Emily Carr Continuing Studies: Fall 2014 Catalogue by Emily Carr University of Art + Design

FALL2014 continuing studies courses + programs

Accepting Applications Now!

Continuing Studies Essentials Programs

The Essentials are intensive programs that focus on gaining the creative experience and technical knowledge to enter industry, job-ready. Graduates enter creative fields of communication design, web design, web development and mobile application development. The Essentials Programs are perfect for those looking to gain foundational skills towards career transition or enhancement.

Design Essentials Start Dates: October 2014 + April 2015 An innovative communication design program where Emily Carr provides creative, conceptual design fundamentals and BCIT provides technical knowledge, Design Essentials offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practices of graphic design and the technical skills required in the industry.

Interaction Design Essentials Start Dates: September 2014 + March 2015

With a blend of design principles and technical training, this innovative program gives students the foundational skills to begin a career in interaction design, such as designing for mobile devices and websites, developing websites, utilizing XML, PHP and JavaScript, and effectively managing projects.

ecuad.ca/cs We are ex cited to announ c e that Design Ess entials gra dua will now b e able to re tes ceive

transfer cre dits into Emily Carr Unive rsityâ&#x20AC;&#x2122;s Communic ation Desi g n 4-year Degree pro gram! For m ore informatio n visit ecuad.ca/c s.

CERTIFICATES Emily Carr Continuing Studies Certificate Programs allow focused and serious exploration of art and design in a creative community of like-minded individuals. Explore or further deepen your understanding of your creative practice through our certificates.

INTRODUCTORY STUDY CERTIFICATES

ADVANCED STUDY CERTIFICATES

Explore the fundamentals; master the basics

Expand your knowledge; hone your skills

Fine Arts 2D Design 3D Design Photography

Drawing Painting Illustration Sculpture

Our Certificate Programs give you: • • • • •

A Recommended Pathway through Courses Assessment and Feedback from your Faculty Graded Transcripts A Certificate of Completion Advance Registration

REGISTRATION BEGINS AUGUST 6, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

A multi-disciplinary resourced studio space for creators

The Leeway gives artists and designers a dynamic space and a community to engage in their creative practices. Access to our Studio Technicians, professional equipment and tools gives members of the Leeway a unique opportunity to create and learn within Emily Carr University of Art + Design.

Leeway Membership FEES

UPCOMING TERMS

Fall SEPT OCT NOV

Spring

Summer

JAN FEB MAR APR

MAY JUNE JULY AUG

$200 month $635 term $1,750 year* DISCOUNTED MEMBERSHIP (seniors, degree + CS certificate alumni, staff)

*Year-long memberships are only available at the start of each term

The Leeway is an ideal studio space for artists and designers, who are looking to forge a sense of community within a space where they can cultivate their creative practice, explore new techniques and processes, work with other makers and learn from experienced technicians and instructors through demonstrations and workshops.

$150 month $465 term $1,250 year* Even after the first few days in the studio, I felt a sense of belonging. Credit this to the amazing support of the Tech Team, and to the dedicated interest of the members of this newly evolving community. The clean, orderly, spacious feel of the room, the generous access to equipment—easels, tables, tools, advice! This is a “working” environment, one which manages to cultivate intense focus within an atmosphere of activity—busy, yet respectfully non-intrusive. - COLETTE GAGNON, LEEWAY MEMBER SINCE JANUARY 2013

Demos +Workshops Love learning but short on time? Sign up for a Leeway Demonstration or Workshop.

1-HOUR FREE DEMOS  Framing for Exhibition................................ pg 6  Image Transfer and Surface Treatment Techniques................... pg 6  Scanning and Archiving for Digital Output............................................. pg 15  Sewing: Modern Patchwork....................... pg 31  Shaped Panels and Canvases..................... pg 37  Introduction to the Proofing Press.............. pg43  Screen Printing: Stencil Techniques............ pg 43

3-HOUR WORKSHOPS $65  Tin Can Studio Workshop........................... pg 6  Photo-Documentation for Portfolio part I..... pg 8  Photo-Documentation for Portfolio part 2.... pg 8  Exploring Hand-Lettering.......................... pg 10  Stop Motion Animation............................... pg 14  Collaborative Drawing Night....................... pg 19  Experimental Mark Making: Charcoal......... pg 19  Experimental Mark Making: Ink.................. pg 19  Small-Scale Tapestry................................. pg 31  Non-Toxic Painting: Egg Tempera from Scratch......................... pg 37  MIG Welding for Beginners......................... pg 44

ecuad.ca/cs/theleeway theleeway@ecuad.ca 604 844 3810

James Lindﬁeld June 27, 1952 - June 21, 2014 It is with great sorrow that we announce the death of James Lindfield on June 21st, from pneumonia. James will be remembered as a devoted father, passionate teacher, committed artist, and as a perceptive and loving husband, brother, uncle and friend. James was a greatly respected part of the Emily Carr community, having taught at Emily Carr for over 15 years, and having taught a total of 184 classes. James will be deeply missed by staﬀ, faculty and students.

FALL 2014

Table of Contents Certificate Programs How to Register Courses + Workshops The Leeway Core Skills Professionalising Your Practice  Includes Portfolio Development Communication Design Cultural Studies Digital Skills, Media + Technologies Drawing Graphic Novel Illustration Architectural Design Cluster Industrial Design  Includes Architectural Design, Fashion Design + Textiles

REGISTRATION BEGINS AUGUST 6, 2014 / HOW TO REGISTER p. 4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

1 4 2 5 7

8 10 11 16 20 21 24 29

Painting Photography Printmaking  Includes Book Arts Sculpture + Installation Timetable Frequently Asked Questions Registration Policies and General Information Registration Form

32 38 41 43 26 45 46 48

Instructor biographies are available at ecuad.ca/people/faculty/cs Registration Opens August 6, 2014

HOW TO REGISTER Emily Carr Continuing Studies Fall Registration opens at 9:00 am August 6, 2014. Continuing Studies has a variety of ways you can register: In Person Drop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver.

Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm

By Phone

Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pm Friday 10:00 am – 4:00 pm

Give us a call at 604 844 3810.

By Fax Fax your completed Registration Form (page 48) with credit card payment information to 604 630 4535.

Holidays: Emily Carr Continuing Studies will not run any courses on September 1, October 13, or November 11.

By Mail Mail your completed Registration Form (page 48) with credit card payment information (or a cheque made payable to Emily Carr University of Art + Design).

Online ecuad.ca/cs You have the power! Online registration is easy, fast and secure and you can do it anytime from anywhere in the world. To get your registration access in advance of the registration opening date, or for instructions on how to use our online registration system, insideEC, visit our website: ecuad.ca/program/cs/how_to_enroll Questions about prerequisites or language requirements? See our FAQs and Registration Policies on page 45.

Find us Online! Continuing Studies Office Hours

Gift Certificates

Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT: www.twitter.com/EmilyCarrCS www.youtube.com/EmilyCarrUniversity search “Emily Carr University” on Facebook

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CORE SKILLS These foundational courses focus on core skills that are applicable across all practices + art forms.

FUNDAMENTALS BASICS OF COMPOSITION AND FORM Rebecca Bayer CEFA 160 F001 Sep 20 - Nov 15 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $350 Register by Sep 15 No class Oct 11 Natalie Purschwitz CEFA 160 F002 Sep 25 - Nov 20 Thu 6:30 pm - 9:30 pm

This course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.

MATERIALS, MEDIA AND CONTEXT Ian Forbes CEFA 170 F001 Oct 18 – Nov 15 Sat 9:30am – 12:45pm 5 sessions / 16 total hrs $250 Register by Oct 13

In this course you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include space, mass, volume, plane and texture, as well as how these elements can be manipulated through your choice of materials. Prerequisite: None

Prerequisite: None

DEVELOP YOUR ARTISTIC STYLE

8 sessions / 24 total hrs

Keith Langergraber

$350

CEFA 260 F001

Sep 30 - Nov 25

No class Nov 6

Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $245 Register by Sep 25

This course provides an opportunity to work on developing your own artistic style. This course is designed to merge hands-on practice with your creative ideas by experimenting with numerous materials and techniques. Throughout the course you will analyze your creative process and refine your aesthetic abilities. This is a unique opportunity to work on defining your own practice and receiving guidance and feedback from experienced instructors. Prerequisite: Some drawing or painting experience is recommended

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CORE SKILLS (CONT’D) SKILL BUILDING

WORKSHOPS + DEMOS

3D FORMS Karen Kazmer CEFA 270 F001 Nov 9 - Nov 30 Sun 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $250 Register by Nov 4

This intermediate studio course allows you to further develop your abilities in 3D language by exploring more sophisticated concepts, materials and techniques. Emphasis will be on the development of a personal, three dimensional language, which you will refine through creative process exercises, materials research, drawing, collage and related projects. Through understanding relationships between concepts and mixed media materials, your will increase your confidence in the development of 3D projects. Prerequisite: CEFA 170 Materials, Media and Context

new! Caroline Ballhorn + Jenny Lee Craig CEFA 999 F001 Sep 25 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Sep 20

TIN CAN STUDIO WORKSHOP Join Jenny Lee Craig and Caroline Ballhorn of Tin Can Studio in a series of explorations of collaboration and communication within the creative process. In this workshop you will work as part of a group with a variety of media and will move between the Leeway studio and the Tin Can Studio’s mobile project space. Prerequisite: None

free! Jacqueline Robins CEFA 900 F001 Oct 15 Wed 7:00 pm - 8:00 pm 1 session / 1 total hr

free!

Yang Hong CEPD 900 F001 Nov 19 Wed 7:00 pm - 8:00 pm 1 session / 1 total hr FREE Register by Nov 14

Learn new image transfer techniques and surface treatments for use on a variety of three-dimensional surfaces. Clay bodies, including self-hardening clays, will also be discussed. Prerequisite: None

FREE Register by Oct 10

IMAGE TRANSFER AND SURFACE TREATMENT TECHNIQUE

FRAMING FOR EXHIBITION Framing your artwork can have a big impact on how it is perceived. In this demo you will learn the varying options for frame, matte, mounting board and glass and what aspects to consider for framing different types of artwork. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

THE BUSINESS OF ART PRACTICE Chris Tyrell Loranger

Chris Tyrell Loranger

CEPD 190 F001

CEPD 190 F002

Sep 27 - Nov 15

Oct 8 - Nov 26

Sat 1:30 pm - 4:30 pm

Wed 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$245

PROFESSIONALISING YOUR PRACTICE BUSINESS OF DESIGN PRACTICE Tony O’Regan CEPD 210 F001 Oct 1 - Nov 19 Wed 6:30 pm - 9:30 pm 8 sessions/ 24 total hours $225 Register by Sep 26

How you present yourself to the public can make or break your design practice. Through lecture and discussion, this practical workshop will introduce strategies and techniques for the profitable marketing of your creative design services. Determining who your clients are, identifying your distinctive qualities as a creative professional, crafting your communications to connect effectively with your potential clients, discovering professional resources, developing a marketing plan and making a winning presentation will be covered. This course is ideal for those involved in design practice or for students just discovering design.

Laura Kozak CETP 175 F001 Nov 2 - Nov 9 Sun 10:00 am - 4:00 pm 2 sessions / 12 total hrs $195 Register by Oct 28

CESM 110 F001 Sep 22 - Nov 17 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $350 Register by Sep 17

PHOTO-DOCUMENTATION FOR PORTFOLIO PART 1 Josh Hite CEPD 999 F001 Nov 6 Thu 6:00 pm – 9:00 pm

This intensive workshop focuses on the production of digital and physical portfolios, writing your artist statement and developing your skills in documentation. You will have the opportunity to have your current portfolio reviewed for effectiveness by both peers and the instructor. Issues surrounding selection of work, photo documentation and practical approaches to building a strong portfolio will be discussed. This workshop is ideal for students looking to study art and design at the post-secondary level.

1 session / 3 total hrs $65 Register by Nov 1

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

Prepare to document your artwork for portfolio by learning about the fundamental techniques for photo-documentation, including proper lighting, camera function, basic post-production and file management. You must bring a camera and either a USB or a link to previous documentation of work for discussion. Prerequisite: None

PHOTO-DOCUMENTATION FOR PORTFOLIO PART 2 Josh Hite CEPD 999 F002 Nov 13 Thu 6:00 pm – 9:00 pm 1 session / 3 total hrs

REGISTRATION BEGINS AUGUST 6, 2014 / HOW TO REGISTER p. 4

The terrain of social media is vast and daunting, yet fundamental to marketing your art practice or creative service. This hands-on course will provide you with the building blocks to create an online presence for yourself and your art. Learn the basic tenets of social media for artists, from the philosophical to the technical. Learn how to write for the web and create exemplary content for websites, newsletters, media releases, blogs and more. Introduce your art to the world by applying your creativity to the realm of social media! Prerequisite: None

PORTFOLIO WORKSHOP FOR TEENS

Prerequisite: None

Prerequisite: For practicing artists and designers, and those just starting out

SOCIAL MEDIA FOR YOUR PRACTICE Marni Norwich

Prerequisite: For practicing communication, graphic and publication designers, and those just starting out

PORTFOLIO DEVELOPMENT

This course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping, seeking representation and exhibition, pricing, marketing, publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

$65 Register by Nov 8

Students who have a solid understanding of the manual functions on their camera can skip ahead to this workshop for the opportunity to begin to document artwork and trouble-shoot issues on the spot with an experienced instructor. Prerequisite: None

COMMUNICATION DESIGN FUNDAMENTALS BASICS OF COMMUNICATION DESIGN Carolina Becerra

Carolina Becerra

CECD 110 F001

CECD 110 F002

Sep 24 - Oct 29

Nov 5 - Dec 10

Wed 6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$265

Learn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem solving. Through collaborative exercises, you will be introduced to design process, from development through to the creation of a mock-up and a short design presentation. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DESIGN: IDEATION AND CRITICAL THINKING Vjeko Sager CECD 280 F001 Oct 19 - Dec 7 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $285 Register by Oct 14

This course will introduce you to a range of ideation and critical thinking techniques to help your design process. From concept development and iteration to techniques for effectively communicating your design ideas, this course encourages an active learning environment that supports you to think beyond the ordinary and to brainstorm, test and develop new concepts through individual and group projects. While considering current issues in design theory and practice, the course will include a variety of media, methods and processes in order to provide you with a varied and useful toolkit for your design practice. Prerequisite: None

SKILL BUILDING DRAWING FOR DESIGN Vjeko Sager CECD 160 F001 Oct 19 - Dec 7 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $310 Register by Oct 14

Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point, line, form, tone and value, the representation of mass and volume and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles. Prerequisite: None

THE ART OF FONTS Linda Coe CECD 112 F001 Oct 5 - Nov 2 Sun 1:30 pm - 4:30 pm 4 sessions / 12 total hrs $225 Register by Sep 30

This course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects. Prerequisite: None

No class Oct 12

TYPOGRAPHY Linda Coe CECD 320 F001 Sep 14 - Nov 9 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $285 Register by Sep 9

This course is perfect for those ready to pursue a more in-depth study of typography. Building on your basic knowledge of fonts, you will further develop your understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through hands-on individual and group assignments, you will develop techniques to shape the page with type as a dominant element. Prerequisite: Working knowledge of Illustrator, Photoshop or InDesign

No class Oct 12

APPLIED TECHNIQUES PUBLICATION DESIGN Hope Forstenzer CECD 330 F001 Sep 22 - Nov 17 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $340 Register by Sep 17

Through this course you will design a publication while learning basic principles of design including layout strategies for multi-page documents and considerations for commercial and small-run printing. You must have prior knowledge of Adobe InDesign and Photoshop, and you are encouraged to bring in a project and all related materials for the first day of class. On completion of the course, you will have a draft multi-page publication, as well as a deeper understanding of publication design concerns. Prerequisite: A working knowledge of Photoshop, and QuarkXPress or InDesign is required; expertise with Illustrator is recommended

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COMMUNICATION DESIGN (CONT’D) WORKSHOPS + DEMOS EXPLORING HAND-LETTERING: FROM FORM TO FREEDOM Renee Alexander CECD 999 F001 Sep 18 Thu 6:00 pm – 9:00pm 1 session / 3 total hrs $65

This workshop focusses on hand-lettering. First, the classical shapes and spacing of Roman Inscription Capitals will be covered. From there students will learn how to make these shapes more ‘hand friendly’. Students will then experiment with having the capitals dance across the page, build a contemporary tower of letters and add some individual touches. Prerequisite: None

CULTURAL STUDIES ISSUES IN CONTEMPORARY DESIGN Ramon Kubicek CESE 110 F001 Oct 5 - Nov 30 Sun 10:30 am - 1:30 pm 8 sessions / 24 total hrs $295 Register by Sep 30 No class Oct 12

This course examines a range of contemporary debates, themes and issues that affect designers today. Topics are examined through reading, writing, discussions and projects. Issues discussed include ‘wicked problems’ in design, social responsibility, design thinking, architecture and urban planning, user-centered design, objects we think with and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will receive an overview of the vocabulary and thought that informs contemporary design practice, and develop a greater awareness of the ways in which design is connected to your everyday life. Prerequisite: None

ISSUES IN CONTEMPORARY ART Ramon Kubicek CESE 160 F001 Oct 4 - Nov 29 Sat 10:30 am - 1:30 pm 8 sessions / 24 total hrs $295 Register by Sep 29 No class Oct 11

This course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including the changing role of the artist, the problem of the avant-garde and originality, the idea of discourse, postmodernism and beyond, the problem of ‘beauty’, nature as subject, pastoral tradition and nostalgia, ecological art, new feminism, radical art, cyber-culture and the post-human, and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises. Prerequisite: None

A SURVEY AND HISTORY OF ART Rajdeep Gill CESE 180 F001 Sep 30 - Nov 25 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $260 Register by Oct 2

This course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or if you wish to understand your own practice in the context of what went before. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DIGITAL SKILLS, MEDIA + TECHNOLOGIES FUNDAMENTALS INTRODUCTION TO MAYA Develop your design and computer skills through an introduction to computer animation in this two-day intensive workshop offering an introduction to Autodesk Maya. Learn fundamentals of modeling, texturing, CEAN 152 F001 animation, lighting, and rendering in three-dimensional space. Create assets and environments and apply Oct 4 + Oct 5 Sat + Sun 10:00 am - 4:30 pm them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment, and demonstrate various design strategies for 3D 2 sessions / 12 total hrs imaging and animation. By the end of the course you will be comfortable using Autodesk Maya and able to $225 create simple films or simulations. Register by Sep 29 Thomas Groppi

Prerequisite: Basic computer skills

INTRODUCTION TO SOLIDWORKS Philip Robbins CEID 231 F001 Nov 12 - Dec 3 Wed 6:30 pm – 9:30 pm 4 sessions / 12 total hrs $215 Register by Nov 7

In this course you will learn how to use the basics of SolidWorks mechanical design automation software. Helping designers to move from 2D planning to 3D design, this course explores how to build parametric models of parts and assemblies, and how to make drawings of those parts and assemblies in SolidWorks. This course is ideally suited for designers, engineers and other creative professionals interested in exploring tools for product design. Prerequisite: None

INTRODUCTION TO RHINO Learn how to model, edit and analyze organic 3D surfaces using the industry’s powerful standard software, CEID 235 F001 Rhinoceros. In this two-day intensive weekend workshop you will acquire hands-on 3D prototyping skills by Sep 20 + Sep 21 working from real-life scenarios and problem solving with professional and personal projects as examples. Sat + Sun 10:00 am - 4:30 pm This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model 2 sessions / 12 total hrs or prototype products for manufacturing. Thomas Groppi

$215 Register by Sep 15

Prerequisite: None

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IMAGINING OUR FUTURE In anticipation of our move to a new campus, Emily Carr is pleased to present Imagining Our Future, a series of events and activities that explore the geographical, historical, pedagogical and cultural context of our relocation to the False Creek Flats (Senákw). Expansive, experimental and provocative, the series brings together practitioners from across a range of practices and fields of inquiry, evoking both radical and practical propositions for how we inhabit our new campus, and how we imagine the art, media and design university of the 21st century. This fall, you are invited to participate in public discussions, forums, activities and events, including: Working Space (public discussion series): October – November, 2014 The Commons: October 27 – November 1, 2014, Emily Carr Concourse Gallery

More information at imagining.ecuad.ca.

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D) Fundamentals (Cont’d) ADOBE ILLUSTRATOR: THE BASICS Jaime Clay CECS 130 F001 Oct 4 - Nov 22 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $480 Register by Sep 29

Adobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.

INDESIGN: THE BASICS Brooke Allen CECS 133 F001 Sep 30 – Nov 25 Tue 6:30pm – 9:30 pm 8 sessions / 24 total hrs $480 Register by Sep 25

Prerequisite: Experience with Macintosh Computer is highly recommended

Prerequisite: Experience with Macintosh Computer is highly recommended; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

PHOTOSHOP: THE BASICS Kathryn Mussallem CECS 131 F001 Sep 20 - Nov 15 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $480 Register by Sep 15 No class Oct 11 Jen Hiebert CECS 131 F002 Oct 19 - Dec 7 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $480 Register by Oct 14

Explore the creative potential of Adobe Photoshop for digital image processing and photo editing. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining image, and adding text to image. Other topics include resolution, masks, channels and paths. This course is an ideal introduction to the skills and techniques needed to work in this industry-standard program, and will allow you to immediately apply your knowledge to practical projects. Note: This course is taught in our Mac Labs using Creative Cloud. Prerequisite: Experience with Macintosh Computer is highly recommended

No experien

Adobe InDesign is a powerful tool for design, page-layout and production, and it is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course you will gain basic experience with the software as you work with page layout, creating and formating text, inputting and manipulating images, and gaining a basic understanding of colour as it relates to printing. Note: This course is taught in our Mac Labs using Creative Cloud.

new! Ceile Prowse CEDA 140 F001 Sep 29 – Nov 24 Mon 6:30pm – 9:30pm 8 sessions / 24 total hrs $390 Register by Sep 24

INTRODUCTION TO DIGITAL ANIMATION USING AFTER EFFECTS This introductory class will focus on how to use After Effects for animation. This course is aimed at working professionals looking to expand their skill set through animation. Topics will include motion graphics, animated text and digital cut-out animated characters. Through practical exercises, you will learn animation principles, key-frames, motion-paths, how to work with layers, nested compositions, rendering, adding sound to animation using Adobe Premiere and much more. Prerequisite: Working knowledge of Adobe Photoshop and/or Illustrator would be an asset

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DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D) SKILL BUILDING

Fundamentals (Cont’d) INTRODUCTION TO WEB DESIGN Kevin McMillan CEDA 232 F001 Sep 20 - Nov 8 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $385 Register by Sep 15

This course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a web site including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. that promotes your own work or that of your clients. Prerequisite: General computer and internet proficiency

THE ADOBE SUITE FOR DESIGN AND PRODUCTION Eduardo Rodriguez CECS 136 F001 Sep 24 - Nov 19 Wed 6:00 pm - 9:30 pm 9 sessions / 32 total hrs $525 Register by Sep 19 Last class 4 hrs Jen Hiebert CECS 136 F002 Oct 19 - Dec 7 Sun 1:30 pm - 5:30 pm 8 sessions / 32 total hrs $525 Register by Oct 14

INTRODUCTION TO WORDPRESS Kevin McMillan CEDA 250 F001 Sep 21 - Oct 19 Sun 10:00 am - 4:30 pm 4 sessions / 24 total hrs $385 Register by Sep 16 No class Oct 12

As an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more before committing them to your live site. Prerequisite: Basic computer and internet skills

new! Callum Paterson CEAN 999 F001 Oct 2 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Sep 27

This course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typesetting and combining both vector art and raster art to design and produce work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud. Prerequisite: Experience with Macintosh Computer is highly recommended

WORDPRESS II Kevin McMillan CEDA 320 F001 Nov 9 - Nov 30 Sun 10:00 am - 4:30 pm 4 sessions / 24 total hrs $385 Register by Nov 4

This course builds on the knowledge of Introduction to WordPress, and is ideal for you if you are interested in designing your own WordPress themes. Understanding how WordPress pulls your content from a site’s database and then outputs it to a browser will give you the ability to make an amazing range of websites. You will learn how to set up a testing server with which to build and test your themes, and how to transfer your themes and content to your live website. Course content includes: template hierarchy as well as writing child themes and themes from scratch. Note: You must have HTML and CSS experience before taking this course. Prerequisite: CEDA 232 Introduction to Web Design; CEDA 250 Introduction to WordPress; or equivalent

STOP MOTION ANIMATION Stop motion animation is an accesible and versatile film-making technique. This workshop will introduce the fundamentals of stop motion via an exploration of armature techniques, tools and materials. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Skill Building (Cont’d) WEB DESIGN II Kevin McMillan CEDA 332 F001 Sep 20 - Nov 8 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $365 Register by Sep 15

This advanced course builds on the HTML and CSS skills gained in Introduction to Web Design as well as Introduction to WordPress. You will start by learning the interface and metaphors of the program before moving to designing child themes and integrating blogs, image galleries, social media APIs and plugins into your site. You will also learn basic troubleshooting and security options. By the end of the course, you will have the tools to make a website that is functional, beautiful, accessible, reliable, and extensible. Prerequisite: CEDA 232 Introduction to Web Design; CEDA 250 Introduction to WordPress or equivalent

free!

WORKSHOPS + DEMOS SCANNING FOR ARCHIVING AND DIGITAL OUTPUT

Lauren Scott CEPD 900 F002 Nov 26 Wed 7:00 pm - 8:00 pm 1 session / 1 total hr FREE

Scanners are an essential tool for converting analogue 2D (flat) imagery to numerous digital output options. Join us for an orientation on scanning 2D imagery and negatives as well as performing simple alterations, such as cropping. Learn about the various file formats required depending on the desired output (ie: print or web). Prerequisite: None

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DRAWING FUNDAMENTALS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS Frances Grafton

Keith Langergraber

James Picard

CEDR 160 F001

CEDR 160 F003

CEDR 160 F005

Sep 28 - Nov 23

Oct 15 - Dec 3

Oct 19 - Dec 7

Sun 1:30 pm - 4:30 pm

Wed 6:30 pm - 9:30 pm

Sun 1:30 pm - 4:30 pm

8 sessions / 24 total hrs

$285

No class Oct 12 Dan Starling

Janet Jones

Vjeko Sager

CEDR 160 F004

CEDR 160 F006

CEDR 160 F002

Oct 19 - Dec 7

Oct 26 - Dec 14

Sep 29 - Nov 24

Sun 9:30 am - 12:30 pm

Mon 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$285

Drawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing and are looking to gain skills that will be broadly applicable. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DRAWING WITH PEN AND INK: BLACK-AND-WHITE Stan Hunc CEDR 167 F001 Sep 21 - Nov 16 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $300 Register by Sep 16 No class Oct 12

Take a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-bystep tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

CREATIVE DRAWING AND ARCHITECTURE Tony O’Regan CEDR 163 F001 Oct 11 - Nov 29 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Oct 6

Prerequisite: Any 100-level drawing course or equivalent

This structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model. Prerequisite: None

SKILL BUILDING PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS Tony O’Regan CEDR 162 F001 Oct 11 - Nov 29 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $285 Register by Oct 6

This course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the medium you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

DRAWING FUNDAMENTALS II Dan Starling CEDR 260 F001 Oct 11 - Nov 29 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $265 Register by Oct 6

Prerequisite: CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent

Prerequisite: None

DRAWING INTO PAINTING: AN INTRODUCTION Ian Forbes CEDR 164 F001 Sep 28 - Nov 23 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $300 Register by Sep 23 No class Oct 12

This course provides an introduction to the fundamentals of drawing and painting, and the transition from black-and-white to colour in your creative practice. You will investigate line, form, value, colour and pictoral composition by using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using the still life, the model and the imagination. Prerequisite: None

Building on the skills gained in Drawing Fundamentals I: Composition / Process this intermediate course provides you with expanded drawing techniques aimed at helping you work across materials, and allowing you to better express your ideas and resolve technical issues in your drawing practice. Topics include observational and imaginative drawing exercises, as well as looking at historical and contemporary precedents and how they may inform your work.

INTRODUCTION TO LIFE DRAWING Keith Langergraber CEDR 263 F001 Sep 28 - Nov 23 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $345 Register by Sep 23 No class Oct 12

Develop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included. Prerequisite: Any 100-level drawing course or equivalent

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DRAWING (CONT’D) APPLIED TECHNIQUES DRAWING THE PORTRAIT Vjeko Sager CEDR 252 F001 Oct 1 - Nov 19 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Sep 26

This course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.

DRAWING: HANDS, FACE AND FEET Vjeko Sager CEDR 363 F001 Sep 30 - Nov 25 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $285 Register by Sep 25

Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

DRAWING THE FIGURE AND FACE Elena Underhill CEDR 261 F001 Sep 22 - Oct 27 Mon 6:30 pm - 9:45 pm 5 sessions / 16 total hrs $225 Register by Sep 17 Last class 3 hrs

This course will teach you how to construct the human form without relying on a model. By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illustration, animation or any other artistic form.

This course centers specifically on these three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. Each class will focus on one of the three parts, with one hour of presentation/discussion followed by guided drawing exercises. Topics include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.

LIFE DRAWING OPEN STUDIO Uninstructed CEDR 400 F001 Oct 5 - Nov 2 Sun 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $95 Register by Sep 30 No class Oct 12

Take advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish for the opportunity to work on figure or life drawing, this series of weekly sessions is for you. Prerequisite: Experience drawing or painting from the model is strongly recommended

Prerequisite: CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended, but not required

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

WORKSHOPS + DEMOS free! Uninstructed CEDR 999 F001 Oct 23 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs FREE Register by Oct 18

new! Stan Hunc CEDR 999 F002 Dec 4 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Nov 29

COLLABORATIVE DRAWING NIGHT Join in for an evening of collaborative drawing excersizes and meet new people. Drawing prompts, supplies, and materials will all be provided. Please note that this is an uninstructed, self-directed drawing night. Prerequisite: None

EXPERIMENTAL MARK MAKING: INK Want to liven up your drawing practice? Challenge yourself to move away from more conventional mark making techniques (even if for a moment) and explore the various personalities of an essential building element of drawing using ink. Both novice and experienced artists will benefit from this hands-on workshop. Prerequisite: None

Stan Hunc

new!

CEDR 999 F003 Dec 11 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Dec 6

EXPERIMENTAL MARK MAKING: CHARCOAL Challenge yourself to move away from conventional mark making techniques and explore the various personalities of an essential building element of drawing using charcoal. Both novice and experienced artists will benefit from this hands-on workshop. Prerequisite: None

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GRAPHIC NOVEL Julian Lawrence CEGN 160 F001 Oct 11 - Dec 13 Sat 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $235 Register by Oct 6 No class Nov 15 + Dec 6

FUNDAMENTALS

SKILL BUILDING

THE CONTEMPORARY COMIC: AN INTRODUCTION

NARRATIVE STRUCTURES IN GRAPHIC NOVELS

In this course you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling and illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product, and have a draft comic on completion of the course. Prerequisite: None

Julian Lawrence CEGN 240 F001 Sep 25 - Nov 13 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $250 Register by Sep 20

The combination of drawing and text, or illustration and storytelling, can be applied to a range of story types â&#x20AC;&#x201C; from short strips to sprawling sagas and editions. In this course you will focus on narrative structures and the principles of storytelling. From the storytelling potential of panels, to the sequencing of panels and other communication strategies to create meaning, this course will encourage you to begin to tell stories in your own unique voice. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

ILLUSTRATION FUNDAMENTALS BOTANICAL ILLUSTRATION: THE DRAWING STUDIO Elizabeth Mancini CEIL 110 F001 Oct 4 - Oct 25 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Sep 29

This course will focus on the drawing techniques specific to botanical illustration for scientific accuracy. Class work will lead to the steps necessary to prepare for traditional botanical illustration in watercolour while providing you with the skills to create clear and accurate drawings strong enough to stand on their own. You will be exposed to masterworks of the genre, both past and present. Mediums will include pencil and ink on paper. Prerequisite: Some drawing experience required; some painting experience recommended

INTRODUCTION TO ILLUSTRATION Robin Thompson CEIL 170 F001 Sep 20 - Nov 8 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $245 Register by Sep 15

Illustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images. Prerequisite: None

INTRODUCTION TO COMMERCIAL ILLUSTRATION Robin Thompson

Robin Thompson

CEIL 230 F001

CEIL 230 F002

Nov 15 - Dec 13

Sep 22 - Nov 17

Sat 1:30 pm - 5:30 pm

Mon 6:30-9:30pm pm

4 sessions / 16 total hrs

8 sessions/ 24 total hours

$245

No class Dec 6

This course explores illustration techniques with a focus on commercial marketing and branding. Learn to apply creative designing, drawing and colouring skills to the communication design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market. Prerequisite: Any 100-level drawing course or equivalent

SKILL BUILDING PEN AND INK BOOK ILLUSTRATION Stan Hunc CEIL 260 F001 Oct 15 - Dec 3 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $255 Register by Oct 10

This course focuses on the exploration of pen and ink illustration, visual interpretation, and personal style in ink drawing. You will be guided through line drawing exercises and will explore gesture, texture and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples. Prerequisite: Any 100-level drawing course or equivalent

REGISTRATION BEGINS AUGUST 6, 2014 / HOW TO REGISTER p.â&#x20AC;&#x2030;4 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

ILLUSTRATION (CONT’D) PICTURE BOOKS ILLUSTRATION FOR PICTURE BOOKS Lisa Cinar CEIL 240 F001 Sep 28 - Nov 23 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $295 Register by Sep 23 No class Oct 12

This creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers. Prerequisite: Any 100-level drawing course or equivalent; basic Macintosh skills recommended

ILLUSTRATION FOR PICTURE BOOKS II Lisa Cinar CEIL 340 F001 Sep 28 - Nov 23 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $250 Register by Sep 23 No class Oct 12

Building on the introductory skills of Illustration for Picture Books, in this intermediate course you will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brainstorming and writing exercises, as well as the analysis of existing works, will help you in writing your own stories. You will have the chance to experiment with paper collage and brush and ink to strengthen composition and color skills in class. Prerequisite: CEIL 240 Illustration for Picture Books

APPLIED TECHNIQUES ILLUSTRATION PORTFOLIO Stan Hunc CEIL 330 F001 Oct 19 - Dec 7 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $215 Register by Oct 14

Professionalise or start working on your illustration portfolio. Communicate your individual style, and work on concepts and execution. This course is designed to help you bring together your various illustration projects into a coherent narrative through your portfolio. You will learn how to solidify your personal story, and how to convey your ideas and concepts through your portfolio. Assignments are focused on building the various components of your portfolio, from artist statements, to selecting work that is included to documentation and presentation. This course is ideal for students who are completing their certificate in illustration, or who have taken various illustration courses and now want to bring together a portfolio that communicates their practice. Prerequisite: CEIL 170 Introduction to Illustration

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

STUDENT WORK FROM ILLUSTRATION FOR PICTURE BOOKS (top, bottom) Janet Martin Gentlemen at the Ballet Pencil and gouache Nancy Vo I Don’t Want to Travel Except on the Back of My Tortoise Pen and ink on Stonehenge

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ARCHITECTURAL DESIGN CLUSTER FOUNDATIONS BASICS OF ARCHITECTURAL DESIGN Chris Doray CEID 122 F001 Oct 5 - Nov 30 Sun 2:00 pm - 5:00 pm 8 sessions / 24 total hrs $315 Register by Sept 30

This studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams. Prerequisite: None

No class Oct 12

ARCHITECTURAL MODELING AND MAQUETTES Tony O’Regan CEID 223 F001 Oct 11 - Nov 29 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $325

This studio course introduces you to architectural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process. Prerequisite: None

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS Tony O’Regan CEDR 162 F001 Oct 11 - Nov 29 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $285 Register by Oct 6

CREATIVE DRAWING AND ARCHITECTURE Tony O’Regan CEDR 163 F001 Oct 11 - Nov 29 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Oct 6

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Introducing a brand new way to navigate through our courses, we are highlighting areas that focus on the development of Architectural Design skills. For students who are interested in portfolio development for career, school or general interest.

ENHANCED SKILLS 3D DESIGN SKETCHING Scott Staniland CEID 260 F001 Sep 24 - Nov 12 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $275 Register by Sep 18

Sketching is an essential process in 3D design; it documents the flow of ideas and can be used as an effective tool for communication. In this course, you will explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architectural design. In this course you will apply design drawing techniques to the visualization of products, environments, forms, and space. Prerequisite: None

RAPID VISUALIZATION AND PRODUCT RENDERING Ying-Chiu Chan CEID 160 F001 Oct 11 - Nov 29 Sat 1:30 pm - 4:30 pm 6 sessions / 24 total hrs $325 Register by Oct 6

Rapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, communication design, industrial design, illustration, architecture, furniture design, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques. Prerequisite: Strong drawing skills with an enthusiasm for realism and detail

THE ART OF ARCHITECTURAL PHOTOGRAPHY Kathryn Mussallem CEPH 441 F001 Nov 9 - Nov 30 Sun 9:30 am - 1:30 pm 4 sessions / 16 total hrs $285 Register by Nov 4

In this course you will learn introductory techniques for architectural photography for both interior and exterior conditions. From lighting and framing, to preparing and setting up for the shoot, this course will balance demonstrations with hands-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work. Prerequisite: CEPH 141 Black-and-White Film Photography, CEPH 250 Introduction to Digital Photography, or equivalent

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TIMETABLE

Courses listed with a

indicate Leeway demos and workshops

CORE SKILLS CEFA 160 F001 BASICS OF COMPOSITION AND FORM SEP 20 - NOV 15 S 1:30 pm - 4:30 pm CEFA 160 F002 BASICS OF COMPOSITION AN D FORM SEP 25 - NOV 20 TH 6:30 pm - 9:30 pm CEFA 170 F001 MATERIALS, MEDIA AND CONTEXT OCT 18 - NOV 15 S 9:30 am - 12:45 pm CEFA 260 F001 DEVELOP YOUR ARTISTIC STYLE SEP 30 - NOV 25 T 6:30 pm - 9:30 pm CEFA 270 F001 3D FORMS NOV 9 - NOV 30 SU 1:30 pm - 5:30 pm CEFA 999 F001 TIN CAN STUDIO WORKSHOP SEP 25 TH 6:00 pm - 9:00 pm CEFA 900 F001 IMAGE TRANSFER AND SURFACE TREATMENT TECHNIQUE OCT 15 W 7:00 pm - 8:00 pm CEPD 900 F001 FRAMING FOR EXHIBITION NOV 19 W 7:00 pm - 8:00 pm

REBECCA BAYER NATALIE PURSCHWITZ IAN FORBES KEITH LANGERGRABER KAREN KAZMER CAROLINE BALLHORN + JENNY LEE CRAIG JACQUELINE ROBINS YANG HONG

COMMUNICATION DESIGN CECD 110 F001 BASICS OF COMMUNICATION DESIGN CECD 110 F002 BASICS OF COMMUNICATION DESIGN CECD 112 F001 THE ART OF FONTS CECD 160 F001 DRAWING FOR DESIGN CECD 280 F001 DESIGN: IDEATION AND CRITICAL THINKING CECD 320 F001 TYPOGRAPHY CECD 330 F001 PUBLICATION DESIGN CECD 999 F001 EXPLORING HAND-LETTERING: FROM FORM TO FREEDOM

SEP 24 - OCT 29 NOV 5 - DEC 10 OCT 5 - NOV 2 OCT 19 - DEC 7 OCT 19 - DEC 7 SEP 14 - NOV 9 SEP 22 - NOV 17 SEP 18

W W SU SU SU SU M TH

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 6:00 pm - 9:00 pm

CAROLINA BECERRA CAROLINA BECERRA LINDA COE VJEKO SAGER VJEKO SAGER LINDA COE HOPE FORSTENZER RENEE ALEXANDER

CULTURAL STUDIES CESE 110 F001 ISSUES IN CONTEMPORARY DESIGN CESE 160 F001 ISSUES IN CONTEMPORARY ART CESE 180 F001 A SURVEY AND HISTORY OF ART

OCT 5 - NOV 30 OCT 4 - NOV 29 OCT 7 - NOV 25

SU S T

10:30 am - 1:30 pm 10:30 am - 1:30 pm 6:30 pm - 9:30 pm

RAMON KUBICEK RAMON KUBICEK RAJDEEP GILL

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES CEAN 152 F001 INTRODUCTION TO MAYA CEAN 999 F001 STOP MOTION ANIMATION CECS 130 F001 ADOBE ILLUSTRATOR: THE BASICS CECS 131 F001 PHOTOSHOP: THE BASICS CECS 131 F002 PHOTOSHOP: THE BASICS CECS 133 F001 INDESIGN: THE BASICS CECS 136 F001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 136 F002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 140 F001 PHOTOSHOP FOR PHOTOGRAPHERS CEDA 140 F001 DIGITAL ANIMATION CEDA 232 F001 INTRODUCTION TO WEB DESIGN CEDA 250 F001 INTRODUCTION TO WORDPRESS CEDA 320 F001 WORDPRESS II CEDA 332 F001 WEB DESIGN II CEID 235 F001 INTRODUCTION TO RHINO

OCT 4 + OCT 5 OCT 2 OCT 4 - NOV 22 SEP 20 - NOV 15 OCT 19 - DEC 7 SEP 30 - NOV 25 SEP 24 - NOV 19 OCT 19 - DEC 7 OCT 25 - DEC 13 SEP 29 - NOV 24 SEP 20 - NOV 8 SEP 21 - OCT 19 NOV 9 - NOV 30 SEP 20 - NOV 8 SEP 20 + SEP 21

S + SU TH S S SU T W SU S M S SU SU S S + SU

10:00 am - 4:30 pm 6:00 pm - 9:00 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 6:00 pm - 9:30 pm 1:30 pm - 5:30 pm 1:30 pm - 4:30 pm 6:30pm - 9:30pm 9:30 am - 12:30 pm 10:00 am - 4:30 pm 10:00 am - 4:30 pm 1:30 pm - 4:30 pm 10:00 am - 4:30 pm

THOMAS GROPPI CALLUM PATERSON JAIME CLAY KATHRYN MUSSALLEM JEN HIEBERT BROOKE ALLEN EDUARDO RODRIGUEZ JEN HIEBERT KATHRYN MUSSALLEM CEILE PROWSE KEVIN MCMILLAN KEVIN MCMILLAN KEVIN MCMILLAN KEVIN MCMILLAN THOMAS GROPPI

DRAWING CEDR 160 F001 CEDR 160 F002 CEDR 160 F003 CEDR 160 F004 CEDR 160 F005 CEDR 160 F006 CEDR 162 F001 CEDR 163 F001 CEDR 164 F001 CEDR 167 F001 CEDR 252 F001 CEDR 260 F001 CEDR 261 F001 CEDR 263 F001 CEDR 363 F001

SEP 28 - NOV 23 SEP 29 - NOV 24 OCT 15 - DEC 3 OCT 19 - DEC 7 OCT 19 - DEC 7 OCT 26 - DEC 14 OCT 11 - NOV 29 OCT 11 - NOV 29 SEP 28 - NOV 23 SEP 21 - NOV 16 OCT 1 - NOV 19 OCT 11 - NOV 29 SEP 22 - OCT 27 SEP 28 - NOV 23 SEP 30 - NOV 25

SU M W SU SU SU S S SU SU W S M SU T

1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 9:00 am - 12:30 pm 6:30 pm - 9:45 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm

FRANCES GRAFTON VJEKO SAGER KEITH LANGERGRABER DAN STARLING JAMES PICARD JANET JONES TONY O’REGAN TONY O’REGAN IAN FORBES STAN HUNC VJEKO SAGER DAN STARLING ELENA UNDERHILL KEITH LANGERGRABER VJEKO SAGER

DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS CREATIVE DRAWING AND ARCHITECTURE DRAWING INTO PAINTING: AN INTRODUCTION DRAWING WITH PEN AND INK: BLACK-AND-WHITE DRAWING THE PORTRAIT DRAWING FUNDAMENTALS II DRAWING THE FIGURE AND FACE INTRODUCTION TO LIFE DRAWING DRAWING: HANDS, FACE AND FEET

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DRAWING (CONT’D) CEDR 400 F001 LIFE DRAWING OPEN STUDIO CEDR 999 F001 COLLABORATIVE DRAWING NIGHT CEDR 999 F002 EXPERIMENTAL MARK MAKING: INK CEDR 999 F003 EXPERIMENTAL MARK MAKING: CHARCOAL

OCT 5 - NOV 2 OCT 23 DEC 4 DEC 11

SU TH TH TH

1:30 pm - 5:30 pm 6:00 pm - 9:00 pm 6:00 pm - 9:00 pm 6:00 pm - 9:00 pm

UNINSTRUCTED UNINSTRUCTED STAN HUNC STAN HUNC

GRAPHIC NOVEL CEGN 160 F001 THE CONTEMPORARY COMIC: AN INTRODUCTION CEGN 240 F001 NARRATIVE STRUCTURES IN GRAPHIC NOVELS

OCT 11 - DEC 13 SEP 25 - NOV 13

S TH

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

JULIAN LAWRENCE JULIAN LAWRENCE

ILLUSTRATION CEIL 110 F001 CEIL 170 F001 CEIL 230 F001 CEIL 240 F001 CEIL 250 F001 CEIL 260 F001 CEIL 340 F001 CEIL 430 F001

BOTANICAL ILLUSTRATION: THE DRAWING STUDIO INTRODUCTION TO ILLUSTRATION COMMERCIAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS FASHION ILLUSTRATION I PEN AND INK BOOK ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS II PORTFOLIO FOR PICTURES BOOKS

OCT 4 - OCT 25 SEP 20 - NOV 8 NOV 15 - DEC 13 SEP 28 - NOV 23 NOV 1 - NOV 22 OCT 15 - DEC 3 SEP 28 - NOV 23 OCT 19 - DEC 7

S S S SU S W SU SU

1:30 pm - 5:30 pm 1:30 pm - 4:30 pm 1:30 pm - 5:30 pm 1:30 pm - 4:30 pm 10:00 am - 2:00 pm 6:30 pm - 9:30 pm 9:30am - 12:30pm 9:30 am - 12:30 pm

ELIZABETH MANCINI ROBIN THOMPSON ROBIN THOMPSON LISA CINAR NATALIE PURSCHWITZ STAN HUNC LISA CINAR STAN HUNC

INDUSTRIAL DESIGN CEID 120 F001 BASICS OF INDUSTRIAL DESIGN CEID 120 F002 BASICS OF INDUSTRIAL DESIGN CEID 121 F001 EXPLORATION OF 3D DESIGN CEID 122 F001 BASICS OF ARCHITECTURAL DESIGN CEID 160 F001 RAPID VISUALIZATION AND PRODUCT RENDERING CEID 223 F001 ARCHITECTURAL MODELING AND MAQUETTES CEID 224 F001 INTRODUCTION TO MODEL MAKING CEID 231 F001 INTRODUCTION TO SOLIDWORKS CEID 260 F001 3D DESIGN SKETCHING CEID 420 F001 3D DESIGN STUDIO CEID 900 F001 SEWING: MODERN PATCHWORK CEID 999 F002 SMALL-SCALE TAPESTRY

SEP 22 - OCT 27 NOV 5 - DEC 10 SEP 29 - NOV 24 OCT 5 - NOV 30 OCT 11 - NOV 29 OCT 11 - NOV 29 SEP 27 - NOV 15 NOV 12 - DEC 3 SEP 24 - NOV 12 OCT 9 - NOV 27 DEC 3 OCT 16

M W M SU S S S W W TH W TH

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 2:00 pm - 5:00 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 7:00 pm - 8:00 pm 6:00 pm - 9:00 pm

YING-CHIU CHAN YING-CHIU CHAN CHRIS KOWAL CHRIS DORAY YING-CHIU CHAN TONY O’REGAN YING-CHIU CHAN PHILIP ROBBINS SCOTT STANILAND CHRIS KOWAL CLAIRE SCHAGERL JEN HIEBERT

PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS SEP 20 - NOV 8 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS SEP 20 - NOV 8 FUNDAMENTALS OF ACRYLIC PAINTING SEP 20 - NOV 8 FUNDAMENTALS OF ACRYLIC PAINTING SEP 28 - NOV 23 FUNDAMENTALS OF OIL PAINTING SEP 28 - NOV 23 FUNDAMENTALS OF WATERCOLOUR OCT 11 - NOV 29 USING COLOUR OCT 2 - OCT 30 USING COLOUR OCT 4 - OCT 25 THE BUILT SURFACE: PAINT AND COLLAGE SEP 24 - NOV 19 MIXED MEDIA PAINTING TECHNIQUES SEP 23 - NOV 18 ANYTHING BUT THE BRUSH SEP 23 - NOV 25 PAINTING FUNDAMENTALS II OCT 11 - NOV 29 ACRYLIC PAINTING II SEP 28 - OCT 26 OIL PAINTING II SEP 27 - OCT 18 WATERCOLOUR PAINTING II NOV 8 - NOV 29 USING COLOUR II NOV 2 - NOV 23 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING OCT 19 - DEC 7 PAINTING THE PORTRAIT NOV 1 - DEC 13 PAINTING OPEN STUDIO SEP 29 - NOV 24 OPEN STUDIO LAYERING TECHNIQUES SEP 20 - NOV 22 PAINTING BOOT CAMP: COMPOSITION AND THE PICTURE PLANE NOV 2 - NOV 30 PAINTING BOOT CAMP: APPROACHES TO FIGURE + THE PORTRAIT NOV 22 - DEC 13 SHAPED PANELS AND CANVASES OCT 8 NON-TOXIC PAINTING: EGG TEMPERA FROM SCRATCH OCT 26

S S S SU SU S TH S W T T S SU S S SU SU S M S SU S W SU

9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 pm - 12:30 pm 9:30 pm - 12:30 pm 6:15 pm - 9:30 pm 1:30 pm - 5:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 9:30 am - 12:30 pm 1:30 pm - 5:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 9:30 am - 12:45 pm 1:30 pm - 5:30 pm 7:00 pm - 8:00 pm 9:30 am - 4:30 pm

MARTIN GUDERNA SEAN COGGINS LORI GOLDBERG JANET JONES HELENA WADSLEY JAMES PICARD MARTIN GUDERNA ELIZABETH BARNES JEANNE KRABBENDAM MARTIN GUDERNA JEANNE KRABBENDAM MARTIN GUDERNA LORI GOLDBERG HELENA WADSLEY JAMES PICARD ELIZABETH BARNES ELIZABETH BARNES ANDREA TAYLOR LORI GOLDBERG JEANNE KRABBENDAM LORI GOLDBERG ELENA UNDERHILL YANG HONG HELENA WADSLEY

PAINTING CEPN 160 F001 CEPN 160 F002 CEPN 161 F001 CEPN 161 F002 CEPN 162 F001 CEPN 163 F001 CEPN 164 F001 CEPN 164 F002 CEPN 165 F001 CEPN 169 F001 CEPN 190 F001 CEPN 260 F001 CEPN 261 F001 CEPN 262 F001 CEPN 263 F001 CEPN 264 F001 CEPN 270 F001 CEPN 352 F001 CEPN 360 F001 CEPN 365 F001 CEPN 371 F001 CEPN 373 F001 CEPN 900 F001 CEPN 999 F001

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TIMETABLE (CONT’D) PHOTOGRAPHY CEPH 144 F001 CEPH 148 F001 CEPH 230 F001 CEPH 235 F001 CEPH 250 F001 CEPH 255 F001 CEPH 352 F001 CEPH 441 F001

PHOTOGRAPHIC COMPOSITION A COMPREHENSIVE INTRODUCTION TO BLACK-AND-WHITE PHOTOGRAPHY THE MAGIC OF STREET PHOTOGRAPHY TWILIGHT TO NIGHT PHOTOGRAPHY INTRODUCTION TO DIGITAL PHOTOGRAPHY DIGITAL PHOTOGRAPHY OPEN STUDIO ADVANCED DIGITAL PHOTOGRAPHY THE ART OF ARCHITECTURAL PHOTOGRAPHY

SEP 28 - NOV 9

2:30 pm - 5:30 pm

DIANE EVANS

SEP 21 - NOV 23 SEP 27 - NOV 15 OCT 22 - NOV 19 OCT 4 - NOV 22 SEP 29 - NOV 24 OCT 4 - NOV 22 NOV 9 - NOV 30

SU S W S M S SU

9:30 am - 12:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 9:30 am - 1:30 pm

DIANE EVANS VENDULA RALKOVA KATHRYN MUSSALLEM JOSH HITE KATHRYN MUSSALLEM JOSH HITE KATHRYN MUSSALLEM

PRINTMAKING CEPR 160 F001 CEPR 162 F001 CEPR 164 F001 CEPR 165 F001 CEPR 362 F001 CEPR 900 F001 CEPR 900 F002 CEBA 112 F001 CEBA 170 F001 CEBA 212 F001

INTRODUCTION TO RELIEF PRINTMAKING INTRODUCTION TO SILKSCREEN TEXTILE PRINTING I PRINTMAKING TECHNIQUES SILKSCREEN OPEN STUDIO INTRODUCTION TO THE PROOFING PRESS SCREEN PRINTING: STENCIL TECHNIQUES LETTERPRESS I BASICS OF BOOK MAKING LETTERPRESS OPEN STUDIO

NOV 8 - NOV 22 SEP 20 - OCT 18 SEP 28 - NOV 9 OCT 4 - OCT 25 OCT 25 - NOV 15 SEP 10 NOV 5 SEP 20 - OCT 11 SEP 24 - NOV 12 SEP 21 - OCT 19

S S SU S S W W S W SU

10:00 am - 4:30 pm 10:00 am - 4:30 pm 9:30 pm - 1:30 pm 10:00 am - 4:00 pm 10:00 am - 4:30 pm 7:00 pm - 8:00 pm 7:00 pm - 8:00 pm 9:30 am - 4:30 pm 6:30 am - 9:30 pm 10:00 am - 2:00 pm

TOMOYO IHAYA LESLIE URQUHART ELEANOR HANNAN SHIN MINEGISHI LESLIE URQUHART MARLENE YUEN JACQUELINE ROBINS ANDREA TAYLOR AIMEE BROWN ANDREA TAYLOR

PROFESSIONALISING YOUR PRACTICE CEPD 190 F001 THE BUSINESS OF ART PRACTICE CEPD 190 F002 THE BUSINESS OF ART PRACTICE CEPD 210 F001 THE BUSINESS OF DESIGN PRACTICE CEPD 900 F002 SCANNING FOR ARCHIVING AND DIGITAL OUTPUT CEPD 999 F001 PHOTO-DOCUMENTATION FOR PORTFOLIO PART 1 CEPD 999 F002 PHOTO-DOCUMENTATION FOR PORTFOLIO PART 2 CESM 110 F001 SOCIAL MEDIA FOR YOUR PRACTICE CETP 175 F001 PORTFOLIO WORKSHOP FOR TEENS

SEP 27 - NOV 15 OCT 8 - NOV 26 OCT 1 - NOV 19 NOV 26 NOV 6 NOV 13 SEP 22 - NOV 17 NOV 2 - NOV 9

S W W W TH TH M SU

1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 7:00 pm - 8:00 pm 6:00 pm - 9:00 pm 6:00 pm - 9:00 pm 6:30 pm - 9:30 pm 10:00 am - 4:00 pm

CHRIS TYRELL LORANGER CHRIS TYRELL LORANGER TONY O’REGAN LAUREN SCOTT JOSH HITE JOSH HITE MARNI NORWICH LAURA KOZAK

SCULPTURE AND CESC 178 F001 CESC 179 F001 CESC 180 F001 CESC 280 F001 CESC 999 F001

SEP 22 - NOV 17 OCT 11 - NOV 29 SEP 23 - DEC 9 SEP 25 - DEC 4 SEP 17

M S T TH W

6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:00 pm - 9:00 pm

PHILIP ROBBINS VICKI ISRAEL IAN RHODES IAN RHODES IAN RHODES

INSTALLATION INTRODUCTION TO MOLD DESIGN AND CASTING SMALL-SCALE MODELING INTRODUCTION TO METAL SCULPTURE METAL SCULPTURE OPEN STUDIO MIG WELDING FOR BEGINNERS: AN INTRODUCTION

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

INDUSTRIAL DESIGN FUNDAMENTALS BASICS OF INDUSTRIAL DESIGN Ying-Chiu Chan

Ying-Chiu Chan

CEID 120 F001

CEID 120 F002

Sep 22 - Oct 27

Nov 5 - Dec 10

Mon 6:30 pm - 9:30 pm

Wed 6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$265

This course introduces you to the fundementals of industrial design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation. Prerequisite: None

EXPLORATION OF 3D DESIGN Chris Kowal CEID 121 F001 Sep 29 - Nov 24 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $310 Register by Sep 24

This course explores the principles of three-dimensional design through a variety of materials and processes. You will develop technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis will be on hands-on problem solving and imaginative and experimental responses to proposed projects. This course is ideal for anyone wanting to explore dimensional considerations in their work. Prerequisite: None

RAPID VISUALIZATION AND PRODUCT RENDERING Ying-Chiu Chan CEID 160 F001 Oct 11 - Nov 29 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $325 Register by Oct 6

SKILL BUILDING INTRODUCTION TO MODEL MAKING Ying-Chiu Chan CEID 224 F001 Sep 27 - Nov 15 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $350

Models are 3D previews of designs before they go to production. They can serve as the proof-ofconcept, be subjected to ergonomic testing, or they can be a sales tool. Through presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block materials and sheet materials. Prerequisite: Basic hand-tool skills and reasonable sketching ability

3D DESIGN SKETCHING Scott Staniland CEID 260 F001 Sep 24 – Nov 12 Wed 6:30 pm – 9:30 pm 8 sessions / 24 total hrs $275 Register by Sep 19

Sketching is an essential process in 3D design; it documents the flow of ideas and can be used as an effective tool for communication. In this course, you will explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architectural design. You will apply design drawing techniques to the visualization of products, environments, forms and space. Prerequisite: None

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INDUSTRIAL DESIGN (CONT’D) APPLIED TECHNIQUES 3D DESIGN STUDIO Chris Kowal CEID 420 F001 Oct 9 - Nov 27 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $335 Register by Oct 4

In this advanced-level studio course you will work on product design processes and methods as they relate to the development of functional or experimental objects or environments. The emphasis is on research, problem solving and creative experimental responses to projects, discussions and critiques of ideas and form. Topics include: analysis, concept development and communicating 3D concepts for products or environments as models or prototypes. Prerequisite: All core courses in the Certificate Program in 3D Design, or equivalent experience, are required; elective courses are strongly recommended

ARCHITECTURAL DESIGN FUNDAMENTALS BASICS OF ARCHITECTURAL DESIGN Chris Doray CEID 122 F001 Oct 5 - Nov 30 Sun 2:00 pm - 5:00 pm 8 sessions / 24 total hrs $315 Register by Sep 30 No class Oct 12

ARCHITECTURAL MODELING AND MAQUETTES Tony O’Regan CEID 223 F001 Oct 11 - Nov 29 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $325 Register by Oct 6

Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FASHION DESIGN + TEXTILES FUNDAMENTALS

WORKSHOPS + DEMOS

FASHION ILLUSTRATION I Natalie Purschwitz CEIL 250 F001 Nov 1 - Nov 22 Sat 10:00 am - 2:00 pm 4 sessions / 16 total hrs $215 Register by Oct 27

In this course you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs and the model, you will create fashion figures through the study of proportion, line and silhouette as you work on communicating your fashion direction. Prerequisite: Any 100-level drawing course or equivalent

free! Claire Schagerl CEID 900 F001 Dec 3 Wed 7:00 pm - 8:00 pm 1 session / 1 total hr FREE Register by Nov 28

SEWING: MODERN PATCHWORK Learn how to sew a playful take on the traditional log-cabin square — and transform it into a modern throw pillow cover — in this one-hour demonstration suitable for beginners. Materials, sewing techniques, fabric choices and design interpretations will be discussed. Note: this session is not hands-on, but for demonstration only. Prerequisite: None

SMALL-SCALE TAPESTRY Jen Hiebert CEID 999 F002 Oct 16 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Oct 11

Learn how to hand-weave your own tapestry. Using simple, portable frame looms, you will weave a small sampler showing basic tapestry weaving techniques, including shape-building and colour-blending with yarn. Looms and yarn will be provided. Prerequisite: None

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PAINTING FUNDAMENTALS PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS Martin Guderna

Sean Coggins

CEPN 160 F001

CEPN 160 F002

Sep 20 - Nov 8

Sat 9:30 am - 12:30 pm

Sat 1:30 pm - 4:30 pm

8 sessions / 24 total hrs

$355

Lori Goldberg

Janet Jones

CEPN 161 F001

CEPN 161 F002

Sep 20 - Nov 8

Sep 28 - Nov 23

Sat 9:30 am - 12:30 pm

Sun 1:30 pm - 4:30 pm

8 sessions / 24 total hrs

$310

This course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages. Prerequisite: None

FUNDAMENTALS OF ACRYLIC PAINTING This course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored. Prerequisite: None

No class Oct 12

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS OF OIL PAINTING Helena Wadsley CEPN 162 F001 Sep 28 - Nov 23 Sun 9:30 pm - 12:30 pm 8 sessions / 24 total hrs $310 Register by Sep 23 No class Oct 12

Experience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined. Prerequisite: None

THE BUILT SURFACE: PAINT AND COLLAGE Jeanne Krabbendam CEPN 165 F001 Sep 24 - Nov 19 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Sep 19 No class Oct 15

FUNDAMENTALS OF WATERCOLOUR James Picard CEPN 163 F001 Oct 11 - Nov 29 Sat 9:30 pm - 12:30 pm 8 sessions / 24 total hrs $310 Register by Oct 6

This course introduces you to the essential techniques of painting with watercolour. Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced. Prerequisite: None

Prerequisite: None

MIXED MEDIA PAINTING TECHNIQUES Martin Guderna CEPN 169 F001 Sep 23 - Nov 18 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs

Martin Guderna CEPN 164 F001 Oct 2 - Oct 30 Thu 6:15 pm - 9:30 pm 5 sessions / 16 total hrs $275 Register by Sep 27 Last class 3 hrs Elizabeth Barnes CEPN 164 F002 Oct 4 - Oct 25

Explore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

USING COLOUR

$285

The use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory, and how to work effectively with it. You will investigate the creative use of colour in a variety of mediums, and explore its use in developing observational and painting skills as well as creating compositional structure.

For both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal and various papers, you will explore expression and emotion through layering, drawing and brushwork. Prerequisite: None

Prerequisite: None

Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $275 Register by Sep 29

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PAINTING (CONTâ&#x20AC;&#x2122;D) SKILL BUILDING PAINTING FUNDAMENTALS II Martin Guderna CEPN 260 F001 Oct 11 - Nov 29 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Oct 6

In this intermediate course you will expand your exploration of painting techniques, tools, materials and their applications. You will become more sophisticated in your ability to convey messages, ideas, emotions and issues. While traditional techniques and systems will be explored, the emphasis will be on contemporary painting strategies.

OIL PAINTING II Helena Wadsley CEPN 262 F001 Sep 27 - Oct 18 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Sep 22

Prerequisite: CEPN 160 Painting Fundamentals I: Composition/Process, CEPN 161 Fundamentals of Acrylic Painting, CEPN 164 Using Colour, or equivalent

This intermediate course expands your exploration with oil paint, and focuses on your development, exploration and analysis of colour, composition, use of scale, subject matter and technical processes. Partly directed through exercise, and partly self-directed studio, throughout the course you will consider examples from contemporary and historical painting and how they inform your work. Prerequisite: CEPN 162 Fundamentals of Oil Painting or equivalent

WATERCOLOUR PAINTING II Lori Goldberg CEPN 261 F001 Sep 28 - Oct 26 Sun 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Sep 23 No class Oct 12

ACRYLIC PAINTING II

James Picard

This intermediate course is designed to further your exploration of acrylic painting as an expressive medium. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development, and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications, and abstract and expressive ones.

CEPN 263 F001 Nov 8 - Nov 29 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Nov 3

This intermediate course expands your fundamental skills in watercolour. You will continue to explore traditional, alternative and experimental approaches to creating imagery that is lively, vibrant and authentic. Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from working with the still life, the human figure and more imaginative exercises. Prerequisite: CEPN 163 Fundamentals of Watercolour or equivalent

Prerequisite: CEPN 161 Fundamentals of Acrylic Painting or equivalent

USING COLOUR II Elizabeth Barnes CEPN 264 F001 Nov 2 - Nov 23 Sun 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Oct 28

This intermediate course allows you to further expand your understanding of colour by exploring intense and diminished colour as well as discords and spatial effects. Focus will be on supporting you to develop a personal colour palette, as well as practical skills and imaginative approaches to colour in your personal work. Prerequisite: CEPN 164 Using Colour or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PAINTING BOOT CAMP: COMPOSITION AND THE PICTURE PLANE Lori Goldberg CEPN 371 F001 Nov 2 - Nov 30 Sun 9:30 am - 12:45 pm 5 sessions / 16 total hrs $235 Register by Oct 28 Last class 3 hrs

This course will focus on how to create successful compositions exploring balance, form and colour in both traditional and contemporary painting. You will learn how to transition between specific techniques introduced in Technique Boot Camp: Painting and how to use these within the same painting. You will work on using the full potential of the picture plane, establishing a strong sense of perspective, dynamism, and unity. Exercises will focus on both the abstract and still life genres. Prerequisite: CEPN 271 Technique Boot Camp: Painting or equivalent

PAINTING BOOT CAMP: APPROACHES TO FIGURE AND THE PORTRAIT Elena Underhill CEPN 373 F001 Nov 22 - Dec 13 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245

This course will exploring diverse ways of representing the figure and the portrait. There will be instruction on the figure/ground relationship, as well as the capturing of emotion. You will explore both traditional paint techniques and contemporary concepts of representing the human face and form. Course work will be done using acrylic paints. Prerequisite: CEPN 271 Technique Boot Camp: Painting or equivalent

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PAINTING (CONTâ&#x20AC;&#x2122;D) APPLIED TECHNIQUES ANYTHING BUT THE BRUSH Jeanne Krabbendam CEPN 190 F001 Sep 23 - Nov 25 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $310 Register by Sep 18 No class Oct 14

This course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects, and on creating paint-based mixed media art in non-conventional ways.

OPEN STUDIO LAYERING TECHNIQUES Jeanne Krabbendam CEPN 365 F001 Sep 20 - Nov 22 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $325 Register by Sep 15 No class Oct 11 + Nov 8

Prerequisite: None

Prerequisite: CEPN 165 The Built Surface: Paint and Collage and CEPN 265 Exploring the Built Surface: Gels and Wax or equivalent experience in mixed media painting

FORMS AND CONCEPTS IN CONTEMPORARY PAINTING Elizabeth Barnes CEPN 270 F001 Oct 19 - Dec 7 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $275 Register by Oct 14

This unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. You will have a chance to further your studio work while being encouraged to develop new and contemporary ways of talking about your painting practice. Prerequisite: Students should have a current painting practice

PAINTING OPEN STUDIO Lori Goldberg CEPN 360 F001 Sep 29 - Nov 24 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $285 Register by Sep 24

This open studio course will offer you room and experience to create your own work in mixed media layering techniques while being supported and coached by a mixed media art instructor. The course will offer further development for your painting techniques and the use of new and different materials and tools. Through discussion, critiques and individual guidance you will be challenged to develop your style and grow in your art practice.

PAINTING THE PORTRAIT Andrea Taylor CEPN 352 F001 Nov 1 - Dec 13 Sat 1:30 pm - 5:30 pm 6 sessions / 24 total hrs $300 Register by Oct 27 No class Nov 22

Learn accurate and expressive portrait painting through working from the live model, supplemented with understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout. Prerequisite: Any 100-level painting course. Some prior experience in drawing or painting the face is recommended, but not mandatory

Painting Open Studio is a self-directed course intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor, group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting. Prerequisite: Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

WORKSHOPS + DEMOS free! Yang Hong CEPN 900 F001 Oct 8 Wed 7:00 pm - 8:00 pm 1 session / 1 total hr FREE Register by Oct 3

SHAPED PANELS AND CANVASES Shaped panels and canvases may not be the norm when it comes to painting surfaces, but they can function as distinctive elements in any painting or mixed media practice. This demo will cover some of the building processes and techniques for constructing a painting surface that goes beyond a rectangle or even a square. Prerequisite: None

new! Helena Wadsley CEPN 999 F001 Oct 26 Sun 9:30 am - 4:30 pm 1 session / 6 total hrs $130 Register by Oct 21

NON-TOXIC PAINTING: EGG TEMPERA FROM SCRATCH Explore this versatile non-toxic painting medium as an alternative to oil or acrylic. This workshop will walk you through the process of making paint with only egg yolk and pigment, allowing you to move away from ready-made paint tubes and gain a more detailed understanding of pigments. Prerequisite: None

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PHOTOGRAPHY

Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a womanâ&#x20AC;&#x2122;s breast milk.

FUNDAMENTALS A COMPREHENSIVE INTRODUCTION TO BLACK-AND-WHITE PHOTOGRAPHY Diane Evans CEPH 148 F001 Sep 21 - Nov 23 Sun 9:30 am - 12:30 pm 9 sessions / 36 total hrs $285 Register by Sep 16 No class Oct 12

This course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine and tray processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in Emily Carrâ&#x20AC;&#x2122;s darkrooms and wet labs under the guidance of expert instructors. Prerequisite: None. You must supply your own 35mm camera

INTRODUCTION TO DIGITAL PHOTOGRAPHY Josh Hite CEPH 250 F001 Oct 4 - Nov 22 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $285 Register by Sep 29

This course is designed for those beginning to explore photography using a digital camera, as well as for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition, you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Note: This course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course. Prerequisite: Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING PHOTOSHOP FOR PHOTOGRAPHERS Kathryn Mussallem CECS 140 F001 Oct 25 - Dec 13 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $450 Register by Oct 20

Designed for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format, colour management, basic selection techniques, a variety of techniques for tonal and colour correction, retouching and final image output. Note: This course is taught in our Mac Labs using Creative Cloud. Prerequisite: Experience with Macintosh Computer is highly recommended, as well as general experience in either digital or film photography

PHOTOGRAPHIC COMPOSITION Diane Evans CEPH 144 F001 Sep 28 - Nov 9 Sun 2:30 pm - 5:30 pm 6 sessions / 18 total hrs $275 Register by Sep 23 No class Oct 12

Composition is perhaps one of the most important considerations you will make in your photograph. What you choose to include or omit from the frame influences the overall visual impact and message of your photograph. This course will provide a close examination of the various aspects of composition and how they affect the look and meaning of an image. Through lectures, assignments, self-directed projects and critiques, you will explore line, shape, colour, texture, depth of field, and surface. Note: This course does not include darkroom or computer lab access. Prerequisite: Students are required to bring their own 35mm or digital camera (manual operation) and should have basic knowledge of light metering/proper exposure

DIGITAL PHOTOGRAPHY II Josh Hite CEPH 352 F001 Oct 4 - Nov 22 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $265 Register by Sep 29

This course is for those interested in pursuing a more advanced study of digital photography. Through a series of projects and critiques, you will expand your technical abilities and explore your personal aesthetics. Content, form, aesthetics, technical issues around processing, file formats, controlling exposure and special effects techniques will be covered. Digital SLR cameras are recommended. Prerequisite: Class is for photographers experienced in both digital photography and processing (i.e. uploading images, understanding image size and resolution, cropping, adjusting levels, and saving files)

APPLIED TECHNIQUES THE MAGIC OF STREET PHOTOGRAPHY Vendula Ralkova CEPH 230 F001 Sep 27 - Nov 15 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $285 Register by Sep 22

The street has been a subject of interest since the birth of photography. From Eugene Atget and Henri Cartier-Bresson, to Robert Frank and Diane Arbus, the camera became the lens through which photographers began to observe and document everyday life. In this course, you will walk the streets to discover ever-changing inspiration, while learning important considerations for composition, lighting and subject matter. Through lectures and hands-on assignments the course will feature in-depth critiques, feed-back and discussions. Note: This course does not include darkroom access. Prerequisite: Foundation in photographic principles and practical knowledge of your own camera

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PHOTOGRAPHY (CONTâ&#x20AC;&#x2122;D) Applied Techniques (Contâ&#x20AC;&#x2122;d) TWILIGHT TO NIGHT PHOTOGRAPHY Kathryn Mussallem CEPH 235 F001 Oct 22 - Nov 19 Wed 6:30 pm - 9:30 pm 5 sessions / 16 total hrs $285 Register by Oct 17 Last class 4 hrs

Twilight provides an exciting opportunity to observe the changing conditions of light and weather, and to play with its possibilities in the medium photography. In this course you will explore this transitional moment of the day where dramatic narrative, colour saturation and mystery seem heightened. Field trips will take you out of the classroom to explore the city shrouded in the light of the magic hour moving into the theatre of the night. You must supply your own digital or SLR camera but should note that this course does not involve printing. Prerequisite: CEPH 141 Black-and-White Film Photography I, CEPH 250 Introduction to Digital Photography, or equivalent

DIGITAL PHOTOGRAPHY OPEN STUDIO Kathryn Mussallem CEPH 255 F001 Sep 29 - Nov 24 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $285 Register by Sep 24

This Open Studio course is an opportunity to compose, shoot, edit and print digital photos in a dynamic and independent environment. This course is designed to encourage exploration and stimulate an exchange of ideas among participating students within a creative communal atmosphere. With the support of an instructor, you will work independently on self-directed projects using digital photography and Photoshop. Instruction will include slide lectures and discussion of contemporary and past artists and photographers, project guidance, technical assistance and individual and group critiques. Prerequisite: Proficient Macintosh skills and CECS 131 Photoshop: The Basics or equivalent; students are required to bring their own digital camera with USB connectivity

THE ART OF ARCHITECTURAL PHOTOGRAPHY Kathryn Mussallem CEPH 441 F001 Nov 9 - Nov 30 Sun 9:30 am - 1:30 pm 4 sessions / 16 total hrs $285 Register by Nov 4

In this course you will learn introductory techniques for architectural photography for both interior and exterior conditions. From lighting and framing, to preparing and setting up for the shoot, this course will balance demonstrations with hands-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work. Prerequisite: CEPH 141 Black-and-White Film Photography I, CEPH 250 Introduction to Digital Photography, or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PRINTMAKING FUNDAMENTALS INTRODUCTION TO RELIEF PRINTMAKING Tomoyo Ihaya CEPR 160 F001 Nov 8 - Nov 22 Sat 10:00 am - 4:30 pm 3 sessions / 18 total hrs $240 Register by Nov 3

Explore ways of creating striking images with this simple yet powerful print medium process. In this foundational course you will be introduced to relief and woodblock printmaking using linoleum, wood and collograph techniques. You will explore printing by hand and press while working with up to three colours. You will also create your own linoleum and wood blocks to continue printing at home. Prerequisite: None

INTRODUCTION TO SILKSCREEN Leslie Urquhart CEPR 162 F001 Sep 20 - Oct 18 Sat 10:00 am - 4:30 pm 4 sessions / 24 total hrs $275 Register by Sep 15

Screen printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of silkscreen to print your hand-drawn and photographic images onto paper and fabric. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning how to establish a home or studio facility for continued art production and explorations. Prerequisite: None; CEDR 271 Drawing for Printmaking is recommended

No class Oct 11

TEXTILE PRINTING I Eleanor Hannan CEPR 164 F001 Sep 28 - Nov 9 Sun 9:30 pm - 1:30 pm 6 sessions / 24 total hrs $420 Register by Sep 23 No class Oct 12

Textile printing is the application of colour in definite patterns or designs to fabrics. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated. Prerequisite: None

PRINTMAKING TECHNIQUES Shin Minegishi CEPR 165 F001 Oct 4 - Oct 25 Sat 10:00 am - 4:00 pm 4 sessions / 24 total hrs $245 Register by Sep 29

This course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints. Prerequisite: None

APPLIED TECHNIQUES SILKSCREEN OPEN STUDIO Leslie Urquhart CEPR 362 F001 Oct 25 - Nov 15 Sat 10:00 am - 4:30 pm 4 sessions / 24 total hrs $275 Register by Oct 20

Silkscreen Open Studio is a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to printmaking. Equipment and methods available will focus specifically on silkscreen processing and printing. Prerequisite: CEPR 162 Introduction to Silkscreen or equivalent

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PRINTMAKING (CONT’D) WORKSHOPS + DEMOS free! Marlene Yuen CEPR 900 F001 Sep 10 Wed 7:00 pm - 8:00 pm 1 session / 1 total hr FREE Register by Sep 5

INTRODUCTION TO THE PROOFING PRESS This demo will outline the capabilities of a table top proofing press. Learn how to lock, print and proof. Basic letterpress technology will be explained, clean-up and basic maintenance of the press will also be demonstrated. Prerequisite: None

free! Jacqueline Robins CEPR 900 F002 Nov 5 Wed 7:00 pm - 8:00 pm 1 session / 1 total hrs FREE Register by Oct 31

SCREEN PRINTING: STENCIL TECHNIQUES A quick, low-tech and non-toxic method of screen printing, stencil techniques are great for beginner or DIY screen printers. Creation and application of both paper and mactac resists will be discussed and demonstrated. Prerequisite: None

BOOK ARTS APPLIED TECHNIQUES

FUNDAMENTALS BASICS OF BOOK MAKING Aimee Brown CEBA 170 F001 Sep 24 – Nov 12 Wed 6:30 pm – 9:30 pm 8 sessions / 24 total hrs $395 Register by Sep 19

This course will introduce you to creating a variety of book structures. From unbound structures including folded books to zines and hardcovers, this hands-on class will also look at incorporating mixed media techniques, two and three dimensionality, as well as type applications and imagetransfer techniques. Prerequisite: None

LETTERPRESS OPEN STUDIO Andrea Taylor CEBA 212 F001 Sep 21 - Oct 19 Sun 10:00 am - 2:00 pm 4 sessions / 16 total hrs $250 Register by Sep 16 No class Oct 12

The Letterpress Open Studio is a unique opportunity for self-directed work to be undertaken with individual guidance from instructors. Access to produce work in the Letterpress Room is enhanced by the opportunity to receive feedback and critique from experienced faculty and fellow students. Prerequisite: CEBA 112 Letterpress I or equivalent

LETTERPRESS I Andrea Taylor CEBA 112 F001 Sep 20 - Oct 11 Sat 9:30 am - 4:30 pm 4 sessions / 24 total hrs $395 Register by Sep 15

Learn basic letterpress techniques including typography, metal and wood type, and hand typesetting and hot foil stamping. Start with designing and setting your own text, then move through printing, sorting and distributing type. Additional topics and processes include carving and printing linocuts, typefaces, paper, colour, and the use of illustration in your design. Prerequisite: None

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SCULPTURE + INSTALLATION FUNDAMENTALS INTRODUCTION TO MOLD DESIGN AND CASTING Philip Robbins CESC 178 F001 Sep 22 â&#x20AC;&#x201C; Nov 17 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $250 Register by Sep 17

This intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic). Prerequisite: None

SMALL-SCALE MODELING Vicki Israel CESC 179 F001 Oct 11 - Nov 29 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $265 Register by Oct 6

Explore the fundamental techniques of modeling in this hands-on studio course. Using Plastalina and clay, you will be introduced to the additive process of modeling: the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. Through demonstrations, exercises and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned will appeal to animators, sculptors, potters, product designers and many others. Prerequisite: None

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INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 F001 Sep 23 - Dec 9 Tue 6:30 pm - 9:30 pm 11 sessions / 32 total hrs $455 Register by Sep 18 Last class 2 hrs

This hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. Topics include a variety of techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and planning and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor. Prerequisite: Prior art-making experience is required; experience in three-dimensional art is recommended

SCULPTURE + INSTALLATION (CONTâ&#x20AC;&#x2122;D) APPLIED TECHNIQUES METAL SCULPTURE OPEN STUDIO Ian Rhodes CESC 280 F001 Sep 25 - Dec 4 Thu 6:30 pm - 9:30 pm 11 sessions / 32 total hrs $445 Register by Sep 20 Last class 2 hrs

This class is for more advanced metalworking students and is intended to further refine your abilities, skills and knowledge concerning contemporary metal sculpture practice and all the techniques and processes involved within this. Self-directed projects can be realized using the full metal shop facilities, including limited access to the foundry where bronze and aluminum can be cast into two-part sand molds. Throughout the assisted creative process you will work on a piece or pieces of work vetted and approved by the instructor. Note: Costs for the production of projects are not included in the tuition. Prerequisite: CESC 180 Introduction to Metal Sculpture or previous metal working experience

WORKSHOPS + DEMOS MIG WELDING FOR BEGINNERS: AN INTRODUCTION Ian Rhodes CESC 999 F001 Sep 17 Wed 6:00 pm - 9:00 pm 1 session / 3 total hrs

An intensive, hands-on introduction to MIG welding mild steel. The workshop will cover the history and developement of the process as well as the practical hands-on process and welding technique. Health and safety and personal protective equipment will also be covered. Prerequisite: None

$65 Register by Sep 12

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FREQUENTLY ASKED QUESTIONS DO YOU OFFER COURSES FOR TEENS?

AM I ELIGIBLE FOR A DISCOUNT ON COURSES?

Yes! See page 7 and the inside back cover for this fall’s offerings.

Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification. Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, or the Design Essentials Program. Students registered for an Advanced Studies Certificate, who have completed an Introductory Certificate program, will also receive a 10% discount. Note: only one discount will apply.

WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.

WHAT ARE THE CERTIFICATE PROGRAMS? Continuing Studies offers Introductory Certificate Programs in Fine Art Techniques, 2D Design Basics, 3D Design Basics and Photography, as well as Advanced Study Certificates in Painting, Drawing, Illustration and Sculpture. These are flexible, part-time programs designed to be completed at your own pace. Anyone may register, and no portfolio is required to apply. Design Essentials is a full-time, one-year, job-ready Certificate Program in graphic design, offered in partnership with BCIT. Interaction Design Essentials is a full-time, 24-week, job-ready Certificate Program in interactive design, offered exclusively through Emily Carr Continuing Studies. More information on our certificates can be found on page 1.

CAN I GET SOMEONE TO LOOK AT MY ART? Continuing Studies does offer personal consultations. Email consult@ecuad.ca to book your appointment.

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DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Continuing Studies general program courses do not ladder into the University’s credit programs. Design Essentials graduates can now receive transfer credits. See ecuad.ca/cs for more information.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email admissions@ecuad.ca.

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS? Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. Email consult@ecuad.ca for more information.

WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION? If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on pages 46 and 47 before you register.

REGISTRATION POLICIES + GENERAL INFORMATION Admission to individual courses is on a first-come, firstserved basis. Early registration is strongly recommended as class sizes are limited (average size: 16 students) to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

Fees The tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Failure to make payment within 24 hours of registration will result in being removed from your course(s). Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Course Transfer Policy No transfers of fees will be granted if notification of transfer is received seven or less full business days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven business days prior to the course start date of the course the student is leaving. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax, or email.

Withdrawal and Refund Policy No refund will be given if notification of withdrawal is received seven or less full business days before the start of the course. Exceptions to the above noted rules are only considered as they pertain to medical or family emergencies on an individual basis. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven full business days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Please note that select longer programs may have exceptional refund policies that require earlier notification of withdrawal or transfers.

Prerequisites Emily Carr Continuing Studies offers courses which are open

to everyone, regardless of their experience. However we also offer advanced courses for more experienced students. If a course requires a prerequisite or equivalent, we highly recommend that you take the Emily Carr Continuing Studies prerequisite prior to taking the advanced course. • Not sure if your skill level is equivalent to the course? Just ask us – we would be happy to help! Please note: If you are not at the level required for the course, the instructor reserves the right to recommend your removal from the course to one that is more suited to your skill level.

Language Requirements All classes are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses. Please note: if you are not at an appropriate language level, Continuing Studies reserves the right to move you to a class more suitable to your skill level.

Registration Deadlines You are encouraged to register well in advance of a course’s start date to ensure your spot and to ensure that a class will run with sufficient registration. Registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started.

Registration Confirmation Your registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment. Registration information and fees must be received together. You must present your registration confirmation/receipt to the instructor at the first class. Students who do not appear on the instructor’s class list will not be permitted to attend.

Wait Lists If seats are no longer available in a class, you can be added to a wait list. If a seat opens in the class, you will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list, and no obligation to register if a space becomes available. Students on wait lists

EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

are asked not to attend classes unless they have been contacted in advance by the CS office. Instructors do not admit students to the class on the first day.

Cancellations We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date. Contact csinfo@ecuad.ca to change or update your email address.

Emergency Closures In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

Postponement of Courses In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email. At the next scheduled session, the instructor will consult with the class to determine the best date and time to make up the lost time.

Waiver

Student Code of Conduct A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please refer to our website: ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of July 25, 2014.

The Concourse Gallery

Course Materials

The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit chscott.ecuad.ca.

Most Continuing Studies courses require that you purchase supplies. A list of required and recommended items is provided with your confirmation of registration. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Studio Access Unless otherwise indicated, there is no additional access to studio resources outside of class time. Note: additional studio access, where students can continue to work on their practice outside of class time, can be purchased through membership at the Leeway. For more information see page 2 or ecuad.ca/cs/theleeway.

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The Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

The Charles H. Scott Gallery

READ at the Charles H. Scott Gallery READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

CONTINUING STUDIES REGISTRATION FORM LAST NAME

FULL NAME

PROVINCE

PREFERRED NAME

STREET ADDRESS

CITY

PHONE

POSTAL CODE

PHONE (ALT)

EMAIL ADDRESS

EMILY CARR STUDENT ID NUMBER (CURRENT AND RETURNING STUDENTS)

BIRTHDATE (YY/MM/DD)

❍ MALE ❍ FEMALE

COURSE NO.

SECTION NO.

ARE YOU ELIGIBLE FOR A DISCOUNT?

COURSE NAME

START DATE

❍ ALUMNI ❍ SENIOR (60+) ❍ YES ❍ NO

COURSE REGISTRATION

WOULD YOU LIKE TO RECEIVE INFORMATION FROM EMILY CARR?

COURSE FEE

TOTAL FEE PAYABLE

❍ SEP ❍ OCT ❍ NOV TERM ❍ SEP-NOV 2014 ❍ EMILY CARR ❍ ALUMNI ❍ SENIOR (60+)

ARE YOU ELIGIBLE FOR A DISCOUNT?

STAFF/FACULTY

TOTAL FEE PAYABLE LEEWAY REGISTRATION

Payment

❍ Cash or Interac (in person only) ❍ Money Order/Cheque (payable to Emily Carr University of Art + Design) ❍ MasterCard ❍ Visa CARD NUMBER

Fees are payable at the time of registration. Post-dated cheques are not accepted. Registration for Continuing Studies Fall 2014 courses and programs begins August 6, 2014. EMILY CARR GATHERS AND MAINTAINS INFORMATION USED FOR PURPOSES OF ADMISSIONS, REGISTRATION, AND OTHER FUNDAMENTAL ACTIVITIES RELATED TO BEING A MEMBER OF AND ATTENDING A PUBLIC POST-SECONDARY INSTITUTE IN THE PROVINCE OF BRITISH COLUMBIA.

EXPIRY DATE

IN SUBMITTING AN APPLICATION FOR ADMISSION OR REGISTRATION FORM, ALL APPLICANTS ARE ADVISED THAT BOTH THE INFORMATION THEY PROVIDE AND ANY OTHER INFORMATION PLACED INTO THE STUDENT RECORD WILL BE PROTECTED AND USED IN COMPLIANCE WITH THE BRITISH

NAME OF CARDHOLDER

SIGNATURE

COLUMBIA FREEDOM OF INFORMATION AND PRIVACY PROTECTION ACT (1992).

Emily Carr University of Art + Design Continuing Studies Courses + Programs 1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUTURE ARTISTS FUTURE DESIGNERS

July 7 - 31, 2014

Monday to Friday 9 am to 4 pm

Saturday September 27, Noon – 3:00 pm Join us for the launch of our after school Teen + Youth Programs at Emily Carr University. Perfect for youth aged 15-18, we invite you to come for an afternoon and explore what being a FUTURE ARTIST FUTURE DESIGNER is all about: • participate in hands-on projects • learn what after school programs we have to offer • meet with practicing artists + designers and past participants If you are a teen interested in the actions below, then join us!

Q C R E AT E Q C U R AT E QDESIGN QEXPLORE QCONNECT

PROGRAMS INCLUDE · The Teen Art Group with the Vancouver Art Gallery · Y-CAG + Teen Curatorial Group with the Contemporary Art Gallery · Design: Youth City Lab with the Museum of Vancouver · Young Artists for Change with Leave Out Violence

teens.ecuad.ca

FALL2014 continuing studies courses + programs

COVER ILLUSTRATION BY JASON STAVROU

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881