SU

6:30 pm - 9:30 pm LANGERGRABER $285 9:30 am - 12:30 pm GRAFTON $285 9:30 am - 12:30 pm GRAFTON $285 6:30 pm - 9:30 pm STARLING $285 9:30 am - 12:30 pm GUDERNA $285 1:30 pm - 4:30 pm O’REGAN $315 1:30 pm - 4:30 pm O’REGAN $315 6:30 pm - 9:30 pm FORBES $295 1:30 pm - 4:30 pm HUNC $300 6:30 pm - 9:30 pm STARLING $295 6:30 pm - 9:30 pm SAGER $315 6:30 pm - 9:30 pm UNDERHILL $235 6:30 pm - 9:30 pm LANGERGRABER $345 9:30 am - 12:30 pm HUNC $300 6:30 pm - 9:30 pm DORAY $285 6:30 pm - 9:30 pm HUNC $300 6:30 pm - 9:30 pm SAGER $300 1:30 pm - 4:30 pm HUNC $300 1:30 pm - 5:30 pm UNINSTRUCTED $95

CULTURAL STUDIES – PAGE 7 CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN CESE 160 S001 ISSUES IN CONTEMPORARY ART CESE 180 S001 A SURVEY AND HISTORY OF ART CESE 181 S001 WALTER BENJAMIN: ART AND THE AGE OF MECHANICAL REPRODUCTION CESE 260 S001 CONTEMPORARY CANADIAN ART CESE 285 S001 THE GENTLE ART OF WATCHING MOVIES

$225 $425 $425 $425 $495 $495 $425 $390 $385 $385 $385 $225

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

GRAPHIC NOVEL – PAGE 16 CEGN 160 S001 THE CONTEMPORARY COMIC: AN INTRODUCTION CEGN 230 S001 WRITING FOR GRAPHIC NOVELS

FEB 25 - APR 15 JAN 27 - MAR 17

W T

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

LAWRENCE THOMPSON

$235 $250

ILLUSTRATION – CEIL 170 S001 CEIL 215 S001 CEIL 235 S001 CEIL 240 S001 CEIL 280 S001 CEIL 440 S001

JAN 29 - MAR 19 FEB 25 - APR 15 MAR 3 - APR 21 JAN 25 - MAR 15 FEB 25 - APR 15 JAN 26 - APR 20

TH W T SU W M

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

THOMPSON BROWN BROWN CINAR THOMPSON CINAR

$275 $275 $275 $295 $275 $350

INDUSTRIAL DESGIN – PAGE 23 CEID 120 S001 BASICS OF INDUSTRIAL DESIGN CEID 121 S001 EXPLORATION OF 3D DESIGN CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN CEID 154 S001 INTRODUCTION TO MODO CEID 160 S001 RAPID VISUALIZATION AND PRODUCT RENDERING CEID 223 S001 ARCHITECTURAL MODELING AND MAQUETTES CEID 363 S001 3D RENDERING FOR DESIGN PRESENTATION

FEB 21 - MAR 7 FEB 16 - APR 13 JAN 18 - MAR 15 FEB 14 - FEB 15 JAN 17 - MAR 7 FEB 1 - MAR 29 FEB 18 - APR 8

S M SU S+SU S SU W

9:30 am - 4:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 10:00 am - 4:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm

STANILAND KOZAK DORAY GROPPI CHAN O’REGAN KOWAL

$295 $295 $315 $225 $325 $325 $325

PAINTING – PAGE 25 CEPN 160 S001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 160 S002 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 161 S001 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 162 S001 FUNDAMENTALS OF OIL PAINTING CEPN 163 S001 FUNDAMENTALS OF WATERCOLOUR CEPN 164 S001 USING COLOUR CEPN 165 S001 THE BUILT SURFACE: PAINT AND COLLAGE CEPN 169 S001 MIXED MEDIA PAINTING CEPN 190 S001 ANYTHING BUT THE BRUSH CEPN 261 S001 ACRYLIC PAINTING II CEPN 270 S001 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING CEPN 277 S001 FROM NATURALISM TO ABSTRACTION CEPN 315 S001 THE ART OF PASTEL: BETWEEN DRAWING AND PAINTING CEPN 352 S001 PAINTING THE PORTRAIT CEPN 360 S001 PAINTING OPEN STUDIO

JAN 24 - MAR 21 FEB 25 - APR 15 JAN 14 - MAR 4 JAN 24 - MAR 21 JAN 21 - MAR 11 JAN 27 - FEB 17 JAN 26 - MAR 30 JAN 13 - MAR 3 JAN 18 - MAR 8 MAR 28 - APR 18 FEB 28 - APR 18 FEB 22 - APR 19 FEB 23 - APR 20 FEB 22 - MAR 29 JAN 24 - FEB 28

S W W S W T M T SU S S SU M SU S

9:30 am - 12:30 pm BARNES 6:30 pm - 9:30 pm GUDERNA 6:30 pm - 9:30 pm GOLDBERG 9:30 am - 12:30 pm LAM 6:30 pm - 9:30 pm UNDERHILL 6:00 pm - 10:00 pm GUDERNA 6:30 pm - 9:30 pm KRABBENDAM 6:30 pm - 9:30 pm GOLDBERG 9:30 am - 12:30 pm YOUNG 1:30 pm - 5:30 pm GOLDBERG 1:30 pm - 4:30 pm BARNES 9:30 am - 12:30 pm BARNES 6:30 pm - 9:30 pm UNDERHILL 1:30 pm - 5:30 pm TAYLOR 1:30 pm - 5:30 pm GOLDBERG

$355 $355 $310 $310 $310 $275 $315 $285 $310 $245 $295 $295 $300 $300 $295

PHOTOGRAPHY – PAGE 29 CEPH 148 S001 BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II CEPH 245 S001 BLACK-AND-WHITE PHOTO STUDIO CEPH 246 S001 THE CONSTRUCTED IMAGE CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 340 S001 CONTEMPORARY PORTRAITURE

FEB 1 - MAR 22 FEB 28 - APR 18 MAR 7 - MAR 28 FEB 22 - APR 19 MAR 21 - APR 11

SU S S SU S

9:30 am - 1:30 pm EVANS 12:30 pm - 4:30 pm BERTHAUDIN 1:30 pm - 5:30 pm HITE 9:30 am - 12:30 pm HITE 1:30 pm - 5:30 pm MUSSALLEM

$350 $315 $265 $300 $225

PRINTMAKING – CEPR 162 S001 CEPR 164 S001 CEPR 165 S001

JAN 29 - MAR 19 FEB 7 - MAR 28 MAR 14 - APR 4

TH S S

6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 10:00 am - 4:00 pm

$295 $420 $245

FEB 23 - APR 20 JAN 19 - MAR 16 FEB 26 - APR 16

M M TH

6:30 pm - 9:30 pm GILL 6:30 pm - 9:30 pm BRIARD 6:30 pm - 9:30 pm BRIARD

PAGE 17 INTRODUCTION TO ILLUSTRATION ILLUSTRATION ICONOGRAPHY EDITORIAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS ILLUSTRATION II: EXPANDING YOUR PRACTICE ILLUSTRATION FOR PICTURE BOOKS III

PAGE 31 INTRODUCTION TO SILKSCREEN TEXTILE PRINTING I PRINTMAKING TECHNIQUES

PROFESSIONALISING YOUR PRACTICE – PAGE 32 CEPD 140 S001 CREATIVITY IN YOUR LIFE CEPD 190 S001 THE BUSINESS OF ART PRACTICE CEPD 190 S002 THE BUSINESS OF ART PRACTICE

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

PAROLIN HANNAN MINEGISHI

$245 $245 $245

TIMETABLE (CONT’D) SCULPTURE AND CESC 178 S001 CESC 180 S001 CESC 200 S001 CESC 179 S001 CESC 190 S001

INSTALLATION – PAGE 33 INTRODUCTION TO MOLD DESIGN AND CASTING INTRODUCTION TO METAL SCULPTURE METAL CASTING: THE POUR SMALL-SCALE MODELING INTRODUCTION TO METAL CASTING: THE MOLD

DEMOS, OPEN STUDIOS AND WORKSHOPS - THE LEEWAY – PAGE 35 CEDR 950 S001 OPEN DRAWING NIGHT CEDR 950 S002 OPEN DRAWING NIGHT CEDR 950 S003 OPEN DRAWING NIGHT: DRAWING FOR COGNITION CEDR 950 S004 OPEN DRAWING NIGHT CEDR 999 S001 SOCIAL DRAWING CEFA 950 S001 CRIT NIGHT FOR MEMBERS ONLY CEFA 950 S002 OPEN STUDIO NIGHT BYOA CEFA 950 S003 CRIT NIGHT FOR MEMBERS ONLY CEFA 950 S004 OPEN STUDIO NIGHT BYOA CEID 999 S001 PATTERN MAKING FUNDAMENTALS CEID 999 S002 CARDBOARD CONSTRUCTIONS CEPD 900 S001 PHOTO-DOCUMENTATION FOR PORTFOLIO CEPD 900 S002 FRAMING FOR EXHIBITION CEPD 999 S001 GRANT WRITING CEPD 999 S002 SOCIAL MEDIA FOR YOUR PRACTICE CETP 950 S001 TEENS OPEN STUDIO CEPR 999 S001 BLOCK PRINTING FOR TEXTILES CEPR 999 S002 WATERCOLOUR MONOTYPE PRINTS

FEB 17 - APR 7 FEB 28 - APR 18 MAR 1 - APR 19 FEB 21 - APR 11 JAN 28 - MAR 18

T S SU S W

6:30 pm - 9:30 pm 12:30 pm - 4:30 pm 12:30 pm - 4:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm

ROBBINS RHODES RHODES ISRAEL ROBBINS

JAN 28 FEB 25 MAR 25 APR 22 APR 2 FEB 4 FEB 11 MAR 11 APR 8 FEB 5 APR 16 JAN 14 APR 1 JAN 22 MAR 5 JAN 7 JAN 8 FEB 19

W W W W TH W W W W TH TH W W TH TH W TH TH

6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm WILSON 6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm WILSON 6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm UNINSTRUCTED 6:00 pm - 9:00 pm MARTIN 6:00 pm - 9:00 pm CHAN 7:00 pm - 8:00 pm STUDIO TECHNICIAN 7:00 pm - 8:00 pm STUDIO TECHNICIAN 6:00 pm - 9:00 pm LIU 6:00 pm - 9:00 pm NORWICH 6:00 pm - 9:00 pm SCHAGERL 6:00 pm - 9:00 pm HANNAN 6:00 pm - 9:00 pm TAYLOR

$300 $455 $280 $265 $420

FREE FREE FREE FREE $65 FREE FREE FREE FREE $65 $65 FREE FREE $65 $65 FREE $65 $65

THE BUSINESS OF ART PRACTICE

OFF-SITE PROGRAM OFFERINGS

April 24 - 27, 2015 Okanagan School of the Arts, Shatford Centre Penticton, BC* This practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources. Instructor: Chris Tyrell Loranger Friday - Monday from 9:00 am - 4:00 pm * Registration for this particular course is handled by the Shatford Centre in Penticton, BC, and the course is held off-site.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

INDUSTRIAL DESIGN FUNDAMENTALS BASICS OF INDUSTRIAL DESIGN Scott Staniland CEID 120 S001 Feb 21 - Mar 7 Sat 9:30 am - 4:30 pm 3 sessions / 18 total hrs

This course introduces you to the fundementals of Industrial Design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.

$295 Register by Feb 16

Prerequisite: None

Laura Kozak

This course familiarizes you with the principles of three-dimensional design as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface will be developed. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis will be on problem solving and imaginative and experimental responses to proposed projects.

EXPLORATION OF 3D DESIGN CEID 121 S001 Feb 16 - Apr 13 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Feb 11 No class Apr 6

Prerequisite: None

Chris Doray

This studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.

BASICS OF ARCHITECTURAL DESIGN CEID 122 S001 Jan 18 - Mar 15 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $315 Register by Jan 13

Prerequisite: None

No class Apr 5

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

INDUSTRIAL DESIGN (CONT’D) APPLIED TECHNIQUES new!

INTRODUCTION TO MODO

Modo’s potential for 3D modeling and CEID 154 S001 rendering is fast becoming the industry Feb 14 - Feb 15 standard. Learn to use the software to Sat + Sun 10:00 am - 4:30 pm visualize consumer product goods, scientific 2 sessions / 12 total hrs services and architectural presentations. $225 Model, render and animate photo-realistic Register by Feb 9 simulations to create images and movies that deliver clarity and understanding, or quickly work up alternative designs to render CAD data for marketing shots or animations. The subdivision surfacing modeling tool set will also be explored through the modeling of complex organic shapes.

ARCHITECTURAL MODELING AND MAQUETTES

Thomas Groppi

Prerequisite: Basic computer skills

Tony O’Regan CEID 223 S001 Feb 1 - Mar 29 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $325 Register by Jan 27 No class Mar 8

Prerequisite: None

3D RENDERING FOR DESIGN PRESENTATION Christopher Kowal CEID 363 S001 Feb 18 - Apr 8

Ying-Chiu Chan CEID 160 S001 Jan 17 - Mar 7 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $325 Register by Jan 12

This studio course introduces you to architectural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process.

RAPID VISUALIZATION AND PRODUCT RENDERING

Wed 6:30 pm - 9:30 pm

Rapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, communication design, industrial design, illustration, architecture, furniture design, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques.

$350

8 sessions / 24 total hrs Register by Feb 13

For industrial designers, interior designers, jewelry makers, architects, and anyone who needs to visualize products or objects for presentation, this course is ideal in providing hands-on 3D prototyping skills using Autodesk 3DS MAX. You will learn how to model, render and animate photorealistic simulation (including fly-through) using this powerful software. You will work on a project of your choosing and have the opportunity to import existing models from Rhino, AutoCAD, SolidWorks, Maya, and others. Prerequisite: Basic computer skills

Prerequisite: Strong drawing skills with an enthusiasm for realism and detail

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PAINTING FUNDAMENTALS PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS This course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages.

Elizabeth Barnes

Martin Guderna

CEPN 160 S001

CEPN 160 S002

Jan 24 - Mar 21

Feb 25 - Apr 15

Sat 9:30 am - 12:30 pm

Wed 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$355

Prerequisite: None

Lori Goldberg

This course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.

No class Feb 14

FUNDAMENTALS OF ACRYLIC PAINTING CEPN 161 S001 Jan 14 - Mar 4 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $310

Prerequisite: None

Register by Jan 9 REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

PAINTING (CONT’D) FUNDAMENTALS (cont’d) FUNDAMENTALS OF OIL PAINTING Gwenessa Lam CEPN 162 S001 Jan 24 - Mar 21 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $310 Register by Jan 19

Experience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.

No class Feb 14

Prerequisite: None

FUNDAMENTALS OF WATERCOLOUR Elena Underhill CEPN 163 S001 Jan 21 - Mar 11 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $310 Register by Jan 16

This course introduces you to the essential techniques of painting with watercolour. Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced. Prerequisite: None

USING COLOUR Martin Guderna CEPN 164 S001 Jan 27 - Feb 17 Tues 6:00 pm - 10:00 pm 4 sessions / 16 total hrs $275 Register by Jan 22

The use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory and how to work effectively with it. You will investigate the creative use of colour in a variety of mediums, and explore its use in developing observational and painting skills as well as creating compositional structure. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

APPLIED TECHNIQUES THE BUILT SURFACE: PAINT AND COLLAGE Jeanne Krabbendam CEPN 165 S001 Jan 26 - Mar 30 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Jan 21 No class on Feb 9 or Mar 2

Explore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

MIXED MEDIA PAINTING Lori Goldberg CEPN 169 S001 Jan 13 - Mar 3 Tues 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $285 Register by Jan 8

For both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers you will explore expression and emotion through layering, drawing and brushwork. Prerequisite: None

Prerequisite: None

SKILL BUILDING ANYTHING BUT THE BRUSH Sandra Young CEPN 190 S001 Jan 18 - Mar 8 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $310 Register by Jan 13

This course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects and on creating paint-based mixed media art in non-conventional ways. Prerequisite: None

ACRYLIC PAINTING II Lori Goldberg CEPN 261 S001 Mar 28 - Apr 18 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Mar 23

This intermediate course is designed to further your exploration of acrylic painting as an expressive medium. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications, and abstract and expressive ones.

FORMS AND CONCEPTS IN CONTEMPORARY PAINTING Elizabeth Barnes CEPN 270 S001 Feb 28 - Apr 18 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $295 Register by Feb 23

This unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work, while being encouraged to develop ways of talking about your painting practice in new and contemporary ways. Prerequisite: Students should have a current painting practice

Prerequisite: CEPN 161 Fundamentals of Acrylic Painting or equivalent

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

PAINTING (CONTâ&#x20AC;&#x2122;D) SKILL BUILDING (contâ&#x20AC;&#x2122;d) new! Elizabeth Barnes CEPN 277 S001 Feb 22 - Apr 19 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $295 Register by Feb 17 No class Apr 5

FROM NATURALISM TO ABSTRACTION This course will guide students in the experience of working through observation of natural objects and the land, towards an understanding of how observed patterns in nature can inform both structures and process in creating abstraction. Work will begin with drawing and will move to large-scale paintings, introducing non-traditional techniques in paint application and mixed media.

PAINTING THE PORTRAIT Andrea Taylor CEPN 352 S001 Feb 22 - Mar 29 Sun 1:30 pm - 5:30 pm 6 sessions / 24 total hrs $300 Register by Feb 17

Learn accurate and expressive portrait painting through working from the live model, supplemented with understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.

Prerequisite: TBA Prerequisite: Any 100-level painting course. Some prior experience in drawing or painting the face is recommended, but not mandatory

THE ART OF PASTEL: BETWEEN DRAWING AND PAINTING Elena Underhill CEPN 315 S001 Feb 23 - Apr 20 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Feb 18

Explore the versatility of the medium of Pastel in this introductory course. Offering possibilities to intersect between drawing and painting, you will learn the unique expressive properties of the medium, appropriate application and preservation methods, as well as experiment with the subtleties of colour and composition.

PAINTING OPEN STUDIO Lori Goldberg CEPN 360 S001 Jan 24 - Feb 28 Sat 1:30 pm - 5:30 pm 6 sessions / 24 total hrs $295 Register by Jan 19

Prerequisite: Any 100-level painting course. Superior experience in drawing is recommended

Painting Open Studio is a self-directed course intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor, group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting. Prerequisite: Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PHOTOGRAPHY Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.

FUNDAMENTALS BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II Diane Evans CEPH 148 S001 Feb 1 - Mar 22 Sun 9:30 am - 1:30 pm 8 sessions / 30 total hrs $350 Register by Jan 27

This course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure; use of natural light in photographic imagery; film processing; enlargement techniques; and the machine and tray processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in Emily Carr’s darkrooms and wet labs under the guidance of expert instructors.

Last class 3 hours long: 9:30am - 12:30pm

Prerequisite: None. You must supply your own 35mm camera

Rand Berthaudin

This comprehensive course is specifically designed for those students that have already completed Black-and-White Film Photography I, and other advanced black-and-white photography darkroom courses, and are now looking to continue to develop their photographic projects in a more open studio experience. With a focus on expanding your photographic practice, this studio course aims to provide you with the darkroom time and support necessary to further explore and develop your creative vision through self-directed projects. In addition to an emphasis on in-class developing and printing work, this studio course will also include technical demonstrations and visual presentations, as well as group discussions and critiques. You will be responsible for initiating an independent project that challenges your abilities and ideas, and carry it through from proposal to final presentation. Darkroom Access: In addition to the considerable in-class darkroom time that will be provided, students can also schedule up to six additional hours per week outside of class throughout the course during darkroom hours.

BLACK-AND-WHITE PHOTO STUDIO CEPH 245 S001 Feb 28 - Apr 18 Sat 12:30 pm - 4:30 pm 8 sessions / 32 total hrs $315 Register by Feb 23

Prerequisite: CEPH 141 Black-and-White Film Photography I or equivalent

INTRODUCTION TO DIGITAL PHOTOGRAPHY Josh Hite CEPH 250 S001 Feb 22 - Apr 19 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $300 Register by Feb 17 No class Apr 5

This course is designed for those beginning to explore photography using a digital camera, as well as for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Please note: That this course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course. Prerequisite: Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

PHOTOGRAPHY (CONTâ&#x20AC;&#x2122;D) SKILL BUILDING THE CONSTRUCTED IMAGE Josh Hite CEPH 246 S001 Mar 7 - Mar 28 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $265

A constructed image is a photo-based image that has been altered through the use of digital manipulation, drawing, painting or collage to create a specific visual experience. In this course you will investigate classic themes from art history and reinterpret them through the combination of analog and digital processes. You will learn advanced Photoshop tools and techniques that you can apply to making work that is cleverly constructed and conceptually compelling. Note: This course is Mac lab-based and does not involve darkroom techniques.

Prerequisite: Basic Photoshop experience

CONTEMPORARY PORTRAITURE Kathryn Mussallem CEPH 340 S001 Mar 21 - Apr 11 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $225 Register by Mar 16

The ability to create a compelling portrait is an important skill for any photographer. This practical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques. Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a contemporary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. This course is for both analog and digital photographers. Note: This course does not include darkroom access. Prerequisite: Foundation in photographic principles and practical knowledge of your own camera

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PRINTMAKING FUNDAMENTALS INTRODUCTION TO SILKSCREEN Maria Anna Parolin CEPR 162 S001 Jan 29 - Mar 19 Thurs 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Jan 24

Screen printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of silkscreen to print your hand-drawn and photographic images onto paper and fabric. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning how to establish a home or studio facility for continued art production and explorations. Prerequisite: None; CEDR 271 Drawing for Printmaking is recommended

PRINTMAKING TECHNIQUES Shin Minegishi CEPR 165 S001 Mar 14 - Apr 4 Sat 10:00 am - 4:00 pm 4 sessions / 24 total hrs Register by Mar 9 $245

This course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints. Prerequisite: None

TEXTILE PRINTING I Eleanor Hannan CEPR 164 S001 Feb 7 - Mar 28 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $420 Register by Feb 2

Textile printing is the application of colour in definite patterns or designs to fabrics. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated. Prerequisite: None

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

PROFESSIONALISING YOUR PRACTICE FUNDAMENTALS new! Rajdeep Gill CEPD 140 S001 Feb 23 - Apr 20 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $245

CREATIVITY IN YOUR LIFE This course will explore creativity and creative process in a wide range of contexts - from the arts and sciences to design and business, from personal growth to social and political change. The nature of creativity and its diverse formation and movements will be examined in relation to a range of aesthetic, spiritual and conceptual landscapes. Whether you are an entrepreneur, artist, activist, designer, engaged citizen or just curious, this course is ideal in examining how you can bring creativity into your life.

Prerequisite: None

Annie Briard

CEPD 190 S001

CEPD 190 S002

Jan 19 - Mar 16

Feb 26 - Apr 16

Mon 6:30 pm - 9:30 pm

Thurs 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$245

This practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

THE BUSINESS OF ART PRACTICE

No class Feb 9

Prerequisite: For practicing artists and designers, and those just starting out

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SCULPTURE + INSTALLATION FUNDAMENTALS INTRODUCTION TO MOLD DESIGN AND CASTING Philip Robbins CESC 178 S001 Feb 17 - Apr 7 Tues 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Feb 12

This intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).

INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 S001 Feb 28 - Apr 18 Sat 12:30 pm - 4:30 pm 8 sessions / 32 total hrs $455 Register by Feb 23

Prerequisite: None

This hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. Topics include: variety of techniques for material cutting, shaping and joining; general shop and equipment safety; work flow and planning; and material characteristics. Hand tools, stationary equipment and MIG/ oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/ brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor.

SMALL-SCALE MODELING Vicki Israel CESC 179 S001 Feb 21 - Apr 11 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $265 Register by Feb 16

Explore the fundamental techniques of modeling in this hands-on studio course. Using Plastalina and clay, you will be introduced to the additive process of modeling: the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. Through demonstrations, exercises and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned will appeal to animators, sculptors, potters, product designers and many others.

Prerequisite: Prior art-making experience is required; experience in three-dimensional art is recommended

INTRODUCTION TO METAL CASTING: THE MOLD Philip Robbins CESC 190 S001 Jan 28 - Mar 18 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $420 Register by Jan 23

This intensive, hands-on course explores initial workflows in the lead-up to metal casting. You will design, model, mold and cast in wax a moderately sized object in preparation for metal casting. This course explores many of the fundamental creative, material and technical processes needed in the creation of successful wax objects for metal casting.

Prerequisite: None Prerequisite: This course is labour-intensive; students must be physically capable and must be able to lift 15 kg

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

SCULPTURE + INSTALLATION (CONT’D) SKILL BUILDING METAL CASTING: THE POUR Ian Rhodes CESC 200 S001 Mar 22 - Apr 19 Sun 12:30 pm - 4:30 pm 4 sessions / 16 total hrs $280

This intensive, hands-on course - the extension of Intro to Metal Casting: the Mold - explores the dynamics of the foundry process, from the wax object to the finished bronze, centering around Emily Carr University’s induction furnace. You will explore ways of correctly preparing a moderately sized mold, its investment, casting, clean up and patination. Note: Bronze costs for the production of individual projects are not included in the tuition and will be dependent on the size and weight of the finished cast.

Prerequisite: CESC 190 Introduction to Metal Casting: the Mold, or permission of the instructor. This course is labour-intensive; students must be physically capable and must be able to lift 15 kg

TEENS TEENS OPEN STUDIO Claire Schagerl CETP 950 S001 Jan 7 Wed 6:00 pm - 9:00 pm 1 session / 3 total hrs FREE

Bring your sketchbook (and your imagination) and come hang out, reconnect, and meet some other teens who like to make. We will be doing some hands-on activities (supplies are provided!) and we will have info about our Teens programs including our Summer Institute for Teens. Everyone aged 15-18 is invited, so tell all your friends who also like to create.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

An open shared studio space for creators The Leeway gives artists and designers a creative space and a community to engage in their creative practices. Access to our Studio Technicians, professional equipment, tools and material supplies gives members of the Leeway a unique opportunity to create and learn within Emily Carr University of Art + Design.

free!

Demos + Open Studios Demos are quick one-hour sessions that provide instruction only (no hands-on element) on various practices and procedures. Open Studios are uninstructed three-hour sessions that provide a space for non-members to try working in a communal studio. All Demos and Open Studios are free and open to the public, to a maximum of 15 participants. Participants must register upon arrival. OPEN STUDIO NIGHT BYOA

SOCIAL DRAWING

Bring your own Art! The Leeway community studio opens its doors for an open working session. Bring your projects from a variety of disciplines or start something new. All are welcome!

Exercise your brain through drawing! This workshop aims to flex the brain muscle for the purposes of pleasure and social interaction. Collaborative and interactive exercises reinforce the cognitive and social benefits of drawing, promoting overall brain health. Previous drawing experience not mandatory. Instructor will facilitate exercises and support the development of drawing skills required.

Uninstructed / 1 session / 3 total hrs / 6:00 pm - 9:00 pm CEFA 950 S002 • Wed Feb 11 CEFA 950 S004 • Wed Apr 8

Robert Wilson / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

OPEN DRAWING NIGHT Join in for an evening of drawing and meet new people at the Leeway community studio. Still-life props, supplies and materials will all be provided. Please note that this is an uninstructed, self-directed drawing night.

CEDR 999 S001 • Thu Apr 2

FRAMING FOR EXHIBITION

CEFA 950 S002 • Wed Feb 25

Framing is an important final step in 2D art production, helping to preserve the work and display it in a way that best suits it. In this demo you will discover the varying options for frame, matte, mounting board and glass, and what aspects to consider for framing different types of artwork.

CEDR 950 S004 • Wed Apr 22

Studio Technician / 1 session / 1 total hr / 7:00 pm - 8:00 pm

Uninstructed / 3 total hrs each / 6:00 pm - 9:00 pm CEDR 950 S001 • Wed Jan 28

CEPD 900 S002 • Wed Apr 1

OPEN STUDIO: DRAWING FOR COGNITION Join in for this open studio to reap the cognitive and social benefits of drawing and the chance to meet new people at The Leeway community studio. Still-life props, supplies, and materials will all be provided. This open drawing night is guided by a Leeway member and will involve some collaborative and interactive drawing exercises.

PHOTO-DOCUMENTATION FOR PORTFOLIO

Uninstructed / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

This demo will cover the fundamentals of photodocumentation to successfully document 2D or 3D artwork for an impressive portfolio. You will learn about aspects of proper lighting and camera function in order to produce high quality images for various purposes, including self-promotion, school and grant applications, and more.

CEDR 950 S003 • Wed Mar 25

Studio Technician / 1 session / 1 total hr / 7:00 pm - 8:00 pm

CEPD 900 S001 • Wed Jan 14

Please note: The Leeway cannot accommodate any materials requiring ventilation such as solvents or processes generating dust.

THE LEEWAY (CONT’D) 3–Hour Workshops Workshops are three-hour sessions that focus on one particular aspect of a practice or skill that can be built upon later individually, or with further study in a longer-form course. The hands-on sessions are a great way to try out a new process, refresh skills or support professional development. CHARACTER AND STORY DEVELOPMENT FOR PICTURE BOOKS Spring-board your next picture book or graphic novel project. Create a character and story from scratch by working through a character development excersise with Picture Book Author and Illustrator, Lisa Cinar. Illustration styles and techniques for developing character-based story lines will be discussed, enabling students to leave the workshop with a fleshed-out character and plot that can be further developed independantly or within CEIL240 Illustration for Picture Books and CEIL340 Illustration for Picture Books II. Lisa Cinar / 1 session / 3 total hrs / 6:00 pm - 9:00 pm CEIL 999 S001 • Mar 19 • Register by Mar 14 • $65

WATERCOLOUR MONOTYPE PRINT Painterly printmaking without a press is possible with some forms of monotype printmaking. Explore the possibilities of the lift print and water-based ink monotypes. Also discover methods of incorporating monotypes into your paintings. Andrea Taylor / 1 session / 3 total hrs / 6:00 pm - 9:00 pm CEPR 999 S002 • Feb 19 • Register by Feb 14 • $65

BLOCK PRINTING FOR TEXTILES Learn how to prepare and carve a cork block in order to print a patterned motif on textile. Strategies for creating patterns will be discussed, including straight repeat, random, modular, reverse and brick repeat. You will come away with swatches of your printed fabric explorations. Eleanor Hannan / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CARDBOARD CONSTRUCTIONS Discover the multitude of applications that a ubiquitous material like cardboard has to offer! Cardboard is a versatile material that is easily accessible, inexpensive and biodegradable. You will learn skills and techniques to design and build 3D projects by combining simple cardboard forms to fabricate more complex objects.

CEPR 999 S001 • Jan 8 • Register by Jan 3 • $65

SOCIAL MEDIA FOR YOUR PRACTICE

Ying-Chiu Chan / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

Promote your art practice or creative service by learning the basic building blocks of an effective social media presence. This workshop will cover topics such as writing for the web, creating content for newsletters, websites, blogs and more.

CEID 999 S002 • Apr 16 • Register by Apr 11 • $65

Marni Norwich / 1 session / 3 total hrs / 6:00 pm - 9:00 pm CEPD 999 S002 • Mar 5 • Register by Feb 28 • $65

PATTERN MAKING FUNDAMENTALS GRANT WRITING

This workshop will give a brief introduction to the fundamentals of pattern making for apparel and soft product design. Through a series of demonstrations balanced with theory and practical knowledge, the principles behind pattern making processes will be revealed. You will learn about the tools and processes involved in the basic prototype lifecycle, flat pattern anatomy and the methods of transforming the 2D template into a 3D form.

Are you a visual artist or an arts organization seeking funding for a project? This workshop introduces principles and strategies for writing a successful application for a project grant. This session will focus specifically on criteria for the BC Arts Council Assistance Program and Canada Council Project Grants for Artists.

Heather Martin / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEPD 999 S001 • Jan 22 • Register by Jan 17 • $65

April Liu / 1 session / 3 total hrs / 6:00 pm - 9:00 pm

CEID 999 S001 • Feb 5 • Register by Jan 31 • $65

ecuad.ca/cs/theleeway theleeway@ecuad.ca 604 844 3810

For Members Only CRIT NIGHT FOR MEMBERS ONLY

THE LEEWAY MEMBER BENEFITS:

Leeway Members! Share your work or work-inprogress with peers. Talk through process, get help with roadblocks, and spend time with fellow studio mates.

Did you know that Leeway Membership includes the

Uninstructed / 1 session / 3 total hrs / 6:00 pm - 9:00 pm CEFA 950 S001 • Wed Feb 4 CEFA 950 S003 • Wed Mar 11

following benefits?

• Access to over 2,400 online tutorials on lynda.com (in-studio only) • Access to specialized equipment, including a dedicated Canon EOS DSLR, Copy Stand, Large Format Inkjet Printers and an iMac loaded with Creative Suite 6 • Unlimited access to The Leeway during regular University hours (except during scheduled workshops and demos) • Technical support and resources for a wide range of disciplines • Community borrowers’ Library access • Storage for artwork and materials • Up to 30% discount at Opus Framing and Art Supplies

Leeway Membership FEES

UPCOMING TERMS

Spring

Summer

JAN FEB MAR APR

MAY JUN JUL AUG

$200 month $635 term $1,750 year* DISCOUNTED MEMBERSHIP (seniors, degree + CS certificate alumni, staff)

$150 month $465 term $1,250 year* *Year-long memberships are only available at the start of each term

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

REGISTRATION POLICIES + GENERAL INFORMATION Admission to individual courses is on a first-come, firstserved basis. Early registration is strongly recommended as class sizes are limited (average size: 16 students) to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

Fees The tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Failure to make payment within 24 hours of registration will result in being removed from your course(s). Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Course Transfer Policy No transfers of fees will be granted if notification of transfer is received seven or less full business days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven business days prior to the course start date of the course the student is leaving. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax, or email.

Withdrawal and Refund Policy No refund will be given if notification of withdrawal is received seven or less full business days before the start of the course. Exceptions to the above noted rules are only considered as they pertain to medical or family emergencies on an individual basis. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven full business days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Please note that select longer programs may have exceptional refund policies that require earlier notification of withdrawal or transfers.

Prerequisites Emily Carr Continuing Studies offers courses which are open

to everyone, regardless of their experience. However we also offer advanced courses for more experienced students. If a course requires a prerequisite or equivalent, we highly recommend that you take the Emily Carr Continuing Studies prerequisite prior to taking the advanced course. • Not sure if your skill level is equivalent to the course? Just ask us – we would be happy to help! Please note: If you are not at the level required for the course, the instructor reserves the right to recommend your removal from the course to one that is more suited to your skill level.

Language Requirements All classes are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses. Please note: if you are not at an appropriate language level, Continuing Studies reserves the right to move you to a class more suitable to your skill level.

Registration Deadlines You are encouraged to register well in advance of a course’s start date to ensure your spot and to ensure that a class will run with sufficient registration. Registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started.

Registration Confirmation Your registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment. Registration information and fees must be received together. You must present your registration confirmation/receipt to the instructor at the first class. Students who do not appear on the instructor’s class list will not be permitted to attend.

Wait Lists If seats are no longer available in a class, you can be added to a wait list. If a seat opens in the class, you will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list, and no obligation to register if a space becomes available. Students on wait lists

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

are asked not to attend classes unless they have been contacted in advance by the CS office. Instructors do not admit students to the class on the first day.

Cancellations We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date. Contact csinfo@ecuad.ca to change or update your email address.

Emergency Closures In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

Postponement of Courses In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email. At the next scheduled session, the instructor will consult with the class to determine the best date and time to make up the lost time.

Waiver

Student Code of Conduct A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please refer to our website: ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of November 10, 2014.

The Concourse Gallery

Course Materials

The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit chscott.ecuad.ca.

Most Continuing Studies courses require that you purchase supplies. A list of required and recommended items is provided with your confirmation of registration. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Studio Access Unless otherwise indicated, there is no additional access to studio resources outside of class time. Note: additional studio access, where students can continue to work on their practice outside of class time, can be purchased through membership at the Leeway. For more information see page 35 or ecuad.ca/cs/theleeway.

REGISTRATION BEGINS NOVEMBER 18, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

The Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

The Charles H. Scott Gallery

READ at the Charles H. Scott Gallery READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

FREQUENTLY ASKED QUESTIONS DO YOU OFFER COURSES FOR TEENS?

AM I ELIGIBLE FOR A DISCOUNT ON COURSES?

Yes! See page 34 and the inside back cover for this spring and summer’s offerings.

Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification. Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communication Design Essentials Program, or the Interaction Design Essentials Program. Students registered for an Advanced Studies Certificate, who have completed an Introductory Certificate program, will also receive a 10% discount. Note: only one discount will apply.

WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.

WHAT ARE THE CERTIFICATE PROGRAMS? Continuing Studies offers Introductory Certificate Programs in Fine Art Techniques, 2D Design Basics, 3D Design Basics and Photography, as well as Advanced Study Certificates in Painting, Drawing, Illustration and Sculpture. These are flexible, part-time programs designed to be completed at your own pace. Anyone may register, and no portfolio is required to apply. Communication Design Essentials is a full-time, one-year, job-ready Professional Certificate Program in graphic design, offered in partnership with BCIT. Interaction Design Essentials is a full-time, 24-week, job-ready Professional Certificate Program in interactive design, offered exclusively through Emily Carr Continuing Studies. More information on our certificates can be found on the inside front cover and on page 19.

CAN I GET SOMEONE TO LOOK AT MY ART? Continuing Studies does offer personal consultations. Email consult@ecuad.ca to book your appointment.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See ecuad.ca/cs for more information.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email admissions@ecuad.ca.

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS? Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. Email consult@ecuad.ca for more information.

WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION? If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on pages 38 and 39 before you register.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2015 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SPRING2015 continuing studies courses + programs

COVER ILLUSTRATION BY MATT HEXIMER

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881

SPRING2015 continuing studies courses + programs