April 2013: Weilerstein, Cello, at The Atlanta Symphony by Encore Magazine

Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor

Apr

Alisa Weilerstein, cello

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contents April 2013

encoreatlanta.com

features

the music

16 2013-14 Season Preview

21 This week’s concert and program notes

Look what’s coming to the ASO!

Unleash the Magic This issue is augmented. Turn to

Page 3 to learn how to unleash the magic.

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departments 10 President’s Letter 12 Orchestra Leadership 14 Robert Spano 18 Musicians 32 Calendar 54 Administration 56 General Info 58 Ticket Info 60 Gallery ASO

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hen we “program” the ASO, we try to strike an equal balance between three priorities: “the consistent classical” — works that are well known; “lost diamonds” — important and interesting works not performed often; and lastly, the “new and the innovative.” In the upcoming 2013-14 season, we are embracing the innovative in when we program as much as what we program by implementing changes which originated from audience input. Battling Atlanta traffic makes it especially difficult to attend Friday concerts, so we’ve changed the Friday lineup. In the coming season, there will be six happy hour concerts, called First Fridays with the ASO. We’ll open the bars and begin food service at 5:00 p.m.; the concerts will start at 6:00 p.m. and end by 7:30 p.m. With this change, we think the Orchestra will become more accessible to people in our community who may never have been to the ASO. This summer also brings us the 40th season of our beloved Delta Classic Chastain concert series at Chastain Park Amphitheater. There will, as always, be something for everyone to enjoy this summer under the stars, including: Straight No Chaser; the return of Sunset Jazz; and Charlie Wilson. The warmer weather also takes us into our sixth season at Verizon Wireless Amphitheatre at Encore Park. We will welcome legends such as Tony Bennett with special guest Jackie Evancho and your Atlanta Symphony Orchestra. Also on the roster are two nights with Phish, as well as new-comers including fun. We expect to announce more as the season nears. For more information, visit us online at aso.org. I look forward to seeing you at another concert soon.

uando elaboramos la programación que seguiría la Orquesta Sinfónica de Atlanta (ASO), nos esforzamos para que haya un balance equitativo de tres prioridades: entre lo “clásico consistente”, obras que son muy conocidas; los “diamantes perdidos”, obras que no se tocan a menudo, pero que son importantes e interesantes; y por último, lo “nuevo e innovador”. En la próxima temporada 20132014, la innovación se reflejará en cuándo y qué programaremos, al implementar cambios que surgieron en respuesta a las exigencias del público. Sabemos que luchar contra el tráfico que hay en Atlanta hace que sea muy difícil asistir los días viernes a los conciertos, por esta razón, hemos cambiado el programa de los viernes. En la próxima temporada, habrá seis conciertos durante el happy hour, denominados Los viernes estoy primero con la Orquesta Sinfónica de Atlanta. Abriremos los bares y los servicios de comidas atenderán desde las 5:00 p.m. Los conciertos comenzarán a las 6:00 p.m. y terminarán aproximadamente a las 7:30 p.m. Con este cambio, consideramos que será más factible la asistencia de aquellas personas de nuestra comunidad que probablemente nunca han escuchado a la orquesta. Este verano también les traeremos la 40.a temporada del popular ciclo de conciertos Delta Classic Chastain a realizarse en el anfiteatro del parque Chastain. Como siempre, habrá algo para que todos y cada uno de ustedes disfruten este verano bajo las estrellas, como por ejemplo: Straight No Chaser, el retorno del Sunset Jazz y Charlie Wilson. El caluroso clima además nos llevará a la 6.a temporada en el Verizon Wireless Amphitheatre at Encore Park. También le daremos la bienvenida a leyendas como Tony Bennett con su invitado especial Jackie Evancho y su Orquesta Sinfónica de Atlanta. Además, también están programadas dos noches con Phish así como nuevos artistas y mucha diversión. Esperamos anunciarle muchos más eventos a medida que se acerque la temporada. Para obtener más información, visítenos en línea en aso.org. Esperamos verlo muy pronto en otra gran noche de concierto. Wishing you all the best, Con todos mis mejores deseos, Stanley E. Romanstein, Ph.D. President & CEO/Presidente y Director Ejecutivo

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leadership Atlanta Symphony Orchestra League 2012-2013 Board of Directors Officers Jim Abrahamson D. Kirk Jamieson Chair Vice Chair Karole F. Lloyd Meghan H. Magruder Chair-Elect Vice Chair

Joni Winston Secretary Mark D. Wasserman Treasurer

Directors Pinney L. Allen Neil H. Berman Paul Blackney Mary Rockett Brock Janine Brown C. Merrell Calhoun S. Wright Caughman, M.D. Ronald M. Cofield Sylvia Davidson* Carlos del Rio, M.D. Lynn Eden David Edmiston Gary P. Fayard† Dr. Robert M. Franklin, Jr.

Paul R. Garcia Carol Green Gellerstedt Virginia A. Hepner* Thomas Hooten† Tad Hutcheson Mrs. Roya Irvani Clayton F. Jackson Mark Kistulinec Steve Koonin Carrie Kurlander James H. Landon Michael Lang Donna Lee Kelly L. Loeffler

Penny McPhee Howard D. Palefsky Suzanne Tucker Plybon Patricia H. Reid Margaret Conant Reiser Martin Richenhagen Stanley E. Romanstein, Ph.D.* Dennis Sadlowski William Schultz† John Sibley H. Hamilton Smith Lucinda B. Smith Thurmond Smithgall†

Paul Snyder Gail Ravin Starr Mary Rose Taylor Joseph M. Thompson Liz Troy† Ray Uttenhove Chilton Davis Varner S. Patrick Viguerie Rick Walker† Thomas Wardell John B. White, Jr. Richard S. White, Jr. Patrice Wright-Lewis Camille Yow

Board of counselors Mrs. Helen Aderhold Elinor Breman Donald P. Carson Dr. John W. Cooledge John Donnell Jere Drummond Carla Fackler

Arnoldo Fiedotin Charles Ginden John T. Glover Frances B. Graves Dona Humphreys Aaron J. Johnson Ben F. Johnson III

Herb Karp Jim Kelley George Lanier Patricia Leake Lucy Lee Mrs. William C. Lester Mrs. J. Erskine Love

Carolyn C. McClatchey Joyce Schwob W. Rhett Tanner G. Kimbrough Taylor Michael W. Trapp Edus Warren Adair R. White

Life Directors Howell E. Adams, Jr. Bradley Currey, Jr.

Mrs. Drew Fuller Mary D. Gellerstedt

Azira G. Hill Dr. James M. Hund

Mrs. Charles A. Smithgall, Jr.

* ex officio † 2012-2013 sabbatical

Atlanta Symphony Orchestra/aso.org

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MusicDirector Robert Spano, Music Director

ecognized as one of the brightest and most imaginative conductors of his generation, Robert Spano is in his 12th season as Music Director of the Atlanta Symphony Orchestra and has elevated the ensemble to new levels of international prominence. Under Mr. Spano’s artistic leadership, the Orchestra and its audiences have explored a creative mix of programming, including Theater of a Concert performances, which use different formats, settings, and enhancements for the musical performance experience. The Atlanta School of Composers reflects Mr. Spano’s and the Orchestra’s commitment to nurturing and championing music through multiyear partnerships defining a new generation of American composers. Since 2001 Mr. Spano and the Orchestra have performed more than 100 concerts containing contemporary works and, by the end of the 2012-13 season, will have performed 16 ASO-commissioned world premieres. Mr. Spano has a discography with the Orchestra of 19 recordings, six of which have won Grammy awards. He has led the Orchestra in performances at Carnegie Hall, Lincoln Center, and at the Ravinia, Ojai, and Savannah Music Festivals. As Music Director of the Aspen Music Festival and School, Mr. Spano oversees the programming of more than 300 events and educational programs, including Aspen’s American Academy of Conducting. Dedicated to pedagogy and multidisciplinary studies, he has lectured on “Community” for TEDx and recently completed a three-year residency at Emory University. In its 165-year history, Emory University has honored only seven other individuals with such expansive residencies, including the Dalai Lama, President Jimmy Carter, and author Salman Rushdie.

Mr. Spano’s 2012-13 guest engagements include the New York and Los Angeles philharmonics; San Francisco, Boston, Cleveland, Chicago, and Philadelphia symphony orchestras; and Orchestra Filarmonica della Scala, BBC Symphony, and Amsterdam’s Royal Concertgebouw Orchestra. He has conducted at Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring Cycles.

Atlanta Symphony Orchestra/aso.org

Jennifer Taylor

Musical America’s 2008 “Conductor of the Year,” Mr. Spano is on the faculty of Oberlin Conservatory, and received honorary doctorates from Bowling Green State University, the Curtis Institute of Music, Emory University, and Oberlin, as well as Columbia University’s Ditson Conductor’s Award for the advancement of American music.

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Philip Lasser: Piano Concerto

Simone Dinnerstein

Brahms: Violin Concerto

Joshua Bell

2013 14 season preview

Beethoven: Piano Concerto No. 3

AndrĂŠ Watts

Elgar: Cello Concerto

Yo-Yo Ma

he excitement of the new. The reassurance of tradition. The opportunity to extend a legacy. These themes are evident throughout the Atlanta Symphony Orchestraâ&#x20AC;&#x2122;s 2013-14 season. By Lois Reitzes Story begins on page 44

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AtlantaSymphonyOrchestra Robert Spano

Donald Runnicles

Music Director The Robert Reid Topping Chair *

Principal Guest Conductor The Neil and Sue Williams Chair *

FIRST VIOLIN

SECOND VIOLIN

CELLO

David Coucheron Concertmaster The Mr. and Mrs. Howard R. Peevy Chair* The Mabel Dorn Reeder Honorary Chair* William Pu Associate Concertmaster The Charles McKenzie Taylor Chair* Justin Bruns Assistant Concertmaster Jun-Ching Lin Assistant Concertmaster Carolyn Toll Hancock John Meisner Christopher Pulgram Carol Ramirez Juan Ramirez Olga Shpitko Denise Berginson Smith ◊ Kenn Wagner Lisa Wiedman Yancich

David Arenz Principal The Atlanta Symphony Associates Chair* Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair* Jay Christy Assistant Principal Sharon Berenson David Braitberg Noriko Konno Clift David Dillard Eleanor Kosek Ruth Ann Little Thomas O’Donnell Ronda Respess Frank Walton

Christopher Rex Principal The Miriam and John Conant Chair* Daniel Laufer Associate Principal The Livingston Foundation Chair* Karen Freer Assistant Principal Dona Vellek Assistant Principal Emeritus Joel Dallow Jere Flint Jennifer Humphreys Larry LeMaster Brad Ritchie Paul Warner

VIOLA

BASS

SECTION VIOLIN ‡

Judith Cox Raymond Leung Sanford Salzinger

18 Atlanta Symphony Orchestra/aso.org

Reid Harris Principal The Edus H. and Harriet H. Warren Chair* Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair * Catherine Lynn Assistant Principal Wesley Collins ◊ Marian Kent Yang-Yoon Kim Yiyin Li Lachlan McBane Jessica Oudin

Ralph Jones Principal The Marcia and John Donnell Chair Gloria Jones Associate Principal Jane Little Assistant Principal Emeritus Michael Kenady Michael Kurth Joseph McFadden Douglas Sommer Thomas Thoreson

Michael Krajewski

Jere Flint

Principal Pops Conductor

Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra The Zeist Foundation Chair*

FLUTE

BASS CLARINET

TROMBONE

HARP

Christina Smith Principal The Jill Hertz Chair* Robert Cronin Associate Principal Carl David Hall

Alcides Rodriguez

Colin Williams Principal Nathan Zgonc George Curran ◊

Elisabeth Remy Johnson Principal The Delta Air Lines Chair

BASSOON

Carl David Hall

Carl Nitchie Principal Elizabeth Burkhardt Associate Principal Laura Najarian Juan de Gomar

OBOE

CONTRA-BASSOON

Elizabeth Koch Tiscione Principal The George M. and Corrie Hoyt Brown Chair * Yvonne Powers Peterson Associate Principal Samuel Nemec • Emily Brebach •

Juan de Gomar

PICCOLO

ENGLISH HORN

Emily Brebach • CLARINET

Laura Ardan Principal The Robert Shaw Chair* Ted Gurch Associate Principal William Rappaport Alcides Rodriguez

BASS TROMBONE

George Curran ◊ TUBA

Michael Moore Principal TIMPANI

HORN

Brice Andrus Principal Susan Welty Associate Principal Thomas Witte Richard Deane ◊ Anna Spina • Bruce Kenney TRUMPET

Thomas Hooten ◊ David Vonderheide • Principal The Madeline and Howell Adams Chair* Karin Bliznik Associate Principal Michael Tiscione Joseph Walthall

Mark Yancich Principal The Walter H. Bunzl Chair* William Wilder Assistant Principal PERCUSSION

Thomas Sherwood Principal The Julie and Arthur Montgomery Chair* William Wilder Assistant Principal The William A. Schwartz Chair* Charles Settle

KEYBOARD

The Hugh and Jessie Hodgson Memorial Chair* Peter Marshall † Beverly Gilbert † Sharon Berenson LIBRARY

Rebecca Beavers Principal Nicole Jordan Assistant Principal Librarian John Wildermuth Assistant Librarian ‡ rotate between sections * Chair named in perpetuity † Regularly engaged musician • New this season ◊ Leave of absence Players in string sections are listed alphabetically

E-FLAT CLARINET

Ted Gurch

encoreatlanta.com/Atlanta’s Performing Arts Publication

program

AtlantaSymphonyOrchestra Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor

Delta Classical Series Concert Concerts of Thursday, April 11, Friday, April 12, and Saturday, April 13, 2013, at 8:00p

Lionel Bringuier, Conductor Alisa Weilerstein, Cello Paul Dukas (1865-1935) L’apprenti sorcier (The Sorcerer’s Apprentice) (1897) Dmitri Shostakovich (1906-1975) Concerto No. 1 in E-flat Major for Cello and Orchestra, Opus 107 (1959) I. Allegretto II. Moderato III. Cadenza IV. Allegro con moto Alisa Weilerstein, Cello Intermission Béla Bartók (1881-1945) Concerto for Orchestra (1943) I. Introduzione. Andante non troppo; Allegro vivace II. Giuoco delle coppie. Allegro scherzando III. Elegia. Andante, non troppo IV. Intermezzo interrotto. Allegretto V. Finale. Pesante; Presto

The use of cameras or recording devices during the concert is strictly prohibited.

20 Atlanta Symphony Orchestra/aso.org

速

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sponsors

is proud to sponsor the Delta Classical Series of the Atlanta Symphony Orchestra. Delta is proud to celebrate more than 70 years as Atlanta’s hometown airline. Delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships. Delta is an active, giving corporate citizen in the communities it serves. Delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to use many aspects of Delta’s currency — our employees’ time and talent, our free and discounted air travel, and our surplus donations. Together, we believe we can take our worldwide communities to new heights! The Atlanta Symphony Orchestra’s concert on October 27, 2012 at Carnegie Hall was made possible through the generous support of The Community Foundation for Greater Atlanta, Thurmond Smithgall, Victoria and Howard Palefsky, and Delta Air Lines. Solo pianos used by the Atlanta Symphony Orchestra are gifts of the Atlanta Steinway Society and in memory of David Goldwasser. The Hamburg Steinway piano is a gift received by the Atlanta Symphony Orchestra in honor of Rosi Fiedotin. The Yamaha custom six-quarter tuba is a gift received by the Atlanta Symphony Orchestra in honor of Principal Tuba player Michael Moore from The Antinori Foundation. This performance is being recorded for broadcast at a later time. Atlanta Symphony concert broadcasts are heard each week on Atlanta’s WABE FM-90.1 and Georgia Public Broadcasting’s statewide network. The Atlanta Symphony records for ASO Media. Other recordings of the Orchestra are available on the Argo, Deutsche Grammophon, New World, Nonesuch, Philips, Telarc and Sony Classical labels. Media sponsors: WABE, WSB-AM, and AJC. Trucks provided by Ryder Truck Rental Inc.

22 Atlanta Symphony Orchestra/aso.org

program

Notes on the Program by Ken Meltzer

L’apprenti sorcier (The Sorcerer’s Apprentice) (1897) Paul Dukas was born in Paris, France, on Oct. 1, 1865, and died there on May 17, 1935.

The first performance of The Sorcerer’s Apprentice took place in Paris, as part of a concert by the Société Nationale, on May 18, 1897. The Sorcerer’s Apprentice is scored for piccolo, two flutes, two oboes, two clarinets, bass clarinet, three bassoons, contrabassoon, four horns, two trumpets, two cornets, three trombones, timpani, orchestra bells, suspended cymbals, triangle, cymbals, bass drum, harp and strings. Approximate performance time is twelve minutes. First ASO Classical Subscription Performance: December 16, 1950, Henry Sopkin, Conductor. Most Recent ASO Classical Subscription Performances: September 29 and 30, October 1, 2005, Marin Alsop, Conductor.

he Sorcerer’s Apprentice is not only the best-known work of French composer, Paul Dukas; it remains one of the most familiar of all concert pieces. The Sorcerer’s Apprentice, an instant success at its 1897 premiere, continued to enjoy tremendous popularity for the next several decades. Then, in 1940, The Sorcerer’s Apprentice was immortalized on the silver screen, courtesy of the Walt Disney animated classic, Fantasia. In the film, Mickey Mouse portrays the hapless apprentice, whose misadventures are set to Dukas’s brilliant score, performed by Leopold Stokowski and the Philadelphia Orchestra. The great German poet, Johann Wolfgang von Goethe (1749-1832), provided the inspiration for Dukas’s magical orchestral scherzo. In a ballad, entitled Die Zauberlehrling, Goethe tells the story of a magician’s apprentice. The apprentice has observed his master’s ability to bring a broomstick to life in order to do the sorcerer’s bidding. The apprentice has divined the sorcerer’s magical incantation. And so, when the sorcerer departs, the apprentice animates the broomstick and orders it to fetch water. The broomstick complies, but much too enthusiastically—soon, the magician’s house is overflowing with water. The apprentice tries to stop the disaster by chopping the broom in half with an axe, but that causes two brooms to emerge and further inundate the house with water. Finally, the sorcerer returns, and with a wave of his hand, restores calm. All of the action of Goethe’s poem is masterfully portrayed in Dukas’s scintillating music. A mysterious, slow introduction (Assez lent) transports the audience to the magician’s home. The scurrying apprentice is portrayed by a quicksilver woodwind figure (Vif). A stroke of the kettledrum is followed by a moment of silence. Isolated notes suggest that the broom is beginning to stir. Finally, its bumptious theme is played in full by the bassoons. From here, the music proceeds on its inexorable course, gaining power and momentum

encoreatlanta.com/Atlanta’s Performing Arts Publication

program

along the way. There is a brief pause when the apprentice splits the broom in two. But soon, the fury returns when the rejuvenated brooms wreak more havoc. Finally, the action comes to a crashing halt, as the sorcerer returns home. The hushed, introductory music briefly returns, whisked aside by an orchestral flourish.

Concerto No. 1 in E-flat Major for Cello and Orchestra, Opus 107 (1959) Dmitri Shostakovich was born in St. Petersburg, Russia, on September 25, 1906,

and died in Moscow, Russia, on August 9, 1975. The first performance of the Cello Concerto No. 1 took place in Leningrad (St. Petersburg) on October 4, 1959, with Mstislav Rostropovich as soloist, and Evgeny Mravinsky conducting the Leningrad Philharmonic. In addition to the solo cello, the Concerto is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, contrabassoon, horn, timpani, celeste and strings. Approximate performance time is twenty-eight minutes. First ASO Classical Subscription Performances: April 25, 26 and 27, 1985, Yo-Yo Ma, Cello, Robert Shaw, Conductor. Most Recent ASO Classical Subscription Performances: March 6, 7 and 8, 1997, Christopher Rex, Cello, Hans Graf, Conductor.

n June of 1959, Russian composer Dmitri Shostakovich announced: My next work will be a Cello Concerto. The first movement, an allegretto in the style of a jocular march, is already complete. There will probably be three movements in all. I would find it difficult to say anything concrete about its content: such questions, despite their apparent naturalness and simplicity, always cause me problems. After all, it often happens that in the course of writing a work the form, the means of expression and even the genre can change substantially. I can only say that this concerto was first conceived quite a long time ago. The original impulse came from hearing Sergei Prokofiev’s Symphony-Concerto for Cello and Orchestra, which interested me greatly and aroused my desire to try my hand at this genre. That’s really all I can say.

Shostakovich finished the score of his First Cello Concerto on July 20. By then, the Concerto had expanded into four movements. The composer notified Russian cellist Mstislav Rostropovich (1927-2007) of the work’s completion. Rostropovich and his accompanist, Alexander Dedyukhin, then journeyed from Moscow to Leningrad. There, on August 2, 1959, Rostropovich received the score of the Shostakovich Cello Concerto No. 1. Four days later, Rostropovich and Dedyukhin performed the Concerto for the composer, who was amazed by the fact that the cellist had already memorized the entire work.

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Shortly thereafter, Shostakovich dedicated his First Cello Concerto to Rostropovich. Mstislav Rostropovich was the soloist in the triumphant world premiere of the Cello Concerto No. 1, which took place in Leningrad on October 4, 1959. The composer’s longtime friend and champion, Evengy Mravinsky, conducted the Leningrad Philharmonic. Five days later, Rostropovich again performed the work, this time in Moscow. Alexander Gauk conducted the Moscow Philharmonic Orchestra. The following month, on November 6, Rostropovich gave the Concerto’s American premiere, with Eugene Ormandy and the Philadelphia Orchestra. Shostakovich, who was in the United States as part of Soviet-American cultural exchange program, was in attendance. Two days later, the performers gathered in Philadelphia’s Broadwood Hotel for the first commercial recording of the Shostakovich First Cello Concerto. According to the liner notes for the recording, Shostakovich “was the first Soviet composer to attend an American recording session of his own work and to supervise its progress in close cooperation with conductor and instrumentalists.” That historic recording has been reissued as part of the Sony Classical “Masterworks Heritage” series (MHK 63327). In 1966, Shostakovich composed his Second Cello Concerto, Opus 126. As Shostakovich told his friend, Isaak Glikman: “All the time I was writing the concerto, I was naturally thinking of Mstislav Rostropovich’s fabulous playing. I am counting on him to perform the concert.” And it was Rostropovich who performed the Second Concerto’s premiere, in Moscow, on September 25, 1966, at a gala concert held in honor of the composer’s 60th birthday. At the conclusion of the Second Concerto’s premiere, Shostakovich joined Rostropovich, conductor Evgeny Svetlanov, and the USSR State Symphony Orchestra on stage to acknowledge the thunderous cheers and applause. Rostropovich’s continued advocacy of the two Shostakovich Concertos helped to insure their place among the leading 20th-century works for cello and orchestra. They are glorious monuments to an historic collaboration between two of Russia’s greatest musicians.

Musical Analysis I. Allegretto — The Concerto opens with the soloist’s introduction of the angular, principal theme of this “jocular march.” The winds offer piquant replies. Various instruments incorporate the march theme. In the latter part of the movement, the soloist converses with the horn, and oboes and clarinets. The subdued atmosphere of the closing measures is dispelled by a fortissimo exclamation. The concluding three movements are played without pause. II. Moderato — The Concerto’s slow movement begins with an introduction by the strings and horn. The soloist introduces a somber melody, later providing counterpoint to the clarinet’s repetition. The ensuing episode, launched by muted strings, continues the introspective atmosphere. Soon, however, the mood becomes increasingly agitated.

Atlanta Symphony Orchestra/aso.org

program A horn solo, marked espressivo, serves as prelude to a sequence featuring the arresting combination of the celeste, muted strings, and solo cello (playing open strings). The movement concludes with two pizzicato chords. III. Cadenza — The third movement, an extended, unaccompanied cadenza for the soloist, features echoes from the preceding movements. A series of ascending and descending flourishes leads directly to the finale. IV. Allegro con moto — The acerbic tone of the opening movement returns in the whirlwind finale, the most overtly virtuoso of the Concerto. Toward the close, the opening movement’s march theme makes a prominent return, as the Concerto proceeds to an emphatic resolution.

Concerto for Orchestra (1943) Béla Bartók was born in Sînnicolau Mare, Hungary, on March 25, 1881 and died in New York on September 26, 1945. The first performance of the Concerto for Orchestra took place at Symphony Hall in Boston, Massachusetts, on December 1, 1944, with Serge Koussevitsky conducting the Boston Symphony Orchestra. The Concerto for Orchestra is scored for piccolo, three flutes, three oboes, English horn, three clarinets, bass clarinet, three bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, side drum, tam-tam, triangle, cymbals, suspended cymbal, bass drum, two harps and strings. Approximate performance time is thirty-eight minutes.

First ASO Classical Subscription Performance: January 17, 1967, Robert Mann, Conductor. Most Recent ASO Classical Subscription Performances: November 6 and 7, 2008, Robert Spano, Conductor.

“I have lost all my faith” Béla Bartók composed his Concerto for Orchestra during a period of overwhelming adversity and despair. In October of 1940, Bartók and his wife left Hungary to escape the Nazis. During the journey to the United States, the composer wrote, “this voyage is...like plunging into the unknown from what is known but unbearable...God only knows how and for how long I’ll be able to work over there.” Bartók’s fortunes continued to decline when he settled in New York. Commissions for new musical works were scarce during this turbulent period in world history. Bartók, his health rapidly deteriorating, was often unable to fulfill those few assignments he received. “Our situation grows worse from day to day,” Bartók wrote in 1941 to his friend, the conductor Paul Sacher. Bartók continued: All I can say is that in the whole of my working life, that is to say for the past twenty years, I have never found myself faced with such a terrible situation as that into which I shall be plunged in the near future...I am becoming rather pessimistic; I have lost all my faith in men and nations, everything... encoreatlanta.com/Atlanta’s Performing Arts Publication

program

programSouth City Kitchen

In December of 1942, Bartók proclaimed: “My career as a composer is as much as finished; the quasi boycott of my works by the leading orchestras continues; no performances of either old works or new ones.”

Bartók, Koussevitsky and the Concerto for Orchestra Early in 1943 two longtime friends of Bartók, violinist Joseph Szigeti and conductor Fritz Reiner, approached Serge Koussevitsky. They proposed the idea of commissioning Bartók to write a new orchestral work in memory of Koussevitsky’s wife, Natalie. Koussevitsky, the conductor of the Boston Symphony, surprised Bartók by visiting him in his New York hospital room. Koussevitsky offered Bartók a commission of $1,000.00. During that initial visit, Koussevitsky gave the composer a check for $500.00, with the remaining amount to be forwarded upon completion of the score. Koussevitsky’s visit seemed to rejuvenate the gravely ill composer. Bartók worked on his Concerto for Orchestra “practically night and day” from August 15 to October 8, 1943, while staying at a private sanatorium in Lake Saranac, New York. Bartók sensed that his health and fortunes were on the mend, and enthusiastically reported to Szigeti: “Perhaps it is due to this improvement (or it may be the other way round) that I have been able to finish the work that Koussevitsky commissioned.” The resurrection of a man who had “lost all (his) faith in men, nations, everything,” is reflected in Bartók’s own description of the Concerto for Orchestra: “The general mood of the work represents, apart from the jesting second movement, a gradual transition from the sternness of the first movement and the lugubrious death-song of the third, to the lifeassertion of the last one.” Koussevitsky and the Boston Symphony Orchestra presented the triumphant world premiere of Bartók’s Concerto for Orchestra at Symphony Hall on December 1, 1944. Bartók reported: “The performance was excellent. Koussevitsky is very enthusiastic about the piece, and says it is ‘the best orchestral piece of the last 25 years.’” The New York premiere at Carnegie Hall on January 10, 1945 inspired equally rapturous acclaim. As Olin Downes reported the following day in the New York Times: “Repeatedly, Dr. Koussevitsky led Mr. Bartók from the wings, and finally left him alone on stage with the applauding audience.” Illness finally overcame Bartók’s great spirit, and the composer died in New York on September 26, 1945, less than a year after the Concerto for Orchestra’s stunning premiere. The popularity of the Concerto for Orchestra, one of Bartók’s most optimistic and brilliant works, remains undiminished.

Atlanta Symphony Orchestra/aso.org

program

Musical Analysis Bartók offered the following general description of his Concerto for Orchestra for the 1944 premiere: The title of this symphony-like orchestral work is explained by its tendency to treat the single instruments or instrument groups in a “concertant” or soloistic manner. The “virtuoso” treatment appears, for instance, in the fugato section of the first movement (brass instruments), or in the “perpetuum mobile”-like passage of the principal theme in the last movement (strings), and, especially, in the second movement, in which pairs of instruments consecutively appear with brilliant passages. I. Introduzione. Andante non troppo; Allegro vivace — The opening movement begins with an extended, mysterious introduction, featuring the dark hues of the cellos and doublebasses contrasting with shimmering violins and flutes. The intensity of the introduction grows, building to the principal Allegro vivace, and the chromatic first theme played by the violins. The trombone introduces an angular ascending and descending motif, shortly followed by a lilting theme, played first by the oboe and then by the clarinets, in octaves. Bartók offers a brilliant manipulation of the principal themes, often in counterpoint to each other. Finally, the movement closes with a massive statement of the trombone motif. II. Giuoco delle coppie. Allegro scherzando — After a brief passage by a side drum without snares, the sprightly “game of the pairs” features a series of passages for groups of two instruments—bassoons, oboes, clarinets, flutes and muted trumpets. The side drum introduces a chorale-like interlude for brass. A reprise of the “game” section offers new and varied instrumental combinations. Finally, the side drum returns to close this playful movement. III. Elegia. Andante, non troppo — The “Elegy,” a “lugubrious death-song,” features eerie restatements of material found in the slow introduction to the first movement. The composer described the nocturnal setting as “a misty texture of rudimentary motifs.” IV. Intermezzo interrotto. Allegretto — After a shrill introduction by the strings, the oboe plays a jaunty refrain, the first of two principal themes in this Intermezzo. The violas present the beautiful, cantabile second theme. The “interruption” is in the form of a parody of a theme from the first movement of Dmitri Shostakovich’s Seventh (“Leningrad”) Symphony (1941). Bartók heard a radio broadcast of the Shostakovich Seventh while working on the Concerto for Orchestra. He developed an immediate disdain for the central first-movement theme. In Bartók’s Concerto, the solo clarinet introduces the Shostakovich theme, quickly and mercilessly attacked by the full orchestra. Subsequent attempts to revive the Shostakovich theme lead to its annihilation and finally, a return to the Intermezzo. V. Finale. Pesante; Presto — The breathtaking Finale opens with a horn call that heralds a perpetuum mobile figure played by the violins, soon joined by the entire orchestra. The

30 Atlanta Symphony Orchestra/aso.org

program bios bassoons, clarinets and oboes offer a brief contrapuntal treatment of the opening horn call. A short, tranquillo interlude leads to a return to the flurry of activity, highlighted by brilliant trumpet fanfares that form the basis for a masterful fugal development. The perpetuum mobile theme returns, soon intertwined with the other principal motifs, as the Concerto for Orchestra rushes headlong to its dazzling conclusion.

ALISA WEILERSTEIN, cellist

merican cellist Alisa Weilerstein has attracted widespread attention worldwide for playing that combines a natural virtuosic command and technical precision with impassioned musicianship. In September 2011 she was named a MacArthur Foundation Fellow, and in 2010 she became an exclusive recording artist for Decca Classics, the first cellist to be signed by the prestigious label in over 30 years. Her debut album, released in North America on October 30, 2012, features the Elliott Carter and Elgar Cello Concertos with Daniel Barenboim and the Berlin Staatskapelle.

Alisa Weilerstein

Ms. Weilerstein’s 2012-13 season has included engagements in Belgium, Canada, Finland, France, Great Britain, Italy, the Netherlands, Spain, Russia, and across the United States. In September 2012 she returned to Germany to perform the Elliott Carter Cello Concerto with Daniel Barenboim and the Berlin Staatskapelle. She appeared with conductor Gianandrea Noseda and the Philadelphia Orchestra and will perform at the Kennedy Center with conductor Christoph Eschenbach and the National Symphony Orchestra in May. Ms. Weilerstein debuted with the Academy of St. Martin in Fields during a 16-city United States tour in March. Alisa Weilerstein, who was born in 1982, made her Cleveland Orchestra debut at age 13, playing Tchaikovsky’s “Rococo” Variations. She made her Carnegie Hall debut with the New York Youth Symphony in March 1997. Ms. Weilerstein is a graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss. In May 2004, she graduated from Columbia University in New York with a degree in Russian History.

encoreatlanta.com/Atlanta’s Performing Arts Publication 31

bios

program

Lionel Bringuier, conductor

onductor Lionel Bringuier is in his sixth and final season with the Los Angeles Philharmonic as Resident Conductor. He is Chief Conductor designate and Music Director of the Tonhalle Orchestra Zurich next season. Previously, Mr. Bringuier was Music Director of the Orquesta Sinfónica de Castilla y León in Valladolid, Spain, where he spent eight seasons.

Lionel Bringuier

Last fall, he conducted his first fully staged opera production of Bizet’s Carmen with the Royal Swedish Opera. Additional guest conducting highlights include engagements with the Boston Symphony Orchestra, the Cleveland Orchestra, the BBC Symphony Orchestra, Zurich Tonhalle Orchestra and the Bamberger Symphoniker. Winner of the 49th Besançon Young Conductors Competition in 2005, Mr. Bringuier was the unanimous choice of the Besançon jury, the “Prix du Public” as audience favourite, as well as the top vote of the musicians of the festival orchestra, the Orchestre National du Capitole de Toulouse. Born in Nice, France in 1986, Mr. Bringuier attended the Conservatoire National Supérieur de Musique de Paris from the age of thirteen, beginning his conducting studies in 2000 with Zsolt Nagy. He has also participated in master classes with Peter Eötvös and Janos Fürst. In June 2004, he obtained his diploma in cello and conducting with “Mention Très Bien à l’unanimité”. Other distinctions include the “Médaille d’or à l’unanimité avec les felicitations du jury à l’Académie Prince Rainier III de Monaco”, the “médaille d’or” from the Lord Mayor of Nice as well as first prize in a competition organized by the Janacek Philharmonic Orchestra in Ostrava. Bringuier has also received prizes from the Swiss Foundation Langart and the Cziffra Foundation.

32 Atlanta Symphony Orchestra/aso.org

CLAYTON STATE UNIVERSITY MORROW, GEORGIA

Richard Goode, PIANO

Sunday, April 28 • 3pm • $60

2013 SPIVEY MEMORIAL CONCERT One of today’s greatest pianists and most searching musicians, Richard Goode “is the supreme master of musical rhetoric, a genius at distilling and expressing the absolute essence of the musical thought behind any composition” (The Globe and Mail, Toronto). PROGRAM BEETHOVEN - The Last Works BEETHOVEN Piano Sonatas Opp. 109, 110, and 111, plus the Bagatelles Op. 119 Nos. 6 - 11

TICKETS ON SALE NOW Spivey Hall Box Office (678) 466-4200 Visit www.SpiveyHall.org to purchase tickets and for complete program information.

THE atlanta symphony

Dining Guide Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers. Neighborhood codes: A–Alpharetta, B–Buckhead, DK-Dekalb, D–Downtown, DW-Dunwoody, IP–Inman Park, M—Midtown, OFW–Old Fourth Ward, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, NA—North Atlanta, V—Vinings, W–Westside AMERICAN Livingston Restaurant and Bar It’s hard to beat the location (across from the Fox Theatre in the Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of Clark Gable, and the al fresco seating area. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta. com. M Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17th St., 404-9617370, lobbyattwelve.com. M The Melting Pot is the premiere fondue restaurant where guests can enjoy a choice of fondue cooking styles and a variety of unique entrees, salads and indulgent desserts. Four Atlanta locations, including 754 Peachtree St. NE, 404-389-0099, meltingpot. com. M Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great peoplewatching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH ONE. midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-8924111, onemidtownkitchen.com. M Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M AMERICAN/STEAKHOUSE Prime Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent. Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell

34 Atlanta Symphony Orchestra/aso.org

Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D AMERICAN/SOUTHERN Eleven Restaurant & Bar A luxurious destination at Loews Atlanta Hotel. Delectable cuisine, vibrant cocktails and live music. Visit them for delightful pre or post performance cocktails, or a quick bite that always gets a standing ovation. 1065 Peachtree St. NE, 404-745-5745, loewshotels.com/restaurants/ eleven/cuisine. M South City Kitchen With a stylish, Southerncontemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd. Two locatons: Midtown: 1144 Crescent Ave., 404-873-7358; Vinings: 1675 Cumberland Pkwy., 770-435-0700, southcitykitchen.com. M, V Terrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures pure flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678-651-2770, ellishotel.com/terrace. D ASIAN/FUSION Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B BREW PUB/GOURMET PUB FARE Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-870-0805; Buckhead: 3242 Peachtree Rd. NE, 404-264-0253, gordonbiersch. com. M, B Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great

place to chill after work. 1180 Peachtree St., 404347-2220, tapat1180.com. M CREOLE/CAJUN Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com. OFW EUROPEAN FUSION Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta.com. M MEDITERRANEAN/LATIN/ASIAN FUSION Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404-846-2000, h2sr.com. M ITALIAN Campagnolo Restaurant + Bar With a casual atmosphere and fare that is anything but casual, features a rustic menu that draws influences from all parts of Italy and its Mediterranean neighbors. 980 Piedmont Ave., 404-343-2446, peasantatl. com. M Davio’s Northern Italian Steakhouse located at Phipps Plaza in the heart of Buckhead is Atlanta’s newest dining destination. 3500 Peachtree Rd., NE, 404-844-4810, davios.com/atl. B La Tagliatella captures the essence of traditional Italian cuisine by exploring the best tastes and textures directly from their origin. Our generous portions are designed so that guests can fully enjoy and share with each other. 933 Peachtree St. NE, 678-608-3188, latagliatella.us, M La Tavola Serving classic Italian cuisine in the heart of Virginia-Highland. 992 Virginia Ave., 404-8735430, latavolatrattoria.com. VH LPC offers ingredient driven cuisine that focuses on the hand-made aspect of Italian cooking, using the local bounty as a guide. 1545 Peachtree St., 404888-8709. lapietracucina.com, M MEXICAN Alma A refreshing new approach to contemporary Mexican cuisine. Bright, fresh ingredients and traditional regional influences come together with other Latin American flavors in vibrant dishes that feel familiar and new all at once. 191 Peachtree St.

NE, 404-968-9662, alma-atlanta.com. D Cantina Tequila & Tapas Bar is located in the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become Buckhead’s newest watering hole. 3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. B El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave. NE, 404873-4656, eltaco-atlanta.com.VH SPANISH Noche A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404-815-9155, h2sr.com. VH SEAFOOD/SUSHI Coast Seafood and Raw Bar serves Atlanta’s freshest seafood and island cocktails. The menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees. 111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. B Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P Lure is a modern interpretation of a classic fish house with a focus on seasonality and freshness. 1106 Crescent Ave., 404-817-3650. lure-atlanta. com. M Ocean Prime is a modern American supper club committed to serving the highest quality seafood, steak, handcrafted cocktails and award-winning wines. Guests enjoy red carpet hospitality, live entertainment and a welcoming, relaxed atmosphere where elegance is timeless. 3102 Piedmont Road, NE 404-846-0505. oceanprimeatlanta.com B STEAK/SUSHI Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. M Twist This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B

encoreatlanta.com/Atlanta’s Performing Arts Publication 35

support The Atlanta Symphony Orchestra thanks individuals, corporations, foundations, and government agencies whose contributions help the Orchestra make a difference in our community. The following list represents the cumulative total of philanthropy of $1,750 and above. (Please note that donor benefits are based solely on contributions to the annual fund.)

Appassionato Carrie Kurlander, Appassionato Chair The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the Southeast. Appassionato was inaugurated in 2000 and welcomes annual givers of $10,000 and above. Appassionato members provide the Symphony with a continuous and strong financial base in support of our ambitious aritistic and education initiatives. $500,000+

Madeline & Howell E. Adams, Jr. The Mabel Dorn Reeder Foundation Mrs. Anne Cox Chambers Wells Fargo Delta Air Lines The Zeist Foundation, Inc. The Andrew W. Mellon Foundation $250,000+

The Coca-Cola Company

Mrs. William A. Schwartz

$100,000+

GE Asset Management Global Payments Inc. Abraham J. & Phyllis Katz Foundation Turner Broadcasting System Woodruff Arts Center

Anonymous The Community Foundation for Greater Atlanta Ms. Lynn Eden First Data Corporation $75,000+

Susan & Richard Anderson Thalia & Michael C. Carlos Foundation Fulton County Arts & Culture

The Charles Loridans Foundation, Inc. Tull Charitable Foundation, Inc.

$50,000+

Bank of America The Graves Foundation Invesco The Reiman Foundation National Endowment for the Arts Mr. Thurmond Smithgall

SunTrust Bank UPS SunTrust Foundation Susan & Thomas Wardell SunTrust Bank Trusteed Foundation William Randolph Hearst Foundation Walter H. & Marjory M. Rich Memorial Fund Sutherland Asbill & Brennan LLP

$35,000+

Georgia Natural Gas Ann & Gordon Getty Foundation

Massey Charitable Trust Victoria & Howard Palefsky

Porsche Cars North America Publix Super Markets Charities

* As of March 15, 2013.We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

36 Atlanta Symphony Orchestra/aso.org

Photo: Michel Gibert. Special Thanks: Auditori Teulada Moraira. TASCHEN. Sculptures: www.gudea.fr.

éditionspéciale $7,995* instead of $12,240 Impresario modular in leather, designed by Roberto Tapinassi and Maurizio Manzoni *Modular as shown upholstered in Dolce leather. Offer valid until 7.31.2013, not to be used in conjunction with any prior offer. Price does not include decoration cushions or other accessories and pieces unless stated otherwise. Precious cocktail table, designed by Cédric Ragot. Manufactured in Europe. ATLANTA - 3400 Around Lenox Rd. NE Ste. 204 - Tel. (404) 467-1900 - atlanta@roche-bobois.com

Showrooms, collections, news and catalogs www.roche-bobois.com

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Encore Atlanta 13-02-14 Format: 4.625”x3.625” Bleed: NO BLEED (stroke) Colors: CMYK

4:21 PM

support $25,000+

Jim & Adele Abrahamson Acuity Brands, Inc. Kelley & Neil H. Berman Mr. Arthur Blank Ms. Stephanie Blank Mr. & Mrs. C. Merrell Calhoun Mr. & Mrs. Bradley Currey, Jr. Marcia & John Donnell Catherine Warren Dukehart Georgia Council for the Arts

Georgia-Pacific Foundation King & Spalding Lockheed Martin Lucy R. & Gary Lee, Jr. Karole & John Lloyd Terence L. & Jeanne P. Neal* Printpack Inc. & The Gay & Erskine Love Foundation Patty & Doug Reid Ryder Systems, Inc.

Mrs. Charles A. Smithgall, Jr. Kelly Loeffler & Jeffrey C. Sprecher Mark & Evelyn Trammell Foundation Vasser Woolley Foundation, Inc. Ann Marie & John B. White, Jr.* Adair & Dick White Sue & Neil** Williams

$17,500+

Pinney L. Allen & Charles C. Miller III Alston & Bird LLP The Arnold Foundation, Inc. Mr. & Mrs. Paul J. Blackney City of Atlanta Office of Cultural Affairs

The Jim Cox, Jr. Foundation Admiral James O. Ellis, Jr. in memory of Polly Ellis Gary & Nancy Fayard The Home Depot Foundation Jane & Clay Jackson Amy & Mark Kistulinec

Mr. Ken & Dr. Carolyn Meltzer Metropolitan Life Foundation Suzanne & Bill Plybon* Dr. Stanley & Shannon Romanstein Robert Spano Ray & John Uttenhove

Chilton & Morgan Varner Patrick & Susie Viguerie Camille Yow

Mr. & Mrs. David Edmiston Ms. Nancy Field & Mr. Michael Schulder Mr. & Mrs. Lawrence L. Gellerstedt III Charles & Mary Ginden Mr. & Mrs. Tad Hutcheson InterContinental Hotels Group

D. Kirk Jamieson, Verizon Wireless Ann A. & Ben F. Johnson III* Mr. & Mrs. James C. Kennedy Steve & Eydie Koonin Southern Company Donna Lee & Howard C. Ehni Meghan & Clarke Magruder

Nordstrom, Inc. Joyce & Henry Schwob Janine Brown & Alex J. Simmons, Jr. Loren & Gail Starr Alison M. & Joseph M. Thompson Mike & Liz Troy Mr. & Mrs. Edus H. Warren, Jr.

Dr. John W. Cooledge Cari Katrice Dawson Drs. Carlos del Rio & Jeannette Guarner The Max & Victoria Dreyfus Foundation, Inc. Eleanor & Charles Edmondson E&J Gallo Winery Mr. & Mrs. Paul Garcia Mary D. Gellerstedt Nancy D. Gould John H. & Wilhelmina D. Harland Charitable Foundation, Inc. Hennessy Lexus

Jan & Tom Hough Roya & Bahman Irvani Anne Morgan & Jim Kelley Philip Kent, in honor of Neil Williams Mr. & Mrs. Donald R. Keough James H. Landon Mr. & Mrs. John M. Law Pat & Nolan Leake The Livingston Foundation, Inc. Morgens West Foundation Mr. & Mrs. Solon P. Patterson*

Mr. and Mrs. Rezin E. Pidgeon, Jr. PricewaterhouseCoopers LLP Margaret & Bob Reiser Bill & Rachel Schultz* Mr. John A. Sibley III Siemens Industry, Inc. Mary Rose Taylor Carol & Ramon Tome Family Fund* Trapp Family Ms. Kathy Waller & Mr. Kenny Goggins Neal & Virginia Williams

$15,000+

The Antinori Foundation The Boston Consulting Group Mary Rockett Brock Wright & Allison Caughman Mr. & Mrs. Ronald M. Cofield Trisha & Doug Craft Mr. & Mrs. Edward S. Croft III $10,000+ Anonymous AGCO Corporation, Lucinda B. Smith The Balloun Family Mr. & Mrs. Francis S. Blake Mr. David Boatwright Boxwoods Gardens & Gifts, Inc. The Breman Foundation, Inc. John W. & Rosemary K. Brown The Walter & Frances Bunzl Foundation Mr. & Mrs. Marquette Chester

* As of March 15, 2013.We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

38 Atlanta Symphony Orchestra/aso.org

corporate & government

support

Patron Partnership Thomas J. Jung, Chair The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support. $7,500+ Lisa & Joe Bankoff The Aaron Copland Fund for Music, Inc.

Sally & Carl Gable Caroline di Donato & Joseph M. O’Donnell

CNN- Turner Broadcasting System, Inc. Jere & Patsy Drummond*

GMT Capital Corporation JBS Foundation John & Kyle Rogers

Betty Sands Fuller Mr. & Mrs. Richard B. Goodsell Mr. & Mrs. David Gould The Jamieson Family Robert J. Jones* Lanier Parking Solutions George H. Lanier Links, Inc., Azalea City Chapter William C. & Anne A. Lester Linda & John Matthews The Devereaux F. & Dorothy McClatchey Foundation, Inc. John F. & Marilyn M. McMullan

The Fred & Sue McGehee Family Charitable Fund. Penelope & Raymond McPhee* Walter W. Mitchell Donald S. Orr & Marcia K. Knight Dr. & Mrs. Mark P. Pentecost, Jr. Margaret H. Petersen Mr. & Mrs. Joel F. Reeves AGCO Corporation, Martin Richenhagen Vicki & Joe Riedel The Sartain Lanier Family Foundation Sea Island Co.

Hamilton & Mason Smith Sandy & Paul Smith Peter James Stelling Triska Drake & G. Kimbrough Taylor, Jr. Kimberly S. Tribble & Mark S. Lange Joan N. Whitcomb Russell Williamson & Shawn Pagliarini Suzanne Bunzl Wilner H. & T. Yamashita* YP

Deedee & Marc Hamburger Steven & Caroline Harless Sally W. Hawkins Mr. & Mrs. John E. Hellriegel Mr.** & Mrs. Jesse Hill, Jr. Mr. & Mrs. Daniel H. Hollums JoAnn Hall Hunsinger Mr. & Mrs. Robert A. Johnson Dick & Georgia Kimball*

Dr. & Mrs. James T. Laney* Deborah & William Liss* Linder Security Systems, Inc. Dr. & Mrs. James T. Lowman Mr. & Mrs. Albert S. McGhee Sandy & Harriet Miller Gregory & Judy Moore Margo Brinton & Eldon Park The Hellen Plummer Charitable Foundation, Inc.

S.A. Robinson In memory of Willard Shull Amy & Paul Snyder Mrs. C. Preston Stephens Burton Trimble Alan & Marcia Watt Dr. & Mrs. James O. Wells, Jr.

Peter & Vivian de Kok Dr. Francine D. Dykes & Mr. Richard Delay Ms. Diane Durgin David & Patty Emerson George T. & Alecia H. Ethridge John & Michelle Fuller Judy & Ed Garland Dr. Mary G. George & Mr. Kenneth Molinelli Mr. & Mrs. Henry W. Grady Mary C. Gramling Ben & Lynda Greer Dr. & Mrs. Alexander Gross The Robert Hall Gunn, Jr. Fund Rand & Seth Hagen Harald R. Hansen* Virginia Hepner & Malcolm Barnes Mr. Harvey Hill & Dr. Sarah Hill* HG Robinson Silver Harry & Tatty Howard Richard & Linda Hubert Dr. W. Manchester Hudson

Mr. & Mrs. William C. Humphreys, Jr. Dr. & Mrs. James M. Hund Ms. Cynthia Jeness Aaron & Joyce Johnson Mr. W. F. & Dr. Janice Johnston Baxter P. Jones Mr. & Mrs. Gert Kampfer Hazel & Herb Karp Paul & Rosthema Kastin John Kauffman, Kauffman Tire, Inc. Mr. & Mrs. L. Michael Kelly Mark B. Kent & Kevin A. Daft Mr. & Mrs. Daniel J. King Dr. & Mrs. Scott I. Lampert Thomas C. Lawson Dr. Fulton D. Lewis III & Mr. Stephen Neal Rhoney Mr. & Mrs. Paul A. Lutz* Mr. & Mrs. Frederick C. Mabry Barbara & Jim MacGinnitie Elvira & Jay Mannelly Ruth & Paul Marston Belinda & Gino Massafra

Mr. & Mrs. Joseph D. McDonald* Ms. Shelley S. McGehee Birgit & David McQueen Virginia K. McTague Angela & Jimmy Mitchell* Ms. Lilot S. Moorman & Mr. Jeffrey B. Bradley Dr. & Mrs. R. Daniel Nable Mrs. Rebecca Nathan Dr. Margaret Offermann & Dr. Russell Medford Robert & Mary Ann Olive Barbara & Sanford Orkin David Paule & Gary Mann Mr. & Mrs. Andreas Penninger Susan Perdew Mr. & Mrs. Jerry Perullo Leslie & Skip Petter Elise T. Phillips Provaré Technology, Inc. Dr. & Mrs. W. Harrison Reeves, Sr. Mr. & Mrs. Lee & Betsy Robinson

$5,000+ Anonymous (2) Aadu & Kristi Allpere* Ms. Julie M. Altenbach Americasmart Atlanta In honor of Dominick Argento Arnall Golden Gregory LLP Private Wealth Group Patricia & William Buss Jeff & Ann Cramer* Mary Helen & Jim Dalton Ms. Suzanne E. Mott Dansby Christopher & Sonnet Edmonds The Elster Foundation Dr. & Mrs. Carl D. Fackler Deirdre & Irial Finan David L. Forbes

$3,500+ Mrs. Kay Adams* & Mr. Ralph Paulk Rita & Herschel Bloom Mr. & Mrs. Dennis Chorba Carol Comstock & Jim Davis* Jean & Jerry Cooper Four Seasons Hotel Atlanta Ellen & Howard Feinsand James F. Fraser

$2,250+

Anonymous (2) John** & Helen Aderhold Mr. & Mrs. Phillip E. Alvelda* Mr. & Mrs. Stephen D. Ambo Paul & Marian Anderson Jack & Helga Beam Mr. Justin Blalock Leon & Linda Borchers Edith H. & James E. Bostic, Jr. Family Foundation Jacqueline A. & Joseph E. Brown, Jr. Dr. & Mrs. Anton J. Bueschen Major General & Mrs. Robert M. Bunker Dr. Aubrey M. Bush & Dr. Carol T. Bush Mr. & Mrs. Russell E. Butner Cynthia & Donald Carson Ralph & Rita Connell Mr. & Mrs. Thomas G. Cousins Jennifer & Corey Cowart Sally & Larry Davis

encoreatlanta.com/Atlanta’s Performing Arts Publication 39

support $2,250+ (continued) Mr. & Mrs. Richard L. Rodgers Mr. & Mrs. George P. Rodrigue June & John Scott Elizabeth S. Sharp Angela & Morton Sherzer Beverly & Milton Shlapak Helga Hazelrig Siegel Lewis Silverboard

Sydney Simons Baker & Debby Smith Ms. Christina Smith Johannah Smith Mrs. J. Lucian Smith* Mr. & Mrs. Gabriel Steagall Dr. Steven & Lynne Steindel* John & Yee-Wan Stevens

Mr. & Mrs. George B. Taylor, Jr. Mr. & Mrs. Mark Taylor Annie-York Trujillo & Raul F. Trujillo Bill & Judy Vogel Mr. & Mrs. William C. Voss Mr. & Mrs. Randolph O. Watson

Dr. & Mrs. Roger P. Webb In honor of Ardath Weck David & Martha West Mr. & Mrs. Peter L. Whitcup Hubert H. Whitlow, Jr. Mary Lou Wolff Jan & Beattie Wood Mr. & Mrs. John C. Yates

$1,750+ Anonymous Mrs. Jean Allen Dr. David & Julie Bakken Dr. & Mrs. Joel E. Berenson Ms. Marnite B. Calder Mr. & Mrs. Walter K. Canipe Mr. & Mrs. Chuck Carlin Dr. Michele R. Chartier & Lt. Col. Kirk Chartier Susan & Carl Cofer Mr. & Mrs. R. Barksdale Collins* Natalie & Matthew Bernstein Dr. & Mrs. William T. Cook Mr. & Mrs. Brant Davis* Deloitte Elizabeth & John Donnelly Dr. Xavier Duralde & Dr. Mary Barrett Gregory & Debra Durden Cree & Frazer Durrett Mary Frances Early Dr. & Mrs. Boyd Eaton, Jr. Ree & Ralph Edwards

Billy Eiselstein & Andy Greene Heike & Dieter Elsner Mach Flinn Peg Simms Gary Bill & Susan Gibson Caroline & Harry Gilham Mr. Charles E. Griffin Kenneth R. Hey Thomas High In memory of Carolyn B. Hochman Mentewab Ayalew & Peter Hรถyng in honor of Christopher Pulgram The Hyman Foundation Mary B. & Wayne James Lana M. Jordan Mr. Thomas J. Jung JWG Retirement Plan Services, Inc. Dr. Rose Mary Kolpatzki Mr. & Mrs. David Krischer Ms. Isabel L. Lee

J. Bancroft Lesesne & Randolph Henning Mrs. Joan Lipson Mr. Carlos E. Lopez Kay & John T. Marshall Martha & Reynolds McClatchey Captain & Mrs. Charles M. McCleskey Mr. Larry McIntyre Lebby Neal Dr. & Mrs. Keith D. Osborn Mr. & Mrs. Emory H. Palmer Ann E. Pasky Dr.** & Mrs. Frank S. Pittman III The Reverend Neal P. Ponder, Jr. Mr. & Mrs. Thomas Ragland Mr. Tom B. Reynolds Ms. Susan Robinson & Ms. Mary Roemer The Gary W. Rollins Foundation John T. Ruff

Dr. & Mrs. Rein Saral W. Henry Shuford & Nancy Shuford Mr. & Mrs. Phillip Shou Barry & Gail Spurlock Mr. & Mrs. Raymond F. Stainback, Jr. Dr. Elizabeth Glenn Stow Reverend Karl F. Suhr Mr. & Mrs. Alex Summers Poppy Tanner David & Kelly Taylor Mr. & Mrs. William M. Tipping Sheila L. Tschinkel Turner Foundation, Inc. Drs. Jonne & Paul Walter Drs. Julius & Nanette Wenger Sally Stephens Westmoreland William & Rebecca White* Mrs. Frank L. Wilson, Jr. The Zaban Foundation, Inc. Herbert & Grace Zwerner

additional support Blonder Family Foundation

Atlanta Symphony Orchestra/aso.org

William McDaniel Charitable Foundation

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support Henry Sopkin Circle Recognizing planned gifts to the Atlanta Symphony Orchestra Madeline & Howell E. Adams, Jr. Mr.* & Mrs. John E. Aderhold William & Marion Atkins Dr. & Mrs. William Bauer Neil H. Berman Mr.* & Mrs. Sol Blaine W. Moses Bond Robert* & Sidney Boozer Elinor A. Breman Mr. & Mrs.* Richard H. Burgin Hugh W. Burke Wilber W. Caldwell Mr. & Mrs. C. Merrell Calhoun Cynthia & Donald Carson Margie & Pierce Cline Dr. & Mrs. Grady Clinkscales, Jr. Robert Boston Colgin Mrs. Mary Frances Evans Comstock* Dr. John W. Cooledge John R. Donnell Catherine Warren Dukehart Ms. Diane Durgin Kenneth P. Dutter Arnold & Sylvia Eaves Elizabeth Etoll Dr. Emile T. Fisher A. D. Frazier, Jr. Nola Frink Betty & Drew* Fuller Carl & Sally Gable William H. Gaik

Mr.* & Mrs. L. L. Gellerstedt, Jr. Ruth Gershon & Sandy Cohn Micheline & Bob Gerson Mr. & Mrs. John T. Glover Robert Hall Gunn, Jr. Fund Billie & Sig* Guthman James & Virginia Hale John & Martha Head Ms. Jeannie Hearn Richard E. Hodges Mr. & Mrs. Charles K. Holmes, Jr. Mr.* & Mrs. Fred A. Hoyt, Jr. Dr. & Mrs. James M. Hund Clayton F. Jackson Mary B. James Calvert Johnson Herb & Hazel Karp Anne Morgan & Jim Kelley Bob Kinsey James W. & Mary Ellen* Kitchell Paul Kniepkamp, Jr. Miss Florence Kopleff* James H. Landon Ouida Hayes Lanier Ione & John Lee Lucy Russell Lee & Gary Lee, Jr. Mr. & Mrs. William Lester Liz & Jay* Levine Jane Little

42 Atlanta Symphony Orchestra/aso.org

Mrs. J. Erskine Love, Jr. Nell Galt & Will D. Magruder K Maier John W. Markham, III Mr. and Mrs. John & Linda Matthews Dr. Michael S. McGarry Mr. & Mrs. Richard McGinnis John & Clodagh Miller Mrs. Gene Morse* Mr. & Mrs. Bertil D. Nordin Roger B. Orloff Dr. Bernard & Sandra Palay Dan R. Payne Bill Perkins Mrs. Lela May Perry Mr. & Mrs. Rezin E. Pidgeon, Jr. Janet M. Pierce Reverend Neal P. Ponder, Jr. William L. & Lucia Fairlie Pulgram The Reiman Foundation Vicki J. & Joe A. Riedel Dr. Shirley E. Rivers Mr.* & Mrs. Martin H. Sauser Mr. Paul S. Scharff & Ms. Polly G. Fraser Dr. & Mrs. George P. Sessions Mr. & Mrs. H. Hamilton Smith Mrs. Lessie B. Smithgall Elliott Sopkin

Elizabeth Morgan Spiegel Peter James Stelling C. Mack* & Mary Rose Taylor Jennings Thompson IV Margaret* & Randolph Thrower Kenneth & Kathleen Tice Mr. H. Burton Trimble, Jr. Steven R. Tunnell Mary E. Van Valkenburgh Adair & Dick White Mr. & Mrs. John B. White, Jr. Hubert H. Whitlow, Jr. Sue & Neil* Williams Mrs. Frank L. Wilson, Jr. George & Camille Wright Mr.* & Mrs. Charles R. Yates Anonymous (12) *Deceased

corporate& & government government corporate

Classical Title Sponsor Classic Chastain Title Sponsor Family and SuperPOPS Presenting Sponsor

holiday Title Sponsor MuhTaR a. KenT Chairman of the Board and Chief Executive Officer

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Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

This program is supported in part by the Georgia Council for the Arts (GCA) through the appropriations of the Georgia General Assembly. GCA also receives support from its partner agency, the National Endowment for the Arts

Supporter of the atlanta Symphony Orchestra Chorus JeRRy KaRR Senior Managing Director

This program is supported in part by an award from the National Endowment for the Arts.

Major support is provided by the City of Atlanta Office of Cultural Affairs.

encoreatlanta.com/Atlantaâ&#x20AC;&#x2122;s Performing Arts Publication 43

ShoStakovich: violin concerto No. 1

PriNciPal

gueSt coNductor Nadja SalerNodoNald SoNNeNberg ruNNicleS

BarBer: violin concerto

david coucheroN

Bartók: violin concerto No. 2

gil Shaham

13-14 Season preview… (continued from page 16) There is no shortage of wit next season, either. The opening concerts Sept. 26-28 not only feature works by “The Three Bs” (Bach, Beethoven and Brahms), but Threes by “The Three Bs” (Bach’s Orchestral Suite No. 3, Brahms’ Symphony No. 3, and Beethoven’s Piano Concerto No. 3). Throughout his tenure as Atlanta Symphony Orchestra Music Director, Robert Spano has demonstrated equal commitment to both programming extraordinary new works and performing the so-called standard repertoire and lesser known works by famous composers. “‘New’ need not mean newly written,” Mr. Spano recently explained. Hearing neglected or overlooked compositions may offer a fresh prospective on an established composer’s output and provide exciting listening. “I have always believed Rachmaninov is one of the greatest composers,” he said. In fact, the ASO has performed all of Rachmaninov’s symphonies, the four piano concertos and Paganini Rhapsody have appeared on numerous programs, and the ASO Chorus has joined for the Spring Cantata, The Bells, and excerpts from the Vespers. In the 201314 season, Garrick Ohlsson’s virtuosity will be showcased in the lyrical Rachmaninov Piano Concerto No. 2.

44 Atlanta Symphony Orchestra/aso.org

Of several world-renowned artists returning to the ASO 2013-14, some have performed with our Orchestra so often that Atlanta audiences greet them as friends. In addition to Mr. Ohlsson and soprano Jessica Rivera, the list includes cellist Yo-Yo Ma, pianists Jean-Yves Thibaudet and Stephen Hough, and violinists Hilary Hahn, Gil Shaham, and Joshua Bell. The most dynamic of Robert Spano’s ongoing achievements with the Atlanta Symphony is audience enthusiasm toward music today, as exemplified by the excitement surrounding the Atlanta School of Composers — Mr. Spano and the Orchestra’s continuing commitment to nurture, commission, and record contemporary music through multiyear partnerships with American composers including Michael Gandolfi, Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis, and Adam Schoenberg. 2013-14 brings the addition of Mark Grey and Jonathan Leshnoff, each with works featured this season. More than ever before, ASO concertgoers look forward to hearing newly created works, and in 2013-14 Atlanta will experience five world premieres: a new work by Richard Prior, Emory University’s Director of Orchestral Studies; an ASO-

(please continue reading on page 48)

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Spivey Hall organist-in-residence Richard Morris and Houston Symphony principal trumpet Mark Hughes reunite for a high-spirited program of Toccatas & Flourishes, combining pieces for organ and trumpet both majestic and light-hearted with brilliant solo organ works.

Patron Circle of Stars By investing $15,000 or more in The Woodruff Arts Center and its divisions – Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences – these outstanding Annual Corporate Campaign donors helped us raise $9 million last year. Thank you! Chairman’s Council ★★★★★★★★★★★★★ $500,000+ The Coca-Cola Company Georgia Power Foundation, Inc. UPS ★★★★★★★★★★ $300,000+ Cox Interests Atlanta Journal-Constitution, James M. Cox Foundation, Cox Radio Group Atlanta, WSB-TV Hon. Anne Cox Chambers Deloitte LLP, its Partners & Employees Ernst & Young, Partners & Employees ★★★★★★★★★ $200,000+ AT&T The Community Foundation for Greater Atlanta, Inc. Equifax Inc. & Employees The Home Depot Foundation PwC, Partners & Employees SunTrust Bank Employees & Trusteed Foundations Florence C. & Harry L. English Memorial Fund Greene-Sawtell Foundation SunTrust Foundation

★★★★★★★★ $150,000+

★★★★★ $50,000+

Jones Day Foundation & Employees KPMG LLP, Partners & Employees The Sara Giles Moore Foundation The Rich Foundation, Inc. The David, Helen & Marian Woodward Fund

AGL Resources Inc. Balch & Bingham Lisa & Joe Bankoff Crawford & Company GE Energy Frank Jackson Sandy Springs Toyota and Scion IntercontinentalExchange PNC Primerica Troutman Sanders LLP

★★★★★★★ $100,000+ Alston & Bird LLP Bank of America Delta Air Lines, Inc. Kaiser Permanente King & Spalding Partners & Employees The Klaus Family Foundation The Marcus Foundation, Inc. Novelis Inc. Southwest Airlines Turner Broadcasting System, Inc. Wells Fargo

★★★★★★ $75,000+ Goodwin Group Kilpatrick Townsend Norfolk Southern The Sartain Lanier Family Foundation, Inc. Mabel Dorn Reeder Foundation Regions Financial Corporation RockTenn Siemens Industry, Inc.

46 Atlanta Symphony Orchestra/aso.org

★★★★ $35,000+ Accenture & Accenture Employees Atlanta Foundation Mr. & Mrs. Lawrence L. Gellerstedt III Invesco PLC Philip I. Kent Foundation The Ray M. & Mary Elizabeth Lee Foundation, Inc. Lockheed Martin Aeronautics Company Hellen Ingram Plummer Foundation, Inc. Printpack Inc./The Gay & Erskine Love Foundation Patty & Doug Reid Family Foundation Alex and Betty Smith DonorAdvised Fund at the Catholic Foundation of North Georgia Harris A. Smith Devyne Stephens Sutherland Asbill & Brennan LLP United Distributors, Inc. Frances Wood Wilson Foundation, Inc.

★★★ $25,000+ Julie & Jim Balloun BB&T Corporation Cousins Properties Foundation Mr. & Mrs. Bradley Currey, Jr. DLA Piper Mike Donnelly Doosan Infracore International Georgia-Pacific Price Gilbert, Jr. Charitable Fund GMT Capital Corporation Grant Thornton LLP Harland Clarke Beth & Tommy Holder The Imlay Foundation, Inc. Infor Global Solutions Sarah & Jim Kennedy Macy’s Foundation Mueller Water Products, Inc. Mr. & Mrs. David M. Ratcliffe SCANA Energy Selig Enterprises, Inc./ The Selig Foundation Southwire Company Towers Watson Waffle House, Inc. Wal-Mart Stores, Inc. Gertrude & William C. Wardlaw Fund Womble Carlyle Sandridge & Rice, PLLC Carla & Leonard Wood Yancey Bros. Co. ★★ $15,000+ ACE Charitable Foundation Acuity Alvarez & Marsal Arnall Golden Gregory LLP Assurant

The Partners & Employees of Atlanta Equity Investors Atlanta Marriott Marquis Susan R. Bell & Patrick M. Morris Bessemer Trust Laura & Stan Blackburn The Arthur M. Blank Family Foundation The Boston Consulting Group Catherine S. & J. Bradford Branch The Brand Banking Company Bryan Cave LLP George M. Brown Trust Fund of Atlanta Camp-Younts Foundation Mary Cahill & Rory Murphy Center Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman The Chatham Valley Foundation, Inc. Cornerstone Investment Partners Dewberry Foundation Duke Realty Corporation The Deborah Elkins Foundation Fifth Third Bank First Data Corporation Ford & Harrison LLP Robert L. Fornaro Gas South, LLC Genuine Parts Company Georgia Natural Gas Virginia Hepner & Malcolm Barnes The Howell Fund, Inc. ICS Contract Services, LLC Mr. & Mrs. M. Douglas Ivester Jamestown Mr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation

Ingrid Saunders Jones JWT The Abraham J. and Phyllis Katz Foundation Kurt P. Kuehn & Cheryl Davis Lanier Parking Solutions Thomas H. Lanier Family Foundation The Blanche Lipscomb Foundation Livingston Foundation, Inc. Karole & John Lloyd Mohawk Industries, Inc. & Frank H. Boykin Katherine John Murphy Foundation Newell Rubbermaid Gail & Bob O’Leary Vicki & John Palmer The Sally & Peter Parsonson Foundation, Inc. Piedmont Charitable Foundation, Inc. Post Properties, Inc. Mary & Craig Ramsey Smith Gambrell and Russell, LLP Spencer Stuart Karen & John Spiegel Sprint Foundation State Bank & Trust Company Staples Foundation Superior Essex Inc. Mr. & Mrs. Gregory Thompson Verizon Sue & John Wieland Mr. & Mrs. James B. Williams Sue & Neil Williams The Xerox Foundation

Donations for the Annual Campaign from June 1, 2011 – May 31, 2012

encoreatlanta.com/Atlanta’s Performing Arts Publication

Respighi: Fountains of Rome

Miguel HarthBedoya

American Symphony

Mark Grey: Fire Angels

Adam Jessica Schoenberg Rivera

Rachmaninov: Piano Concerto No. 2

Garrick Ohlsson

13-14 Season preview… (continued from page 44) commissioned Oratorio by Michael Gandolfi; The Circle and the Child by Philip Lasser, with pianist Simone Dinnerstein as soloist; Mark Grey’s Fire Angels; and a new work by Charles Zoll, the young composer who won the Atlanta Chamber Players’ Rapido! Competition, which was judged by Robert Spano, Michael Gandolfi, and Jennifer Higdon. Principal Guest Conductor Donald Runnicles continues in his 13th season with the ASO in what he has described as “a long and treasured relationship with the musicians of the Atlanta Symphony, and of course there is their beloved sister organization, one of the finest choruses in the world, the Atlanta Symphony Orchestra Chorus.” His friendship with Mr. Spano comes through in their collaboration, onstage and off — “To have been with Donald the whole time at the ASO has been a real gift. He is such a devoted conductor, brilliant musician, and yes, a great friend. I just feel so lucky that he is a part of our family.” You can experience the extraordinary combination of Runnicles and Spano March 13–16, 2014, when both demonstrate their talent as outstanding pianists with keyboard versions of Wagner’s “Liebestod” from Tristan und Isolde, the two-piano version of “La valse” by Ravel, and an excerpt from Stravinsky’s “Rite of Spring.”

48 Atlanta Symphony Orchestra/aso.org

Among the ASO musicians in the spotlight this season are Concertmaster David Coucheron, Principal Cello Christopher Rex, and Principal Oboe Elizabeth Koch Tiscione, all of whom will take center stage to perform concertos with the Orchestra. The ASO Chorus has long been considered among the finest in the world. Norman Mackenzie continues the legacy of Robert Shaw as Director of ASO Choruses, conducting the eagerly awaited holiday concerts, crowned by the Christmas portion of Handel’s “Messiah.” Other choral focal points will include Carl Orff’s wildly popular Carmina burana. Another highlight of the season: Mr. Spano, the Orchestra, Chorus, and Gwinnett Young Singers will travel to New York City for the Atlanta Symphony’s annual appearance at Carnegie Hall. This time, they will take Britten’s monumental War Requiem with them as a centerpiece of Carnegie Hall’s “Britten 100” celebration. Nurturing the talent of tomorrow’s musicians has long been a cornerstone of the ASO. The 2013-14 season will celebrate that that mission when the Talent Development Program (TDP) celebrates its 20th anniversary. Established in 1993, the TDP (please continue reading on page 50)

ENCORE Atlanta

PROOF

mozart: Piano Concerto No. 21

Stephen hough

oratorio

Michael gandolfi

BloCh: Schelomo

chriStopher rex

r. StrauSS: oboe Concerto

elizabeth Koch tiScione

13-14 Season preview… (continued from page 48) was the first intensive training program by a major American orchestra to support talented, young African-American and Latino instrumentalists who desire a career in classical music. Many students from the TDP have continued on to leading conservatories, colleges, or university music departments, among them Oberlin Conservatory of Music, the Juilliard School, the Cleveland Institute of Music, the New England Conservatory of Music, and the Curtis Institute of Music.

Here in Atlanta, we always have great hopes as we cheer for the Braves, the Falcons, and the Hawks — but it is with the Atlanta Symphony Orchestra we are always guaranteed a winning season. Lois Reitzes is host of Second Cup Concert, ASO Broadcasts, and Spivey Soirée on 90.1FM WABE.

First Fridays with the ASO

hen asked about the highlight of his three years as President and CEO of the ASO, Stanley E. Romanstein, Ph.D., responded: “First and foremost, working with Robert Spano and Donald Runnicles. They are two supremely gifted artists, and two of the most wonderful people I have known.” As for the upcoming season, Dr. Romanstein is most proud of implementing changes that originated with audience input. “We really listened to the community. One of the things we learned was that battling traffic in Atlanta was making it especially difficult to attend Friday concerts. So we thought, ‘What can we do about that?’ ” Our response was to change the Friday lineup slightly. There will be six “First Friday Concerts” during the 2013-14 season. Beginning at 5 p.m., people can purchase food and drinks. The concerts will start at 6 p.m. and end by 7 p.m. The programs will feature the same classical repertoire, minus one or two works from the weekend’s concerts. “We think that with an attractive ticket price we will make the Orchestra accessible and affordable to people in our community who may never have been to the ASO,” Dr. Romanstein added.

50 50

Atlanta Symphony Symphony Orchestra/aso.org Orchestra/aso.org Atlanta

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Sun: 3pm | YOUTH Orchestra Finale Wagner: Prelude and Liebestod from Tristan and Isolde Grofé: Grand Canyon Suite Jere Flint & Donald Runnicles, conductors Atlanta Symphony Youth Orchestra Concerto Winners Presented by:

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Thu/Sat: 8pm | Delta Classical Messiaen: Les offrandes oubliées Debussy: La damoiselle élue Duruflé: Requiem Donald Runnicles, conductor Atlanta Symphony Orchestra Chorus

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Thu/Sat: 8pm/Sun: 3pm | Delta Classical Mozart: Overture to The Magic Flute James MacMillan: Piano Concerto No. 3, The Mysteries of Light Mozart: Symphony No. 41, Jupiter Robert Spano, conductor Jean-Yves Thibaudet, piano

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staff Orchestra Operations Executive Stanley E. Romanstein, Ph.D. President & Chief Executive Officer Dionndra Prescott Assistant to the President & Chief Executive Officer ADMINISTRATION Julianne Fish Vice President & General Manager, ASO Nancy Crowder Director of Orchestra Operations Russell Williamson Orchestra Personnel Manager Susanne Watts Assistant Orchestra Personnel Manager Paul Barrett Senior Production Stage Manager Richard Carvlin Stage Manager Artistic Evans Mirageas Vice President for Artistic Planning Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor Jeffrey Baxter Choral Administrator Ken Meltzer ASO Insider & Program Annotator Christopher McLaughlin Artist Assistant EDUCATION & COMMUNITY ENGAGEMENT Mark Kent Vice President, Education & Community Engagement Ahmad Mayes Manager of Community Programs Niki Baker Manager of Ensembles & Instruction Janice Crews Professional Learning Teaching Artist

Education & Community Engagement (cont.) Tiffany I.M. Jones Education Sales Associate Kaitlin Gress ArtsVibe Teen Program Coordinator

DEVELOPMENT Sandy Smith Vice President & Chief Development Officer Tammie Taylor Assistant to the Vice President & Chief Development Officer/ Office Manager FINANCE & Rebecca Abernathy ADMINISTRATION Development Services Susan Ambo Manager Vice President of Finance David Adan Shannon McCown Director of Assistant to the Corporate Relations Vice President of Finance Zachary Brown Kim Hielsberg Director of Senior Director of Financial Volunteer Services Planning & Analysis Corey Cowart April Satterfield Senior Director Controller for Development Peter C. Dickson Erin Daugherty Senior Accountant Development Manager Michael Richardson Janina Edwards Venues Analyst Grants Consultant Stephen Jones Brien Faucett Symphony Store Manager Development Coordinator ASO PRESENTS Tegan Ketchie Development Trevor Ralph Coordinator Vice President, Chief Operating Officer Ashley Krausen Special Events Coordinator Clay Schell Vice President, Programming Melissa Muntz Development Manager Holly Clausen Director of Marketing Johnnie Oliver Research Coordinator Lisa Eng Graphic Artist Lucio Petroccione, Jr. Senior Director Keri Musgraves for Development Promotions Manager Chastain Park Amphitheater Lauren Turner Development Tanner Smith Director of Programming & Coordinator Sarah Zabinski Production, Assistant Director ASO Presents for Development Verizon Wireless David Zaksheske Amphitheatre at Development Encore Park Coordinator Katie Daniel VIP Sales Manager Deborah Honan Customer Service Manager & Venue Rental Coordinator Jenny Pollock Operations Manager Rebecca Simmons Box Office Manager

Atlanta Symphony Orchestra/aso.org

MARKETING & CONCERT PROMOTIONS David M. Paule Vice President & Chief Marketing Officer Alesia Banks Director of Customer Service & Season Tickets Meko Hector Marketing Production Manager Jennifer Jefferson Director of eBusiness & Interactive Media Melanie Kite Subscription Office Manager Pam Kruseck Manager of Group Sales and Tourism Jan Lochmann Director of Revenue Management Kimberly Nogi Publicist Jesse Pace Group & Corporate Sales Associate Robert Phipps Publications Director Thomas Pinckney Group & Corporate Sales Manager Melissa A. E. Sanders Senior Director, Communications Karl Schnittke Publications Editor David Sluder Database & eMarketing Manager Robin Smith Subscription & Education Sales Bill Tarulli Marketing Manager Rachel Trignano Manager of Broad Based Giving Russell Wheeler Director of Group & Corporate Sales

A hip and contemporary place to meet for cocktails or hold your next event.

Historic charm combined with artful hospitality.

1302 West Peachtree St., Atlanta artmorehotel.com â&#x20AC;˘ 800.548.5631

After the show, Enjoy some of our award winning... Southern Hospitality

A Boutique Luxuryat Hotel West Peachtree 10th

regencysuites.com

generalinfo LATE SEATING Latecomers are seated at the discretion of house management. Reserved seats are not guaranteed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

THE ROBERT SHAW ROOM The ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and dining on concert evenings â&#x20AC;&#x201D; private rentals available. Call 404.733.4860.

SPECIAL ASSISTANCE All programs of the Atlanta Symphony Orchestra are accessible to people with disabilities. Please call the box office (404.733.5000) to make advance arrangements.

IMPORTANT PHONE NUMBERS Concert Hotline 404.733.4949 (Recorded information) Symphony Hall Box Office 404.733.5000 Ticket Donations/Exchanges 404.733.5000 Subscription Information/Sales 404.733.4800 Group Sales 404.733.4848 Atlanta Symphony Associates 404.733.4865 (Volunteers) Educational Programs 404.733.4870 Youth Orchestra 404.733.5038 404.733.4303 Box Office TTD Number Services for People 404.733-5000 404.733.4800 with Special Needs 404.733.4225 Lost and Found Symphony Store 404.733.4345

SYMPHONY STORE The ASOâ&#x20AC;&#x2122;s gift shop is located in the galleria and offers a wide variety of items, ranging from ASO recordings and music-related merchandise to T-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

ticketinfo CANâ&#x20AC;&#x2122;T ATTEND A CONCERT? If you canâ&#x20AC;&#x2122;t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year. SINGLE TICKETS Call 404.733.5000 10 a.m.-8 p.m. Monday-Friday; noon-8 p.m. SaturdaySunday. Service charge applies. Phone orders are filled on a best-available basis. www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery. For orders received less than two weeks before the concert, tickets will be held at the box office.

Woodruff Arts Center Box Office Open 10 a.m.-5 p.m. Monday-Friday; and noon-8 p.m. Saturday-Sunday. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person. Please note: All single-ticket sales are final. No refunds or exchanges. All artists and programs subject to change. GROUP DISCOUNTS Groups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848. GIFT CERTIFICATES Available in any amount for any series, through the box office. Call 404.733.5000.

Sandy Springs Dunwoody Decatur

anta OfficialPAatlrtner Camp

www.CircusCamp.ORG Including Teens!

404-370-0001

Jeff Roffman

Erik Dixon

with brass, bow & pluck

Jeff Roffman

1 Bringing Brass to Bremen The Atlanta Symphony Orchestra Brass Quintet performed two educational concerts for 800-plus students from Bremen city schools as part of the New Harmonies traveling exhibit. 2 Bow-ing out Concertmaster David Coucheron wowed audiences and critics alike with his performance of the Mendelssohn Violin Concerto. 3 A Gala with pluck Steve Martin and the Steep Canyon Rangers brought bluegrass to Symphony Hall with the ASO. 4 All-Star Guests Gala Chairs Tad and Janin Hutcheson with Honorary Chair Justin Blalock of the Atlanta Falcons.

Ahmad Mayes

gallery

Create a Jewish Legacy and ensure their Jewish future is a bright one.

Who will be around to teach them the meaning of

Tzedakah?

Find out more at AtlantaJewishLegacy.org

Create a Jewish Legacy is an initiative of the Jewish Federation of Greater Atlanta.

12-05-090 CJL Ad.indd 1

12/10/12 5:22 PM

TWO HOTELS. One Great Location.

Can we be friends?

Corner of 10th Street & Williams

404.524.4006

Presented by ING Foundation Sunday, April 28, 2013, 5:30 P.M. Mason Murer Fine Art Gallery HGTV’s Vern Yip, UNICEF Ambassador, National Chair Join local celebrities, business leaders and philanthropists of all ages to see how YOU can lead the way to ZERO children being denied clean water, health and nutrition, education, protection, and emergency relief. Share The UNICEF Experience with a date… with friends… as a family! Tickets start at $250 | unicefusa.org/experienceatlanta | events@unicefusa.org

To participate, download the FREE app at the event or anytime, anywhere! 1. Visit iTunes AppStore or Google Play and search for “UNICEF Experience” 2. Download the free UNICEF Experience app 3. Begin exploring the UNICEF Inspired Gifts you’ll see at Mason Murer Fine Art Gallery!

The U.S. Fund for UNICEF, 1447 Peachtree Street NE, Suite 530, Atlanta, GA 30309 | 404.239.3300

stoppardâ&#x20AC;&#x2122;s rosencrantz and guildenstern are dead may/jun, 2013

the tragedy of julius caesar apr 6-28, 2013

much ado about nothing mar 8-30, 2013

the tragedy of hamlet may/jun, 2013

tickets/showtimes 404-874-5299 or shakespearetavern.com

Atlanta Midtown Featuring 683 Bar and Bistro 683 Peachtree St NE + Across from the Fox! Call 866-851-7239 for the Fox Theatre Rate or visit http://tinyurl.com/FoxRate

WHAT’S MORE BEAUTIFUL THAN LIFE IMITATING THE

Since 1986, Georgia Power has given more than $85 million to non-profits across the state. From Atlanta’s Woodruff Arts Center to Savannah’s Telfair Museums, our commitment to improving the cultural landscape, is just one of the many ways we’re working to support our communities.

georgiapower.com