selected works 4_7

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EMILY WRIGHT Selected Work


Selected Work


Emily Wright ewrigh3@saic.edu (937) 213.3133


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CHICAGO’S THIRD SPACE “We be “We beli elieve eve ew we eh have ave e cr crea crea eate ted d a way way to to take ta ake an al already ready ex existing isting g an and d un unde und deru eru rutili utiliz lized zed d as aspe spe pect ect of tthe he e cit city ya and nd tur turn n it in into to tthis his thi third rd spa space. ace e. Bein B Being ng a u unique nique inf infra ras astr tru uctu ure to to Chi C Chic icag ago, go, tha tha hat at aspect asp pect is is th t ea alle al lley leyw ywa yway. ay. Th The ea alleyways lley ywa ays oc occupy ccupy the e sp space, pac ce, wh whic ich ch w would ould b be e sub ssuburban urb ban America’s A Am eric ca’s sb backyard. ack kyard. We e wan wantt to cr w cre eat eat a e Chic C Chicago’s cag go’s s ne new ew ba backya cky yard ard d whil while w e kkeeping eep ping th the he fun fun unc ccttition ion o alit on ality ya and nd se service rvic ce asp aspe as pec pect pe cts tss tha thatt d th do oc currentl urrently lyy utili uttilliz ize ze e the them th em. em.” em .” -Te T am Te am Deb Debunkifi unk fi




Large cities such as Chicago potentially lose person-to-person, communal involvement with such dense and fast growing populations. Our team felt that in each individual neighborhood of Chicago, there is a lack of community. To change this we wanted to create a third space. We envisioned this third space on a more urban level; a place between private and public, indoor and outdoor. A space where members of the area can begin building communal relations, a place where people can gather and talk, a place where people see familiar faces while walking their dog or taking out the trash. To research this infrastructure, we drove a north to south, east to west, and northwest route through the entire city and surrounding neighborhoods only using the alleyways. We documented what surrounded each alley and how it was currently being used in it’s existing conditions. We created an alley typology and then labeled each of those throughout the alleys we drove. What we learned was the city was not divided into zones but instead a mixture of different typologies scattered along the alleyway. We wanted to make sure we addressed all alley types and not just answer to one type specifically.


To begin our studies into what our alley currently had around it, and in order to form a more knowledgeable understanding of what it might need, we first researched all of the essential components of Chicago. This research including the six areas shown below, as well as fire stations, police stations, farmers’ markets, grocery stores, entertainment, restaurants, commercial, retail, and more.

PASSENGER RAIL: mapping

HOUSEHOLD INCOME: mapping

REDEVELOPMENT ZONES: mapping

SCHOOLS: mapping


O U R SI TE :p la n Industrial

PARKS: mapping

Retail

Infrastructure

Single Family

Apartment

FOOD RESOURCES: mapping PASSENGER RAIL: mapping

We then narrowed down our studies, focusing on what specifically surrounded our alleyway. We formed five typologies: retail, industrial, infrastructure, single family residential, and apartment residential. We expanded these typologies by creating small plan diagrams of how each type could possibly be orientated within the space. Finally, we mapped the alley to gain a better understanding of the environment, culture and potential needs.

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Sound

Surface

Quiet zone

Light

Pedestrian zone

Slow zone

Vehicle zone

Through zone

Modular Proposal Division between zones

Construction Process

Sound

Surface

Light

Most Absorbent

Ambient

Least Absorbent

Bike Racks

Bollard for buildings

Furniture

Task


JJ-M

Assembly Diagrams B

E

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C A

I-F

We developed W d l d a mo modular ular p piece ece that cou could b be used for or each ac of tthe e three m main in aspects spects we chose to o ffocus cu on on: sound, ssurface rface and light. lig t. This modu module e is ab able e to adjust to mu adjus multiple ipl si sizes, es made of d o different fer nt materia materials s and add/ dd subtract sub ra t to ea each ho other. he IIt wa was a an important im ortant goa goal to our team to d design a re realistic list c insta installation ation syst system m tthat at cou could d be easily const constructed ucted by the neighborhood eighborhood to o a typ typical ca alleyway near them. To stay tay tru true to this goal, w we e des designed gned tthe e assembly sem ly process rocess to realize ea ze these he e installments nstallment w within hin the ex existing sting infrastructure inf ast ucture in n an a alley. ey


Growth Over Time

New built buildings to keep urban fabric alive Movie showings on Bloomingdale trail ampitheater

The Bloomingdale trail ramp gets installed, claiming this land as public park space


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Plans and Sections

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Being eing a pro project ect funded by the city an and in installed tal ed by iits s local citizens, this his pro project ec would evolve over time. me In the firrstt year, there he e may ay only be a few par parts so of a few alleys developed. Over ttime, me however, with growing finan nanical cal and a d commu community ity suppor support,, these modules odule could be added and adapted to more and mo more e all yways alleyways.


East | West Site Section


ROBERT CROWN COMMUNITY CENTER The E The Evanston va ston c community omm mun ty h has as bee been n ffaced ced w with hn numerous um rous b bu udget c cuts uts s. Lik Like e many m ny oth other er municipalities, mun cip lities, it is ofte often n th the ec community omm mun ty resourc esourc ce c es ssubjec ubject ct to to tthe e consequences. co se ue ce . In no order de to maintain ma nta n a hea healthy, thy ac active tive co com mmunit mm unity, y, c cen ente ters rs like ke e Ro Robert oberrt Crown Crrown n ne need eed tto op provide r viide a re relaxing, relaxing elaxin ng, e engaging ng gaging a area ar are ea for or mem mbe erss to t interact in teract and nd feel fee a sstrong tro g c community ommu ity bon bond. d. The ex existing tin ng g Robert obert C Crow row wn C Cenentter is te s home ome p primarily im rily to the he local ocal hi high gh school ch ol hock oc ckey ey tea eam, ea m, as as w well ell as as other the recreational rec ea on nall te tteams eam ams ms w who have hav a managed m na ed to o sta tay ay ac cti ctive t ve and or organized an zed d. In the d. midstt o mid of a dense den e suburba ban e ba envi nvi viron vir ro onm ment, ent th thi hiss la h large ge site ha hass p po otenti ote ten ntial ial al to oo offer ffer much muc m ch more e to o th t is sc community. ommu ty


Ex xisting R.C.C C.

Cur urre re tly, the Rob ren bert Cr C own Center sits on a la l rge rge, very flatt sit si e which feels des sola ate te. e By terracing ng g the t land, the large site is bro oken k up in into to o more intimate sections dic cta tated by y th their individual program,, as well ass the circulation within ea each ch area.


I approached each edge separately. Anchoring the site at the most urban corner, my building creates a grand entrance to The Robert Crown Center. With an arcade space dividing the building in two sections, spectators can watch games from this viewing gallery. By playing with the grade change in this space, I was able to create a multitude of levels throughout the site to create more intimate sections, as well as suggesting walking paths, viewing areas, and non-organized space to roam.

MAIN STREET TR

Pavilions are used as a me eans n to o welcome all sides of the su urround un ing neighborhood. By creating personall entrances to each side, the whole site is further optimized and be ecomes a destination, rather than the e in-between land behind the Robert Crrown Center.


By creating an arcade through the building and using glass on either side, a viewing gallery is created for people to watch basketball on one side, or hockey on the other side. It also pulls non-spectators into the space as well, inviting them to the Robert Crown Center and Park.

Viewing Gallery

CIRCULATION LIBRARY MULTIPURPOSE GYMNASIUM HOCKEY

Viewing Cafe

NORTHEAST “BACK”

Sports Library Over Rink

Layout

CIRCULATION MULTIPURPOSE GYMNASIUM HOCKEY


To the neighborhood ne ghborhood edge, a more “backyard “backyard” feel is created with a garden of commun community y gardens. With small plot plots scattered scatte ed about the he north orth e edge, ge immediate immedia e neig neighbors bo s can feel welcome elcome to come acr across ss and use th this la land d as s ttheir eir ow own.

E STREET

Elevations

munity Gardens Community


Entrance Section


MECHANICAL DIAGRAM 10 20

50

100

First Floor: Hockey

First Floor: Gym

Rink

Gym

Seating

Seating

Rooms

Rooms

Second Floor: Hockey

Second Floor: Gym

Library

Seating

Seating

Rooms

Rooms

Structural Diagram

5’ Wide Flange Steel Truss Steel Beam Steel Joist

Life Safety Diagram

Occupancies

133 ft

Library: Reading Rooms= 2500 sq ft Stacks= 4000 sq ft Fixed Seating=2277 sq ft Standing Room= 2800 sq ft Classrooms (2) each = 1670 sq ft Multipurpose (2) each = 1650 sq ft Mechanical (gross) = 2030 sq ft Locker Rooms (gross)= 1000 Gym Mezz = 2230 sq ft Concession/Kitchen = 1675 sq ft Total Hockey Excluding Rink: Rink:

10 440 320

Egress Minimum (without sprinkler) = 200 ft Door Widths= .2 inches per occupant Stair Widths=.3 inches per occupant

120 ft

1st floor Egress Distances (Max) 2nd floor Egress Distances (Max)

140 ft 195 ft

193 ft

System Diagrams

50 40 150 186 35 35 6 20


site: SOUTH LOOKING EAST

guardian equipment co.

kendall college goose island boatyard

over growth erosion pollution

view of ch

vacant | abandoned property


icago entry | exit to site

3 church residential rail line

REVITALIZING GOOSE ISLAND Drawn Dra wn to to the th ed th edges g an and how w they the ey ssepa ep epa e parat ated d and a is an solated ola ated ed d th the ssite i fr itite from m its ittts s ou outsi t de ts e su sur urrou u ou o und ndi n d ngs s, I wa wante nted nte d tto o addr addrress e th ess those ose e ed edges e . es By B y bui buiild build bu ldi diing d g th the h edges dg up p in areas to keep p a strong g des destin dest titincti tincti ction ct tition on, n, and and b an brea re reakin rea ea akin ing o othe the herss dow h dow wn, n, the the e ou outtsi tsside s de e iss al allllo owe we ed to to spi pi l in. I dispil s covere ed three main zones wiithi thin n a few miles of the site which I wanted to connect. One to the northwest having a strong historical and nd de ettthn hniiic h call p presence, s c , an anot other th r from f om th the he so south uthwe th hwest est containing co ta t i in h high hi h commercial mme ia i l zo zones, es an and d a thi third hi d fr ffrom m Chicago’s Chi h ag ’s d dense en e d downtown. w to n. I then then en p pu ushed hed and and pul pulle lled d th the eb borders orders of o my my e ex xis is ing ist ng site si ed edges ges to incorporate ncorpo ate the su surrounding rounding city, ity, typ typologies ologies an and d co content. ntent. This form for med med e a new, ew ad adapted apted, suit suitable able si site ec conforming onfo o rm ng to o itits s en e viro vironment, nment ab absorbing sor ing the ne nearby arby cu culture. ture. taxi xi c ca cab ab b service service vic | parking parking kin ng g

EXISTING EX ISTING ED EDGES GES


VISIO DIVISION

RAIL LIN

GREEN

AL

HIG

H

RIS

CO RR

CORRID GREE O N R

ER

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I ID

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PPAR

KIN

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OR

TIA

Using exisiting conditions to address edges.

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RESIDEN TAIL

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GREEN

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ID

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TIA

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PED ESTR AI N

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GREEN

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ND ARY

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RES IDEN T I TA

SECO

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EDGE

SECONDARY ENTRANCE

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N TO ELS

W AT E

SECONDARY ENTRANCE


In order to maximize the amount of area provided to the residents, I wanted to use the neighboring landscape to be an extension of living space. To incorporate the landscape surrounding this development, I extended the already existing grid lines to determine the grade change location converting the once open, flat land to the right of the complex into a field of terraced land creating dynamite spaces.


6’-0�

Extending Individually: Creating Dynamic

Structural Grid

Bringing Green from Ground to Building Facades

Individual Private Green Space

Activating space over time.

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Having limited space e for each apartment, I wa anted to ensure a portion of o that space would be outd door. Giving each resident a p vat pri v e outdoor living g room im im imp mprov ro es e their own h health, but a but allso, so, so o by b orienting g these o tdoor lliiiviing ou out i rooms s to face on o one ne e an anoth anoth otth ot her, er the sha ared sp sp spa pa aced c d in ce in-be n-be -b be etw tween each e bu bu bui uiilld ldi diing d ing ng sset se etts up an opportue o nit itty for or com ommu mun uniity unit ty in nteraction n and ne an and etwo wo orki rkin k ng ng ng.


Using the fixed, ed requir required d housing square foo footages, ages, I developed a series eri s of both builduil ing a and d llandscape ndscape ttypologies po ogies which can puzzle together get er to oc create ea e in intimate, im te, private courtyards, co rtyard , a as well as la large, ge urban pa parks. ks H us ng: 1,050 Housing: 1,050,000 000 sq ft Neighborhood amenities: meniti s: 170,000 70 000 sq ft City am amenities: men ties 200, 200,000 00 sq ftt Parking: 405 405,000 000 sq ft


SRO: Chicago With lim With limited mited us usable able ab e sspace a e iin ac n tthis his 320 320 sq square ua e ft SR SRO, O, I creat cre eated ate ed dd dyynami namic ic spa sspac pace es by bre breaking ak ki g tthe he rro room oom o in into o differ dif d iffe ferent ren ent zo zones nes wit w th th wi the e use use of o compression comp es on and ex expansion pansion of the ceiling, ce ing walls w lls and flo oor. r. By b bringing ringing th the he floors o up an or and ceil ceilin ce ings ing gss dow own n in certain ce tain areas, areas on one is abl able to dis distinguish nguish the di different erent rrooms ooms w without ithout the he use of wa walls. s. This hi futhermo his futhermor ore e opens o en th the e op opportunity po tun ty for for more more distinguished distin uished lig lighting. ting. B By yc compressing ompre sing th the e floor to o ceiling eili g height height of of certain rta n a areas eas in diffe different ren functional fu ctiona zo zones, nes one one is ab able e to ha have ve m more am ambient bient llighting ght ng in n transition an tio t sspac paces pac es ((hallways, hal ways, ffoyer) oye ) a and d ttask ask lighting ightin in functional un tio al spaces paces (kit (kitchen, chen, b bedroom, edroom, b bath). ath


COMPRESSING ZONES LIGHTING AT HUMAN SCALE COLLAPSABLE STORAGE


ERGONOMIC STUDY

7’ - 0”


COMPRESSING FURNITURE

A

B

A

B 42”

36”


ITALY INSTALLATION Des gned for tthe Designed e tenth installment of the Publi_city ser series es of collaborativ collaborative projects, thi ects this project p proposed oposed th the in intervention ervention of c contemporary ntempora y a artt to rev revitalize tal ze public space space. M Mixed xed team teams of Italian, tal an, American, and Tu Turkish kish students designed an ins installation allation in the he Me Mercato cato d delle lle Erbe, tthe e early 20 20th h cent century ry pub public ic market in nh historic sto ic Ancona Ancona. “M “MarketingArt Mar eti gA t 2 2” provided us with the oppor opportunity uni y tto realiz realize one p proposed oposed solution to a accommodate commoda e a tem temporary mporary exhib exhibition ion of student design proj projects cts for the city city. The O Ohio hio State Uni University ers ty and nd As Ascoli oli Piceno stude students ts crafted raf ed the he interior nterior de design ign projec project se selected ec ed by a local jury with support from tthe suppor e City of Ancona and Gagliardi Gagliardini, i, ssrl. l. The installation ns alla ion received media med a cove coverage age and was pub published ished in n the journal, Progett Progetti.

5


In Ascoli Piceno, divided into mixed Italian, Turkish and American architecture student teams of six, we competed to design an exhibition space displaying the previous year’s boards and models. The winning group’s project would be built in a market in Ancona. My team’s proposal consisted of using materials one could find throughout a marketplace: string, colored water bottles, and plastic crates. We proposed stringing the quarter filled colored water bottles above the underneath market, drawing the market shoppers up to the exhibition space in the mezzanine. There the crates would line the railing, displaying the models and boards of the exhibition. Our group’s project was chosen to be built in Ancona.


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These unique pixels then become voxels. 1:20

Ou gro Our group up ana analysis lys s c combined mbined m many any ideas, ide as inc including ud ng den density, sity sh shadows, dows, color c lor and br breaking eak ng dow down no one ne who whole e into to ma many yd different ffe ent pie pieces. ces

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Diagrams D ag am To Top p to Bo Bottom, tom m, L Left eft tto oR Right: ght

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Th firrst The st d diagram ag am not notates ate th the m moveove ment m ent of tthe ed dancers ancers thr throughout oughout th the field eld. A scr screenshot en ho is taken aken e every very fivve seconds, sec onds, a and nd the he pos position tio of the he da danccers is ma er marked. ked The ssecond The econd diag diagram ram no notates tates th the e sshoulder hou de ali alignments gnments o of ea each ch d dancer an er through hrough ea each ch fframe. ame

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The thi third d diagram d ag am co compiles mpi es the he movement mo vem men an and d sshoulder hou de ali alignment nment diagrams. d agram 0:05

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The last The ast dia diagram ram m sh shows ows ho how w tthese hes unique nique pixe pixels s tthen hen be become ome vvowels. owe s. 0:45

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The dancers each have unique movements that are oft f en contrapuntal to the other dancer(s). Periodically, y their movements also form alignments. These relationships govern the placement of the voxels.

Analysis: Marking every dancer with lines

Diagram from plan view

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2 Diagram from frontal view Diagrams combined 15sec

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Notational Diagram

1

Counter Part

2 Translation of data into cube shape

Use of boxes to create cube

2 1

6

SOPHOMORE YEAR | SPRING STUDIO This pro This project ec wa was sc coordinated ord na ed with wo world-renowned rld renowned cho choreographer reographe W William liam F Forsythe’s rsy he piece, p ece O One On eF Flat la at Thin Thing, Th g, reproduced. eproduced. W While hile Fo Forsythe’s sythe’s pie piece ce mov moved ed from rom m pe performance rfo mance to abstra ab stra actio ction, n, this this proj project pro ect mo moved ed from ma abstraction straction tto op performance. rfo mance To a To afford for ord a range ange eo off ap approaches, proac es thr three ee p phases ha es wer were ea addressed: dr ssed: research esear h, out outlining ning tactics ta ctics o off en eng enga gag gement ement and de deploying plo ing pa particular tic lar tec techniques hnique fo for ex executing ecu ing the these se tactics; act cs; development de vel pment, tra translating nslatin re research sea ch h into into sp sspeci ecific eci cifific in insta st lla sta llation ation p proposals roposa s a and nd cha channeling nne ing ng t m iinto the to gro group pe efforts; ffor s;; an and nd d fa fabr ab bric ric ication tio o , cculminatin ulm na ing ng g in in tthe he e con con onst sttru str uction uct ctio tion n off the th he p proj roject ro jec ect. e


S ep 1: Cut out cu Step cube e ssides des and cut ut with CNC m milling illing machine machine.

Building process

Variation in size

Variation in function Just a cube

165--8” cubes

Step tep 2: Separ Separate te sides ides into cube groups and nd spray paint ain th the interior in erior ssides. es

Dimension

16 cubes 9--16”

4--24 cubes 4--24”

4’ 8” 16”

8”

8”

24” 24 4””

16”

24” 4’ 8”

4’ 8”

Step St p 3: Glue an and sand sand. Cafeteria

Big Wall

Step tep 4: Repea Repeat previous steps until a un all th three ee sizes izes o of cu cubes es are comp ete complete.

St p 5 Step 5: Arrange cubes into nto different d ferent composures based o on the he den density ity and dif different erent ssizes ze of each ea h cube and the whol whole.

Walls

Big Wall Wa alll al

Step 6 6: U Ultimately, imatel , c compose mpose one large sq square are cube of the i div du ls. individuals.

Table


Perspective Views

Front Elevations

Plans


Plan

Plan of Knowlton Hall

N

East | Weat Section of Knowlton Hall

Section


Final Model


Credits:

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EMILY WRIGHT 1036 N Dearborn Street Apt 312 Chicago IL 60610

EDUCATION

School of the Art Institute of Chicago Candidate for Master of Architecture 2013 2011- Present Chicago, Illinois

The Ohio State University Bachelor of Science in Architecture 2007- 2011 Columbus, Ohio

EDUCATION & EXHIBITIONS ABROAD

India: SAIC: Layered Cities and the Portable Studio New Delhi, Agra, Varanasi, Jaipur Date: January 1- 24, 2012 Studied the cultural multiplicity of each city’s origins and material culture, contemporary art, music, architecture, textiles (stitched, printed, woven, mended), book and paper making, NJOJBUVSF QBJOUJOH mMN NBLJOH DVSBUPSJBM QSBDUJDFT QJMHSJNBHF TUVEJFT Exhibition in Kriti Gallery, Varanasi of individual portable studio work.

Italy: Ohio State Knowlton School of Architecture Studio Abroad Genoa, Parma, Bologna, Urbino, Ascoli Piceno, Ancona, Florence, Sicily, Rome Date: March- June 2010 Publi_City Installation Studio: Collaborative team of Italian, American and Turkish students to build installation in the Mercato delle Erbe market in Ancona for a temporary exhibition space of past Publi_City work. March 2010 Rome Studio: Explored issues of urban density and contemporary needs of local and migratory inhabitants characteristic of any metropolis, while connecting to assets of natural and built landscape within a critical environmental scope. Exhibited in Rome’s 2010 Festa dell’ Architettura FAR (Foreign Architects in Rome). April- June 2010

WORK EXPERIENCE

School of the Art Institute of Chicago Dean and Division Chair Clerical Assistant Organizing school events, scheduling, archiving, other administrative tasks. May 2012 - Present Graduate Teaching Assistant: Introduction to Digital Modeling and Fabrication Assisted teaching digital modeling in Rhino and fabrication of models with Rapid Prototyper. Fall Semester: August- December 2011

OSU OS O SU S S SP P 20 2009 09 0 9

Graduate Teaching Assistant: Introduction to Designed Objects Assisting lectures, working with students, critiquing student work and leading class discussions. Spring Semester: January- May 2012

Und Un n e erg rg grad ra ad a du uat ua ate a TECHNICAL SKILLS

Tea Te e m: Bob B o Sc Sco ottt, Same me eerr S Sha ha arif iiff, Jason Ja Jas o L Lee Le ee e e

HONORS

ORGANIZATIONS

VOLUNTEER

REFERENCES

Adobe Suite: Illustrator, InDesign, Photoshop; Revit; AutoCad; Rhino; Maya; Sketch Up Phi Eta Sigma National Honor Society 2008-2011 The National Society of Collegiate Scholars 2008-2011 Phi Sigma Theta National Honor Society 2008-2011 Alpha Lambda Delta National Academic Honor Society for Freshman 2008 AIA Student Member 2012- Current AIAS 2008-2011 Kappa Alpha Theta 2008-2011 [Merchandising Chair 2009-2010] The Ohio State University’s Undergraduate Student Government: Rock the Block Annual campus-wide day of community service | 2008-2011 | Columbus, OH 43201 Kappa Alpha Theta: 5K for Court Appointed Special Advocates Co-organize, design and run annual 5K for support to CASA | 2008-2011 | Columbus, OH 43201 Georgetown Methodist Church: Thanksgiving Dinner for Homeless Deliver and serve food to those in need | 2005-2009 | Georgetown, OH 45121 Available upon request CELL: 937.213.3133

EMAIL: ewrigh3@saic.edu


EMILY WRIGHT Selected Work


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