Epigram issue 372

MUSIC

Headfirst: Dissecting Bristol's music scene

The University of Bristol's Award Winning Independent Student Newspaper

Welcome to Bristol!

It is the summer holidays and Bristol’s campus is much quieter than usual. However, behind the scenes, the University’s governance and administration teams are busy preparing for the 2023/24 academic year.

Amongst those working is Professor Evelyn Welch, the Vice-Chancellor (VC) of the University of Bristol. It is the start of Professor Evelyn Welch’s second year as the VC, a role which places her as the academic and administrative head of the University.

So, with the new academic year fast approaching, how is Evelyn feeling about what lies ahead?

‘I was incredibly excited about being the new Vice-Chancellor of the Univer-

sity of Bristol and actually the first female Vice-Chancellor of the University of Bristol. And, as I'm going into my second year, I think I'm even more excited. And that is because I've seen what an astonishing institution this is.'

‘Our students make a huge difference to the cultural life, to the economic life of the city and we contribute so much to the city of Bristol and the city of Bristol contributes so much to us.’

Reflecting on the previous year, she acknowledges that ‘it was not a year without its challenges.’

For the majority of students across the country, the primary academic concern has been the ongoing dispute between the UCU and the UCEA, which we saw culminate in the Marking and Assessment Boycott.

‘All I can do is apologise for how

incredibly badly hit a small number – but even more than one is too many – of students who didn't get their work marked.’

The strike action has left many of us wondering: can we expect a resolution?

Evelyn responds to these concerns: ‘We are actually working really well locally on many of the issues that have been raised. But at national level, we have a situation in which inflation is here at universities, hard, and costs have gone up. But the tuition fee has remained at the level it was set in 2012, and staff will understandably also feel that they want to see an inflation-proofed pay rise.'

•

The full interview with Evelyn can be found on pages 2 and 6.

Bristol celebrates 60th anniversary of landmark bus boycott

'If you need help, ask for it. We are there to help and support you': Epigram talks to Evelyn Welch, the VC of Bristol Uni

Roya Shahidi and Amelia Jacob Co-Editors-in-Chief

The impact of art in forming community

Image courtesy of Malachy East, Second Year, Film and Television

Editorial

upload articles to our website: www.epigram.org.uk.

Epigram is unique compared to the majority of other student-led newspapers, because we are editorially separate from the Student Union and the University itself. As a result, our content is not controlled and we remain politically neutral. Our primary aim is to represent and advocate for Bristol students in all facets of your lives here, and we can’t wait to get started.

Shahidi Co-Editors-in-Chief

Hello and welcome to Epigram! We are delighted to introduce ourselves to both Freshers and returning students with our first print edition of the year. Epigram is the University of Bristol’s award-winning, independent newspaper, which is published monthly alongside our lifestyle magazine, The Croft. We also regularly

(cont. from front page) ‘And with 147 institutions negotiating, the majority of which simply can't afford more than the five to eight percent that's already been offered, it doesn't look promising at the national level. But at the local level, we talk regularly with our UCU members. Our UCU members are some of the most committed to students.'

‘[..] They genuinely believe that they're taking this action for the long-term future of the institution. So, we're trying to work locally to say, look, this is what we can offer.'

'And I am very pleased that both our major training unions, USN and ECU, agreed that after conversations with us and after saying we will really focus on technical things like the pace line and where people start employment, that threats of industrial action at the start of term have now been called off.'

‘So, I'm certainly hopeful that by the start of term in late September, early October, work will be marked and that we will have a calmer, local start to the year.’

The cost of living crisis has also been at the forefront of student anxieties this year. We ask the VC what the University is doing to mitigate the effects of the crisis on students.

‘We’re maintaining a high-

So far this summer, we’ve been busy reporting on the Marking and Assessment Boycott and have featured on the BBC twice! We’re looking forward to keeping students informed about key events happening at Bristol, as well as expanding our social media.

In this issue, we provide a brief insight into the work you’ll see from us this upcoming academic year. Prepare for a deep dive into the cultural side of Bristol, with articles that dissect Bristol’s diverse music scene and analyse the importance of the , as well as Features on subjects including , amongst much more.

Not only does getting involved with Epigram give you

er budget for our financial assistance fund with a one to two-day turnaround so we can get support to students fast who need it.’

‘Our cheaper food options, which have proved to be incredibly popular, will continue going forward, and we're continuing with the digital support fund which helps students with the cost of devices they need for their study.’

‘Last year, we supported just under 2,000 students with financial assistance and we spent just under 1.5 million last year compared to a previous budget of more like 5 to 600,000. So, we've almost tripled the amount that we put into financial assistance.’

She adds that this support will continue for the 2023/24 academic year.

‘Financial support is there. No one should think: ‘I can't ask for help.’ If you need help, ask for it. We are there to help and support you.’

Another issue that continues to affect Bristol students is the housing crisis. With an acute property shortage and soaring rent prices, we ask how the University plans to support students in regard to accommodation.

‘We're actually working, again, very closely with the Student Union, who have their own lettings agency

fantastic journalistic experience, it is also a great way to meet new people. We have an exciting Freshers calendar which will provide anyone interested (or already involved!) to meet new faces and get a taste of what it’s like to write for Epigram. On the 25th September, we have a Freshers social at Steam, so come along to meet new people and have a drink with us! We also have a Give it a Go session at 6pm on the 2nd October in the SU Loft. This will involve an exciting News workshop which will give you a taste of what it’s like to be a reporter.

It is never too late to get involved. We welcome students from all years, disciplines and backgrounds. Whether you want to write about a concert you went to or voice your opinion about something that matters to you, our aim is to amplify the voices of as many students as possible. We post all details of socials, events and editorial vacancies on our Instagram, @epigrampaper_, so follow us to stay updated. If you have any questions, simply pop us a DM on Instagram or send us an email at editor.epigram@gmail.com.

and are really good at vetting the quality of landlords and their license registration.’

‘And this year, I'm really pleased to say that we comfortably met the accommodation guarantee. So, 90% of students who put Bristol as their first choice were able to get one of their preferred rooms, which is an increase of 10% (we had 80% last year).’

In response to the Newport controversy, Evelyn adds: ‘We have put together an accommodation office in Newport, which I know caused a lot of controversy before, but we reserved just over 100 beds in Newport. 400 students registered an interest in it. Not simply because it's really good value, but also because they wanted to potentially be in a quieter city, and were not necessarily as interested in the social life of Bristol.’

Last year, Evelyn told Epigram that her top challenges were 'people, place and money.' So, have these changed this year?

‘I think I would now characterise them as community, communication and care.’ ‘I read every NSS comment that every student made last year, and I would say that COVID and strike action were the top lines.' (cont. page 6)

Editorial Team 2022/23

Co-Editors-in-Chief: Amelia Jacob and Roya Shahidi

Deputy Editors: Milan Perera and Ella Woszczyk

News

Editor: Will Standring

Deputy Editor: Amelia Shaw

Digital Editor: Maud Humphries

Investigations Editor: Ellyssa Ashley Rozahan

News Reporter: Lottie Leigh

Opinion

Editor: Amaan Ali

Co-Deputy Editors: George Jones and India Noon

Digital Editor: Georgia Rowe

Subeditor: Megan Ioannides

Features

Editor: Aidan Szabo-Hall

Co-Deputy Editors: Dan Hutton and Nel Roden

Digital Editor: Annie McNamee

Subeditor: Ellicia Metcalfe

Arts

Editor: Rachel Bronnert

Co-Deputy Editors: Ella Carroll and Isabel Williams

Digital Editor: Phoebe Caine

Film & TV

Editor: Arron Kennon

Co-Deputy Editors: Lauren Durose and Sofia Webster

Digital Editor: Sienna Thompson

Subeditor: Victor Bennett

Music

Editor: Jake Paterson

Co-Deputy Editors: Benji Chapman and Dylan McNally

Digital Editor: Cara Hene

Subeditor: Susie Long

Sci-Tech

Editor: Dhristi Agarwal

Deputy Editor: Lucas Mockeridge

Social Media Managers

Anouk Griffiths

Phoebe Livingstone

Chief Proofreader Zoë Blake-James

Want to write for us? epigram.org.uk/get-involved/

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Instagram: @epigrampaper_

Twitter: @epigrampaper

TikTok: epigrampaper

Amelia Jacob and Roya

Ellyssa Ashley Rozahan Lottie Leigh

Students set for another year of disrupted teaching, starting with first week strikes

After a heavily disrupted 2022/23, students are set to face it all over again as union announces walkout for first week of teaching.

Will Standring News Editor

The University and College Union (UCU), which represents university teaching staff, has announced five days of strike action coinciding with the first week of university teaching. Strike action will take place on the 25th, 26th, 27th, 28th and 29th of September. 70,000 staff at 150 universities are expected to participate in the strike. Students can expect their teaching to be cancelled if the relevant member of staff is a member of the UCU. However, it is left to the discretion of the staff member whether to inform students that teaching will be cancelled – past experience suggests that this may not always happen. Bristol UCU has approximately 1,800 members. On the strikes, University of Bristol Media and PR Manager, Richard Cottle, said: UCU has also opened the ‘Respect FE’ ballot for its members which, if passed, will provide the UCU with a mandate for another

six months of strike action. This comes as the UCU’s previous mandate, which passed in April with 85% of the vote, is set to expire. The next set of strikes follow a year of industrial action resulting from a pay dispute between the UCU and the Vice Chancellor body, the UCEA. Current negotiations are taking place over the 2023/24 pay offer, although the UCU expects any deal to cover two years of pay after the 2022/23 negotiations

were left unresolved. In February 2023, UCEA’s pay offer of 4-5% was rejected by UCU members on 80% of the vote. On the negotiations, UCU general secretary, Jo Grady, said: 'My message is very simple: our members have seen through your pleas of poverty as you sit on over £40bn of reserves. Students have seen through your poor attempts to cause division. And even the media has seen

Marking boycott called off, students to receive grades

University lecturer union calls off Marking and Assessment boycott three weeks early, opening a window for marking to take place before new uni year commences.

Amelia Shaw

Deputy

News Editor

After months of uncertainty and irresolution, the Marking and Assessment Boycott (MAB) has been suspended. A release made by the University and College Union (UCU) on the 6th of September has announced that 60% of its members voted

in favour of calling off the strikes after several months of collective action. The MAB had a previous mandate from union members to continue until 30th September. While details and plans surrounding the withdrawal of the MAB remain undisclosed at this stage, Epigram currently understands that there will now be a timely assessment grading process by lecturers for assignments dating back to before the summer. This should see students receive grades for work which has not yet been marked. Since the 20th of April, UCU

members within higher education have been using the MAB as a means of disputing their pay and working conditions. Strikers ceased to partake in any assessment-related work including summative assessment marking, exam invigilation or the processing of marks. Students across the University have vocalised their frustration with the inevitable knock-on effect of strike action, with up to 10% of the graduating cohort still awaiting their final results. The UCU has responded by calling out higher education institutions within their suspension statement, stating that strikers had ‘exposed once and for all

through you for not having the courage to turn up for TV interviews. Get serious and make a proper offer - or get out of the way.'While there has not been any agreement on a pay deal since then, negotiations seem to have made progress at certain stages. In February, seven days of planned strike action were cancelled after ‘significant progress’ in talks. The UCU and UCEA then struck a pensions deal in April which saw the universities commit to restoring pension bene-

'Planned graduation demonstrations were canncelled as a 'goodwill gesture' from the unions.'

fits after they were cut in April 2022. Further progress seemed to have been made over summer when planned graduation demonstrations were cancelled as a ‘goodwill gesture’ from the union. However, news of progress has since gone quiet and the symbolic move of striking for the full first week of teaching suggests that the dispute is far from over. Meanwhile, UNISON, which represents the university’s professional staff, looks set to continue industrial action after UCEA failed to strike a pay deal with them. Like the UCU, UNISON has been engaged in a dispute with the universities for a year now and has rejected various pay offers. UNISON walkouts leave the university without some of its lowest paid staff including cleaners, administrators, library, catering and security workers. Four days of walkouts planned for July and August were cancelled as UNISON entered into negotiations with the university, leading to hope that an agreement could be reached. This is yet to occur.

a sector which would rather try and starve out its staff, undermine the integrity of degrees, and disrupt students' learning than give you the pay and conditions deserved’.

The MAB is the only element of a series of actions short of strike action (ASOS) – which

intended to replace in person strikes while teaching was on hold for summer – that has been cancelled. Therefore, actions such as not covering for absent staff and not sharing materials for cancelled classes shall continue for the foreseeable future.

Image courtesy of Milan Perera

'It is up to staff members to inform students that their teaching has been cancelled - past experience suggests that this may not always happen.'

Image courtesy of James Dowden

University of Bristol awaits new year group as A-Level results fall on previous year

Having received their A-Level results, UoB's new cohort prepare for life at one of the UK's top ten unis.

Milan Perera Deputy Editor

With echoes of celebratory cheers from the A-level results announcements still resonating from around the country, the University of Bristol is preparing to welcome its newest year group for the academic year 2023/2024. University of Bristol received over 61,000 applications for 6,700 undergraduate places for a wide range of disciplines.The overall results for 2023 indicated

that the proportion of A or A* grades is 27.2 per cent down from a peak of 44.8 per cent during the pandemic. The fall was steepest in England. According to the Universities and Colleges Admissions Service (UCAS), 79 per cent of those receiving results gained a place at their first-choice university.Speaking to Epigram, Rob King, Headmaster at St. Bede’s College, Bristol said:‘Having had their GCSE exams cancelled in 2021, the last two years have been extremely challenging for this year’s Year 13. The students and their teachers have worked so hard to overcome these complications, further

develop a passion for their subjects and prepare well for the summer examinations. It is then extremely pleasing to see them rewarded for their character and resilience with outstanding grades today.’

According to Times Higher Education World University Rankings, University of Bristol ranks ninth in the UK and 76th in the world.On the announcement of A-level results, a spokesperson for the University of Bristol said:

‘We received more than 61,000 applications overall for more than 6,700 undergraduate places available across the full range of subjects. We are delighted that so many candidates want to be part of the Bristol community, and we look forward to welcoming all our new students in September.’ Welcome Week at Bristol will take place from 18 September to 22 September which includes the Welcome Fair at Durdham Downs. Epigram looks forward to seeing you at our stall in the Media and Politics tent on Friday 22nd September.

Bristol celebrates 60th anniversary of landmark bus boycott

On August 27th, Bristol celebrted the 60th anniversary of the Bristol Bus Boycott, a landmark moment in UK race relations. Epigram reports from one of the city's main celebrations of the event.

Milan Perera

Bristol celebrated the 60th anniversary of the end of the Bristol Bus Boycott, which paved the way for the Race Relations Act 1965 - the UK's first piece of legislation to address racial discrimination.The boycott began in April 1963 after the city’s bus company refused to employ drivers of Black and ethnic minority backgrounds. Church bells of the city chimed for four hours as Bristol celebrated this watershed moment in history. A train named after Dr. Paul Stephenson, one of the leaders of the Bristol Bus Boycott also arrived at the Bristol Temple Meads station.The boycott was triggered when Guy Reid-Bailey, a Jamaican youth, was refused recruitment as a bus driver although he was qualified for the vacancy. Reid-Bailey was told that the vacancy was no longer available after employers had realised Reid-Bailey was Black when he came for the interview. Paul Stephenson, a youth social worker from London who had also been working in Bristol at the time, closely monitored the events that unfolded. Stephenson,

greatly inspired by the 1955 Montgomery Bus Boycott in Alabama, challenged and publicised the racially biased employment practices of the Bristol Omnibus Company along with Roy Hackett, Guy Reid-Bailey, Owen Henry, Audley Evans and Prince Brown.The leaders of the Bristol Bus Boycott successfully managed to spearhead a four-month protest which gathered support from various local community groups. A large group of students and lecturers from the University of Bristol marched carrying banners towards the Bristol Bus Station expressing solidarity with Bristol Bus Boycott.The Bristol Omnibus Company finally relented and agreed to end the 'colour bar' on August 28, 1963,

the same day Dr. Martin Luther King Jr. delivered his famous ‘I Have a Dream’ speech from the Lincoln Memorial in Washington, D.C.The chain of events triggered by the Bristol Bus Boycott led to the 1965 Race Relations Act which made 'racial discrimination unlawful in public places'. Further, the 1968 Race Relations Act made the racial housing and employment practices illegal.Freedom of the City status was granted to Roy Hackett OBE, Guy Reid-Bailey OBE, Barbara Dettering, Owen Henry, Audley Evans, and Prince Brown at a full council meeting on December 13, 2022. Roy Hackett was bestowed the honour posthumously while Dr. Paul Stephenson was granted the Freedom of the City in 2007.Among the events organised to mark the 60th anniversary of the Bristol Bus Boycott was a civic ceremony on Wednesday, August

31, led by Rev. Dan Tyndall. The event saw the unveiling of four new stained-glass window panes at St Mary Redcliffe Church, replacing some which featured Edward Colston, the 17th century slave trader. One of the panels at North Transept Window in the church now features the leaders of the Bristol Bus Boycott. The stained-glass window was designed by Dr. Ealish Swift, a local junior doctor who said:‘[…]I'm thrilled that my design seemed to resonate so much with the local community and I hope everyone will come to visit to see the final piece and experience everything this wonderful church, and community, has to offer!‘ One of the highlights of the ceremony was the ‘Big Thank You’ where the leaders of the Bus Boycott, their

families and the pioneers against racism were felicitated. Guy Reid-Bailey, one of the leaders of the Bristol Bus Boycott, who was present at the event said:‘Remembering 1963, how difficult it was for us to survive, I think we’ve moved on a long way, but it’s gonna take time and it’s not gonna happen in a year or two. If we all put our shoulders to the wheel, we’ll achieve the outcome we need.’Paul Stephenson, the pioneer of the Bristol Bus Boycott is no stranger to the University of Bristol as the Stephenson Room in the Student Union Building is named after him. As Bristol continues to evolve and shape its identity, the Bristol Bus Boycott remains a cornerstone of the city's history, symbolising the potential for positive change when people come together in the pursuit of justice and equality.

Deputy Editor

'Reid-Bailey was told that the vacancy was no longer available after employers realised Reid-Bailey was Black when he came for the interview.'

Image courtesy of M. Dresser

Image courtesy of Palie Smart

Image courtesy of Milan Perera

Wild swimming in Bristol Harbour returns

Bristol council has decided to reopen Bristol Harbour for swimming, much to the delight of the UoB Wild Swimming Society.

Maud Humphries News Digital Editor

After recent pilot efforts in the Bristol harbour this spring and Summer, Bristol council have announced that wild swimming is now reopened and legal. It has been illegal to swim in the harbour due to it being a working harbour and concerns over water quality. The Bristol Council website states the hazards of swimming in the open water to include: ‘cold water shock, getting hit by a boat, hazardous or discarded objects under the water, occasional very strong

(cont. from page 2)

'But also, a sense of, students [saying] do you really care about me? Are you just taking my money? And why doesn't anyone know my name? Why won't you give me the flexibility that I need to be successful?’

‘We didn't do very well in the NSS. And we need to hear those voices, and we need to listen hard, so that our staff community and our student community, and our city community see ourselves as working together for each other's success, and not just the kind of University of Bristol's overall success.’

Further elaborating on the city community and its relationship with the University, we also discuss Bristol's 'complex relationship with its past', in particular, if there is an update on the renaming of university buildings.

Evelyn explains the complexity of the issue: '[...] hav-

currents due to the tides, occasional poor water quality’.

Campaign group Swim Bristol Harbour have long been challenging the council's decision and trying to change the narrative on the poor quality of the water, suggesting it is not as bad as one may think.

Marvin Rees, the Mayor of Bristol, was keen to ensure the safety of the area before the river could be used by swimmers. For Swim Bristol Harbour, and other open water swimming groups in the area such as the University of Bristol Wild Swimming Society, the opening is a success and a great step in the right direction. When asked what the opening of the harbour meant to them, the University of Bristol Wild Swimming So-

ing undertaken a consultation exercise, which 3,000 people answered, there was absolutely no consensus on what we should do.'

The building names public consultation has not reached an outcome yet.

'Whatever the outcome of names of buildings, we have to acknowledge those deep roots that the university has, both the positive things about the city's past, but the terrible, appalling things that took place that were funded through the transatlantic slave trade.'

Whilst we still do not know the outcome, Evelyn emphasises the importance of fostering communication with local communities.

She mentions an 'incredibly powerful testimony' that she heard at an event held by the University of Bristol at the Rose Green Cricket Ground. It revealed:

ciety commented:"wild swimming spots in the countryside are lovely for wild swimming and city escapism, it is really exciting to have a more urban spot that is closer to Bristol, so more accessible! It is exciting to have it be part of the city centre so more people are aware of it and can take part." The University society also hope that swimming in the harbour will incentivise local authorities to look after the water quality and safety more. Wild Swimming has increased hugely since lockdown, being promoted, amongst other reasons, for its mental health benefits. Despite the success of the pilots, swimming in Bristol Harbour is only to be run on Weekends from 8am-10am

'We [the University] are perceived to be racist, [...] perceived to be not really understanding the impact we have on local communities. But also what we could do if we put our intellectual and social weight behind real change, for racial and social justice.'

Evelyn adds that it is 'a really strong personal commitment' of hers that this conversation and these decisions are done 'collaboratively' with Afro-Caribbean communities 'within the University and the city'. Finally, our conversation

from Baltic Wharf, at the price of £7.50. The pilot sessions were priced at £7, which was criticised, many believing it should be free, just as swimming in any other river would be. However the council insist on the need for payment, Marvin Rees' blog says the money will be used for‘cover-

ing the costs of improving the registration system with wristbands on top of the provision of water safety measures.’This is a step in the right direction for campaigners, and the opportunity to swim in the Bristol Harbour will be taken by many students and locals alike.

with Evelyn ends on perhaps the most Bristol note of them all — a chat about the rain!

'The one thing I really noticed is that it rains more in Bristol

than any other city in the UK that I have ever been in. Nobody told me how often I have to put up an umbrella!'

Bristol Rovers battle with council over new stand

Bristol Rovers' plans for an upgraded South Stand have been scuppered by local objections and a failure to secure relevant council approval.

Ellyssa Ashley Rozahan News Investigations Editor

Bristol Rovers have come under fire for beginning construction work on their South stand last month without the

relevant planning permission. Fans are concerned as to the club’s procedural obligations with the construction, such as the lack of communication with local residents, and the absence of planning permission from Bristol City Council. Furthermore, Bristol Rovers confirmed that these seats will not be including disabled or accessible seating for away supporters looking to attend a match at the Memorial Stadi-

um. On top of backlash from fans, the South Stand project encountered numerous setbacks such as complications with the drainage system and ground tests. Since then, the Bristol Rovers Football Club have confirmed that the new South Stand will not be ready for use at the start of the season back in August. CEO of Bristol Rovers, Tom Gorringe, admitted that there were a few aspects the Club could

have done better in this ordeal, such as informing local residents earlier. Despite this, the number of letters sent in to City Hall in support of the South Stand quickly overtook the letters of objection. Despite this, local councillor Cllr Emma Edwards had called-in the application, stating that it needed further scrutiny. The South Stand seats were proposed with the aim of restoring pre-Covid figures back.

However, the Rovers will assess the demand for more seats on a match-to-match basis and update local residents accordingly. On August 12, the Rovers played a home league game with an empty lot in replace of the proposed stand while the Club awaits planning permission from the City Council.

Image courtesy of Maud Humphries

Opinion

Opinion | The cost-of-living crisis has drastically altered the student experience.

As the cost of living crisis rages on, the student experience has become negatively affected, creating a harsh environment for students to work. Megan Ioannides explores this issue.

Megan

Every year when a new academic term begins and students rush back to their university cities, we prepare to return to cheap living and a busy social calendar. However, since the costof-living crisis was announced in 2022, the student experience has dramatically changed. The crisis, of course has not just had an effect on students. People across the UK are seeing their wages stagnate whilst prices continue to rise in all aspects of life. For those in university however, the very nature of their lifestyles is now different. That which we deem ‘student living’ has always consisted of keeping it cheap and cheerful. Staples like beans on toast or fish finger butties for tea have always been relied on. Enter a shop today however and the price of 10 Birdseye fish fingers is a staggering £4.10. Whilst prices vary and places like Aldi and Lidl are still essential for lower priced groceries, these stores are, more often than not, inaccessible. With lower budget stores located outside of city centres or student areas, a trip to the cheaper supermarket alone incurs extra costs. For myself in Bristol, the closest walkable shops are Sainsbury’s, M&S and Waitrose, all known to be on the more expensive side. For many therefore, a weekly shop is threatening to break the bank.

Whilst inflation in the UK has skyrocketed in the past two years, no reflection of this has been seen in the allocation of student maintenance loans.

Rent prices from private landlords have increased greatly, especially in the more expensive areas of the country.

In Bristol, students can find themselves paying prices almost on par with London, despite not having an increased loan threshold.'

In Bristol, students can find themselves paying prices almost on par with London, despite not having an increased loan threshold, as those that study in the capital do. The recently announced plan to rectify and increase maintenance loans, suggest that they will still only rise a disappointing 2.8%. University hardship funds for students have also been labelled inadequate and barely scrape the bottom of the barrel for the funding students realistically need. Having had no support for the first two years of the crisis therefore, university goers have found themselves much more reliant on income from part-time work to keep afloat. A couple of shifts a week are no longer funding social lives and trips to the pub, but instead are the difference between being able to make rent or not.

'For many therefore, a weekly shop is threatening to break the bank, whilst inflation in the UK has skyrocketed.'

not work in their first and second years are suddenly finding themselves doing 4 days a week on minimum wage in their final year. And this hasn’t come without sacrifice.

'Prices vary and places like Aldi and Lidl are still essential for lower priced groceries, but these stores are, more often than not,

In fact, for students that work in the hospitality sector, the opportunity for a free or cheap meal at work also kills two birds with one stone. Thus, spending extended hours in employment is becoming unavoidable. The annual Student Academic Experience Survey found that in 2021, 34% of students undertook part-time work alongside their studies, whereas in 2023 this has risen to 55%.

Students who may have been fortunate enough to

The toll this takes on both free-time and energy means that the social and academic sides to student life are also taking huge hits. Missing out on social events or casual trips to the pub because of a shift has now become the new normal. A lack of free time is also making it extremely difficult to balance the academic aspects of university life, whilst buried under financial pressures. A shocking 76% of students

agreed that the cost-ofliving crisis has affected their studies, in the 2023 Student Experience Survey. Not only is this extra cause for concern in a time where students are constantly hit with strikes and marking boycotts, but it highlights a more disturbing path that could prevail in the future of the university experience.

'76% of students agreed that the cost-ofliving crisis has affected their studies, in the 2023 Student Experience survey'

financial pressures.'

From the survey, a great deal of those heavily affected came from low socio-economic backgrounds. If university life becomes too expensive,with very little support both financially from the government and academically from staff, it may well become unfavourable to attend at all, for many from poorer

backgrounds. The cost-ofliving crisis has been so damaging to the student experience that, as research from the Survey has highlighted, it is further “imbedding inequality into the higher education system”. If these issues are not tackled soon, and the government continue to overlook student populations, the opportunity to attend university itself could become increasingly more exclusive. This would in turn create an unfair enviorment for many who want to go to university. If all people cannot access higher education then it puts into question the place university has within society as well as further creating inequality. University should be affordable to all and the cost of living crisis is creating more obstacles.

Ioannides Opinion Subeditor

'Extremely difficult to balance the academic aspects of university life, whilst buried under

Opinion | Has the handling of the marking boycott left us questioning the integrity of universities?

At the same time GCSE and A-Level students excitedly tear open results papers and prepare themselves for the next stages of their education, the disruptive effects of the UCU’s marking and assessment boycott still rumble on for so many university students. Unlike their younger counterparts, countless university students nationwide were met with incomplete, and in some cases even vacant, results pages on their equivalent ‘results days’. Unacceptably, many are still to receive degree classifications or information on when they will indeed be able to graduate. And, regrettably, this disruption will not find its end before the new academic year begins. On the 14th of August the University and College Union (UCU) announced their decision to extend industrial action into the 2023/24 academic year. This decision will mean that a further cohort of students will be affected by such strike action, including those that already faced the turmoil of it this summer. Resultingly, hitherto existing feelings of disappointment, anxiety and resentment are set to remain, and surely intensify, in so many, as the outlook on future strike action becomes even more bleak and uncertain. Finalists from the most recent "graduating" year know all too well the effects of this strike action. Speaking to one such finalist, who wishes to remain anonymous, the personal reverberations of the boycott become exceedingly apparent, commenting: ‘As part of a university cohort beset by lockdowns, strikes, the soaring cost of living and cancelled A-Levels, the marking boycott presents itself as the latest

and final blow in what has, for me, become a truly miserable university career. The disruption that has, and will continue to, taint almost the entirety of my three years at university, emerging in an array of forms, is perhaps pitifully epitomised in the fact that I have been unable to graduate at the right time.’ Nodding to the scope of the boycott, this female third-year student recognises that she is just one of countless students who share in her frustrations: ‘Most finalists are already aware of how destabilising this experience has been. Many of my peers stress about not being able to progress onto post-graduate courses or renew their VISAs to maintain their position as a student in the UK. Others feel cheated out of recognition for the work they have done, and the vast majority can unanimously agree that the extortionate amount of money we have paid for our courses is disproportionate to the now delayed return of our investment.’ And the effects of the boycott are not just limited to finalists. Students across all years of university are entering a new year without any indication of where they stand academically; of whether the sheer number of hours spent in the library completing coursework and exams, likely measurable by days, has paid off. In return for our hard-work, I, along so many of my fellow second year English students, have, this summer, been met with the mere morsel of ‘you have progressed into the next year’ – no marks to my name, still – a response utterly disproportionate to the level of work I put into my studies this term. Indeed, what is making students so aggrieved about

this inaction is the feeling that they are not getting what they rightfully should. Embarking on a university degree is a big expense, not just monetarily, but in terms of the dedication it requires. Whilst we commit three or more years to future prospects, those of a similar age who choose to work are gaining valuable experience, experience which employers are increasingly expecting from prospective graduate employees. Therefore, there is an opportunity cost to the decision to attend university, there’s an element of risk. As such, we students want not only to feel that we are getting value for money for these years, but that we are also on track to achieving our anticipated outcomes. Since an early age, students are always taught to have one eye on the future – it is drilled into us and characterises an extensive part of our education system, beneficially or otherwise. We are constantly reminded of the next step and in today’s competitive employment market, not knowing where you stand academically makes it difficult for students to position

themselves for possible MAs or graduate jobs. This inaction is undermining our own decisions for our futures and, in some cases, causing us, through no fault of our own, to fall short of such ambitions. As a result of the boycott, the anonymous student leaves university dismayed by its failure to deliver what it promised, saying: ‘All of the grievances I have experienced as a result of the boycott culminate in the disheartening realisation that higher education has simply failed me. 'The complete disorganisation and lack of communication has not only solidified the fact that the University does not see its students as real people, with extremely specific and real cases on the line at the hands of their idleness, but has epitomised the way in which ostensible models of integrity are more often than not disingenuous’. As such, whilst the familiar discussions of which freshers wristband to buy or which so-

cieties to join will nevertheless be on the minds of this year’s freshers, this cohort will perhaps be facing new discussions of what sort of institutions they are heading into. The university’s handling of the marking and assessment boycott, alongside issues like the accommodation crisis, oversubscribed courses and the reduction of student loans, is surely symptomatic of a wider issue that needs to be addressed within higher education – the ostensible loss of its integrity. Are the universities of today morally different from the institutions students from previous generations entered into?

In light of these crises, can we continue to affix ideas of integrity and exemplary behaviour to institutions of higher education? As ever, I stand with those lecturers taking part in the boycott. Just as we feel uncertain about our futures as a result of this, their action comes from a similar place.

'Students across all years of university are entering a new year without any indication of where they stand academically'

'Indeed, what is making students so aggrieved about this inaction is the feeling that they are not getting what they rightfully should.'

Georgia Rowe Opinion Digital Editor

University students accross the country have been left behind as universities and their staff battle. Georgia Rowe offers her perspective.

Image courtesy of Unsplash

Opinion | Should the LGBTQ+ community be angry at Jordan Henderson for moving to Saudi League club Al-Ettifaq?

As the Saudi League aims to pick up more players can we sepearate the players morals with the countries?

Aarun Parmar-Cunio discusses this debate.

Jordan Henderson was once seen as an ally to the LGBTQ+ community, but his recent controversial move to Al-Ettifaq has left people disappointed with what seems to be a slap in the face to the community, but how frustrated should we really be?

Henderson has had a prestigious career

'University students nationwide were met with incomplete, and in some cases even vacant, results pages on their equivalent ‘results days’.

in English football, having led Liverpool to Champions League, FA Cup, League Cup and Premier League glory as club captain. On the international stage he has played 77 times for England and has represented his nation at six major tournaments, becoming somewhat of a household name. Whilst captaining Liverpool, Henderson frequently showed allyship to the LGBTQ+ community on multiple occasions, championing the club’s Red Together initiative, Rainbow Laces. At the time, he expressed his proudness to be club captain, championing the cause by ‘celebrating unity, togetherness and inclusion which could not be more in keeping with the values of our club and city.’ He went on to say ‘this kind of visible support can only have a positive impact, sending the powerful message that football is for everyone and the more of us who can take this message back into our homes, workplaces and daily lives the better.’ However, his move to Al-Ettifaq, where his £700,000 a week salary will be paid by the Saudi state, who punish

those guilty of homosexuality with death, has left his previous comments hollow. 3Lions Pride, a fan group for LGBT England supporters, was left ‘beyond disappointed’ after his move, and former Aston Villa and Germany midfielder (and member of the LGBTQ+ community) Thomas Hitzlsperger, wrote an article expressing his view of Henderson’s old comments as ingenuine. The issue made it to the top of debates on Sky Sports News and talkSPORT, with Henderson subject to a wave of criticism on social media from those predominantly with more socially progressive views.

Although the anger ex-

pressed by LGBTQ+ groups at Henderson’s move to the Saudi League is justified considering his past comments, it is important for this wider wing of political thought not to lose sight of the bigger picture when striving for a more inclusive and progressive world. Why is it that Twitter cooked up a barrage of criticism against an individual’s involvement with the Saudi state, yet has historically failed to draw as much attention to our own government’s financial involvement in supporting the oppressive regime? Take for example, the UK’s near £27bn worth of arms supplied directly to the very same Saudi government guilty of attacks on the LGBTQ+ community.

The Saudi Air Force are entirely reliant on British funds with UK-made weapons having been extensively used in Saudi Arabia’s devastating attacks on Yemen, killing thousands of civilians and creating the

world’s largest humanitarian catastrophe. Yet the Twitter ‘mob’ focuses most of its energy holding Henderson personally accountable while largely ignoring the role of elected officials in Britain financially propping up Saudi military forces. Of course, for those on the progressive side of politics, holding Henderson accountable for his U-turn is important to show solidarity with the LGBTQ+ community, who clearly feel disappointed with his decision to move. But to only focus on this feels counter productive in achieving a more structurally inclusive world. Instead of just holding individuals with little political power to account, pressure must at

least be attempted to be applied to those with large political power who are entangled in far worse moral bankruptcies with the very same state. After all, the British government is more than happy to see the LGBTQ+ community and allies direct their anger at Henderson rather than at themselves, as they can continue to sell weapons unscrutinised. Issues like arms sales that are largely ignored by progressive advocates may be a reflection of a sense of hopelessness about what can and cannot be changed. People may feel that applying pressure to individuals like Henderson is more likely to affect the attitudes of

future LGBTQ+ allies, therefore furthering their cause incrementally. Wider discussions must be held in order to raise awareness around injustices at a higher level. Many people who are rightfully outraged by the Henderson saga are not aware of wider issues like British arms sales to the Saudi government as they are not brought into the limelight anywhere near as frequently. It is the responsibility of those aspiring for a more inclusive world to bring this to the forefront of discussions in order to tackle the status quo effectively. to ensure that people are questioned about the choices they make particularly if they go against moral stances they have made in the past.

'Students across all years of university are entering a new year without any indication of where they stand academically'

'Indeed, what is making students so aggrieved about this inaction is the feeling that they are not getting what they rightfully should.'

Aarun Parmar-Cunio

Third Year, Politics and International Relations

'Indeed, what is making students so aggrieved about this inaction is the feeling that they are not getting what they rightfully should.'

'Indeed, what is making students so aggrieved about this inaction is the feeling that they are not getting what they rightfully should.'

Features

Editor

Editor

Editor

Editor

McNamee

Annie McNamee speaks to students and receives advice on how to get through Freshers week

Annie McNamee

Features Digital Editor

Here you are, beginning university. You have spent 15 years learning and studying, many months staying up late revising for exams, and a summer planning exactly which fairy lights to use in your new room. Time, energy and money, all went towards this moment. It’s Freshers week. It makes perfect sense that students expect a lot from Freshers. Aside from knowing how hard you worked to make it here in the first place, coming to university represents the beginning of adulthood, bringing with it a freedom that most are unfamiliar with.

The level of independence attained almost overnight is appealing for obvious reasonsthe possibilities are dizzying. Everything is ahead of you, and good things are to come. For some, Freshers lives up to the hype. It can be great if you are a people person, or enjoy being busy.

may become more pronounced when you’ve been excited for something for so long.

Speaking to Epigram, one third year student - who wished to remain anonymous - discussed how he was taken aback by Freshers week: ‘I came into university not thinking about the negatives.

I was nervous, but I thought it would be okay overall [...] I just didn’t know it would be so hard.’

more long-term solutions. Sometimes you just need to vent, and the charity Nightline is a student-run service for you to call at nighttime, if you wish to speak freely and anonymously to somebody.

'If you are struggling with loneliness or homesickness, remember that you are in the majority.'

Nel Roden guides you through some of the lesser known, must see attractions of Bristol every Fresher should visit.

'Once I began to open up to friends about my struggles, I was shocked at how many people were having the exact same experiences.'

This is a struggle many young people face. Freedom is wonderful, but it comes with its difficulties. For every fun night out, there is a terrible hangover that keeps you in bed until 3pm. Living without restrictions from parents is liberating, but it can easily result in a lack of routine and balance. Taking care of yourself is more challenging than many anticipate.

‘I don’t even think uni itself was the hard part,’ said one economics student. ‘Adulthood is hard, and unfortunately most of us only begin to really experience that at university.’

If you are struggling with loneliness or homesickness, remember that you are in the majority. Leaving home for the first time - and arriving in a new city - is a significant milestone in one’s life. It is natural to struggle with this adjustment, and completely normal to feel isolated despite being surrounded by so many people.

Only partially due to the amount of tequila I consumed, my Freshers week was a blur that I hardly remember. I have forgotten most of what happened, but I have not forgotten how I felt. I can still feel the pit at the bottom of my stomach, and the vague fuzz throughout my arms, chest and neck.

Epigram spoke to Iona, who is going into her third year. She looks back fondly on her time during Freshers: ‘I loved it!’, she said with a smile, ‘It was really fun meeting loads of new people, and I got some great stories out of it.’ For her, it was too frantic to even begin thinking about missing home: ‘It was hectic and brutal at times, but it was brilliant.’ However, not everyone is so lucky, or so suited to the frenzy of new faces and activities. In polling past and present students at Bristol, Epigram found that 60% of students felt that Freshers week hadn’t lived up to their expectations, meaning almost two thirds of students were left dissatisfied with their introduction to university life. Several factors may contribute to this sensation. For instance, a sense of disappointment

Many don’t know their limits at the beginning of first year, and you will probably end a night covered in either your own vomit, or that of someone you met hours prior. You may not meet anyone you like in week one, or even term one. First year, particularly Freshers, can be emotionally challenging. Consequently, it is crucial that you know where to find help if you need it.

'For some, Freshers lives up to the hype. It can be great if you are a people person, or enjoy being busy.'

I was a ball of anxiety for a lot of my first year, which is much more common than you might think. Once I began to open up to friends about my struggles, I was shocked at how many people were having the exact same experiences, and yet we had all felt as if we were alone in them. It got easier for all of us, and now we are all closer friends thanks to the difficulties we shared. ‘Say yes to as much as you can,’ one second year student told Epigram.

The university offers lots of support, including a free counselling service, which can be accessed through your accommodation with ResiLife, or directly through a support request. The university’s student health service is also useful if you are struggling with your mental health and need

‘If it's bad you can leave within 10 minutes. But at least try it out,’ he enthused. So enjoy Freshers, for all its good, bad and ugly parts. Don’t feel disheartened if it isn’t everything you dreamed of, as most of your peers probably feel the same way. Take opportunities where you can, but be kind to yourself. Be kind to your liver. Take a deep breath. It will all work out.

Moving from your hometown to a new city is always a daunting prospect, especially when you’re unfamiliar with what that new city has to offer. So, to aid this transition, here’s a collection of some Bristol’s best lesser-known spots for you to explore, helping to acquaint you with the city and become a true Bristolian. Ah, the luck of the Irish. Kicking off the list is Seamus O'Donnell's; your classic Irish pub… with a hint of drag. Claiming to pour the best Guinness in the South West, Seamus’ is the perfect spot to experience the bustle of Bristol’s old city alongside some iconic drag performances. Whether you’re Irish and looking for a taste of home, or British/ international and looking for a taste of Ireland, Seamus O’Donnell’s is the place to be. Located at the end of an unassuming street in the heart of Clifton, the Cori Tap is one of Bristol’s truly hidden gems. Known for its legendary – and lethal –Exhibition Cider, the Cori Tap is a cosy, welcoming ciderhouse ideal for a boozy pub night. But beware, while their half pints may seem like lightwork, they’re no joke; you’ll be sure to have some humbling memories from this Bristol experience. Are you looking to fill the void of a pet after moving to university? Well, look no further. Bag of Nails is an intimate pub that combines the comforts of a good pint and a cat in your lap. This pub is a great place to spend an afternoon getting to know your new

'Seamus’ is the perfect spot to experience the bustle of Bristol’s old city alongside some iconic drag performances.'

housemates alongside the pub’s feline residents. With a quiz night every Tuesday and an ever-playing mix of eclectic music scoring your visit, what more could you want! Calling all boardgame enthusiasts! Chance & Counters is Bristol’s very own boardgame café. Whether you’re a hardcore boardgame fanatic or just looking for a light-hearted afternoon with friends, you won’t regret a visit to this brilliant spot. Chance & Counters has an extensive food, drink and boardgame menu, and is guaranteed to have something for everyone. On the topic of themed café’s, why not try the medieval inspired Vaulted Chambers?

'Bag of Nails is an intimate pub that combines the comforts of a good pint and a cat.'

Located within the iconic grounds of Castle Park, The Vaulted Chambers is built within the last overground remains of Bristol Castle. Whether you’re interested in Bristol’s medieval history or simply wanting coffee and cake to accompany your Castle Park ramble, The Vaulted Chambers is a must-visit city centre spot. While one of Bristol’s most scenic and popular green spaces, Brandon Hill, is no secret, you might not know that you can actually climb the spiralled staircase of the park’s spire, Cabot Tower. Built in the 1890s to commemorate John Cabot’s voyage from Bristol to Newfoundland, it’s the perfect fusion of Bristolian history and scenery to familiarise yourself as a new resident. Situated at the top of the hill overlooking the cityscape, it’s undoubtedly the best view in Bristol and a great way to get your bearings. Centrespace is an artist-run, non-profit gallery discreetly tucked away down Leonard Lane. From promoting a variety of artistic mediums to hosting events and workshops, a great day out for anyone looking to explore and support independent and sustainable artwork.

Students express fury at delays to degree results 11

Apandemic, hybrid learning, a cost-of-living crisis and strikes: The 2020-23 cohort of students have had a uniquely diminished university experience. On the 11th of July –the day they were expecting to receive their final results – around 10 per cent of this group were told by the university that their final degree results had been delayed.

In place of a degree classification, affected students received an apology letter and the offer of a £500 ‘goodwill’ payment intended to compensate them for the disruption. Impacted students have the choice of attending either an August graduation ceremony –unknowing of their final degree results – or a delayed graduation ceremony in the Autumn, when their awards become classified. Crucially, this will be without the peer group they have spent the last three years with. The university is expected to hand out £250,000-275,000 to the students without classified awards this month.

The announcement has thrown students into uncertainty and anxiety at what is a pivotal moment in their lives. Impacted students now feel they have nothing to show for the blood, sweat and tears they have poured into not just their dissertations, but entire three-year degrees

It has also taken a significant mental toll. Speaking to Epigram, Evelyn, a third-year student impacted by the boycott, expresses her disappointment at both this announcement and the treatment of her cohort over the past three years: ‘My cohort and I have experienced disruptions in our education for the last thryears. We spent first year online, second year with a hybrid approach as restrictions began to lift, and third year with chunks of our education

missing due to the UCU strikes […] I think the worst thing of all, is that despite these disruptions, not once did the university attempt to accommodate us and the circumstances we’ve had to deal with.’

Rachel is another third-year student impacted by the boycott. Speaking to Epigram, she discusses the impact the announcement has had on her mental health, and the uncertainty she is currently experiencing: ‘There’s absolutely no question whether I will pass my degree, I’m a high achieving student - so why are they claiming they can’t even confirm a pass at the moment?

My mental health the past few days after being told I might not be even allowed to attend the graduation ceremony whilst my friends have been given classifications has been awful. The prospect of being stopped from attending the one thing you work towards throughout your degree has sent me to a really dark, angry and extremely sad place.’

Some students who have received their results believe the disruption triggered by the boycott has led to uneven and unfair marking. One second year Law student – who wished to remain anonymous – contacted Epigram on behalf of ‘50 concerned and upset second year law students’. They explained how ‘Many of us have obtained extremely low grades, which we do not feel

at all represent our capabilities or the work which was submitted during the exam period.’

They amassed several testimonies from other second-year law students who believe they have received, in comparison to the grades of earlier formative work, irregular and inexplainable marks. One student, who wished to remain anonymous, said: ‘My formative for EU Law was a 72 and my final result was a 55. This is such a major drop which I am not happy about at all. The level of detail and amount of sources was practically the same.’

This comes amid claims from the Bristol UCU that – in certain departments – ‘entire third year modules were marked by individuals who had never previously taught at Bristol’ and ‘Third year assessments were marked by academic staff who did not teach on the unit.’ Last month it was reported that the university was offering postgraduate students £18.85 to mark first and second year exams and making non-striking staff mark dissertations at nearly twice the usual speed.

John Mctague is a senior lecturer in English and Co-Vice President of the Bristol UCU. Speaking to Epigram, he discusses how he feels that the work of university staff has been undervalued and undermined by the UCEA (The Universities and Colleges Employer’s Association): ‘Members of the union who have been participating in the MAB have been angered by the institution’s apparent indifference

to the value of our labour.

‘As colleagues have commented, if we can award degrees without student’s work being marked, what is it we are working so hard to do to tight deadlines in ordinary years, exactly? The indifference is also evident in the fact the vice chancellor thought it appropriate to volunteer to mark History of Art dissertations despite not having taught in that department before.’

John confirmed that he had seen evidence of assessments being marked by academic staff who didn’t teach on the unit, and entire modules being marked by individuals who hadn’t taught at Bristol.

the knowledge baseline established in the classroom was.’

'John confirmed that he had seen evidence of assessments being marked by academic staff who didn’t teach on the unit.'

He explained how these decisions have impacted upon students: ‘It unnecessarily interrupts the pedagogical relationship between teaching staff and students. It separates assessment from teaching and turns it into a sort of certification service. While we mark student work against criteria that are consistent within Faculties or Schools, there are still important ways in which teaching relates to how students approach assessments: which concepts they need to explain in detail, for instance, and which forms of shorthand they can rely on because they know more or less who their reader is and what

John also emphasised the impact of the marking and assessment boycott on the students who are due to graduate: ‘The Vice Chancellor, at an all staff meeting on 13 July, sought to downplay the impact of the marking and assessment boycott, saying (for instance) that around 7-8% of students will graduate with an award pending classification or a preliminary ordinary degree and that 90% of students would graduate 'normally'. ‘However, that figure obscures the huge numbers of students who will be graduating without all of their work having been marked, under the new amended regulations. In many departments the majority of students did not have a full run of marks at the School exam boards (in some departments, no students had a full run of marks). This matters because generating marks by algorithm when students have completed their work is very much not 'business as usual,' nor does it lead to a 'normal' graduation.’

On the 14th of July the UCEA and the UCU began another round of negotiations. Both staff and students hope for an outcome which brings an end to the nine-month long dispute.

Image courtesy of Emmanuel Offei / Unsplash

'The announcement has thrown students into uncertainty and anxiety at what is a pivotal moment in their lives.'

Aidan Szabo-Hall Features Editor

Epigram investigates the disruption caused by the marking and assessment boycott

Urban escapes: a guide to Bristol’s green spaces

Ellicia Metcalfe outlines five of Bristol’s best spots to ensure you know where to go to get your green fix.

Ellicia Metcalfe Features Subeditor

The positive effects of spending time in green spaces are undeniable, helping to elevate your mood and reduce stress levels. Luckily for residents of Bristol - the 2015 European Green Capital - the city boasts over 450 parks and green spaces. This guide highlights five of Bristol’s best to ensure you know where to go to get your green fix. This wouldn’t be a guide to green spaces in Bristol if it didn’t include the biggest green space of them all: The Downs. Located at the very top of Whiteladies Road - a stone’s throw from the Stoke Bishop Accommodation Village - and snaking down to the Clifton Suspension Bridge, The Downs

are the lungs of Bristol. Escape the chaos of the city by completing one of the many walking or running routes, or watch a spectacular sunset from the Avon Gorge Cliff Edge viewpoint. You can even take the trip to see the widely known ‘Goats in the Gully’, six goats living inside a fenced area of the Avon Gorge. During the summer months, the Downs comes alive not only with students and their disposable barbecues, but with annual music and food festivals. In September, you can even find Bristol University’s very own Freshers Fair, so there is no excuse not to pay The Downs a little visit! Featuring benches which offer some of the best views in Bristol, it’s no surprise that Brandon Hill has made it onto our screens in various episodes of the Bristol-based TV show Skins. Living up to its name, the park is essentially one big hill - while this means making your way from one end to another is quite the ordeal, the view from the top is

worth it. This view makes the park particularly popular at sunset and on bonfire night, where you can watch a citywide firework show for free.

Cabot Tower sits at the top of a small nature reserve and is a sight for sore eyes, regardless of the season. Located just off park street, it is an ideal spot for a rest break or detour during a day of sightseeing. Grab a coffee from one of the many great cafés on Park Street and enjoy watching the world go by. Recently bestowed with a ‘Green Flag Award’ and thus recognised as one of the country’s best parks, Royal

Fort Gardens is nestled in the heart of the university campus and is the perfect place to take a break from the library or relax inbetween lectures.

Originally a Civil War Fortification, the picturesque gardens are now host to a series of temporary artworks and a wildflower meadow dedicated to the winners of the Bristol Teaching Awards. Bask in the sun and forget those deadlines ... at least for an hour or so. A green refuge in the centre of Bristol, Queen’s Square is situated next to Harbourside. A regular host of outdoor theatre and cinema, music con-

certs, business exhibitions and other major events, there is always something to do in this inner-city pocket of green. In the summer months, you’ll find yourself having to dodge picnickers and volleyball players to find a space to sit and soak up the surroundings.

If you dare to venture over Clifton Suspension Bridge, you’ll find the National Trust Park known as Leigh Woods. Located outside of Bristol’s centre with an area of 2-square-kilometres, Leigh Woods is for those who want to escape the bustle of the city.

The National Nature Reserve is filled with paths and wildlife trails for walkers, runners and BMX enthusiasts alike. Why not try the Leigh Woods veteran tree route, a milelong stroll alongside some of the park’s oldest trees? Of course, no National Trust park is complete without a picnic bench or two to enjoy a lunch, so be sure to pack your own and really live out the National Trust experience.

So you want to be a Bristolian? How to go above and beyond this Freshers Week.

Neve Dawson highlights some of the best places to visit during your first weeks of university.

Neve Dawson

Third Year, English

So you’re coming to Bristol University. A big round of applause and many congratulations. While the trepidation of moving to a new city is starting to kick in, so are, I’m sure, feelings of curiosity as to the city itself and what it has to offer a new student on the block.

Bristol. Whilst stereotypes prescribe a Bristolian with Skins-esque eyeliner, Afghan fur coats and second-hand clothes sourced through vicious Depop battles, the reality of life in the city is rather different. Even if I am one of the aforementioned Penny Lane wannabes. The city is undoubtedly one of the most culturally-rich and diverse locations in England. Known for its tendency to make newspaper headlines, Bristol

is a city of non-conformity and individuality, which welcomes everyone with open arms.

With that in mind, here’s a compiled bucket list of activities to pick and choose from, serving to further enrich a newcomer’s Freshers Week as they settle into their new lives at the university.

Whether you’re an avid sixstring player or just a fan of live music, the open mic at King Street's Old Duke is something you don’t want to miss. Taking place every Tuesday until 11 pm, gather at this city-centre joint for an evening of the best covers and original music. Entry is free and if you are the next Sam Fender, sign-up on the night for the open mic, as free drinks are only an arm’s reach away.

Do you write your own poetry or are you an avid Keats reader? Get yourself down to the Lightship Boat near M-Shed and witness the outstanding Satellite of Love Poetry and Spoken Word open mic. Occuring on the last Wednesday of

the month, the night is one of the most welcoming events I have attended in Bristol, guaranteeing laughs, cheap drinks and an abundance of creativity. Want to impress your friends with your in-depth geographical knowledge of Bristol? Visit Cotham Hill off Whiteladies Road: the hangout and residential area for many second and third-years. The shopping street is full of surprising and niche finds, including a plethora of charity shops. It’s perfect for finding that cheap second-hand fit that will make the Y2K girlies green with jealousy. Are you a film student or the next Christopher Nolan with a longstanding addiction to Cillian Murphy? Located in Cabot Circus, make the most of Showcase Cinema’s cheap student deals - which start at £7.50! You can even sign up for a points scheme enabling future discounts on your cinema visits. This is perfect for those often-awkward first dates or wholesome nights out with your flat - without

of Showcase Cinema’s cheap student deals - which start at £7.50! You can even sign up for a points scheme enabling future discounts on your cinema visits. This is perfect for those often-awkward first dates or wholesome nights out with your flat - without the hangover the next day.

Who doesn’t love a free event? Jam Nights at Strange Brew are perfect for all you music lovers, regardless of your genre preference. Witness first-hand Bristol’s best

university memories were made. Get loose and jam along. Hold onto your hats and bear with me. Mother’s Ruin is the best pub in Bristol. No arguing. Boasting cheap happy-hour pints and a retro-chic interior, the pub also offers quiz nights every Tuesday, just a walk away from King Street and other top drinking spots in Bristol. It's perfect for those of you who fancy a brain-stimulating challenge. and a short walk home if your accommodation is in the city centre.

Image courtesy of Martyna Bober /Unsplash

Image courtesy of Charlie Hammond /Unsplash

Wit & Wisdom

by Miranda Mercer, Third Year, Veterinary Medicine

Graduate Corner

speaking to a woman who believes she’s a real-life unicorn and the next I’m speaking to a survivor of stage four cancer. There truly isn’t a dull day and I’m so glad I continued to pursue that fire within me to get to where I am now.

But if there’s anything I’ve learned from my post-grad journey so far, it’s that you don’t have to land your dream job right away. The skills I picked up and the lessons I learned from my roles beforehand were invaluable to teaching me more about the industry and the working world as a whole.

Journalist and writer, Flossie Palmer, graduated from the University of Bristol in 2022. In our first alumni feature, she describes her career journey and advice for aspiring journalists.

Flossie Palmer @flossiegpalmer

After spending two years working on the Features team of Epigram, I knew that’s exactly what I wanted to do for my career after university. In fact, I spent my entire third year pouring most of my energy into Epigram rather than my degree! In journalism, I found where I truly thrived; in interviewing people, sharing their stories and spreading awareness of different issues.

But after submitting over 20 job applications, I found myself working at a local PR agency in Bristol instead. Getting into the journalism industry was a real challenge; despite pursuing journalism through Epigram

the roles I applied for. Instead, I learned as much as I could in my PR job, developing my social media management and communication skills. This inevitably helped me take my next step into the industry when I joined the digital team at ITV Studios, video editing for the Lorraine and Loose Women YouTube channels in November 2022. To this day, I’m still in disbelief that I landed that role – I was so nervous for my interviews and spent days planning for them beforehand! Plus, I had no previous video editing experience – just a willingness to learn and a passion for women’s interest journalism! Sometimes, you don’t need to tick all the boxes, you just need

there, travelling from Bristol to London twice a week was incredibly expensive. Plus, it wasn’t my dream job – I still wanted to be a journalist and I knew at ITV, I wasn’t really pursuing my passions. I still wanted to live in Bristol too. My heart belongs here and I hated that the journalism industry revolved so much around living in London. You shouldn’t have to sacrifice the lifestyle you want just for a job! Luckily, I didn’t have to. In May this year, I landed my first journalism role as a Feature Writer at Pick Me Up! and Chat magazine at SWNS, which is based in Bristol. Every day, I interview people for real life humaninterest features; one day I’m

THE EPIGRAFT

Epigram's blind date series returns, exclusive to print!

This month...

Clara meets Ava

What do you study?

English.

First impressions?

She was very friendly which put me at ease!

Any highlights?

Chatting about everything from nightclubs to global politics.

Describe your date in three words. Nice, entertaining and funny.

Any awkward moments?

Not at all, apart from me running to the loo after every pint. I broke the seal too early.

Second date? Definitely!

Despite finding that the path to where I wanted to be after university was more complicated than I originally thought, I took every opportunity to learn something and didn’t lose sight of myself or my dreams.

I think that is the best advice I can give to anyone else wanting to pursue a career in the media after university – be determined, willing to learn and most of all, true to yourself. Just because the job is at a renowned company doesn’t always mean it’s right for you. But only you can be the true judge of that!

What do you study?

History and Spanish.

First impressions?

She ordered a Guinness so I knew we would get along. I also liked how she had done her hair with ribbons.

Any highlights?

The whole date was a highlight!

Describe your date in three words. Funny, interesting and enjoyable.

Any awkward moments? It was surprisingly un-awkward.

Second date? Absolutely.

Artwork

How do I get involved in the university’s thriving arts scene?

There are a plethora of arts societies at the University of Bristol: Arts

Editor Rachel Bronnert explains how incoming freshers can get involved with them.

Rachel Bronnert Arts Editor

Moving to university can be a simultaneously daunting and exciting time. For many of us it involves moving away from home to live independently, starting a new degree and navigating new challenges. Whether that be living in a new city, sharing halls with strangers, or desperately trying to figure out where your seminar room is in the maze that is Woodland Road. More often than not, exploring new societies and hobbies alongside trying to break in and ‘find our people’ can become tiresome after a while. Freshers and the university experience is incredible but also slightly exhausting for some, if not all of us. For me personally, it wasn’t until my second year that I really started to fully embrace all that Bristol University’s art scene had to offer and take on the mul-

titude of opportunities that were available to me. This isn’t necessarily the case for everyone, as some freshers become integrated right from the getgo. However, for those of us who need some help balancing university life and knowing where the opportunities are, this article will explore the rich variety of artistic societies here in Bristol and how best to get involved in them to find what is right for you.

The artistic opportunities here in Bristol are endless, from A Cappella Society, Art Society, Bops, Bristol Improv, Swing Society, Afro Lit Society, Drama Soc, Dance Society, Musical Theatre Bristol, and Aerial Pole Society. That is just to name a few. Whatever your current interests are - or even if you want to try something entirely newthere is something available. Throughout the year, as well as writing about the artistic culture in the city more widely, we will be highlighting and celebrating the work of many of these incredible societies.

To begin this year, Epigram interviewed Musical Theatre Bristol’s (MTB) new president Alice Fenton, a third-year sociology student, to welcome new students and offer insight to one of Bristol University’s biggest performing arts societies.

Epigram: 'What would you say is the best way for freshers to get involved in MTB or one of the other art societies if they so wish?'

AF: 'Make sure to follow our Instagram @musictheatrebristol for all information on socials, auditions, and rehearsals. Our newbies cabaret is specifically designed for freshers and new faces. It is a great way to get into MTB without formally auditioning.'

Epigram: 'What advice would you give to a student who wants to get involved, but is worried about clichés?'

AF: 'This year we are starting our family scheme even earlier to ensure that you can meet new people from the get-go. Families are a great way to make friends and we have lots of socials planned for the first few weeks to particularly help freshers get involved. If you do ever have an issue, you can always speak to a committee member, or more specifically our Equalities officer.'

Epigram: 'What exciting opportunities are there throughout the year in MTB?'

AF: 'We have many performance and production opportunities planned for the year ahead. Showcase is our largest show which is at the beginning of the year

and is a great space for both new and old members to get involved! There are also multiple shows which are less formal, such as the various cabarets, as well as our two main shows in term two.'

Epigram: 'Finally, how has the artistic culture in Bristol and the university impacted you personally?'

AF: 'Aside from performing and choreographing (a continuation of what I have always enjoyed), I have also found a passion for the production side of these shows, improving my confidence and organization

in these areas. Bristol is full of talented, creative people and these spaces have allowed me to connect and share those passions with some of my closest friends.' If this article achieves one goal, I hope it convinces you to get involved in a society this year, whether you are a fresher or a final year student. As Alice has described, there are multitudes of opportunities in performing and production. As an Arts team, we look forward to exploring this under the spotlight of more societies as the year progresses.

The art of ‘finding yourself’ at university

Phoebe Caine

Arts Digital Eitor

Passed down the lengths of sixth-form college corridors are words taken directly from the next person. 'You'll see, it’ll be different then! I’ll have changed, I’ll probably know myself more. People find themselves at uni.' It leaves our mouths without any intention to sound inspiring or ignorant, and yet it conquers both and sets up footings of expectation. We say it with body; we cast our eyes to each other as we claim it. One supposes that things will miraculously fall into place for them. There is indeed both verity and falsi-

ty behind the idea that the big move to the big city will generate a finding of oneself, as if it necessarily alters you, as if breathing new air will automatically redress you. True, moving to university causes shifts in your character, but these do not occur with immediate effect. These shifts are gradual, breaking on the fronts of our nature like infrequent waves in uncertain weather. We fall into unknown places in our first year and then return to them, recognising them as known places until the end of our time as undergraduates. Steadily, we walk through the scenes of our years spent here and find that if we tripped on the pavement, likely coming home from a library stint, we would crack open and the same scenes would fall and collect on the

ground around our knees. All the books on those shelves, each array of items arranged on and beneath nearby desks. All the shopfronts that changed hands, each regular walker and their ageing dog. All the tables and chairs sat on in pubs and bars, each gesture we made to one another. All four walls of the rooms of strangers; friends; lovers we saw from sitting on the edge of their bed, each type of media we exchanged... The structure of our lives is an extensive network of acute decisions existing along the same line of time, alive with reflections of ourselves. The beauty in all of this is rarely loaded on in periodic epiphanic episodes. Instead, it comes in irregular doses: the feeling of being closer to yourself than

you may have ever felt before. We wear clothes we have not owned before, listen to music and theatre we have not heard before, stare at books and artwork we have not glimpsed before, and watch each other doing this, initially for the first time and then over and over again. Where there is more exposure there is more understanding. Where there is more understanding there is something that has, in the process and in the end, undoubtedly been found.

At university, the circumstances and situations we face are usually inconsistent with our expectations and incoherent when compared to our past. Particularly in the first year, there exists a tense friction between the familiar person we are loosely holding onto and the person we are trying

to grab by the wrist to become. Our potential scintillates in the dark autumn air, eventually leaving its state of obscurity and attaching to us, becoming our form.

In each of us there are secrecies: private and puzzling spaces that we get especially stuck on and struggle to solve. The act of trying to figure ourselves out, turning to art that can speak to us in vagaries and consuming it like ravenous animals thirsty for the taste of our own blood in our mouths, is only a natural human impulse. Your trouble to pin your soul down to the body you see is not uniquely your own. All of our art is a manifestation of an urge to view ourselves from the outside and begin to appreciate all of the ways we come to be.

Phoebe Caine explores the intricacies of 'finding yourself' at university.

Image courtesy of Milan Perera

‘Home is where the art is’: The impact of art in forming community

Whether you are a viewer of a creator, art finds a way to link us together. Here, Isabel Williams explores the influence of art in helping us find our people.

Isabel Williams Arts Co-Deputy Editor

Recently, I got a little drunk and a little philosophical with a friend of mine, and we started talking about what it was that attracted us to the arts. As two students of English Literature, we both agreed unquestioningly on our gut feeling that art was important, but found we struggled to convey exactly why we felt this way. Eventually, I produced an explanation we could both agree on: 'I think because at its core, it’s all about people,' I said. 'Ultimately, it’s all about who is making it or how it’s being perceived.' However pretentious our tipsy conversation may appear from the outside, it’s a sentiment that I feel (even whilst sober) rings true. Whatever the aim of the artist, art is one key way

of bringing people together. We see this in the millions of tourists who travel the globe every year just to immerse themselves in the art of their neighbouring countries, as well as in the long-standing preservation of cave paintings from centuries past. Art’s ability to transcend language barriers and generational gaps makes it a form of communication in its own right. The quote ‘Art cannot be created in a vacuum’ aims to demon-

strate how no art can be totally original; I feel, however, that it also speaks to how, by weaving itself into the fabric of human history, art also weaves every one of us together.

Frequently, art becomes the very life force at the centre of a community. Its accessibility allows many marginalised groups the space to explore their identity as a collective.

During the height of New

York’s underground ballroom scene, the performative art of drag was an opportunity for those who had been ostracized from society because of their race, sexuality or gender identity, to form a society of their own. Creating art as an individual can be empowering, but a choir of voices is always much stronger than a single one. Drag was - and still is - an art form that demanded visibility. It grew not only as a form of art but as a form of rebellion. Like any rebellion, it could not have had the momentum it did without the participation of many. After all, there is a reason why we refer to certain genres of art throughout history as ‘movements’: many historical art styles were introduced in protest of those who dominated society at the time. Like an avalanche, they built momentum, collecting multitudes until their impact became undeniable. Art’s ability to instil pride in a collective identity; to provide mutual recognition and support in dark times; and to provide a space for those who dare to challenge the status quo makes it an immensely powerful, unifying force.

It was this sense of unity through shared experience that formed the core of Grayson Perry’s art club. In 2020, the iconic British artist called for people across the country to send in their artworks for a collaborative exhibition project. I was fortunate enough to see some of the final selected pieces when they were displayed in the Bristol Museum in 2022. There was a distinct impression that despite the individuality of every piece,

they all acted as part of a much greater whole. Created by people who had undergone the same, strange phenomenon, the exhibition was like a great feast in which every artist proffered their own unique dish. Grayson Perry’s art club was an attempt to remind the people of Britain of the qualities we share even when physically isolated. It took something destructive - a pain that we had all born in different

ways - and turned it into solidarity. It was a message telling us that we were not alone. With this in mind, it is hopefully evident how the presence of art in an unknown setting can be a real blessing. When it comes to starting university, art is the focal point of interest for so many social groups. It is this shared love that brings people together on their courses, in societies and the creation of student projects. Art can provide a comforting familiarity, but a change of location can also mean new sources of inspiration and new people to share them with. It is because of their shared proximity and their passion for the arts that we were brought to the Monty Python crew of Cambridge University, as well as the Young British Artists of Goldsmiths College of Art. Much of the creative output conjured by the wonderful University of Bristol societies wouldn’t exist if it weren’t for the communities working eagerly to put them together: Fashion Society’s Trashion Show, Drama Society’s theatre productions, Art Society’s annual exhibition and, of course, the paper you are reading right now. Images courtesy of Unsplash and Isabel Williams

Book nook: Campus novels and what we might learn from them

What might we learn from the themes present in this classic genre of fiction?

Ella Carroll Arts Co-Deputy Editor

The ‘campus novel’ is an iconic genre of fiction that chiefly focuses on university campuses and the events that occur within them. Loaded with satire, the campus novel is possibly the genre of fiction that is most relevant for students beginning or returning to university; thus, I have curated a list of ones which are truly worth a read.

What’s more (a true English student at heart), I have also taken it upon myself to outline what these novels quintessentially say about universities and what we might learn from them going into the new academic year.

Not the Dostoyevsky novel but an ode to it, The Idiot by Elif Batuman follows the comically clueless but incredibly intelligent Selin and her arrival at Harvard University, as she navigates complex interpersonal relationships both romantic and platonic. Selin’s uniquely cynical view of her peers and professors speaks to the often-found pessimism in overwhelmed university students, but Batuman makes no move to condone her cynicism. Her journey into the world of adulthood is turbulent and one which I found incredibly relatable. It left me feeling truly impassioned.

This novel is certainly far more absurd than others on the list but I recommend it nonethe-

less. Repulsed by the other members of her creative writing seminar, scholarship student and recluse Samantha ends up sucked into their coquette, cupcake-filled world of wealth and saccharine femininity. This book is, if I may speak quite bluntly, insane and it is cynical about campus life in the same way that all of the novels on this list are. Despite this, it addresses important issues of privilege within university life and does so in a darkly comedic, highly entertaining way.

3. The Netanyahus by Joshua Cohen

While some have labelled this novel potentially a bit inaccessible, in that one must possess certain prerequisites to read it, whether or not you have a broad knowledge of Judaism I would unquestionably recommend Cohen’s

masterpiece The Netanyahus. A classic Campus novel: fact and fiction are blended in the retelling of the time that famous literary figure Harold Bloom hosted the (as characterised by Cohen) abrasive and strange Netanyahus. The novel’s sentiments about the university are undoubtedly relevant to students, as it ridicules both students and lecturers alike and while it possesses that characteristic cynicism, we may undoubtedly learn something from such satire.

4. Conversations With Friends by Sally Rooney

instead want to recommend Conversations With Friends

.

Now, I could not recommend novels about university without mentioning Sally Rooney – it would simply be impossible. While Normal People, her most popular novel, certainly fits into this list of recommendations, I

By far one of my favourite books, it is such an authentic and true retelling of what it is like to be a young adult at university. As her protagonist Frances navigates her sexuality, affairs and relationships with those older than her, she is constantly shrouded in self-doubt. But her intelligent, perceptive words on youth and sexuality are invaluable and make for an extremely cathartic read. Though satire is the one feature that links all of these campus novels, it does not overwhelm them. As such, the main idea that we can take away from these novels as we move into a new academic year, is that it is important not to get caught up in the negative aspects of campus life.

1. The Idiot by Elif Batuman

2. Bunnyby Mona Awad

Film & TV

Editors' Picks: An introduction to the team

This year's Film and TV team say hello with a diverse selection of essential media.

Film and TV Editors

2023/24

Ihave recently come to accept the fact that I am part of a cult. I am speaking, of course, about the cult of dedicated fans of Event Horizon (1997). Despite being a commercial and critical failiure upon release, to a special group of film lovers it has grown to become unimaginably important.

Like so many cult classics, it is the ‘messiness’ that makes it so compelling. Trapped on a spaceship that had previously been missing, the crew has to deal with an unseen and sinister force which slowly but surely manipulates each member through horrific visions and psychological attacks.

Daring and often grotesque imagery, combined with lofty philosophical ideas, the film operates magnificently on

both visceral and cerebral levels. Yes, it often does not make sense, and a suspension of disbelief from the viewer is required, but somehow the disparate parts of the film come together to form a uniquely cinematic experience that has proven overwhelmingly original, influential and powerful.

Lauren Durose, Co-Deputy Editor

I have an obscenely deep knowledge of plotlines and characters in Death in Paradise (2011-2023), but ask me what my favourite movie is, and I’ll always say The Only Living Boy in New York (2017) and Knives Out (2019).

Now I sit here contemplating whether I want to continue to gatekeep my favourite show, or if Hustle (2004-2012) is too good and holds too strong of a hold over my life to not make it my introductory pick.

Hustle surrounds a team of grifters based in London lead by Micky Bricks (Adrian Lester) who take on the corrupt, greedy and those 'who want something for nothing.'

The show is about chosen family, manipulating the dishonourable, and standing by your morals.

It is a show that has brought me joy for more than a decade and will probably do so for the remainder of

my life (dramatic but true).

Sofia Webster, Co-Deputy Editor

Greta Gerwig is one of my favourite directors due to her exploration of important themes, such as sexism whilst still in a humorous and enjoyable format. I think she does just this in Lady Bird (2017), her directorial debut. Saoirse Ronan stars in this motion picture and is fantastic in Gerwig’s semi-autobi-

ographical debut - all with a flawless Californian accent.

Apple TV+’s Hijack (2023) was also a memorable watch this summer, seven episodes of adrenaline-filled enjoyment that never failed to have both myself and my family immediately watching the next. Starring the ever-charismatic Idris Elba, this is definitely a show to add to your list for the perfect escape after a long day of lectures.

Sienna Thompson, Digital Editor

Aftersun (2022) is a heartbreaking depiction of the trials and tribulations of fatherhood, loneliness and growing pains.

Paul Mescal's performance as a young dad conveying his anxieties of losing his youth, but straining for time with his daughter was equally as devastating as it is profound.

The tense but tender father-daughter relationship was emotional and hard hitting in the levels of honesty it spoke to.

Charlotte Wells captured this tragic story in such a beautiful manner, with touching found film segments and artistic frames.

Victor Bennett, Subeditor

Painkiller (2023) is a Netflix

Get involved with Film & TV

Lauren Durose details a collection of societies that allow students to involve themselves in the world of film and television.

President, details some of the opportunities: 'going to Wales or the upcoming trip to Gibraltar. Photographing and filming unique species, as well as creating stories about the incredible wildlife we see."'

Wildlife Film Society (@wildfilm.bristol)

For nature enthusiasts or those who fancy a trip to Gibraltar for less than £50, becoming a member of the Wildlife Film Society will help provide a number of opportunities to help pursue your interests, as well as building your experience behind the camera.

Ollie Pink, a member for the last two years and Vice

UBTV (@ubtvstation)

For those seeking experience in areas of film, television, and journalism, UBTV has all sorts of opportunities for freshers and newbies to produce, edit, film, direct or present regardless of their experience.

Sophie, this year's President, and station manager, speaks highly of her time in the society, she says: 'I might be biased, but I feel that the collaborative core of UBTV re-

ally makes it what it is and creates lifelong friendships.' For those who are interested in pursuing a career in media; 'we arrange speakers, events and functions so that freshers and other members can network with big companies like the BBC.'

Bristol Collaborative Arts (BCA) (@bristolcollaborativearts)

The BCA is an interdisciplinary society that welcomes all of the creative disciplines whilst focusing mainly on film, music, and theatre. It is a society that prioritises creating a community to comfortably share work that will help to guide artists in their creations; there are talks, work-

original series which explores abstract themes in a very real and close to home way. The series documents the prolific growth of Purdue Pharma in the early 2000s and their role in manufacturing the Oxycontin epidemic throughout the United States. Focusing on the anecdotes of Richard Sackler, the president of Purdue Pharma; Edie Flowers, the brilliant lawyer working in opposition to Purdue; and the numerous victims of Oxycontin, this series brings moral issues of drug advertising, medical negligence and insatiable greed to the fore of political discussion.

As an ex- History student, period pieces will forever capture my interest.

The King (2019) traces the coming of age of a naïve Prince Hal. Laced with highbudget battle scenes, this film strikes a balance between jaw-dropping action and rigorous character development.

Images courtesy of IMDb

shops and even an opportunity to have your work funded.

Tim at BCA expresses how if any freshers 'have ever wanted to get involved with a film, music, art, theatre or fashion project, we will make it happen and get their work seen.' The wide range of talented individuals work together to 'create a diverse community where creatives from any background or expertise, are able to collaborate on projects.'

InFilm Society (@infilmbristol)

As the only Bristol society that focuses solely on filmmaking, InFilm aims 'to help everyone express themselves in any way possible, and especially this year

InFilm plans to give people a platform to go alongside their filmmaking skills.'

When asked about favourite moments as a member of InFilm, Dylan – the current secretary and social media manager – spoke about a horror film challenge, reminiscing how 'the people I made that film with have become some of my best friends in the world, and that's the sort of feeling that we're trying to recreate for others in their own InFilm experiences.'

There are many more ways to partake in the creatives at Bristol. For more information head to the SU website or attend the Fresher’s Welcome Fair on the 22nd September.

Lauren Durose Film & TV Co-Deputy Editor

Arron Kennon, Editor

Sofia Webster explores how 'Barbenheimer' became such a phenomenon and what impact it may have on cinema.

Sofia Webster Film & TV Co-Deputy Editor

Over this summer, Barbie and Oppenheimer, known collectively as "Barbenheimer" and both released on 21st July, have had a huge impact on the film business as well as the public – one that is unlike anything experienced over the last few years.

They are two strikingly different blockbusters going head to head, and instead of one’s popularity reducing the other’s total box office score, fans of each film have been encouraged to watch the other, bolstering box office scores and ticket sales across the board. A wet July didn’t hurt either!

Barbie had received enormous levels of hype well ahead of its release date of July 21.

I for one was most definitely excited for the film through its popular and well-casted lineup of Barbies and Kens, its accompanying Mark Ronson-produced album with popular artists like Billie Eilish contributing , as well as a genuine nostalgia that many films struggled to tap into and the extraordinary look of the film.

It was also clear that Gre-

The "Barbenheimer" effect

ta Gerwig as writer-director was going to bring something more quirky and credible to the project. Since the teaser trailer was rolled out in summer 2022, it became an instant hot topic of conversation, since the concept was so unlike anything that had ever been made before.

Oppenheimer, Christopher Nolan’s biopic, centred around physicist Robert Oppenheimer, who was convincingly portrayed by Cillian Murphy, was another brilliant watch.

Due to the deeply dark historical event on which Oppenheimer is based, there is no denying that there would have been a much smaller and more concentrated audience on its opening weekend.

Despite this (and a 3 hour running time), Oppenheimer performed fantastically at the box office grossing over $722 million globally according to Box Office Mojo.

Greta Gerwig’s Barbie was an even greater success generating an astonishing $1.2 billion worldwide leading it to become the single highest grossing film at the box office by a female director.

No films have been as successful as Barbie and Oppenheimer as a blockbuster duo for a considerable length of time, leading many to question where this demand has come from.

Timothy Richards, chief executive of Vue International said ‘Barbenheimer’s' opening weekend was its biggest weekend in 4 years.

Their success this summer could potentially signal a resurgence in cinema and a return to pre-pandemic levels. In the past few years, cinema culture took a turn for the worst with younger people getting used to watching films on laptops or phones as entertainment was made so readily available on streaming platforms. However, it is possible that this surge in ticket sales could be the start of a new normal.

A factor behind Barbie’s success was its marketing campaign, tapping into social media as well as more traditional forms of marketing.

The Barbie brand has further collaborated with countless brands to attract attention to the film, with practically every well-known high street clothing brand having some sort of relationship with Mattel and the Barbie franchise. Gap, Zara, Primark, you name it, and this summer it is quite likely that they will sell or have sold Barbie merchandise of some kind.

It will also be interesting to see how Barbie changes Hollywood as this was a film created by women, with women in mind and this seems to be

a massive reason for Barbie’s success. It is not about the toys, it is seeing a film lovingly created and produced by so many women, who for so long were not given these kinds of opportunities.

Barbie and Oppenheimer have been joined together at the hip from the moment their opening weekends were announced to be the same, and there is a strong argument to be made that Oppenheimer would not have been as much of a blockbuster hit if it wasn’t for the explosion of the "Barbenheimer" meme on social media which en-

couraged Gen-Z kids, millennials and older adults alike to watch the two films as a double bill, which in effect enabled Oppenheimer to ride on the coat tails of Barbie’s hype and incredible success. Across all this, there is no denying that Barbie and Oppenheimer have achieved a level of success that is incredibly unique. Through Barbie’s extensive marketing campaign, publicity and impact on fashion this summer, could it be argued that Barbie’s hype pushed onto Oppenheimer or was Oppenheimer a phenomenon in its own right?

Bristol’s independent cinemas: More than just a screen

Victor Bennett takes us through two of Bristol's most exciting independent cinemas.

Victor Bennett Film & TV

Subeditor

Watershed and The Cube are two of Bristol’s most exciting independent cinemas. Branded not solely by their intriguing film screenings, these spaces are characterised by their dedication to inspiring and actively developing the next generation of Bristol’s film talents.

From timeless classics to hidden gems, Watershed’s film selection crew provides a balance between comfort and excitement.

Students and under 25s can look forward to Sep-

tember’s viewing at the Watershed, with tickets available for £5. Look out for their showing of The Old Oak (2023) this month, a moving piece which describes the unraveling of fraught relations when a group of Syrian refugees are forced to flee to the North of England.

Beyond its 3 cinema screens, the Watershed has a café, bar and various spaces designed for conferences, discussions and offices.

Watershed acts as a cultural hub where everyone has the right to participate and contribute to Bristol’s culture. Offering the option for Relaxed Screenings and Audio Description headphones, Watershed makes certain to accommodate for those with any additional needs.

Located just a few minutes

walk from the Bearpit, The Cube is a non-profit co-operative run entirely by volunteers. Events range from cabaret performances to amateur film-making nights.

Run seven days a week by volunteers, The Cube makes an important social contribution to its local community.

One such community project hosted on 7th September at The Cube is "Regional Voices". This event features a discussion exploring the rich experiences of various UK regions in a bid to connect diverse voices around the country.

Headed by talented BAME filmmakers of the new generation, Regional Voices poses the question of how we can establish strong alliances and partnerships with regional creatives, and

what valuable insight we can gain from one another.

The value of Bristol’s independent cinemas should not be confined to that of its screens. Whilst its show-

ings feature films which cannot be seen elsewhere made by the new generation of artists and creatives, independent cinemas should be viewed as factories of culture.

Image courtesy of Belkaa Photographer / Unsplash

Image courtesy of Watershed

Music

Headfirst: Dissecting Bristol's music scene

For first timers or for those looking to expand their horizons on what Bristol has to offer, the editorial team take you through the venues and collectives to look out for this year.

Music Editors

2023/24

Starting with the O2 Academy, which plays host to the biggest names in UK and international music, the multi-levelled venue just off Park Street competes with the rejuvenated club SWX and the converted factory warehouse the Marble Factory for the title of biggest venue in Bristol. The old Colston Hall, reopening as the Bristol Beacon in November, is throwing another huge venue into the mix and we can’t wait to hear what’s in their first programme. (Upcoming: Don Toliver, Jorja Smith, Slowdive, Yves Tumor, Ashnikko, Squid). Two converted churches, one hosting the most dynamic artists from folk to punk at the Trinity Centre and the other classical and world music at St George’s, showcase Bristol’s

diversity, whilst no list would be complete without perhaps Bristol’s best venue Strange Brew – host to eclectic techno nights, jazz ensembles and the most captivating alternative music. The floating venue Thekla boasts some of the best established and new indie artists in their cargo hold. (Upcoming: Alice Phoebe Lou, Alabaster DePlume, Alfa Mist, Pachinko, Dream Wife, The Japanese House, Puma Blue). As we dip a little deeper, the Exchange is one of Bristol’s true gems. From international artists in the intimate main room whilst having unsigned talent playing simultaneously in their basement, the venue is one of the most restless in the city. Dareshack is one of the city’s newest venues but boasts some of the most diverse names in Hip-Hop and beyond, whilst Rough Trade’s back room always hosts intimate launch party shows for artists putting out new records in a variety of genres. The Fleece and The Louisiana both give the stage to upcoming indie artists and local talent. (Upcoming: Louis Culture, Westerman, The Last Dinner Party, Deadletter, Fazerdaze).

Other corners of the city to explore include the Crofter’s Rights which has two rooms for live music that encompass anything under the sun, The Canteen, which hosts free live music every night of the year, often in the form of jazz and

Latin, Mr Wolf’s and The Lanes that similarly boast free live music across the calendar, The Cube, The Jam Jar and Lost Horizon for more experimental leaning artists, and some of the very best pubs: The Old Duke, the Mothers’ Ruin, the Cloak

and Dagger, The Thunderbolt and The Crown all showcasing local talent. (Upcoming: Sam Burton, Lilo, Shamir, Lande Hekt, Cloth). We hope this list helps you discover your new favourite band and dip into what this city has to offer.

Music student groups and societies

Bristol University offers a plethora of organised bands, orchestras and collaborative musical opportunities alongside some diverse musical groups where fans can meet to delve deep into Bristol's rich musical history.

Benji Chapman

Co-Deputy Music Editor

Jazz Funk and Soul Society is a staple of the University's impressive and student-led collaborative music scene in the strain of all things groovy. The group is one of the largest societies, where musicians can jam together and play on-stage at several venues complete with discounted drinks. Member Emily Bulmer is enthusiastic about the scene for freshers: "The Tuesday open mic nights at Mr Wolf's are a great way to play with friends and improve your improv skills: they are really welcoming, letting everyone have a go!" The female-lead Soul Diva night and Clusterfunk events are equally spoken of as excellent oppor-

tunities to play in a live setting, particularly for those with less experience playing on-stage. Several of the more organised shows are collaborative concerts and tours that unite other groups like Big Band Society, and between the diverse collection of bands on offer the group is central in joining musicians and music-lovers between the many genres on offer. For those of you looking to perform in a more traditional setting, there are plenty of groups that have your back. Bristol Uni Music Society (BUMS) offer a chamber choir, orchestra, brass band, flute choir and wind orchestra at both auditioned and unauditioned levels, BOpS is the University’s Opera Society, and Symphonia host both Symphony and Philharmonic Orchestras. If instruments aren’t your thing, both A Cappella Society and DJ Society play host to the diverse range of music on campus. As freshers will soon discover, the notorious chorus of Bristol's hipsters crooning "did you know triphop was, like, basically invented, on this one road in Bristol"

is commonplace in the city. Thankfully, the Music Appreciation Society meet biweekly at the cosy Barrelhouse for a night of vital preparation for such interrogations. The pub is always full of a broad range of music played through a collaborative queue that everyone contributes to, and if you are keen to meet some gig-buddies, potential bandmates or

discover some new music the cheery faces inside will be happy to accommodate. If you think that Swifties wouldn’t be welcome, don’t fear as UoB has it’s very own Taylor Swift Society – where club nights and pub meets are on the cards. If its rock and alternative music you're looking for, UoB's very own Rock Society (RockSoc) is the perfect place for any

budding rocker. Frequent pub crawls, quiz nights and jam sessions pair nicely with infamous Thekla Thursday pres accompanied by some interesting dress codes. The society is one of the most welcoming on offer; members are addictively friendly and passionate: immersed in an environment where all walks of rock music are welcome to be shared.

Image courtesy of RockSoc

Image courtesy of Jake Paterson

On his new EP 'Nothing Sacred', Nate Brazier finds the perfect intersection between R&B and electronica to muse on identity and reinvention. Epigram catches up with him before an inevitable stratospheric rise.

Jake Paterson

Music

Editor

Nate Brazier's sound rises from murky and dark depths –think dimly-lit basements and cityscapes – towards a progressive space where the stylistic intersection of R&B and electronica allows him to muse deftly on identity. His tracks feel hand-crafted and true, whilst centring on a collaborative process that makes them feel less DIY and more turntable ready. Dropping his debut single ‘Patterns’ whilst studying English here at Bristol, he caught a wave and blew up in underground circles almost overnight. His debut EP, YSK, was a thought-piece on adolescence, where beatup car radios and houseparties were the spaces the tracks inhabited. The atmosphere was of something covert and in-the-know, trans-

Rising: Nate Brazier

posed with melodic phrases that wouldn't be amiss on a pop record. It continues to defy categorisation, and has had many fans suggesting that they haven't been as excited for a new artist since James Blake dropped his CYMK EP. Nothing Sacred, his latest project, tilts towards both refinement and expansion. As an artist he seems more at home in himself and his songwriting, and has his sights set on larger crowds. There’s a clear rejection of an inherited moral compass, and instead a progression towards reinvention and fluidity. "We’re taught from a young age to follow the precedent or status quo, whether in our life choices or how we show up in society, even if that means masking our truth or not finding it in the first place," Nate muses when we discuss his new track ‘Putting On Airs’. "Often, the staying true to myself comes from not shying away from those ambitions and being unashamedly myself in my career." "I’ve always been inspired by the way that Janet Mock says ‘we need to make ourselves,’ and I think finding our tribe is a huge part of that. I’ve always been a fan of coming-of-

age music like Lorde’s Pure Heroine or Princess Nokia’s 1992, where the theme of chosen family is central. "Hold it down around the grounds of foes / When all the hounds of hell in my head are home / Fought our ground and found our cornerstones",

Nate sings on the EP's standout track 'Episode'. With a strange and haunting quality, the track is suggests that testing boundaries allows your ar-

tistic development to thrive.

Nate had been sitting on many of the tracks for his debut YSK, such as the title track featuring Louis Culture, for years before they came out. Making the first step towards releasing them wasn't necessarily an easy process.

"I know how hard it can be to take the leap and start putting music out into the world, because in a way that confines the music to reality and lim-

its all the potential of what it could become," he said. "I always used to wish I was more in-the-know with industry people, but it’s been crazy to learn that once certain songs gain momentum, everything falls into place. My A&R at Parlophone was into my first song ‘Patterns’ and everything snowballed from there."

"But, without sounding super cliche, you have to start somewhere. So whether that’s with snippets on Tiktok or Instagram or Soundcloud or somewhere else, start dropping the tunes! It’s so frustrating that as small artists we have to simultaneously be influencers, but just try to make notes from what other people are doing then make it your own."

Whilst Nate prepares to host his first ever live show, for which he has arranged a live band to transform his tracks for a live audience, we close with a simple question: soundtrack to a perfect night out and a night in. "For a night out it would have to be ‘home’ by Two Shell and for a night in, ‘Send It On’ by D’Angelo." 'Nothing Sacred' is out now. Nate Brazier plays the Pickle Factory, London, October 18. Image courtesy of Parlophone

Editors' Picks: Best ever Bristol gig?

Credit: Cara Hene

Portishead @ O2 Academy

Playing their first show in over eight years as a one off fundraiser for the conflict in Ukraine, Bristol's greatest ever band stepped up to deliver a set comprising tracks from their masterpiece Dummy and their 2008 record Third. To hear a song like 'Roads' live thirty years after it was written in the context of the conflict in Ukraine gave it life and stunned the crowd into pure silence. This gig was a sign that the triphop pioneers' legacy is safe.

Damefrisor & More @ Strange Brew

Benji Chapman

Co-Deputy Music Editor

This gig was a triple bill at Strange Brew of Tara Clerkin Trio, Franco Franco with Kinlaw and Damefrisor celebrating the final issue of The Bristol Germ. Cheap tickets, new alternative music and a complete mish-mash of genres, from acid jazz to industrial hiphop, which blended into one another throughout the night. It felt like my first step into a scene that was simultaneously accessible and giant in scale, completely unafraid of brilliant absurdity and contradictions.

Shame @ SWX

Dylan McNally

Co-Deputy Music Editor

Having previously sold out the Marble Factory for their post-pandemic return , Shame brought their new record Food For Worms to life in a frenzied and redhot evening. As lead-singer Charlie Steen's aquamarine courdroy jacket lasted only two songs before being ripped off, the energy of raw and pure feeling was matched by the crowd. Tracks like '6/1' and 'Alphabet' scrawled themselves on the walls of SWX whilst the frenetic energy of new track 'Six-Pack' lives on.

Cotham Hill Street Party

Cara Hene

Digital Music Editor

Picture the scene: it’s a beautifully sunny day and the annual Cotham Hill Street Party is in full swing. While perusing Cotham’s finest vintage pop-ups a band takes to the stage. But it was not the usual DnB one might (understandably) expect from the Bristol music scene. Instead, to everyone’s clear delight, four bearded, middle-aged men walked on stage. Adorned head to toe in cowboy attire they began to strum their sweet country music and the crowd adored it, as did I.

FUR @ Rough Trade

Susie Long Music Subeditor

My favourite gig in Bristol was actually one that I came across completely by accident. My friend and I used to scour the “free gigs” section of the DICE app and decided to go to see the band FUR. Playing what felt like a combination of Beatles-esque musicality with modern indie tracks in Rough Trade’s back room, the band created a brilliant, timeless atmosphere; it was nothing short of hypnotic and I’ve been listening to them ever since.

Credit: Jake Paterson

Jake Paterson Music Editor

Credit: Tara Clerkin Trio

Credit: Susie Long

Credit: Jake Paterson

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Editor Deputy Editor Dhristi Agarwal Lucas Mockeridge

The future of AI in education

Dhristi Agarwal explores how AI is enhancing education and langauge learning.

Dhristi Agarwal SciTech Editor

From the days of pen and paper in primary school to the contemporary landscape of education, technology has redefined the way we learn.

Artificial Intelligence (AI) is the latest technology to disrupt education.It allows computers to perform tasks that normally require human intelligence, such as reasoning, problem-solving and learning.

In education, AI is reshaping traditional learning paradigms, empowering students like us and educators alike to explore the frontiers of knowledge. By harnessing techniques such as machine learning, natural language processing and data analytics, AI empowers educational institutions to tailor learning experiences to students' preferences, learning styles and abilities. Amidst the digital age's call for personalisation, AI emerges as a solution to address diverse learner needs.

The COVID-19 pandemic accelerated the adoption of AI in education. To deliver remote learning, schools and universities became dependent on Educational Technology (EdTech). Many EdTech platforms are infused with AI capabilities to ensure seamless learning experiences despite geographical barriers. The success of these platforms highlighted the need for both EdTech and AI in sustaining uninterrupted education.

Indeed, AI's potential to elevate education is multifaceted and transformative. Its greatest strength is its capacity to personalise learning. By analysing students' performance data, AI systems discern patterns, which can be used to tailor learning paths and content delivery that align with individual preferences. The level of customisation goes beyond conventional teaching methods, optimising each student's learning journey.

A report by McKinsey & Company found that AI has the potential to enhance learning outcomes by up to 30%. Most of these gains are likely to come through platforms like ChatGPT. This statistic emphasises the significance of AI in education, especially in

platforms like ChatGPT, which acquaint millions with AI technology. Thus, understanding AI's applications and implications is crucial as we step into an AI-augmented educational landscape. It is, therefore, imperative that these platforms present accurate information in an unbiased manner.

AI-powered language learning tools - exemplified by chatbots - transform the acquisition of foreign languages. Through direct interactions, learners receive customised answers: thus simplifying the learning process. Moreover, AI's emotion recognition technology sustains learner enthusiasm by incorporating engaging activities that enhance emotional intelligence and skills.

The Duolingo app, powered by AI, has emerged as a language-learning trailblazer. The new Duolingo AI system, Birdbrain, embedded with learning lessons, flags common errors for users. BirdBrain’s algorithms deliver a better-personalised experience and enhances one’s language learning skills.

The integration of AI with Virtual Reality (VR) and Augmented Reality (AR) technologies can prove even more ef-

fective. These tools elucidate complex concepts, particularly in subjects requiring visual representation. They also build emotional intelligence and data comprehension, and promote communication and collaboration among young learners.

For example, Wolfam Alpha, a program leveraging AI, facilitates the visualisation of intricate mathematical concepts. By generating interactive visualisations, graphs, and equations, students engage with abstract mathematical theories, enhancing comprehension.

AI's potential extends to individualised learning pathways. From learning modalities and content types to curriculum adjustments, AI fine-tunes education to match each student's skill level, gaps and their interests. Through software that tracks knowledge, tests progress and adapt content, whilst engagement and skill acquisition are enhanced.

This personalised approach accommodates every learner, from advanced students to those struggling with specific concepts. The success of Cameo's introduction of AI-powered products demonstrates how AI can address different learning needs, fostering inclusivity.

As we peer into the future,

The convergence of AI, VR, and Augmented Reality could yield immersive educational experiences. Students could explore historical events, dissect organisms, and engage in physics simulations, all within a responsive virtual environment.

However, as AI becomes more commonplace, ethical considerations must guide its trajectory. Data privacy, algorithmic biases, and the balance between technology and human connection require careful deliberation. A UNESCO global survey of over 450 schools and universities found that fewer than 10 per cent have developed institutional policies and/or formal guidance concerning the use of generative AI applications. Without clear policy, AI may exacerbate the educational gap rather than close it.

The future of AI in education is an exciting voyage into uncharted territories. AI's ability to cater to individual needs, nurture curiosity and equip the next generation for an ever-evolving world is profound. Governments must prioritise technology infrastructure, provide financial support and foster innovative opportunities in education.

The best gadgets for freshers

This guide unveils a toolkit of gadgets that promise to redefine the university experience.

Adam Maher

Third Year, Veterinary Science

Freshers, you're about to embark on intellectual exploration and late-night essay escapades at the esteemed University of Bristol. But fear not!

For I, a seasoned veteran of vet science who's survived the memory gauntlet, am here to impart some technological wisdom upon you. Grab your lab coats and a cuppa – we're diving into the gadgetry that will make your university life smooth.

Let's address the elephant in the virtual room: exams.

Remember those all-night cram sessions for A-levels? Well, brace yourselves be-

cause university lectures can feel like a three-hour marathon of your brain doing the tango with quantum physics. Here's where your first handy gadget comes in – the power bank. These magical portable chargers are the modern-day philosopher's stone, ensuring your laptop remains alive and kicking through even the longest academic ordeals. No more desperately searching for the mythical plug socket in lecture halls – you're now liberated to unleash your academic prowess anywhere your heart desires. Café, park, or even atop Wills Memorial Building for that Harry Potter vibe – the world (within eduroam range) is your oyster.

Let's talk about surviving in a world of library chatter and hallmate hijinks. Picture this: you've stumbled upon a treasure trove of academic enlightenment, only to be rudely interrupted by the clatter of heels or the ca-

cophony of a heated debate over whether Lizard or Thekla reigns supreme. Enter the hero of the hour – noise-cancelling headphones. These ingenious gadgets transport you into a serene realm of silence, where only the sweet symphony of your thoughts and recorded lectures serenade you. Even better, they're a polite way to tell your pals, 'Hey, I'm in the zone – let's catch up later.' As a bonus, you don't have to drain your bank account for a pair; scout the internet for the perfect blend of quality and affordability.

Let's shift gears to the quirky and quirkier – the Bristol Moves+ app. Yes, you heard it right, Bristol rewards you for walking! Those steps between lectures, the dashes to catch buses and the victory laps around Cabot all tally up to a glorious bounty of points. Hot drinks, exercise classes, and even trendy threads await your point-collecting

prowess. But why settle for a mere smartphone to track your steps? Enter the smartwatch, a wrist-worn marvel that counts steps more accurately than your average pedometer and boasts various sleek features. It's like having a mini-butler tracking your every move, all while looking effortlessly stylish.

Speaking of pounds, shillings, and pence, being a student doesn't mean living on beans and toast forever. If you're eligible for the Bristol Bursary, you'll be delighted to know that the Finance Office has a sweet deal for you: a re-

imbursement of £200 on any tech you need for your scholarly pursuits. So, whether it's a laptop upgrade or the fanciest pen ever to grace a notebook, take advantage of this academic windfall. Freshers, embrace the wild ride ahead armed with these technological marvels. Remember, university isn't just about mugging up facts; it's about dissent, discussion, and that unshakable urge to question the status quo. So, go forth, gadgetarmed and ready to conquer – for your academic adventure has only just begun.

Image courtesy of Unsplash

Brunel: Bristol’s favourite adopted son

180 years after the launch of his SS Great Britain, Brunel is still a household name.

Lucas Mockeridge

dives into his achievements..

Lucas Mockeridge SciTech Deputy Editor

Isambard Kingdom Brunel is hard to escape from in Bristol. His name adorns everything from maritime museums to Indian restaurants. But Brunel was born in Portsmouth in 1806 and called London home. So why does Bristol regard him as one of her own? To find out, I sat down with Tim Bryan FMA, Director of the Brunel Institute at the SS Great Britain Trust.

‘Brunel plays a really key role in the 19th century history of the city in terms of communications and in terms of raising the profile of the city,’ Mr Bryan tells me. ‘Bristol was the place where Brunel's career was really launched.’

The Clifton Suspension Bridge was Brunel’s first project of his own. It was finished as a memorial to him after his death in 1859. ‘People say it's Brunel’s design; it’s based on Brunel’s design,’ explains Mr Bryan. ‘He wanted a very grand design with an Egyptian style.’ Through his work on the bridge, Brunel befriended a group of Bristolian merchants. They commissioned

him to create several daring feats of engineering in the hope of changing the city’s mercantile fortunes.

Bristol had lost its place as Britain’s second port to Liverpool, after failing to diversify its trade, neglecting its docks and levying extortionate dues. ‘The world had changed; Bristol maybe had not changed with it,’ notes Mr Bryan.

To keep up with Liverpool, Bristol needed its own railway line to London and Brunel was tasked with designing it. After opening in 1841, the Great Western Railway was the fastest in the world and the first conceived as a complete

system. Brunel had cut the journey from London to Bristol from twelve hours to four and spared travellers from the teeth-jarring stagecoach.

Brunel attributed his railway’s smooth ride and astonishing speed to his novel track. He had set the track rails apart to his broad gauge of 7 ft, instead of the standard gauge of 4 ft 8 ½ in. Brunel saw that a wider track would allow the carriage to go between the wheels. He could then use larger wheels to reduce friction, whilst still retaining a low centre of gravity for the body.

The broad gauge upset the engineering establishment, who wanted one gauge throughout the country. Otherwise, passengers and goods had to change carriages when the two gauges met. As a result, Brunel’s broad gauge was eventually scrapped in 1892. ‘He always wanted to do what he thought was the best,’ notes Mr Bryan. ‘Even if his critics and shareholders disagreed with him!’ Whilst working on the Great Western Railway, Brunel was also designing the SS Great Western. He envisioned passengers travelling to Bristol on his railway and then boarding his steamship to cross the Atlantic. Brunel was told that transatlantic steam navigation was impossible, as a larger hull to car-

ry the coal for the journey would itself require more coal.

But Brunel knew that the volume of the hull increased as a cube of its dimensions, while the surface area increased as a square. There was therefore room for both coal and cargo.

In 1838, Brunel was vindicated when the SS Great Western, the largest passenger ship in the world, steamed across the Atlantic in 16 days. The journey would have taken up to six weeks by sail.

Brunel was then commissioned to build a sister ship. Instead, he built an even bigger vessel, the SS Great Britain. The SS Great Britain was launched in 1843 and with her metal hull and screw propeller, she was the first modern ship. Tens of thousands of excited Bristolians gathered to watch and the church bells rang constantly. However, the SS Great Britain was too wide to leave the harbour. By the time the harbour had been modified, the Liverpudlians had rapidly expanded their own fleet of transatlantic steamers. The SS Great Western had already been driven to Liverpool by exorbitant dock dues, and the SS Great Britain was too big to work from Bristol. The city’s transatlantic dream was over.

After 90 years and more than a million miles at sea, the SS Great Britain was left

to rot in the Falkland Islands. In 1970, she was towed across the Atlantic on a giant floating pontoon, after £150,000 had been raised to save her. 100,000 people lined the banks of the River Avon to welcome her home. She now sits in the same dock whence she was launched 180 years ago. ‘We're telling new stories all the time,’ says Mr Bryan. ‘We're looking at the story of the people who travelled on the ship.’ One of those stories was that of the first English cricket team to tour Australia. The SS Great Britain is so large that the team were able to practise on deck. Even from the grave, Brunel is still shaping Bristol. The SS Great Britain has given an identity to the harbourside and is the city’s number one tourist attraction. Brunel was a man who shrank the world. His railways brought the country to the city; his steamships, the Old World to the New. And Bristol was where they were made.

To learn more about The SS Great Britain, visit www.ssgreatbritain.org. Tim Bryan’s new book Iron, Stone, and Steam: Brunel’s Railway Empire is also out in November.

A scientific approach to homesickness

Dhristi Agarwal addresses homesickness in the context of university life, specifically within the dynamic environment of the University of Bristol.

Dhristi Agarwal

SciTech Editor

The transition to university life marks a significant juncture, one that is rife with opportunities for personal growth and academic advancement. Yet amidst the pursuit of knowledge and the forging of new connections, the phenomenon of homesickness often emerges as a psychological and emotional challenge.

The scientific underpinning of homesickness lies in the realms of psychological adaptation and attachment theory. During upbringing,

we form attachment bonds that make us yearn for the comfort of familiar surroundings. The novelty of university life can therefore leave freshers craving a sense of familiarity and a sense of belonging can trigger homesickness.

Science suggests that cognitive strategies play a pivotal role in adapting to new environments. Reconceptualising homesickness as a natural response to change rather than a sign of weakness can help students navigate this emotional terrain more effectively. Moreover, building resilience through cognitive reframing, self-affirmation and a focus on positive aspects of the new environment, can all accelerate emotional adaptation. The University's resources, including counselling services and workshops, equip students

with these cognitive tools. Neurobiology reveals the intricacies of emotional states, shedding light on effective coping mechanisms. Activities that trigger the release of endorphins, such as exercise or even exploration of Bristol's scenic locales, can alleviate feelings of distress. These activities stimulate the brain's reward system, contributing to an enhanced sense of well-being and reduced symptoms of homesickness. Fortunately, you'll find that these coping mechanisms are conveniently located nearby. Brandon Hill, a mere stone's throw away, along with the Royal Fort Gardens on campus and the cherished student spot, the Clifton Downs: all offer accessible havens for your emotional well-being. Na-

ture-based workshops are run by The Birch Collective for young people if you ever want to participate with peers.

The scientific significance of social support networks cannot be overstated. Oxytocin, often referred to as the 'bonding hormone', plays a role in social bonding and emotional regulation. Engaging with peers, forming connections with fellow freshers and participating in any of the 300+ university societies: these can all activate these oxytocin pathways, forging new bonds that mitigate feelings of isolation and homesickness.

Technology plays a pivotal role in aiding students in managing homesickness through virtual connectivity. By means of video calls and online interactions, technol-

ogy can effectively recreate a sense of presence, thereby alleviating feelings of geographical separation and loneliness.

It's crucial to recognize that seeking professional help is not a matter of shame; understanding when to seek assistance is essential. In situations of urgency, you can reach out to Shout, a 24/7 support service, by calling 85258 for free. Additionally, for immediate assistance, Samaritans Bristol can be contacted at 116 213. And finally a few words of advice: as you commence this chapter, know that your journey is unique. Maximise the resources at your disposal, foster connections and prioritise your mental well-being. In the heart of this city and our university, your well-being is paramount.

Image courtesy of the Brunel Institute – a collaboration of the ss Great Britain Trust and the University of Bristol

In conversation with UBWFC

Club Captain Sarah-Jane Feeley and Vice Club Captain Bea Vargas talk to Epigram about the importance of joining sports societies, their reaction to the Women’s World Cup and what lies ahead for them.

Faniki Deche Second Year, Politics and International Relations

The natural aura of inclusivity from the shared love of football was what hooked Sarah-Jane and Bea Vargas to UBWFC. The duo had contrasting paths to football: Sarah-Jane had plenty of previous playing experience, whilst Bea’s background meant she had little engagement with women’s football.

Reflecting on her path to football, Sarah-Jane commented: 'I've always played football from quite a young age and I knew it was something that I always wanted to continue at university […] I just loved the vibe of the club and everyone in there was so friendly. I knew pretty much instantaneously that this was something I wanted to be a part of.'

Bea's experience was different. 'I never really had a chance to properly play football as a sport as I was growing up. In Spain, it was seen as quite boyish and not feminine. But I did enjoy watching it.'

'UBWFC has been by far the highlight of my university experience. There’s a huge sense of community and a shared love and passion for the sport whilst being very inclusive.'

Besides inclusivity, UBWFC and other sports societies also bring a sense of discipline and an easy pathway toward friendships for Freshers. Regarding the value of sports societies, Sarah-Jane mentioned how 'it’s a great way to meet people with a guaranteed common interest.'

'There is something empowering about being part of a group of women that are working together [...] you have something to turn up for in training. The fact is you have to show up and be committed.'

'You are guaranteed to get to know peo- ple over time because you see each other so regularly. It’s guaranteed that you are going to form really strong friendships.'

Bea added: 'Joining a sports society as a Fresher is kind of a bulletproof way of making friends because you are going to spend so much time with them. From a couple of days a week to five days a week, such as the 1s, we basically train every day.'

'I’ve met my closest friends playing football and I be-

lieve there’s a place for anyone to fit in at UBWFC.'

The phrase 'come so far but we’ve got so far to go' best describes UBWFC’s reaction to the Women’s World Cup. The quality of women’s football was obvious during the Cup, but so was its litany of issues. Speaking as a Spaniard, Bea commented that 'it was refreshing to see many people tune in to watch the final, like how we saw the Lionesses win the Euros last summer.'

'The impact it had on little girls wanting to play football and the media traction and even us at UBWFC increasing membership we had. [...] It shouldn’t take a team to win the World Cup to be finally listened to by its own country and to finally get the attention it deserves.”

Despite recently winning the BUCS Premier Division South, the Bristol SU Team of the Year and representing the UK at the European Universities Sports Association Football Championships, Sarah-Jane explains some of the setbacks UBWFC has faced.

'We’ve had some of our BUCS matches interrupted by men’s teams encroaching on the field of play or we’ve been given poor pitch allocations in favour of men’s sides […] Even in the

recent tournament in Albania, the men’s tournament was eleven aside whilst the women’s was seven aside.'

'Mentally it was quite challenging while we were there, as it was a prestigious event but we did feel like the women’s competition wasn’t deemed to be as important.'

However, it has been their springboard towards greater success as they have continued 'to push themselves' and 'make sure they are succeeding as best as they can.'

'So it therefore becomes difficult to ignore that we deserve to be taken seriously.”

It looks like it's working. But now it is also up to the sup-

porting institutions to bolster the obvious talent present.

Currently, UBWFC is expanding whilst still accounting for its ethos in inclusivity. It has entered its 4s into the Gloucestershire County Women’s Football League.

'Unfortunately, we weren’t able to enter more teams into BUCS so it is a really good way of getting more players more game time. It’s on a Sunday so different to BUCS so it allows people who play for BUCS teams to also support the 4s.'

Clearly, this is a growing squad of winners that knows its ethos. This is a team to keep an eye on — if not fully be a part of.

University's female rugby players to benefit from new partnership with Bristol Bears

The partnership with Bristol Bears Women includes the sharing of facilities and new first-team pathway for UoB's most talented.

Lottie Leigh News Reporter

The announcement of the partnership between Bristol Bears and Bristol University Women’s very own Rugby club (UBWRFC) will allow passionate female rugby players to enhance their progress on the pitch whilst remaining a student at Bristol University.

Bristol Bears, the local professional rugby club in Bristol founded in 1888 and the

most prominent rugby club in Bristol has decided to link arms with Bristol University for the first time to provide more students with opportunities in playing this sport.

Matt Birchall, the Director of Sport, Exercise and Health at Bristol University, has said ‘we have a great record of supporting academic success alongside sporting excellence and we look forward to seeing more players benefit from this amazing opportunity’.

The partnership entails sharing of practice, coaching and using the same facilities as Bristol Bears, as a way of potentially recruiting aspiring and talented rugby players

whilst at the same time being a student at Bristol University. Previous students who are now current Bears players have gone through this programme including Simi Pam, Phoebe Murray, Jenny Herring and Ella Loviband.

Dave Ward, Bears Women Head Coach, said: “This is such an exciting opportunity for the Bears to align with the ambition of Bristol University and their performance programme.

This strategic partnership will allow students to broaden their horizons in sport by allowing them to increase their appetites for rugby whilst maintaining a healthy work-life balance.

'I've met my closest friends playing football and I believe there's a place for anyone to fit in at UBWFC.'

Image

courtesy

Sport

Quadball: a chaotic marriage of fantasy and full-contact sport

Milan Perera dives into one of the most unusual sport societies at Bristol: Quadball.

Milan Perera

Deputy Editor

What comes to your mind when you hear the word ‘Quidditch’? Hogwarts, Harry Potter and J.K Rowling. The latter has been under intense scrutiny lately for her comments about transgender rights, yet the irony is that the fantasy sport that once only graced the pages of Harry Potter has birthed perhaps one of the most intriguing and inclusive sports at Bristol.

Bristol Quadball Club – in July 2022, the sport was renamed officially – is the SU Society dedicated to bringing the joy and excitement of Quidditch to the playing fields of University of Bristol. Bristol Quadball Club is a joint society between the University of Bristol and the University of West England that welcomes any and all students of the two Bristol-based universities to their fellowship.

Epigram had the pleasure of catching up with Bristol Quadball coach, Sam Frohlich, in view of the upcoming Freshers Fair. Frohlich and the fellow members of

the Bristol Quadball Club have already made arrangements to make the Freshers event at Durdham Downs memorable for the newest year group of the University of Bristol.

When we asked how she would sum up Quidditch to a complete beginner, she said:

‘A mixture of handball, rugby, dodgeball and wrestling! It's a whole load of chaos, but I now much prefer it to games with only one ball.’

Originating in the fictional wizarding universe of Harry Potter, Quidditch is a highspeed, contact sport played on broomsticks.

In the fictional universe, it was introduced in the 11th century and has since become a staple among the wizards. The game's unique combination of strategy, athleticism, and a sprinkle of magic has captured the imaginations of millions of readers and moviegoers worldwide.

However, the real-life Quidditch emerged in the mid2000s and has grown into a vibrant and competitive sport played by teams around the globe. While the game retains the core elements from the books, such as chasers, beaters, and seekers, there are some key adaptations that accommodate Muggles and add a touch of reality.

Real-life Quidditch is played with players on PVC pipes instead of witches’ broom-

sticks, running around with a ball in hand and striving to score points by throwing the ball through the opposing team's hoops. Players holding broomsticks between their legs ensures that everyone faces similar challenges, creating an inclusive environment. Additionally, a neutral player known as the ‘snitch runner’ carries a ball attached to their waistband, with seekers from both teams trying to grab it for extra points. Bristol Quadball Club practices on Wednesdays and Saturdays at the Downs. Epigram had the opportunity to see Bristol Quidditch players in action on an overcast Wednesday, where the ground was wet and slippery.

Corey Pearce (Social Secretary), Jasmine Poon (President) and the team captain, Sasha Akhtyrska were more than happy to shed some light on the intricacies of the sport during a training session. There’s nothing ‘airy fairy’ about Quadball. It is a high-octane sport that re-

quires you to be on your toes throughout the game. But in the meantime, it transcends physical prowess and body stereotyping, catering to all body shapes, sizes and genders.

One of the remarkable aspects of Quidditch is its commitment to inclusivity. The sport welcomes players of all genders and physical abilities.

From beginners to experienced athletes, Quidditch offers an opportunity for everyone to participate and contribute. Speaking on the inclusive element of Quidditch, Frohlich said:

gether not just to compete but to celebrate their passion for fantasy and athleticism. When we asked what Quidditch means to her, she said:

‘Quadball is a welcoming community that I joined as a fresher, and have stayed with through my whole degree and post-grad. It's given me friends for life, and amazing opportunities (such as travelling to different countries, and competing and captaining Team Scotland), all while keeping me fit.’

' There’s nothing ‘airy fairy’ about Quadball. It is a high-octane sport that requires you to be on your toes throughout the game.'

‘It is so inclusive! Not only is it for all genders and fully LGBTQAI+ friendly, but it's also a safe space for less sporty people. It has got a lovely mix of nerdy and sporty people, so if you wanna be competitive you can, but also if you just want some fun that's fine as well.’

Frohlich, who is reading for a PhD in Computer Science also elaborated on the social aspect beyond the competitive nature of the sport, where Quidditch nurtures a strong sense of community and camaraderie. Players often form lasting friendships through their shared love for the sport, attending tournaments and events that celebrate both the game and the magical world that inspired it. Quidditch players come to-

Quidditch, once a figment of J.K. Rowling's imagination, has found a place in competitive sports, transcending fiction to become a beloved pastime that thrives on teamwork and athleticism. As players race around with broomsticks and chase after elusive snitches, they pay homage to the enchanting world of Harry Potter while crafting their own unique narrative of teamwork, inclusivity, and competition. Whether you're a die-hard Potterhead or simply curious about trying something new, Quidditch offers a thrilling experience that blends fantasy with reality in the most captivating way. Why not meet the Quadball squad on a Wednesday at the Downs to give it a try?

Images courtesy of Sam Frohlich

'The irony is that the fantasy sport that once only graced the pages of Harry Potter has birthed perhaps one of the most intriguing and inclusive sports at Bristol.'