DePadova Casa 2010 (UK) by Emotiv sas

casa 2010

De Padova s.r.l. Strada Padana Superiore, 280A 20090 Vimodrone (Mi) Italy Customer service Tel. +39 02 27 43 97 95 Fax +39 02 27 43 97 80 customerservice@depadova.it Contract department Tel. +39 02 77 72 02 51 contract@depadova.it Press office & PR Tel. +39 02 77 72 02 44 press@depadova.it Showroom Corso Venezia, 14 20121 Milano (Mi) Italy Tel. +39 02 77 72 01 Fax +39 02 77 72 02 70 info@depadova.it www.depadova.it

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African Medical and Research Foundation

Printed in Italy by Grafiche Milani

ai nostri maestri Achille Castiglioni Charles e Ray Eames Dieter Rams George Nelson Vico Magistretti e a Maddalena De Padova

DE PADOVA HISTO RY AND PL ACES

1956 Milan, store on via Montenapoleone

1956 The De Padova sign

1956 Shop window on via Montenapoleone

’56

Fernando and Maddalena De Padova begin their business activities by importing Scandinavian furniture and objects, sold at the store on via Montenapoleone in Milan. This marks the debut of design from Northern Europe in Italy: a revolution that has had a permanent impact on our way of living. “…I chose what I liked, I was blown away by certain pieces of furniture, by those lines, by the diversity. I think I had an instinctive sense of aesthetics… let’s just say I understood perfectly when something was ugly”. (Maddalena De Padova).

1958 ICF De Padova plant

1960 The ICF showroom

’57

On a trip to Basel Maddalena De Padova happens to discover the Wire Chair by Charles Eames. The encounter changes her life. A few months later, in fact, through Willi Fehlbaum, the founder of Vitra, Maddalena meets with the American company Herman Miller and acquires a license to produce the products designed by Charles Eames (Aluminum Group and Lounge Chair) and George Nelson in Italy.

Maddalena and Fernando De Padova

1965 The store at corso Venezia

’58

Founding of ICF De Padova, with headquarters in Vimodrone, near Milan, for the production in Italy of the office furnishings of Herman Miller. From her encounters with that company ’s American designers, Maddalena De Padova absorbs the secrets that would become the core of her philosophy: the importance of the environmental context, from George Nelson, of “connections” from Charles Eames, the role of objects, from Alexander Girard, a métissage of technology and everyday useful things, often produced by the folk tradition.

’65

The large showroom is opened at corso Venezia in Milan, for the display and sale of collections of furnishings and accessories for the home and office, produced by ICF De Padova. The shop becomes a launching pad for emerging young designers like Ingo Maurer, whose first lamps and objects are introduced by De Padova.

D E PADOVA TH E EN COUNTER S

Stool 60

Sea puffin

Egg chair

Chair 45

Pk24

Chair 44

DE PADOVA AND THE WORLD

Wire Chair

Herman Miller

(consumption)

(international style)

Aluminum Group

Fabric’s patterns

MMG Modern Management Group

Ch a r l e s & RAY E a m e s | A l e x a n d e r G i r a r d | G e o r g e N e l s o n

(protest) 1968 Poster from the May protests in France

1958 Seagram Building, New York City. Ludwig Mies van der Rohe in collaboration with Philip Johnson

1959 Some Like it Hot, by Billy Wilder with Marilyn Monroe, Tony Curtis and Jack Lemmon.

Fifties The boom of the Fiat 500 and a McDonald’s advertisement. 1969 Moon landing

D E PADOVA H ISTO RY AND PL ACES

Seventies Displays in the store at corso Venezia

’70

After Fernando’s death, Maddalena De Padova runs the company herself, supervising production and distribution. Besides the Herman Miller products, for several years De Padova has already been making pieces that would become icons of the era, like the Sofabank by Rolf Heide, the PLR chair by Ross Littel and, under license, the Interparete by Herbert Hirche: an aesthetic and functional revolution whose force was immediately understood by De Padova. Vico Magistretti begins his long collaboration with the company in this period, designing a collection of office furniture.

1984 Showroom

’80

De Padova cedes the ICF brand with the license to make Herman Miller products, and launches a line of furniture and objects under the De Padova trademark. “Edizioni De Padova” is founded, which would later become “è De Padova”, with the collaboration of great designers like Achille Castiglioni and Dieter Rams, and above all Vico Magistretti.

1992 Showroom, display by A. Castiglioni

’84 Technologically advanced products are mixed with traditional and ethnic objects chosen by Maddalena De Padova. The store on corso Venezia is like an eye, open to distant worlds: that of the Shakers represents the high point.

“It was an epoch-making event. We discovered an unknown people, the Shakers, and it brought heightened credibility to De Padova”. This is how Pierluigi Cerri, who did the graphic design for the exhibition on the Shakers, recalls the evening of 27 February 1984, when the De Padova shop windows introduced Italy, for the first time, to the furniture of a previously unfamiliar community from Maine.

1993 Showroom, display by A. Castiglioni

’90

De Padova introduces a new collection of office furniture (home/office) that completely overthrows the traditional concept of furnishings and spaces for work. Achille Castiglioni designs a series of displays for the De Padova shop windows, adding another unique aspect to the company ’s style.

1993 Showroom, display by A. Castiglioni and P. Cerri

Important steps are also taken in the contract sector. At the end of the Nineties the company begins to work with Renzo Piano on the furnishings of the cafe of the Centre Georges Pompidou in Paris. This collaboration would continue in the future, with the furnishings for the Morgan Library ’s restaurant in New York and the headquarters of Il Sole 24Ore daily newspaper in Milan.

D E PADOVA TH E ENCOUN TERS

PLR

Marocca

Screen

606 U.S.S.

S H AKER EX H IBITION , DE PADOVA S H OWROOM , 1 9 8 4 DISPLAY BY AC H ILLE CASTIGLIONI | GRAP H ICS BY PIERLUIGI CERRI

CAFETERIA CENTRE GEORGES POMPIDOU PARIS | H EAD Q UARTERS OF T H E NEWSPAPER i l SOLE 2 4 ORE MILAN

Shaker rocking chair ross lit tell

vico magistret ti | achille castiglioni | dieter rams

D E PADOVA AND T HE WORLD

(high-tech)

1970 Zabriskie Point by Michelangelo Antonioni

renzo piano

(postmodern) 1970 Flowers by Andy Warhol

Seventies The punk fashion 1969-74 Paris, Centre Georges Pompidou by Renzo Piano and Richard Rogers

(deconstructivism) 1997 Bilbao, Guggenheim Museum by Frank O. Gehry

1987 Reagan and Gorbachev sign the INF treaty

1989 Fall of the Berlin Wall 1980 Portland Public Service Building by Michael Graves

D E PADOVA HISTO RY AND PL ACES

2000 Showroom, exhibition Middle of the Woods

2001 Showroom, display by F. Laviani

’99

When Gaetano Pesce and De Padova join forces in September 1999, it is the meeting of two unique entities: the uniqueness of the works of Pesce, and that of the De Padova showroom, a crossroads of ideas and stimuli. “A store ought to move, to produce sensations, to offer visitors a meeting place for cultural initiatives that generate interest, curiosity, emotion.”(Maddalena De Padova).

2007 Showroom, display by F. Laviani

’04

Maddalena De Padova wins the Compasso d’Oro for her career, in the 20th edition of the prestigious award. The jury ’s reasoning: “The great commitment of Maddalena De Padova in the production and spread of design, as a shared culture and field of interaction for different international spheres, represents a unique case of consistency and quality in our country.”

2007 Showroom, Christmas, display by F. Laviani

Patricia Urquiola, who was manager of the R&D division of De Padova from ’91 to ’96, begins to work with the company as a designer: she creates the Ola chair, soon to be followed by other successful pieces that have become part of the collection. The Japanese design studio Nendo creates several new products for De Padova, combining functional quality and oriental delicacy.

2008 Showroom, Christmas

’06

The 50th anniversary of the founding of the company is celebrated with a book and an exhibition, retracing its history through encounters, interviews, comments and images.

2009 Showroom, display by F. Laviani

’09

Maddalena De Padova completes the phase of transition in the company, passing the helm to her children Valeria and Luca, who further develop its managerial structure. They begin to work with new designers like Jasper Morrison, and consolidate De Padova’s presence in both traditional and emerging foreign markets.

DE PADOVA THE E NCOUN TE R S

Crédence

Bergère-Légère

Spring

Rokumaru

Atalante

Framura Nido

“I multipli” by Gaetano Pesce

X av i e r L u s t | pat r i c i a u r q u i o l a

g a e ta n o p e s c e

DE PADOVA AND THE WORLD

(the fluid society)

nendo | Damian Williamson | Jasper Morrison | Aksu/Suardi

(neo-ecology)

1997 Harry Potter and the Philosopher’s Stone

1995 Balloon Dog by Jeff Koons

years 2000 Spread of the low cost airlines

2001 Apple introduces the iPod

2006 Paris, Musée du Quai Branly by Jean Nouvel

2008 Barack Obama Time Magazine’s Person of the Year

INDE X

Beds

Ta b l e s

Chairs

Accessories

25. P illow > 84 info > 230

34. T wi s t > 102 info > 234

38. M a nti s > 111 info > 236

51. L avenh a m e x e c utive > 1 4 2 i n f o > 24 2

65. C a mpo Ar ato > 1 6 5 i n f o > 24 7

79. B ook > 175 info > 251

12. L oui s i a n a > 56 info > 225

26. s q u a re > 88 info > 231

35. P ilgrim > 105 info > 235

39. C a mpo d ’ oro > 115 info > 236

66. T etri s > 1 6 5 i n f o > 24 7

80. M oby 1 e M oby 2 > 177 info > 252

13. Club > 59 info > 226

2 7. z ip ! > 90 info > 232

36. A s s em a n > 106 info > 235

40. B eyle > 118 info > 237

6 7. Qu a dr ato e s po s itore > 1 6 5 i n f o > 24 7

81. Narciso > 178 info > 252

14. Tattomi > 61 info > 226

28. tu a reg > 92 info > 232

3 7. Sleeping c a r > 109 info > 235

41. B lo s s om > 121 info > 237

15. Spring L ow > 62 info > 226

29. p a le s tro > 94 info > 233

42 Tavolo ‘ 9 5 > 122 info > 237

16. Su s a nn a > 65 info > 226

30. Che s terfield > 96 info > 233

43. D inner > 1 24 i n f o > 2 3 8

1 7. T ondo 0 5 > 66 info > 227

31. P ouf C a pitonn é > 96 info > 233

44. V idun > 127 info > 238

18. L é g è re – L é ger > 68 info > 227

32. R a ffle s > 99 info > 234

45. Shine > 128 info > 239

19. B erg è re > 71 info > 227

33. R egent ’ s > 100 info > 234

46. Nara > 131 info > 239

Bookcases and cabinets

Armchairs a n d s o fa s

1. 6 0 6 U niver s a l s helving Sy s tem > 29 info > 220

11. B a s ket > 55 info > 225

2. K a nt > 35 info > 220 3. Ta ni M oto > 36 info > 221 4. Shigeto > 39 info > 221 5. Cr é den c e > 40 info > 221 6. Swing > 43 info > 222 7. R efle x s e c r é ta ire > 49 info > 223 8. R efle x > 4 9 i n f o > 2 24 9. Shine > 5 1 i n f o > 2 24 10. T ool s > 5 2 i n f o > 2 24

20. B erger > 72 info > 228

4 7. O ti s > 1 3 2 i n f o > 24 0

21. Assuan > 75 info > 228

48. Qu a dr ato > 1 3 5 i n f o > 24 0

22. Ata l a nte > 76 info > 228

49. T ool s > 1 3 6 i n f o > 24 0

23. Suite > 80 info > 230

50. Più > 1 4 0 i n f o > 24 1

24 . H over c r a ft > 82 info > 230

52. m a ro c c a > 1 4 5 i n f o > 24 2 53. Cirene 0 3 > 1 4 5 i n f o > 24 2 54. c irene > 1 4 6 i n f o > 24 3

68. S aturno > 1 6 7 i n f o > 24 8

55. olimpi a > 1 4 6 i n f o > 24 3

69. Dan > 1 6 7 i n f o > 24 8

56. flower > 1 4 9 i n f o > 24 3

70. Swi s s > 1 6 7 i n f o > 24 8

5 7. in c i s a > 1 5 0 i n f o > 24 4

71. M ate > 1 6 8 i n f o > 24 9

58. L avenh a m > 1 5 2 i n f o > 24 4

72. M ini M ate > 1 6 8 i n f o > 24 9

59. poll a c k > 1 5 5 i n f o > 24 4

73. Ch a b -Ta ble > 1 6 8 i n f o > 24 9

60. P oll a c k ii > 1 5 5 i n f o > 24 5

74 . S c ritta rello > 171 info > 250

61. s ilver > 1 5 6 i n f o > 24 5

75. Con s ole > 171 info > 250

62. s pring > 1 5 9 i n f o > 24 6

76. T rio > 172 info > 250

63. ur a g a no > 1 6 0 i n f o > 24 6

7 7. D T L ight > 172 info > 251

64. s und a n c e > 1 6 2 i n f o > 24 6

78. F inder > 175 info > 251

Outdoor

82. P r ê t- à - porter > 178 info > 252 83. R okum a ru > 181 info > 253 84. R a iny D ay > 181 info > 253

85. F r a mur a / Ch a i s e + pouf > 183 info > 253 86. F r a mur a / D ondolo > 183 info > 253 8 7. F r a mur a / nido > 187 info > 254 88. F r a mur a / lettino prendi s ole > 188 info > 254 89. L avenh a m outdoor > 191 info > 254

f lo w e r

Tav o l o â&#x20AC;&#x2DC; 9 5

There are rooms you have to cross along paths. Some

6 0 6 U n i v e r s a l s h e lv i n g S y s t e m

l o u i s i a n a

d a n

are practically empty, some full of light. They are the

ta n i m o t o

s w i s s

l ĂŠ g e r

l ĂŠ g Ă¨ r e

result of the objects that inhabit them, that put you at

ta n i m o t o

s p r i n g

v i d u n

ease. Things that may not have a value, others that are

swiss

s q u a r e

reflex

full of life, a sort of city, and anything can exist in there,

i n c i s a

b e y l e

f i n d e r

s h i n e

a whirlwind of stuff, even useless things, but it makes

spring

o t i s

s w i n g

to o l s

you feel good. There are objects that fade like

c h a b ta b l e

s l e e p i n g c a r

m o b y 2

postcards on dressers, and objects that go on living.

narciso

r e f l e x s e c r ĂŠ ta i r e

f l o w e r

s w i n g

s at u r n o

They donâ&#x20AC;&#x2122;t go with the others, because they have timeless

t u a r e g

s p r i n g lo w

trio

signs and lives. There are seas painted on walls, women

k a n t

p i l g r i m

trio

dt light

on buildings, some say itâ&#x20AC;&#x2122;s the same, but instead it is not,

b a s k e t

t e t r i s

suite

we like different things, the ones that have an

swing

book

rokumaru

s c r i t ta r e l l o

swing

authenticity that speaks and gets noticed, leaps out

d a n

t w i s t

s u s a n n a

swing

at you and makes you wonder: how did they do that?

M a rc o C i r i e l lo

1 . 6 0 6 U niver s a l s helvingSy s tem 2 . K a nt 3 . T a ni M oto 4 . Shigeto 5 . Cr é den -

c e 6 . Swing 7 . R efle x s e c r é t a ire 8 . R efle x 9 . Shine 1 0 . T ool s 1 1 . B a s ket 1 2 .

L oui s i a n a 1 3 . Club 1 4 . T a ttomi 1 5 . Spring L ow 1 6 . Su s a nn a 1 7 . T ondo 0 5 1 8 .

L é g è re – L é ger 1 9 . B erg è re 2 0 . B erger 2 1 . A s s u a n 2 2 . At a l a nte 2 3 . Suite 2 4 .

H over c r a ft 2 5 . P illow 2 6 . S q u a re 2 7 . Zip ! 2 8 . T u a reg 2 9 . P a le s tro 3 0 . Che -

s terfield 3 1 . P oufC a pitonn é 3 2 . R a ffle s 3 3 . R egent ’ s 3 4 . T wi s t 3 5 . P il-

grim 3 6 . A s s em a n 3 7 . Sleeping c a r 3 8 . M a nti s 3 9 . C a mpod ’ oro 4 0 . B eyle 4 1 .

B lo s s om 4 2 . T a volo ‘ 9 5 4 3 . D inner 4 4 . V idun 4 5 . Shine 4 6 . N a r a 4 7 . O ti s 4 8 .

Qu a dr a to 4 9 . T ool s 5 0 . P i ù 5 1 . L a venh a me x e c utive 5 2 . m a ro c c a 5 3 . Ci -

rene 0 3 5 4 . c irene 5 5 . olimpi a 5 6 . flower 5 7 . in c i s a 5 8 . L a venh a m 5 9 . pol-

l a c k 6 0 . P oll a c kii 6 1 . s ilver 6 2 . s pring 6 3 . ur a g a no 6 4 . s und a n c e 6 5 . C a mpo -

Ar a to 6 6 . T etri s 6 7 . Qu a dr a toe s po s itore 6 8 . S a turno 6 9 . D a n 7 0 . Swi s s 7 1 .

M ate 7 2 . M inim ate 7 3 . Ch a b Ta ble 7 4 . S c ritta rello 7 5 . Con s ole 7 6 . T rio 7 7 . D T-

L ight 7 8 . F inder 7 9 . B ook 8 0 . M oby 1 - M oby 2 8 1 . N a r c i s o 8 2 . P r ê t- à - porter 8 3 .

R okum a ru 8 4 . R a iny D a y 8 5 . F r a mur a / Ch a i s e + pouf 8 6 . F r a mur a / dondolo

8 7 . F r a mur a / nido 8 8 . F r a mur a / lettinoprendi s ole 8 9 . L avenh a moutdoor

1 6 0 6 U n i v e r s a l S h e lv i n g System

design Dieter Rams 1984 “A b o o k c a s e s h o u l d be neutral, its life comes f r o m t h e b o o k s i t c o n t a i n s ”. Against the wall or as a r o o m d i v i d e r, t h e p r o j e c t by Dieter Rams starts with this premise. A fluid, extremely flexible program De Padova offers entirely in natural or white painted aluminium. Light, l u m i n o u s , s c r a t c h p r o o f. In the home, it is a bookcase, a storage unit, a wardrobe. In the office it can be used for files, in a showroom to display objects and a c c e s s o r i e s . Yo u d o n ’ t n o t i c e i t , b u t i t ’s t h e r e . info > 220

B ook c a s e s a nd c a binet s |

Not just a bookcase but a true, versatile system, ready for different uses. The 606 Universal Shelving System becomes a wardrobe with rods for hanging clothing, combined with shelves and drawers. The modules with sliding doors are ideal for bar areas in the home, while CDs and DVDs can be stored in spacious drawers.

| B ook c a s e s a nd c a binet s

2 kant

design Formf端rsorge 1993

A single piece of cut, perforated, folded and painted sheet metal. No scrap. And a bookcase c o l u m n i s r e a d y. W h i t e , e a s y, on its own or in groupings.

A storage unit with an industrial tone, underscored by the holes of the folds and the rivets that hold the shelves. It is ideal for the living room or bedroom for books. In the kitchen it can contain jars and spices, in the bath towels and perfumes. Or file folders, in the office. info > 220

B ook c a s e s a nd c a binet s |

3 Ta n i M oto

design Vico Magistretti 1991

J a p a n e s e d e l i c a c y fo r a s e l f- s u p p o r t i n g m o d u l a r b o o k c a s e , fo r i n f i n i t e and also corner configurations. A fe w s i m p l e l i n e s g i v e fo r m t o a t r u e c l a s s i c fo r t h e h o m e o r o f f i c e .

The structure, in oak or beech, is brightened by the ivory colour of the dividers and shelves. The slender internal parts c a n b e a d j u s t e d fo r s t o r a g e o f b o o k s o f d i f fe r e n t s i z e s . i n fo > 2 2 1

Armchair lĂŠgĂ¨re > 68

| B ook c a s e s a nd c a binet s

4 Shigeto

design Vico Magistretti 1989

O a k a n d c l e a n fo r m s i n a n interpretation of a traditional item, with overtones o f Ze n m i n i m a l i s m . To s t o r e c r y s t a l a n d c h i n a , Shigeto is a modern, skillfully constructed cupboard, solid yet visually light. Beautiful when closed, with its solid wood structure, gorgeous when open, with its shelves and dividers exposed. Also fo r u s e a s a d i s p l a y c a b i n e t . info > 221

B ook c a s e s a nd c a binet s |

5 CrĂŠdence

design Xavier Lust 2003

S h i n y, l i k e a r a c i n g c a r, with curved lines that appeal to the sense of touch. Pure tactile and visual pleasure combined. Furniture-sculpture generated by the skill of craftsmen in the shaping of metal. The cabinet of the future, in a limited, signed and numbered edition. A work of art, balanced between industrial design and handicrafts. info > 221

| B ook c a s e s a nd c a binet s

6 Swing

design Moritz Engelbrecht/ lemongras 2001 A big family with a shar ed featur e : the â&#x20AC;&#x153;swing â&#x20AC;?, or t h e special bend in the doors. T his aesthetic but also f u nctional sign is a handle . A system of containers o r wardrobes, independent o r in compositions, S wing is designed for both t h e home and the office . P l ay ful, with its tones of o range , lemongrass, C hina r e d and terracotta r ed. Se rious, in shades of white , g ray, silver and ear th beige , a l l with a par ticular matt s i lk finish. S wing comes w ith either slender shiny a l uminium runners or a l a cquer ed base or wheels. info > 222

B ook c a s e s a nd c a binet s |

Swing is extremely adaptable: in the dining area the long low cabinet offers a helpful surface for dishes, glasses and flatware. ta b l e beyle > 118

chair poll ack > 155

| B ook c a s e s a nd c a binet s

B ook c a s e s a nd c a binet s |

R e f l e x S ec r ĂŠ ta i r e

Reflex

design Vico Magistretti

1992

1990

The secrĂŠtaire can be

Luminous, thanks to the

reinvented. This cabinet

a l u m i n i u m . Wa r m , t h a n k s

of antique overtones

to the wood in different tones

becomes a modern container

of oak, cherry or wenge stain.

thanks to its essential lines,

Practical, on wheels, for use

wheels and combinations

in the home or the office

of different materials.

beside a desk.

T h e s a t i n -f i n i s h a l u m i n i u m

The top is deep, offering

interacts with cherry

space for a printer or a fax

or oak in the vanishing

machine. The locks on

r o l l -t o p a n d t h e s l i d i n g

the drawers protect even

desktop, a practical place

the most private documents.

to write notes or e-mail.

But it can also be used

Like a jewelry box,

in the bedroom: the spacious

it is equipped with a lock.

drawers can contain lingerie, while beside the bed it makes an attractive nightstand.

info > 223 i n f o > 2 24

Chair flower > 149

B ook c a s e s a nd c a binet s |

9 Shine contenitori

design Vico Magistretti 1995

In the living room, for dishes and glasses, or for a collection of films. In the office, for documents to be kept under lock a n d k e y. A v e r s a t i l e c a b i n e t with doors and drawers, a roomy but discreet presence. T h e s a t i n -f i n i s h a l u m i n i u m is combined with a structure i n w o o d , a d d i n g l u s t e r. S h i n e takes the name of the table designed by Vico Magistretti, with which it forms a perfect p a i r. B u t i t a l s o w o r k s w e l l i n any context. In the dining room, it can be used as a service unit. i n f o > 2 24

librerie e c ontenitori | r e f l e x s e c r e t a i r e | i n f o > 1 3 5

B ook c a s e s a nd c a binet s |

10 Tools

design Studio Cerri & Associati 2001 A system of storage and drawer units, for free c o m p o s i t i o n s . To o l s c a n b e a low or high cabinet, against t h e w a l l o r a s a s p a c e d i v i d e r. Its clean forms and total whiteness make it essential. The polished aluminium handles stand out against the painted steel. Practical, a place for ever yday objects, it is perfect for both the home and the office. Small design touches, like the wheels and the locks, make the drawer unit ideal for use beside a desk. i n f o > 2 24

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11 Basket

design Vico Magistretti 2004

This one gets noticed. Inspired by Scandinavian design, with curved, graphic lines for the enveloping back and armrests. The Basket armchair has enough personality to be striking on its own. It completes a conversation zone in the living area, or offers a comfortable extra

seat in the bedroom. Born to transform, in fabric o r l e a t h e r, i t c h a n g e s i t s mood depending on the base: fixed, for quiet moments at home, swiveling for dynamic days in the office, rocking f o r a b i t o f g o o d c h e e r, j u s t about anywhere. info > 225

Arm c h a ir s a nd s of a s |

12 Louisiana

design Vico Magistretti / Centro Design BinfarĂŠ

1993 An armchair that comes from a saddle. A masterpiece of craftsmanship, to touch, following the stitches. The fingers caress the handfinished cowhide. The artfully rounded curves gain beauty over time, as the leather ages with use.

Bookcase 606 universal s h e lv i n g s y s t e m > 29

When you stretch out y o u r l e g s o n t h e p o u f, the atmosphere shifts to serious relaxation. The support structure encloses a soft, padded heart. Details, like the cotton ribbon for the edges of the removable inner c o v e r, r e v e a l a v e r y British elegance. info > 225

| Arm c h a ir s a nd s of a s

13 Club

design Vico Magistretti 1998

Classic and reassuring, i t â&#x20AC;&#x2122;s t h e a r m c h a i r w e a l l have in our image-bank. A protagonist in the living room, Club is ideal for long bouts of reading or intense conversation. The deep, soft seat with goosedown filler makes it ver y comfortable.

The smooth curves of the armrests and back shave the timeless lines of pieces that get passed down from one generation to the next. Antique comfort with something more: the brushed aluminium footrests add a modern touch.

info > 226

Arm c h a ir s a nd s of a s |

14 Tat to m i

design Jan Armgardt and Ingo Maurer 1985 T h r e e i n o n e . A r m c h a i r, chaise longue and bed. Multiple functions made possible by changing the position of the different parts of the frame. For an unexpected guest. For a pause that turns into a nap. One gesture and voilà, Ta t t o m i o p e n s . Or folds back up. Minimal

lines of Japanese inspiration, because it stays close t o t h e f l o o r, a n e s s e n t i a l presence. Comfortable when you’re alone, to watch a good film. In the double version i t ’s e v e n m o r e c o m f o r t a b l e , for couples or just friends. info > 226

Chair l av e n h a m executive > 142

Arm c h a ir s a nd s of a s |

15 Spring Low

design Damian Williamson 2007

Light and flexible. Spring, in the sense of a flexing support. The cantilevered armrest,

Bookcase kant > 35

separate from the back, adds elasticity that accompanies the movement o f t h e s e a t e d b o d y. A comfortable armchair for conversation in the living area, or to complete the decor of the bedroom. Made with solid ash

in natural, white-stained or wenge-stained finish, with a wooden seat,

s m a l l ta b l e trio > 172

or padded and covered with l e a t h e r. T h e s l e n d e r p a d d i n g is surprisingly soft and comfortable, because it is recessed in the structure of the frame. A little trick. info > 226

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16 Susanna

design Vico Magistretti 1990

A w o m a nâ&#x20AC;&#x2122;s n a m e fo r a m i n u t e , g r a c e f u l a r m c h a i r. D i s c r e e t and compact, just classic e n o u g h , S u s a n n a i s p e r fe c t fo r d i f fe r e n t e n v i r o n m e n t s , where space is at a premium b u t c o m fo r t i s a l s o a m u s t . It works in the bedroom, fo r r e a d i n g , o r i n t h e l i v i n g a r e a , n e x t t o t h e s o fa .

Co v e r e d i n w h i t e d e n i m o r o t h e r fa b r i c s , w i t h c o m p l e t e l y removable covers, it has a f r e s h l o o k o f y o u t h f u l c a n d o r. i n fo > 2 2 6

Arm c h a ir s a nd s of a s |

17 Tondo 05

design Vico Magistretti with Birgit Lohmann 2002 / 2005

A high back. A comfortable headrest. The contemporary interpretation of the classic bergĂ¨re is compact, with a simple design and a light p r e s e n c e . Tw o c u r v e d l i n e s form the armrests and sides, like a protective shell. A place for reading that is also a bit of a refuge, for maximum comfort: in the quietest corner of the living room, or in the bedroom. Alone at last, i n y o u r To n d o . info > 227

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18 Légère/léger

design Patricia Urquiola 2007

S i s t e r a n d b r o t h e r, w i t h a shared feature: the low back that folds to form a comfortable support. L é g è r e i s t h e a r m c h a i r, Léger the sofa. Both have the same base, in chromeplated or painted metal, with squared lines. And both wear the same clothing: the covering in fabric or leather is easy t o r e m o v e t h a n k s t o a z i p p e r. A comfortable garment, with cotton border trim, also available in a contrasting shade. info > 227

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19 BergĂ¨re + pouf

design Patricia Urquiola 2007

A h i g h - b a c k r e a d i n g a r m c h a i r, b a s e d o n t r a d i t i o n a l fo r m s , but with an updated look. BergĂ¨re has a classic air b u t a m o d e r n c h a r a c t e r. The squared base in chromeplated or painted metal has a surprising rocking movement:

the dual angle of the seat o f fe r s t w o p o s i t i o n s , fo r conversation or relaxation. T he covering in fabric o r leather, with cotton border t r im, also in a contrasting s hade , can be r emoved thanks to a zipper. Little touches t h at make this piece unique . T he pouf is per fect for s t r etching out oneâ&#x20AC;&#x2122;s legs, i n a state of complete r e la xation. info > 227

Arm c h a ir s a nd s of a s |

20 Berger

design Patricia Urquiola 2007

A n e l e g a n t s o fa w i t h a w i d e , full back. For decorous seating and conversation, shielded from prying eyes. Berger has bygone charm, b u t i n a c o n t e m p o r a r y w a y. T h e fa b r i c o r l e a t h e r c o v e r with cotton border trim, a l s o i n a c o n t r a s t i n g c o l o u r, i s e a s y t o r e m o v e fo r c l e a n i n g t h a n k s t o t h e z i p p e r. T h e fe e t a r e i n c h r o m e - p l a t e d or painted metal. A striking choice. info > 228

s m a l l ta b l e tetris > 165

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21 Assuan

design Vico Magistretti 2000

Essential and modern, found wherever good design is appreciated. A few clear lines for the contours. Covered in fabric, the seat is smooth and always in o r d e r. F r o m m o r n i n g t o n i g h t , no matter who sits there, Assuan is always impeccable. Besides the sofa, the family also includes an extra-large a r m c h a i r a n d a p o u f. All of them have slender polished aluminium feet. info > 228

Armchair basket > 55

Arm c h a ir s a nd s of a s |

22 Ata l a n t e

design Jasper Morrison 2009

Minimalist composure, but with infinite solutions. Atalante is the most flexible of sofas: linear and corner modules in different sizes, for free combinations. Easy to assembly and rearrange in different configurations, with easily removable covers. A component system in step with the times, including modules without backs, a low table and two poufs. The deep seat and harmonious lines give it d i s c r e e t c h a r a c t e r, w i t h g r e a t capacity for adaptation. info > 228

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23 Suite

2008

Four volumes admirably interlocked. Its bulk is reduced to a minimum. Ideal where space is at a premium. Suite has a seat that is not very deep, and can be positioned against the wall, because the back is straight, with the same height as the armrest. info > 230

Bookcase tools > 52

s m a l l ta b l e tetris > 165

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24 Hovercraft

design Vico Magistretti 1996

Simple, clean lines, based on the round shapes of amphibious vehicles. A reserved presence. Neutral and versatile, suitable for any space. Softly squared, with classic overtones, but always up to date. The deep, soft goosedown seat makes it ver y comfortable. info > 230

s m a l l ta b l e c a m p o a r at o > 165

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poltrone | h o v e r c r a f t | i n f o > 1 3 5

25 Pillow

design Vico Magistretti 2004

Informal and nonchalant. Pillow has lots of cushions covered with cool fabrics, like pillows to shape and adjust, and a soft goosedown core. A perfect sofa for conversation: the sides, high and slim, like the back, wrap the scene and form a s p a c e o f i n t i m a c y. With limited bulk, it conserves its ethereal air in the component version as well. info > 230

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26 Square

2004

A r i g o r o u s , c l e a r, s q u a r e d silhouette, softened by down cushions. Square has harmonious proportions. The slender steel feet are a reminder of the Sixties. A sophisticated sofa, both in the version with removable fabric covering and the leather model. The comfortable seat shows all its potential in the combinations of components, including a chaise longue element. info > 231

Arm c h a ir s a nd s of a s |

27 zip!

design Vico Magistretti with Birgit Lohmann 2003 O n e z i p a n d t h e j o b â&#x20AC;&#x2122;s d o n e â&#x20AC;Ś the cover is removed in the blink of an eye. A brilliant sofa solution f o r e a s y, q u i c k m a i n t e n a n c e . The cover is made with four pieces. A zipper joins them and becomes a decorative feature. The seat is not too deep, but ver y comfortable. The armrests and back have the same height. Thanks to its compact size and simple form, ideal for young, informal settings. info > 232

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28 TUARE g

design Vico Magistretti 1994

Like desert sand, the seat has the gentle curves o f d u n e s . T h e s l e n d e r, profiled back hints at an arch. The elegant, e s s e n t i a l l i n e s o f Tu a r e g w e r e d r a w n b y a m a s t e r, Vico Magistretti. His unique touch can be seen in the details: the vertical o p e n i n g a t t h e c o r n e r, the scattered cushions. A s o f a w i t h c h a r a c t e r, a l s o very appealing in corner compositions. info > 232

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29 Palestro

design Vico Magistretti 1998

The name is a tribute to Milan, and in a way it r e s e m b l e s t h a t c i t y. S o b e r, c o n c r e t e , c o m f o r t a b l e , with just one concession to charm: the fold at the corner of the cushion. An important detail, a sort of signature. Palestro is elegant, like the street for which it is named, bordering the Public Gardens. In the living room, amidst books and paintings, it is the perfect sofa for chatting about an exhibition, o r r e a d i n g t h e p a p e r. info > 233

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30 Chesterfield 04

1983 / 2004

T h e classic English club sofa, r ev i sited. Updated in terms o f forms and propor tions, s l e n der, with lighte r stitching. I n fabric or leather, t h e capitonné work adds r h y t hm to the covering o n l y on the back and armr ests, w h i l e the seat is a single , s o f t cushion. Reliable co m for t , outstanding image . info > 233

pouf capitonné

2004

B i g or biggest , a pouf t h a t plays a leading role . I n t he living room it becomes a ce ntral island, for ar t books a n d trays. In front of the sofa, i t w elcomes outstr etched l e g s , or offers a seat for one m o r e guest . A pr ecious squar e e l e ment , cover ed in soft l ea t her.The capitonné work i s d one by hand. To a dmir e and to to uch. info > 233

| Arm c h a ir s a nd s of a s

Bookcase 606 universal s h e lv i n g s y s t e m > 29

32 Raffles

design Vico Magistretti 1988

For a book you can’t put down, or a long night of cinema. A sofa-refuge, for coddling and cuddling. The seat is deep, the lower back cushion soft, for exceptional comfort. Relaxation par excellence. Raffles has an inborn, typically English elegance, with that extra touch that can be seen in the smallest details, like the front feet in turned wood, on small wheels. Seated on goosedown c u s h i o n s , t h e r e ’s r o o m f o r t h e w h o l e f a m i l y. O n c e y o u ’ r e alone, lying down is a must. Impossible to resist. info > 234

Arm c h a ir s a nd s of a s |

33 Regentâ&#x20AC;&#x2122;s

1983

The classic, timeless model, as always. De Padova reinvents the sofa: with a removable white c o v e r, i t b e c o m e s c o o l and light. A new life. A big hit. Goosedown does the rest, filling the cushions and hugging the body in a soft embrace.

info > 234

100

Arm | x x x xcxhxa ir s a nd s of a s

101

34 twist

d e s i g n Va l e r i a D e P a d o v a 2006

L i v e l y a n d l i g h t , w i t h a Tw i s t . A s i m p l e b e d , i d e a l fo r y o u n g couples, or a vacation house. The structure is simple, i n s i l v e r-t o n e t u b i n g . The headboard is covered with a weave of elastic belting in ĂŠcru mĂŠlange, or sand-coloured cotton belting with saffron edges. The weave is pleasant to look at and touch, even from behind, with the bed at the center of the room. info > 234

102

| Arm c h a ir s a nd s of a s

103

35 Pilgrim

design Vico Magistretti 1997

Ve r y s i m p l e , b u t w i t h a n added sign. The upholstered headboard forms just the hint of an arch. A comma, a breath, to sit back in comfort, immersed in reading. Pilgrim works well in the middle of the room, far from the walls. The aluminium feet enhance the essential overall figure. info > 235

104

B ed s |

105

36 Asseman

design Patrizia Cagliani 1984

A canopy bed, under a white cloud. Romantic, with its mosquito net of draped tulle; modern, with its white cotton top. The structure in white tubing forms the p e r i m e t e r, w i t h a l i g h t t o u c h . info > 235

s m a l l ta b l e s c r i t ta r e l l o > 171

outdoor framura/ lettino prendisole > 188

106

| B ed s

letti | a s s e m a n | i n f o > 1 3 5

107

37 Sleeping Car

design Vico Magistretti 2004

A bed for reading on late into the night. The comfortable headboard, high and padded, supports the pillows. It is a large, reliable support. Slightly reclined, with a horizontal opening that underlines the bent form. A precise graphic sign o f p e r s o n a l i t y. info > 235

108

ed s | x x xB x xx

109

38 mantis

design Patricia Urquiola 2008

“A n object that flies, on four l e gs ”. That ’s how Patricia U rquiola describes Mantis, h er “gentle table ”. Gentle l i ke sheet metal, a malleable i n dustrial material, bent to c r eate the form of the legs. J o ined to the central beam, t h ey make a backbone fo r the slender, taper ed top, l i ke the wing of an airplane . M antis is an impr essive , l o ng or ver y long table , to seat many people . A synthesis of innovation a nd craftsmanship, solidit y a nd lightness, it is per fect fo r a large dining room o r for a board room. info > 236

Chair l av e n h a m executive > 142

110

Ta ble s |

111

112

| Ta ble s

113

39 Campo d’oro

design Paolo Pallucco and Mireille Rivier 2005 Ve r s a t i l e a n d d y n a m i c , C a m p o d ’o r o n e v e r c e a s e s to amaze. When closed it is square, but when open i t ’s a t a b l e i n a s t a t e o f becoming. Three trapezium tops rotate on two hinges and the magic happens. The freely positioned tops open and close, in different combinations. F o r d i n i n g , w o r k , s t u d y. For two, three or many p e r s o n s , C a m p o d ’o r o b r e a k s down barriers and adapts to all needs. In fluid, open spaces, for total living f l e x i b i l i t y. A c h o i c e o f g r e a t harmony and great freedom. info > 236

Chair s i lv e r > 156

114

s | xTa x xble xxx

115

116

Ta ble s |

117

40 beyle

design Vico Magistretti 1994

A ta ble with minimal, a p p ar ently simple lines. T h e solid structur e i n n atural or wenge -stained o a k is lightened by a detail, i n t he point of connection to t he base : a car ef ully c ra f ted interlock o f t he triangular leg. H i g h ly skilled workmanship, fo r dining or working. i n fo > 237

118

| Ta ble s

119

41 Blossom

design Vico Magistretti 2002

Poetic and light. The legs of Blossom seem to bloom, like floral chalices. The magic of curved plywood, artfully shaped. A dining table with a Nordic background, for homes that are always open to friends. Never with a tablecloth, though: flowers need light. info > 237

Chair cirene 03 > 145

120

Ta ble s |

121

42 Tavo lo â&#x20AC;&#x2DC;95

design Achille Castiglioni 1995

A timeless table, from the creative brilliance of Achille Castiglioni. Refined details, like the helicoidal profile of the border and precious materials make it special. The top in white arabesque m a r b l e f l o a t s l i g h t l y, as if suspended over the base. Slender hidden brackets support it and generate this particular visual effect. So solid, yet so ethereal. T h e l e g s a r e s t u r d y, i n s o l i d beech, and nicely shaped. info > 237

Chair uragano > 160

122

| Ta ble s

123

43 Dinner

design Vico Magistretti 2004

E n t i r ely in wood, Dinner h a s a discr eet character a n d a slim figur e . T h e top, of minimal thickness, a l s o in an e xtensibl e version, i s a t tached to the base a t j ust a few points, a s i f it wer e floatin g on air. T h e structur e , with a squar e s e c t ion, is in natural o r w enge -stained solid oak. T h e open-por e finish b r i n gs out the natu ral b ea ut y of the material. i n fo > 238

1 24

| Ta ble s

125

44 Vidun

design Vico Magistretti 1987

I n Milanese dialect it means a big scr ew: Vidun. T he scr ew, a small, useful o bject , generated the idea o f the first table in the D e Padova collection. T he big wooden scr ew i s a masterpiece of interlocks, m ade in the first protot ype b y Pierluigi Ghianda, t h e master cabinet maker. I n natural or black beech, o r colour ed in coordinated to nes: violet with turquoise a nd gr een, r ed with yellow a nd goose -bill. Theatrical, l i ke a sculptur e . The temper ed g l ass top offers a view o f the base . “It is always t h e conceptual detail that a t tracts people’s attention”, V i co Magistr etti said. i n fo > 2 3 8

Chair spring > 159

126

Ta ble s |

127

45 Shine

design Vico Magistretti 1991

S hi n y like its base , in polished a l u minium. S hine is the most v e rs atile of tables. At home , fo r dining and study, in the o f f i ce , as a pr estigi ous desk o r for meeting rooms. O va l , r ectangular or squar e , t h e top in white laminate i s j o ined by differ ent t ypes o f w ood: A merican cherr y, n a t ural or wenge -stained oak. T h e rounded solid wood border m a kes it e xtr emely light . info > 239

Chair cirene > 146

128

| Ta ble s

129

46 nara

design Vico Magistretti 1998

A dining table with light lines. The satin aluminium of the base imperceptibly supports the extra-clear etched glass top. As if suspended, the top f l o a t s l i g h t l y. N a r a c a n a l s o be extended, two wings slide to increase the surface with a simple gesture. info > 239

Chair s i lv e r > 156

130

c a s a | tavoli | n a r a | i n f o > 1 3 5

Ta ble s |

131

47 Otis

d e s i g n L o r e n z * Ka z 2007 / 2008

F o r a t ê t e - à -t ê t e , or a foursome, for tea. Otis is a round table for the small dining areas or cafes. The base is in bent sheet metal, like old industrial stools. With three or four legs, depending on the diameter of the top. i n f o > 24 0

cabinet swing > 43

Chair l av e n h a m > 152

132

| Ta ble s

133

48 Q ua d r ato

1986

Graphic, minimalist, the essence of the table. A thin white line defines the base in painted steel. The top reveals its layers along the edges: a distinctive Quadrato trait that has led to many imitations. So simple it becomes sophisticated, so Nordic in its forthright spirit. A table for dining or work, a place to put books and sculptures. Extremely versatile, it works with all types of chairs, in all types of spaces. i n f o > 24 0

chair flower > 149

134

tavoli | q u a d r a t o | i n f o > 1 3 5

Ta ble s |

135

49 Tools

d e s i g n St u d i o Ce r r i & A s s o c i a t i 2002

Much more than just a table. To o l s i s r e a l l y a w o r k i n g tool. Functional quality and good looks combined in a few parts. The shiny cast aluminium base reflects the classic lines of great American design. Designed to be as compact as possible, it can easily be fitted with a drawer unit.

cabinets tools > 52

The top, in white laminate, has a transparent PVC border to resist impact. In the home, for dining o r f o r t h e s t u d y. In the office, as a desk. i n f o > 24 0

Tools +

desig n Lo r e n z * Ka z 2007

chaise s i lv e r > 156

E v e n mor e practical. T h e Tools table gets outfitted w i t h a system of ac cessories fo r people who study or work. T h ey incr ease the usable s u r face without adding bulk.

PI Ă&#x2122; STORAGE ACCESSORIES > 140

i n f o > 24 1

136

| Ta ble s

137

138

Tax ble | x x x xsx

139

50 più

d e s i g n L o r e n z * Ka z 2002

Tw o t r e s t l e s a n d a t o p . With something more. I d e a l i n t h e h o m e fo r t h e s t u d i o z o n e o r t h e c h i l d e r n’s room, Più is a simple table, but not banal. The rectangular top, in white laminate with a natural border or tempered glass, rests on tubular steel t r e s t l e s . K i d s l i k e t h e s h e e tmetal file box to hang on the t a b l e’s e d g e : a c o n t a i n e r w i t h c o m p a r t m e n t s fo r d r a w i n g s , notepads and books. i n f o > 24 1

140

| Ta ble s

141

51 l avenham executive

design Patricia Urquiola 2010

Fo r dining and meeting ta b l es, or behind a desk. La v enham E xecutive r e p r ises the quilted pattern o n t he back of the chassis o f t he Lavenham chair. A v e rsatile , transfo rmable s ea t : nude , with a small c u s h ion, or cover ed with a m atelassĂŠ housse , p u t on or r emoved with a s i ngle gestur e . T h e base plays with the m a terials and finishes. T h e legs ar e in oak-stained a s h wood, while the swivel v e rs ion has a base in a l u minium, polished or with w h i te or black paint finish.

ta b l e q u a d r at o > 135

i n f o > 24 2

142

| Ch a ir s

143

marocca

Cirene 03

design Vico Magistretti

1987

2003

B a s e d o n c l a s s i c b i s t ro

A distinguishing graphic

s ea t i n g, b u t u p d a te d i n te r m s

fe a t u r e : t h e t w i s t

o f co l o u rs , p ro p o r t i o n s

of the armrest. A movement

a n d d e ta i l s . T h e b e e c h

of the wood, inviting

o f t h e s t r u c t u r e a n d t h e s ea t

to the touch. The ash wood

i s s ta i n e d i n a s o f t tea co l o u r,

c u r v e s t h a n k s t o t h e e f fe c t s

o r ta ke s o n g ra p h i c i m p a c t

o f s t e a m . Wo r k m a n s h i p

i n b l a c k l a c q u e r. T h e s i m p l e

typical of Nordic design,

i m a ge co n cea l s c ra f te d d e ta i l s

entirely finished by hand.

o f g r ea t r e f i n e m e n t . Al s o i n a v e rs i o n w i t h a r m r e s t s ,

i n f o > 24 2

M a ro c c a i s t h e p e r fe c t c h a i r fo r t h e d i n i n g ta b l e . i n f o > 24 2

144

Ch a ir s |

145

Cirene

olimpia

design Vico Magistretti

2008

1999

Ve r s a t i l e a n d c o m f o r t a b l e ,

A stackable stool with simple

Cirene has an anatomical

lines and a Nordic image,

chassis in curved beech

ideal for any type of space.

and a slender structure in

In high and low versions,

shiny polished chromed steel.

with an anatomical wooden

With or without armrests,

chassis. Always comfortable,

in fixed or swivel versions

thanks to the back support

with wheels, also covered

and footrest.

i n f a b r i c o r l e a t h e r. In all of its many variations,

i n f o > 24 3

it conserves a distinctive sense of elegance. i n f o > 24 3

146

| Ch a ir s

147

56 Flower

design Vico Magistretti with Patricia Urquiola 1996 An upholstered armchair, like the corolla of a flower. The armrests and back are rounded petals. A comfortable embrace in well-proportioned and gentle forms. In fixed or swivel versions, covered with fabric , Flower is perfect in the home or office. i n f o > 24 3

148

Ch a ir s |

149

57 Incisa

design Vico Magistretti / Centro Design BinfarĂŠ

1992 A swivel armchair with outer c o w h i d e c o v e r, l i k e a s a d d l e . Hand stitching adorns t h e b a c k a n d s i d e s , fo r m i n g soft curves, precious to the touch. The padded inner covering, with cotton trim, can be removed thanks t o a z i p p e r. W i t h a d e s k , at home or in the office, a great image from all angles. i n f o > 24 4

ta b l e vidun > 127

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| Ch a ir s

151

58 L avenham

design Patricia Urquiola 2008

Ve r y glossy black or white . E ye catching. The matelassĂŠ m o t if moulded on the chassis i s i t s distinctive featur e . La v enham gets its name f ro m the English town, t h e home of diamond-quilted fa b r ic . With or without a r m r ests, stackable , w i t h a slender steel structur e t h a t enhances the design. A q u ilted pattern to touch, fo r a ver y materic chair. i n f o > 24 4

152

| Ch a ir s

153

59 pollack

design Vico Magistretti 1998

p o l l a c k II

design Vico Magistretti 1999

Upholstered chair a n d a r m c h a i r. E x t r e m e l y comfortable, thanks to the flexible back, ideal for dining, even when the meal lasts too long. Perfect with any table, the simple lines allow for dramatic transformations: legs in aluminium or wood, removable fabric covers, or fixed leather covering. Pollack II can also wear a long hemline, for formal occasions. i n f o > 24 4 a n d 24 5

Bookcase 606 universal s h e lv i n g s y s t e m > 29

154

Ch a ir s |

155

61 s i lv e r

design Vico Magistretti 1989

Fixed, swivel, with or without armrests, fo r i n d o o r a n d o u t d o o r u s e , also in stackable version: S i l v e r i s 2 0 y e a r s o l d n o w, b u t s t i l l l o o k s b r a n d n e w. Vico Magistretti based its design on the proportions o f t h e l e g e n d a r y T h o n e t c h a i r, fo r a s e a t i n p o l y p r o p y l e n e and aluminium that i s c o m fo r t a b l e , l i g h t , v e r s a t i l e a n d s t u r d y. Around the dining table o r i n t h e s t u d i o, i t a d a p t s to any environment. S i l v e r: a n e w c l a s s i c . i n f o > 24 5

156

| Ch a ir s

157

62 spring

design Damian Williamson 2006

A light, essential, very Nordic s t a c k a b l e c h a i r. I n s o l i d a s h wood, with incisions on the back to take advantage of the natural elasticity of the material. The very flexible back makes the chair even more comfortable. i n f o > 24 6

s m a l l ta b l e s c r i t ta r e l l o > 171

158

Ch a ir s |

159

63 uragano

design Vico Magistretti 1992

A modern design, b u t w i t h a h i n t o f r e t r o. Uragano is based on the c l a s s i c b a m b o o a r m c h a i r, r e w o r k e d fo r t o d a y â&#x20AC;&#x2122;s h o m e s . The structure is in wood, while the curved wicker pieces of the seat and sides are crafted by hand.

On the verandah, in the winter garden, around a dining table, or fitted with a cushion fo r a f r i e n d l y c o n v e r s a t i o n . i n f o > 24 6

160

| Ch a ir s

161

64 sundance

design Paolo Golinelli 2010

F o l d i n g , l i g h t , h a n d y. T h e d i r e c t o r â&#x20AC;&#x2122;s c h a i r, in a new interpretation, becomes a comfortable seat with padded armrests. The hinge, with its industrial look, is based on camp cots. Ideal for outdoor use, in the garden or on the patio, but also in the house, to seat an unexpected dinner guest.

ta b l e dinner > 1 24

162

i n f o > 24 6

Ch a ir s |

163

c a m p o a r ato

Tetris

Q ua d r ato

design Paolo Pallucco

design Nendo

espositore

2008

2007

1996

Seen from above it is like

Open and closed segments,

In front of the sofa,

the countryside, with its

l i k e a c h e s s b o a r d . Te t r i s .

for books and magazines.

geometric patterns of fields

From the name of a game,

I t â&#x20AC;&#x2122;s a l o w t a b l e w i t h

and plowed furrows.

a low table. The upper

a n e x t r a s h e l f. A l l w h i t e ,

The three trapezoidal parts,

surfaces are cantilevered,

with tempered glass top.

joined by hinges, open and

as if suspended in mid-air

A classic is always

c l o s e t o c h a n g e t h e t a b l e â&#x20AC;&#x2122;s

a t t h e c e n t e r.

the right choice.

form. Solid, in oak and ash

T h e e m p t y s p a ce s fo r s to ra ge

hardwood, with a triangular-

co m p a r t m e n t s , fo r m a ga z i n e s ,

section milled surface.

b o o ks , o r a p l a n t .

i n f o > 24 7

i n f o > 24 7 i n f o > 24 7

164

tavolini | q u a d r a t o e s p o s i t o r e | i n f o > 1 3 5

A c c e s s orie s |

165

Sat u r n o

Dan

Swiss

design Dâ&#x20AC;&#x2122;Urbino â&#x20AC;&#x201C; Lomazzi

1992

design Mirto Zocca

2008

2003

Like a planet with its

A table with a Nordic look,

Up and down.

satellites. Saturno has two

an aluminium base, a white

S w i s s i s h e i g h t- a d j u s t a b l e .

staggered circular tops

or black top. Round or oval,

With a simple gesture,

of different sizes.

in different sizes, it adapts

the chromed steel base

Each top rotates and they

to any space, any use.

extends or lowers. The top

b o t h r o t a t e t o g e t h e r, a r o u n d

In the living room or beside

has a minimal thickness,

a c e n t r a l a x i s . N e a r a c h a i r,

the bed. From the biggest

in white laminate or wenge.

the larger top is a handy

to the smallest, one Dan

A service table that fits

surface for eating, working

t a b l e f i t s u n d e r a n o t h e r.

in anywhere.

i n f o > 24 8

w i t h a c o m p u t e r, d r i n k i n g coffee. The smaller top offers some added space. Great next to the bed, for a reading lamp or books. i n f o > 24 8

166

tavolini | s a t u r n o | i n f o > 1 3 5

A c c e s s orie s |

167

M at e

c h a b -ta b l e

design Achille Castiglioni

design Nendo

1992

2005

From the Japanese name chabudai, meaning a tea table, for a delicate, intelligent surface. The white top with border

M i n i M at e

in curved beech rests

design Achille Castiglioni

on a crisscross base.

1993

A light structure that can be repositioned to obtain two different heights, for greater

A t a b l e , a t r a y, a f o o t r e s t .

u s a g e f l e x i b i l i t y.

A discreet companion next

T h e t o p i s a c t u a l l y a t r a y,

to an armchair or a sofa.

also for separate use.

Achille Castiglioni plays and draws a summary

i n f o > 24 9

o f s i m p l i c i t y. E a s y t o m o v e it around. Seated on the sofa, tray on legs, feet resting on the belting. But also beside the bed, as a nightstand. In two sizes, Mate becomes Mini, smaller a n d h i g h e r. i n f o > 24 9

168

| A c c e s s orie s

169

S c r i t ta r e l lo

console

design Achille Castiglioni

2003

1996

A masterpiece of lightness,

Beside the wall in the

inspired by the Italian

v e s t i b u l e o r a c o r r i d o r,

rationalist school of the

behind the sofa in the living

1930s-40s. It makes you

room, or to offer a handy

w a n t t o w r i t e , d r a w,

surface in the bedroom.

or just think. Scrittarello.

Console is always useful,

A little writing desk, almost

a n d w h e n i t â&#x20AC;&#x2122;s g o n e y o u m i s s

a neologism, for relaxed

it. In natural or wenge-

a c t i v i t y w i t h p e n a n d p a p e r.

stained oak, with steel ties

A simple surface for work,

that reveal its youth.

with two shelves at the sides. The slender legs are

info > 250

in natural beech; the tops come in white laminate, with birch plywood borders. Perfect in the bedroom o r i n a c o r n e r, f o r s t u d y i n g and reading. info > 250

170

A c c e s s orie s |

171

Trio

DT L i g h t

design Vico Magistretti

design Phil Luithlen

1997

2003

T h r e e s l e n d e r, s h i n y

Like the Mobiles of Alexander

aluminium legs.

C a l d e r, t h i s h a n g i n g l a m p

A small table with a round

is a light game of balancing

top, to put near the sofa

parts. The shade floats in

or the bed. Also on wheels,

t h e a i r, s u s p e n d e d o n a l o n g ,

for easy movement

s l e n d e r, a l m o s t i m p e r c e p t i b l e

w h e n i t â&#x20AC;&#x2122;s n e e d e d e l s e w h e r e .

a r m . T h e h e i g h t- a d j u s t a b l e lamp is balanced, on the

info > 250

f l o o r, b y a c o u n t e r w e i g h t , and can rotate 360Â°. info > 251

bed pilgrim > 105

172

| A c c e s s orie s

173

finder

Book

design Xavier Lust

design Petra Runge

2001

2000

A magazine or document

A reflecting book, to open

rack to hang on the wall.

whenever you want to.

Finder puts everything

Attached to the wall,

in order: on the version

Book is a mirror

with a white lacquer

and a decorative object.

surface, magnets can be

For every space in the home,

used to display invitations,

but also in the office.

photographs and memos.

If you donâ&#x20AC;&#x2122; t feel like seeing your reflection, just close

info > 251

the mirror and it disappears. info > 251

1 74

A c c e s s orie s |

175

80 Moby 1 e moby 2

d e s i g n M a r c o Z a n u s o J r. 2008

A T V t r o l l e y, w i t h o n e or two shelves, in sizes suitable for the new screens. L i g h t , t h a n k s t o s l e n d e r, super-strong materials, enhanced by a glossy finish. Below the top, on the bracket structure, a smaller shelf can be used for a cable box o r D V D p l a y e r.

info > 252

176

A c c e s s orie s |

177

81 narciso

design Enrico Franzolini 1987 / 1997

For the fairest of them all, a mirror that follows her everywhere. On wheels, Narciso has a handle a t t h e c e n t e r, f o r m o v i n g it here or there. The folding stand has hooks for garments on the back, for a quick costume change. info > 252

p r Ê t- à - p o r t e r

design Annette Lang 1987

The classic accessory becomes modern. P r ê t- à - p o r t e r i s t h e c l o t h e s valet with slender lines, in painted steel. A wrapped leather binding cover keeps the garments from slipping. info > 252

178

| A c c e s s orie s

179

rokumaru

r ainy day

design Nendo

design Xavier Lust

2008

2003

A poetic vision of a tree

The enjoyable side of rain.

that becomes a coat rack.

An umbrella stand in steel

Nendo interprets nature with

sheet, in the form of

oriental symbolism: the six

a cross. Little refinements

branches are the radii of an

make it special: the tray

imaginary circle, the union

in the base for removing

of the Japanese words roku â&#x20AC;&#x201C;

w a t e r, t h e i n t e r n a l s h e l f f o r

six - and maru - circle.

smaller folding umbrellas.

Simply perfect, in its d i s g u i s e d c o m p l e x i t y.

info > 253

The three legs have a rhomboidal section. The angled branches are cut at the ends, to hang jackets and overcoats.

info > 253

180

A c c e s s orie s |

181

85 Framura

Framura

design Aksu / Suardi

chaise + pouf

2009

design Aksu / Suardi

From the name of the

2009

village in Liguria, nestled

ironic pieces for moments

of relaxation and informal

dondolo

socializing.

design Aksu / Suardi

on hills overlooking the sea. Framura is a family of hybrid furnishings, for indoor or outdoor use, with a fresh, nonchalant look. Spirited,

Framura

2009

A rocking chair for relaxing in the shade of an olive tree, a chaise for snoozing with y o u r f e e t r e s t i n g o n t h e p o u f. Made in welded aluminium tubing, the seat and back have soft cushions attached to the structure with c o l o u r e d b e l t i n g . Wa t e r t i g h t in case of rain, they dry immediately when the sun comes back out. info > 253

182

outdoor |

183

184

| outdoor

185

87 Framura nido

design Aksu / Suardi 2009 Nido is a seat for more than one person: a shell made of tubing, a dense weave of coloured ribbons, to fill with soft cushions. An enclosure to tilt at different angles, to detach and hang on the wall in t h e w i n t e r, w a i t i n g f o r s p r i n g . info > 254

186

outdoor |

187

88 Framura lettino prendisole

design Aksu / Suardi 2009 By the pool, on the terrace, in the garden. The sun cot has an adjustable back and cushions to attach to the structure with coloured belting. The wheels are r u b b e r, f o r e a s y m o v e m e n t on any terrain. The lateral table, attached to the side, adds maximum comfort. info > 254

188

| outdoor

189

89 l avenham outdoor

design Patricia Urquiola 2009

On the terrace, in the garden, around a dining table, Lavenham dresses up for outdoor use. The quilted pattern moulded on the chassis, in glossy white or black, shows its contours in the sunlight, and stands up to all kinds o f w e a t h e r. S t a i n l e s s s t e e l base with satin finish. info > 254

190

outdoor |

191

c h e st e r f i e l d

l é g e r > 68 i n fo > 2 2 7

b e rg e r > 72 i n fo > 2 2 8

a s s ua n > 75 i n fo > 2 2 8

ata la n t e > 76 i n fo > 2 2 8

s u i t e > 80 i n fo > 2 3 0

h ov e rc ra f t > 82 i n fo > 2 3 0

p i l lo w > 84 i n fo > 2 3 0

s q ua r e > 88 i n fo > 2 3 1

z i p ! > 90 i n fo > 2 3 2

t ua r e g > 92 i n fo > 2 3 2

pa l e st ro > 94 i n fo > 2 3 3

c h e st e r f i e l d > 96 i n fo > 2 3 3

Sofas for conversing and relaxing, thanks to different fillers, in goosedown or blended. The finely crafted structures in wood or metal,

ra f f l e s

the construction details and the wide range of fixed or removable covers, in fabric or leather, make the De Padova sofas recognizable always,

h ov e rc ra f t

zip!

everywhere.

The armchairs have goosedown or blended filler to guarantee the best support for reading, waiting, The fabric or leather covers can be fixed or removable,

ata la n t e

suite

and are available in a large

légère

conversing or relaxing.

range of colours.

ra f f l e s > 99 i n fo > 2 3 4

r e g e n t ’ s > 100 i n fo > 2 3 4

p o u f ca p i to n n é > 96 i n fo > 2 3 3

b a s k e t > 55 i n fo > 2 2 5

lo u i s i a n a > 56 i n fo > 2 2 5

c lu b > 59 i n fo > 2 2 6

tat to m i > 61 i n fo > 2 2 6

s p r i n g lo w > 62 i n fo > 2 2 6

s u s a n n a > 65 i n fo > 2 2 6

to n d o 0 5 > 6 6 i n fo > 2 2 7

lĂŠgĂ¨re > 6 8 i n fo > 2 2 7

b e rg Ă¨ r e > 7 1 i n fo > 2 2 7

sofas and armchairs De Padova sofas and armchairs: a vast range of different proposals with a unique style. The sofas include models with classic lines, based on the timeless forms of English sofas, and contemporary models with clean, rigorous silhouettes. Models with two seats or more, to adapt to all requirements of space and comfort. The armchairs are traditional or modern, ample or minimalist. Their character and shape may differ, but they all have a strong personality. In the living area, the bedroom or waiting rooms.

m a n t i s > 111 i n fo > 2 3 6

ca m p o d â&#x20AC;&#x2122; o ro > 115 i n fo > 2 3 6

b e y l e > 118 i n fo > 2 3 7

tavo lo â&#x20AC;&#x2DC; 9 5 > 122 i n fo > 2 3 7

d i n n e r > 124 i n fo > 2 3 8

v i d u n > 127 i n fo > 2 3 8

s h i n e > 128 i n fo > 2 3 9

n a ra > 131 i n fo > 2 3 9

ot i s > 132 i n fo > 2 4 0

to o l s > 136 i n fo > 2 4 0

p i Ăš > 140 i n fo > 2 4 1

b lo s s o m > 121 i n fo > 2 3 7

Wood, in the different tones of its many varieties, brings warmth to the whole collection. But not on its own. Different materials used for tops and legs are combined to generate surprising contrasts: bases in aluminium, wood or steel sheet support tops in glass, marble or laminate. Skilled craftsmanship adds refined construction details for striking effects. Tops that seem to magically float over the base, wood worked with steam in the form of a corolla, hinges that alter the geometric form of the tops, masterpieces of cabinet making featuring have written the history of design, like the giant bolt of the Vidun table.

b lo s s o m

daring grafts and forms that

q ua d rato > 135 i n fo > 2 4 0

ca m p o a rato > 1 6 5 i n fo > 2 4 7

tetris > 1 6 5 i n fo > 2 4 7

q ua d rato e s p o s i to r e > 1 6 5 i n fo > 2 4 7

s at u r n o > 1 6 7 i n fo > 2 4 8

dan > 1 6 7 i n fo > 2 4 8

swiss > 1 6 7 i n fo > 2 4 8

m at e > 1 6 8 i n fo > 2 4 9

m i n i m at e > 1 6 8 i n fo > 2 4 9

c h a b ta b l e > 1 6 8 i n fo > 2 4 9

s c r i t ta r e l lo > 171 i n fo > 2 5 0

c o n s o l e > 171 i n fo > 2 5 0

t r i o > 172 i n fo > 2 5 0

tables and small tables Versatility of use and unmistakable details for the collection of large and small tables by De Padova. The large tables can be used for dining, but also in work spaces in the home or office, as a desk or a meeting table. Their measurements can be compact to adapt to limited space, or reach surprising lengths for vivid visual impact. The small tables can be placed by a sofa or used as coffee tables, but with an added touch: ingenious solutions like height adjustment, tops that rotate or can be used as trays, make them valuable allies in the home, for the living area, or as a nightstand in the bedroom.

Materials and lines inspired by Nordic design, with light wood, aluminium and slender steel for the bases, combined

lav e n h a m e x e c u t i v e > 142 i n fo > 2 4 2

with moulded plastic frames for striking materic effects.

m a ro c ca > 145 i n fo > 2 4 2

c i r e n e 0 3 > 145 i n fo > 2 4 2

f lo w e r > 149 i n fo > 2 4 3

i n c i s a > 150 i n fo > 2 4 4

p o l la c k i i > 155 i n fo > 2 4 5

s i lv e r > 156 i n fo > 2 4 5

The seats can also be padded and covered with fabric or leather, available in a wide range of colours. Precious construction details reveal the savoir-faire of the craftsman: the stitching of cowhide, the lathe-work of wooden legs and armrests, the flexibility of a back made to increase comfort. The outdoor collection

s i lv e r

with special techniques

c i r e n e > 146 i n fo > 2 4 3

o l i m p i a > 146 i n fo > 2 4 3

is made with waterproof materials: satin-finish stainless steel and a plastic chassis for the Lavenham Outdoor chair, aluminium tubing and polyester for the cushions and belting of Framura.

p o l la c k > 155 i n fo > 2 4 4

u ra g a n o

lav e n h a m > 152 i n fo > 2 4 4

s p r i n g > 159 i n fo > 2 4 6

u ra g a n o > 160 i n fo > 2 4 6

s u n d a n c e > 162 i n fo > 2 4 6

f ra m u ra | c h a i s e + p o u f > 183 i n fo > 2 5 3

f ra m u ra | n i d o > 187 i n fo > 2 5 4

lav e n h a m o u t d o o r > 191 i n fo > 2 5 4

f ra m u ra | d o n d o lo > 183 i n fo > 2 5 3

f ra m u ra | l e t t i n o p r e n d i s o l e > 188 i n fo > 2 5 4

chairs and outdoor A large, historic collection of chairs and a small, fresh outdoor furnishings collection. De Padova reinvents classic models like the famous Thonet, the traditional tavern chair or wicker verandah seating, and combines them with striking contemporary creations. Chairs with or without armrests, swiveling, stackable, folding. Chairs for all the spaces in the home, from the dining room to the work zone, and models for the office: all the chairs shown in the catalogue are easily combined with the tables of the De Padova collection.

The new outdoor collection includes seats that can also be used indoors, featuring ironic, unconventional designs for armchairs with pouf, rocking chairs and group seating, combining great comfort with sturdy construction and durability. On the terrace, in the garden, by the pool, on the patioâ&#x20AC;Ś but also inside the home.

descriptions and dimensions

NOTES The measurements of products are indicated in cm (in inches for the US market) and can vary by +/- 2 cm (+/- 1 inch) for the upholstered furniture and +/- 1 cm (+/- 1/2 inch) for the other furniture and accessories. The colours of the products shown in the photographs are indications, and may not correspond to the real colours. De Padova products stand out for their use of fine materials treated to enhance their natural, characteristic beauty. The workmanship makes it possible to appreciate all the specific qualities of the materials utilized, making every product unique. Products made with natural materials like wood and marble, and with natural dyes and colours, may differ slightly from one another in terms of both colour and grain. Exposure of the products to natural or artificial light can cause alterations of the original colours. De Padova reserves the right to eliminate, aesthetically modify or improve its products without prior notice. The products are manufactured in compliance with the safety regulations that apply in their intended markets: please contact our customer service department (customerservice@depadova.it) for specific information. For information on conditions of sale and warranties please contact customer service. The De Padova distribution network is shown at the website www.depadova.it in the section â&#x20AC;&#x2DC;distributionâ&#x20AC;&#x2122;. Â

t an i m o t o

> 36

design Vico Magistr etti, 1991

104

s h i g e t o

· 66,5 · · 6,2

· 33,5 · · 47,5 ·

Type Two-door cupboard with three shelves and four vertical dividers. Material Structure in solid natural oak. Doors, sides, shelves, back and internal dividers made with particle-board panels, veneered with natural oak. Base (feet/wheels) Swivel castors with front wheel blocking. Finish/Colour Natural oak, open-pore acrylic varnish. Notes For the 160 cm models, a fifth central wheel is provided in case of heavy load.

· 54 · · 82 ·

· 172,5 ·

· · 66,5 · 66,5 · 66,5 · 66,5 · · 1 1

· 25 · · 39 ·

· ·

· 39,5 · 91

160

· · 1

k an t

60 ·

120

· 45,5 ·

cr é d e nc e

> 40

design Xavier Lust , 2003 Type Two-door cabinet with vertical divider and internal shelves. Limited edition of 150 signed, numbered pieces. Material Outer structure in painted aluminium sheet. Inner structure, doors, vertical divider and shelves in satin-finish anodized aluminium sheet. Steel frame. Base (feet/wheels) Adjustable aluminium feet, coated with polyurethane paint. Finish/Colour Structure and doors painted on the outside with polyurethane paint in China red, Rover green or midnight blue. Anodized satin silver internal finish.

> 35

d e s i g n Fo r m f ü rs o rge , 1 993 Type Column bookcase. Material Structure made with a single steel sheet, 200x100 cm, bent and riveted, without scrap. Finish/Colour White powder paint coating.

197

· · 66,5 1

· 33 ·

> 39

· 40 · 50 · 35 · 35 · 35 · 11 ·

· · 91 6,2

Type Modular bookcase. Material Structure in solid oak or beech. Wood particle-board panels, veneered in oak or beech. Mobile internal shelves and vertical dividers in painted wood particle board. Base (feet/wheels) Adjustable feet. Finish/Colour Oak finished with open-pore acrylic varnish, natural beech finished with closed-pore polyurethane varnish. Shelves and vertical dividers painted in eggshell white. Notes The internal shelves can be placed in five positions, at a perforation interval of 32 mm.

design Vico Magistr etti, 1989

114

Type Bookcase, a very flexible storage device. Freestanding or wall-mounted. Material Uprights and sections in anodized extruded aluminium. Shelves, containers and mobile internal shelves in anodized aluminium sheet. Drawer units with two or three drawers in anodized aluminium sheet. Finish/Colour Uprights: anodized satin-finish silver. Sections, shelves, containers, mobile internal shelves for containers, drawer units: anodized satin-finish silver or white epoxy powder coated. Notes The uprights are used for floor-to-ceiling installation and can be adjusted by 4 cm at the top and the bottom. Uprights are always paired with sections. Supports: used when the uprights are placed on the wall, to attach the bookcase to the wall. Highly recommended for bookcases bearing heavy loads, and for all uprights taller than 3 m. Reinforcement crossbars in anodized aluminium, used only for bookcases with uprights; inserted in every span, one for each meter of height. The section is directly attached to the wall or combined with the upright, in the case of a divider bookcase. Section of 57, 114, 171 cm have a perforation interval of 7 cm and can be put one over the other. The sections with heights of 11 and 39.5 cm can only be used for the positioning of the single shelf (11 cm) and the single container (with door or drawers, 39.5 cm). In the case of use of wall-mounted sections, test the consistency of the wall to find the best attachment point.

> 29

d e s i g n D i e te r Ra m s , 1 984

207

6 0 6 U n i v e r s al Sh e lv i n g Sy s t e m

140

· ·

· 132

· 30 ·

· 26 ·

220

Bookcases and cabinets

221

Sw i n g _ U n i t s & C h e s t U n i t s

WALL UNIT - SW / R

100

·18,5· · 40 ·

100

·18,5·

> 43

d e s i g n Mo r i t z E n ge l b r e c h t / l e m o n g ra s , 2001

· 40 ·

Type System of independent cabinets with doors, internal shelves or drawers. Wall console with one drawer and open side compartment. Material Structure, doors and tops in wood particle-board panels, drawers with birch plywood panels on slide runners with cushioning mechanism. Base (feet/wheels) Available on different bases: runners in polished aluminium section; rubber swivel castors with chromed-plated support and front wheel blocking; painted wood particle-board base with height-adjustable feet. Finish/ Colour Silkmat lacquer finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, China red, lemongrass, terracotta red. Internal finishes: lacquered like the exterior, or in white melamine. Notes Units 1, 2 and 3 are supplied already assembled. One of the internal shelves is always fixed in a lower position. For compositions the tops should always be ordered together with the modules. It is not possible to attach tops to existing single elements; in case of additions or modifications, indicate that the modules are to be used for compositions.

UNIT / 6C

UNIT / 6D

Sw i n g _ U n i t s b o x design Moritz Engelbr echt / lemongras, 2001 Type Wardrobe system. Material Structure and doors in wood particle-board panels, drawers in particle-board panel mounted on slide runners with cushioning mechanism. Base (feet/wheels) Available on different bases: rubber swivel castors with chromedplated support and front wheel blocking; painted wood particle-board base with heightadjustable feet; runners in polished aluminium section. Finish/Colour Silkmat lacquer finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, China red, lemongrass, terracotta red. Internal finish in white melamine. Accessories Interior equipped with wooden shelves and drawers, and metal hanger rod, for personalized configuration.

WALL UNIT - SW / L

· 45 ·

178

· 45 ·

·6·10·15·

10 ··15 ·

UNIT / 1 - CHEST UNIT / 1

UNIT / 2 - CHEST UNIT / 2

BOX / C

BO X / D

· 45 · · ·

BOX / B

· 45 · ·

BOX / A

· 10 ··15 · 38 ·

110

UNIT / 6E

· 45 ·

UNIT / 3 - CHEST UNIT / 3

UNIT / 4

197

182 ·15·

10 ··15 ·

110

· 161 ·15· 146

UNIT / 5

Sw i n g _ U n i t s 6 design Mo r i t z E n ge l b r e c h t / l e m o n g ra s , 20 0 1

Type Secrétaire with four drawers. Material Structure, internal dividers and extractable writing shelf in particle-board panels, veneered with American cherry or natural oak. Roll-top in solid American cherry or natural oak. Drawers in plywood panel veneered with American cherry or natural oak, on metal runners. Drawer fronts in satin-finish anodized aluminium. Base (feet/wheels) Swivel castors with front wheel blocking. Finish/Colour Aniline stained American cherry with closed-pore polyurethane varnish, or natural oak with open-pore acrylic varnish. Accessories Equipped with lock. ·

60,5 ·

100

·6·10·15·

178

> 49

design Vico Magistr etti, 1992

Type Wardrobe system. Material Structure and doors in wood particle-board panels, drawers in particle-board panel mounted on slide runners with cushioning mechanism. Base (feet/wheels) Available on different bases: rubber swivel castors with chromedplated support and front wheel blocking; painted wood particle-board base with heightadjustable feet; runners in polished aluminium section. Finish/Colour Silkmat lacquer finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, China red, lemongrass, terracotta red. Internal finish in white melamine. Accessories Interior equipped with wooden shelves and drawers, and metal hanger rod, for personalized configuration.

r e fl e x s e cr é t a i r e

BOX / E

UNIT / 6A

222

UNIT / 6B

Bookcases and cabinets

100

· 50 ·

Bookcases and cabinets

223

r e fl e x

> 49

d e s i g n V i co M a g i s t r e t t i , 1 99 0

55,5

Type Drawer unit on wheels with two or three drawers, including one equipped for hanging file folders. Material Structure in powder-coated steel. Polished anodized aluminium handles. Base (feet/wheels) Thermoplastic swivel castors. Finish/Colour White powder coating. Accessories Drawer unit with lock and numbered keys; the drawer outfitted for hanging folders has a front wheel to prevent overturning. Internal accessories: stationery tray and inclined dividers in black plastic, redactor for hanging folders with 29 cm (US format) span, in black metal.

52,4

55,5

Type Three drawers unit. Material Structure in particle-board panels, veneered with American cherry or natural oak. Drawers in birch plywood, stained in the various wood tones, all with white wood particle-board bottoms, on metal runners. Aluminium drawer fronts and doors. Base (feet/wheels) Swivel castors with front wheel blocking. Finish/ Colour Aniline stained American cherry with closed-pore polyurethane varnish, natural or wenge-stained oak with open-pore acrylic varnish. Drawer fronts in silver satin-finish anodized aluminium or white powder coated, only for the version in natural oak. Accessories Lock positioned to the upper right.

52,4

60,5 ·

Sh i n e con t e n i t or i

> 51

d e s i g n V i co M a g i s t r e t t i , 1 995

65 ·

· 48 ·

> 55

design Vico Magistr etti, 2004 Type Armchair. Material Structure in steel with elastic seat belting and polyurethane foam. Base Fixed, on four legs, or rocking in satin-finish stainless steel, sliding blocks in solid natural or wenge-stained ash, or swiveling base with four chromed-plated steel spokes. Finish/Covering Fabric or leather, not removable cover.

45 · ·

· 65

· 48 ·

170

42 ·

170

basket

Type Cabinets with internal movable shelf. Material Structure in particle-board panels, veneered with American cherry or natural oak. Drawers in birch plywood, stained in the various wood tones, all with white wood particle-board bottoms, on metal runners. Aluminium fronts for drawers and doors. Base (feet/wheels) Structure in powder-coated steel and legs in polished anodized aluminium tubing, or painted white, only for the natural oak version. Adjustable plastic feet. Finish/Colour Aniline stained American cherry with closed-pore polyurethane varnish, natural or wenge-stained oak with openpore acrylic varnish. Drawer fronts in silver satin-finish anodized aluminium or white powder coated, only for the version in natural oak. Accessories Drawer units with lock positioned inside the door (inside the lateral compartment on the divider upright).

· ·

42 ·

255

· 48 ·

t ool s

> 52

d e s i g n Stu d i o Cer r i & As s o c i a t i , 20 0 1

lou i s i ana

> 56

design Vico Magistr etti - Ce ntro Design Binfar é , 1993

224

· 45

Type Armchair with pouf. Material Structure in steel with elastic seat belting and polyurethane foam. Seat cushion in polyurethane foam covered with polyester batting. Lower back cushion with down filler. Pouf with rigid polyurethane frame, cushion in polyurethane foam covered with polyester batting. Base Painted steel legs, swivel castors, including one wheel with braking device. Pouf on swivel castors, including one wheel with braking device. Finish/Covering Outer cover in cowhide, in the colours natural, Bulgarian red, brown or black. Removable inner cover with zipper, in fabric or leather, padded with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red. The lower back cushion is covered in fabric, also in the leather version.

· ·

· 35 ·

· 40 ·

· ·

Type Drawer and storage units. Material Structure in powder-coated steel. Ties of open unit in chromed-plated steel. Polished anodized aluminium handles. Tops in layered laminate (thickness 4 mm) equipped with magnets to be fixed to storage units. Base (feet/wheels) Adjustable feet in polished anodized aluminium. Finish/Colour White powder coating. White laminate top. Accessories Drawer units also available with lock. Notes Stacked elements should always be attached to the wall.

· 45

Bookcases and cabinets

B o o kc a s e s a n d c a b i n e ts | A r m c h a i r s a n d s o fa s

225

clu b

> 59

d e s i g n V i co M a g i s t r e t t i , 1 998

· 43

Type Multifunctional unit, converted by changing the angles of the frame parts: chair, chaise longue, bed. Material Structure in steel with elastic belting, covered with polyurethane foam and polyester batting. Base Runners in black painted wood. Finish/ Covering Removable fabric cover. Notes Not available in Austria, Germany and Switzerland.

5 ·

100

· ·

185 / 195

> 68

Type Armchair and two or three-seater sofa. Material Structure in steel with elastic seat belting, padded with polyurethane foam. Seat cushion in polyurethane foam. Lower back cushion filled with down. Base Powder-painted steel in white, black, red or chrome-plated. Finish/Covering Removable zippered cover in fabric or leather, padded with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red.

s pr i n g low

> 62

d e s i g n D a mi a n W i l l i a m s o n , 20 07

s u s anna

> 65

205 / 240

bergère

Type Bergère with two positions swing movement and pouf. Material Structure in steel with elastic seat belting, padded with polyurethane foam. Seat cushion in polyurethane foam. Lower back cushion filled with down. Pouf with cushion in polyurethane foam covered with polyester batting. Base Powder-painted steel in white, black, red or chrome-plated. Finish/Covering Removable zippered cover in fabric or leather, padded with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red.

Type Armchair. Material Structure in steel with elastic seat belting, polyurethane foam filler covered with polyester batting. Seat cushion filled with goosedown. Base Wooden feet. Finish/Covering Removable fabric cover.

226

A r m c h a i r s a n d s o fa s

· 36 ·

· 40 · 106 ·

> 71

· 44

78 · ·

design Patricia Urquiola, 2007

d e s i g n V i co M a g i s t r e t t i , 1 99 0

· ·

· 38 ·

· ·

· 38 ·

75 65

Type Armchair. Material Structure and seat in solid ash. Also available with padded seat with sheet steel support, filled with polyurethane foam and down. Finish/Covering Natural, wenge-stained or white-stained ash, finished with open-pore acrylic varnish. Leather cover for the version with padded seat.

215

· 40 · · 86

L é g è r e / L é g e r

·20·

design Patricia Urquiola, 2007

· 90

· 43

> 61

d e s i g n J a n Ar m ga rd t a n d I n go M a u r e r, 1 985

12 · 95 /

100

tat t o m i

Type Bergère armchair. Material Steel structure with elastic seat belting, polyurethane foam covered with polyester batting. Base Painted steel legs with front swivel castors or fixed wheels, in wenge-stained oak. Finish/Covering Removable fabric or fixed leather cover.

· 43

> 66

design Vico Magistr etti with Birgit Lohmann, 2002 first edition - 2005 modifie d r e - i s s u e

t ondo 0 5

Type Armchair. Material Structure in steel with seat springs, padded with polyurethane foam covered with polyester batting. Goosedown seat cushion with polyurethane foam support. Base Feet in cast satin-finish aluminium or wood, upon request. Finish/Covering Non-removable fabric or removable technical fabric cover.

80 / 90

A r m c h a i r s a n d s o fa s

· 60 ·

· 40 ·

227

b e r g e r

> 72

d e s i g n Pa t r i c i a U r q u i o l a , 20 07

· 38 ·

· ·

190

ATA / 190

120

205 / 240

106

215

ATA / 215 ·

285

ATA / 285

a s s uan

120

> 75

d e s i g n V i co M a g i s t r e t t i , 20 0 0 ·

310

ATA / 310

345

ATA / 345

285

· ·

310

· ·

Type Armchair, two to five-seater sofa and pouf. Material Structure in steel with elastic seat belting, padded with polyurethane foam and polyester batting. Throw cushions filled with goosedown (45x45 and 45x60 cm). Base Steel with polished aluminium legs and adjustable feet. Finish/Covering Removable fabric cover.

COMP A / P

285

310

COMP C / P

310

· COMP D / P

COMP D / A

95 ·

· ·

· 73 · ·38·

Type Two to five-seater sofa, or modular sofa, and pouf. Attachment system for infinite compositions. Material Structure in wood and steel with variable-density polyurethane foam filler, covered with polyester batting. The seat is made more comfortable by elastic belting and a down-filled pad built into the structure. Base Adjustable steel feet. Finish/ Covering Removable fabric cover. The back separated from the seat for easy removal. Accessories Table with white powder-coated tubular steel base, top in gray painted wood particle board. Notes Armrests cannot be added to or removed from existing compositions.

COMP C / A

· 73 COMP E / P

228

A r m c h a i r s a n d s o fa s

COMP E / A

ATA / P73

·38·

> 76

d e s i g n J a s p e r Mo r r i s o n , 20 0 9

a t alan t e

285

310

140

· 43 · ·

390

COMP B / A

240

COMP B / P

COMP A / A

· 210

215

ATA / P95

·36·

140

215

· 43 ·

240

ATA / 240

· 36 ·

Type Two or three-seater sofa. Material Structure in steel with elastic seat belting, padded with polyurethane foam. Seat cushion in polyurethane foam. Lower back cushion filled with down. Base Powder-painted steel in white, black, red or chromed-plated. Finish/Covering Removable zippered cover in fabric or leather, padded with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red.

ATA / TAV

229

239

· · 92 ·

239

· ·

296

· 150

Type Two or three-seater sofa. Material Structure in steel and wood with elastic seat belting, variable-density polyurethane foam covered with polyester batting. Base Adjustable steel feet. Finish/Covering Removable fabric or leather cover.

231

150

> 80

20 0 8

suite

304

· 306 ·

· 306

· 78

239

175 / 225 / 250

· 44 · ·

· ·

304

hov e rcraf t

> 82

d e s i g n V i co M a g i s t r e t t i , 1 996

s q uar e

> 89

2004 Type Two or three-seater sofa or modular sofa, also with chaise longue unit. Material Structure in wood with elastic seat belting, variable-density polyurethane foam filler covered with polyester batting. Seat and back cushions filled with goosedown mixed with polyurethane foam particles. Base Adjustable stainless steel feet. Finish/Covering Removable fabric or fixed leather cover. Technical notes The armrest is a characteristic element of this sofa: compositions without armrests are not available. In compositions, the corner unit is integrated only in the two-seater side unit. Armrests cannot be added to or removed from existing compositions.

· 45 ·

76 ·

p i llow

142

> 84

270

· 217

230

230 / 275

150

85 281

· 281

217

279

217

279

· 47 ·

190

217

· 155

· 86 · ·

206

Type Two to four-seater sofa, or modular sofa, also with chaise longue unit. Two throw cushions included. Material Structure in wood and steel with elastic seat belting, variable-density polyurethane foam filler covered with polyester batting. Seat and back cushions filled with goosedown mixed with polyurethane foam particles. Base Adjustable steel feet. Finish/Covering Removable fabric cover.

206

d e s i g n V i co M a g i s t r e t t i , 20 0 4

200 / 230 / 250

155

· 42 ·

Type Two or three-seater sofa. Material Structure in wood with elastic seat belting, filler in polyurethane foam covered with polyester batting. Seat cushions filled with goosedown, reinforced with expanded polyurethane inserts. Goosedown throw cushions (45x45 cm). Base Adjustable steel feet. Finish/Covering Removable fabric cover.

A r m c h a i r s a n d s o fa s

155

231

zip!

> 90

d e s i g n V i co M a g i s t r e t t i w i t h B i rg i t Lo h mann, 2003

pal e s t ro

> 94

design Vico Magistr etti, 1998

Type Two or three-seater sofa. Material Structure in wood with elastic seat belting, polyurethane foam filler covered with polyester batting. Base Adjustable feet in walnut-stained wood. Finish/Covering Removable fabric cover. The cover is composed of four segments joined by zippers, a decorative feature that makes its removal easy.

· ·

180 / 200 / 220 / 240

· 44 ·

75 ·

135

· 46 ·

Type Armchair, two to four-seater sofa and pouf. Material Steel structure with elastic seat belting, polyurethane foam filler. Back and armrests cushions in polyurethane foam, covered with polyester batting. Goosedown seat cushions reinforced with expanded polyurethane inserts. Goosedown throw cushions, (45x45 cm). Base Polished aluminium feet. Finish/Covering Removable fabric cover.

100

t uar e g

> 92

195

235

275

ch e s t e rf i e ld

> 96

1983 first edition - 2004 modified r e -issue

234

· 84 ·

205 / 235 / 275

> 96

2004 Type Pouf. Material Structure in wood. Internal filler in polyurethane foam. Base In wood. Finish/Covering Fixed cover in leather, with capitonné work.

84 ·

120 / 150

234

300

pouf cap i t onn é

· ·

· 84 ·

300

· 300

234

84 ·

· 150

234

· 44 ·

Type Three or four-seater sofa. Material Structure in wood with elastic seat belting. Internal filler in variable-density polyurethane foam covered with polyester batting. Seat cushion in polyurethane foam covered with polyester batting for the version in fabric. Seat cushion in goosedown for the leather version. Base Wooden feet, stained black for the fabric sofas and mahogany for the leather sofas. Finish/Covering Fixed cover in fabric or leather, with capitonné work on the back and armrests.

· 150

d e s i g n V i co M a g i s t r e t t i , 1 99 4

168

Type Two or three-seater sofa, or modular sofa, also with chaise longue unit, throw cushions in polyester batting included. Material Structure in steel and wood with elastic seat belting, variable-density polyurethane foam filler covered with polyester batting. Base Adjustable steel feet. Finish/Covering Removable fabric cover. Notes Armrests cannot be added to or removed from existing compositions.

120 / 150

· · 40 ·

232

233

raffl e s

> 99

d e s i g n V i co M a g i s t r e t t i , 1 98 8

pilgrim

> 105

design Vico Magistr etti, 1997 Type Double bed. Material Headboard: steel structure with polyurethane foam padding, covered with polyester batting. Wooden borders upholstered with polyester batting. Base with beech staves. Structure Demountable structure in extruded aluminium on adjustable feet. Finish/Covering Removable fabric cover for headboard and base.

110

181

· ·

52 ·

· 32 ·

185

· 33 ·

· 45 ·

Type Armchair, two to five-seater sofa and pouf. Material Structure in wood with elastic seat belting; internal filler in polyurethane foam with polyester batting. Goosedown seat cushions. For more support, the seat cushions are also available with blended down and polyurethane particles. Lower back cushions filled with polyester batting. Base Front feet in wood with swivel castors (except for the five-seater model), back feet in wood. Finish/ Covering Removable fabric cover.

165 / 202

245 / 302

227

regent’s 1983

> 100

a s s e m an

> 106

design Patrizia Ca gliani, 1984 Type Double canopy bed. Material Tubular steel structure, white powder coated. Base in painted beech plywood. The headboard has two poplar plywood panels with polyester filler and fabric cover as pillow supports. Finish/Covering Canopy available with fabric ceiling or mosquito curtain. White cotton fabric ceiling with lateral laces. Tulle mosquito curtain with lower and upper borders in white cotton. The headboard has a removable fabric cover.

· ·

· 33 ·

200

· 46 ·

Type Armchair, two to five-seater sofa and pouf. Material Structure in wood with elastic seat belting; internal filler in variable-density polyurethane foam, covered with polyester batting. Cushions with goosedown filler or, upon request, with polyurethane foam insert (only for seat cushions). Base Wooden feet. Finish/Covering Removable fabric cover.

175 / 218

218 / 243

twist

312

182

211

> 102

d e s i g n Va l e r i a D e Pa d o va , 20 0 6

s l e e p i n g car

> 109

design Vico Magistr etti, 2004 Type Double bed. Material Headboard: steel structure with polyurethane foam, covered with polyester batting. Wooden borders upholstered with polyester batting. Base with beech staves. Structure Demountable structure in extruded aluminium, on adjustable feet. Finish/Covering Removable fabric cover for headboard and base.

196

181

234

220

· 32 ·

176

· 30 ·

· ·

100

107

Type Double bed. Material Headboard: tubular steel structure with silver powder paint finish, covered with cotton or stretch fabric belting. Base in aluminium with beech staves. Structure Demountable structure in satin-finish anodized extruded aluminium. Finish/ Covering Headboard belting available in écru mélange stretch fabric, or stripes with écru central part and white and saffron lateral stripes, in cotton.

A r m c h a i r s a n d s o fa s | B e d s

Beds

218

235

> 111

d e s i g n Pa t r i c i a U r q u i o l a , 20 0 8

Type Rectangular table. Top Particle-board panel veneered in oak, set into the shaped solid oak frame with internal steel reinforcements. Base Solid oak legs with 45° joint at top. Finish/Colour Top: natural or wenge-stained oak, open-pore acrylic varnish. Base: natural or wenge-stained oak, open-pore acrylic varnish.

100 / 120 ·

100 · 220

> 118

design Vico Magistr etti, 1994

b e yl e

Type Collection of tables. Top Wood particle-board panel covered with laminate, with beveled edges, or wood particle-board veneered in oak, with beveled solid oak border and shaped ends. Base In folded metal sheeting with aluminium central beam. Adjustable feet. Finish/Colour Top: white laminate with white painted border; natural oak with open-pore acrylic varnish. Base: steel sheet and central aluminium beam, powderpainted in white or rust. Accessories The tops (from 3 m) can be equipped with one or more electrical or telephone sockets. The set is composed of two boxes, containing: schuko socket, normal socket, two RJ45 data/telephone sockets, complete with cables; wiring channel; vertical wire spiral channel.

m an t i s

240 / 260

120

110

140

b lo s s o m

> 121

design Vico Magistr etti, 2002 Type Rectangular or square table. Top Particle-board panel veneered in maple or laminated, with shaped solid maple border. Base Legs in curved beech plywood with ash veneer. Finish/Colour Top: maple with transparent acrylic varnish; white laminate with solid maple border. Base: maple-stained ash with open-pore acrylic varnish.

ca m po d ’ oro

98 180 / 220

72 ·

t avolo ‘ 9 5

> 122

design Achille Castiglioni, 1995 Type Rectangular or square table. Top In marble with shaped border. Base Steel frame with cast aluminium brackets. Legs in solid evaporated beechwood. Finish/Colour Top: white arabesque Cervaiole marble. Base: aluminium-tone powder painted aluminium brackets. Legs in solid evaporated beechwood finished with polyurethane varnish.

85 ·

140 ·

280

140

210

· ·

140

73 ·

· 53 ·

· ·

140 ·

· 53 ·

> 115

d e s i g n Pa o l o Pa l l u c co a n d M i r e i l l e R i v i e r, 2005 Type Table with a modular structure. A game of hinges and three trapezoidal parts that form the top permit movement to create a table with different forms. When closed, it is square; moving the parts, the table takes on different configurations, all the way to a trapezoidal form. Top Birch plywood panels covered with laminate, or aluminium laminate flush with the structure. Base Base composed of three structures in steel section. Hinges and adjustable feet in stainless steel. Finish/Colour Top: white laminate or satin-finish aluminium laminate. Base: steel with white or aluminium-tone powder paint coating.

140

· ·

· 74

420

· ·

· 74

360

140

300

· ·

· 74

260

236

Ta b l e s

237

d i nn e r

> 124

d e s i g n V i co M a g i s t r e t t i , 20 0 4

shine

> 128

design Vico Magistr etti, 1991 Type Collection of oval, rectangular and square tables. Top Wood particle-board panel covered with laminate, with beveled border, or wood particle-board panels with oak veneer and beveled solid oak border. Base In tubular aluminium section with internal steel reinforcements; cross-pieces and supports of the top in steel. Finish/Colour Top: aniline-stained American cherry finished with closed-pore polyurethane varnish; natural or wenge-stained oak finished with open-pore acrylic varnish; white laminate with white painted border. Base: mirror-finish aluminium protected by transparent varnish; cross-pieces and supports in aluminium-tone powder coated steel.

180

· 130

73 ·

140

Type Square, rectangular and extendable-rectangular table. Top Particle-board panel veneered in oak. The extendable top includes aluminium segments. Base In solid oak, with aluminium mechanism in the extendable version. Finish/Colour Top: natural or wenge-stained oak with open-pore acrylic varnish. Base: natural or wenge-stained oak with open-pore acrylic varnish.

300

480

150

240

360 / 420

260

· 73 ·

100 ·

> 127

d e s i g n V i co M a g i s t r e t t i , 1 987

v i dun

200

73 ·

220

100

200

200 / 240

Type Rectangular or round table. Top Tempered plate-glass, thickness 12 mm. Base Natural beech with three feet, height-adjustable from 63 to 80 cm by means of the big wooden screw. Finish/Colour Top: transparent plate-glass. Base: natural or anilinestained beech, in the colour combinations violet-turquoise-green or red-yellow-goosebeak, finished with polyurethane varnish or black paint.

nara

> 131

design Vico Magistr etti, 1998

46 ·

100 / 120

Type Rectangular or extendable-rectangular table. Top Tempered plate-glass, thickness 12 mm. Base In aluminium. Adjustable feet. Finish/Colour Top: extra-clear etched glass. Base: satin-finish anodized aluminium.

130

200

260

180 / 200

238

Ta b l e s

100 · ·

73 ·

· 90 / 100 ·

220 / 250

· 63 › 80 ·

239

otis

> 132

d e s i g n Lo r e n z * Ka z , 20 07 - 20 0 8

t ool s +

> 136

design Lor enz*Kaz, 2007 Type Round table. Top Birch plywood covered with laminate. Base With three or four legs, in shaped steel sheet. Finish/Colour Top: black or white laminate, with birch plywood trim finished with closed-pore polyurethane varnish. Base: white or black powder coated steel. ·

· 26 · · 13 ·

· 90 / 110 / 130·

Type System of accessories for Tools tables, composed of: side extension, computer rack, cable slot, rail for attachment of accessories-stand bracket, bracket with bookshelf and bracket with paper shelf. Material Side extension: in curved birch plywood covered in white laminate, semi-transparent white PVC border (thickness 1 cm). Adjustable feet and separators: anodized aluminium. Computer rack: polished anodized aluminium. Cable slot: satin-finish anodized aluminium. Rail for attachment of accessories-stand bracket: satin-finish anodized extruded aluminium. Bracket with bookshelf and bracket with paper shelf: satin-finish anodized aluminium. Notes The cable slot can be attached to the rail or, if accessories are not used, directly to the table top using the brackets already supplied.

· 90 / 110 / 130·

· 26 ·

· 21 · ·

q uadra t o

> 135

· 71

124

· ·

· 71

100

· 25 · · 13 · 17 ·

· 24 ·

1 98 6 Type Square or rectangular table. Top Wood particle-board panels covered with laminate, with plywood border. Base In steel. Finish/Colour Top: white laminate with exposed plywood border, finished with transparent varnish. Base: white powder coated steel.

più

> 140

design Lor enz*Kaz, 2002

160 / 180

· 80 / 90 ·

· 160 / 180 / 200

· 39 ·

· 130 / 140 / 155 ·

· 69

· 80 / 90 ·

· 130 / 140 / 155 ·

Type Trestle table. Top Melamine coated panel with PVC border, or tempered plateglass (thickness 12 mm). Base Tubular steel trestle with 4-cm height regulation. Finish/Colour Top: white melamine coated panel with maple-colour border, or transparent tempered glass. Trestle: powder coated in aluminium gray or white.

t ool s

> 136

d e s i g n St u d i o Cer r i & As s o c i a t i , 20 02

più

> 140

design Lor enz*Kaz, 2002 Type Rectangular table. Material Top in birch plywood covered with laminate, PVC border. Base Cast aluminium and aluminium section. Finish/Colour Top: birch plywood covered with white laminate, semi-transparent PVC border (thickness 1 cm). Base: polished aluminium. · 16,5 ·

160 / 180 / 200

43 31

· ·

· 24 ·

· 80 / 90 / 100·

· 16,5 ·

Type Hanging space savers. Material Sheet steel. Finish/Colour Powder coated in silver metallic matt or white. Notes Available in two sizes and adaptable to tops of different thickness: for tops up to 22 mm and tops up to 40 mm. They come with rubber inserts to adjust the thickness of the opening to that of the top. Removable shelves permit great usage flexibility. The hanging space savers can also be used with tables other than those of the Più series.

240

Ta b l e s

241

· ·

53,5

46 ·

m arocca

57,5

ol i m p i a

57,5

· 64 › 71,5 ·

· 44 › 51,5 ·

76 › 83,5 ·

· 44 › 51,5 ·

· 52

> 146

2008 Type Stackable stool in two heights. Material Anatomical seat in laminated beech plywood, veneered in maple or oak. Base Steel tubing with stainless steel footrest. Plastic feet. Finish/Colour Seat: beech covered with white laminate, with exposed border; veneered in natural maple or wenge-stained oak, finished with transparent varnish.Base: polished chromed-plated steel, stainless steel footrest.

100

· 65

· 48

c i r e n e 0 3

flow e r

> 149

design Vico Magistr etti with Patricia Urquiola, 1996 Type Fixed or swivel armchair. Material Structure in rigid polyurethane, seat padded with polyurethane foam and polyester batting. Base Fixed base with four steel legs. Swivel base with five steel spokes, height-adjustable; swivel castors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake for hard floors in wood or marble. Finish/Colour Base in polished chromed-plated steel. Removable fabric cover.

> 145

d e s i g n V i co M a g i s t r e t t i , 20 03

242

Ch a i r s

· 59

66 › 72

· 47 › 53 ·

80 › 86

Ch a i r s

· ·

47,5

64,5 ·

Type Armchair. Material Structure in solid steam-bent ash wood, with anatomical chassis in beech plywood. Upholstered version padded with polyurethane foam. Finish/Colour Structure: blanched, maple-stained or wenge-stained ash, finished with transparent varnish. Seat in white laminate with exposed beech plywood border, or veneered in natural maple or wenge-stained oak, finished with transparent varnish. Upholstered seat: removable fabric cover, for dry cleaning, or fixed leather cover.

46 ·

· ·

Type Chair, with or without armrests. Material Beech structure. Seat in beech plywood, or padded with polyurethane foam and covered with leather. Finish/Colour Structure: tea-colour aniline-stained beech, finished with polyurethane varnish or painted semipolished black. Seat: tea-colour aniline stained beech, finished with polyurethane varnish or painted semipolished black; covered in black leather.

76 › 83,5

d e s i g n V i co M a g i s t r e t t i , 1 987

64,5

> 145

· ·

65 ·

· 69

Type Chair with or without armrests, stackable (up to ten units) or swiveling. Material Anatomical chassis in beech plywood. Upholstered version padded with polyurethane foam. Fixed chair in steel. Swivel chair with five steel spokes: gas-piston height adjustment mechanism. With swivel castors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake, for hard floors like wood or marble. Finish/Colour Base: polished chromed-plated steel. Chassis: anthracite gray painted beech; white laminate with exposed beech plywood border, or veneered in wenge-stained oak, natural maple or red aniline-stained beech, finished with transparent varnish. Upholstered version: removable fabric cover, for dry cleaning, or fixed leather cover. Technical notes Hook for lateral connection in polished chromed-plated steel. The hook calls for a special drilling in the structure of the chair, so it cannot be used with previously purchased chairs.

· 66

45 ·

· 69

> 146

design Vico Magistr etti, 1999

Type Armchair. Material Chassis in moulded plastic. Base Fixed base in steel, powder coated in white or black, legs in oak-stained ash wood. Plastic feet. Four-spoke swivel base in cast aluminium, polished or powder coated in white or black. Plastic feet. Fivespoke swivel base in cast aluminium, polished or powder coated in white. Swivel castors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake, for hard floors like wood or marble. Finish/Colour Chassis in white or black with mat surface and quilted motif moulded on the outer surface. By request: seat cushion: padded with polyurethane foam; removable cover in fabric or leather, with slip-proof lower surface; cover: in removable quilted fabric with elastic borders.

· 83

c i r e n e | c i r e n e i m b o t t i t a

> 142

d e s i g n Pa t r i c i a U r q u i o l a , 20 1 0

lav e nha m e x e cu t i v e

243

pollac k i i

Type Swivel armchair. Material Structure in rigid polyurethane, seat padded with polyurethane foam. Outer cover in cowhide. Inner cover, removable with a zipper, in leather or fabric, padded with polyester batting, cotton ribbon trim. Base Four-spoke fixed base in steel. Five-spoke, swivel base in steel, on wheels. Swivel castors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake, for hard floors in wood or marble. Finish/Colour Base in polished chromed-plated steel. Outer cover: natural, Bulgarian red, brown or black cowhide. Trim: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red cotton.

Type Upholstered chair. Material Structure in steel with elastic seat belting, with flexible back, padded with polyurethane foam wrapped in polyester batting. Base Legs in beech, oak or aluminium. Finish/Colour Legs: natural beech, natural or wenge-stained oak, finished with transparent varnish; polished or satin-finish anodized aluminium. Removable fabric cover, also for the chair with long cover.

50,5

48 58

lav e nha m

s i lv e r

> 156

design Vico Magistr etti, 1989

> 152

46 ·

65 › 71 ·

· 44 › 50 · ·

SIL. P / II

Type Seating system composed of a chair, with or without armrests, a stackable chair (up to six units), a swivel chair on wheel, and multiple bar-mounted chairs. Material Fixed chair: structure in aluminium tubing, seat frame in die-cast aluminium, polypropylene seat and back. Swivel chair: structure in aluminium tubing, seat frame in diecast aluminium, five-spoke steel base with swivel castors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake, for hard floors in wood or marble. Height-adjustable seat. Multiple bar-mounted chairs: in steel with die-cast aluminium supports. Finish/Colour Fixed chair: structure in polished or satin-finish anodized aluminium. Seat frame in polished aluminium coated with transparent powder, or aluminium-tone powder coated, for the satin-finish version. Fixed stackable chair: structure in polished anodized aluminium. Seat frame: polished aluminium coated with transparent powder. Swivel chair: structure in polished or satin-finish anodized aluminium. Seat frame in polished aluminium coated with transparent powder, or aluminium-tone powder coated, for the satin-finish version. Base in aluminium-tone powder coated steel. Multiple bar-mounted chairs: structure in satin-finish anodized aluminium. Cross-bar and bases in aluminium-tone powder coated steel. Seat and back: black, white, gray, warm gray, orange or cobalt blue. Accessories Hook for side connection in black plastic, for use only on stackable Silver chairs without writing surfaces. Writing surface in plywood covered with plastic laminate, complete with die-cast aluminium joint. Trolley for transport of up to six chairs, in polished anodized aluminium with rubber wheels. Cushion in polyurethane foam, covered with black, white, gray, warm gray, orange or cobalt blue cotton, removable for dry cleaning. Attached to the seat with a plastic snap button. Notes Available upon request with special protective treatment for outdoor use. Multiple bar-mounted chairs: for all back-to-back double configurations two joint bars are needed.

SIL. S / II

· 46 · 68,5

· ·

Type Small armchair. Material Structure in steel with elastic seat belting, padded with polyurethane foam wrapped in polyester batting. Base Legs in beech, oak or aluminium, with or without wheels. The version on wheels comes with swivel castors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake, for hard floors in wood or marble. Finish/Colour Aluminium legs: polished or satin anodized. Wooden legs: natural beech, natural or wengestained oak, finished with transparent varnish. Removable fabric or fixed leather cover.

· 44 › 50 ·

d e s i g n V i co M a g i s t r e t t i , 1 998

78 › 84

> 155

SIL. P / 1

65 · 51

pollac k

78 › 84

46 · 51

78 ·

SIL. S / 1

Type Stackable chair (up to six units), with or without armrests. Material Chassis in moulded plastic. Base In steel. Finish/Colour Chassis: white or black with glossy surface and quilted motif moulded on the inner surface. Base: chromed-plated steel, or with white or black mat paint finish.

d e s i g n Pa t r i c i a U r q u i o l a , 20 0 8

> 155

design Vico Magistr etti, 1999

> 150

d e s i g n V i co M a g i s t r e t t i - Cen t ro D e s i g n B i n fa r é , 1992

i nc i s a

SIL. P / 1IM

45 · 9 · 45

244

186 / 246 / 306

· 44

162 / 216 / 270

· ·

SIL. S / 1IM

SIL. S / B

Ch a i r s

SIL. P / B

245

s pr i n g

> 159

d e s i g n D a mi a n W i l l i a m s o n , 20 0 6

ca m po ara t o

> 165

design Paolo Pallucco, 2008

Type Stackable chair (up to six units). Material Structure in solid ash wood. Finish/ Colour Structure: natural, wenge-stained or white-stained ash, finished with open-pore acrylic varnish.

121

Type Small table with a modular structure. A game of hinges and three trapezoidal parts that form the top and permit movement to create a table with different forms. When closed, it is square; moving the parts, the table takes on different configurations, all the way to a trapezoidal form. Top Poplar plywood covered with solid ash wood. Base Legs and top frame in solid oak. Stainless steel hinges. Adjustable feet. Finish/Colour Top: natural oak-stained ash wood, with triangular milled surface, treated with openpore acrylic varnish. Base: natural oak with open-pore acrylic varnish.

· ·

121

> 160

ura g ano

d e s i g n V i co M a g i s t r e t t i , 1 992 Type Armchair. Material Structure in solid beech. Back and seat woven in natural wicker. Single back-seat cushion padded with polyester batting. Finish/Colour Structure: aniline-stained beech in goosebeak yellow. Seat and back in natural wicker with transparent acrylic varnish. Cushion: covered in natural cotton fabric.

tetris

> 165

design Nendo, 2007

Type Square table. Top Wood particle-board panels. Base Structure in steel. Finish/ Colour Tops: finished with goffered polyurethane paint in white or black. Base: powder coated steel, in white or black.

s undanc e

· 80

· · 31,5 ·

· ·

> 163

design Paolo Golinelli, 2010

q uadra t o e s po s i t or e

> 165

1996 Type Square table. Top Lower level: wood particle-board panel. Upper level: tempered glass, thickness 12 mm. Base In steel. Finish/Colour Top: lower level in white faced chipboard; upper level in transparent glass. Base: white powder coated steel.

120

63,5 ·

Type Folding armchair. Material Structure in natural teak. Hinge in brushed stainless steel. Seat, sides and back in fabric; armrests padded with polyurethane foam. Base Folding teak base. Plastic feet. Finish/Covering Base in natural teak. Removable fabric cover in white or black.

120

· 40

246

Ch a i r s

Accessories

247

s a t urno

> 167

d e s i g n D’ U r b i n o – Lo m a z z i , 20 0 8

m a t e

> 168

design Achille Castiglioni, 1992 Type Tray with folding base. Top Edges in solid beech, birch plywood panel with beech veneer. Base Folding base in solid beech with cotton belting. Finish/Colour Tray: Natural beech finished with closed-pore polyurethane varnish. Base: natural beech finished with closed-pore polyurethane varnish and blue cotton belting.

Type Side table. Made up of two staggered circular tops of different sizes mounted on a diagonal support bar. The tops rotate independently and together on the central axis welded to the support bar. Top Wood particle-board panels. Base Structure in steel and layered laminate. Finish/Colour Top: goffered paint, white or black. Structure powder coated in white or black; base in white or black layered laminate.

108

· 42 ·

· 41

· 45

dan | dan oval e

> 167

1 992

m i n i m at e

> 168

design Achille Castiglioni, 1993

Type Round or oval small table. Top Dan: wood particle-board panel. Dan oval: wood particle-board panel covered with laminate, with beveled border. Base In aluminium. Finish/Colour Dan: white or embossed black paint finish. Dan oval: white laminate with white painted border. Base: satin-finish anodized aluminium.

130

Type Tray with folding base. Top Edges in solid beech, birch plywood panel covered in laminate. Base Folding base in solid beech with cotton belting. Finish/Colour Tray: Natural beech finished with closed-pore polyurethane varnish, top in white laminate. Base: natural beech finished with closed-pore polyurethane varnish and blue cotton belting.

· ·

> 167

· 40 ·

swiss d e s i g n M i r to Zo c c a , 20 03

· 58

150

· · 40 / 42 ·

· 48 / 58 / 85 ·

cha b - t a b l e

> 168

design Nendo, 2005

Type Round or oval height-adjustable small table. Top Layered laminate panel with aluminium core. Base In steel. Finish/Colour Top: black layered laminate with aluminium core and white surface; black layered laminate with aluminium core and surface in wenge veneer, finished with open-pore acrylic varnish. Base: polished chromed-plated steel.

· 45,3 ·

Type Small table with tray. The base rotates to obtain two heights, increasing usage flexibility. The top can also be used as a tray. Top Beech plywood covered with laminate, border in curved solid beech. Base In steel. Finish/Colour Tray: white laminate with waxed beech border. Base: white powder coated steel.

· 60

248

Accessories

· · 37 ·

49 › 80 ·

249

s cr i t t ar e llo

> 171

d e s i g n Ac h il l e Ca s t i g l i o n i , 1 996

dt light

> 172

design Phil Luithlen, 2003

Type Desk. Top Birch plywood panel covered in laminate. Side trays in curved birch plywood covered in laminate. Base In shaped solid beech. Footrest and tie-rods in steel. Finish/Colour Top and side trays: covered in white laminate. Base: natural beech with closedpore polyurethane varnish. Footrest and tie-rods powder coated in aluminium colour.

Type Suspension lamp composed of an arm with three lengths suspended from the ceiling and balanced on the floor by a steel cable with counterweight that allows the lamp to rotate 360° and to be adjusted in terms of height and angle. Material Arm and counterweight in aluminium. Shades in parchment paper, percaline or PVC, supported with plastic. Finish/Colour Arm and counterweight in satin-finish aluminium. Shades: white parchment paper, silver-gray percaline, chrome metallized PVC. Notes The cable supplied covers a maximum floor-ceiling height of 4.5 m. For bigger heights (up to 8 m) order the special cable. Small lamp, shade ø 32 cm, E14 max 60 W bulb. Medium and large lamps, shade ø 42 cm, E27 max 100 W bulb.

· 32 / 42 ·

124 / 170 / 201

129

con s ol e

f i nd e r

> 175

design Xa vier Lust , 2001

> 171

Type Hanging magazine-document rack. Available in vertical format with four pockets, horizontal with six pockets, and horizontal with sixteen pockets. Material Steel or stainless steel. Finish/Colour Glossy white painted steel or super mirror stainless steel. Notes Normal non-permanent markers can be used to write on the surface. The white painted version can be used with magnetic paper clips. The open pocket version stores small documents or postcards.

20 03

159

116

· 56 ·8·

· ·8·

·8·

· 38 ·

· 40 ·

Type Console. Top Wood particle-board panel with oak veneer. Base In shaped solid oak. Tie-rods in stainless steel, aluminium crossbar. Finish/Colour Top: natural or wengestained oak finished with open-pore acrylic varnish. Base: natural or wenge-stained oak finished with open-pore acrylic varnish. Tie-rods in satin-finish stainless steel, crossbar in natural anodized aluminium for the console in natural oak, or tie-rods in black painted stainless steel and crossbar in black anodized aluminium for the wenge-stained version.

t r i o

> 172

d e s i g n V i co M a g i s t r e t t i , 1 997

·10·

b oo k

> 175

design Petra Runge , 2000 Type “Book-shape” rectangular or square mirror, mounted on the wall, with 180° panel rotation. Material Structure in aluminium sheet with aluminium hinges. Mirror in extraclear glass. Finish/Colour Structure and hinges: satin-finish anodized aluminium.

250

Accessories

47 ·

75 ·

82 ·

122

129

· 61 ·

· 55 ·

· 72,5 ·

Type Small table. Top Wood particle-board panel. Base In anodized aluminium, fixed or on wheels. Finish/Colour Top: embossed white lacquer. Base: polished anodized aluminium.

· 37,5 ·

251

moby 1 e moby 2

> 177

d e s i g n M a r co Za n u s o j r, 20 0 8

ro k u m aru

> 181

design Nendo, 2008 ·

Type Coat rack. Material Structure in solid ash with rhomboid section. Base Plastic feet. Finish/Colour Natural or wenge-stained ash, finished with open-pore acrylic varnish. ·

· ·

narc i s o

> 181

design Xavier Lust , 2003 Type Umbrella stand with internal shelf for small umbrellas. Material Structure in steel sheet. Internal plastic tray for water removal. Finish/Colour Powder coated steel in mat metallized silver, glossy metallized gray, white or black.

ra i ny day

> 178

d e s i g n E n r i co F ra n z o l i n i , 1 987 f i rs t e d i t i on - 1997 modified r e -issue

100

· 25 ·

100

· ·

161

Type Trolley for LCD televisions and DVD players, with one or two shelves. Top Layered laminate. Base Structure, brackets and DVD stand in steel. Rubber swivel castors with steel support, blocking for the front wheels. Finish/Colour Top: layered laminate in glossy white or black, or with satin aluminium finish. Base: structure, brackets and wheel support in polished chromed-plated steel. Small shelf: in gray powder coated steel.

Type Mirror on wheels. The chromed-plated handle, like a ring at the center of the mirror, facilitates movement. On the back, four hooks can be used to hang garments. Material Glass mirror, supported by a faced wood particle-board panel and a steel frame. Base Industrial wheels, two fixed, one swivel. Finish/Colour Support of the mirror: black or light gray. Frame: gray aluminium-tone powder coating. Chromed-plated handle.

· 36 ·

fra m ura | cha i s e + pouf

> 183

design Aksu / Suardi, 2009

pr Ê t - à - p o r t e r

34 ·

105

39 ·

99,5

175

Type Chaise and pouf. Material Tubular aluminium structure with steel reinforcement. Cushions padded with polyester fiber, with semirigid insert in the lower part in contact with the structure. Cushions are attached to the structure with polyester belting. Finish/Covering Structure powder coated in white or silver. Cushions covered in fabric for indoor use, polyester for outdoor use. Belting in orange, green or gray polyester.

> 178

d e s i g n A n n e t te La n g, 1 987

> 183

design Aksu / Suardi, 2009 Type Rocking chair. Material Tubular aluminium structure with steel reinforcement. Cushions padded with polyester fiber, with semirigid insert in the lower part in contact with the structure. Cushions are attached to the structure with polyester belting. Finish/Covering Structure powder coated in white or silver. Cushions covered in fabric for indoor use, polyester for outdoor use. Belting in orange, green or gray polyester.

252

39 · ·

117

Type Clothes-rack. Material Steel structure. The surface for clothes is finished with wound cowhide cord to prevent slipping. Finish/Colour Aluminium gray powder coated steel. Natural cowhide cord.

fra m ura | dondolo

· 32 ·

Accessories

118

Accessories | outdoor

253

fra m ura | n i do

> 187

d e s i g n A ks u / Su a rd i , 20 0 9 Type Multiple seat. Material Tubular aluminium structure with steel reinforcement, woven with polyester belting. Central cushion in polyurethane foam, through cushions in polyester fiber. Base Jointed plastic feet. Finish/Covering Structure powder coated in white or silver. Cushions covered in fabric for indoor use, polyester for outdoor use. Belting in orange, green or gray polyester. The central cushion comes only in white polyester fabric. Notes The structure can be reclined as desired. Five cushions are recommended for the Nido. ·

max

·min· 22

175

· 42 ·

fra m ura | l e t t i no pr e nd i s ol e

> 188

d e s i g n A ks u / Su a rd i , 20 0 9

39 ·

54 / 69 / 80

Type Sun cot. Material Tubular aluminium structure with steel reinforcement. Cushions padded with polyester fiber, with semi-rigid insert in the lower part in contact with the structure. The cushions are attached to the structure with polyester belting. Adjustment handle in stainless steel. Finish/Covering Structure powder coated in white or silver. Cushions covered in fabric for indoor use, polyester for outdoor use. Belting in orange, green or gray polyester. Accessories Side table with structure in aluminium sheet and tubing, powder coated in white or silver. Notes Back adjustable in three positions.

214

lav e nha m ou t door

> 191

d e s i g n Pa t r i c i a U r q u i o l a , 20 0 9

254

· 51

46 · ·

78 ·

Type Stackable chair (up to six units), with or without armrests, for outdoor use. Material Chassis in moulded plastic. Base Stainless steel. Finish/Colour Chassis: white or black, with glossy surface and quilted motif moulded on the inner surface. Base: satinfinish stainless steel.

outdoor

We would like to thank the following companies for their cooperation, with their products, on the sets used for the photographs in this catalogue. Apple Archivio Pietro Consagra Artemide Bocconi Trovato & Partners –Tivoli Audio Bodum Danese Flos Guido De Zan Luceplan Mc Selvini O Luce Orizzonti Paola C Plinio il giovane Radio Forniture Sony Italia Sounders Targetti