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EAco va ^riow» efvai uia 9pdar| nou 6Aoi ]iaq EXCUSE nei, BITE cpcovaxTd BITE and ueoa iuaq. Fia apKETOuq auv8EETai KOI U.E eva dAAo pi<p Tn,q eAAn.viKrjq YAcooaaq: «A9rjaTE viaq rjauxouq». Ol evopxrjOTpcoaeiq du.coq Tiiq KaGrijiepivoTriTaq auxvd npopAsnouv dAAa Yia TOV KaGeva iiaq... OsJio) va tyaa) [7 Want to Live] sfvai o TrcAoq Tn,q Kivrjy.aTOYpa9iKrjq Taivfaq nou aKn.vo9eTn.ae o Robert Wise TO 1958 u.e npcoTOYtoviOTpia TII Susan Hayward. FTpOKEiTai Yia xn.v aAn,9wrj laTopfa Tn.q Barbara Graham q onofa KOTn,YopEfTai coq SoAotpovoq, napajiEvei Yia EVO 8idOTn,]ia aTn, 9uAaKrj KOI TsAind EKTeAsiTai SIOTI o KupepvrJTn,q apvsfTai va unoYpaijJEi Tn,v anovoyii xapnoq. An.Aa6ri OKpipcoq onroq Ylveical KOI orjp-Epa OTO Ts^aq KOI oe dAAeq noAiTsfsq TCOV HITA dnou rj Gava TiKrj noivrj empdAAeTai coq... KavoviKrj 8ia8iKaafa. H BKTeAeari Tn.c; Barbara Graham OTO 6dAa]io aEpicov aoKape Tn,v aiiepiKaviKrj KOIVW via, KOI o aKn,voGETn.q e9Tia^e }jia Taivfa n. onofa eniKEVTpcovETdi OTn,v avGpconivn, nAeupd Tn.q YuvafKaq KOI TO SiKafcoud Tn,q va Zf\av.\. H Taivfa auT.rj TOU 1958 0ECDpn,9n,Ke TOTC ToAu.n.prj Yia TO asvdpio TIH; H 8e Susan Hayward snails noAu nEiuTiKd KOI 8pau.aTiKd Tn,v eAr.u Gepfcov n,9cov n,pcoi'8a KOI KEpSias ndAioxa To'OaKap npcoTou YUVIII KEI'OU poAou. ToAjiripo Aomov TO 0Ey.a viatf EYIVE 9avsprj n, GEOII i.ou aKn,vo9eTri unsp xn,q KaTn,YOpouu£vriq KOI r) KOTaSfKri Trjq smpoAii', Tiiq 9avaTiKi)q noivriq. H |iouaii<.r| r|Tav enfan.q ToAur)prj yia Tn,v rim Xrj KOI Yia ^iv Kivn,y.aTOYpa9iKri pioixrixavia. AEV aKoAou0r)OE TO l» 5oueva TOU XoAAuYouvT aAAci rJTav Ka9apr| Tt^a^. S' OUTO Poii()i]di KOI rj laTopfa. H Barbara Graham SrjAcove 9avaTiKr| GaupdoTpui um Gerry Mulligan KOI oncoq 9afveTQi OKOjaa KOI OTO KeAi Tn.q dKimv 1 OTO pa8id9covo TO auYKp6Tn,via TOU Mulligan. Enfarjq, oao i|m EAeuGEpn., auxva^s OTO vuxTEpivd KEVTpa TOU Zav OpavaioKo i n . i5fcoq OE EKEiva TO iiepii onou nai^oTav r\) TC^O^ «Au •
AKTn,q» [West Coast] Tr|q SsKOETfaq TOU '50. TV QUTO KOI o auvG£Tn.q Johnny Mandel frypaijjg KaGapd T^a^ KOpudTia. EKToq ano TT| jieYdAr| opxi'iaTpa auu^eTEXEi KOI TO OEnTBTO TOU Gerry Mulligan TO iiitofo E}iq»avf^ETai KOI ae opiajaevEq aKn,veq TOU EPYOU. 11 aArjGsia efvai OTI napoAo nou lOTOpiKa Yevvn.9n.Kav KOI lia^f o Kivn.u.aTOYpd9oq KOI r| T^a^, xeAiKd dpYiiae va epGei i) Ai|Ar|CTTryurjUiaq ia6Ti]in.c; auvepYaaiaq. Kai efvai npaYP-OTi Afysq 01 i|>opeq nou auvEJ3r) KQTI TETOIO. TV OUTOV TO AOYO exei iSiafcspri an,(inola r) Taivfa TOU Robert Wise. FIOTI o aKn,vo6eTn.q anotpdoiae va (iiiixpuYEi TO npOTuna TOU XoAAuYouvT nou npoepAenav auvrjGcoq uii|i<l>coviKeq opxrjaTpeq KOI auvGeoeiq 01 oiiofeq unoYpaiaui^ouv iii<i|>Kcoc; TO auvaiaOrjuaTa TO>V GEOTCOV. EVOJ OTn,v Taivfa TOU Robert Wi::c r| pouaiKrj KOTO Kdnoiov Tpono U-ETa8i'8Ei evspYEia axqv EIKOvii, riiicaxuvsi TII 8pdar) KOI TO 0up.pafvovTa Enf Tn,q oGovqc;.
27
Vim s-ow KOI KOTCO naipvouuE ufa napaKay.nTrjpio, teAefcoq aKiv8uvr) \I my <ivaYvcoaTn,.'Ona>c; KOI va TO KOVOUUE KdGe Taivfa KOI KciGs 6fiii in- npoKaAsi rjAEKTpiKOuc, auvEippiouq, 6n.uioupYefouaxeTiau.ouc; (mi I.Kikrnd^ei npooconiKEc; lOTOpfsc;. • i|'.iu.i.i (TTO oniaGocpuAAo TOU SIOKOU OTI r\) TCOV 8^1 HOY TOU Johnny Mandel U.E TOV Gerry Mulligan, TOV Shelly iov Art Farmer KOI TIJV unoAoinr) napea, EYIVE OTO Aoq 11,1 Ai r,, 24 Mafou 1958. Mia KI e^co. AUTO efvai. AvaKaAuircco OTO , i in |iiiu oi;i AI'YEC; uEpEc; npiv, 30 AnpiAfou 1958, Bi'vai i] n,]XEpourjM|I ii|n,)i,iic;eK8rjAcoari<;T^a^nou SiopYavcovcoaxo KoAAsYio Avaiii |niOi|i,i)c; Yuuvaofou. FTpcoTa U.IQ aiivTOuri eiorJYn,ar| YIO TFJV linn i,o spaaiTsxviKo auYKpOTn.ua TOU axoAsfou. TOTE snai1 ni|iiiAouoa TO nAn.KTpo<p6po YVCOOTO coq OKOpVTEOV KOI "M\i,)c cvi^uepoq Tim undp^ecoq evoq 5uoKivn,TOU opYdvou us I •
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, <" |i n|" nn va TO Ei'Sa, coq 9OiTn.Trjq nAEOv, TO 1960. H uouoiKri, mini i.ou ouvapfou KOI pYalvovl;ac? ano ^°v KivrjiiaTOYpdcpo ii|ni,ii M> Kupio Gevia Tn.q Taivfaq, TO «Black Nightgown» " .HIM).. (|)opdEi r| Susan Hayward OTI] ^coTOYpa^fa nou oOocpuAAo TOU CD.) ZUVTOU.O TO PpfoKco U.E 5uo ,.|i.in,i i.ou trpYOU OE BIOKO 45 crcpocprov tn.q United Artists,
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KAo9op£i TO «Black Nightgown» ys vsa evopxrjaTpMon, KOI Tnv Concert Jazz Band TOU Gerry Mulligan— Verve 838933-2. Sen. 8eKaETI'O TOU '80 n Affinity EnavEK8i'8Bi TO SI'CTKO ye TOV apiGyo AFF 188.
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apiGyoc; 68005 Hi Fi, Yepyavmrjc; KaTaaKeurjc;. ETO Ae^mo TO.C; T^O^ Siapdt^co OTI n United Artists i8puGn,Ke TO 1958 coc; GuYQTpiKrj Triq oycovuyn,q KivriyaTOYpacpiKriq ETaipsfac;. ZTr) SeKaeTi'a TOU '60 siadYETOI o SfoKoc; ys TO eJ;i KoyydTia TOU, 7 Want to Live, United Artists, apiGyoc; 69004 Hi Fi (Ei'xe anyaafa va avaYpdcpeTai TO Hi Fi, «uiynAr|c; niOT6Tn,TOc;» eic; Tn,v eAAi^viKriv/HTav oycoc; KOI aAn6r|c; n. 5qAwan.)'OTav yeTd Tn XOUVTO dpxwa TIC; paSiocpcoviKeq EKnoynei.; OTnv EIPT, TO «Black Nightgown» Y'VETOI TO arjya Triq SKnoynric; «H
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Aomov ariyEpa TO pdqjiyo TCOV npooconcov KOI TO aippiKaviKci EvSuyai.« TCOV Tpicov U.OU01KCOV. O Lester Bowie SiaTripef TO xiouu.op TOU, QXI |H)vo ue TRV TpounsTa KOI TIC; Kivrj0Eic, TOU aAAd KOI VIE Tnv «iaTpiKrj» u i u aucpfeon — acpou KOI n laouomrj OspanEusi enojasvcoc, KOI o Bowie i ivcii Y'OTpoc,. O Roscoe Mitchell cycpavft^ETai EI'TE Ka0n,y.epiv6q BITE MiiXcoq KaAovTuysvoq — 01 LiouaiKof npopAr|iiaTi0u.of TOU efvai mo iiuvOccoi KOI 8sv aneiKovfc^ovTai euKoAa. To ouaSiKo nveuija efvai M H V M I T E napov oncoq KOI q eAAeuyn. OUVOYCOVIOIIOU. Ar]u.oKpaTiKr| 8ia'Hi • tioia: 6Aoi 0uiiu.ETEXOUv KOI 8ia]iopcpcovouv TO KoyjadTia. \ i IH'H-.C, opYava anAwjieva OTO, 0Kr|vrj. ITajSiKd naixvfSia nou, OKO|in i' i ooav 8ev TO naf^eiq, xa'peoai va TO pAensiq.'OAcov TCOV eiScov nvi-ii(M,d KOI KppuoTd K00coq KOI KovTpa]ina0o. SiiiaavTiKo TO OTI Sev OE noAAsq eYYpacpeq, OUTE nafpvouv Tr) 0e0ri touq x^pr] ovTd^ TOU OTOUVTIO rjxoYpacprjosoov. AAAcooTe 01 Art Sev xpr|0iy.onoiouv KaOoAou riAeKTpoviKd opYava KOI YIO , r \ u^q TexvoAoYi'ac, TO Aeei axa foia o Lester Bowie: «Av AEU.E i ' " < > n o OTI n, TexvoAoYia KOI r] avdnTu^rj Tn,q efvai TO UVJJIOTO 1" M x t - 8a 0uvexi0Tef TO KQKO oncoq Y'v^ai U.BXPI Tcopa. H TBnyin o|jcoq OUTE uiyiaTO OYa06 efvai OUTE TO anooTOYpa Trjq aAr|I'liviu rrpoiov TOU av0pconou KOI yi' OUTO Kdvouu.e Tiq npoond|ini;, yia va u.r)v avanoSoYupioTEi auTrj r) oxeoi] KOI KatavTijaei • • \ " y i « va napdYei TOV dv0pcono! Eyefq Sev 0up.yeTexouiae IHI i i | v i Kipacppoouvn. Av n un60e0n cpTdoei 0TO onusfo va OVTI'i"i i i| texvoAoYi'a TOV dvGpamo, Eu.Eiq 0a npenei va 9psvdn MI 'iMiiiiKaofa auTr|». .i|q ceAeTOupYfaq Bivai cpavBpo 0Tii 8iaio0r)TiKrj ouvev• > v nrvi.r, U.OU01KO&V KOI 0Tn,v iKavoTqTd Touq va ondve KOI I ' y i i i i v f>o)aeq. HOTE Sev ^epeiq OKpiBcoq TI efvai Ypau.u.Evo '"M,<ioxt'8ia^6u.evoi Ta Tpfa nveuoTd ]aaKpid ano TO SUTI- n i i u f i y i a q ndvco 0Tiq KoGeTeq Bvapyovfasiq. ZuvT]xri0eiq i ..... u'l-ivovTai KOI xapdooouv OTOV aepa EVCJ acpn,pn,u.ei'| inn |ir.Aco5fa. Zuv8uaou.of opYdvcov KOI SidAoYoi: ou.iAfa " i < n t > n i o , Kpauyri ano TO aonpdvo oa^o^covo, ijjf0upoi u.e 1 I' ll|)i]OKEUTiKri KOI iau0TiKi0TiKr| npo0rjAco0r) OTOV qxo i i | i"ui|)fo Tnq «Maupqq iiouoiKr|q» KOI naiSefaq. Fi' aur) ano Tr|v apxaiOTr|Ta OTO ]aeAAov». ZCOVTO-
51
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ouvepYaaiaq, TCOV pey.nsciKCOv UE TO unAouc^ rj TCOV ca psunETiKa. OpiausvEq EKSnAcooEiq KaGcoq KOI uspiKoi Ypaipav TO npcoTa prjuaTa. Eivai ducoq vcopiq va uiArjosi niTUxnusvq KOI copiur) ouvunap^n.'Exouue Kaipd OKOUO q. Erriarjq, 8ev EXEI 8n,uooiEUTei Kauid crxeTiKf) ufiAsTri, uiir|, rj uia pipAioYpa9ia, SioKOYpa^ia KTA. Aiya, uexpi OTIYeia ava9opdq. Fi' OUTOV TO AOYO (KOI Y'a Trjv loropia TOU i rjGeAa va npooGeaco eva Keiuevo nou ei'xa Ypaiyei npiv xpdvia. AnuooisuTnKE arnv aYYAiKrj EKSoarj Rebetika, the Old Greek Underworld, EK8da6iq KounoAdl, 1975. srnueAeia: Katharine Butterworth KOI Sara Schneider. leva coq e^q: o HAiaq ITeTpdnouAoc; Ypa9Ei YEVIKCOC; Yia a, o MapKoq ApaYOU |ir|q Yla Tr) JIOUOIKI], o TEVT ITBTpiSriq
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Kai TO pepineTiKa 8ev cpepvouv Ta lanAou^ 5ev cpepvouv eAm'Sec; YIO KoivcoviKrj aAAaYri Sev npoKaAouv e?,eYepan,, 8ev OUTS auvriYopouv YIO enavdam efvai enavaaTOTiKa. H 8iajKipTUar|. Fi' auTO KQI 01 apicrcepof pfa TOUC; eivai aTcoiKrj. AVTIU.BOTIIV EAAdSa ano naAid TO apTCOITI^OUV u.e na0r|TiKi| OTdari VIOVTOV. IVIexd TO 1960 Pepaia, Tn,v KOivcoviKrj npaYp-OTiKoxriTa. OTOV TO pe]an8TiKa nepaaav TV auxo 01 veoxspec; Yevieq TCOV aTr)v ano8oxrj TOU OOTIKOU Haupcov, KOI iSfcoc; r| Black Koajiou KOI TCOV cpoiTriTCOv, TO 11 Power, anoKonr|Kav ano Ti]v TO aYKdAiaaav coq Aai'Ka Tpay 1111 rrapaSoari TCOV vinAout^ KOI OTpacpr|Kav orr| ooouA KOI cnr\q TCOV 8ia )ae KOIVCOVIKO
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Ta peyn^TiKa npoacpepav uAmo ae auvGexec;, anouSaYlievouc;, Yvcopiaav eu.nopiKrj eniTUxia, tryivav KOI auTa Tr|q jjoSac; crtri 8eKaeTi'a 1960-70, XWP'Q 6].tcoq va ndpouv noTe 9ear| OTO Sie9vrj Top 10 TCOV SI'OKCOV. Ta peu.neTiKa eScoaav uAiKo axa sAacppoAai'Kd KOI TO eAacppd TpaYOuSia KOI ae aopapoTepa youamd epYa TCOV TeAetiTOicov 20-25 xpovcov. Td TO 1960 TO pejineTiKa nepvouv ano TO aTevo KUKAo TOUC; OTOV aaTiKO Koayo. TTpoc; TO TeAoq Tn,q SeKaeTi'ac; 1960-70 TO evSiacpepov YIO TO pepneTiKa au^dvei. H avoYvcopiari Pepaia Sev epxeTai enfarj^ia aAAci YIO i ^opd eticpavf^BTai eva
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ITapdOupa lie 6ea <pei o iTaAdq KPITIKOC; Gianni Gualberto, o Ran Blake OYandei OUTO 61 iiou u.exau.opcpcovsi. Kaxd Kdnoiov Tpdno TOU apsoouv auxd TO xiAionaiYU-eva TpaYOu8ia, aAAd GsAei ndan. Guafa va PYdAei usaa and Tr) |jt:Aa>5fa u.fa BKnAri^n., yfa avifGear), TO aoK TOU anpdpAenTou.'OTav iov pAsnoujiE va KdGeTai OTO rndvo, KOTaAapafvouys OTI KOTI EXEI <uo vou TOU. Ta X81^1! "CO"-1 KOUVIOUVTOI KOI axo np60corrd TOU anotuVie apKexd pipAia xaipduaoTE va 8iapdc,ouue rfeAfSeq KOI KecpdAaia iKovovtai 01 evTa0ei<;. 0 Ran Blake GI'YET oacpcoq TO JIOUOIKO Geya KOI XiLoAdKArpa jie neprypatpec, axud0q)aipac; x<X. Yndpxouv KOI ]iepi(iiroKaAunxsi u.fa rj nepiaooxspEc; EKSoxsc; Tn,c; u-EAcoSfac; evco cpafveKQ pipAfa axa onofa 8iapd^ouu,E anAcoq uia 8uo cppdaeiq, 01 onofeq K I I oxi xov anaoxoAef KQTI dAAo. 6u.coc; yac; avaYKd^ouv va aKecpxouu-E TIC; nposKxdoeic; xouc/Eva naViKipXOuv KI dAAeq nepmTcoaeiq. Tov Keith Jarrett TOV nidvei pepipdSeiYlia Tr|c; 8euTepn,c; nepfnTa)0n,c; npoepxeTai and TO pipAio TOU i'1-i; epopee; OKaTdaxExr) AoYoSidppoia. Aev cpxdvei nou oapcovei eva ITaxpiK PevdA UapaBvpo JJ.E 8ea yvvaiitss, uexdcppaan, Zaycn. Tpiapd VOTBC; (KaGapEc;, KaGapOTOTEc; sfvai r| aArjGeia), OsAei KOI va TIC; vTacpuAAou, EKSoaeiq ITdAiq.'Eva yaAAiKo (piAu voudp as uoptprj uu(joupiaoupfc^ei and ndvco. AKOUYOVTQC; eKEivn. TF| AsnTrj cpcovouAa KO6i0copr|uaToq. Kai dnwc; ndGe KaAd cpiAu. voudp, efxe auepwaviKO eflaAupafvoupe YIOTI'TOU apEOEi TOOO noAu va TpiYupvd OTIC; uij/rjAsc; TE YaAAiKd eix£ sAAr|viK6 (vai!), STOI KI OUTO pAsnETai n. Siapd^exai iac "i iu|U'q TOU mdvou. unoKpouori ]aouaiKr| x^a^. 11 noiKiAfa 5ev s^avTAei'TQi, aAAd OUTB KQI KaxaTdaasxai 08 Kaxr|YO«O MaacjEvd OTEKOTOV opGioc; |ie xa xepia OTIC; TOEnec; TOU O-JJOKIV ; i iicooxpe^ouc; rj eJ;co0Tpsepou<; i-ioupjaoupfoiiaToc; scoq jiouYKpfTOU. MiAouoE x«P'^ va PYQ^1 to Taiyapo and TO aTOjia. ITO tpdvio, "inii.oc-,. AAAr| nepinTCOorj o Louis Armstrong, aAAn, o Duke Ellington, TO aa^dcpoavo TOU Coltrane enai^E TO "Blue Train" [...]. ETO • i\.\i| (i lionald Kirk, o Sun Ra KOI dAAr) o Cecil Taylor. xpane^dKi u.ia Kapdcpa ouioKi KI sva Soxefo \is naYOKia )'ni iiimefo OUTO u.ia (iiKprj napevGeor). H ouveip]jiKr| emdva AOYCO VOV TO VTEKOp». i '!•. iKipouafaq TOU Cecil Taylor. Aomdv, ndTe eycpavf^ETQi Yia npc6tr| O OiAfn KAsp, o ]inAa^E iSicoTikoq VTETEKTIP nou KUKAo<popsf axn. Nl i .I'd < > i , q v eAAn,viKr) oGdvn. n,6onoioq va nafc^ei (ppi] T^ai|; AKOUYEXQI A<iY<>; Ki 6]iu>c, undpxEi yfa KacanArjKTiKri 0Kn,vii 0Tn.v Taivia «Tia iaia aTiYliri xaQl^a iisaa OTOUC; papuTovouq viaidv8pouq TOU i|» I'i'/V'"/"" epoazrwv (1972) U.E cov Nxfvo HAidnouAo va 8oKiu.d^ei evajinoviou TOU Curtis Fuller. AUTO nou |i' apeaei nepiaaoTepo O M yin\; 1,0 nidvo jie KAei0xd KandKi KOI aKoAouOcoc; va epsuvd TIC; SuT^a^ sfvai o uovaSiKoq Tpdnoq va SI'YEI TO 6e>ia napaKdu.nTOVTCu; i < i i i n i|i,n; cou KAapiE KOI TOU mavi'0Ta. Apaieq voTEq, (peuYaAeec;, iifa va anoKaAunTei TI] u.eAco8fa napiardvovTac; OTI jiiAdEi Yia KQTI dAAo MM i (in, |iia 8e^id. ZTI] ouvexeia xa XTunrjuxiTa FIUKVCOVOUV, KAdoTEp Efvai jiia noAu 5ieia8uTiKi] napaTn,pr)0r| nou xaipid^Ei OTO EndYY1''1*!' I M , 1 1 i > i | « ) imopor|8ouiievoqandxouc;aYKCovec;KaT YiacpivdAexarrd«4>iAiiT MdpAoou». Mia napaTrjpriaii cn.v onofa y.nopouy.8 va eni(.?iT" ' ' ( > • "iiritai }ie unoSrjjaaxa) enf TCOV nArJKxpcov lie OIJJOYO w0ouu,E OKOuYOVTaq 8faKOuq f\, aKou.a KaAuxspa, nap£UpiaK<)|ii-\e T^a^ KAaun KOI auvauAfec;.iKpoc; O ^IOUOIKOC; TpaYouSdei, eucpav<.i\, xq u.BA<i>8ia rj xqv aq>rivsi va KuAdsi oav va Tr]v niui Han Bennink. Anoxcopsf as avappa0u.d KaAAixsxvi!<•„ aiwvfcoq au.rjxavoq, ye BKEI'VOV xo yovaSmd xpdno Pa8fi in |ii'ciq xapitcoviEVEq VEUpmeq Kivrjoeiq TOU 0cou,aTdq xou. AouGef, evco xauxoxpovcoQ pYd^ei npoc; xa e^w TO oxdAid TOU, xic, 0E0E1C;, TO REVO, TIC; npooGrJKEc;, Tiq napaKaunTfipisc; xou Geyaior, XapaKTripiaxmri nepfnTcoan, o niavfaxac; Ran Blake KOI o i,|> nou oiKeionoiei'TOi KOI xiq mo YVCO0XEC, liEAooSfecj.'Oncoc; OGMUH vi"
|iii|"i in \ ii|)i':rrei va exouye napdnovo. KuKAocpopouv SeKdSec; PIIM yi" i i|v i,<a< 0Tnv eAAnvmri YAcoooa. BipAfa lOTopmd, eKnaiSeu•vi»i<|tir.q pouaiKcov, u.eAexeq, 9CoxoYpacpiKd AEUKCOUOTO KOI
r|u.EpoAoYiQ- Errioriq, ppf0Kouu.e AoYOTexviKd epya u.e oAdKAqpa KEcpdAaia nou avacpspovTai 0Tqv T^aq", onqveq 0s T^a^ KAau.n, ou^qTrjaeiq u.ou0iK<Bv KQI TO 0uvai09qu.QTd Touq rj TeAoq Kdnoisq «TpeAeq» KaTaoTQ0eiq, focoq oav KI auTsq nou evvoouv KOI OTqv EAAdSa oxav AEVC Yia Kdnoiov q Kdnoiav OTI Efvai «T^a^» rj OTI auu.nepicpspETai «T^ac^» q OTI sfvai «T<^EU.Evoq». Se opiou.Eva Kefu.Eva, YPOUUsva and avqouxouq 6iavoouu.evouq, Afyeq cppdosiq apnouv Yia va u.aq pdAouv 08 0Ke\ysiq. KOTI TETOIO aujipafvei OTO pipAfo H fSapftapmii'fa Trjc, ayvojac;, u.fa 0uvou.iAfa TOU George Steiner U.E TOV Antoine Spire, SKSdoeiq Scripts, ]iETdcppa0q Sspacpefu. BeAsvT^aq. HpoKEiTai Yla "C1V anonaYvqTOCpcovqoq KOI yExaYpacpq iiiaq pa8iocpwviKrjq eKnoiinqq nou lisxaSdOqKe oxq FaAAfa TOV lavoudpio TOU 1997. UTO TUITCOIIBVO nAeov Ksfu.evo 8iaTqpouvxai 01 SidAoYoi, 01 snavaArjtyeiq KOI 01 na; aAAd SiaxqpouvTai Pspafcoq KOI dAa ta npoT8pi]U.axa xou O George Steiner Yevvrj9n.Ke 0TO ITapfai TO 1929. Snou6a0E OTIC; HITA. KOI 0Tn,v AYY^'O KOI Oecopefcen evaq ano Touq iieYaAutspouq r.v ^o>r| OTOxaoTeq Tn.q snoxrjq paq. O Antoine Spire efval K.a9n,Yn,Tr)<; nAn,po<popiKr|q KOI ouYYpcKpsaq. ZTn, 0uvo|iiAia Touq TO 9eu.aTa KII jiafvovTai tieTa^u cpiAooocpfaq, noAiTiKrjq, 9pn.0Keiaq KOI Tex^1!^ K ( < | ava<pEpovTai oY,6]iaTQ onroq ITAdTCBV, XEYKEA, Eaf^nrip, XOIVTSYKI'II, IMnax, <3>p6uYT, MixarjA AYYeAoq KOI noAAd dAAa. AI'YO TO pipAfa TOU Steiner nou EXOUV iieTacppaoTEi'OTQ eAArjviKd. Mm 0n.iiavTiK.rj 8ianf0T6>or| ano TO SoKijiio TOU H oiconfj KOI o noiJjTtjc;, |n Tdq>pa0n. rspdoipoq AuKiapSonouAoq, sK860siq'Epaou.oq: «O KaAAi 11 Xvn.q sfvai, apxETuniKd, evaq yiouaiKoq' Yio^f, noAu nspioooTEpo <nn> O,TI OTO AOYO rj OTiq eiKOOTiKsq Tsxvsq, OTn, liouoiKrj Eivai nou 01 a i< 11 > 11 TiKsq 0uu.pd08iq o8n,YOuvTai KOVTQ 0Tiq nqyEq triq Ka9aprjq 8rn.inni|. YiKrjq EYepYEiaq, nou 01 pf^sq xouq Pu6i'^ovxai OTO a0uvEf8n,TO L. I O Antoine Spire ava9epsTai OTO pipAfo TOU George Steiner Mn<« ajcaaejc; (Real Presences') TOU 1989, 0TO onofo o 0UYYPa(PEaci onA'- 1 ' • < OTI npo0nd9n.oe va SEI^EI Tn.v OYToAoYiKij 8ia<popd nou undpx>"i '^ " jiE0a OTn. U-EYdAn, T^a^, TO xsPu u.eTaA KOI Tn, pan. O FdAAoq 5inn> Ypdtpoq EKcppd^si TO EpfOTripa, Yiaw o Steiner unoTiu.d Tn. M<><» pan KOI noioq u-aq ABEI OTI 6ev iinopsf KdnoTE va unooTf.i MM . O Steiner, ano in, jispid TOU, 9sK>pef aTuxeq u> n>
Trjq pan SIOTI 8ev sfvai xapaKTqpiOTiKO Tnq q. Kai Y1^^1; Afvei Tr|v andvTr|0n,: «FiaTi ri pan arjiiepa 0uv8sftai ]je O,TI mo cpoviKo undpxsi OTOV noAiTiou.6 TWV noAeoav. H pan, oitcoq KOI TO X^PU iieTaA, efvai r\a n. <poovf| Tn.q pfaq, Tr]q anoKTrjvco-
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Ac, sp6ouy.E aTnv nepfnTcoar) TOU rrpcoTou PipAfou, TOU Swing That Louis Armstrong: FevvrfOjjKa air] JNsa Op^edvrj Music. Ano TIC; ouv6r|KEc; TWV naiSiKrov TOU xpdvcov KaTaAapafvEi KQvriq Ylai;1 ° L.A. 8ev Ei'xe TTJ 8uvaTOTr|Ta va anouSdoei—OTaGnKe oncoc; Tuxspoc; nou OTO avau.op9UTrjpio EuaGe va nai'Cei KOpveTa. ZTI] Look, you don't pose, never. (ieKaetfa TOU '30 TOU xdpiaav u.ia YPa<pouiixavfj KQI AEYCTOI OTI o L.A. That's the last thing you do, because oi(UJKe6a^s YpdfpovTac, TO npcoTa TOU KEIU.EVQ. Oi usAeTnTEc; KOI PIOThe minute you do you're through as a jazzman. Maybe riot as a musician Yi>d(poi TOU (Hugues Panassie, Albert McCarthy, Robert Hoskins) But jazz is only what you are. oiil-Kpoovouv OTI TO npcoTO TOU PipAfo ^avaYpdq)Tr|Ke and KQITOIOV dA— Louis Armstrong ,\ii yia va euepavioTEf aTnv TeAiKrj u.opcpr| nou rjGfiAav o CKSoTnc;, TO nii|i(pEpovTa eTaipeicov 6faK&)v KOI 01 u.dvaT^ep. AEV q)tdvEi Aomov i n in \dAaaav TO npoaconiKO TOU «npocpopiKO» ucpoc; aAAd TOU acpafpsTV /I 8 ^ryv KUKAocpopfa QUTOU xou pipAfou and Tiq EKSdaEic; Indox i i i i v dA6i<Ar|pa uspn npoaOeTovTac; Smd TOUC;, onou EYKCouici^eTai, JLVI to 1990, oe u.ETdcppa0r| TFJC; Mapiaq KapaYiavvonouAou, exou|i n x , 10 Original Dixieland Jazz Band, TO npcoTO 0uYKp6Tr)y.a nou r)xonAeov Tpsic; auTopiovpcicpiEc, tiouaiKoavOTIC;T^Q^. To 1981 KUKAoqm V|Mi<piioe SJ'OKO TO 1917, evd) EI'VOI YVCOOTO OTI OUTO ouvepr), oxi Ylai;l pef TO pipAio TOU Charles MingusXsiporspa KI ano OKV^JO, u,£Td(ppu t | i u v npdY|iaTi TO KaAuTSpo aAAd YIQTI'auuu.£Tsfxav AeuKof. H KPITIKIJ or) Xpuaa TaaAiKi'Sou, sK86oeic; E^dvTae;. To 1984 TO PipAfo i,i|i In v Or.Mpei TO ODJB aavYTO mo Teaaepiq avTinpoaconsuTiKd TOU OTuA TFJC; Billie Holiday H Kvpia TpayovSasi TO /LurJiovZ, u.ETdcppaar| louAfa I'<i.\, EKSoasic; AYPO. (Oi auTopioYpoxpiEc, lvovl;cn TO I!>' 1 1 ' MI; OpAfiavnc; (James Lincoln Collier) KOI Pepaia r| YVCOUT] TOU LA ••lyi |!(ipuur|Ta (KOI xprJM 0 )--- POVO nou 8ev rJTav n aAi-|6ivrj TOU YVCOIIE to pipAfo TOU Miles Davis, u.sTdcppa.0r| MapiAeva Maaadpou, tiu'.n "i < > I '(iAAoq Hugues Panassie Ypdcpei OTI noAAof avapcoTrjSrjKdv ncoq In y i i|iu: o LA TEioia napapfaan, TCOV anoijjecov TOU. O (Sioc; E^FIYEI'OTI ytu HIV L.A. rJTav fjSn noAu arjuavTiKO TO OTI pnopeae va 8K<ppaoTEf bf in Yf»<>nTO AOYO KOI OTI efSe xuncouevo TO PipAfo u.e TO dvoud TOU. i'i '1'iKTiKa OTI r| KaTaaTaai"! Sev rJTav KOI TOGO poSivn ym evav i i i p M i |iouaiKO KQI auYYPacpBa OTTTC, HITA KOI OTI 8ev 9a p.nopouoe TO11 in I'.l'Ki) va empdAei TIC; OEOBIC, TOU. ITfcjTEue, facoc; acpeAcoq, OTI uia Ml ii i'>ii><; 8ev rJTav anou8aYP-Evoc;, Kdnoioc; dAAoc,, mo EiSiKdq, 0a l)ii i M i n; oiopBcoaeic; Yia va PEATICOCJEI TITJV TEAiKrj YP091!- ^sv unoxyidNli|i-i uoi.r, As8i o Panassie, OTI Go TOV Epac^av va unoYpdtyEi npdYua(iidea r| and^JEic; nou 8?v TIC; EvoTEpvi^oTav. AUTO cpdvnKE mi, ('n,av Yla ^o ''°la GEU-OTa o LA EKCppdornKE oe auvevTeur iipGavCTTOcpcoc; 01 avTicpdosic;. HI tii 'M u i i - p o PipAfo Satchmo: My Life in New Orleans 01 PIOYPOHI H I M MH|i(|xi)vouv OTI 5ev UITEOTII KOI TOCTO noAAd EKSoTiKd «paaa' I'.HI nKpcoTnpiaau.ouc; aKoniu.OTr|Taq, oncoc; TO npooTO KOI Hum l,nii|o'dei auTouaia r) npoaconiKOTnTa TOU TpotineTfaTa. O In 1 1 I In I ins SiaTiipef Kdnoiec; emcpuAd^Eiq Y la T-HV avdiie^n TOU
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oeiq HeAac;.) KavoviKd, n auTopiOYpacpfa TOU Louis Armstrong epxeTai npi.» ' XpovoAoYiKd, GXI HOVO YIOTI o L.A. efvai u.eYaAuTepoc; 0Tr|v rjAiKi'd, n Ad Y!cm TO pi^Aio TOU rrpa)TOBKS69r|K8 TO 1952, evw Trjq Holiday < 1958 KOI TOU Mingus TO 1966. 0 LA, TO 1936, si'xs rj5r| Ypdi|»'i rrpcBTO pipAio Y'Q TII ^cor) TOU j^e TOY TiTAo Swing That Mw.'i/r I Donald Kennington OTOV TOUO The Literature of Jazz (1970) mi OTripf^ei OTI, o.v e^aipeoouu.8 TO (3ipAi'o Jazz (1926) TOU Paul W i n ' man, n auTopioYpacpia TOU L.A. efvai r) npwTriCTTI-|VlOTopfa Tr|q i(fl To 1950 apxi^ei va Ypdcpei TO SeuTepo PipAfo, KOI naAi Tnv ainn|lii Ypatpfa TOU, ano Trjv onofa oviwc; TeAefcoae ^iovo TO Ke(pdA<n<i pi n veavma TOU xpovia. H npcoTn SK5oar| EYIVE OTI) FaAAfa TO lilliV (| TOY TfTAo Ma Nouvelle Orleans, Jazz, (1970) as yieTdcppdoi) HI Madeleine Gautier. H auepmaviKri eK8oari KUKAotpopnae TO IIHi-1 I. Satchmo: My Life in New Orleans. AKoAouGnaav ixexacppaorM; m Yspu.aviKci KQI ae noAAec; dAAeq Y^woaeq u.ia KI o L.A. ei'xe Y l v ' ' "" 5r|uo(piAr|q KQI 01 q>iAoi Ttjc; u.ouaiKr|c; TOU rjOeAav va u.d6ouv m |iit aoTEpa Yia Tn ^cor) TOU.
8K56T1] KOI sniyevei oxi r\j jiexdcppaari npenei va 6ecopr|Gei r\o moxrj OTO npcoTOXuno Yiaxf aneuGeiac; anonon, TO xeipOYPacpo i'i 6Ao KOICYive nepiaaoxepo 0xn,v r| oxo eAacppo xpaYouSi KOI axo :)how, KOI va nepTOpft^ei xa oxoixefa xr|q x^ac^. Aev 8exxr|Ke noxe xo TOU L.A. KOI oxi ano TIJV ayepiKaviKrj eKSoar). O Panassie, nou r|xav imfpnon KQI xiq e^eAf^eiq xr|q u.8xanoAeu.iKrjc; x^ac^ KOI cpuomd nou va oxevoq cpiAoq xou L.A., Aeei OTI eYpacpe oncoc; yiAouoe. AUTO, TO avoppiAfiasi Kavefc; YIO cppr) xc^a^ KOI TO peuyaxa xou '60—-John Coltrane 6680^0 Yio xnv enoxri xou «npo<popiKO Yparrxo», rjxav rj i5iaixepoxi]xa MII Ornette Coleman ouxe va xouq aKou0ei, ouxe va xouc; Sei. Ano TOU nou Tt] cjuvavTouye axr|v aAAn,AoYpacpfa xou, anoya KOI axa Ti]Ar,i i|v ciAAr| -(lepid 01 uno0xripiKxsq xou Aeve oxi o LA e^n.oe KOI 8iay.opYpaeprjyaxd xou. Tov ev8ia<pepei enforjq rj 0xi£,r| KOI o pu0y6q, axoi i|m>()r|Ke jia^f lie xr\v i0xopfa xn,c; x^at^, oxi anoxeAef avanoonaoxo u.eXsia nou rtpaYuaxiKd c^covxaveuouv xa Ypanxd xou KOI xa cpepvouv ax«i l»»; cqc; e^eAi^rjq xn.c;, oxi efvai o npcoToc; auGevxiKOc; eKcppaoxrjq xn,c; yexpa xou, oxo (puanKO TOU Ka0n,yepiv6 xpdno q'corjq, axn,v auGopyryui nun f;8nepaae 6Aa xa 0uvopa: ^uAexma, KOIVCOVIKO KQI jaoucnKd. AKO8K(ppa0xiKQTr]xd TOU, 0xr| 8uvaxdxr]xd TOU Y)a dyearj eniKoivcovfo, |iii, oi,i r| jiouaiKrj xou ei'xe KaxaoxaAd^ei, efxe ndpei jjia oAoKAripcoye0xn.v avoixxoauvri TOU, axr| (3a6ia avGpconivr) anAoxnxa KQI aiaGavxi n| pop(pfj, enonevcoq KOI TO 06Ao TOU ei'xav oxaGeponoirjGef oe KdOe Koxrjxd TOU. Zeoxaoia, xiouyop, q>iAeipn.viK6xr|Ta, eAAeiqiri eniGexiKo i <>ppun cooTe 8ev umpxe nepiGcopio va aAAa£;ouv. ArroxeAeoya va xn,xaq aAAd KOI eAAenyr] aucrapriq KpiTiKrjc; ouvinArjpwvouv TO npooc.i iMi|i|)iKvco68f avaYKaaxiKa o auxooxeSia0u.6c;. O LA u.dAioxa ouveno xou LA tisaa ano xa fiipAfa, xouq 8faKouq, TIC; eycpaviasic;, TF| t,(.n| d|iivr nc; ouvauAieq xou pe xic; eKxeAeaeic; xr]<; KAa0wr|c; pouaiKrjq, xou. ITpoaconiKOc; rixoc; oxqv xpopnexa KQI i8iopop(pr| cpcovrj nou ),r ii rvro KdGe cpopd nafc^ovxai \ie xov i'5ro xpono xa YVCOOTO epYa, xo Xtopfc^ouv vie xo npcoro dKOuau.a. Auo nAeupec; xou f5iou av9pO)ii<m • • I ' l l KipaKoAouOef KOI xeipoKpoxef—Y'aTi OX1 Kal oi;r)v xc^a^; nou rrapouaid^ouv ovaAoYiec;. O L.A. KaGapoq axr| OKeijjrj KQI axo An Vi mi |»iv OTI 5ev mpe 8uvay.iKrj Geor] oxa cpuAexmd npopArju.axa KOI YO, oncoc; axic; jiouaiKec; xou (ppdaeic;. TonoGsxei KOI auvoipf^ei w Oi • ' i "iirAq^e «Uncle Tom» [Mndppna-Ocoiidc;], 6r|Aa8r| unoSouAcoGriu_a ne evav opiaxmo xpono, x^P^ au-CpijioAfec; KOI axpaponaxii|j(iiH i>i .1 nun; ACUKOUC; xouq onofouc; KOI 8ia0Ke8a^e ye TO cpep0iy.axa KOI 5iaxr|pt6vTaq tauTOXpova xr] x^PI ^c; poqc; xou npocpopTKOu Aov"" Hi i n in-KI cou 0xr) 0Kn.vrj. O AYY^OC; 0uYYpa<peac; Albert McCarthy xr) (puaiKOXiixa xri<; oujAiac;, xr|C; avdnxu^i]c; \aac, u.eAco6fac;, u.iac; inm i" n.ivri oxi auxrj r\a efvai unsppoAiKr|. O McCarthy pfaq, u.s xov oAoorpoYYuAo oAoKArjpcoiisvo TOVO nou «9uoouae |)r I>.\ ''npi^ci oxouc; KaxrJYOpouq oxi o LA. Gecopoucre TOV eauxo xou TO xopeuTiKd |iopia TOU acoy.aTOc; xou» (Mezz Mezzrow). To pi|^ i'''">ir|)o entertainer napd KoAAixexvr), oncoc; dAAcooxe KOI 01 mo Asicovsi xo 1922 u.e xov L.A. va avepafvei axo xpevo, 8YKaxaAein(ivn«( iMni piiupoi youoiKof xn.q Yevidq xou, xouAdxioxov YIO xn.v nepfoSo Til Nea OpAedvn., Yia xo HIKQYO, onou apx^ei r\a nepfoooc; xr|c.; <<->i\>\u jie xqv opxn°"cpa xou Oliver. rTaYKO0u.io Ano xr| yEixovid «back o' 111 • oxi xo Henxeyppio ' • M IKing KI Aeuxepo noAeyo. Enforce;, IMIii mi icpoeSpiac; AT^evxdouep, o LA yarafcooe xqv nepioSeia KOI xo 5pou.ciKi James Alley, oxo HIKOYO, oxr| Nea YopKrj, oxi)v I n "i ''n|!u-uiKrj'Evcoar|, coq ennpooconoc; xcov HITA, Kaxn.YOpcovxaq cpopvia KOI ano CKEI' axr|v Eupconi] (YIO npcoxq ^opd TO 1932 ou|v Ay ni\i ym «8inp60conr|» ouynepi^opd anevavxi YAfa) KOI 0xrj 0uvexeia ae 6Ao TOV Koajio, xa^i8euovxac; a5iciK<)iiu i HUM P.HI|IIHK; ccov Noxicov IToAixeicov.'Oooi xov Yvcopioav ano KOi' ,i i (> McCarthy, ^epouv oxi auxoq o dvGpconoq 8ev 9a ynoii vivri «Mndpyrra-0cou.dq» KOI oxi xo npoxuno nou npoaecpe) i inHixiiiuwoq yaupoq youoiKoq ye naYKOoyia avaYVCOpion., |iii|.M ,,,, \ nrpi006xepo xouq aYCOveq xcov yaupcov and xo va rjxav , nr M'IMOIO ocoyaxefo rj yaxn.xiKrj opYdvcoon,. i ii M IKII «o npcoxoq yeYdAoq aoAfox xn.q xc^a^», oncoq TOV anoI li.'i Mchuller axo 0UYYpayyd xou Early Jazz (1968), KOI o Xpi TO GdvaTO TOU OTIC; 6 louAfou TOU 1971. Auo orfljefa OKAriprjc;, KOI ev iiepei SiKcnrjc;, KpiTiKr|c; evavi.inv tlM ITpcoxov, oxi 8U.81V8 axdaiiioc; axo penspxopio xou naf^ovxac; f,<ivi1 tm ^avc xa f5ia K0]au.dxia KOI Sioxd^ovxac; va Evacou.axcoaei i n i8eec;. Tov KaxryYOpouv coc; ouvxriprixmo KOI xunonoin,u.8V<>. < 'i • voi iidAioxa epeuvrixec; unooxripic^ouv oxi ouoiaaxiKci ano x« p 8eKaexfac; xou '30 o L.A. 8ev Kavei xfnoxa dAAo napa povo v« Y^lj^l
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Leonard Feather auu.rrAr|p«vEi OTI r,Tav TO au^poAo xn^ ^^ KOI o npcoxoc; nou npoKdAeae TOV naYKOO^o 9au^aauo: TpoiineTiOTac;, TPaYOu6ioTnq, entertainer, npoaconmoTnTO TOU show business U.E uovaetKfi auveiacpopd OTBV e^dnAcoan ^ ^a^. Fi' auT6v TO AoYo Km TOU 86coaav Tnv vW™f\a «Ambassador Satch», o npcoTOc; Eniawoc; npeapeuT^q TUC; T^a^ OE 6Ao TOV Koaiao. Kt 8Tm 9a ^eivei.
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^a^ KOI cpcoTOYpacpfa— iSiOTponfsc; xrjc; cpuarjq Km TOU av9pconou. O Leonard Bernstein, oco PlpAfo TOU The Joy of Music, I!M>9, napoGexeTQ] OTI ei'xe ynei KOI OUTOC; ev £corj «aTr| u,8YdAr| oupd i i,w KaAonpoafpSTOov, nArjv 6u.a>q anoTUxr)yevcov, Kupfwv 01 onofoi M|>ooiTa0r|aqv va epjinveuaouv TO jiova5iKO cpaivopevo Tn.q av6pcomvi|<; avTi'5paar|c; OTOV opYavcoy.evo rjxo», 8nAa8rj aTr| u.ouaiKrj. Aev 'iioKi^ei (jiaAioTa va juArjoei Y'a «i8ioTponfa Tn,q 9u inii run «)aaYefa». FIOTI'O,TI KI av Kavou^ie, oao KI av Vu iHiAAdpou]i8 KOI va e^riYrjooujie T0 Gauiaa TOU rjxou, OTO TeAoq •iini|i<n,ou}ie aviKavoi OTO auvopa auTriq Ti)q [iouaiKrjc; eKOTaar|q». i ii |KiviKa» epcatrnaaTa napajievouv Eaasf OVOIXTQ. 4>uaiKd, unrjpl^iiv n|iio|aevoi nou eYpa^av yia Tr| ]iouaiKr| \IK TOV npooroniKO TOUC; ' i " KOI nETUxav noAu nepiacrdTEpa ano TOUC; jxoucnKoAoYOUc; KOI • i (MiiKouc;. 0 Leonard Bernstein Touq evTonf^Ei: «Efvai QUTOI noTrjTec;. Movo 01 KaAAiTexvec; vinopouv va e^rjYn. Movo r| Texvr] p.nopef va unoKaTaacrjaei TF| cpuar). , ion i icK^pio, ]aovo r| TEXvr) u-nopef va unoKaTaaTrjaei TIJV ce' ivli|ii(«)c; KOTI avdAoYo svvoei KOI o Umberto Eco OTOV ypdcpei " i|0<ot; TO viexaAe^TAoYia AeiToupYOuv aav TO eva va efvai TO ' ' .lAoyio TOU dAAou;». Kai TOTS TI Kdvouye; ITaf^oujie daxona A. (i<|)iicrouu.8 TO Tevic; OTOuq aAAr)AoTpo<po5oTOujisvouq or|,. O Bernstein TO Aeei ]aiaxapd.) CM rvd aKOiia pr|]iaCTTOKBVO—aKfvSuva aKpopacmd. 0a YI.ityi i nidvonTO av nou)a8 OTI r| iiouaiKri 5sv EI'VOI ^idvo u.uaTr|I in i] aoTpoAoYi'a, ua9rniaTiKr| r\..., aAAa aTrjv ouafa efvai i| 11| onYVirj Eu.cpavf^8Tai ynpoord: ]iou (va TI aou KOVEI r\ |jeiAi'xia cpuaiOYvcojafa TOU Eric Do ..
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-ro) tortbcbidsu 10 noi bi3Aoj -bucodng AUID )D)I b sMbioiAn.i.ii «n -rodu nou 3191 OUD bgDYbg 'oiAodX noi p>ud,bd>3 DI 9uo )D'/I '.ill . iii|n 1 1 u|5dA, o dvGpconoq nou SnuioupYfiaE TOV opo «6i0KOYpacpfa». 1 i i|(d|Kc. ato rfapiai TO 1911 KOI neGavs TO 1988/Evaq naGiaaue('liiirlrs Delaunay, OTO npoocono TOU onofou ouvundpxouv: o evGou'AC03obAbdoXtii3 DiDYOcjrtno AnoAodAoun Aidu miAonsMidsiro^s A.K 'bnoi AbYU IDM An0 DI 3rt 'bsi^ogoYid) IQ -oiouidsu SADU 'lortooigaXi -oino toA3rtbiouoibgi3AnD 'iortoirtdod)rtoMUAD 'lortoiiDrtodo 'oaoil
Aco0T8 o Mn.Tp6nouAoq 6sv KOTacpepSTai evavrfov Triq T< laq p68aq», oncoq unooTrjpi^E o Adorno, OUTE Tn. 6eo)po UOTO npoiov Tnq Piounxavfaq eAacppcov TpOYOuSicov. K<i qq MnTponouAoq KOTaAriYei OTI anoSsxeTai TO SiKaf
EI'TE TO moTevjjETe SITE QXI, acpou TeAeiooaa TO npoYp^ KdGioa KQI ani]Aau0a Kd6e AenTO ano TO npoypay.ua Ellington. 'Hcav e^unvoTQTo KOI cmpcoq 8ia0Ke8a0T OTiYuri 8ev uou nepaoe n i8ea OTI f|uouv oe eva OVCOT: So. AnAcoq, Ppianououv 08 eva SM^OPBTIKO KOOUO KOI Tuxrjq nou ei'xa xr| ^povnoi] va unv napevoxAco inv nou npo0s(pepe OUTII n KaAAiTexvmri BKcppaan, uovo eneiSq avf]Ka a' eva 8iacpopeTiKo KOOVIO.
Tnv SKCppaan KQI Tqv avciYKn. Tnq enoxrjq nou i^ouue [. ITpoacpaTa, ei'xa Tnv eunaipia va ouvepYaoGco, OUYKBI EucpaviOTco OTnv i'8ia ouvauAfa ue TOV Duke Ellington : udma EKnaiSeuuEvo auYKpoTnud TOU. EY« snai^a TC uou0iKf)q nou evoxAef Touq yaKpuudAAnSeq KOI OUTOC uouaiKri nou eKnpoaconef KOI nou unocfGerai OTI an mo nporiYuevn ]iopcpr| T^Q^, OUTO TO ^COVTOVO, OKOTauc Xefo TCOV nuepcov uaq. OTOixefa anoTeAouv, TO KaGsva us TOV cpono TOU, TOIM pouq TCOV nuepcov uaq. Kavevaq 6ev unopef va OVTII Suvauri Touq. ITpoopf^ovTOi va Kupiapxrjoouv, va OUY va KaTaoTpei];ouv, aAAd KOI evSexouevcoq va Kcrcaorpc
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Ypdcpoi Sonia KOI Robert Delaunay. Km TO Suo TOU 1101810 ouvexfq'ouv Tr)v KdAAiTexviKij nopefa Tn,q oiKOYeveiaq. To 1934 Ypauumeuq xn.q lOTOpiKrjq Aeaxn,q Hot Club de France. ApxiouvTOKTriq TOU npcoTOU oopapou nepio8iKou yia Tr|v T^O^, TOU Jazz Hot, TO onofo EKSfSeTQI TO MdpTio TOU 1935 oe SiOKoaia avTi'Tuna. TTO npooTO ceuxoq o Delaunay 6n.uoaieuei TH, 8iaKOYpa<pfa TOU Bix.Beiderbecke. To 1934 eEjaacpaAi'^ei TIC. ouvGiJK.ec. Y'a tqv nporcn. n,xoYpd(pn,an, TOU Django Reinhardt Kai TOU Stephan Grappelli. To 1937 iSpuei Tn,v eToipsfa SiOKCOV Swing KOI n.xoYpacpef FdAAouq Kai AuepiKavouq va naf^ouv ua£f — uia ToAunpn. evepYeia Y'a eKefvn. TDV enoxn,. To 1936 OUYKIvTpcovei OE pipAfo Tn,v nparcri 8iaKOYpacpfa Tn.q T^a^. MBTO TO AeuTepo ITaYKoauio noAeuo nn,YafvEi OTIC. HKA KOI n,xoYpa<(>n uouaiKOuq oncoq o Louis Armstrong, o Duke Ellington, o Benny CarLci KOT aAAouq. AieuGuvsi Tn,v ETQipefa Sfancov Vogue Kai opYavcovei auviu i Afeq KOI 9EOTipaA OTI] FaAAfa. npoaKaAsf TO 1948 TOV Dizzy Gillespie K 1 1 1 TO 1949 TOV Charlie Parker KOI TOV Miles Davis. Errfan.c., pon.9dei i,m Sidney Bechet va eYKaTaoTaGsf aTn, FaAAfa. H^r\j nou ^eorui |n TO^U TWV (pi'Acav Tn.e. napaSoaiaKrjc. KOI Tn.q uovTepvaq T^a4 o Churlt-i Delaunay unocrrn.pf^ei TIC, vseq Tdaeiq KOI TO umunon KOI auYKpour mi U.E TOV naAio auvepYaTn, TOU o~uo Jazz Hot, TOV Hugues Panassie.
EOTET aYvon.aav auTrj tn.v Tsxvr] nou YEVVIOTQV unpoaTa OTO uaTia Touq. «npooTuxn., aauaTaT^i'SiKn. uouaiKrj» Tf| xapaKTrjpi^av nepi<ppovr)TiKd 01 Kou.»}jeu6uevoi. «]VlouoiKri TCOV nopvefcDV» 01 noupiTavof. «NeYpiKr| uouaiKfj», KopoiSeuav 01 paTOiOTeq.
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enijieva) OTn, Aai'Kri nAsupa Tn.q f^a^, SEV avaq>Epou.ai OTOV TO^IKO aYcova nou TOOO auu.na0ouv 01 uap^iaTeq i8eoAoYoi. Aianiorcovco anAcoq 6x1 n. anoAauon. TOOV TEXVCOV anoTeAeae Yia noAu Kaipo npovouio u.iaq avooTepn,q KoivcoviKijq KOI noAiTioriKrjq ueiovoTn.Taq, r] onofa d(pn.ae Tiq eupUTepeq Aaikeq u.d^eq oe KOTdoTaar) noAiTiaTiKrjq cpTO&xeiaq- H ^a^ oucoq Sev Kdvei SiaKpfoeiq. AneuGuvETai ae oAouq, avE^dpTn,Ta ano KoivwviKrj Td^n, rj noAiTiOTiKO enfneSo [...]. To auvaiCT6n,uaTiKO nEpiexou.evo Tn,q uouaiKriq auTrjq — EVTE EKcppd^ei Aunn,, EI'TE evGouoiaau.6, 0uuo KOI xapd — ueTatppd^ETai ae y.ia Kaivoupia YAcoaaa. H T^a^ firropef enfan.q KOI npooeTaipf^BTai Tiq anAouaTepeq tioptpeq Tn.q Aaikrjq u.ouaiKrjq: vavoupfau.aTa, TpaYouSia TOU 8poy.ou, u.eAco6feq Tn,q non, eu.paTr|pia, xopsuTmrj u.ouamr|, 0EOTpiKEq eni0eo>prjaEiq K.d. 'OAa OUTO KOI, av xpeiaa0ef, OKOUO KOI uouaiKi] SoouaTi'ou, onepa rj auy-tpcoviO, TO jieTacpepei aTn. SIKIJ Tn,q uouamrj
'EXEI YpdvjJEi noAAd pi^Afa, EKToq ano Tiq 8iaKOYpa(pieq: Y'U | l l ( Hcn.v T^aC| n, 5n,uioupYia KOI n, spjirivefa sfvai aAAn,AEv8ETsq. H Django Reinhardt, TOV Sidney Bechet, TI) ^corj Tn.q T^a^, YIO Tn. ^(«ivi " ' auv9ear| auTfj Ka0eauTrj Sev exei Tn. an,u.aafa nou exei aTn.v nAacpiKrj KOI Tn. cpcoTOYpaepfa. O John Lewis TOU aq>iEpa>ae u.fa auvOi »n (TiKrj u.ouoiKrj.'OncDq erne xapaKTn.piaTiK.ci o Trummy Young Yia TOU TO 1953 u.e TOV TfcAo Delaunay's Dilemma. TsAoq, a£,f^£i va YI>H'|" ' i'-va SfaKO TOU Jimmy Lunceford: «'Oxi TI Kdveiq, aAAd o Tponoq KOI va ToviOTef OTI o Delaunay, npiv ne0dvEi, KAr|po8oTr|oe aTn.v MIK < MOU TO Kaveiq exei an.uaafa». O auucpcoviKOq auv0eTr)q auAAau,Kf\. Triq FaAAfaq Tn, auAAoYrj TO»V 40.000 8faKcov TOU. |l«vei KOI Ypdcpei eva epYo. H napTiTOupa 9a epu.r|veuTei KOTomv ZTII auvexeia, u.epiKa anoandauoTa ano ouiAfa TOU ( D h m i i mo TOV apxiu-ouamo KOI 0a naix9ef and TO ueAn. Kdnoiaq opxrjDelaunay OTO 8ie9vsq auvsSpio Tnq OUOOIYKTOV TO 1976 uc OC|iil oi,|>aq. Movo TOTB 9a cpidjaei n. uouamri OTO auTid TOOV aKpoaTWV. KOI naYKoau.ta KouATOupa». ( ) ooAfaT Tn.q T^a^, ana Tn,v dAAn, nAeupd, 8n.iiioupYef KOI eKTeAsf Kiui.oxpova TO EPYO TOU KOI ansuOuvETai o i'8ioq OTO aKpoaTrjpio. H T^a^ efvai uia p.ouaiKr| eKcppaon, nou npoatpepsi TO nio \\. 8iacpopETiK(»v E0viK(Bv no SEV An. K IundpXEi M. I'li.oi Kavevaq u.ead^cov o onofoq 0a (inopouaE va i Ti)v apxiKrj TOU eu.nveuar). . H an,uaofa Trjq jiouaiKriq auTrjq Sev Bi'xe Y'vri n v i i Eipd Tn,q, |iexpiq OTOU opiayevoi 8iavoou|irvm mi Tn.v Euprani] dpxioav va avoKaAunTouv, va jisAeTouv MII vn cti Oeid^ouv Tiq apETEC. Tn.q. Fia u.ioo nspfnou aicova 01 A|n |M.
1 1 i,c',< ^ exei enripedaei KOI exei u.eTapdAei TO auvoAo Tn.q auvxpovn.q (n i i.iki'iq uouamrjq, eAacppdq KOI aopaprjq. Srju.epa Sev uiropouu.e va imvOriouue rj va 6KTeAouu.e dncoq Kdvau.e npiv eu.<pavia0ef
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evvoia TOU yeTayovTepvioyou, roc; yvaamv, acpopd KQ KQI noAiTi0TiKa cpoTvoysva YEviKOTEpa KOI QXI yovo xr| youoiKrj. O Umberto Eco Ypd<pei OTI «TO yeTayovTepvo SEV anoTsAef yia Taar) xpovoAoyiKa npoaSiopiayevn, aAAa yia nvsuyaTiKrj Kcn;r|Yopi<i, f\v yia Kunstwollen [KaAAvrexviKrj pouAnar|], svav Tpono X£1(" ayou». ETO 0uYK6Kpiyevo 0eya, OTI] auYXPovrl T^a ayoc; 8ev avTiyeTOdnf^ETai aav 0xoAr| CUTE aav ucpoq OUTE 0av Kanoio npoTuno nou EYIVE Tr|c; yoSac; rj AueOvmrjc; ETaipeiac; Y'a t'l'v enipoAfj epnopEuai)i(»v VECOV npo) OVTCOV. Ta npoacona KOI 01 ovidSsc; nou avatpepovxai, KOTO nda<i in 6avoTr|T;a, SEV EXOUV KaxaniaoTef ye TIC; avaAuoeiq TCOV KpreiKcov K<M faraq va UJTJV EXOUV KOV auvsi8r|Tonoiriaei xr| a^sai] xouq JJE TO jji-i.n jaovTspviau.6. FiaTi afyoupa 8ev EXOUJIS eva 0(poq, sva OTuA onwi; -\ JIB, TOU tunou aoufvYK, janfjinon, KouA, q>pr| rj x^a^-poK, OUTB [Si;|l pia ^EKa6apr|.np6Taor) yia eva veo ysivaTpiy. H i0Topfa Tqq c^a^ KOTO TIJ 8idpKEia TOU EIKOOTOU aicova efvcn |u-i nopefa SiapKOUc; avavscooriq, U.E Y1YaVT;lalolJ^ pr)yaTiau.ouc;, |jr |in" yo noAAec; tpopec; (ppevrjpri. O'EpiK HdAT0yav, OTO |3ipAfo TOII /','/«•" ymyrj art] fiovajKtj TOV eitcoacoiJ aicova, NscpeAr), u.ETdcppaor| TK.II', Zeppoq, Ypdcpei OTI «r) x^a^ avaKBtpaAafwoe ye0a ae uxpiKw; on u. Ti'eq evav KUKAo nou aTn,v KAaaiKii youoiKli xpeid0Tr|Ke Suo i| <• < pi00OTepouq aiwvec; YIO va oAoKAr)po>6ef». Efvai u.ia aAuoifxi Kd0e KpfKoc; SiatpspEi aiaGriTd ano TOV npor)YoO|iEvo. Kai IIDKM. fn<v £,sxcopf^Ei afjyspa Tr|v T^a^ TOU 1920, TOU '40, TOU '50, TOII 'ii<> i Asv Ei'vai oycoc; yovo 6e|ia SeKaeTicov, oao, Kupfcoq, npotnmx! nou scpspav TO Pdpoc; Trie; aAAoYiic;, nou 8ev apKEOTn,Kav 01 ip "" napdSoar) KAr)pov6yr)aav aAAa npoxoopriaav Suvaymd oi.i| i>n M|»I arj xr|c; U-EXPI ariyefou va KOTriYOprjOouv coc; avaTpontic, Tn nii| 5efYU-QTa Ei'vai YVCOOTO: ano Ti]V npcoTf) arjyavTiKrj enovoi II q>pr] KOI TO n,AEKtpiK6 T^Q^ pan. Apni-i -
Ka9coc; KOI sva u,Epoq TOU KOIVOU, 9ewpr|aav OTI napapia^eTai r) IOTOpmfi e^sAi^r| TI^C; T^a^ KOI apvrj0r|Kav tr\d npooconiKOTr|TQV onoc; o Charlie Parker, o Thelonious Monk, o Sun Ra, o Ornette Coleman, o John Coltrane, o Albert Ayler, o Cecil Taylor, 01 Art Ensemble TOU Swa/you Kai dAAoov 01 onofoi EUTUXCOC; nrjpav TTJ Ssari nou 8iKaiouvTai a^ioKpaTiKa — av KOI opi0u.evoi KOToniv soptrjq, acpou EXOUV nE0dvei. Enfai^c;, Eva u.6YdAo yepoc; Trje; KQTO KOIpouc; npooTonopfac; Trjq T^a^ 8i8d0KETai rjSri aav uAr| coSsfou, nou 01^liafvei OTT aTaSiOKQ evocoyaTW0riKe arov Kopu.6 Tr)<; napd8o0i]c;. H T^a^ s<pTa0e OTO ^evi0 TOU y.ovTepvi0viou, TI^C; ano8Eau,eu0riq ano Ka0iepcou.evec; a^fec; KOI ano TOUC; napa8oaiaKouc; eKq)paaTiKouc; T^C; cponouc;, U.E TO Kivripa TFJC; q>pn. T^a^ ai,r\a TOU '60 KOI ye TOV cAeOQepo oyiaSiKO auTOoxe8iaay.6. AUTO rJTav TO opiano Triq aruaeio. Ano eSoo apxi^ei ouaiaaTiKd ri ouYXP°vrl auTo0xe8ia^6u.svr| youoiKrj. Z' auTrjv Tn,v nepio8o r\) T^a^, oncoq YP^cpei o Ekkehard Jost, MivdYKOOE TOUC; Eupconafouc; U.OUOIKOUC; yia npcoTn, (popd OTFJV IOTO(>io Trjc; Tt^a^ va y.r|v exouv ma y,npo0Td TOUC; sva KaGopiayevo 0TuA». Na yrjv undpxei TO KAaomo npoTuno yia avTiYpaepti, oncoc; ouvepawE <i)t; TOTE y.e Tr|v £niKpch;r|0r|, KOTO 8ia0Tfjy,aTa, Kdnoiou uq>ouc; apxiK<< OTIC; HITA KOI OKoAouOwc; OTrjv Eupwnr) KOI OTOV unoAomo KOi>H<). H auTooxeSia^oyEvn. u.ouoiK.rj avanTuaaeTai 0Ta nspiaaoTSpa rii()ainai'Kd KpaTn, U.E i8iaiTepOTr|Tec; EU.(pavefc; KOI ye anoaTaar) ano
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i.ii (lyepmaviKa 8E8oyeva. l''iiiioi]c;,TO avfjauxo nveuyaTF|<;SeKasTfaqTOU '60,TOU QVOIXTOU OUTOoxcfiiaayou KOI TI)C; ay(pi0prJTi]0r)c; Triq «avcoTEpoTriTac;» TI^C; 8uTiKrjc; H xvi|c; npoKdAEOE Tnv 8^080 OTIC; E^coEupconai'Kec; sBviKEC; youoiKec;. II (Mi|i|ioArj, OTO yeTa^u, Tt)q TexvoAoYiac; TOJV yeacov sniKowcovfac; M|iiiiu-(pep8 TF| 8uvaTOTriTa au^eu^nc; noAiTiaycov nou ansxouv xiA'dln i; x^ioyeTpa, nou Touc;;xwpi^ouv snoxsc;, coKeavof KOI opoaeipec;, IkKKpopeTiKof xponoi ^corjc;, KOIVCOVIKO ouorrjyaTa KOI auvrj0eiec;. Mi on oco i'8io nAaiaio, KOI ae dyean, axeori ye TH. auYXpovri T^a^, ey.IHivii r 1,01 q evvoia Tn,c; «MouaiKrjc; TOU KO0you», Tr|q World Music. Aq i"i iivdups^ouye OTIC; apxafsc, nriYsc; KOI Tiyv naYKO0yiOTn.Ta Tqc; id<; liwv rjxwv, KOI aqyr) piaaTOuye va ir\s OUTOIlii n, mxiic; Kai poyavTiayouc; omoAoYrov KOI Eipr^viaTcov. FIOTI TsAiM 11 vi 11 |iouoiKrj nou ^TidxveTai ano avOpconouc; Tr)q enoxnc; yac; 01
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