ENCORE ATLANTA :: THE FOX THEATRE :: 'HELLO, DOLLY!' :: FEBRUARY 2020

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FOX T H E AT R E


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Hello, Dolly! Then and Now.

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4 | encore

HELLO, DOLLY! THEN AND NOW A record-breaking musical favorite returns after more than four decades.

Atlanta’s Historic Fox Theatre | foxtheatre.com


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Carolee Carmello in Hello, Dolly! National Tour - Photograph by Julieta Cervantes 2019


6 | encore

January 16, 1964: The New Musical Comedy Hello, Dolly!, starring Carol Channing, opens at the St. James Theatre following tryout engagements at the Fisher in Detroit and the National in Washington, D.C.

Atlanta’s Historic Fox Theatre | foxtheatre.com

arolee Carmello in C Hello, Dolly! National Tour - Photograph by Julieta Cervantes 2019


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ohn Bolton and J the National Tour Company of Hello, Dolly! – Photograph by Julieta Cervantes 2019

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May 24, 1964: A New Record Hello, Dolly! Sets a new record for most Antoinette Perry Awards won by a show. Ten Tony Awards in all: Best Musical, Best Composer and Lyricist, Best Author, Best Direction, Best Choreography, Best Scenic Design, Best Costume Design, Best Conductor, Best Producer, and Best Actress. October 10, 1965: International Incident Hello, Dolly! makes front page news when the touring company headed by Mary Martin begins a special State Department tour performing at U.S. military bases in Saigon, Vietnam, as well as Tokyo, Korea, and London.

Atlanta’s Historic Fox Theatre | foxtheatre.com


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December 27, 1970: 2,844 Performances Hello, Dolly! closes at the St. James after 2,844 performances, having shattered the record for the longest-running musical in Broadway history formerly held by My Fair Lady. April 20, 2017: Back Where They Belong Hello, Dolly!, starring Bette Midler, opens at the Shubert Theatre. The new production is directed by Jerry Zaks, choreographed by Warren Carlyle, has sets and costumes designed by Santo Loquasto, lights designed by Natasha Katz, and musical direction by Andy Einhorn.

Atlanta’s Historic Fox Theatre | foxtheatre.com

nalisa Leaming in A Hello, Dolly! National Tour – Photograph by Julieta Cervantes 2018


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ello, Dolly! National H Tour Company – Photograph by Julieta Cervantes 2019

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June 11, 2017: Tony Awards The 2017 revival wins four Tony Awards, including Best Revival of a Musical, Best Actress in a Musical, Best Featured Actor in a Musical, and Best Costume Design of a Musical. October 5, 2018: National Tour Launches On Friday, October 5, 2018, the national tour of Hello, Dolly! launches at the Playhouse Square Theatre in Cleveland.


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ENCORE’S EXCITED FOR … The Alliance Theatre presents a propulsive and timely modern reinterpretation of Shakespeare’s Richard III. Seize the King will be performed on the Hertz Stage. | FEB 14 - MAR 8 SEIZE THE KING Grammy and Tony Award-winning jazz vocalist Dee Dee Bridgewater takes the Rialto stage. An unparalleled vocalist, Bridgewater puts her unique spin on standards and masterfully reenvisions jazz classics. | MAR 7

DEE DEE BRIDGEWATER

In this great American opera, Porgy and Bess seek harmony in the face of addiction and social injustice.

| MAR 7 - 15 @ PORGY AND BESS Giselle is an enrapturing masterwork that remains one of the most enduring romantic ballets of all time. Naomi-Jane Clark & John Welker. Photo by Charlie McCullers.

| MAR 27 – 29 GISELLE

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Read more about these upcoming events at encoreatlanta.com.

Atlanta’s Historic Fox Theatre | foxtheatre.com


12 | encore ENCORE ON THE TOWN

MAYBE HAPPY ENDING OPENING NIGHT AT THE ALLIANCE THEATRE The Alliance Theatre opened the English-language premiere of Maybe Happy Ending on January 29. The new musical is a heart-felt love story of two obsolete helper bots living in 21st century Seoul. Maybe Happy Ending is the winner of six Korean musical awards and the Richard Rodgers Award. This unforgettable production is on the Coca-Cola Stage at the Alliance Theatre through February 16! Clockwise from top: The cast and create team of Maybe Happy Ending; lead actors Kenny Tran and Cathy Ang; the show’s creators Hue Park and Will Aronson. Photos by Greg Mooney.

Atlanta’s Historic Fox Theatre | foxtheatre.com


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SCOTT RUDIN ROY FURMAN JAMES L. NEDERLANDER ELI BUSH UNIVERSAL THEATRICAL GROUP ROGER BERLIND WILLIAM BERLIND JOHN GORE ORGANIZATION LEN BLAVATNIK PETER MAY THE ARACA GROUP INDEPENDENT PRESENTERS NETWORK JAY ALIX & UNA JACKMAN SCOTT M. DELMAN STEPHANIE P. M c CLELLAND AL NOCCIOLINO WENDY FEDERMAN & HENI KOENIGSBERG PATTY BAKER & GOOD PRODUCTIONS BENJAMIN LOWY ERIC CORNELL & JACK SENNOTT EXECUTIVE PRODUCERS

JOEY PARNES

SUE WAGNER

JOHN JOHNSON

PRESENT

CAROLEE CARMELLO HELLO, DOLLY! IN

ALSO STARRING

JOHN BOLTON BASED ON THE PLAY “THE MATCHMAKER” BY

THORNTON WILDER

BOOK BY

MUSIC AND LYRICS BY

MICHAEL STEWART JERRY HERMAN ORIGINALLY PRODUCED ON THE NEW YORK STAGE BY

DAVID MERRICK

FEATURING

DANIEL BEEMAN ANALISA LEAMING

SEAN BURNS CHELSEA CREE GROEN COLIN Le MOINE LAURA SKY HERMAN JANE BROCKMAN BLAKE HAMMOND COLIN BRADBURY ALEC COHEN KAREN ELLIOTT CHRISTOPHER FAISON JENNY HICKMAN LAURA IRION MADISON JOHNSON JULIE KAVANAGH NATHAN KEEN BEN LANHAM MARTY LAUTER IAN LIBERTO HILLARY PORTER STEFFANY PRATT MICHAEL J. RIOS KYLE SAMUEL LIZ SCHMITZ SCOTT SHEDENHELM TIMOTHY SHEW CASSIE AUSTIN TAYLOR CAYEL TREGEAGLE DAVIS WAYNE BRANDON L. WHITMORE SCENIC AND COSTUME DESIGN

SANTO LOQUASTO ORCHESTRATIONS

LARRY HOCHMAN VOCAL ARRANGEMENTS

DON PIPPIN

DANCE ARRANGEMENTS

HAIR, WIGS & MAKE UP DESIGN

PRODUCTION STAGE MANAGER

BRIAN BOGIN

MUSIC DIRECTOR

BEN WHITELEY

MUSIC SUPERVISION

ANDY EINHORN

SEYMOUR RED PRESS

CASTING

TELSEY + COMPANY

NATIONAL PRESS REPRESENTATIVE

DKC/O&M

TOUR BOOKING AGENCY

SCOTT LEHRER

MUSIC COORDINATOR

DAVID CHASE

CAMPBELL YOUNG ASSOCIATES

SOUND DESIGN

LIGHTING DESIGN

NATASHA KATZ

THE BOOKING GROUP

PRODUCTION SUPERVISOR

WILLIAM JOSEPH BARNES

TOUR MARKETING AND PRESS

ALLIED TOURING

COMPANY MANAGER

MIKE McLINDEN

PRODUCTION MANAGER

AURORA PRODUCTIONS

ORIGINAL PRODUCTION DIRECTED AND CHOREOGRAPHED BY

GOWER CHAMPION WARREN CARLYLE JERRY ZAKS CHOREOGRAPHED BY

DIRECTED BY

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16 | encore CAST (in order of appearance) Dolly Gallagher Levi . . . . . . . . . . . . . . . . . . . . . .CAROLEE CARMELLO Ambrose Kemper . . . . . . . . . . . . . . . . . . . . . . . . . . COLIN LeMOINE Horace Vandergelder . . . . . . . . . . . . . . . . . . . . . . . . . JOHN BOLTON Ermengarde . . . . . . . . . . . . . . . . . . . . . . . . . . LAURA SKY HERMAN Cornelius Hackl . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL BEEMAN Barnaby Tucker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEAN BURNS Minnie Fay . . . . . . . . . . . . . . . . . . . . . . . . . . CHELSEA CREE GROEN Irene Molloy . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANALISA LEAMING Mrs. Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAREN ELLIOTT Ernestina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JANE BROCKMAN Rudolph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BLAKE HAMMOND Stanley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCOTT SHEDENHELM Judge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY SHEW Court Clerk . . . . . . . . . . . . . . . . . . . . . . . . . . CHRISTOPHER FAISON Townspeople, Waiters, etc. . . . . . . . . . . COLIN BRADBURY, ALEC COHEN, KAREN ELLIOTT, CHRISTOPHER FAISON, JENNY HICKMAN, MADISON JOHNSON, JULIE KAVANAGH, BEN LANHAM, MARTY LAUTER, STEFFANY PRATT, MICHAEL J. RIOS, KYLE SAMUEL, LIZ SCHMITZ, SCOTT SHEDENHELM, TIMOTHY SHEW, CASSIE AUSTIN TAYLOR, CAYEL TREGEAGLE, DAVIS WAYNE, BRANDON L. WHITMORE UNDERSTUDIES Swings and understudies never substitute for listed performers unless a specific announcement is made at the time of the appearance. For Dolly Gallagher Levi—JANE BROCKMAN, KAREN ELLIOTT for Ambrose Kemper—COLIN BRADBURY, MARTY LAUTER for Horace Vandergelder—BLAKE HAMMOND, TIMOTHY SHEW for Ermengarde—HILLARY PORTER, STEFFANY PRATT for Cornelius Hackl—CHRISTOPHER FAISON, IAN LIBERTO for Barnaby Tucker—SCOTT SHEDENHELM, BRANDON L. WHITMORE for Minnie Fay—MADISON JOHNSON, HILLARY PORTER for Irene Molloy—JENNY HICKMAN, CASSIE AUSTIN TAYLOR for Ernestina—KAREN ELLIOTT, JENNY HICKMAN SWINGS LAURA IRION, NATHAN KEEN, IAN LIBERTO, HILLARY PORTER DANCE CAPTAIN IAN LIBERTO ASSISTANT DANCE CAPTAIN

NATHAN KEEN

The photographing or sound recording of any performance or the possession of any device or such photographing or sound recording inside this theater, without the written permission of the management, is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for money damages.

Atlanta’s Historic Fox Theatre | foxtheatre.com


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SEAN BURNS

CAROLEE CARMELLO

JOHN BOLTON

DANIEL BEEMAN

ANALISA LEAMING

CHELSEA CREE GROEN

COLIN LeMOINE

LAURA SKY HERMAN

JANE BROCKMAN

COLIN BRADBURY

ALEC COHEN

KAREN ELLIOTT

CHRISTOPHER FAISON

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BLAKE HAMMOND

JENNY HICKMAN

LAURA IRION

MADISON JOHNSON

JULIE KAVANAGH

NATHAN KEEN

BEN LANHAM

MARTY LAUTER

IAN LIBERTO

HILLARY PORTER

STEFFANY PRATT

MICHAEL J. RIOS

KYLE SAMUEL

LIZ SCHMITZ

SCOTT SHEDENHELM

TIMOTHY SHEW

CASSIE AUSTIN TAYLOR

CAYEL TREGEAGLE

DAVIS WAYNE

BRANDON L. WHITMORE


18 | encore MUSICAL NUMBERS ACT ONE Overture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra Scene 1: Along Fourth Avenue, New York City Scene 2: Grand Central Station “I Put My Hand In” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dolly and Company Scene 3: A Street in Yonkers Scene 4: Vandergelder’s Hay and Feed Store, Yonkers “It Takes a Woman” . . . . . . . . . . . . . . . . . Vandergelder and the Instant Glee Club “Put on Your Sunday Clothes” . . . Cornelius, Barnaby, Dolly, Ambrose, and Ermengarde Scene 5: The Yonkers Depot “Put on Your Sunday Clothes” . . . . . . . . . . . . . . . . . . . . . The People of Yonkers Scene 6: Outside Mrs. Molloy’s Hat Shop—Water Street, New York City Scene 7: Inside the Hat Shop “Ribbons Down My Back” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Molloy “Motherhood” . . . . . . . . . . . . . . . . . . . . . . . . Dolly, Vandergelder, Mrs. Molloy, Minnie Fay, Cornelius, and Barnaby “Dancing” . . . . . . . . .Dolly, Cornelius, Barnaby, Minnie Fay, Mrs. Molloy, and Dancers Scene 8: A Quiet Street Scene 9: 14th Street “Before The Parade Passes By” . . . . . . . . . . . . . . . . . . . . . . Dolly and Company ACT TWO Scene 1: From 42nd Street to 14th Street “Penny in My Pocket” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vandergelder “Elegance” . . . . . . . . . . . . . . . . . .Mrs. Molloy, Cornelius, Minnie Fay, and Barnaby Scene 2: Outside the Harmonia Gardens Restaurant, on the Battery Scene 3: Inside the Harmonia Gardens Restaurant “The Waiters’ Galop” . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudolph and Waiters “Hello, Dolly!” . . . . . . . . . . . . . . . . . . . . . . . Dolly, Rudolph, Waiters, and Cooks “The Contest” . . . . . . . . . . . . . . . . . . . . . . .Ambrose, Ermengarde, Mrs. Molloy, Cornelius, Minnie Fay, Barnaby, and the Contestants Scene 4: A Courtroom on Centre Street “It Only Takes a Moment” . . . . . . . . Cornelius, Mrs. Molloy, Prisoners, and Policemen “So Long Dearie” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dolly Scene 5: Vandergelder’s Hay and Feed Store, Yonkers “Hello, Dolly!” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dolly and Vandergelder Scene 6: The Hudson River Valley Finale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Company THERE WILL BE ONE INTERMISSION. ORCHESTRA Conductor—BEN WHITELEY Keyboard/Associate Conductor—MATTHEW J. POOL Keyboard 1—MAX MAMON Percussionist—PAUL HANNAH First Trumpet—JEFFREY WILFORE Music Coordinator—SEYMOUR RED PRESS Associate Music Coordinator—KIMBERLEE WERTZ Music Copying—EMILY GRISHMAN MUSIC PREPARATION LOCAL MUSICIANS

Reed 1 (Fl/Cl/Picc/Asax)—SETH TERRY KUEHN Reed 2 (Fl/Cl/Asax)—MACE ANDREW HIBBARD Reed 3 (Cl/Fl/BCl/TSax)—LUKE ALAN WEATHINGTON Reed 4 (Cl/BSax/BCl)—CARLTON NEIL NEWCOMB Trumpet 2—HARDIN THOMAS BUTCHER Trumpet 3—MARVIN LEE KING Trombone 1—ERIC ANTHONY ALEXANDER

Atlanta’s Historic Fox Theatre | foxtheatre.com

Bass Trombone—LEE WOODSON WATTS Acoustic Bass—ROBERT KENT HENSON Violin 1—JONATHAN URIZAR Violin 2—PATRICK RYAN Violin 3 —JAMES CAMPBELL Cello—NAN REBECCA KEMBERLING Contractor—ALTIERI & ASSOCIATES, INC.


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CAROLEE CARMELLO (Dolly Gallagher Levi) has appeared in 14 Broadway musicals and is a threetime Tony Award-nominee for her performances in Parade, Lestat and Scandalous. She recently completed a year-long run as Mrs. Lovett in the critically acclaimed Sweeney Todd at New York’s Barrow Street Theatre. Additional Broadway roles include Mae Tuck in Tuck Everlasting; Mrs. du Maurier in Finding Neverland (Drama Desk Award nomination); Mother Superior in Sister Act; Alice Beineke in The Addams Family (Drama Desk and Outer Critics Circle award nominations); Donna in Mamma Mia!; Ms. Pennywise in Urinetown; Kate in Kiss Me, Kate; Marguerite in The Scarlet Pimpernel; Abigail Adams in 1776; Cordelia in Falsettos; and Oolie in City of Angels. Off-Broadway credits include John & Jen, Das Barbecü, I Can Get It for You Wholesale, Hello Again (Obie Award), A Class Act, The Vagina Monologues and Elegies. Television credits include “The Deuce,” “The Marvelous Mrs. Maisel,” “The Good Fight,” “Madam Secretary,” “Smash,” “Law & Order: SVU,” “Frasier,” “Ed” and “Remember W.E.N.N.” (SAG Award nomination). Ms. Carmello was nominated for an Indie Series Award for Best Supporting Actress in the awardwinning webseries “Indoor Boys.” Her concert appearances have taken her across America and Europe, including engagements at Lincoln Center, Town Hall and Carnegie Hall. JOHN BOLTON (Horace Vandergelder) recently completed a two-year run starring as Vlad in Broadway’s Anastasia. His additional Broadway credits include Dames at Sea, A Christmas Story: The Musical, Curtains and How to Succeed…. Mr. Bolton was in the original cast of the Tony Award-winning Best Musicals Spamalot, Contact and Titanic. He made his Broadway debut alongside Jerry Lewis in Damn

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Yankees. Nominated for Drama Desk, Outer Critics Circle, Astaire, Rivera and Lortel awards, Mr. Bolton headlined four sold-out concerts at Carnegie Hall and performed as a soloist with the NY Philharmonic at Lincoln Center. He plays U.S. Attorney General Hank Nolan on CBS’ “Madam Secretary” and spent four seasons as Bruce on “Gossip Girl.” He has guest-starred on “Unbreakable Kimmy Schmidt,” “Elementary,” “Blue Bloods,” “Boardwalk Empire,” “The Good Wife” and “Law & Order,” and is featured in the film Mapplethorpe. DANIEL BEEMAN (Cornelius Hackl). National tour: Something Rotten! Regional: Sunday in the Park with George, Hair, The Diary of Anne Frank (Kansas City Repertory Theatre); Mary Poppins, The Sound of Music (Kansas City Starlight); Music Theatre Wichita, Ogunquit Playhouse, Spinning Tree Theatre. University of Missouri-Kansas City. ANALISA LEAMING (Irene Molloy). Broadway: School of Rock (Rosalie Mullins); The King and I (Anna); Hello, Dolly!; On the Twentieth Century. New York: Pipe Dream, Where’s Charley? (Encores!); The Mikado (Carnegie Hall). National/international tours: Annie, The Sound of Music. Regional: The Muny, Kansas City Starlight Theatre, North Shore Music Theatre, Magic Theatre, Geva Theatre Center, Infinity Theatre Company, Barrington Stage Company. Leaming is a Lotte Lenya Competition winner. Creator of “A Balancing Act” podcast. B.M. Eastman School of Music. SEAN BURNS (Barnaby Tucker). National tours: Jersey Boys (Joe Pesci), Peter Pan 360 (Michael Darling). Regional: Jersey Boys (Ogunquit Playhouse), Titanic (Signature Theatre), Elmer Gantry (Signature Theatre), Defiant Requiem (The Kennedy Center). Bachelor of Music, Catholic University of America.


20 | encore CHELSEA CREE GROEN (Minnie Fay). National tour debut. OffBroadway/New York: Fiorello! (Dora), Pete(HER)Pan with Alice Ripley (Tinkerbell). Regional: The Music Man (Zaneeta, Theatre By The Sea), Les Misérables (Cosette, Theatre Aspen), Fiorello! (Dora, Berkshire Theatre Group), The Muny, Ogunquit Playhouse, Phoenix Theatre, Arizona Broadway. AEA’s Roger Sturtevant Award Winner. B.F.A. University of Michigan. COLIN LeMOINE (Ambrose Kemper). National tour debut. Regional: Newsies, Guys and Dolls, Pippin (Music Theatre Wichita); Annie (Axelrod Performing Arts Center). B.F.A. Musical Theater Indiana University. Jacob’s Pillow Musical Theatre Dance alum. LAURA SKY HERMAN (Ermengarde). National tour debut. Off-Broadway: The Little Dancer (Marie van Goethem). Favorite regional: New London Barn Playhouse, North Shore Music Theatre, Reagle Music Theatre, Miami City Ballet. Current undergrad at Harvard University (Hasty Pudding Theatricals, first woman cast in 171 years) with additional training from the B.F.A. musical theater program at Texas State University and Royal Academy of Dramatic Art. JANE BROCKMAN (Ernestina, u/s Dolly Gallagher Levi). Broadway: Wicked, A Christmas Carol. New York: Live from Lincoln Center Camelot (Lady Anne); Show Boat, Kristina (Carnegie Hall); Kismet (Widow/Ayah, Encores!), The Kid (The New Group). National tours: Wicked, The Light in the Piazza, The Sound of Music (Berta). Film: Bad Education, The Producers. Television: “The Americans,” “Law & Order: SVU.” Proud Equity member.

BLAKE HAMMOND (Rudolph, u/s Horace Vandergelder). Broadway: Living on Love; First Date; Sister Act; Elf; Billy Elliot; The Lion King; Hairspray; The Music Man; Kiss Me, Kate; On the Town. Eight national tours, including Something Rotten!, Cinderella, The Addams Family. Recipient of Carbonell Award, Chicago After Dark Award, LA Drama Critics Circle Award, and Indie Soap Award. COLIN BRADBURY (Ensemble, u/s Ambrose Kemper). Broadway/ tours: Carousel, Charlie and the Chocolate Factory, Come Fly Away, The Book of Mormon, A Chorus Line, White Christmas, 42nd Street. Other favorites: Radio City Christmas Spectacular, Lovin’ The Bogin, Heatwave: The Jack Cole Project. Television: “Fosse/Verdon.” Film: Hail Caesar! ALEC COHEN (Ensemble). National tour debut. Regional: Music Theater Wichita, Bucks County Playhouse, Maine State Music Theater, Fulton Theater, Westchester Broadway Theater, Music Theater West. B.F.A. University of Cincinnati College­Conservatory of Music. KAREN ELLIOTT (Mrs. Rose, Ensemble, u/s Dolly Gallagher Levi, Ernestina). Broadway: Les Misérables (original cast and revival). National tours: Les Misérables, Sister Act. Regional: Kiss Me, Kate; Sweeney Todd; Evita; The Nerd. Playwright, author, educator, coach, proud member of Actors’ Equity Association. CHRISTOPHER FAISON (Court Clerk, Ensemble, u/s Cornelius Hackl). Broadway: My Fair Lady. Television: “Macy’s Thanksgiving Day Parade,” “72nd Annual Tony Awards.” National tour: The Book of Mormon. Regional credits include Songs for a New World, Jesus Christ Superstar, Smokey Joe’s Cafe.

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JENNY HICKMAN (Ensemble, u/s Irene Molloy, Ernestina). National tour debut. Regional: The Witches of Eastwick (Ogunquit Playhouse), Mary Poppins (West Virginia Public Theater). Television: “Law & Order: SVU.” Co-founder/Co-artistic Director of New Wave Theater Collective, a New York City-based theater company focused on developing new work. Proud graduate of Cincinnati College-Conservatory of Music. LAURA IRION (Swing). Broadway: Sunday in the Park with George, Cinderella (original cast, Charlotte replacement). National tours: West Side Story, Cinderella. Regional: The Muny, North Shore Music Theatre, New York Stage and Film. B.F.A. University of Michigan.

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BEN LANHAM (Ensemble). National tours: An American in Paris, Rodgers + Hammerstein’s Cinderella, West Side Story. Regional: The Muny, North Carolina Theatre, Music Theatre Wichita, Lyric Theatre Oklahoma, Wick Theatre. B.F.A. Oklahoma City University. MARTY LAUTER (Ensemble, u/s Ambrose Kemper). National tour debut. Broadway: Kinky Boots. Regional: Guys and Dolls (The Guthrie); Evita, Fiddler on the Roof, Mamma Mia!, Newsies (Maine State Music Theater); Newsies (The Fulton). B.F.A. Musical Theater The Boston Conservatory.

MADISON JOHNSON (Ensemble, u/s Minnie Fay). Regional: Mary Poppins (Paper Mill Playhouse); A Chorus Line, Grease, Meet Me in St. Louis, 42nd Street, Beauty and the Beast, The Addams Family, Shrek (The Muny). B.F.A. Musical Theater Elon University.

IAN LIBERTO (Dance Captain, Swing, u/s Cornelius Hackl). Broadway: Hello, Dolly!; How to Succeed…; Promises, Promises; Billy Elliot; Chaplin. National tours: The Book of Mormon, Evita, A Chorus Line (Bobby). Regional: The Hollywood Bowl, Paper Mill Playhouse, Theatre Under the Stars, Sacramento Music Circus, Marriott Lincolnshire, Ravinia. B.F.A. Millikin University.

JULIE KAVANAGH (Ensemble). National tour: La Cage aux Folles. Regional: Paper Mill Playhouse, The Old Globe, Sacramento Music Circus, The Muny, Theatre Under The Stars, Stages St. Louis. Hairspray, In Concert!. Artistic Director of Broadway Method Academy. B.F.A. University of Cincinnati CollegeConservatory of Music.

HILLARY PORTER (Swing, u/s Ermengarde, Minnie Fay). Broadway/ New York: A Bronx Tale, Thoroughly Modern Millie. National tours: Cats (Rumpleteazer), Elf. Regional: Once (Girl, Pioneer Theatre), A Chorus Line (Diana Morales, Cape Playhouse), Jersey Boys (Lorraine, Ogunquit Playhouse), Jerome Robbins’ Broadway (Rosalia, The Muny).

NATHAN KEEN (Assistant Dance Captain, Swing). Broadway: Hello, Dolly!; Les Misérables. National tours: Finding Neverland, Chicago, We Will Rock You, West Side Story, Ragtime, Les Misérables, Beauty and the Beast. International/regional: West Side Story (Centennial Inter­national Tour); Kiss Me, Kate (Roundabout Theatre Company benefit concert); Spring Spectacular (Radio City Music Hall).

STEFFANY PRATT (Ensemble, u/s Ermengarde). Credits: A Chorus Line (Tricia), Mamma Mia! (Ali), Cabaret (Lulu), Anything Goes (Purity), Spamalot (Ensemble), Joseph… (Mrs. Potiphar) and West Side Story (Anybodys). B.F.A. Musical Theater Montclair State University.


March 27–29, 2020 Supported by

Experience one of ballet’s grand romantic ghost stories—a tale of love, betrayal, madness and passion. Tickets on sale now. Visit atlantaballet.com or call Groups of 10+, email groupsales@atlantaballet.com.

Jessica Assef. Photo by Gene Schiavone.

| 1.800.982.2787 for tickets.


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MICHAEL J. RIOS (Ensemble). Film/ TV: Disney’s Newsies: The Broadway Musical, “Hyped for Halftime” (Super Bowl 2015). National tours: Newsies; Hello, Dolly! (starring Sally Struthers); Cats; The Wizard of Oz. Regional: West Side Story, Hairspray, Peter Pan. KYLE SAMUEL (Ensemble). National tour debut. Regional: Jerome Robbins’ Broadway (The Muny), Newsies (The Fulton and Maine State Music Theatre), A Chorus Line (Mike, directed by Baayork Lee). B.F.A. Musical Theater Pace University. LIZ SCHMITZ (Ensemble). Most recently seen on the revival tour of Cats as Demeter. First National Tours: An American in Paris, Matilda. Regional: The Fulton Theatre, Maine State Music Theatre, Pittsburgh Civic Light Opera. B.F.A. Penn State University. Member of Crew15. SCOTT SHEDENHELM (Stanley, Ensemble, u/s Barnaby Tucker). Regional: Newsies (Paper Mill Playhouse), West Side Story (Riverside Theatre/Westchester Broadway Theatre/John W. Engeman Theater), A Chorus Line (Riverside Theatre), The Little Mermaid (North Shore Music Theatre). TIMOTHY SHEW (Judge, u/s Horace Vandergelder). Eleven Broadway shows, including Les Misérables (Jean Valjean), Guys and Dolls, Bye Bye Birdie, The Visit. National tours: The Light in the Piazza, Les Misérables. Films: Tangled, Chicago, Shaggy Dog. Television: “Madam Secretary,” “Law & Order.” Proud AEA member for 40 years. CASSIE AUSTIN TAYLOR (Ensemble, u/s Irene Molloy). National tour debut. Regional: Nice Work if You Can Get It (Eileen Evergreen), Thoroughly Modern Millie (Miss Dorothy), Newsies (Music Theatre

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Wichita), Singin’ in the Rain (The Muny). B.F.A. Musical Theater Brigham Young University. CAYEL TREGEAGLE (Ensemble). National tour debut. Regional: Sacramento Music Circus, The Muny, Music Theatre Wichita, Walt Disney World. B.F.A. Musical Theater Brigham Young University. DAVIS WAYNE (Ensemble). National tour debut. Regional: Riff in Jerome Robbins’ Broadway (The Muny), Chasing Rainbows: The Road to Oz (world premiere), Pittsburgh CLO, Pioneer Theatre Company, North Shore Music Theatre, Theatre By The Sea. B.F.A. musical theater, Pace University. BRANDON L. WHITMORE (Ensemble, u/s Barnaby Tucker). National tour debut. Regional: The Muny, Maltz Jupiter Theatre, North Carolina Theatre, Fireside Dinner Theatre. B.F.A. Dance Performance The University of the Arts. MICHAEL STEWART (Book) was still relatively early in his theatrical career when he had his first smash hit in 1960 with Bye Bye Birdie, for which he won the Tony Award for Best Book. His subsequent Broadway shows include Carnival! (Drama Critics Circle Award); Hello, Dolly! (Tony Award, Drama Critics Circle Award); George M! (with Francine and John Pascal); Mack & Mabel (Tony nomination); The Grand Tour; 42nd Street (with Mark Bramble; Tony Award); and Harrigan and Hart (Tony nomination). He is also the lyricist of Barnum (music by Cy Coleman, Tony nomination) and I Love My Wife (Tony nomination). Mr. Stewart died in 1987.


24 | encore JERRY HERMAN (Music & Lyrics) remains one of the most iconic and beloved composers in the American theater. His legendary scores have spawned such standards as “I Am What I Am,” “The Best of Times,” “Mame,” “If He Walked into My Life,” “We Need a Little Christmas” and “Hello, Dolly!” His first Broadway musical, Milk and Honey (1961), ran for 543 performances. He made history in 1964 with Hello, Dolly! (10 Tony Awards, including Best Musical, a Broadway record held for 37 years), which was followed by yet another smash, Mame, in 1966. With Dolly! and Mame still running, Herman had the rare distinction of having three Broadway shows playing simultaneously when Dear World opened in 1969. In 1974, Mack & Mabel opened (and remains one of his best-loved scores) and was followed by 1979’s The Grand Tour. Herman’s most recent Broadway show, La Cage aux Folles, became another phenomenon, winning the Tony Award in 1984 for Best Musical. It was successfully revived in 2004 and 2010, winning the Tony for Best Revival each time. Two of Herman’s most cherished songs from Hello, Dolly! are the emotional highlights of the Disney-Pixar classic Wall-E, cementing Herman’s place in American popular culture. His countless awards and honors include multiple Tony Awards, Grammy Awards, Olivier Awards, Drama Desk Awards, the Johnny Mercer Award, the Richard Rodgers Award, the Oscar Hammerstein Award, the Frederick Loewe Award, membership in the Songwriters Hall of Fame, the Theater Hall of Fame and most recently, The Kennedy Center Honor. GOWER CHAMPION (Original Director and Choreographer) is a name synonymous with some of the greatest musicals in Broadway history. In addition to Hello, Dolly!, which cemented his reputation as

a legendary theater artist and garnered him Tony Awards for both Direction and Choreography, he directed and choreographed Bye Bye Birdie (Tony Awards for Direction and Choreography), Carnival! (Tony nomination for Direction), I Do! I Do! (Tony nomination for Direction), The Happy Time (Tony for both Direction and Choreography), Sugar (Tony nominations for Direction and Choreography), Mack & Mabel (Tony nominations for Direction and Choreography), and 42nd Street (Tony for Choreography, Drama Desk Award for Outstanding Choreography, Tony nomination for Direction). His first Broadway credit as choreographer, Lend an Ear, won him his first Tony Award for Choreography in 1949. He studied dance from an early age and, at the age of 15, toured nightclubs with his friend Jeanne Tyler and later with Marge Belcher, who eventually became his wife. During the late 1930s and early 1940s, Champion worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, the team of Gower and Marge Champion became one of the most popular attractions on television variety shows, appearing on “Jack Benny,” “Garry Moore,” “Dinah Shore,” “The Ed Sullivan Show,” and in their own series, “The Marge and Gower Champion Show,” in 1957. The pair also appeared in several film musicals with Bing Crosby (Mr. Music, 1950), Kathryn Grayson and Howard Keel (Show Boat, 1951; Lovely to Look At, 1952), Debbie Reynolds (Give a Girl a Break, 1953), Betty Grable (Three for the Show, 1955), Esther Williams (Jupiter’s Darling, 1955) and occasionally earned their own top billing (Everything I Have Is Yours, 1952). Gower Champion died in 1980 on the day that 42nd Street, his last great hit, opened on Broadway. He was awarded the last of his eight Tony Awards posthumously.

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JERRY ZAKS (Director) was nominated for the 2017 Tony Award for Best Direction of a Musical for this production. Credits include Meteor Shower, A Bronx Tale: The Musical, Shows for Days, Sister Act, The Addams Family, Guys and Dolls, Six Degrees of Separation, Lend Me a Tenor, The House of Blue Leaves, The Front Page, A Funny Thing Happened on the Way to the Forum, Smokey Joe’s Cafe, Anything Goes, La Cage aux Folles, Little Shop of Horrors, The Man Who Came to Dinner, The Foreigner, Laughter on the 23rd Floor, Sister Mary Ignatius…, Beyond Therapy, Baby with the Bath Water, and The Marriage of Bette and Boo. He has received four Tony Awards and eight nominations, and has also received four Drama Desk Awards, two Outer Critics Circle Awards, and an Obie Award. He directed the film Marvin’s Room. Zaks is a founding member of the Ensemble Studio Theatre. He received the Stage Directors and Choreographers Society’s George Abbott Award for Lifetime Achievement in the Theatre and an honorary Doctorate of Fine Arts from Dartmouth College, his alma mater. He is a 2013 inductee into the Theater Hall of Fame. WARREN CARLYLE (Choreographer). Broadway: directed and choreographed After Midnight (Tony Award for Choreography), Chaplin, Hugh Jackman: Back on Broadway, Finian’s Rainbow, and A Tale of Two Cities. He choreographed She Loves Me, On the Twentieth Century, The Mystery of Edwin Drood, A Christmas Story, and Follies. He directed and choreographed the 2015 Radio City New York Spring Spectacular starring the Rockettes. Additional New York/ international credits: directed and choreographed On Your Toes (City Center Encores!); choreographed “Carousel” (New York Philharmonic, Emmy Award nomination); Girl Crazy,

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On the Town, Finian’s Rainbow, Juno, Stairway to Paradise (City Center Encores!), and 101 Dalmatians (Madison Square Garden/national tour). Directed and choreographed the sold-out Australian arena tour, Hugh Jackman: Broadway to Oz. Television: staging of the 68th and 69th annual Tony Awards (CBS), “So You Think You Can Dance” (Fox). STEPHEN EDLUND (Associate Director). Broadway: Hello, Dolly!; Meteor Shower; A Bronx Tale; Sister Act. National tours: A Bronx Tale, Sister Act. Regional/NYC: Shows for Days (Lincoln Center Theatre), Randy Newman’s Harps and Angels (Center Theatre Group) and Ain’t Misbehavin’ (Center Theatre Group). SARA EDWARDS (Associate Choreographer). Broadway: She Loves Me, Follies, Chaplin, Irving Berlin’s White Christmas. Additional credits include: No, No Nanette; Of Thee I Sing; On Your Toes; Me and My Girl (New York City Center Encores!). Associate Choreographer for Hello, Dolly! on Broadway with Bette Midler, Bernadette Peters, and Donna Murphy. Other associate credits include After Midnight, Follies, The Sting with Harry Connick Jr., Radio City Rockettes Spring Spectacular, and NYC Ballet Something to Dance About: Jerome Robbins Broadway to Ballet. SANTO LOQUASTO (Scenic and Costume Design) received the 2017 Tony Award for Best Costume Design of a Musical for Hello, Dolly!. Broadway: Cafe Crown (Tony Award for set design), The Cherry Orchard (Tony for costume design), Grand Hotel (Tony for costume design). Total of 22 Tony nominations, among them The Iceman Cometh, Shuffle Along, Bullets Over Broadway, and Fences. Loquasto has collaborated with Woody Allen on 30 films. Film credits include Radio Days


26 | encore (Academy Award nomination for production design), Bullets Over Broadway (Academy Award nomination for production design) and Zelig (Academy Award nomination for costume design). He received the Michael Merritt Award for Excellence in Design and Collaboration in 2002, was inducted into the Theater Hall of Fame in 2004, received the Pennsylvania Governor’s Award for the Arts in 2006, the Robert L.B. Tobin Award for Lifetime Achievement in 2007, and the Breukelein Institute Gaudium Award in 2013. NATASHA KATZ (Lighting Design) is a New York-based lighting designer and was nominated for the 2017 Tony Award for Best Lighting Design of a Musical for this production. She is a six-time Tony Award winner who has designed extensively for theater, opera, dance, concerts, and permanent lighting installations around the world. Her recent Broadway credits include Frozen, Meteor Shower, Springsteen on Broadway, Long Day’s Journey into Night, Cats, School of Rock, An American in Paris, Aladdin, Skylight, The Glass Menagerie, Once, Follies, The Coast of Utopia: Salvage, and Aida. SCOTT LEHRER (Sound Design). Recent credits: Carousel, The Front Page, The Gabriels, Shuffle Along, Fiddler on the Roof, Dames at Sea, The King and I, Living on Love, Honeymoon in Vegas, A Delicate Balance, Love Letters, A Raisin in the Sun, Betrayal, Lucky Guy, Chaplin (Drama Desk Award), Death of a Salesman (Tony Award nomination), over 50 City Center Encores! revivals and South Pacific (first Tony for Sound Design). Record production includes An American in Paris (Grammy Award nomination), Loudon Wainwright’s High Wide and Handsome (Grammy), and Meredith Monk’s mercy.

LARRY HOCHMAN (Orchestrations) won the 2017 Outer Critics Circle Award for Outstanding Orchestrations for Hello, Dolly!. Sixteen Broadway shows, including The Book of Mormon (Tony Award, Drama Desk Award), She Loves Me (Drama Desk), and Spamalot. Seven Tony nominations. Television: composer of “Wonder Pets!” (five Emmy Awards). Twenty-five regional and Off-Broadway shows. Seventeen films including The Informant! Arrangements: Paul McCartney, Eric Idle, Barbra Streisand, Audra McDonald, Boston Pops, NY Philharmonic. BEN WHITELEY (Music Director). Broadway: The Addams Family, Cats. National tours: A Christmas Story, Spamalot, The Full Monty, Falsettos, Grand Hotel. City Center Encores!: 1776 (Music Director), plus Paint Your Wagon, New Moon, Merrily We Roll Along, and 29 other productions/recordings (Associate Music Director/Chorus Preparation). Noel Coward’s Sail Away (with Elaine Stritch, Carnegie Hall). 17 productions, including Singin’ in the Rain (The Muny). Other: Carousel (NY Philharmonic/PBS), Paper Mill Playhouse, 5th Avenue Theatre, St. Louis Symphony (guest conductor). Recordings: Allegro, “Boardwalk Empire” (Grammy Award). ANDY EINHORN (Music Supervision). Broadway: Carousel; Hello, Dolly!; Holiday Inn; Bullets Over Broadway; Rodgers + Hammerstein’s Cinderella; Sondheim on Sondheim; Brief Encounter; Evita. National tours: The Sound of Music, The Light in the Piazza, Sweeney Todd, The Lion King. Regional: Goodspeed Opera House, Paper Mill Playhouse, Théâtre du Châtelet, Houston Grand Opera. Symphonic work: New York Philharmonic, Sydney Symphony. Audra McDonald’s

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The Gershwins’

PORGY AND BESS

George Gershwin, DuBose & Dorothy Heyward, and Ira Gershwin

404-881-8885 ATLANTAOPERA.ORG

photo: Philip Groshong

Mar 7, 8, 10, 13, 15, 2020 Cobb Energy Centre


28 | encore music director. Television: “Six by Sondheim” (Peabody Award), “Broadway Musicals: A Jewish Legacy” (Peabody). B.A. Rice University. DON PIPPIN (Vocal Arrangements) is among the most revered and honored arrangers and conductors in Broadway history. His countless credits include such classics as Irma La Douce, Oliver! (Tony Award for Best Conductor and Musical Director), 110 in the Shade, Mame, Dear World, Applause, Seesaw, Mack & Mabel, A Chorus Line, The Grand Tour, Cabaret, and La Cage aux Folles. Also, Ankles Aweigh, Foxy, Ben Franklin in Paris, A Broadway Musical, and Woman of the Year. Pippin was the longtime musical director for New York’s famed Radio City Musical Hall and has also been special guest conductor for many major symphony orchestras throughout the world. DAVID CHASE (Dance Arrangements). Thirty-five Broadway shows as dance arranger, music director, and/or music supervisor. Also West End, Radio City Music Hall, Boston Pops, Lyric Opera of Chicago. Two Emmy Award nominations. Grammy Award nomination. SEYMOUR RED PRESS (Music Coordinator) received a Tony Honor for Excellence in the Theatre in 2007. Credits include more than 100 shows, from the original Gypsy through An American in Paris. Film credits include Disney’s The Hunchback of Notre Dame, Mike Nichols’ The Birdcage, and Paramount’s In & Out. An ASCAP composer whose compositions have sold over 100,000 records, his playing career has segued from Tommy Dorsey and Benny Goodman to Leonard Bernstein. This season on Broadway: Chicago.

CAMPBELL YOUNG ASSOCIATES (Hair, Wigs & Makeup Design). Broadway: Groundhog Day, Charlie and the Chocolate Factory, The Front Page, The Crucible, Misery, Sylvia, A Delicate Balance, The Last Ship, It’s Only a Play, Betrayal, Les Misérables, Spider-Man: Turn Off the Dark, Les Liaisons Dangereuses, American Psycho, The Cripple of Inishmaan, Matilda, Ghost, Mary Stuart, Billy Elliot. Television: “The Americans,” “House of Cards.” TELSEY + COMPANY (Casting). Broadway: Network, The Cher Show, The Prom, American Son, Torch Song, Pretty Woman, My Fair Lady, Mean Girls, Frozen, Once on This Island, Anastasia, Come from Away, Waitress, Hamilton, Kinky Boots, Wicked. Film: Mary Poppins Returns, The Greatest Showman, Into the Woods. Television: “Murphy Brown,” “This Is Us,” “House of Cards,” “Divorce,” “One Day at a Time.” WILLIAM JOSEPH BARNES (Production Supervisor) has been the Production Stage Manager of over 25 Broadway shows, most recently Hello, Dolly! and Three Tall Women. Previous Broadway productions include the Best Play Tony Awardwinning productions of Love, Valour, Compassion; Master Class; Art; Take Me Out; and The Humans and the Best Revival Tony Award-winning productions of Assassins; Glengarry Glen Ross; Boeing, Boeing; Skylight; and Hello, Dolly!. BRIAN BOGIN (Production Stage Manager). Broadway/tours: Frankie and Johnny…; The Waverly Gallery; Straight White Men; On Your Feet!; …Great Comet; Allegiance; The Book of Mormon; Constellations; War Horse; The People in the Picture; Elf; Wicked; Phantom…; Chicago; Spamalot; Urinetown; Good Vibrations; Soul Doctor; The Grinch…; My Fair Lady; Hello, Dolly!; Rent.

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Off-Broadway/regional: Privacy, The Ruins of Civilization, Heisenberg, The Toxic Avenger, Irving Berlin’s White Christmas (Citi Performing Arts Center), Ragtime, Robin and the 7 Hoods. AMY RAMSDELL (Stage Manager). National tours: Hamilton, Les Misérables, Elf, Dreamgirls, Once. Past credits include Hamilton (Chicago), Marvin’s Room, God Looked Away (with Al Pacino), Billy Elliot, First Date, Bad Jews, Barcelona, Choir Boy, The Country House, Slowgirl. Additional credits include Geffen Playhouse, Center Theatre Group, The Old Globe, La Jolla Playhouse, and Pasadena Playhouse. CATE AGIS (Assistant Stage Manager). National tours: Charlie and the Chocolate Factory. Broadway: Miss Saigon, ...The Great Comet. NYC: Sleep No More, The Strange Undoing of Prudencia Hart, Ragtime on Ellis Island. Regional: A.R.T., Contemporary American Theater Festival, ArtsEmerson, Actors’ Shakespeare Project. B.F.A. stage and production management, Emerson College. ALLIED TOURING (Tour Marketing & Press) is a full-service engagement management agency representing Broadway tours and other live events across North America. Current: Bandstand, The Book of Mormon, Roald Dahl’s Charlie and the Chocolate Factory, Harry Potter and the Cursed Child (San Francisco), The Hip Hop Nutcracker, Mean Girls, Mystery Science Theater 3000 Live, The Play That Goes Wrong, Rent, Irving Berlin’s White Christmas. Upcoming: Ain’t Too Proud, The Cher Show, Hadestown, Pretty Woman, To Kill a Mockingbird, Tootsie.

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AURORA PRODUCTIONS (Production Manager). Anastasia (tour); Beetlejuice; Betrayal; The Book of Mormon (Broadway and tour); Frozen (Broadway and tour); Hello, Dolly! (tour); Mean Girls (Broadway and tour); Rock of Ages; Tootsie; To Kill a Mockingbird. Aurora has been providing technical supervision and production management to the entertainment industry since 1989. NEUROSPORT (Physical Therapy). Leaders in entertainment and performing arts medicine. “We are honored to be part of the amazing company of Hello, Dolly!.” Broadway: The Lion King; Hello, Dolly!; Harry Potter and the Cursed Child; Waitress. Tours: Movin’ Out, Billy Elliot, Hamilton. Concerts: P!NK, Bette Midler, Katy Perry. ROY FURMAN (Producer). Current productions: Mean Girls, Pretty Woman, King Kong, Dear Evan Hansen (Tony Award), The Book of Mormon (Tony), The Band’s Visit (Tony). Other Tony winning productions include The Color Purple, The Humans, A View from the Bridge, Spamalot, War Horse, The Curious Incident…, A Raisin in the Sun, and The History Boys. Vice Chairman Jefferies LLC, Vice Chairman Lincoln Center. JAMES L. NEDERLANDER (Producer) is the president of the Nederlander Organization and son of the late James M. Nederlander (Chairman). Credits include The Present, War Paint, On Your Feet!, The Humans, The Elephant Man, An American in Paris, Kinky Boots, I’ll Eat You Last…, Mike Tyson: Undisputed Truth, West Side Story, Next to Normal, The 25th Annual Putnam County Spelling Bee, Movin’ Out, Million Dollar Quartet, and Who’s Afraid of Virginia Woolf?, among many others.



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UNIVERSAL THEATRICAL GROUP (Producer), the live theater division of Universal Pictures, is currently represented on Broadway by Wicked and Mean Girls. Additional Broadway credits include Billy Elliot, Bring It On, Shrek, and Irving Berlin’s Holiday Inn. ROGER BERLIND (Producer). Recent productions include Dear Evan Hansen; The Book of Mormon; One Man, Two Guvnors; Twelfth Night; Richard III; This Is Our Youth; The Curious Incident…; Fish in the Dark; An American in Paris; and A View from the Bridge. WILLIAM BERLIND (Producer). Broadway: Dear Evan Hansen, The Crucible, A View from the Bridge, Skylight, Fish in the Dark, This Is Our Youth, The Realistic Joneses, All the Way, Lucky Guy, Grace. OffBroadway: The Flick, Cock. JOHN GORE ORGANIZATION (Producer). This family of companies includes Broadway Across America and Broadway.com, under the supervision of John Gore (Chairman and CEO). Productions include Beautiful, Cats, Dear Evan Hansen, Fiddler on the Roof, The Glass Menagerie, Groundhog Day, Indecent, On Your Feet!, and The Present. LEN BLAVATNIK (Producer) is the founder and chairman of Access Industries, a privately held U.S. industrial group with global strategic investments in various industries. An active philanthropist, Blavatnik provides significant support to the arts and leading educational, cultural and medical institutions throughout the world and has co-produced numerous Broadway and film productions. PETER MAY (Producer) is President and Founding Partner of Trian Partners. Broadway: The Humans (Tony Award), A View from the

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Bridge (Tony), The Elephant Man, Cinderella, Waitress, The Crucible, Passing Strange. THE ARACA GROUP (Producer). Founded in 1997 by partners Matthew Rego, Michael Rego and Hank Unger, the Araca Group produces and merchandises live entertainment and theatrical events on Broadway and around the world. INDEPENDENT PRESENTERS NETWORK (Producer) includes 40 of America’s leading Broadway presenters whose subscription base totals 475,000. Broadway/London/ national tours: War Paint, Cats, Dear Evan Hansen, Groundhog Day, On Your Feet!, Waitress, The Color Purple, Shuffle Along…, An American in Paris, Kinky Boots, Matilda, The Red Shoes. JAY ALIX & UNA JACKMAN (Producer). Broadway: The Front Page, The Humans (Tony Award), Blackbird, Bright Star, A View from the Bridge (Tony), The Crucible, Fish in the Dark, Skylight (Tony), A Gentleman’s Guide… (Tony, Drama Desk, Drama League, Outer Critics Circle Awards). Documentaries: “Joffrey: Mavericks of American Dance,” “Maya Angelou: And Still I Rise” for PBS. SCOTT M. DELMAN (Producer) is a theater enthusiast and leading investor in entertainment content. He has co-produced or produced more than 50 Broadway and West End dramas and musicals, earning nine Tony Awards and three Olivier Awards along the way. STEPHANIE P. McCLELLAND (Producer). Founder, Green Curtain Productions. Ms. McClelland is a multi-award-winning producer with 13 Tony Awards, 12 Drama Desk Awards, 10 Drama League Awards, 10 Outer Critics Circle Awards, and

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32 | encore one Olivier Award. Credits include more than 80 theatrical productions worldwide. Recent credits include 1984, The Book of Mormon, The Front Page, Present Laughter, and Groundhog Day. AL NOCCIOLINO (Producer) is President of NAC Entertainment, a theatrical company specializing in the presentation of touring Broadway shows in the Northeast. For more than 30 years, he has been investing, producing and co-producing Broadway tours and Broadway shows, including, most recently, The Band’s Visit, The Front Page, Cats, On Your Feet!, and Kinky Boots. WENDY FEDERMAN & HENI KOENIGSBERG (Producer). Tonywinning productions include Angels in America; Dear Evan Hansen; The Band’s Visit; Hello, Dolly!; A View from The Bridge; The Curious Incident of the Dog in the Night-Time; Skylight; A Raisin in the Sun; All the Way; A Gentleman’s Guide…; Pippin; The Gershwin’s Porgy and Bess; Hair. Thirty additional Tony Award nominations. PATTY BAKER & GOOD PRODUCTIONS (Producer) is a Drama Desk, Outer Critics Circle, and Tony winner. Co-producer of Three Tall Women, The Iceman Cometh, Carousel, Memphis, Beautiful, Who’s Afraid of Virginia Woolf?, Fiddler on the Roof, among others. BENJAMIN LOWY (Producer) produces and develops theater for Broadway and stages worldwide. Last season: Angels in America (Tony Award), Carousel, Mean Girls, Three Tall Women, The Iceman Cometh, all five Tony-nominated. Selected previous: Sunday in the Park with George (revival); A Doll’s House, Part 2. Benjamin also produces theater for The Lowy Salpeter Company.

ERIC CORNELL & JACK SENNOTT (Producer) are partners in the Tony Award-winning Cornice Productions. They are currently represented on Broadway with Oklahoma! and To Kill a Mockingbird. Other recent productions and investments: What the Constitution Means to Me, Anastasia, The Lifespan of a Fact, Waitress (UK). Upcoming: Anne of Green Gables. DAVID MERRICK (Original Producer) claimed to be born on November 4, 1954, the night his first Broadway musical Fanny opened. His second production, in 1955, was Thornton Wilder’s comedy The Matchmaker. He immediately determined it would make a brilliant musical—which, in 1964, turned out to be Hello, Dolly!. At a time when few producers managed more than one production a year, he stunned Broadway in 1957 with three hits in one month (including John Osborne’s ground breaking Look Back in Anger). The following November, he opened three shows in a single week. At the height of his activity, he had eight productions running simultaneously on Broadway. His musicals included Jamaica with Lena Horne; Destry Rides Again with Andy Griffith and Dolores Gray; Gypsy with Ethel Merman; Take Me Along with Jackie Gleason; Irma La Douce; Do Re Mi with Phil Silvers and Nancy Walker; Carnival! with Anna Maria Alberghetti and Jerry Orbach; I Can Get It for You Wholesale with Elliott Gould and Barbra Streisand; Stop the World—I Want to Get Off and The Roar of the Greasepaint—The Smell of the Crowd with Anthony Newley; Oliver!; 110 in the Shade; I Do! I Do! with Mary Martin and Robert Preston; The Happy Time with Robert Goulet; Promises, Promises with Orbach; Sugar with Robert Morse and Tony Roberts; Mack & Mabel with Preston and Bernadette Peters; and the legendary 42nd Street with

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Make it a night — or an afternoon, or a morning! — at the new Alliance Theatre. NO W SHO W ING

FEB 14 – MAR 8

on the HE R T Z S TAGE Award-winning playwright Will Power delivers a propulsive and timely modern reinterpretation of Shakespeare’s Richard III.

C OMING SOON

MAR 7 – 2 9

on the COC A- COL A S TAGE With tail-shaking tunes, empowering messages of individuality, and classic Mo Willems humor, this musical is sure to rock audiences of all ages.

for as GET TICKETS low as $25

box office 404.733.5000 alliancetheatre.org/season

12 8 0 P E AC H T R E E S T N E AT L A N TA , G A 3 0 3 0 9


Russ Belin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vice President Arnesha Redding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ticketing Manager Ali Kulkarni . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ticketing Manager Marc Finkbeiner . . . . . . . . . . . . . . . . . . Regional Sales Operations Manager Jennifer Colson . . . . . . . . . . . . . . . . . . . . . . . . . . .Director of PR & Marketing Kevin Ogle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Senior Marketing Manager Vanessa Webber . . . . . . . . . . . . . . . . . . . . . . . . Sales & Promotions Associate Terry Romanoli . . . . . . . . . . . . . . . . . . . .Director of Corporate Partnerships For media inquiries, please contact Jennifer Colson, 678.278.7380.

THE 2019/2020 BROADWAY SEASON

SEP 24-29, 2019

JAN 21-26, 2020

FEB 11-16, 2020

BEGINS MAR 31, 2020

JUN 23-28, 2020

SEASON OPTION

SEASON OPTION

CA M ERO N M AC K I N TO S H PRESENTS

Photo: Francesco Scavullo

B O U B L I L & S C H Ö N B E R G ’S

MAR 17-22, 2020

Journey to the past.

JUL 28-AUG 2, 2020

JUN 2-7, 2020

OCT 23-NOV 17, 2019

LEARN MORE ABOUT SEASON SUBSCRIPTIONS AT

BROADWAYINATLANTA.COM

@BroadwayAtlanta


encoreatlanta.com

Orbach and Tammy Grimes. Notable plays included The Entertainer with Laurence Olivier; The World of Suzie Wong; A Taste of Honey with Angela Lansbury; Becket with Olivier and Anthony Quinn; Sunday in New York with Robert Redford; Luther with Albert Finney; Arturo Ui with Christopher Plummer; One Flew Over the Cuckoo’s Nest with Kirk Douglas; Inadmissible Evidence with Nicol Williamson; Cactus Flower with Lauren Bacall and Barry Nelson; Peter Weiss’ Marat/Sade; Brian Friel’s Philadelphia, Here I Come!; Woody Allen’s Don’t Drink the Water and Play It Again, Sam; Tom Stoppard’s Rosencrantz and Guildenstern Are Dead and Travesties; Forty Carats with Julie Harris; Child’s Play; and Peter Brook’s A Midsummer Night’s Dream, to name a few. An 11-time Tony Award winner, Merrick (1911– 2000) produced more than 80 plays and musicals. JOEY PARNES (Executive Producer). Broadway: King Lear; Hillary and Clinton; Gary: A Sequel to Titus Andronicus; To Kill a Mockingbird; The Waverly Gallery; The Iceman Cometh; Three Tall Women; Carousel; Meteor Shower; 1984; A Doll’s House, Part 2; Hello, Dolly! (Tony Award); The Front Page; The Humans (Tony); Bright Star; Shuffle Along…; A View from the Bridge (Tony); Skylight (Tony); A Raisin in the Sun (Tony); A Gentleman’s Guide… (Tony); Betrayal; Vanya and Sonia… (Tony); Hair (Tony); among others. SUE WAGNER (Executive Producer). Broadway: King Lear; Hillary and Clinton; Gary: A Sequel to Titus Andronicus; To Kill a Mockingbird; The Waverly Gallery; The Iceman Cometh; Three Tall Women; Carousel; Meteor Shower; 1984; A Doll’s House, Part 2; Hello, Dolly! (Tony Award); The Glass Menagerie; The Front Page; The Humans (Tony); Bright Star; Shuffle Along…; A View from

| 35

the Bridge (Tony); Skylight (Tony); Fish in the Dark; A Raisin in the Sun (Tony); A Gentleman’s Guide… (Tony); Betrayal; Vanya and Sonia… (Tony); End of the Rainbow; Hair. JOHN JOHNSON (Executive Producer). Broadway: King Lear; Hillary and Clinton; Gary: A Sequel to Titus Andronicus; To Kill a Mockingbird; The Waverly Gallery; The Iceman Cometh; Three Tall Women; Carousel; Meteor Shower; 1984; A Doll’s House, Part 2; Hello, Dolly! (Tony Award); The Glass Menagerie; The Front Page; The Humans (Tony); Bright Star; Shuffle Along…; A View from the Bridge (Tony); Skylight (Tony); A Raisin in the Sun (Tony); A Gentleman’s Guide… (Tony); Vanya and Sonia… (Tony). Graduate: Fordham University at Lincoln Center.


36 | encore STAFF FOR HELLO, DOLLY! SCOTT RUDIN PRODUCTIONS Henry Cropsey Matt DeCristofaro Lucas Kantler Loni Rodgers Nina Watson Patrick Wengler

CASTING TELSEY + COMPANY Bernard Telsey, CSA Craig Burns, CSA Lauren Harris

GENERAL MANAGEMENT WAGNER JOHNSON PRODUCTIONS Sue Wagner John Johnson Jillian Robbins Heather Allen Zachary Baer Grace Barron Nora Rigney Mike McLinden Katie Titley Megan Curren Kendall Booher Celina Lam Jessica Fried Dylan Glen Stephanie Smith

LEGAL COUNSEL GRUBMAN SHIRE MEISELAS & SACKS, P.C. Allen J. Grubman, Lawrence Shire, Jonathan A. Lonner, Adam J. Rosen ASSOCIATE DIRECTOR Stephen Edlund ASSOCIATE CHOREOGRAPHER Sara Edwards

ASSOCIATE PRODUCER Jillian Robbins Adam Rodner COMPANY MANAGER Mike McLinden PRODUCTION MANAGEMENT AURORA PRODUCTIONS, INC. Ben Heller Chris Minnick Liza Luxenberg Ryan Murphy Steven Dalton Dave Elmer Luke Ricca Martijn Appelo Tor Rametta Jack Rhea Micah Ammons Abby Doermann Hannah Osborne Cori Gardner Gene O’Donovan TOUR MARKETING AND PRESS ALLIED TOURING Marya K. Peters Andrew Damer Janie Dickerson Jennifer Gallagher Scott Praefke Jacqueline Smith Anne Waisanen Hayden Anderson Jessica Cary NATIONAL PRESS REPRESENTATIVE DKC/O&M Rick Miramontez Marie Bshara TOUR BOOKING AND ENGAGEMENT MANAGEMENT THE BOOKING GROUP Meredith Blair, President Kara Gebhart, Vice President Operations ADVERTISING BLT COMMUNICATIONS, INC. Dawn Baillie Grace Brescia Drew Cummins Kaz Dugandzic Jason Elvrom Dylan Feiner Jen Gerard Kevin Gustafson Sergio Gutierrez Kristie Kam Laura Mackey Whitney Murdy Kylee Serlin Billy Stanek Steve Toyama Pen Williamson SPOTCO Scott Johnson

ARCHIVAL CONSULTANT Steven Suskin Production Supervisor . . William Joseph Barnes Production Stage Manager . . . . Brian Bogin Stage Manager . . . . . . . . . Amy Ramsdell Assistant Stage Manager . . . . . . Cate Agis Associate Company Manager . . Katie Titley Assistant Choreographer . . . . . . Katie Huff Associate Scenic Designers Evan Adamson, Jisun Kim Associate Costume Designer . . Matthew Pachtman Assistant Costume Designers . . . Justin Hall, Caroline Spitzer Associate Lighting Designer . . Aaron Spivey Assistant Lighting Designer . . Travis McHale Associate Sound Designer . . . .Will Pickens Production Carpenter . . . . . . .Keith Reese Head Carpenter . . . . . . . . . Jamie L. Kurtz Assistant Carpenters . . Robert DiCandia Jr., Sara Ramone, Andy Shaw Production Electrician . . . . . . . Dan Coey Head Electrician . . . . . . . . Adam Lansing Assistant Electricians . . . . . . . . Jes Halm, Jeff Chandler Moving Light Programmer . . . . Alex Fogel Production Sound Engineer . . Jason Choquette Sound Engineer . . . . . . . Timothy Schmidt Assistant Sound Engineer . . Mason Wisecup Production Properties . . . . . . .Pete Sarafin Head Properties . . . . . . . . . . Rayn Jacks Assistant Properties . . . Mark “Sparky” Mallory Assistant Production Properties Colin LaBrie, Lizzie Tredinnick Wardrobe Supervisor . . . . . .Nadine Hettel Assistant Wardrobe Supervisor . . Emily Baldwin Ms. Carmello’s Dresser . . . . . . Lolly Totero Stitcher . . . . . . . . . . . . Aughra T. Moon Hair Supervisor . . . . . . . Lisa Chan-Wylie Assistant Hair Supervisor . . . Felicia Wilson Production Assistants . . . . . . Chandler Jez, Michelle Tewksbury Creative Services . . Allied Global Marketing/ Debbie Allamong, Eric Stormoen Accountant . . . . . . . . Marks Paneth LLP/ Mark A. D’Ambrosi, Patricia M. Pedersen, Michael Saccento

Atlanta’s Historic Fox Theatre | foxtheatre.com


encoreatlanta.com

Banking . . . . . . . . . . City National Bank/ Stephanie Dalton, Michele Gibbons Insurance . . . . . . . . . Reiff & Associates/ Dennis Reiff, Regina Newsom Payroll Services . . Checks and Balances Payroll, Inc. Physical Therapy . . . . . . . . . . .Kyle Miller Medical Director . . . Dr. Robert Meislin, M.D. Production Photographer Julieta Cervantes Housing and Ground Travel Coordination . . . . . . Road Rebel Entertainment Touring Air Travel Coordination . Tzell Travel Group/ A-Team Tours Andi Henig & Alan Braunstein CREDITS Scenery and scenic effects built, painted and automated by ShowMotion Inc. Lighting equipment from PRG. Sound equipment from Masque Sound. Props fabricated by Behind the Mule Studio, Jerard Studio, Tom Carroll Scenery. Costumes by Costume Armour, Inc., Euro Co Costumes, Inc., Giliberto Designs, Inc., Lynne Baccus, Malabar Ltd., Seamless Costumes Ltd., Timberlake Costumes, Inc., Tricorne, Inc. Hosiery and undergarments provided by Bra*Tenders. Millinery by Albertus Swanepoel, Bee Festival Hats & Bonnets, Kaz Maxine, Rodney Gordon. Custom Footwear by Capezio, LaDuca Shoes, Worldtone Dance. Custom Parasols by Barrington Brolly. Custom Gloves by Wing & Weft Gloves. Rehearsed at New 42nd Street Studios. HelloDollyonBroadway.com/Tour

| 37

The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

United Scenic Artists represents the designers and scenic painters for the American Theatre.

The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. The musicians employed in this production are members of the American Federation of Musicians. This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.


38 | foryourinformation THE THEATER A fully restored 1929 “movie palace,” the Fox Theatre, with 4,665 seats, is a multipurpose facility, housing Broadway shows, ballets, comedies, concerts, movies and private corporate events. PRIVATE EVENTS The Fox Theatre has three private rental spaces, accommodating 25 to 1,200 guests. Our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. The Landmarks Lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. To book your “Fabulous Fox” evening, please call 404-881-2100 or visit us at www.foxtheatre.org. TICKET OFFICE The Fox Theatre Ticket Office is in the arcade entrance to the theater. It is open for walk-up ticket sales 10 a.m.-6 p.m. Monday-Friday and 10 a.m.-3 p.m. Saturday. It is not open on Sundays unless there is a performance. On event days, the Ticket Office opens two hours before show time. Doors to the Fox open one hour before show time. Tickets for all performances may be purchased online at www.foxtheatre.org, by calling 855-285-8499, or visiting the Fox Theatre Ticket Office in person during regular box-office hours. GROUP SALES The Fox Theatre Group Sales Department offers discounts to groups for most Broadway shows. It is open 9 a.m.-5 p.m. Monday-Friday. Call 404-881-2000 or email foxgroup@foxtheatre.org. CONCESSIONS Concession stands are located in the Spanish Room, main lobby and on the mezzanine lobby level. RESTROOMS Restrooms are located off the main lobby (downstairs), mezzanine lobby levels and the Gallery level. Accessible restroom facilities are in the Spanish Room; accessible/ Family restrooms are located through the office door in the main lobby. TOURS Fox Theatre Tours are conducted at 10 a.m., 1 1 a.m., noon and 1 p.m. Mondays and Thursdays. Saturday tours are at 10 and 11 a.m. Tours are guided by Fox employees wellversed in the Fox’s history, current events, awards and upcoming shows. Tour tickets are available at the Fox Theatre Ticket Office or online at www.foxtheatre.org. Special tours can range from backstage to architectural to a school or college group. Please call 404-881-2100 to schedule your group tour. LOST AND FOUND Lost and found items are turned in to the event staff’s office. To check on lost items, please call 404-881-2119. Lost and found items will be retained for 30 days. EMERGENCY INFORMATION In the event of an emergency, and for your safety, please follow the directions provided by the Fox Theatre staff.

SMOKING In accordance with the Fulton County Clean Air Ordinance, the Fox Theatre is a smoke-free facility. Smoking is only permitted in designated areas. ABOUT ACCESSIBILITY The Fox Theatre strives to make events accessible to all guests. If you need assistance during your visit please ask for one of our Event Staff members. The Fox Theatre offers the use of wheelchairs, listening devices and booster seats at no additional charge. Our ambassadors will assist you to special restroom accommodations. Note: Steep steps lead to all seats on the upper levels. For assistance or more information, please call the Event Staff’s office at: 404-881-2100. TICKETS To purchase accessible seating at the Fox Theatre please call 404-881-2016 from 10 a.m. to 6 p.m. Monday-Friday or 10 a.m.-3 p.m. Saturday. A Ticket Office associate will be happy to help you. Ticket buyers may also visit the ticketing site at www.foxtheatre.org. ELEVATORS Elevators are at the north end of each lobby and are available during all performances. They make it possible to access each lobby without using the stairs. Patrons should be aware that access to upper seating areas do involve stairs. PARKING Parking is available within a four-block radius in all directions of the Fox Theatre. Advanced reserved parking is available for sale at the Fox Ticket Office or by calling 855-285-8499. The Fox Theatre assumes no responsibility for vehicles parked in any of the privately owned lots operating in the Fox Theatre district. PERFORMANCE NOTES All patrons, regardless of age, must have a ticket to be admitted to the theater. Not all events are suitable for children. Infants will not be admitted to adult programs/ performances. Parents will be asked to remove children who create a disturbance. •L atecomers will be seated at the discretion of management in conjunction with the wishes of the producers. • Please turn off all pagers and cellphones before each performance. • Camera and recording devices are strictly prohibited. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E.) MARQUEE CLUB PRESENTED BY LEXUS A stunning 10,000 square feet of exclusive space located on the northeast side of the theatre, the Marquee Club has access to the fabulous rooftop terrace overlooking the iconic Fox marquee and Peachtree Street. The Marquee Club is the perfect way to elevate your experience at the Fox. The club can be accessed through one of the annual membership options or on a per-event basis, as space allows. Entry to the club must accompany a ticket to the proceeding performance. For more information on club access, visit foxtheatre.org/MarqueeClub or call 404-881-2127.

Atlanta’s Historic Fox Theatre | foxtheatre.com


SCHWARTZ CENTER FOR PERFORMING ARTS

Concert Series

© Atlanta Symphony Orchestra

2019–2020 Candler

SPRING CONCERTS Pablo Sáinz Villegas: Americano Trio February 29, 2020 at 8:00 p.m.

Jane Bunnett and Maqueque March 19, 2020 at 8:00 p.m.

Robert McDuffie, violin and Robert Spano, piano April 10, 2020 at 8:00 p.m.

Donʼt miss out! Tickets on sale now.

404.727.5050 arts.emory.edu/encore


Atlanta’s Historic Fox Theatre | foxtheatre.com


etiquette

| 41

1. Please arrive early. Latecomers may not be seated until intermission. 2. Take care of personal needs (water, restroom use) before the performance begins.

THE FOX THEATRE 660 Peachtree Street, N.E. Atlanta, Georgia 30308 404.881.2100 • www.foxtheatre.org

STAFF Allan C. Vella. . . . . . . . . . . . . . . . . . . . . . . President & C.E.O. William Renshaw. . . . . . . . . . . . . . Vice President & C.F.O. Jamie Vosmeier. . . . . . . . . . . . . . . . VP of Sales and Marketing Nancy Lutz. . . . . . . . . . . . . . . . . Director of Special Events Lucy Lawler-Freas . . . . . . . . . . Director of Programming Shelly Kleppsattel. . . . . . Booking & Contract Manager Faustina Brooks. . . . . . . . . . . . . . . . . . . Director of Finance Rachel Bomeli. . . . . . Director of Events & Public Safety David Simpson. . . . . Director of Ticket Sales & Service Shelby Moody. . . . . . . Corporate Group Sales Manager Aly Knight Grubb. . . . . . . . . . . . . . . Director of Marketing Andrew Chatwood. . . . . . . . . . . . . . . Marketing Manager Amanda Blank . . . . . . . . . . . . . . . . . . . . . . . Media Manager Lauralyn Mustaki​. . . . . Corporate Partnership Manager Leigh Burns. . . . . . . . . . Director of Fox Theatre Institute Andy Arnold. . . . . . . . . . . . . . . . . . . . . . . . Security Manager Amy Smith . . . . . . . . . . . . . . . . . . . . Director of Production Lisa Marie Malovoz. . . . . . . . . . . . . . Production Manager Gary Hardaway. . . . . . . . . . . . . . . . . . . . . . . Head Carpenter Larry Watson. . . . . . . . . . . . . . . . . . . . . . . . . . . Head Flyman Scott Hardin. . . . . . . . . . . . . . . . Head Props/Projectionist Ray T. Haynie. . . . . . . . . . . . . . . . . . . . . . . . Head Electrician Cary Oldknow. . . . . . . . . . . . . . . . . . . Assistant Electrician Rodney Amos. . . . . . . . . . . . . . . . . . . . . . . . . . . . Head Audio

BOARD OF DIRECTORS Edward L. White . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chairman Keith O Cowan . . . . . . . . . . . . . . . . . . . . . . . . . Vice Chairman Clara Axam, Robyn Barkin, Renee Dye, Sheffield Hale, Ryan Halpern, John Holder, Walt Huntley, Edward Hutchison, Craig Jones, Jay Myers, Glen Romm, Howard Smith, Scott Taylor

EMERITUS MEMBERS Tony Aeck, John Busby Jr., Beauchamp Carr, Anne Cox Chambers, Rodney Cook, Ada Lee Correll, Richard Courts, Jere Drummond, Richard Flinn, Julia Grumbles, Steve Koonin, Charles Lawson, Starr Moore, Joseph Myers, Edgar Neiss, Carl Patton, Sylvia Russell, Nancy Simms, Preston Stevens, Clyde Tuggle, Carolyn Wills Official Beverage of the Fox

Official Energy Partner of the Fox

Official Hotel and Restaurant of the Fox

Official Healthcare Partner of the Fox

Official Energy Partner of the Fox

Official Bank of the Fox

Official Beer of the Fox

3. P lease silence or turn off all electronic devices, including cellphones, beepers and watch alarms. We encourage you to share your experience via social media but please refrain from doing so or texting during performances. The glow from your device is distracting. 4. Most shows do not allow photography of any kind. Flash photography inside the theater is never allowed. It distracts those around you and endangers the performers. 5. The overture is part of the performance. Please cease talking at this point. 6. D ear lovebirds, when you lean your heads together, you block the view of those behind you. Please consider those seated behind you when choosing whether to wear a hat or what hairstyle you choose. 7. Please refrain from talking, humming or singing along with the show, except when encouraged to do so by the artists or show. 8. Please wait for an appropriate moment to dig something out of your pocket or bag. 9. G o easy with the perfume and cologne, many people are highly allergic. 10. I f you need assistance during the show, please go to your nearest volunteer usher. If additional assistance is needed, the usher will get the appropriate person to further help you. 11. Y es, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress or before the actors have taken their final bows is discourteous. Please wait until the bows are over and exit with the rest of the audience.

Atlanta’s Historic Fox Theatre | foxtheatre.com


FRIENDS OF THE FOX Members of the Fox Theatre’s Friends of the Fox program help support the Fox Theatre Institute, the theater’s community engagement arm. The Fox Theatre’s legend lives on through their generosity, supporting the theater, the city of Atlanta and communities across Georgia. To learn more about the Friends of the Fox membership program, please visit www.foxtheatre.org/support-us, email membership@foxtheatre.org, or call 404.881.2023.

The Fox Theatre would like to thank the following Friends of the Fox who have given at the Legend ($10,000), Marquee ($5,000), Encore ($2,500) and Entourage ($1,000) levels: LEGEND The Allard Family The Arthur M. Blank Family Foundation Mr. James Dougherty Drew Eckl & Farnham

Diana Blank Kathryn J. Dinardo Fund Georgia Municipal Association

MARQUEE

Jessica & Royce Pedersen Ripple IT Janice & Gary Sloan

Mr. & Mrs. Gary Martin Hays Jamie Medalie Longhurst Margaret Ross

ENCORE Alliance Fire Protection Services, LLC Ira & Talmer Curry Jr. Blake’s on the Park Michelle Love & Matt Chambless Erin & Douglas Borenstein Lowery & Associates Land Surveying, LLC Budget Rent a Car Atlanta April & Gary Madaris Mary Ann & John Busby Adam Malone George Butler Carole Cole Musarra Cathy & Mayson Callaway Janet & Jerel F. Rush Citizen Lanier Holdings Anne Taber & John R. Adams Colgate Crib Mattress Valet Living Michael Crew Nicole & Allan Vella ZIBEX, Inc. ENTOURAGE Allied International Cleaning Services, Inc. Broadway in Atlanta Harold Brody & Donald Smith Joy & Ritchie Dickey

Atlanta’s Historic Fox Theatre | foxtheatre.com

David M. Green Holder Properties Marsha & Jan Spector Dorothy B. Ziemer


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CO N TAC T Patti Ruesch 808-927-5115 patti@encoreatlanta.com

Donna Choate 678-778-1573 donna@encoreatlanta.com


encoreatlanta.com

FOX FUN FACTS

| 45

DAN MCCUTCHEON

FOX THEATRE BALLROOMS The Egyptian Ballroom, Grand Salon, and Spanish Room were all originally Shriner meeting spaces. Here are some other fun facts: • The Egyptian Ballroom was reserved for Shriner ceremonies and celebrations and the adjoining Grand Salon served as their library. • The 7,500-square foot Egyptian Ballroom’s original floor is hard rock maple. A custom-designed carpet with Egyptian symbols of the afterlife and resurrection now protects the maple floor. • In the 1970s, the walls of the Egyptian Ballroom were covered with several coats of paint obscuring the original stenciled designs. As years of paint were removed, vivid Egyptian symbols for life and rebirth were revealed. • Depicted on the Egyptian Ballroom’s balcony is a scarab, or dung beetle, which was the symbol for the sun god Ra, who was thought to ward off evil. It is surrounded by the wings of Osiris, god of the underworld, afterlife, and resurrection. • Above the Egyptian Ballroom’s stage stretch the gilded and glazed wings of Osiris. A plaster intaglio panel of Ramses II subduing an enemy is the focal point of the stage. • Although the symbols painted in the Egyptian Ballroom are actual hieroglyphics, when put together, they do not form any real phrases. Read more about Fox Theatre ballrooms on EncoreAtlanta.com.

Atlanta’s Historic Fox Theatre | foxtheatre.com


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Private event room available for birthdays, company events and holiday parties. PMS 7529

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Be our guest for a Chick-fil-A Backstage Tour! You will be guided on a walking, storytelling experience to learn more about the restaurant you love, while being inspired by the life and vision of founder S. Truett Cathy. ABOUT THE TOURS • Original: An enlightening journey through the history of Chick-fil-A founder S. Truett Cathy, and the core values of the company. • The Deluxe: Visit S. Truett Cathy’s office, enjoy tastings in The Kitchen and experience The Nest, our training center. PLAN YOUR VISIT • Tours are held Monday – Friday for adults and children over six. • For schedule and pricing options visit: Tours.chick-fil-a.com Contact info: Chick-fil-abackstagetour@chick-fil-a.com 5200 Buffington Road • Atlanta, GA 30349


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48 | encore FOX THEATRE’S MASTER OF THE MOMENT

JOE CHAMBERS Congratulations to our newest Master of the Moment, Joe Chambers! Joe is one of the newer members to join the Fox Family, yet he has already made a lasting impression in his short time. He is a Lead Bartender at the Fox and most guests will recognize his friendly face at the main bar in the lobby. Joe always goes the extra mile when it comes to customer service and his efforts are truly appreciated. Thank you for embodying what it means to have the “Fox Factor” and for going above and beyond, Joe!

Atlanta’s Historic Fox Theatre | foxtheatre.com

Master of the Moment is awarded to Fox Theatre staff members who “Speak Fox” by showing up and showing out every day, going above and beyond the duties of their daily job. Master of the Moment recipients are nominated by their peers.


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50 | encore

The goal at HERBAN FIX is to share authentic plant based fusion cuisines with vegans, vegetarians, and meat-lovers. Ingredients are premium select, fresh and aimed at good health as well as great tasting. Traditional and authentic dishes have been updated into bold and delightful vegan delicacies. | 565 Peachtree St. NE, Atlanta, Ga. (404) 815-8787. THE MELTING POT – Atlanta’s exclusive fondue restaurant – where dining becomes a memorable four-course experience. Dip into something different and discover delectable entrées served with our unique dipping sauces. You’ll also enjoy creamy cheese fondues, lively salads, fine wines and mouthwatering chocolate fondue desserts. Four metro Atlanta locations: 754 Peachtree St. NE, 404-389-0099, 3610 Satellite Blvd., Duluth,770-623-1290, 2500 Cobb Place Ln., NW, Kennesaw 770-4251411 and 1055 Mansell Rd., Roswell

Atlanta’s Historic Fox Theatre | foxtheatre.com

HERBAN FIX VIA INSTAGRAM

Located in the heart of Midtown, midway between The Fox Theatre and Atlantic Station, CITY TAP HOUSE is an elevated American pub, specializing in large group dining, corporate and milestone events. City Tap is ideal for game watching sporting events and pre- and post-show meals & meetups. With free parking and covered outdoor dining, City Tap offers brick oven pizzas, over 40 beers on draught and a full bar. Serving lunch and dinner daily and brunch on the weekends, reservations are appreciated. For questions, details, or reservations,

email Info.Atlanta@CityTap.com | www.citytap.com 848 Peachtree Street, NE. 470-990-7114

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LOCATED IN THE FULLY REDESIGNED & RENOVATED FORMER GORDON BIERSCH BUILDING AT 6TH & PEACHTREE | *DINE IN ONLY


LA TAVOLA is a classic, cozy Italian trattoria located in Atlanta’s famous Virginia Highland neighborhood featuring an extensive wine list, classic dishes made from the finest traditional ingredients and approachable, friendly service. Perfect for family gatherings, romantic dinners or just a quick, yet satisfying, bite at the bar, here you will always feel at home around the table at La Tavola. | 992 Virginia Ave. NE, Atlanta, Ga. (404) 873-5430. Inspired by classic coastal traditions both American and global, LURE presents Atlanta’s freshest fish and the drinks to match in a converted 1920’s bungalow. Anchored in the heart of Midtown on Crescent Avenue, Lure has a sophisticated but casual vibe, fluidly bridging the gap between a weathered seaside fish house and a fine-dining seafood restaurant. | 1106 Crescent Ave. NE, Atlanta, Ga. (404) 817-3650.

some are downright decadent and require several margaritas or beers to chase down. | 1186 North Highland Ave. NE, Atlanta, Ga. (404) 8734656. SOUTH CITY KITCHEN specializes in contemporary Southern cuisine with a sophisticated twist. Dine on local specialties such as shrimp and grits, buttermilk fried chicken, shecrab soup, fried green tomatoes and banana pudding while enjoying the view of the exhibition kitchen. | Buckhead, 3350 Peachtree Rd. NE, Suite 140, Atlanta, Ga. (404) 8156677; Midtown, 1144 Crescent Ave. NE, Atlanta, Ga. (404) 873-7358; Vinings, 1675 Cumberland Pkwy. SE, Smyrna, Ga. (770) 435-0700.

THE ORIGINAL EL TACO is inspired by bold Tex-Mex flavors and by the sunny street markets of Mexico. The menu is simple cuisine with interesting garnishes and fresh ingredients. Some items are snacks designed to be enjoyed with a cocktail, others are generously portioned and perfect for sharing and

Atlanta’s Historic Fox Theatre | foxtheatre.com

THE ORIGINAL EL TACO VIA INSTAGRAM

770-518-4100.

SOUTH CITY KITCHEN VIA INSTAGRAM

LURE VIA INSTAGRAM

LA TAVOLA VIA INSTAGRAM

52 | encore


From Greek Mythology to

ocean limestone found on Mount Everest, the events of September 11, to the Cold War,

each of the 14 pieces in the sixth installment of the City of Suwanee’s award-winning culpour temporary sculpture exhibit

city permanent collection) (not to mention the 20 pieces in the city’s

as a tory.

learn more at suwanee.com

| 20 minutes north of Atlanta on I-85



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