Emily Carr Continuing Studies Spring 2011 Calendar

SPRING2011 continuing studies courses + programs

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881

SPRING2011 continuing studies courses + programs

GRANVILLE ISLAND CAMPUS Registration for all Continuing Studies courses and programs for the Spring 2011 semester begins at noon on November 2, 2010.

Aquabus

Ocean Cement Factory

False Creek Ferries

Arts Club Theatre

HOW TO REGISTER

Online New and returning students can register online. ecuad.ca/cs

In Person Register in person at Emily Carr, Continuing Studies, 1399 Johnston Street,

Public Market

Emily Carr

Granville Island Hotel

NORTH BLDG.

Creekhouse

Johnston Street Du ra nle au

eet Old Br idge S tr

Register early as space is limited.

Net Loft

P

Maritime Market

Opus Framing

Emily Carr

Performance Works

SOUTH BLDG.

P

P Arts Umbrella

Maritime Market

Granville Island Brewing Company Maritime Market

Vancouver. Payment may be made by cheque, money order, cash, Interac, VISA or MasterCard.

False Creek Community Centre

ht Cartwrig

Kids Only Market

By Phone Call 604 844 3810 with your VISA or MasterCard information ready.

Water Park

By Fax Complete the registration form (page 56), using type or black ink, and fax it with

By Mail Complete and return the registration form (page 56), with your cheque or money

50 Gastown

order (payable to Emily Carr University of Art + Design), VISA or MasterCard information to Continuing Studies.

Continuing Studies Monday to Thursday 8:30 am – 4:00 pm Office Hours Friday 8:30 am – 12:30 pm Saturday, Sunday + statutory holidays closed Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:30 pm Friday 10:00 am – 4:30 pm

Find us Online! www.twitter.com/EmilyCarrCS www.youtube.com/EmilyCarrUniverstiy search “Emily Carr University” on Facebook

About the Cover: Award-wining photographer and journalist Kris Krug. See pages 47 and 48 for spring classes in Social Media. Cover image by John Biehler (www.flickr.com/photos/retrocactus).

Anderson

your VISA or MasterCard information to 604 630 4535.

ue

2nd Aven

Lamey’s

Mill Road

50 False Creek South

Transit

Ferry

Granville Island is served by the number 50 False Creek bus, and several other routes pass within a short walk of the Island, including the Granville, Downtown, and Broadway routes.

Please visit www.translink.bc.ca for information on routes and schedules.

Small ferries serve Granville Island from several departure points on False Creek. Some vessels can accommodate bicycles. Visit www.theaquabus. com or www.granvilleislandferries.bc.ca for information on routes and schedules. .

Parking

Cafeteria

Parking restrictions on Granville Island are posted by the Granville Island Trust. The no-charge, three-hour limit between 7:00 am and 7:00 pm is strictly enforced on the Island. Paid parking is available in the Granville Island garages. Off-island, free street parking with time restrictions is also available. There is usually sufficient on-island street parking space in the evening.

A cafeteria is located on the first floor of the North Building and offers a selection of snack and lunch foods, as well as coffees and cold drinks. Hours are posted on the café door.

Granville Island also has a wide variety of eateries for all tastes and budgets.

©2010 Published by Continuing Studies www.ecuad.ca/cs

DIRECTOR, CS Sadira Rodrigues OFFICE ASSISTANT, CS Valerie Ceppi + John Skibinski PROGRAM ASSISTANT, CS Amy Clausen SPECIAL PROJECTS ASSISTANT, CS Laura Kozak

SENIOR ADMINISTRATIVE ASSISTANT, CS Terry Plummer OFFICE ASSISTANT, REGISTRATION, CS Ted Bois ADMINISTRATIVE ASSISTANT/ WEB REGISTRATION, CS Danielle Benda

DESIGN + ART DIRECTION Cari Bird PHOTOGRAPHY Front Cover: John Biehler Back Cover: Erin Siddall Inside: Jeff Vinnick, John Lee, Josh Bowie and William Ting.

Printed in Canada

SPRING

2011

Table of Contents Courses + Workshops Animation Book Arts Communication Design Computer Skills Cultural Studies Digital Media Drawing Film + Video

Stereoscopic 3D Graphic Novel Illustration Industrial Design Material Practice Painting Photography Printmaking Professional Development Sculpture + Installation Social Media Teen Workshops

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6 7 8 10 11 13 14 17 18 19 20 28 32 33 38 41 43 45 47 49

Frequently Asked Questions Timetable Professional Services Certificate Programs Fine Art Techniques 2D Design Basics 3D Design Basics Design Essentials Registration Information + Policies Registration Form

23 24 50 51 52 52 52 53 55 56

Instructor biographies are available at www.ecuad.ca/people/faculty/cs Registration Opens November 2, 2010

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

CONTINUING STUDIES

WELCOMES

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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Continuing Studies courses are a super fun way of getting back in the studio. – CS Student, Printmaking, Fall 2010

YOU

… a good balance of creative skills and professional development. – CS Student, Communication Design, Fall 2010 I greatly appreciate the instructor’s supportive and constructive appraisal technique. He provided a careful and thorough approach to a very challenging medium. – CS Student, Painting, Fall 2010

Spring 2011 Highlights This term we are offer our most robust programming to date, with over 160 courses and workshops to choose from. Special highlights include:

Stereoscopic 3D Filmmaking (page 18)

Join the next revolution in filmmaking at our brand new Stereoscopic 3D Centre.

Photography (page 38)

Check out expanded course offerings in digital and analog photography.

Social Media (page 47)

Bring your creative practice online with courses in social media, from blogging to producing video for the web.

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

GENERAL INFORMATION Student Code of Conduct

Course Materials

A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others. Students are responsible for knowing and observing student-related Emily Carr policies and procedures. Students can obtain a copy of Emily’s A to Z : A Student Guide from the main reception desk.

Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration.

Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Waiver Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of June 15, 2010.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

Tool Crib The Tool Crib has a variety of hand and power tools available for loan for curriculum-related projects. All equipment loans are on a first-come, first-served basis; the standard loan period is 24 hours. Continuing Studies students must present their registration confirmation/ receipt and Access Card for equipment loans. Restricted tools and equipment require students to seek prior approval from the Tool Crib Studio Technician; students may be required to prove knowledge, ability, and safety regulations to gain access. Tool Crib hours are posted; the Crib is closed on statutory holidays.

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Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website www.ecuad.ca/library.

The Gallery The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit http://chscott.ecuad.ca/.

Gift Certificates Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT:

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

The READ area at the Charles H. Scott Gallery READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

ANIMATION INTRODUCTION TO MAYA This new two-day intensive workshop offers an introduction CEAN 152 S001 of Autodesk Maya. Develop your design and computer skills Jan 22 + Jan 23 through an introduction to computer animation. Learn Sat + Sun 10:00 am - 5:00 pm fundamentals of modeling, texturing, animation, lighting, 2 Sessions and rendering in three-dimensional space. Create assets / environments and apply them animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic, and expressive potential of the 3D environment and demonstrate various design strategies for 3D imaging and animation. At course end, you will be comfortable within Autodesk Maya and able to create simple films or simulations.

Thomas Groppi

$210 / Class Limit 16 / Prerequisite Basic computer skills

INTRODUCTION TO FLASH ANIMATION George Papazian CEAN 231 S001 Jan 17 - Feb 21 Mon 7:00 pm - 10:00 pm 6 Sessions

Discover the techniques for creating animations through Macromedia Flash, the standard tool for animation on the web. Through exercises and projects, you will experiment with various techniques including frame-by-frame animation, masks, and motion. Limited supervised access to the computer lab may be scheduled between class sessions. $245 / Class Limit 16 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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BOOK ARTS LETTERPRESS I Andrea Taylor

Andrea Taylor

CEBA 112 S001

CEBA 112 S002

Jan 22 - Feb 12

Mar 5 - Mar 26

Sat 10:00 am - 5:00 pm

Sat 10:00 am - 5:00 pm

4 Sessions

4 Sessions

Explore the expressive art of letterpress printing in this hands-on workshop. This introductory workshop will suit both those who are new to letterpress and those who wish to try it for the very first time. You will explore typography, metal and wood type, hand typesetting for letterpress printing, embossing, and applications for your own books and broadsides. We will discuss typefaces, paper, colour, and using illustrations in your design. You’ll go all the way from start to finish by designing and setting your own text, printing, sorting, and distributing type. Bring words and ideas to class. Instruction will be in the Letterpress Room at Emily Carr. $395 / Class Limit 7 / Prerequisite None; for all levels

BASICS OF BOOK MAKING Grace Partridge CEBA 170 S001 Jan 10 - Feb 14 Mon 6:30 pm - 9:30 pm 6 Sessions

Experience the joy of making your own book as you create a variety of book structures. You will be introduced to folded-books and other unbound book structures from zines to hard-covers.

Through presentations, demonstrations, workshops, and in-class work, you will develop concepts for and create a variety of volumes. Your books may incorporate mixed media, two and three dimensions, type applications, and image transfer techniques. $250 / Class Limit 16 / Prerequisite None

LETTERPRESS: OPEN STUDIO WEEKEND Letterpress Open Studio is a self-directed course which is intended to provide support for work CEBA 212 S001 on independent projects. You will have individual guidance from the instructor and will benefit Apr 9 + Apr 10 from group discussions and critiques. In addition to addressing technical issues, you will have Sat + Sun 10:00 am - 5:00 pm the opportunity to further develop your ideas and personal approach to letterpress printing.

Andrea Taylor

2 Sessions

$295 / Class Limit 7 / Prerequisite CEBA 112 Letterpress I or equivalent

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

THE ART OF FONTS Linda Coe CECD 112 S001 Jan 11 - Feb 1 Tue 7:00 pm - 10:00 pm 4 Sessions

COMMUNICATION DESIGN BASICS OF COMMUNICATION DESIGN Carolina Becerra CECD 110 S001 Jan 11 - Feb 15 Tue 6:30 pm - 9:30 pm 6 Sessions Carley Hodgkinson CECD 110 S002 Feb 5 - Mar 12 Sat 1:30 pm - 4:30 pm 6 Sessions

This course introduces you to visual communication design and the role of the communication designer. Exercises engage you in the design process and creative problem solving: problem definition, research and analysis, concept development, production, and presentation. The course is spent working on different design projects through to completion of a mock-up and short design presentation. You will work individually and in teams. This course does not include computer lab access.

Carolina Becerra CECD 110 S003

$250 / Class Limit 16 / Prerequisite None

Feb 28 - Apr 4 Mon 6:30 pm - 9:30 pm

Whether in print or on-screen, typographic presence in good design is always evident.

This course introduces the anatomy of letterforms, principles of typographic usage, and fundamentals of choosing and combining type, as well as the terminology of typography.

Along with the anatomy of the letterform, you will explore distinctions between typefaces, typographic usage, and shaping the page with type. Past and contemporary typographers and their contribution to design and the written language will be discussed. By the end of this course, you will successfully apply typographic knowledge to your design projects. $195 / Class Limit 16 / Prerequisite CECD 110 Basics of Communication Design or equivalent experience. Some Illustrator, Photoshop or InDesign experience is required

DRAWING FOR DESIGN Vjeko Sager CECD 160 S001 Jan 12 - Mar 2 Wed 6:30 pm - 9:30 pm 8 Sessions

Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces the basic principles of drawing: point, line, form, tone and value, the representation of mass and volume, and composition. Assignments include exercises in drawing techniques and will involve skills required for problem solving and communication; some assignments may be framed as specific design projects.

6 Sessions

$295 / Class Limit 16 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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DESIGN AND CRITICAL THINKING Dante Comoglio CECD 280 S001 Feb 24 - Apr 14 Thu 7:00 pm - 10:00 pm 8 Sessions

This course is a unique opportunity for designers to focus on the process of ideageneration and critical thinking. Students will be guided in an explorative journey through ideas, concepts, imagery, metaphors, materials and alternative media. You will learn tools and strategies to help visualise concepts that will be as strong tomorrow as they are today.

This course is designed for individuals with the courage to let go of their position, and venture into a think tank of intelligent design and communication. Active participation is a must.

WORKING WITH DESIGNERS: AN INTRODUCTORY WORKSHOP Linda Coe + Nola Johnton CECD 325 S001 Apr 16 Sat 9:00 am - 5:00 pm 1 Session

$250 / Class Limit 16 / Prerequisite None

POSTER DESIGN Stan Hunc CECD 300 S001 Jan 19 - Mar 9 Wed 6:30 pm - 9:30 pm 8 Sessions

Learn the power of visual media in effectively conveying an idea. This course is an introduction to the creative processes of poster design over the last century, from a discussion of social conditions, to an analysis of artistic and technical developments. Through a series of hands-on projects you will have an opportunity to apply your knowledge of typography, principles of visual composition, along with your drawing and painting skills.

$110 / Class Limit 16 / Prerequisite None

PUBLICATION DESIGN Sigrid Albert CECD 330 S001 Mar 6 - Apr 10 Sun 9:30 am - 1:30 pm

This course does not include computer lab access. $250 / Class Limit 16 / Prerequisite CECD 110 Basics of Communication Design or equivalent

TYPOGRAPHY Linda Coe CECD 320 S001 Feb 15 - Apr 5 Tue 7:00 pm - 10:00 pm 8 Sessions

This course is perfect for those ready to pursue a more in-depth study of typography.

Students will develop their type-terminology vocabulary, their understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. In personal and group assignments, students will develop techniques to shape the page with type as a dominant element.

This day-long workshop will give you an overview of managing working relationships with professional communication design specialists, by helping you understand the various elements of the design industry. Led by two active industry professionals, the discussion will include essential communication design principles, applications, strategies, processes and technologies. Specifically designed for business and institutional management professionals, this workshop will introduce the roles of professionals in the communication design industry, and address the administrative nuts and bolts of working with communication professionals: hiring a designer, budgets, estimates, contracts, copyright, and project management.

6 Sessions

This course is intended for those with an understanding of InDesign and Photoshop.

The program will be fundamental in designing a publication of eight or more pages that will be made ready for the commercial printer. Students are encouraged to bring a project and all its materials for the first day of class. The six sessions will cover basic design and layout strategies for multi-page documents, as well as the principles of printing. $335 / Class Limit 14 / Prerequisite A working knowledge of Photoshop and InDesign is required; expertise with Illustrator is recommended

$250 / Class Limit 16 / Prerequisite Some Illustrator, Photoshop, InDesign or Quark experience is required

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

INTRODUCTION TO THE MACINTOSH COMPUTER Carolina Becerra

Jaime Clay

Jaime Clay

CECS 100 S001

CECS 100 S002

CECS 100 S003

Jan 10

Jan 23

Feb 13

Mon 6:00 pm - 10:00 pm

Sun 9:30 am - 1:30 pm

Sun 9:30 am - 1:30 pm

1 Session

1 Session

1 Session

In this introduction, you will learn the basics of the Mac environment. You will learn to open, close, and save files, to create folders, access fonts, print basic documents, and burn files to disc. This workshop is for students with little or no experience with computers and specifically the Mac environment, and is the prerequisite for our Computer Skills courses. $60 / Class Limit 16 / Prerequisite None

ADOBE ILLUSTRATOR: THE BASICS Brooke Allen

Jaime Clay

CECS 130 S001

CECS 130 S002

Jan 12 - Feb 16

Feb 19 - Mar 26

Wed 6:30 pm - 9:30 pm

Sat 9:30 am - 12:30 pm

6 Sessions

6 Sessions

COMPUTER SKILLS

Explore the potential of the drawing program Adobe Illustrator in our Macintosh labs. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with BĂŠzier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow the student to use all the skills learnt in class. Final work can be printed in colour. $365 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent

PHOTOSHOP: THE BASICS

Arthur Babiarz

Jaime Clay

Elizabeth Milton

CECS 131 S001

CECS 131 S002

CECS 131 S003

Feb 23 - Mar 30

Mar 13 - Apr 17

Mar 17 - Apr 21

Wed 6:30 pm - 9:30 pm

Sun 9:30 am - 12:30 pm

Thu 7:00 pm - 10:00 pm

6 Sessions

6 Sessions

6 Sessions

Explore the potential of Adobe Photoshop, the industry standard program for digital image processing, in our Macintosh labs. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining images, and adding text to image. Other topics such as resolution, masks, channels, and paths are also introduced. Final work can be printed in colour.

Six hours per week of supervised access to the computer lab may be scheduled between class sessions. $365 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent

INDESIGN: THE BASICS Brooke Allen CECS 133 S001 Mar 7 - Apr 11 Mon 6:30 pm - 9:30 pm 6 Sessions

Discover the latest tool for page layout and electronic pre-press file preparation in our Macintosh labs. As an Adobe product, InDesign is designed to work together with Photoshop, Illustrator, and Acrobat, enhancing compatibility with these programs. In this course you will gain basic experience with the software as you work with page layout creation, create and format text, input and manipulate images, and gain a basic understanding of colour as it relates to printing. Exercises and projects are designed to take full advantage of the basic tools within InDesign. Six hours per week of supervised access to the computer lab may be scheduled between class sessions. $365 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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THE ADOBE SUITE FOR DESIGN AND PRODUCTION George Papazian CECS 136 S001 Jan 26 - Mar 30 Wed 7:00 pm - 10:00 pm

This course will introduce Illustrator, Photoshop, and InDesign as an integrated software tool for design and production for print media. Through presentation, demonstration, assignments, and projects, you will learn to use the Adobe Suite in document layout, typesetting, and combining both vector art and raster art to design and produce work for both print and the web.

10 Sessions

$425 / Class Limit 16 / Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent

CULTURAL STUDIES ISSUES IN CONTEMPORARY DESIGN Carley Hodgkinson CESE 110 S001 Jan 22 - Mar 12 Sat 9:30 am - 12:30 pm 8 Sessions

This course examines a range of contemporary debates, themes, and issues that affect designers today. Topics are examined through reading, writing, discussions, and projects. Issues discussed include: the designer as author and producer, social responsibility, advertising, participatory design, radical design, and many others. Students will be required to analyze and discuss a variety of visual representations using a range of methodologies. Slide lectures, field trips, and readings are included. You receive an overview of the vocabulary and thought that informs the contemporary design practice. You will complete a research and writing exercise that will be discussed and critiqued in class. $285 / Class Limit 20 / Prerequisite None

ISSUES IN CONTEMPORARY ART Ramon Kubicek CESE 160 S001 Feb 20 - Mar 27 Sun 10:30 am - 2:30 pm 6 Sessions

This course introduces you to a range of issues affecting contemporary art from the late 1980s onwards. You will examine a number of themes including: the changing role of the artist, the problem of the avant-garde and originality, the idea of discourse, postmodernism and beyond, the problem of “beauty,� nature as subject, pastoral tradition and nostalgia, ecological art, new feminism, radical art, cyber-culture and the post-human, and the new sublime. You will complete an exhibition review and a portfolio of research/writing exercises. $285 / Class Limit 20 / Prerequisite None

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

CULTURAL STUDIES (CONT’D) WALKING TOUR: ART IN PUBLIC SPACES Sean George CESE 162 S001 Jan 29 - Feb 26 Sat 1:30 pm - 4:30 pm 5 Sessions

This course explores alternative spaces for displaying, discussing and accessing contemporary art audiences outside of traditional museums and galleries. The focus will be on diverse art projects, the reception of work in various contexts and the relationship objects have in defining space. Students will be introduced to a range of public art projects through field trips, readings and group discussions.

The structure of the course will involve group excursions to view current exhibitions and sites, with the first session located in the classroom for introductions to each other and the course. This course is ideally suited for the culturally curious, equipping you with language and concepts that will enhance your future experience of art in all contexts. $130 / Class Limit 16 / Prerequisite None

WALKING TOUR: GALLERIES AND CULTURAL SPACES Sean George CESE 166 S001 Mar 19 - Apr 16 Sat 1:30 pm - 4:30 pm 5 Sessions

This course will introduce you to the history and current range of art spaces in Vancouver. Since the 1960s Vancouver has become internationally renowned as one of the foremost centres of contemporary art practices. You will be introduced to a range of its art spaces, including Artist-Run Centres, Commercial and Public Galleries. Group excursions to current exhibitions and events will be enhanced by readings and discussions. The first session will located in the classroom for introductions to each other and the course, with the following sessions taking place throughout the city. Through a broad overview of the range and nature of arts institutions, this course is ideally suited for individuals looking for a more in-depth understanding of the role and function of cultural spaces locally. $130 / Class Limit 16 / Prerequisite None

A SURVEY AND HISTORY OF ART Nadia Thibault CESE 180 S001 Feb 24 - Apr 14 Thu 7:00 pm - 10:00 pm 8 Sessions

From the Renaissance and Michelangelo to Conceptualism and Yoko Ono, this course offers an introduction to the history of Western art; focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal for students who want to be better informed museum visitors or who want to understand their own practice in the context of what went before.

Students leave the course with a greater awareness of the histories Western art and, most importantly, the skills to look at art in new ways. A visit to the Vancouver Art Gallery is planned. $225 / Class Limit 20 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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DIGITAL MEDIA INTRODUCTION TO WEB DESIGN David Juniper

David Juniper

CEDA 232 S001

CEDA 232 S002

Jan 16 - Feb 20

Feb 8 - Mar 15

Sun 9:30 am - 12:30 pm

Tue 7:00 pm - 10:00 pm

6 Sessions

6 Sessions

This studio course explores the many facets of World Wide Web site design and development, as well as some of the ways that the Internet is being used by artists and designers for promotion of their work and as a site specific medium for Internet art. You will learn the basics of web page creation, user-centered design principles, web authoring and editing, and design techniques for interactivity. Through exercises, projects, demonstrations, and discussions, your projects focus on the design and technical issues of developing a web site as a place that delivers information about your work, or as an art or design project in itself. $350 / Class Limit 16 / Prerequisite Intermediate computer skills including strong knowledge of the Mac environment

ADVANCED WEB DESIGN David Juniper CEDA 332 S001 Mar 6 - Apr 10 Sun 9:30 am - 12:30 pm 6 Sessions

This advanced course builds on skills gained in CEDA 232 Introduction to Web Design, enabling students to begin to master a content management system. Combining technical and applied skills, students will focus on the effective use of WordPress including designing themes and integrating blogs and image galleries into the workflow. Students will expand their knowledge of web page creation, user-centered design principles, web authorÂŹing and editing, and design techniques for interactivity. By the end of the course, students will have the tools to make a website that is interactive, functional as well as meeting design guidelines for usability and accessibility. $350 / Class Limit 16 / Prerequisite CEDA 232 Introduction to Web Design or equivalent

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS Leigh Bridges

James Picard

Neil Wedman

CEDR 160 S001

CEDR 160 S003

CEDR 160 S005

Jan 10 - Feb 14

Feb 14 - Mar 21

Mar 3 - Apr 7

Mon 6:30 pm - 9:30 pm

Mon 6:30 pm - 9:30 pm

Thu 6:30 pm - 9:30 pm

6 Sessions

6 Sessions

6 Sessions

Vjeko Sager

Frances Grafton

Keith Langergraber

CEDR 160 S002

CEDR 160 S004

CEDR 160 S006

Jan 25 - Mar 1

Feb 27 - Apr 3

Mar 11 - Apr 15

Tue 6:30 pm - 9:30 pm

Sun 9:30 am - 12:30 pm

Fri 9:30 am - 12:30 pm

6 Sessions

6 Sessions

6 Sessions

The elements of drawing, observation, recording, and compositional organization are fundamental to an artist’s visual education. Aspects of this challenging visual thought process include studies in line, shape, value, perspective, proportion, positive and negative space, and the human figure. Using a wide range of drawing materials in hands-on practice, you are introduced to drawing as a means of intense visual investigation. Individual and class guidance accommodate varying levels of student ability. Class work may include drawing from a model. $250 / Class Limit 16 / Prerequisite None

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS Tony O’Regan CEDR 162 S001 Feb 12 - Apr 2 Sat 9:30 am - 12:30 pm 8 Sessions

DRAWING

This course is essential for artists, designers, illustrators, and animators who wish to create convincing images of form, depth, and space. From the Renaissance to the Computer Age, artists have used perspective techniques in their imagery.

Whether working in realism, in the compressed space of abstraction, or with a computer, you will improve the impact of your work with an understanding of this powerful drawing technique. Through four full-day classes using various techniques, you are guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles, and the human form. $275 / Class Limit 16 / Prerequisite None

CREATIVE DRAWING AND ARCHITECTURE Tony O’Regan

Chris Doray

CEDR 163 S001

CEDR 163 S002

Feb 12 - Apr 2

Mar 2 - Apr 20

Sat 1:30 pm - 4:30 pm

Wed 6:30 pm - 9:30 pm

8 Sessions

8 Sessions

This structured, high-energy course develops your basic to intermediate drawing and sketching skills. Exercises and projects lead to understanding and applying perspective drawing, sketch concepts, the “figure-ground” concept, and compositional strategies. A variety of creative freehand techniques develop your approach to architectural figurative drawing. Class work includes some drawing from a model. $275 / Class Limit 16 / Prerequisite None

DRAWING INTO PAINTING: AN INTRODUCTION Lori Goldberg CEDR 164 S001 Feb 3 - Mar 24 Thu 6:30 pm - 9:30 pm 8 Sessions

This course provides an introduction to the fundamentals of drawing and painting and the transition from black-and-white to colour. You will investigate line, form, value, colour, and pictorial composition using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using still lifes, the model, and imagination. Guided exercises and discussion of historical and contemporary art will be used to support the learning process. $275 / Class Limit 14 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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DRAWING WITH PEN AND INK Stan Hunc CEDR 167 S001 Jan 16 - Mar 6 Sun 9:30 am - 12:30 pm 8 Sessions

Explore the expressive medium of pen and ink drawing. Through exercises and step-by step tutorials, you will learn to create a range of work from photo-realism to abstraction and everything in between.

Work with a range of pen points using bistre and sepia inks as well as combinations of ink and watercolour. Experimentation with ink, wash, and colour will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion, and visual balance. $285 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience

DRAWING WITH CHARCOAL AND CHALK Stan Hunc CEDR 171 S001 Mar 1 - Apr 19 Tue 7:00 pm - 10:00 pm 8 Sessions

Explore the expressive qualities of charcoal and chalk, from basic techniques to more complex renderings. Throughout the course students will work on a series of projects, presented in order of difficulty.

These will be supplemented with practical suggestions, ideas for line, value, texture experiments, and techniques for creating special effects. $285 / Class Limit 16 / Prerequisite None

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

DRAWING (CONT’D) DRAWING FUNDAMENTALS II Janet Jones CEDR 260 S001 Mar 8 - Apr 5 Tue 6:00 pm - 10:00 pm 5 Sessions Martin Guderna CEDR 260 S002 Mar 19 - Apr 16 Sat 1:30 pm - 5:30 pm 5 Sessions

This course is designed to provide an intensive exploration of techniques, ideas and approaches to drawing. We will begin working with representational modes aimed at investigating seeing, and knowing the relationship to the sensed world through the eyes. Students will work through a variety of formal problems such as volume, value, composition, mass, positive and negative space and depth. Projects will also involve working from memory and imagination. Students will experiment working with materials, surfaces, scale, repetition and unconventional drawing tools. Projects are designed to help the participants work with their materials so they are better able to express their ideas and work through technical issues in drawing. The practice of drawing will be discussed in relation to the work of both historical and contemporary artists.

INTRODUCTION TO LIFE DRAWING Frances Grafton CEDR 263 S001 Feb 27 - Apr 17 Sun 1:30 pm - 4:30 pm 8 Sessions

$325 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent; for all levels

LIFE DRAWING OPEN STUDIO No Instuctor CEDR 400 S001 Jan 21 - Feb 25 Fri 1:30 pm - 4:30 pm

$215 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I or equivalent

6 Sessions

CEDR 261 S001 Mar 7 - Mar 28 Mon 6:30 pm - 9:30 pm 4 Sessions Mark Neufeld CEDR 261 S002 Mar 31 - Apr 21 Thu 6:30 pm - 9:30 pm 4 Sessions

In this course, you will draw and study the live model, towards the goal of constructing a figure or face without a model. Emphasis will be placed on helping you to develop an ‘internal model’ using basic anatomical proportions, gesture, contour and modelled shading. Subjects will include proportions and construction of the head and figure, drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of use to persons interested in any type of interior, architectural or design-oriented illustration, animation, or fine art where the ability to draw scale figures is desired.

Take advantage of an open studio situation with a model. No instruction is provided.

If you have fundamental drawing skills and wish the opportunity to work on your figure or life drawing, this series of weekly sessions is for you. $90 / Class Limit 16 / Prerequisite Experience drawing or painting from the model is strongly recommended

DRAWING THE FIGURE AND FACE Frances Grafton

Develop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form, and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included.

LIFE DRAWING OPEN STUDIO: THE COSTUMED FIGURE No Instructor CEDR 400 S002 Mar 17 - Apr 21 Thu 6:30 pm - 9:30 pm 6 Sessions

In this special open studio you will have a chance to explore drawing a costumed figure. No instruction is provided. If you have fundamental drawing skills and wish the opportunity to work on your figure or life drawing, this series of weekly sessions is for you. $110 / Class Limit 16 / Prerequisite Experience drawing or painting from the model is strongly recommended

$175 / Class Limit 16 / Prerequisite CEDR 160 Drawing Fundamentals I or equivalent is recommended, but not required

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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FILM + VIDEO INTRODUCTION TO FINAL CUT PRO 7 Eddie Ochmanek CEFV 254 S001 Jan 15 - Feb 19 Sat 1:30 pm - 5:30 pm 6 Sessions

In this course you will be introduced to the basics of using Final Cut Pro version 7 in order to create professional-quality video. You will cover topics including navigating the interface, basic editing techniques, capturing video and audio, effects, transitions, titling, trimming, audio editing, finishing, and final output. This course is intended for beginners who already have basic Mac skills and are interested in learning Final Cut Pro from the ground up. $375 / Class Limit 12 / Prerequisite Basic computer skills

FINAL CUT PRO 7: BEYOND THE BASICS Eddie Ochmanek CEFV 300 S001 Mar 5 - Mar 19 Sat 1:30 pm - 5:30 pm

Are you ready to gain a deeper understanding of Final Cut Pro 7? This course is for those who have a basic knowledge of FCP and are ready to develop further skills in specific areas. Topics covered include: accelerating your workflow, trimming, and using variable speed, as well as sound editing and mixing, media management, advanced compositing and mastering video filters.

3 Sessions

$165 / Class Limit 12 / Prerequisite CEFV 254 Introduction to Final Cut Pro 7 or equivalent experience

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

FILM + VIDEO

STEREOSCOPIC 3D FILMMAKING Welcome to our new Stereoscopic 3D (S3D) Centre of Excellence at Emily Carr, a state-of-the-art stereoscopic cinematographic pipeline. With significant support from Kerner Optical and Western Economic Diversification, the S3D Centre is scaled to co-produce short projects, experimental films, trailers and pitches.

INTRODUCTION TO STEREOSCOPIC 3D FOR FILM PROFESSIONALS Michael Verity

Michael Verity

CEFV 330 S001

CEFV 330 S002

Jan 29

March 12

Sat 10:00 am – 5:00 pm

Sat 10:00 am – 5:00 pm

1 Session

1 Session

This one-day introductory workshop is targeted to professional filmmakers and technicians who are interested in working with stereoscopic 3D. It covers the principles of making images and film in stereoscopic 3D as well as an introduction to different S3D technologies and equipment, including approaches to capturing 3D images. From perceptual issues in how the brain makes sense of 3D images to the basic calculations needed to set up shots and equipment to the best practices in 3D filmmaking today, participants will gain an industry-focused understanding of this new field in image-making. $200 / Class Limit 20 / Prerequisite For film industry professionals

INTRODUCTION TO STEREOSCOPIC 3D IMAGE-MAKING Michael Verity CEFV 340 S001 Feb 16 - Apr 6 Wed 6:30 pm - 8:30 pm 8 Sessions

This course is an introduction to the principles of stereoscopic 3D photography and live-action cinema. It will cover the history, theory and uses of stereoscopy from its invention in the 19th century to 3D’s golden age in the 1950s and its present renaissance. The course will look at the use of depth cues in 2D and 3D image making and will address the best practices of stereoscopy in 3D photography and video. Students will be introduced to the modern techniques and professional equipment used to capture and show 3D content. They will also get hands-on experience developing their own 3D projects using a variety of equipment ranging from DIY rigs to off-theshelf consumer products. This course is suitable for anyone interested in exploring or creating 3D images or films. $350 / Class Limit 14 / Prerequisite Intermediate experience with digital video and/or photography

For additional custom learning opportunities for film professionals, please visit the Stereoscopic 3D Centre at http://www.s3dcentre.ca.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

Michael Verity is the Stereoscopic 3D (S3D) Centre’s Filmmaker-in-Residence for the academic year. Michael is a UK-based artist and technologist principally working with stereoscopic 3D images and binaural sound. He holds an MA, Photography from London College of Fashion, University of the Arts, London, as well as a MSc, Financial Engineering, Kings College London, University of London, a MSc, Computer Science, Birbeck College, University of London and a BSc, Mathematics, University of Reading.

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GRAPHIC NOVEL THE CONTEMPORARY COMIC: AN INTRODUCTION Julian Lawrence CEGN 160 S001 Jan 24 - Feb 28 Mon 6:30 pm - 9:30 pm 6 Sessions

Comics bring together the arts of storytelling and illustration. In this course, you will learn about building stories through illustration, dialogue, and character development. Body language, passage of time, flow, perspective, composition, and personal style will also be addressed. Through exercises, projects, and critiques, you will learn to develop your own ideas from concept to final product. $225 / Class Limit 16 / Prerequisite None

WRITING FOR GRAPHIC NOVELS Robin Thompson CEGN 230 S001 Feb 1 - Mar 22 Tue 6:30 pm - 9:30 pm 6 Sessions

Are you fascinated by the interplay between words and images? Have you wanted to take your drawing and illustration skills and put them to writing a graphic novel or comic? Whether you want to write comic books, illustrated texts or just play with the possibilities of narrative storytelling, this course will help you explore the challenges and rewards of writing for graphic novels. You will explore storyboarding, narrative structures, and principles for combining image and text in exciting ways. This course is ideal for intermediate to advanced students who are looking to apply their creative skills. Please note that although students will be taught minor drawing and illustration skills, there will be a major emphasis on creative writing. $225 / Class Limit 16 / Prerequisite Any 200 level drawing or illustration course

GRAPHIC NOVEL SPECIAL TOPIC: JUST THE FACE Vjeko Sager CEGN 250 S001 Mar 9 - Apr 13 Wed 7:00 pm - 10:00 pm 6 Sessions

What makes a smile turn into a smirk? Understanding how the muscles of the corners of the mouth, the lids of the eyes, the nostrils of the nose move together to make facial expressions enables an artist not only to capture the subtleties of a likeness in a portrait but also to create images that express convincing emotions. Sessions will include drawing from the model, the study of human and animal skulls, working with personally derived photographic material and creating images from observation, information and imagination. $225 / Class Limit 16 / Prerequisite Any 200 level drawing or illustration course

THE CONTEMPORARY COMIC II: TOWARDS THE DIGITAL Julian Lawrence CEGN 260 S001 Mar 14 - Apr 18 Mon 7:00 pm - 10:00 pm 6 Sessions

Continuing from The Contemporary Comic: An Introduction, this second level course further investigates story and image. Explore digital production, as you learn to render inks, tones, and colour in Photoshop, to upload images for the web, and to create an online portfolio to showcase your work internationally. You will continue to explore personal style, story development, character design, and setting as you plan and develop your ideas to produce your own personal comic/graphic novel. $225 / Class Limit 16 / Prerequisite CEGN 160 The Contemporary Comic: An Introduction or equivalent

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

ILLUSTRATION BOTANICAL ILLUSTRATION I Elizabeth Mancini CEIL 110 S001 Jan 22 - Feb 26 Sat 9:30 am - 12:30 pm 6 Sessions

Explore and develop your skills for drawing and painting plant life. Through demonstration, illustration, and one-on-one guidance, you will experience the close-up world of careful observation and attention to detail that is traditional botanical illustration.

Using your own choice of plant material you will take a trip back to a slower time and develop your observational skills in pencil drawing, watercolour and colour mixing.

Some history of botanical art from its early beginnings to contemporary illustrations will be discussed. You will gain a basic understanding of simple botany, as well as a new way of looking at plant forms that will bring depth and perception to your artwork. $215 / Class Limit 14 / Prerequisite Some drawing experience required; some painting experience recommended

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

INTRODUCTION TO ILLUSTRATION Robin Thompson CEIL 170 S001 Jan 13 - Feb 24 Thu 6:30 pm - 9:30 pm 6 Sessions No class Feb 17

Illustration is an effective visual form for communicating ideas, offering commentary, educating or catching the attention of the audience. In this course you are introduced to illustration and the many roles it can play.

Hands-on projects, slide presentations, discussion and critique expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translating of ideas into images. $215 / Class Limit 14 / Prerequisite None

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BOTANICAL ILLUSTRATION II: THE PAINTING STUDIO Elizabeth Mancini CEIL 210 S001 Mar 12 - Apr 16 Sat 9:30 am - 12:30 pm 6 Sessions

This course picks up where Botanical Illustration I leaves off, further developing your painting skills. This studio course is largely self-directed, allowing you to move at your own pace and in the direction of your choice. This course is an opportunity to hone your skills of this exacting art form through 18 hours dedicated to painting and detailed finishing of your chosen botanical subjects.

ILLUSTRATION FOR CHILDREN’S PICTURE BOOKS Lisa Cinar CEIL 240 S001 Jan 16 - Mar 6 Sun 1:30 pm - 4:30 pm 8 Sessions

$165 / Class Limit 14 / Prerequisite CEIL 110 Botanical Illustration I

WHIMSICAL ILLUSTRATION Robert Chaplin CEIL 220 S001 Jan 19 - Mar 9 Wed 6:30 pm - 9:30 pm 8 Sessions

Explore the principles of whimsy through illustration, from traditional book publishing to web-based communication. Ideally suited for more advanced students, in this course you will learn to communicate more effectively with pictures, by exploring concepts of timing and nuance in illustration. Through intensive exercises, students will enjoy and expand their ability to integrate pictures and texts. As well, students will gain insight into the whimsical manner in which pictures and words, direct the thought process of the audience. Students will be encouraged to work on in class exercises, and personal illustration projects, while enjoying the development of their own style. $195 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience

$250 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience

FASHION ILLUSTRATION I Michael Pope CEIL 250 S001 Feb 16 - Mar 23 Wed 6:30 pm - 9:30 pm 6 Sessions

PEN AND INK BOOK ILLUSTRATION Stan Hunc Jan 16 - Mar 6

CEIL 230 S001 Feb 13 - Mar 20 Sun 1:30 pm - 4:30 pm 6 Sessions

In this course you will develop your drawing skills and begin to develop basic fashion illustrations. Working from imagination, photographs, and the model, you will create fashion figures through the study of proportion, line, and silhouette as you work on communicating your fashion direction. $195 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent

CEIL 260 S001

Robin Thompson

Do you love children’s picture book illustrations and want to create your own?

This course will introduce you to key classic and current work in this art form, teach you how to create an effective illustration and main character and help you develop your own unique style. You will develop your own characters using storyboarding and composition exercises and experiment with ink pen, brush work and collage. You’ll also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

COMMERCIAL ILLUSTRATION

Sun 1:30 pm - 4:30 pm

This new course explores illustration techniques as applied to commercial marketing and branding. Learn to apply creative designing, drawing, and colouring skills to the graphic design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards, and advertising will be applied. Students will learn to tools to evaluate their own work from the perspective of the commercial market.

8 Sessions

This course furthers the exploration of pen and ink illustration, visual interpretation, and personal style in ink drawing. Students will be guided through line drawing exercises and will explore gesture, texture, and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, students will develop their drawing skills and create personal visual interpretations from literary samples. $210 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience

$195 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

ILLUSTRATION (CONT’D) FANTASY ILLUSTRATION Stan Hunc CEIL 270 S001 Mar 17 - Apr 21 Thu 6:30 pm - 9:30 pm 6 Sessions

This course offers a step-by-step introduction to the process of creating images for the fantasy genre, from the first seeds of a visual concept, to an illustrated fantasy world. In a series of progressive art projects, students explore the basic principles behind the conceptual and technical aspects of fantasy character evolution. Students will examine aesthetics and literary canons of traditional and contemporary fantasy illustration, and explore their own creative text interpretation and visual imagery. $210 / Class Limit 16 / Prerequisite Any 100-level drawing course or equivalent experience

ILLUSTRATION FOR CHILDREN’S PICTURE BOOKS II: INDEPENDENT PROJECTS Lisa Cinar CEIL 340 S001 Mar 3 - Apr 21 Thu 6:30 pm - 9:30 pm 8 Sessions

Building on the introductory skills of CEIL 240 Illustration for Children’s Picture Books, in this course you will develop your own written and illustrated “dummy book”, building on concepts such as composition, layout, pacing and character development covered in Level I. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In class brainstorming and writing exercises as well as the analysis of existing works will help students in writing their own stories. Additionally students will have the chance to experiment with paper collage and brush and ink to strengthen composition and colour skills in class and be exposed to more groundbreaking work in the field. $275 / Class Limit 14 / Prerequisite CEIL 240 Illustration For Children’s Picture Books

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

FASHION ILLUSTRATION II: FABRIC AND FIT Michael Pope + S Lee CEIL 350 S001 Feb 28 - Apr 4 Mon 6:30 pm - 9:30 pm 6 Sessions

In this course you will build on previous fashion drawing skills through developing past work in new ways, with particular emphasis on expressive renderings of fit and fabric. You will continue to develop your fashion drawing skills as you draw women, men, and children, using a variety of media.

You will practice creating simple, technical drawings of clothes to accompany your figures. This course is team taught, so you will have the chance to work with two instructors. $195 / Class Limit 16 / Prerequisite CECD 278 Fashion Illustration I or any post-secondary fashion illustration course

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FREQUENTLY ASKED QUESTIONS CAN ANYONE REGISTER IN A CONTINUING STUDIES COURSE AT EMILY CARR?

DO CONTINUING STUDIES COURSES COUNT TOWARDS UNIVERSITY DEGREES AT EMILY CARR?

Yes, Continuing Studies offers courses for individuals aged 16 and older at every level, from the curious to the professional. Read course descriptions carefully to ensure the course matches your interests and level of experience.

Currently, the Certificate Programs do not ladder into the University’s credit programs.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT? DO YOU OFFER COURSES FOR TEENS? Yes, Continuing Studies offers a suite of courses for artists and designers aged 15 to 18. Please see page 49 for more details.

You’ll need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments, and will answer any questions that come up. To sign up, please email admissions@ecuad.ca

WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies, 604 736 7028, next to the University’s South Building on Granville Island, and at Petrov’s Art & Craft Supplies, 604 985 1545, 123 Lonsdale Avenue in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.

CAN I GET SOMEONE TO LOOK AT MY ART? Continuing Studies does offer personal consultations (see page 50). However, if you are applying for a Degree Program, learn about the National Portfolio Day at www.portfolioday.net.

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS? Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. See page 50 for more details.

WHAT ARE THE CERTIFICATE PROGRAMS? Continuing Studies offers Certificate Programs in Fine Art Techniques, 2D Design Basics, and 3D Design Basics. These are flexible part-time programs designed to be completed in one – three years. Anyone may register, and no portfolio is required to apply. Design Essentials is a full-time one-year job-ready Certificate Program in communication design, offered in partnership with BCIT. More information can be found on pages 51 through 53.

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

TIMETABLE ANIMATION - page 6 CEAN 152 S001 INTRODUCTION TO MAYA CEAN 231 S001 INTRODUCTION TO FLASH ANIMATION

JAN 22 + JAN 23 JAN 17 - FEB 21

S + SU M

10:00 am - 5:00 pm 7:00 pm - 10:00 pm

THOMAS GROPPI GEORGE PAPAZIAN

BOOK ARTS - page 7 CEBA 112 S001 LETTERPRESS I CEBA 112 S002 LETTERPRESS I CEBA 170 S001 BASICS OF BOOK MAKING CEBA 212 S001 LETTERPRESS: OPEN STUDIO WEEKEND

JAN 22 - FEB 12 MAR 5 - MAR 26 JAN 10 - FEB 14 APR 9 + APR 10

S S M S + SU

10:00 am - 5:00 pm 10:00 am - 5:00 pm 6:30 pm - 9:30 pm 10:00 am - 5:00 pm

ANDREA TAYLOR ANDREA TAYLOR GRACE PARTRIDGE ANDREA TAYLOR

COMMUNICATION DESIGN - page 8 CECD 110 S001 BASICS OF COMMUNICATION DESIGN CECD 110 S002 BASICS OF COMMUNICATION DESIGN CECD 110 S003 BASICS OF COMMUNICATION DESIGN CECD 112 S001 THE ART OF FONTS CECD 160 S001 DRAWING FOR DESIGN CECD 280 S001 DESIGN AND CRITICAL THINKING CECD 300 S001 POSTER DESIGN CECD 320 S001 TYPOGRAPHY CECD 325 S001 WORKING WITH DESIGNERS: AN INTRODUCTORY WORKSHOP CECD 330 S001 PUBLICATION DESIGN

JAN 11 - FEB 15 FEB 5 - MAR 12 FEB 28 - APR 4 JAN 11 - FEB 1 JAN 12 - MAR 2 FEB 24 - APR 14 JAN 19 - MAR 9 FEB 15 - APR 5 APR 16 MAR 6 - APR 10

T S M T W TH W T S SU

6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 9:00 am - 5:00 pm 9:30 am - 1:30 pm

CAROLINA BECERRA CARLEY HODGKINSON CAROLINA BECERRA LINDA COE VJEKO SAGER DANTE COMOGLIO STAN HUNC LINDA COE LINDA COE + NOLA JOHNSTON SIGRID ALBERT

COMPUTER SKILLS - page 10 CECS 100 S001 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 100 S002 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 100 S003 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS CECS 130 S002 ADOBE ILLUSTRATOR: THE BASICS CECS 131 S001 PHOTOSHOP: THE BASICS CECS 131 S002 PHOTOSHOP: THE BASICS CECS 131 S003 PHOTOSHOP: THE BASICS CECS 133 S001 INDESIGN: THE BASICS CECS 136 S001 THE ADOBE SUITE FOR DESIGN + PRODUCTION

JAN 10 JAN 23 FEB 13 JAN 12 - FEB 16 FEB 19 - MAR 26 FEB 23 - MAR 30 MAR 13 - APR 17 MAR 17 - APR 21 MAR 7 - APR 11 JAN 26 - MAR 30

M SU SU W S W SU TH M W

6:00 pm - 10:00 pm 9:30 am - 1:30 pm 9:30 am - 1:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 7:00 pm - 10:00 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm

CAROLINA BECERRA JAIME CLAY JAIME CLAY BROOKE ALLEN JAIME CLAY ARTHUR BABIARZ JAIME CLAY ELIZABETH MILTON BROOKE ALLEN GEORGE PAPAZIAN

CULTURAL STUDIES - page 11 CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN CESE 160 S001 ISSUES IN CONTEMPORARY ART CESE 162 S001 WALKING TOUR: ART IN PUBLIC SPACES CESE 166 S001 WALKING TOUR: GALLERIES + CULTURAL SPACES CESE 180 S001 A SURVEY + HISTORY OF ART

JAN 22 - MAR 12 FEB 20 - MAR 27 JAN 29 - FEB 26 MAR 19 - APR 16 FEB 24 - APR 14

S SU S S TH

9:30 am - 12:30 pm 10:30 am - 2:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 7:00 pm - 10:00 pm

CARLEY HODGKINSON RAMON KUBICEK SEAN GEORGE SEAN GEORGE NADIA THIBAULT

DIGITAL MEDIA CEDA 232 S001 CEDA 232 S002 CEDA 332 S001

JAN 16 - FEB 20 FEB 8 - MAR 15 MAR 6 - APR 10

SU T SU

9:30 am - 12:30 pm 7:00 pm - 10:00 pm 9:30 am - 12:30 pm

DAVID JUNIPER DAVID JUNIPER DAVID JUNIPER

JAN 10 - FEB 14 JAN 25 - MAR 1 FEB 14 - MAR 21 FEB 27 - APR 3 MAR 3 - APR 7 MAR 11 - APR 15 FEB 12 - APR 2 FEB 12 - APR 2 MAR 2 - APR 20 FEB 3 - MAR 24 JAN 16 - MAR 6 MAR 1 - APR 19

M T M SU TH F S S W TH SU T

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 7:00 pm - 10:00 pm

LEIGH BRIDGES VJEKO SAGER JAMES PICARD FRANCES GRAFTON NEIL WEDMAN KEITH LANGERGRABER TONY O’REGAN TONY O’REGAN CHRIS DORAY LORI GOLDBERG STAN HUNC STAN HUNC

page 13 INTRODUCTION TO WEB DESIGN INTRODUCTION TO WEB DESIGN ADVANCED WEB DESIGN

DRAWING - page 14 CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S006 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS + DESIGNERS CEDR 163 S001 CREATIVE DRAWING + ARCHITECTURE CEDR 163 S002 CREATIVE DRAWING + ARCHITECTURE CEDR 164 S001 DRAWING INTO PAINTING: AN INTRODUCTION CEDR 167 S001 DRAWING WITH PEN + INK CEDR 171 S001 DRAWING WITH CHARCOAL + CHALK

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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DRAWING (CONT’D) - page 16 CEDR 260 S001 DRAWING FUNDAMENTALS II CEDR 260 S002 DRAWING FUNDAMENTALS II CEDR 261 S001 DRAWING THE FIGURE + FACE CEDR 261 S002 DRAWING THE FIGURE + FACE CEDR 263 S001 INTRODUCTION TO LIFE DRAWING CEDR 400 S001 LIFE DRAWING OPEN STUDIO CEDR 400 S002 LIFE DRAWING OPEN STUDIO:

THE COSTUMED FIGURE

MAR 8 - APR 5 MAR 19 - APR 16 MAR 7 - MAR 28 MAR 31 - APR 21 FEB 27 - APR 17 JAN 21 - FEB 25

T S M TH SU F

6:00 pm - 10:00 pm 1:30 pm - 5:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm

JANET JONES MARTIN GUDERNA FRANCES GRAFTON MARK NEUFELD FRANCES GRAFTON NO INSTRUCTOR

MAR 17 - APR 21

TH

6:30 pm - 9:30 pm

NO INSTRUCTOR

FILM + VIDEO - page 17 CEFV 254 S001 INTRODUCTION TO FINAL CUT PRO 7 CEFV 300 S001 FINAL CUT PRO 7: BEYOND THE BASICS CEFV 330 S001 INTRO TO STEREOSCOPIC 3D FOR FILM PROFESSIONALS CEFV 330 S002 INTRO TO STEREOSCOPIC 3D FOR FILM PROFESSIONALS CEFV 340 S001 INTRO TO STEREOSCOPIC 3D IMAGE-MAKING

JAN 15 - FEB 19 MAR 5 - MAR 19 JAN 29 MAR 12 FEB 16 - APR 6

S S S S W

1:30 pm - 5:30 pm 1:30 pm - 5:30 pm 10:00 am - 5:00 pm 10:00 am - 5:00 pm 6:30 pm - 8:30 pm

EDDIE OCHMANEK EDDIE OCHMANEK MICHAEL VERITY MICHAEL VERITY MICHAEL VERITY

GRAPHIC NOVEL CEGN 160 S001 CEGN 230 S001 CEGN 250 S001 CEGN 260 S001

- page 19 THE CONTEMPORARY COMIC: AN INTRODUCTION WRITING FOR GRAPHIC NOVELS GRAPHIC NOVEL SPECIAL TOPIC: JUST THE FACE THE CONTEMPORARY COMIC II: TOWARDS THE DIGITAL

JAN 24 - FEB 28 FEB 1 - MAR 22 MAR 9 - APR 13 MAR 14 - APR 18

M T W M

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 7:00 pm - 10:00 pm

JULIAN LAWRENCE ROBIN THOMPSON VJEKO SAGER JULIAN LAWRENCE

ILLUSTRATION CEIL 110 S001 CEIL 170 S001 CEIL 210 S001 CEIL 220 S001 CEIL 230 S001 CEIL 240 S001 CEIL 250 S001 CEIL 260 S001 CEIL 270 S001 CEIL 340 S001

CEIL 350 S001

page 20 BOTANICAL ILLUSTRATION I INTRODUCTION TO ILLUSTRATION BOTANICAL ILLUSTRATION II: THE PAINTING STUDIO WHIMSICAL ILLUSTRATION COMMERCIAL ILLUSTRATION ILLUSTRATION FOR CHILDREN’S PICTURE BOOKS FASHION ILLUSTRATION I PEN + INK BOOK ILLUSTRATION FANTASY ILLUSTRATION ILLUSTRATION FOR CHILDREN’S PICTURE BOOKS II: INDEPENDENT PROJECTS FASHION ILLUSTRATION II: FABRIC AND FIT

JAN 22 - FEB 26 JAN 13 - FEB 24 MAR 12 - APR 16 JAN 19 - MAR 9 FEB 13 - MAR 20 JAN 16 - MAR 6 FEB 16 - MAR 23 JAN 16 - MAR 6 MAR 17 - APR 21

S TH S W SU SU W SU TH

9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm

ELIZABETH MANCINI ROBIN THOMPSON ELIZABETH MANCINI ROBERT CHAPLIN ROBIN THOMPSON LISA CINAR MICHAEL POPE STAN HUNC STAN HUNC

MAR 3 - APR 21 FEB 28 - APR 4

TH M

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

LISA CINAR MICHAEL POPE + S LEE

INDUSTRIAL DESIGN - page 28 CEID 120 S001 BASICS OF INDUSTRIAL DESIGN CEID 120 S002 BASICS OF INDUSTRIAL DESIGN CEID 121 S001 EXPLORATION OF 3D DESIGN CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN CEID 122 S002 BASICS OF ARCHITECTURAL DESIGN CEID 160 S001 RAPID VISUALIZATION + PRODUCT RENDERING CEID 222 S001 BASIC ELECTRONICS FOR INTERACTIVITY CEID 223 S001 ARCHITECTURAL MODELING + MAQUETTES CEID 232 S001 INTRODUCTION TO AUTOCAD LT CEID 235 S001 INTRODUCTION TO RHINO CEID 240 S001 DESIGN FOR EXHIBITS CEID 260 S001 3D DESIGN SKETCHING CEID 261 S001 DRAFTING FOR 3D DESIGN CEID 275 S001 CONCEPTS IN FURNITURE DESIGN CEID 390 S001 DESIGNING SOCIAL CHANGE CEID 420 S001 3D DESIGN STUDIO

JAN 15 - JAN 29 MAR 15 - APR 19 FEB 12 - MAR 5 JAN 16 - MAR 6 FEB 21 - APR 11 FEB 12 - APR 2 JAN 24 - MAR 14 FEB 13 - APR 3 FEB 5 + FEB 6 FEB 19 + FEB 20 MAR 2 - APR 20 JAN 18 - MAR 8 FEB 1 - MAR 22 FEB 14 - APR 18 MAR 1 - APR 19 FEB 26 - APR 16

S T S SU M S M SU S + SU S + SU W T T M T S

10:00 am - 5:00 pm 7:00 pm - 10:00 pm 10:00 am - 5:00 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 10:00 am - 5:00 pm 10:00 am - 5:00 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm

ROMAN IZDEBSKI LUKAS ARMSTRONG ROMAN IZDEBSKI TONY O’REGAN CHRIS DORAY YING-CHIU CHAN BOBBI KOZINUK TONY O’REGAN THOMAS GROPPI THOMAS GROPPI DANTE COMOGLIO YING-CHIU CHAN TERRY HARRISON JONATHAN BAKER KARA PECKNOLD SCOTT STANILAND

MATERIAL PRACTICE - page 32 CEFA 160 S001 BASICS OF COMPOSITION + FORM CEFA 160 S002 BASICS OF COMPOSITION + FORM CEFA 170 S001 MATERIALS + MEDIA IN FINE ART PRACTICE

JAN 10 - FEB 28 FEB 1 - MAR 22 MAR 6 - MAR 27

M T SU

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 3:00 pm

FRANCES GRAFTON KEITH LANGERGRABER KAREN KAZMER

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

TIMETABLE (CONT’D) MATERIAL PRACTICE (CONT’D) - page 32 CEFA 170 S002 MATERIALS + MEDIA IN FINE ART PRACTICE CEFA 260 S001 DEVELOPING YOUR VISUAL STYLE

MAR 10 - APR 14 MAR 15 - APR 19

TH T

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

IAN FORBES VJEKO SAGER

JAN 18 - MAR 8 FEB 24 - APR 14 JAN 16 - MAR 6 MAR 2 - APR 20 JAN 16 - MAR 6 FEB 26 - APR 16 JAN 19 - FEB 23 JAN 17 - FEB 21 MAR 7 - APR 11 JAN 13 - FEB 17 MAR 12 - APR 16 JAN 15 - FEB 19 MAR 12 - APR 16 JAN 30 - FEB 20 MAR 15 - APR 19 MAR 13 - APR 17 MAR 11 - APR 15 MAR 15 - APR 19 FEB 26 - APR 2 MAR 10 - APR 14 MAR 12 - APR 16 JAN 13 - FEB 17 FEB 23 - APR 13 FEB 26 - APR 16 FEB 27 - APR 17 MAR 13 - APR 17

T TH SU W SU S W M M TH S S S SU T SU F T S TH S TH W S SU SU

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:00 pm - 10:00 pm 9:30 am - 1:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 10:00 am - 5:00 pm 6:00 pm - 10:00 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:00 pm - 10:00 pm 1:30 pm - 4:30 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm

MARTIN GUDERNA ELIZABETH BARNES LORI GOLDBERG LORI GOLDBERG JAMES LINDFIELD JAMES LINDFIELD JAMES PICARD ELIZABETH BARNES ELIZABETH BARNES JEANNE KRABBENDAM JEANNE KRABBENDAM DIANA KUBICEK MARTIN GUDERNA KALSANG DAWA MARTIN GUDERNA LORI GOLDBERG JAMES LINDFIELD LORI GOLDBERG JAMES LINDFIELD JEANNE KRABBENDAM ELIZABETH BARNES LEIGH BRIDGES LISA BIRKE LISA BIRKE MARK NEUFELD JAMES LINDFIELD

FEB 28 - APR 18

M

6:30 pm - 9:30 pm

LISA BIRKE

FEB 26 - APR 16 MAR 6 - APR 3

S SU

1:30 pm - 4:30 pm 10:00 am - 5:00 pm

LISA BIRKE KALSANG DAWA

JAN 13 - FEB 10 MAR 1 - MAR 29 FEB 12 - APR 2 JAN 15 - MAR 5 JAN 16 - FEB 20 JAN 30 - MAR 6 MAR 15 - APR 19 JAN 18 - MAR 8

TH T S S SU SU T T

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 2:30 pm - 5:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 7:00 pm - 10:00 pm 7:00 pm - 10:00 pm

RAND BERTHAUDIN RAND BERTHAUDIN VENDULA RALKOVA KATHRYN MUSSALLEM JOSH HITE KATHRYN MUSSALLEM MATILDA ASLIZADEH KATHRYN MUSSALLEM

FEB 27 - APR 3 FEB 27 - APR 3 MAR 12 - APR 16

SU SU S

10:00 am - 1:00 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm

DIANE EVANS JOSH HITE MATILDA ASLIZADEH

PRINTMAKING - page 41 CEPR 150 S001 PHOTO-BASED PRINTMAKING CEPR 160 S001 INTRODUCTION TO RELIEF PRINTMAKING CEPR 163 S001 INTRODUCTION TO WOOD ENGRAVING CEPR 164 S001 TEXTILE PRINTING I CEPR 164 S002 TEXTILE PRINTING I CEPR 165 S001 PRINTMAKING TECHNIQUES

JAN 29 - MAR 12 FEB 20 - MAR 27 FEB 12 - FEB 26 JAN 16 - FEB 20 MAR 13 - APR 17 JAN 25 - FEB 10

S SU S SU SU T + TH

1:30 pm - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 4:30 pm 9:30 am - 2:00 pm 9:30 am - 2:00 pm 7:00 pm - 10:00 pm

MADELEINE SAUVÉ LAWRENCE LOWE SHINSUKE MINEGISHI ELEANOR HANNAN ELEANOR HANNAN SHINSUKE MINEGISHI

PROFESSIONAL DEVEOPMENT - page 43 CEPD 190 S001 THE BUSINESS OF ART PRACTICE CEPD 250 S001 COMMERCIAL ASSESSMENT WORKSHOP CEPD 260 S001 TOWARD A BUSINESS PLAN

MAR 7 - APR 11 M MAR 12 S FEB 5, MAR 5 + APR 2 S

6:30 pm - 9:30 pm 9:00 am - 1:00 pm 10:00 am - 5:00 pm

CHRIS TYRELL CHRIS TYRELL CHRIS TYRELL

PAINTING - page CEPN 160 S001 CEPN 160 S002 CEPN 161 S001 CEPN 161 S002 CEPN 162 S001 CEPN 162 S002 CEPN 163 S001 CEPN 164 S001 CEPN 164 S002 CEPN 165 S001 CEPN 165 S002 CEPN 169 S001 CEPN 169 S002 CEPN 180 S001 CEPN 260 S001 CEPN 261 S001 CEPN 262 S001 CEPN 263 S001 CEPN 264 S001 CEPN 265 S001 CEPN 270 S001 CEPN 271 S001 CEPN 271 S002 CEPN 271 S003 CEPN 278 S001 CEPN 360 S001 CEPN 371 S001

CEPN 371 S002

CEPN 378 S001

33 PAINTING FUNDAMENTALS I: COMPOSITION / PROCESS PAINTING FUNDAMENTALS I: COMPOSITION / PROCESS FUNDAMENTALS OF ACRYLIC PAINTING FUNDAMENTALS OF ACRYLIC PAINTING FUNDAMENTALS OF OIL PAINTING FUNDAMENTALS OF OIL PAINTING FUNDAMENTALS OF WATERCOLOUR USING COLOUR USING COLOUR THE BUILT SURFACE: PAINT + COLLAGE THE BUILT SURFACE: PAINT + COLLAGE MIXED MEDIA PAINTING TECHNIQUES MIXED MEDIA PAINTING TECHNIQUES EXPLORING MANDALA PAINTING FUNDAMENTALS II ACRYLIC PAINTING II OIL PAINTING II WATERCOLOUR PAINTING II USING COLOUR II EXPLORING THE BUILT SURFACE FORMS AND CONCEPTS IN CONTEMPORARY PAINTING BRUSH STROKE BOOT CAMP I BRUSH STROKE BOOT CAMP I BRUSH STROKE BOOT CAMP I PAINTING THE PORTRAIT PAINTING: OPEN STUDIO BRUSH STROKE BOOT CAMP II : COMPOSITION + THE PICTURE PLANE BRUSH STROKE BOOT CAMP II: LANDSCAPE AND NATURAL ELEMENTS TIBETAN THANGKA PAINTING II

PHOTOGRAPHY - page 38 CEPH 141 S001 BLACK-AND-WHITE PHOTOGRAPHY I CEPH 141 S002 BLACK-AND-WHITE PHOTOGRAPHY I CEPH 230 S001 THE MAGIC OF STREET PHOTOGRAPHY CEPH 246 S001 THE CONSTRUCTED IMAGE CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 250 S002 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 250 S003 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 255 S001 DIGITAL PHOTOGRAPHY: OPEN STUDIO CEPH 345 S001 FIBER-BASED PRINTING:

ADVANCED BLACK-AND-WHITE PHOTOGRAPHY CEPH 350 S001 INTERMEDIATE DIGITAL PHOTOGRAPHY CEPH 352 S001 ADVANCED DIGITAL PHOTOGRAPHY

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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PROFESSIONAL DEVELOPMENT (CONT’D) - page 43 CEPD 292 S001 VISUAL ART MARKETING CEPD 393 S001 MARKETING 3D DESIGN SERVICES CEPD 410 S001 CURRICULUM WORKSHOP FOR ART TEACHERS CEWR 175 S001 WORDPLAY: CREATIVE PROCESS FOR WRITERS

MAR 17 - APR 7 MAR 17 - APR 21 MAR 27 FEB 6 - MAR 27

TH TH SU SU

6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 9:00 am - 5:00 pm 1:30 pm - 4:30 pm

CHRIS TYRELL TONY O’REGAN TBA INGRID ROSE

SCULPTURE + INSTALLATION - page 45 CESC 178 S001 INTRODUCTION TO MOLD DESIGN AND CASTING CESC 179 S001 SMALL SCALE MODELING CESC 180 S001 INTRODUCTION TO METAL SCULPTURE CESC 279 S001 INTERMEDIATE METAL SCULPTURE CESC 300 S001 THE DIGITAL FOUNDRY: FROM 3D TECHNOLOGY TO BRONZE

FEB 16 - APR 6 FEB 6 - MAR 27 FEB 15 - APR 19 FEB 12 - APR 16 FEB 17 - APR 21

W SU T S TH

6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 7:00 pm - 10:00 pm

PHILIP ROBBINS VICKI ISRAEL IAN RHODES IAN RHODES PHILIP ROBBINS

SOCIAL MEDIA CESM 100 S001 CESM 110 S001 CESM 130 S001 CESM 140 S001 CESM 150 S001 CESM 230 S001

JAN 17 - FEB 21 FEB 21 - APR 4 JAN 27 - FEB 24 FEB 9 - MAR 9 JAN 25 - MAR 1 MAR 10 - APR 7

M M TH W T TH

7:00 pm - 10:00 pm 7:00 pm - 10:00 pm 7:00 pm - 10:00 pm 6:30 pm - 9:30 pm 7:00 pm - 10:00 pm 7:00 pm - 10:00 pm

ROB COTTINGHAM REBECCA COLEMAN LINDA SOLOMON JOSH HITE JOSH HITE LINDA SOLOMON

JAN 22 + JAN 29 APR 10 + APR 17 MAR 12 + MAR 19 APR 9 + APR 16

S SU SU S

9:00 am - 5:00 pm 9:00 am - 5:00 pm 9:00 am - 5:00 pm 9:00 am - 5:00 pm

YING CHIU CHAN JOSH HITE STAN HUNC JOSH HITE

page 47 THE ART OF SOCIAL MEDIA FINDING YOUR SOCIAL MEDIUM THE ART OF BLOGGING: AN INTRODUCTION PHOTOGRAPHY FOR SOCIAL CHANGE VIDEO FOR THE SOCIAL WEB ADVANCED ART OF BLOGGING

TEENS WORKSHOPS - page 49 CETP 150 S001 TEEN DESIGN/BUILD WORKSHOP CETP 175 S001 PORTFOLIO WORKSHOP FOR TEENS CETP 180 S001 TEEN VISUAL ART WORKSHOP CETP 180 S002 TEEN VISUAL ART WORKSHOP

YOU ARE INVITED TO JOIN US:

SPEAKER SERIES 2010/11 Each semester, Emily Carr’s Speaker Series brings to campus the unique and diverse perspectives of world-renowned artists, architects, designers, curators, scholars, and writers.

Each speaker presents their work and invites the audience to participate in a critical discussion.

The primary mission of the Speaker’s Series Program is to foster crossdisciplinary discussions around topical issues in contemporary art, design, and media.

Lectures are free and open to the public.

Throughout the 2010-2011 academic year, the Speaker Series is pleased to present a number of distinguished Canadian and International guests.

On November 10, the series will host Paul Chaat Smith, a Comanche author, essayist, and Associate Curator at

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the Smithsonian’s National Museum of the American Indian. Highlights for 2011 include Ray Zone, a Los Angeles-based champion of 3D technology and self-proclaimed ‘King of 3D Comics’. Adrian Stimson is a Saskatchewan-based performance and installation artist often working with the well-known persona Buffalo Boy, a parody of Buffalo Bill. Jodi Forlizzi is an interaction designer, working specifically with aesthetic and social notification systems.

For a full listing of lectures, times and locations, please visit ecuad.ca/about/events.

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

INDUSTRIAL DESIGN BASICS OF INDUSTRIAL DESIGN Roman Izdebski

Lukas Armstrong

CEID 120 S001

CEID 120 S002

Jan 15 - Jan 29

Mar 15 - Apr 19

Sat 10:00 am - 5:00 pm

Tue 7:00 pm - 10:00 pm

3 Sessions

6 Sessions

This course introduces you to the field of Industrial Design. You gain an awareness of the design process with an emphasis on design criteria, followed by formulation of the design brief, development of creative concepts, user testing, and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation. $250 / Class Limit 16 / Prerequisite None

EXPLORATION OF 3D DESIGN Roman Izdebski CEID 121 S001 Feb 12 - Mar 5 Sat 10:00 am - 5:00 pm 4 Sessions

This course familiarizes you with the principles of three-dimensional design as well as with a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale, and surface are developed.

You create both functional and sculptural objects through projects that explore threedimensional concepts, forms, and materials. The emphasis is on problem solving and imaginative and experimental responses to proposed projects. $295 / Class Limit 16 / Prerequisite None

BASICS OF ARCHITECTURAL DESIGN Tony O’Regan

Chris Doray

CEID 122 S001

CEID 122 S002

Jan 16 - Mar 6

Feb 21 - Apr 11

Sun 9:30 am - 12:30 pm

Mon 6:30 pm - 9:30 pm

8 Sessions

8 Sessions

This 3D studio course introduces you to the design process as it applies to architecture.

Through idea generation, sketch models, proposal research and presentation, and modelling techniques, you interpret your ideas architecturally as you also explore the locational, contextual, and structural aspects of architectural design. You will work on a site-specific design project individually and in teams. $265 / Class Limit 16 / Prerequisite None

RAPID VISUALIZATION AND PRODUCT RENDERING Ying-Chiu Chan CEID 160 S001 Feb 12 - Apr 2 Sat 9:30 am - 12:30 pm 8 Sessions

Rapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, graphic design, industrial design, illustration, architecture, furniture, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and begin to solve problems. This course introduces you to the methods, techniques, and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection, and texture are examined, followed by demonstrations of approaches and techniques. Practical exercises are supplemented with discussion, slide presentations, and critiques. $315 / Class Limit 16 / Prerequisite Strong drawing skills with an enthusiasm for realism and detail

BASIC ELECTRONICS FOR INTERACTIVITY Bobbi Kozinuk CEID 222 S001 Jan 24 - Mar 14 Mon 6:30 pm - 9:30 pm 8 Sessions

Electronic control is built into innumerable items around us – from the simplest switch to the most elaborate robotics. This studio course will guide you on how to use basic electronics in the creation of one main interactive art project. You will be introduced to electronic circuitry and basic laws, sensors, leds and microcontrollers such as Arduino and Displayduino. You will discuss how to create systems, explore circuit bending and how to combine technology and creativity in your own unique project. Additional material covered will include interactive art, contemporary new media projects and robotics in art. $225 / Class Limit 11 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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ARCHITECTURAL MODELING AND MAQUETTES Tony O’Regan CEID 223 S001 Feb 13 - Apr 3 Sun 1:30 pm - 4:30 pm

This studio course introduces you to architectural modeling from drawings. Through exercises and projects you learn to read design drawings and build foam core models for architecture, interiors, landscape design, or industrial design applications. Emphasis is on quick building techniques useful in the design process.

8 Sessions

$315 / Class Limit 16 / Prerequisite None

INTRODUCTION TO AUTOCAD LT This two-day intensive workshop offers an introduction to the fundamentals of computerCEID 232 S001 aided design and drafting for industrial design. Students will learn the basics 2D drafting and Feb 5 + Feb 6 detailing with a focus on the production of dimensioned drawings for fabrication and Sat + Sun 10:00 am - 5:00 pm production. Students will document their ideas and designs accurately with a comprehensive 2 Sessions set of 2D drafting and detailing tools. At course end, each student should be comfortable using AutoCad LT independently.

Thomas Groppi

$175 / Class Limit 16 / Prerequisite None

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

INDUSTRIAL DESIGN (CONT’D)

3D DESIGN SKETCHING Ying-Chiu Chan CEID 260 S001 Jan 18 - Mar 8 Tue 7:00 pm - 10:00 pm 8 Sessions

INTRODUCTION TO RHINO This two-day intensive workshop provides hands-on 3D prototyping skills using Rhinoceros. Students will learn how to Feb 19 + Feb 20 Sat + Sun 10:00 am - 5:00 pm model, edit and analyze organic 3D surfaces using this powerful industry standard 2 Sessions software. Over the course of an intensive week-end, you will work from real-life scenarios and problem-solve using professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model and/or prototype products for manufacturing.

Thomas Groppi CEID 235 S001

$265 / Class Limit 16 / Prerequisite None

DRAFTING FOR 3D DESIGN Terry Harrison CEID 261 S001 Feb 1 - Mar 22

$175 / Class Limit 16 / Prerequisite None

Tue 6:30 pm - 9:30 pm 8 Sessions

DESIGN FOR EXHIBITS Dante Comoglio CEID 240 S001 Mar 2 - Apr 20 Wed 6:30 pm - 9:30 pm 8 Sessions

Sketching is an essential process in three-dimensional design; it documents the flow of ideas and can be used as an effective tool for communication. In this course, you explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architectural design. Through slides, lectures, demonstrations, discussion, and design projects, you apply design drawing techniques to the visualization of products and environment, form, and space.

This course will focus on creating dynamic immersive experiences for museums and cultural spaces. Drawing upon principles of communication design and threedimensional design, students will complete assignments that consider space, flow of information, sight lines, aesthetics, logistics, and user experience. Visioning sessions will involve sketching and paper modeling.

Final projects will propose innovative solutions for a cultural or museum space.

This studio course concentrates on conventional drafting skills, including the use of instruments, equipment, geometric constructions, theory of orthographic projections, dimensioning of detail drawings, general assemblies, and isometrics. Comparisons are made with electronic drafting. In assignments and lectures, you will develop skills to execute basic drafting tasks and to produce the various forms of drawings that enable communication of design in technical terms for the purpose of fabrication to industry standards. $265 / Class Limit 16 / Prerequisite None

CONCEPTS IN FURNITURE DESIGN $265 / Class Limit 16 / Prerequisite Some experience in communication and/or industrial design

Jonathan Baker CEID 275 S001 Feb 14 - Apr 18 Mon 6:30 pm - 9:30 pm 10 Sessions

This course will introduce those with some studio design experience to the process of furniture conceptualization and design.

Emphasis will be on research, drawing, modelling and small-scale mock-ups.

You will be introduced to effective methods of communicating and testing design ideas through sketches and models in order to conceive and design a simple piece of furniture.

Note: This course will not include building full-scale models, and will not use wood shops. $325 / Class Limit 14 / Prerequisite CEID 160 Rapid Visualization and Product Rendering and CEID 224 Introduction to Model Making, or equivalents with instructor permission

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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DESIGNING SOCIAL CHANGE Kara Pecknold CEID 390 S001 Mar 1 - Apr 19 Tue 6:30 pm - 9:30 pm 8 Sessions

Have you ever had an idea for making your community or organization better? In this studio/seminar course, students will be challenged to use design thinking and process to consider complex social and economic problems. Through discussions, collaborations, research and prototyping of ideas, students will learn about design as it relates to the social, cultural, environmental and economic systems we live in. The outcome of this course will be a real project that could be presented to a potential client or community leader for implementation.

Ideal for people who want to learn how to apply creative process to complex topics, in order to realize tangible outcomes. $250 / Class Limit 18 / Prerequisite None

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3D DESIGN STUDIO Scott Staniland CEID 420 S001 Feb 26 - Apr 16 Sat 9:30 am - 12:30 pm 8 Sessions

In this advanced-level studio course students apply product design processes and methods to the development of functional or experimental objects or environments. The emphasis is on research, problem solving, and creative experimental responses to projects, discussions, and critiques of ideas and form. Course content focuses on analysis, concept development, and communicating 3D concepts for products or environments as models or prototypes. Slide lectures, demonstrations, and discussions encourage students to develop innovative solutions to the course projects. $325 / Class Limit 14 / Prerequisite All core courses in the Certificate Program in 3D Design or equivalent experience are required; elective courses are strongly recommended

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

MATERIAL PRACTICE BASICS OF COMPOSITION AND FORM Frances Grafton

Keith Langergraber

CEFA 160 S001

CEFA 160 S002

Jan 10 - Feb 28

Feb 1 - Mar 22

Mon 6:30 pm - 9:30 pm

Tue 6:30 pm - 9:30 pm

8 Sessions

8 Sessions

This course introduces you to ideas in art making while examining the relationship of concept and composition in two-dimensional art practices. You develop skills in composition by investigating how line, shape, colour, texture, and surface treatment enhance and influence form. Exercises and experimentation with a variety of media allow you to explore aesthetics and meaning by applying the elements and principles of composition. Through illustrated lectures, demonstrations, discussions, observations, and critiques you learn to reference historical and contemporary theories and image sources as inspirations for art making. $335 / Class Limit 16 / Prerequisite None

MATERIALS AND MEDIA IN FINE ART PRACTICE Karen Kazmer

Ian Forbes

CEFA 170 S001

CEFA 170 S002

Mar 6 - Mar 27

Mar 10 - Apr 14

Sun 9:30 am - 3:00 pm

Thu 6:30 pm - 9:30 pm

4 Sessions

6 Sessions

This course introduces you to the diversity of materials and media used in the contemporary visual arts to create three-dimensional objects and communicate ideas. Traditional and unconventional materials and processes are employed in exercises and projects as you gain an understanding of basic three-dimensional elements such as space, mass, volume, plane, and texture. How these elements are affected and can be manipulated through choice of materials is explored and discussed as you advance your understanding of relationships between ideas, materials, media, and context. $235 / Class Limit 16 / Prerequisite None

DEVELOPING YOUR VISUAL STYLE Vjeko Sager CEFA 260 S001 Mar 15 - Apr 19 Tue 6:30 pm - 9:30 pm 6 Sessions

This course provides an opportunity to work on and develop your own artistic style. You will be introduced to examples, principles, and methods of major historic styles including classical and modern. This course is designed to merge hands-on practice with your creative ideas by experimenting with numerous materials and techniques. Throughout the course you will analyze your creative process and refine your aesthetic abilities. $235 / Class Limit 16 / Prerequisite Some drawing or painting experience

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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PAINTING PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS Martin Guderna CEPN 160 S001 Jan 18 - Mar 8 Tue 6:30 pm - 9:30 pm 8 Sessions Elizabeth Barnes CEPN 160 S002 Feb 24 - Apr 14 Thu 6:30 pm - 9:30 pm 8 Sessions

This course is an introduction to painting and two-dimensional design. Various painting techniques are introduced while you explore basic composition, colour, and use of tools and materials. Through hands-on experience, you take an investigative approach to the techniques and methods artists have used through the ages. Linear structure, mass, and spatial properties are explored as you experiment with a variety of techniques including impasto, transparencies, and decalcomania.

FUNDAMENTALS OF ACRYLIC PAINTING Lori Goldberg CEPN 161 S001 Jan 16 - Mar 6 Sun 1:30 pm - 4:30 pm 8 Sessions Lori Goldberg CEPN 161 S002 Mar 2 - Apr 20 Wed 6:30 pm - 9:30 pm

This course provides a step-by-step introduction to painting with acrylics. You gain an understanding of colour, space, and composition while being introduced to technical and conceptual concerns.

Thinning, thickening, and texturing techniques and their applications are explored. Lectures, demonstrations, slide presentations, and critiques supplement hands-on practice.

8 Sessions

$275 / Class Limit 16 / Prerequisite None $325 / Class Limit 16 / Prerequisite None

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

PAINTING (CONT’D) FUNDAMENTALS OF OIL PAINTING James Lindfield

James Lindfield

CEPN 162 S001

CEPN 162 S002

Jan 16 - Mar 6

Feb 26 - Apr 16

Sun 9:30 am - 12:30 pm

Sat 1:30 pm - 4:30 pm

8 Sessions

8 Sessions

Experience the beauty and texture of oil painting. Explore the tools, skills, terminology, and imagery through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition, and texture are examined. Lectures, demonstrations, discussions, and critiques are included. $295 / Class Limit 16 / Prerequisite None

FUNDAMENTALS OF WATERCOLOUR James Picard CEPN 163 S001 Jan 19 - Feb 23 Wed 6:30 pm - 9:30 pm

This course introduces the basic, essential techniques of painting with watercolour. Through projects you gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective, and understanding the relation of values to colour are introduced.

6 Sessions

$205 / Class Limit 16 / Prerequisite None

USING COLOUR Elizabeth Barnes

Elizabeth Barnes

CEPN 164 S001

CEPN 164 S002

Jan 17 - Feb 21

Mar 7 - Apr 11

Mon 6:30 pm - 9:30 pm

Mon 6:30 pm - 9:30 pm

6 Sessions

6 Sessions

This introductory studio course provides an opportunity to investigate the creative use of colour in a variety of mediums. You explore the use of colour to develop observational and painting skills, create compositional structure, and develop individual imagery. Through a range of projects designed to extend creative and imaginative explorations, you explore expressive and conceptual possibilities primarily through colour projects. Colour theory and contemporary and historical applications with special reference to painting are discussed. $225 / Class Limit 16 / Prerequisite None

THE BUILT SURFACE: PAINT AND COLLAGE Jeanne Krabbendam

Jeanne Krabbendam

CEPN 165 S001

CEPN 165 S002

Jan 13 - Feb 17

Mar 12 - Apr 16

Thu 6:00 pm - 10:00 pm

Sat 9:30 am - 1:30 pm

6 Sessions

6 Sessions

Explore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle, and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining, and separation effects. Themes, symbols, and concepts related to the object or the place it was found will be developed through discussion and critiques. $255 / Class Limit 16 / Prerequisite None

MIXED MEDIA PAINTING TECHNIQUES Diana Kubicek

Martin Guderna

CEPN 169 S001

CEPN 169 S002

Jan 15 - Feb 19

Mar 12 - Apr 16

Sat 9:30 am - 12:30 pm

Sat 9:30 am - 12:30 pm

6 Sessions

6 Sessions

For both beginner and experienced painters, this course introduces the process of imagemaking on built surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers you explore expression and emotion through layering, drawing, and brushwork. $205 / Class Limit 14 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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EXPLORING MANDALA Kalsang Dawa CEPN 180 S001 Jan 30 - Feb 20 Sun 10:00 am - 5:00 pm 5 Sessions

Learn about the cross-cultural art of Mandalas, including the sacred geometry and symbolism of Tibetan Buddhist and Hindu Mandalas. Students will learn how to prepare and paint on a wood surface using a unique set of mixed media, including: semi-precious minerals, gold leaf, herbs and spices, sand and sea shells. $365 / Class Limit 10 / Prerequisite None

PAINTING FUNDAMENTALS II Martin Guderna CEPN 260 S001 Mar 15 - Apr 19 Tue 6:00 pm - 10:00 pm 6 Sessions

Building on the knowledge and experience gained in CEPN 160 Painting Fundamentals I, you continue to explore painting techniques, tools, and materials, and their applications through which you convey messages, ideas, emotions, and issues. Traditional techniques and systems are explored, however the emphasis is on contemporary painting. $275 / Class Limit 16 / Prerequisite CEPN 160 Painting Fundamentals I: Composition/ Process, CEPN 161 Fundamentals of Acrylic Painting or CEPN 164 Using Colour or equivalent

OIL PAINTING II James Lindfield Lori Goldberg CEPN 261 S001 Mar 13 - Apr 17 Sun 1:30 pm - 4:30 pm 6 Sessions

ACRYLIC PAINTING II

CEPN 262 S001

This course is designed to further the development of students who are ready to move beyond the skills gained in CEPN 161 Fundamentals of Acrylic Painting. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics.

Emphasis will be on each student’s individual development, and on enhancing his or her technical skills and personal expression. The course will move fluidly between traditional applications, and the abstract and expressive.

Mar 11 - Apr 15 Fri 1:30 pm - 4:30 pm 6 Sessions

This intensive course is a continuation of CEPN 162 Fundamentals of Oil Painting or equivalent. You focus on your development, exploration and analysis of colour, composition, use of scale, subject matter, and technical processes.

Throughout the course we consider examples from contemporary and historical painting as an integral part in the discussions, critiques, and lectures. $225 / Class Limit 16 / Prerequisite CEPN 162 Fundamentals of Oil Painting I or equivalent

$225 / Class Limit 16 / Prerequisite CEPN 161 Fundamentals of Acrylic Painting or Equivalent

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PAINTING (CONT’D) WATERCOLOUR PAINTING II Lori Goldberg CEPN 263 S001 Mar 15 - Apr 19 Tue 6:30 pm - 9:30 pm 6 Sessions

This advanced course builds upon skills learned in CEPN 163 Fundamentals of Watercolour. Students will continue to explore traditional, alternative, and experimental approaches to creating imagery that is lively, vibrant, and authentic. Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from still life, the human figure, and the artists’ imaginations.

FORMS AND CONCEPTS IN CONTEMPORARY PAINTING Elizabeth Barnes CEPN 270 S001 Mar 12 - Apr 16 Sat 1:30 pm - 4:30 pm 6 Sessions

$225 / Class Limit 16 / Prerequisite CEPN 163 Fundamentals of Watercolour or equivalent

USING COLOUR II James Lindfield CEPN 264 S001 Feb 26 - Apr 2 Sat 9:30 am - 12:30 pm 6 Sessions

Building on previous course work in colour, you develop the creative use of compositional colour structures in painting. Intense and diminished colour, discords, and spatial effects are explored through analysis and practice. Emphasis is on developing both practical skill and imaginative approaches to colour in your personal work.

$195 / Class Limit 16 / Prerequisite Any 100-level painting course or equivalent; for all levels

BRUSH STROKE BOOT CAMP I Leigh Bridges

$225 / Class Limit 16 / Prerequisite CEPN 164 Using Colour or equivalent

CEPN 271 S001 Jan 13 - Feb 17 Thu 6:00 pm - 10:00 pm 6 Sessions

EXPLORING THE BUILT SURFACE Jeanne Krabbendam CEPN 265 S001 Mar 10 - Apr 14 Thu 6:00 pm - 10:00 pm 6 Sessions

This course expands on the techniques introduced in CEPN 165 The Built Surface: Paint and Collage. More challenging projects will include experimenting with the juxtaposition of objects and materials for meaningful configurations. Further development of painting techniques, image alteration, and various combinations of mixed media layering techniques will encourage risk-taking as you move beyond your traditional practice. Personal imagery, themes, and symbols will continue to be developed through discussion and critiques, with an emphasis on design and personal style. $265 / Class Limit 12 / Prerequisite CEPN 165 The Built Surface: Paint and Collage

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

This course provides an opportunity to consider your painting practice within a contemporary context. The course will investigate current trends through an introduction to the history and development of the language of paint. This will include concepts ranging from conceptual abstraction and materiality, to ideas looking at the aesthetics of excess, post-modern allegories, and the changing relationship between painter and image in our world of contracting distances and mediated information. Students will view regular presentations and respond through studio work and dialogue. The critique process will provide participants with the opportunity to consider the development of their own creative process through the sharing of ideas and observations.

Lisa Birke CEPN 271 S002 Feb 23 - Apr 13 Wed 6:30 pm - 9:30 pm 8 Sessions Lisa Birke CEPN 271 S003

Move beyond technical deficiencies keeping you from reaching your full painting potential as you work through this intensive circuit of exercises designed to explore the full muscle power of your brush and palette.

Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in paint application. Exercises will use acrylic paint exclusively. Skills gained are transferable to other paint media. $295 / Class Limit 16 / Prerequisite Some painting experience

Feb 26 - Apr 16 Sat 9:30 am - 12:30 pm 8 Sessions

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PAINTING THE PORTRAIT Mark Neufeld CEPN 278 S001 Feb 27 - Apr 17 Sun 9:30 am - 12:30 pm 8 Sessions

Explore portraiture through “pushing paint�.

Each class will include a brief presentation on techniques of glazing, underpainting, building textures, etc., as well as underlying anatomy, followed by painting from the live model. You will focus on developing your own individual approach, whether realistic, expressive or abstract, as you work on self-directed projects in portraiture. Classes will be supplemented with individual and group critiques, brief demonstrations, and slide presentations.

BRUSH STROKE BOOT CAMP II: LANDSCAPE AND NATURAL ELEMENTS Lisa Birke CEPN 371 S002 Feb 26 - Apr 16 Sat 1:30 pm - 4:30 pm 8 Sessions

$265 / Class Limit 14 / Prerequisite Any 100-level painting course. Some prior experience in drawing or painting the face is recommended, but not mandatory

PAINTING: OPEN STUDIO James Lindfield CEPN 360 S001 Mar 13 - Apr 17 Sun 9:30 am - 12:30 pm 6 Sessions

Painting Studio is a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting.

$295 / Class Limit 16 / Prerequisite CEPN 271 Brush Stroke Boot Camp I

TIBETAN THANGKA PAINTING II Kalsang Dawa CEPN 378 S001 Mar 6 - Apr 3 Sun 10:00 am - 5:00 pm 4 Sessions

$190 / Class Limit 14 / Prerequisite Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

BRUSH STROKE BOOT CAMP II : COMPOSITION AND THE PICTURE PLANE Lisa Birke CEPN 371 S001 Feb 28 - Apr 18 Mon 6:30 pm - 9:30 pm 8 Sessions

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This course will continue with the Brush Stroke Boot Camp I structure with a focus on different approaches to painting natural elements such as cloud, sky, water, land, trees and atmosphere and how to combine these together to create landscape and/or narrative paintings. We will learn how to use colour and brush stroke variation to create a strong sense of space, perspective, and light, and how to successfully translate the energy and movement we see in the world around us into paint.

As a refresher, students will be guided through the construction of a new thangka, focusing on a deity of their choice (wrathful or peaceful) and their symbolic accompaniments. Students will learn how to make a Tibetan paintbrush using rabbit, goat or sable hair; how to extract several colors from single semi-precious stones; and advanced shading techniques. $350 / Class Limit 10 / Prerequisite CEPN 178 Tibetan Thangka Painting or equivalent

This course will expand on basic skills learned in CEPN 271 Brush Stroke Boot Camp I with a focus on how to create successful compositions, exploring balance, form and colour in both traditional and contemporary painting.

We will learn how to transition between specific techniques introduced in Boot Camp I, and how to use these within the same painting. We will work on using the full potential of the picture plane, establishing a strong sense of perspective, dynamism, and unity. Exercises will focus on both the abstract and still life genres. $295 / Class Limit 16 / Prerequisite CEPN 271 Brush Stroke Boot Camp I

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

PHOTOGRAPHY BLACK-AND-WHITE PHOTOGRAPHY I Rand Berthaudin CEPH 141 S001 Jan 13 - Feb 10 Thu 6:30 pm - 9:30 pm 5 Sessions Rand Berthaudin CEPH 141 S002 Mar 1 - Mar 29 Tue 6:30 pm - 9:30 pm 5 Sessions

This is the ideal course for students seeking an introduction to the manual operation of a 35mm camera and basic black-andwhite darkroom techniques. The course includes principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques, and the machine processing of prints. Through lecture, discussion, demonstration, and stimulating projects you are encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests.

THE CONSTRUCTED IMAGE Kathryn Mussallem CEPH 246 S001 Jan 15 - Mar 5 Sat 9:30 am - 12:30 pm 8 Sessions

* Maximum weekly darkroom access:

6 hours (between second and final class) $265 / Class Limit 14 / Prerequisite None; students are required to bring their own 35mm camera (manual operation)

A photograph is no longer just a photograph.

A constructed image is a photo that has been altered through the use of digital manipulation, drawing, painting, collage or diorama to create a specific visual experience. The resulting artwork is a true hybrid that may be the most ideal realization of the artist’s intention. Students in this course investigate classic themes from art history – beauty, alienation, loss – and reinterpret them through the combination of traditional techniques and computer-based workflow. The instructor acquaints students with advanced Photoshop techniques that enhance artistic productivity.

The learning experience goes well beyond simple computer tricks and tips, as the entire class re-engages with the process of artistic creation through images that are cleverly constructed and conceptually compelling.

* This course includes instruction in the darkroom

$265 / Class Limit 16 / Prerequisite basic Photoshop experience

THE MAGIC OF STREET PHOTOGRAPHY Vendula Ralkova CEPH 230 S001 Feb 12 - Apr 2 Sat 2:30 pm - 5:30 pm 8 Sessions

As soon as photography was invented the street photography was born. Street photography is the never-ending dialog between the observer/photographer and the life around him. The streets are the stage where everything is possible – just pick up your camera... Participants will learn not only the history and the contemporary tendencies of the genre but will regularly actively photograph during the field trips on the streets. Lectures with enticing images, discussions, critiques and hands-on practical assignments will ensure the well rounded foundation for any amateur or professional.

Note: This class does not include darkroom access. Students are responsible for having their images printed between classes, or loading their assignments onto a USB drive.

INTRODUCTION TO DIGITAL PHOTOGRAPHY Josh Hite CEPH 250 S001 Jan 16 - Feb 20 Sun 1:30 pm - 4:30 pm 6 Sessions Kathryn Mussallem CEPH 250 S002 Jan 30 - Mar 6 Sun 1:30 pm - 4:30 pm 6 Sessions Matilda Aslizadeh CEPH 250 S003 Mar 15 - Apr 19

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

This is not a course in Photoshop (for Photoshop, see page 10). Note: This class does not include darkroom access.

Tue 7:00 pm - 10:00 pm 6 Sessions

$265 / Class Limit 16 / Prerequisite Students are required to bring their own camera to class, digital SLR camera preferred

This course is designed for those beginning to explore photography with digital cameras, as well as for those adding digital techniques to their current photographic practice. You will learn the basics of digital photography, image editing, and printing. Issues relating to camera settings and image quality will be discussed in the context of the digital revolution. The course will be organized around a series of projects and will offer the opportunity for independent work.

$265 / Class Limit 15 / Prerequisite Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

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DIGITAL PHOTOGRAPHY: OPEN STUDIO Kathryn Mussallem CEPH 255 S001 Jan 18 - Mar 8 Tue 7:00 pm - 10:00 pm 8 Sessions

This Open Studio course is an opportunity to compose, shoot, edit and print digital photos in a dynamic and independent environment. This course is designed to encourage exploration and stimulate an exchange of ideas among participating students within a creative communal atmosphere. With the support of an instructor, participants will work independently on self-directed projects utilizing digital photography and Photoshop. Instruction will include slide lectures and discussion of contemporary and past artists and photographers, project guidance, technical assistance and individual and group critiques.

Note: This class does not include darkroom access. $395 / Class Limit 14 / Prerequisite Proficient Photoshop skills; students are required to bring their own digital SLR camera with USB connectivity

FIBER-BASED PRINTING: ADVANCED BLACK-AND-WHITE PHOTOGRAPHY Diane Evans CEPH 345 S001 Feb 27 - Apr 3 Sun 10:00 am - 1:00 pm 6 Sessions

This course provides an intensive investigation into the technical skills of black-and white film exposure and fiber-based printing. Early in the course emphasis will be placed on the relationship between exposure, film development, and the finished print. Correct metering and controlling the exposure of the film using a variety of methods will be demonstrated and practiced. You will experiment with a variety of techniques and aesthetic approaches to build a portfolio of exhibition quality prints as you work with fiber-based, multi-grade papers, use the archival process and tray process, experiment with warm and cold tone papers and developers, learn toning for archival permanence, and apply proper techniques for the drying and handling of prints. As well, there will be a continuing discussion of the interrelationship between concept, subject matter, and technical skills.

* Maximum weekly darkroom access: 9 hours $265 / Class Limit 14 / Prerequisite CEPH 141 Black-and-White Photography I or equivalent

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PHOTOGRAPHY (CONT’D) INTERMEDIATE DIGITAL PHOTOGRAPHY Josh Hite CEPH 350 S001 Feb 27 - Apr 3 Sun 1:30 pm - 4:30 pm 6 Sessions

Building on CEPH 250 Introduction to Digital Photography, students will apply their technical skills towards creating contemporary artistic projects and developing their understanding of contemporary photographic practices and methods of display. Topics will include seriality, multiples, and moving images. Students will critique the work of established artists as well as the work created in class.

Note: This class does not include darkroom access $265 / Class Limit 14 / Prerequisite CEPH 250 Introduction to Digital Photography or equivalent; students are required to bring their own digital camera, USB cable and external (jump) drive

ADVANCED DIGITAL PHOTOGRAPHY Matilda Aslizadeh CEPH 352 S001 Mar 12 - Apr 16 Sat 9:30 am - 12:30 pm 6 Sessions

This course is for those interested in pursuing a more advanced study of digital photography.

Through a series of projects and critiques, you will expand your technical abilities and explore your personal aesthetic. Content, form, aesthetics, technical issues around processing, file formats, controlling exposure, and special effects techniques will be covered. Digital SLR cameras are recommended.

Note: This class does not include darkroom access $265 / Class Limit 14 / Prerequisite Class is for photographers experienced in both digital photography and processing (i.e. uploading images, understanding image size and resolution, cropping, adjusting levels, and saving files)

* Pregnant or breast-feeding women are prohibited from taking photography courses with

darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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PRINTMAKING PHOTO-BASED PRINTMAKING Madeleine Sauvé CEPR 150 S001 Jan 29 - Mar 12 Sat 1:30 pm - 4:30 pm 7 Sessions

Explore a variety of exciting photo-based printmaking techniques in this intensive, introductory course. Through demonstrations, directed projects, and hands-on work you will learn the basic principles of photo-based printmaking through methods in intaglio, relief, and lithography. All stages of the techniques will be discussed and demonstrated, including: product qualities, image preparation, exposing, developing, and printing. You will have the opportunity to create works using each process and techniques may be combined to create a “multimedia” print. $285 / Class Limit 12 / Prerequisite None

INTRODUCTION TO RELIEF PRINTMAKING Lawrence Lowe CEPR 160 S001 Feb 20 - Mar 27 Sun 9:30 am - 12:30 pm 6 Sessions

Create your own cards, invitations, or art works. In this course you are introduced to relief and woodblock printmaking using linoleum, wood, and collograph techniques. You explore printing by hand and press with one to three colours, and create your own linoleum and wood blocks to continue printing at home. Slide presentations, demonstrations, and studio work will guide you as you develop your understanding of printing and of your own strengths and interests. $225 / Class Limit 16 / Prerequisite None

INTRODUCTION TO WOOD ENGRAVING Shinsuke Minegishi CEPR 163 S001 Feb 12 - Feb 26 Sat 9:30 am - 4:30 pm 3 Sessions

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In the 19th century, until the introduction of photoengraving, wood engraving was the prime method of illustrating books, magazines, and newspapers. Traditionally, the beautiful blackand-white wood engraved images are achieved by carving end-grain boxwood blocks with engravers. In this class, you will explore the use of a synthetic called RESINGRAVE as well as boxwood blocks. At the end of the course, you will have a complete set of prints and the knowledge of how to continue printing by hand at home. $235 / Class Limit 12 / Prerequisite None

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

PRINTMAKING (CONT’D) TEXTILE PRINTING I Eleanor Hannan

Eleanor Hannan

CEPR 164 S001

CEPR 164 S002

Jan 16 - Feb 20

Mar 13 - Apr 17

Sun 9:30 am - 2:00 pm

Sun 9:30 am - 2:00 pm

6 Sessions

6 Sessions

Textile printing is the local application, to textile fabrics, of any colour or colours in definite patterns or designs. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches as well as technical practices such as basic dyeing and fabric painting will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated. Sources for all materials will be discussed and an extensive list provided. $385 / Class Limit 14 / Prerequisite None

PRINTMAKING TECHNIQUES This course introduces you to the basics of printmaking through three different techniques: CEPR 165 S001 intaglio, lithography, and Japanese woodblock. You start with intaglio as you learn to work Jan 25 - Feb 10 with drypoint on plexiglass. In the lithography section you will draw on polymer sheets, then Tue + Thu 7:00 pm - 10:00 pm print using a litho press. You will complete your introduction with Japanese style woodblock 6 Sessions using hand rubbing as you explore relief printing. Discussion and historical review will supplement hands-on work. On completion, you will have a broad knowledge of printmaking and three sets of prints.

Shinsuke Minegishi

$235 / Class Limit 12 / Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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PROFESSIONAL DEVELOPMENT THE BUSINESS OF ART PRACTICE Chris Tyrell CEPD 190 S001 Mar 7 - Apr 11 Mon 6:30 pm - 9:30 pm 6 Sessions

This practical course introduces participants to the skills and professional documents needed for the pursuit of a career in the visual arts. For those beginning their own professional art practice and/or those studying visual arts, this course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity; legal issues. Participants will consider professional materials including a basic business plan as well as core portfolio materials and learn the basics of sourcing financial, space, equipment and other professional resources. $195 / Class Limit 20 / Prerequisite None

COMMERCIAL ASSESSMENT WORKSHOP Chris Tyrell CEPD 250 S001 Mar 12 Sat 9:00 am - 1:00 pm 1 Session

This half-day workshop is intended for emerging or established professional artists trying to make a career of their visual art practice. Participants bring their recent work for a facilitated and supportive session with an intimate group of their peers that is intended to help the artist clarify their direction and their place in the commercial market. Topics will include pricing, marketing and market research, approaching galleries, and inventory development issues $65 / Class Limit 12 / Prerequisite Must be a practicing professional and have economic self-reliance as your goal. Participants must bring 3-5 pieces of divergent work or digital images of the work on a memory stick.

TOWARD A BUSINESS PLAN Chris Tyrell CEPD 260 S001 Feb 5, Mar 5 + Apr 2 Sat 10:00 am - 5:00 pm 3 Sessions

This three-part workshop will guide professional and emerging artists in the creation of a five-year career development plan. Participants will develop a working mission statement for their creative practice, measurable annual objectives, a practical inventory development strategy and a basic marketing/ sales plan. Students in this course will benefit from meeting three times in five months, as they develop their long-term business planning skills. $150 / Class Limit 12 / Prerequisite Must be a practicing professional and have economic self-reliance as your goal. Please bring any existing notes on your strategy for career development.

VISUAL ART MARKETING Chris Tyrell CEPD 292 S001 Mar 17 - Apr 7 Thu 6:30 pm - 9:30 pm 4 Sessions

This course on visual art marketing considers art making in the context of small business development. Class discussion mixes generalized theory with specific considerations of the careers of participants. The class focuses on appropriate goal setting, product selection, consumer motivation and retail communications. This class considers business-to-business (wholesale) marketing as well as direct (retail) sales. The emphasis is on marketing skills for artists involved with direct sales. $110 / Class Limit 16 / Prerequisite CEPD 190 The Business of Art Practice or equivalent

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PROFESSIONAL DEVELOPMENT (CONT’D)

WORDPLAY: CREATIVE PROCESS FOR WRITERS Ingrid Rose CEWR 175 S001 Feb 6 - Mar 27 Sun 1:30 pm - 4:30 pm

MARKETING 3D DESIGN SERVICES Tony O’Regan CEPD 393 S001 Mar 17 - Apr 21 Thu 7:00 pm - 10:00 pm 6 Sessions

8 Sessions

Artists and designers who understand the basics of sales and marketing will improve their own business and add value to their clients’ marketing efforts. Marketing an art or design service is different in many important ways from marketing a mass-produced product. Through discussions, exercises, and case studies you will develop and improve your abilities to prepare a marketing plan for your art/design practice, write effective proposals, cover letters and CVs, and create or refine your portfolio. This course will help you gain visibility in the marketplace and prospect for clients, plan and deliver effective personal presentations, and understand client motivations, decision making, and the ‘art of persuasion’. $195 / Class Limit 20 / Prerequisite For practicing product + industrial designers, sculptors, architects, installation artists, urban and interior designers and those just starting out

This course introduces you to a wide range of writing techniques designed to open up the possibilities of language and the playful, intuitive side of the creative process. Through diverse writing forms and techniques you will be encouraged to experience and explore language as an artistic medium equivalent to paint or charcoal. You will create works in a variety of forms including cut-ups, sound poetry, lyric prose and manifesto as you learn to stretch your creative boundaries, play with language in your work and investigate your own creative practice. Writing exercises, readings, journal keeping, discussions and making your own chapbook, will allow you to investigate the aesthetic considerations of language as it emerges through personal and cultural symbols, dreams, memories, fears and desires. $225 / Class Limit 14 / Prerequisite None

Curriculum Workshop For Art Teachers This day-long session at Emily Carr offers high school art instructors the opportunity to participate in two hands-on workshops, with the goal of understanding and implementing two new lesson plans for workshops at their schools. Our experienced art and design educators will provide innovative lesson plans and activities that can be taken into the high school classroom. $100 / Class Limit 20 For more details, visit: ecuad.ca/programs/cs/professionaldevelopment CEPD 410 S001 Mar 27 Sun 9:00 am – 5:00 pm 1 session

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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INTRODUCTION TO MOLD DESIGN AND CASTING Philip Robbins CESC 178 S001 Feb 16 - Apr 6 Wed 6:30 pm - 9:30 pm 8 Sessions

This intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design, and material tips and tricks . Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, ceramic, organic). $225 / Class Limit 14 / Prerequisite None

SCULPTURE +

INSTALLATION SMALL SCALE MODELING Vicki Israel CESC 179 S001 Feb 6 - Mar 27 Sun 9:30 am - 12:30 pm 8 Sessions

Explore the fundamental sculptural techniques of modeling in this hands-on studio course.

Using plastalina and clay you are introduced to the additive process of modelling; the basic shape is blocked out and the surface form is built up gradually over the entire sculpture.

Through demonstrations, exercises, and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement, and texture. Techniques and skills learned may be applied to a wide range of creative projects and will appeal to animators, sculptors, potters, and product designers. $220 / Class Limit 12 / Prerequisite None

INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 S001 Feb 15 - Apr 19 Tue 6:30 pm - 9:30 pm 10 Sessions

This hands-on introductory course explores the fundamental concepts, materials, processes, and techniques of contemporary metal sculpture. Students will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes, and techniques, using them effectively in the creation of a modestly sized metal sculpture. The course will begin with an introduction to a variety of techniques for material cutting, shaping, and joining, in addition to general shop and equipment safety, work flow and planning, and material characteristics. Hand tools, stationary equipment, and MIG/oxy-acetylene welding will also be examined.

Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor with all materials, including consumables, being discussed at the first class. $395 / Class Limit 12 / Prerequisite Prior art-making experience is required, experience in three-dimensional art is recommended

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

SCULPTURE + INSTALLATION (CONT’D) INTERMEDIATE METAL SCULPTURE Ian Rhodes CESC 279 S001 Feb 12 - Apr 16 Sat 9:30 am - 12:30 pm 10 Sessions

This class is for more advanced metalworking students and is intended to further refine your abilities, skills and knowledge concerning contemporary metal sculpture practice and all the techniques and processes involved within this. Self directed projects can be realized using the full metal shop facilities including limited access to the foundry where bronze and aluminum can be cast into two part sand moulds. Throughout the assisted creative process students will work on a piece/s of work vetted and approved by the instructor.

Note: Costs for the production of projects are not included in the tuition. $450 / Class Limit 12 / Prerequisite CESC 180 Introduction to Metal Sculpture or approval from the Instructor

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

THE DIGITAL FOUNDRY: FROM 3D TECHNOLOGY TO BRONZE Philip Robbins CESC 300 S001 Feb 17 - Apr 21 Thu 7:00 pm - 10:00 pm 10 Sessions

This course is ideally suited for professional artists, designers, architects and creative individual to are interested in exploring the process of taking an idea from a 3D virtual environment and making it real through new 3D print technologies. This exciting new course allows students to explore a unique process of mapping out complex and unimaginable forms in 3D software such as Rhino or Solidworks, and making them tangible through 3D print technology. Students will also be introduced to the induction foundry ceramic shell process, allowing you to create complex, detailed and highly accurate bronze castings.

Note: Costs for the production of projects are not included in the tuition. $475 / Class Limit 12 / Prerequisite CESC 178 Introduction to Mold Design and Casting or equivalent

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THE ART OF SOCIAL MEDIA Rob Cottingham CESM 100 S001 Jan 17 - Feb 21 Mon 7:00 pm - 10:00 pm

An introduction to social media for people who want to use social media as a platform for creative expression, as a communications and marketing tool, or just to stay in touch with family and friends. Learn the basics of blogs, Flickr, Facebook, YouTube, Twitter and more. Find out how to stay safe, be productive and have fun online.

6 Sessions

$350 / Class Limit 16 / Prerequisite None

SOCIAL MEDIA FINDING YOUR SOCIAL MEDIUM Rebecca Coleman CESM 110 S001 Feb 21 - Apr 4 Mon 7:00 pm - 10:00 pm 7 Sessions

Facebook. Twitter. Blogs. YouTube. Flickr. Everyone is buzzing about how these free social networking sites can be powerful marketing tools for your artwork. But where do you start?

What’s the right approach? At the conclusion of this course, you will have created and begun to implement a social media marketing program. We will cover the philosophy behind social media, the technology, interface and etiquette. Each week, we will delve into one of the major social media platforms (Facebook, Twitter, Blogs, Photosharing, YouTube), and students will use a hands-on approach to creating and developing their online presence. $325 / Class Limit 16 / Prerequisite None

THE ART OF BLOGGING: AN INTRODUCTION Linda Solomon CESM 130 S001 Jan 27 - Feb 24 Thu 7:00 pm - 10:00 pm 5 Sessions

Blogging is becoming an increasingly important form of writing, allowing you to develop new, innovative and important ways of communicating in an information-rich world. Blogs can found in a range of different formats – personalized, community-linked, social, interactive, and democratic, and understanding effective methods and strategies is key in ensuring that your communication stands the best chances for success. In this course students will work with one of Vancouver’s top bloggers to develop an online voice and find the best place(s) for your blog post. From the principles of developing a practice of regular blogging to defining what makes a good blog post, this course will focus on finding a niche, building an audience as well as tips for promoting yourself. $275 / Class Limit 16 / Prerequisite None

PHOTOGRAPHY FOR SOCIAL CHANGE Josh Hite CESM 140 S001 Feb 9 - Mar 9 Wed 6:30 pm - 9:30 pm 5 Sessions

Aimed at community managers, online content producers, as well as photographers, this new course looks at how photography can be used as a community building activity. From user generated photo galleries to online contests to citizen journalism, the internet has changed what it means to be a photographer and the environment in which photographs are made, shared, and consumed. If you have wondered how to maximize the mobilizing and communication possibilities of photography in the context of social media, then this course is for you! $275 / Class Limit 16 / Prerequisite None

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

SOCIAL MEDIA (CONT’D) VIDEO FOR THE SOCIAL WEB Josh Hite CESM 150 S001 Jan 25 - Mar 1 Tue 7:00 pm - 10:00 pm 6 Sessions

Online tools, skills and strategy for filmmakers and videographers. Whether you are shooting an independent film project, creating home movies or developing training or commercial projects, this class will help you refine your approach and tailor it to the technical and social context of sites like YouTube, Vimeo and Facebook. Learn what makes a great online video, and the best places and ways to share it. $275 / Class Limit 16 / Prerequisite None

ADVANCED ART OF BLOGGING Linda Solomon CESM 230 S001 Mar 10 - Apr 7 Thu 7:00 pm - 10:00 pm

This workshop-style course helps established bloggers take their blog to the next level. You’ll strengthen your writing skills with peer critiques, clarify your niche and focus your voice to build an audience. Learn new skills for promoting your blog, develop new story ideas and ways to keep blogging through the crunches.

5 Sessions

$275 / Class Limit 16 / Prerequisite Students should have an established blog

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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TEEN WORKSHOPS TEEN DESIGN/BUILD WORKSHOP Ying-Chiu Chan CETP 150 S001 Jan 22 + Jan 29 Sat 9:00 am - 5:00 pm 2 Sessions

This weekend workshop will allow students to design, build, present and document a project or prototype. Through teamwork this workshop will present an opportunity for skills development in collaboration, concept development, craftsmanship and presentation skills. On completion of the workshop students will have a finished piece for their portfolio.

Tuition includes supplies.

Illustration Stan Hunc CETP 180 S001 Mar 12 - Mar 19 Sun 9:00 am - 5:00 pm 2 Sessions

Digital Photo Josh Hite CETP 180 S002

$225 / Class Limit 16 / Prerequisite

TEEN VISUAL ART WORKSHOP Students can choose from two studiobased intensive art workshops that will focus on skills and concept development while exposing young students to our cutting edge facilities and innovative media labs. Over the course of 2 days students will work with instructors to build work for their portfolio while expanding their artistic and conceptual skills. Tuition includes supplies.

Apr 9 - Apr 16 Sat 9:00 am - 5:00 pm

$195 / Class Limit 16 / Prerequisite

2 Sessions

PORTFOLIO WORKSHOP FOR TEENS Josh Hite CETP 175 S001 Apr 10 - Apr 17 Sun 9:00 am - 5:00 pm 2 Sessions

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This intensive weekend workshop focuses on the production of digital and physical portfolios, writing artist statements, and developing skills in documentation. Students will have a chance to have their current portfolio reviewed for effectiveness by both peers and the instructor. Issues surrounding selection of work, photo documentation and practical approaches to building a strong portfolio will be discussed. This workshop is ideal for students looking to study art and design at a post-secondary level.

These workshops are open to students who are 15 to 18 years old at the time of registration. For specific details visit: www.ecuad.ca/programs/cs/teens

$195 / Class Limit 16 / Prerequisite

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

Looking for something different? At Continuing Studies we can provide training tailored specifically for your needs.

PROFESSIONAL SERVICES Personal Consultation and Critique For individuals, we offer private, one-hour consultations to artists and designers at all levels. Consultations are carried out by our senior and experienced instructors who have expertise in one of the 18 different disciplines in which we teach. Whether you are just embarking on a new creative path, or have been practicing for years, we can provide you with services to help enhance your chances for success.

If you are looking for: 1. Constructive feedback regarding aspects of your work (material, technical, theoretical) 2. Advice on ways to build upon strengths or overcome challenges in your practice 3. Suggestions on possible education and career directions 4. Evaluation of your personal business or marketing plan * We do not provide an assessment for admission or in any way guarantee admission to programs at Emily Carr. The consultation is designed solely to offer guidance for ways in which you can further develop your work through learning and training We are flexible to your needs. Consultations are available weekdays, evenings, or weekends. Contact Continuing Studies for information or an appointment form. Cost begins at $95/hour.

T 604 844 3879 F 604 630 4535 E consult@ecuad.ca

Custom Programs For individuals, small businesses, like-minded groups of people, or a companies supporting employee professional development, we are ready to adapt our courses to your needs and schedule.

If you are looking for: 1. Software training in specialized programs such as Final Cut Pro, Maya, Softimage, Solidworks and many others 2. Social Media training suited to your needs 3. Arts-Based facilitation for meetings 4. Graphic Reporting for your strategic planning sessions 5. Team building through hands-on, studio-based workshops in everything from drawing and painting to bookmaking and sculpture 6. Upgrading skills to enhance your and your staff’s professional practice We are excited to be able to serve your life-long learning needs.

T 604 844 3804 F 604 630 4535 E csdirector@ecuad.ca

Gift Certificates Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT:

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

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CERTIFICATE PROGRAMS Certificate programs provide the student with a carefully planned package of courses designed for a variety of purposes:  Fine Art Techniques, 2D Design, and 3D Design – up to three years of part-time study to build professional basics in skill and conceptual frameworks for practice  Design Essentials – a 12 month full-time program focusing on the key elements of the creative design process, the principles and practice of graphic design, and the technical skill required in the industry

The information provided here is an overview of these programs only. Those contemplating Certificate Programs must refer to the Certificate Handbook for complete information on required and elective courses, acceptable course substitutions, fees, policies, and timelines for Certificate completion. Please download the Certificate Handbook from our website, or contact the Certificate Programs administrator for more information. cscertificates@ecuad.ca

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

CERTIFICATE PROGRAMS (CONT’D) Certificate in Fine Art Techniques

Certificate in 2D Design Basics

This certificate program offers you an introduction to contemporary issues in art,visual studies, creative processes, concept development, and the materials, techniques, and skills fundamental to fine art practice.

No portfolio required; certificate registration fee is $200.

This program equips you with a creative and intellectual framework in which contemporary issues in design and the activities of two-dimensional design principles, processes, and techniques may be understood and developed. No portfolio required; certificate registration fee is $200.

Required courses include:  CEDR 160 Drawing Fundamentals I: Composition/Process  CEFA 160 Basics of Composition and Form  CEFA 170 Materials and Media in Fine Art Practice  CEPN 164 Using Colour  CESE 160 Issues in Contemporary Art  CEPD 190 The Business of Art Practice

Required courses include:  CECD 110 Basics of Communication Design  CECD 160 Drawing for Design  CECD 112 The Art of Fonts  CESE 110 Issues in Contemporary Design  CECS 130 Adobe Illustrator: The Basics  CECS 131 Photoshop: The Basics  CECS 133 Adobe InDesign: The Basics  CECD 330 Publication Design  CEPD 392 Marketing 2D Design Services

Continuing Studies offers regular free Information Sessions for all of our Certificate Programs, including Design Essentials. For dates and times of upcoming sessions, visit www.ecuad.ca/programs/cs/certificate.

Certificate in 3D Design Basics This certificate in three-dimensional design basics places emphasis on contemporary issues in design, exploration, and experimentation through the experience of a variety of design methods, techniques, processes, and materials.

No portfolio required; certificate registration fee is $200.

Required courses include:  CEID 120 Basics of Industrial Design  CESE 110 Issues in Contemporary Design  CEPD 393 Marketing 3D Design Services  CEID 420 3D Design Studio

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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DESIGN ESSENTIALS PROGRAM A one-year certificate program in graphic design essentials offered in partnership through Emily Carr and BCIT. The Design Essentials Program offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practice of graphic design, and the technical skills required in the industry. Completion of the Design Essentials Program provides a foundation in the practical and theoretical processes of the design professional, and a Management Certificate from BCIT representing proficiency and industry-ready skills.

The program is intended for students with limited experience in art and design, and begins with fundamental courses in applied art and the creative process. The candidate for the certificate must successfully complete all prescribed courses in order to earn the Certificate.

Prospective Design Essentials students are encouraged to attend an Information Session prior to applying. For information about upcoming Information Sessions, program fees and deadlines, please visit: www.bcit.ca/ca and enter “Design Essentials” in the search box.

 Next Intake April 2011

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REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

Emily Carr encourages applications from individuals with demonstrated ability in visual arts, media arts, or design who have the dedication and motivation to further develop that ability.

Admission to the degree programs is competitive and is based on assessment of the applicant’s portfolio, academic transcripts, and written submission.

DEGREE PROGRAMS UNCLASSIFIED STUDENT STATUS Practicing artists or designers with an accredited degree or diploma in a related discipline may register in credit courses, where space permits, to a lifetime maximum of nine (9) credits. Admission is based on assessment of the applicant’s official academic transcripts.

For application dates, please contact 604 844 3897 or visit www.ecuad.ca.

Note: Unclassified Students are not eligible for student financial assistance.

THE UNIVERSITY OFFERS THE FOLLOWING DEGREE PROGRAMS Bachelor of Fine Arts with majors in: Visual Art General Fine Art Photography Animation Critical + Cultural Practice Film, Video + Integrated Media Bachelor of Design with majors in: Communication Design Industrial Design Interaction Design Master of Applied Arts with streams in: Design Media Arts Visual Arts Master of Applied Arts - Low Residence Students admitted to a degree program at Emily Carr may pursue a degree in General Fine Art or Visual Arts through full-time or part-time studies. All other majors must be pursued through full-time study.

Alumni Society Associate Memberships are only $20/year, and are available to the public.

As an Associate Member of the Alumni Society, you will receive a personalized membership card - your passport to services, benefits, and discounts. As a bonus - your membership fees will help fund Emily Carr Alumni Association initiatives to benefit all alumni.

Learn more about the Emily Carr Alumni Association at www.ecuad.ca/about/alumni or contact alumni@ecuad.ca.

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

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REGISTRATION INFORMATION + POLICIES Registration for all Continuing Studies courses and programs for the Spring 2011 semester begins November 2, 2010. Certificate students may register via the web (only) beginning November 1. For your Registration options, see inside front cover.

Admission to individual courses is on a first-come, first-served basis. Early registration is strongly recommended as class sizes are limited to ensure a quality educational experience.

Please note that no registrations are accepted after a course has started.

For information on registration in certificate programs offered through Continuing Studies, refer to page 51 in this calendar.

Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

Fees The tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Cancellations If there is not sufficient registration in a course seven calendar days prior to the course start date, the course will be cancelled. Should a course be cancelled due to insufficient enrollment or other reasons, a full refund will be processed and sent automatically to any registrants.

Transfers Students may transfer from one course to another by phone, fax, or mail. A transfer of fees, minus an administrative charge of $35 will be issued if the request for transfer is received no less than seven calendar days prior to the course start date of the course the student is leaving. Students must pay any additional fees at the time of transfer. No refunds or transfers of fees will be granted after the registration deadline of the original course has passed.

Withdrawals

Alumni A discount of 10% is available for those who have completed an Emily Carr diploma or degree, or the Design Essentials programs (some limitations apply).

Students may withdraw from a course by phone, fax, or mail. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven calendar days prior to the course start date. No refund will be given for withdrawal after the seven calendar-days deadline. Exceptions are made on compassionate grounds. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted prior to the end of the course or workshop. Under no circumstances will refunds be granted for requests received after the end of a course or workshop.

Registration Deadlines

Registration Confirmation

The registration deadline for all individual courses is seven calendar days prior to the first day of class, unless otherwise noted. This date affects withdrawals, course transfers, and course cancellations. Students may register after this date for courses that have sufficient enrollment and seats available.

Your registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment.

You must present your registration confirmation/receipt to the instructor at the first class.

Discounts Seniors A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.

Wait Lists

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and no obligation to register if a space becomes available.

Students on wait lists are asked not to attend classes unless they have been contacted in advance by the CS office.

Instructors do not admit students to the class on the first day.

If seats are no longer available in a class, students can be added to a wait list. If a seat opens in the class, the student will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list,

T 604 844 3810 F 604 630 4535

E csinfo@ecuad.ca www.ecuad.ca/cs

Registration information and fees must be received together.

REGISTRATION BEGINS NOVEMBER 2, 2010 FOR INSTRUCTOR BIOS, PLEASE VISIT WWW.ECUAD.CA/PEOPLE/FACULTY/CS

CONTINUING STUDIES REGISTRATION FORM LAST NAME 

FIRST NAME

MIDDLE NAME

POSTAL CODE

STREET ADDRESS

CITY

PHONE

PROVINCE

EMAIL ADDRESS

PHONE (ALT)

EMILY CARR STUDENT ID NUMBER (CURRENT AND RETURNING STUDENTS)

BIRTHDATE (YY/MM/DD)

❍ MALE ❍ FEMALE

Please register me for the following:

COURSE NO.

SECTION NO.

ARE YOU ELIGIBLE FOR A DISCOUNT?

COURSE NAME

START DATE

❍ ALUMNI ❍ SENIOR

TOTAL FEE PAYABLE

COURSE FEE

Payment

❍ Cash or Interac (in person only) ❍ Money Order/Cheque (payable to Emily Carr University of Art + Design) ❍ MasterCard ❍ Visa

Fees are payable at the time of registration.

Post-dated cheques are not accepted.

Registration for Continuing Studies Spring 2011 courses and programs begins November 2, 2010.

EMILY CARR GATHERS AND MAINTAINS INFORMATION USED FOR PURPOSES OF ADMISSIONS,

CARD NUMBER

REGISTRATION, AND OTHER FUNDAMENTAL ACTIVITIES RELATED TO BEING A MEMBER OF AND ATTENDING A PUBLIC POST-SECONDARY INSTITUTE IN THE PROVINCE OF BRITISH COLUMBIA. IN SUBMITTING AN APPLICATION FOR ADMISSION OR REGISTRATION FORM, ALL APPLICANTS ARE

EXPIRY DATE

ADVISED THAT BOTH THE INFORMATION THEY PROVIDE AND ANY OTHER INFORMATION PLACED INTO THE STUDENT RECORD WILL BE PROTECTED AND USED IN COMPLIANCE WITH THE BRITISH COLUMBIA FREEDOM OF INFORMATION AND PRIVACY PROTECTION ACT (1992).

NAME OF CARDHOLDER

SIGNATURE

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2011 T 604 844 3810 F 604 630 4535 WWW.ECUAD.CA/CS

Emily Carr University of Art + Design Continuing Studies Courses + Programs 1399 Johnston Street, Vancouver BC V6H 3R9 www.ecuad.ca/cs

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GRANVILLE ISLAND CAMPUS Registration for all Continuing Studies courses and programs for the Spring 2011 semester begins at noon on November 2, 2010.

Aquabus

Ocean Cement Factory

False Creek Ferries

Arts Club Theatre

HOW TO REGISTER

Online New and returning students can register online. ecuad.ca/cs

In Person Register in person at Emily Carr, Continuing Studies, 1399 Johnston Street,

Public Market

Emily Carr

Granville Island Hotel

NORTH BLDG.

Creekhouse

Johnston Street Du ra nle au

eet Old Br idge S tr

Register early as space is limited.

Net Loft

P

Maritime Market

Opus Framing

Emily Carr

Performance Works

SOUTH BLDG.

P

P Arts Umbrella

Maritime Market

Granville Island Brewing Company Maritime Market

Vancouver. Payment may be made by cheque, money order, cash, Interac, VISA or MasterCard.

False Creek Community Centre

ht Cartwrig

Kids Only Market

By Phone Call 604 844 3810 with your VISA or MasterCard information ready.

Water Park

By Fax Complete the registration form (page 56), using type or black ink, and fax it with

By Mail Complete and return the registration form (page 56), with your cheque or money

50 Gastown

order (payable to Emily Carr University of Art + Design), VISA or MasterCard information to Continuing Studies.

Continuing Studies Monday to Thursday 8:30 am – 4:00 pm Office Hours Friday 8:30 am – 12:30 pm Saturday, Sunday + statutory holidays closed Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:30 pm Friday 10:00 am – 4:30 pm

Find us Online! www.twitter.com/EmilyCarrCS www.youtube.com/EmilyCarrUniverstiy search “Emily Carr University” on Facebook

About the Cover: Award-wining photographer and journalist Kris Krug. See pages 47 and 48 for spring classes in Social Media. Cover image by John Biehler (www.flickr.com/photos/retrocactus).

Anderson

your VISA or MasterCard information to 604 630 4535.

ue

2nd Aven

Lamey’s

Mill Road

50 False Creek South

Transit

Ferry

Granville Island is served by the number 50 False Creek bus, and several other routes pass within a short walk of the Island, including the Granville, Downtown, and Broadway routes.

Please visit www.translink.bc.ca for information on routes and schedules.

Small ferries serve Granville Island from several departure points on False Creek. Some vessels can accommodate bicycles. Visit www.theaquabus. com or www.granvilleislandferries.bc.ca for information on routes and schedules. .

Parking

Cafeteria

Parking restrictions on Granville Island are posted by the Granville Island Trust. The no-charge, three-hour limit between 7:00 am and 7:00 pm is strictly enforced on the Island. Paid parking is available in the Granville Island garages. Off-island, free street parking with time restrictions is also available. There is usually sufficient on-island street parking space in the evening.

A cafeteria is located on the first floor of the North Building and offers a selection of snack and lunch foods, as well as coffees and cold drinks. Hours are posted on the café door.

Granville Island also has a wide variety of eateries for all tastes and budgets.

©2010 Published by Continuing Studies www.ecuad.ca/cs

DIRECTOR, CS Sadira Rodrigues OFFICE ASSISTANT, CS Valerie Ceppi + John Skibinski PROGRAM ASSISTANT, CS Amy Clausen SPECIAL PROJECTS ASSISTANT, CS Laura Kozak

SENIOR ADMINISTRATIVE ASSISTANT, CS Terry Plummer OFFICE ASSISTANT, REGISTRATION, CS Ted Bois ADMINISTRATIVE ASSISTANT/ WEB REGISTRATION, CS Danielle Benda

DESIGN + ART DIRECTION Cari Bird PHOTOGRAPHY Front Cover: John Biehler Back Cover: Erin Siddall Inside: Jeff Vinnick, John Lee, Josh Bowie and William Ting.

Printed in Canada

SPRING2011 continuing studies courses + programs

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881

SPRING2011 continuing studies courses + programs