Origin of choral music

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Origin of choral music

The Beginnings – During the latter part of the medieval period, a style of vocal music called organum evolved out of Gregorian chant. With multiple, independent parts, this was arguably the first example of polyphonic vocal music in Europe, laying the groundwork for the choral music of the Renaissance era. Two kinds of choral composition were prominent during this time: the motet, a kind of Latin religious work; and the mass, another kind of sacred composition based specifically on settings of Liturgy – both were largely written for an a cappella ensemble. Baroque Period – Increased interaction between vocalists and instrumentalists grew as the late Renaissance into the early Baroque period. Baroque music forms a major portion of the “classical music” canon, and is now widely studied, performed, and listened to. One of the popular key composers of the Baroque era includes J. S. Bach. His composition performed by ChorSymphonica can be viewed here. Classical Works – Composers became increasingly preoccupied with the potential of instrumental and symphonic music during the Classical period, but choral works were never far from the surface. Mozart also composed a number of fine sacred choral works, especially masses, his patron being an archbishop. The Coronation Mass and Great Mass are widely thought to be among the highlights of his oeuvre, yet the most highly-regarded arguably his Requiem Mass. Romance – As the influence of the church began to wane during the 19th century, composers adapted pre-existing forms for more l d B th l d h lt t t dd t

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