UH IAD Degree Show 2017 booklet by ericaliu

School of Creative Arts

IAD BA (Hons) Interior Architecture and Design University of Hertfordshire 2016 - 2017

University of Hertfordshire BA(Hons) Interior Architecture and Design 2016-2017 Students Aftab, Sanaa Ahmed, Yousuf Al-Marri, Noof-Ali-R-A Al-Talib, Zahra Allotey, Claudia Amir, Atikah-Sakinah Attridge, Shaun Basha, Khalid Chalk, Grace Chelepis, Florentia Chong-Lik-Ren, Z Coen, Charlotte Ekeroth, Nina Fernando, Jessica-Rochelle-Krishni Harriott, Montanna Hayes, Georgia Heath, Jessica Hemami, Negin Hend, Clara Igbafe, James Iloka, Lannekka Ismay, Sam Kok, Zhi-Ming Kunrunmi, Daniel Laniti, Michaella Lim-Ming-Zheng, Z Loh-Lik-Yi, Z Low-Qi-Wei, Z Lu, Zhen-Feng Ly, Matthew Mandalia, Hetal Mercure, Jean Miller, Lucy Mkony, Neemaeli-Ainenyi

Mondele, Jade Morgoshiia, Svetlana Muhammad-Yassir-Bin-Jamain, Z Nsiah-Baidoo-Takyi, Claire Nursyahirah-Binti-Abd-Rahim, Z Omanga, Ashley-Valentine-Tekera Ong-Zhen-Huan, Z Parekh, Mahesh Pattalis, Andrea Pattalis, Coralena Rai, Waren Rakiec, Elwira Rollins, Holly Sadasivan, Randeep Sayir, Dilan Sebuliba, Ruth Simon, Hazel Smith, Nicola Spinks, Joshua Stockton, Lana Tan-Wei-Seng, Z Tan, Eu-Shen Waldek, Agata Wan-Mohd-Nasir, Wan-Nur-AtheerahBinti Wielgos, Dominika Wong, Hok-I Zainuddin, Nur-Aqilah-Elisa-Binti

3rd Year Design Studio Tutors Silvio Carta Simon Knight Erica Liu

IAD BA(Hons) Interior Architecture and Design University of Hertfordshire

The 2016-2017 BA (Hons) Interior Architecture and Design Graduation Project AUGMENT, more than in previous years, challenges the notion of existing building structures which operate various scales. Derelict buildings are now revitalised through a consistent process of spatial experimentation to house social, cultural or commercial agendas. The results of the Project reveal an array of design proposals and encompass a variety of solutions for different users: from youthclubs, to spas, to co-working spaces and science museums. The intention throughout the process has been to discover, emphasise and expose the intimate idiosyncracies of each location in order to allow the new design to stand out from its original context.

Hatfield, Hertfordshire 25 May 2017

Planet Utopia Sanaa Aftab

The project is a youth centre and astronomy discovery centre with a futuristic theme.

ABC Savoy Cinema Yousuf Ahmed

library. The designâ&#x20AC;&#x2122;s main aspects are to

cinemas in Luton, opened to the public

focal point around which the reading rooms

utilise natural light and create a spacious

The ABC Savoy Cinema is one of the oldest in 1938, it is here converted into a public

interior atrium, which is used as the central are organised.

Rabbit House Playground Noof Al-Marri

while their children play in the play ground. It is a place for children to explore and inspire their creative imagination.

The Rabbit House is a place for parents and nannies to work in a shared working space

Dunstans Spa Zahra Al-Talib

touch, while the difference in temparature

playing with space, material, light and shad-

further enhances the spa experience and

between hot and cold awakens the senes.

The spa design aims to evoke the senses by ows. The bathing area evokes the sense of

The site is an abandoned churchyeard which mystic atmosphere.

Claudia Allotey

A R C H

The final design developments with final renders of a few rooms within the building and the activity of the space being used.

ARCH Claudia Allotey

the homeless’ and a support and training

The propsed concept was to converted an

offices on the ground floor for extra support.

organisation. The redesign of the building aimed to provide temporary apartments and

Claudia Allotey

abandoned factory building into ‘Housing for

The design is welcoming and bright

A R C H

Black sparkle stone

Floor Concrete - Grey

Floor timber- Grey

The propsed concept was to redesign a converted factory building that was currently not being used into ‘Housing for the homeless’ and a support and training organisation. The redesign of the building was to design temporary a partments and offices on the ground floor that provide the extra support. The Organisation ‘Arch’ will be in partnership with ‘Helping the Homeless’ which are another charitable organisation that help the homeless. The redevelopment of the building needs to be welcoming and bright with the intention to make those be comfortable within building and environment.

Trusses

Glass

Pea Gravel - 10mm - 20mm

Wood Timber

Wall Tie Brick

Concrete

Sheathing Steel Framing

Foundation Wall

Simulation Outpost Alpha Atikah-Sakinah Amir

on Mars. The space occupied is the aban-

This project is proposing a training facility on

transit modules and two inflatables that make

doned Battersea Power Station in London, and the desing is based on six assembled

Earth for familiarization and simulation of life

up the living quarters.

The concept is to illustrate new life settlement on Mars. Mars has thousand ways to kill any living in such a way that astronauts have to risk theirs lives in order to make human as a multiplanetary species. The idea of this concept is to preserve the building to keep nationâ&#x20AC;&#x2122;s heritage and the buildingâ&#x20AC;&#x2122;s intrinsic component while infusing minor modifications ith futuristic and steampunk elements to adapt with the new uses of this historic building.

The Gallery Shaun Attridge

Park into a gallery and exhibition space. The

The proposed project is for the reuse of a

connects people to art and the residents to

space extends into an over-the-ground cafe and reception offering views to the park. The

former subway passage in Crystal Palace

reinforce a sense of community.

THE GROUND FLOOR On the Ground Floor we have the main entrace. The first space you will encounter will be the cafe area and ticket office with a small bookshop. If you continue your journey you will arrive in the entrance hall from where you can decide If you want to go upstair (where the main exibition is located) or if you want to enter the 3d printing area where you can experiment with 3d printing. In alternative you can decide to take either the stairs or the lift and go and explore the basement floor where youâ&#x20AC;&#x2122;ll find a small auditorium, teaching rooms, interactive spaces and a small library.

3D PRINTING AND INTERACTIVE LAB The main space of the new museum will be placed in the main space of the old building. This space will be organized along the octagonal room with a bespoke furniture which will incorporate tables and seating areas at different levels to allow everyone to see and interact with anyone else work. The room wil be equipped with 3d printers to enable visitors to print their own creations.

Bespoke Furniture

Bespoke Furniture Light Detail 15,49

Plywood

74,21

Wooden Top 20

LED Light

LED Light 50

Ventilation System

Plywood

TOP AND LED DETAIL 1:1@A2

3mm Thick Black Perspex

BESPOKE FURNITURE

BOTTOM RECESS AND LED DETAIL 1:1@A2 BESPOKE FURNITURE

01 -

THE BASEMENT FLOOR

AXONOMETRIC VIEW @A2 BESPOKE FURNITURE

02 -

The basement floor has been enlarged in order to connect the existing north side to the south side of the building with a new space that has been used as an new auditorium for lectures and conferences. Besides, the floor plan has been simplified in order to create new spaces for teaching and interactive learning.

THE FIRST FLOOR Num nectur, conet pla natiorerum, volescipid et min netur remque non ne ni dolum sus eatas mos dis et parum dolent. Ut moluptu sciisqui blabo. Emporemque re, voluptas moloren iaectias qui dolupta quibus ut la simagnatio vidi bernam estiberumque voluptaque plaut ut omnis quaes et que prerupta quiam esequis nissi unt.Uptati bearuptate rehent porem eum, solo millam adi officipsant ipsapera turest

A New Interactive Museum Khalid Basha

The old Town Hall is a Grade-listed building in the heart of St Albans City, now being refurbished into an interactive museum. Interactive Covered Gallery Roofs

A NEW INTERACTIVE MUSEUM WHAT THE NEW MUSEUM SHOULD DO? We want to explore ways that new technology can affect the museum experience for our staff and visitors, in our galleries, classrooms, and online. As digitally mediated experiences play an ever greater role in our lives, it’s important that museums—the great repositories of the world’s cultural expression—stay abreast of these developments. According to that logic the main aim of the project was to reorganize the interiors of St Albans ex Town Hall in order to relocate here the city’s museum and enlarge it with new spaces dedicated to learning and interaction with the visitors.

A 3d Printing Intercative Lab

A New Auditorium

13 14

First Floor

Ground Floor

12 11 15 22

Teaching Spaces 18

Basement Floor

2526

Proposed Basement Floor Plan scale 1:100

KEY BASEMENT FLOOR

Proposed Ground Floor Plan scale 1:100

KEY GROUND FLOOR

Proposed First Floor Plan scale 1:100

KEY FIRST FLOOR

Male Toilets

Main Entrance

Exibition Space

Female Toilets

Box Office

Temporary Exibition

Auditorium

Lifts

Hall

Cafe

Interactive Gallery

Plant Room

Bookshop

Access

Library

Entrance Hall

Exibition Space

Projection Area

3d Printing Area

Visitors_Staff Toilets

Teaching Room

Staff Toilets

Researchers Area

Exibition Space

Researchers Studios

Visitors Toilets

Exibition Space

South Elevation

North Elevation

East Elevation

Here are some rendered images of centre point theatre.

West Elevation centre point has two main entrances one from the street and one that leads to the car park (East)

Centre Point Florentia Chelepis

Centre Point is a meeting place in North London, where actors and the local community experience theatre.

chosen site:

174 Bowes Rd, Arnos Grove, London N11 2JG assembly hall (formerly ritz abc cinema) set in the heart of north london a multi cultrual commnity that is in need of a community centre point.

Centre point theatre: A theatre built for user experience, inspired by the anicent greekâ&#x20AC;&#x2122;s and romanâ&#x20AC;&#x2122;s in thier traditional theatreâ&#x20AC;&#x2122;s dating back to 500bc.

AIM:

The main reason for centre point is to bring segregated communities together, By using theatre one of the most historic multicultural social events of time.

site plan

Centre Point a theatre that wants to remove to barrier between actors and audience to enhance theatre experiences with no limits.

Basement floor plans

First floor floor plans

Ground floor floor plans

Second floor floor plans

Cross section A the concept behind centre point Theatre was cent to reinvent theatre as a space and event. to break barriers between performers and audience. thus breaking barriers between cultures.

Long section B

Enclosure Research Library Randell Chong Lik Ren

Norwood. The library provides public space

The project proposes a public library in The

sign merges Victorian and modern elements.

as well as private carrels for scholars and students from the nearby College. The de-

Portmanor, an old Grade-listed pub in South

Manor Park Studios Charlotte Coen

potential to change the future for young

The unused wharehouse located on

visit the youth centre and foster constructive

people who live in the area. A colouredglass feature wall invites young people to

Michigan Avenue in Manor Park has the

relationships with each other and make a positive impact on their communities.

EVENING EVENT -YOGA STUDIO

CAFE WITH MEZZANINE

CAFE ENTRANCE

The brass side of the kinetic wall has been exposed to create an atmospheric and decorative background for an evening setting in the yoga studio, used here

To reflect the curious, soft caterpillar concept in the cafe, curved sofas with a light pink velvet fabric have been chosen as the main furnishing in the area. The existing mezzanine has been replaced by a new, extended version working as a quieter seating area.

for a Women’s Wellbeing event.

Brass Metal

Grey Oak Flooring

White Painted bricks

DETAIL 02 - KINETIC WALL

Pink Velvet

KINETIC WALL CONSRUCTION DETAILS (DT-02) 1:100 ELEVATION X BRASS SIDE

EXISTING STEEL ROOF TRUSS

The existing black iron columns have been decorated with the butterfly leaves to create beautiful shading on the existing concrete flooring.

Black Iron

Concrete

MEDITATION COCOON CONSRUCTION DETAILS DT-01 1:50 ELEVATION X ACOUSTIC SIDE

ELEVATION X PROJECTION SIDE

PLAN

ELEVATION A

ELEVATION B HIGHEST MODE

ELEVATION BLOWEST MODE

TWO ROUND HINGES FOR STOPPING GIN WHEEL EXISTING STEEL ROOF TRUSS

GIN WHEEL PULLING SYSTEM MAX. WEIGHT CAPACITY 250 KG

DETAIL D2B

DETAIL D1C

MDF BOARD TO BE PAINTED WITH 2 COATS ULTRA-WHITE PROJECTION BOARD PAINT

DETAIL D1A 5618

ACOUSTIC FABRIC CAMIRA GLASS TO BE PINNED TO MDF WALL

8471

METAL BRASS SHEET TO BE ATTACHED TO MDF BOARD WITH BRASS FLAT HEAD DRIVE SCREWS WITH NO LESS THAN 50 MM DISTANCE

WHITE RATTAN COCOON CHAIR

1121

924

1761

494

DETAIL D2A

WOODEN BALL FOR STOPPING PULLING SYSTEM AT MAXIMUM HEIGHT

KINETIC WALL PLAN 1.20 MM THICK BRASS METAL SHEET COVER GALVANISED STEEL METAL POLE

X MDF BOARD PANEL WHITE PROJECTION SCREEN PAINT

KINETIC WALL PLAN

WHITE PROJECTION SCREEN PAINT

ACOUSTIC FABRIC CAMIRA GLASS

MDF BOARD PANEL ACOUSTIC FABRIC CAMIRA GLASS 1.20 MM THICK BRASS METAL SHEET COVER

DETAIL D1B AXONOMETRIC VIEW

AXONOMETRIC VIEW, INTERIOR MFD BOARDS AND ATTACHMENT TO POLE 1:10

SECTION YY

2 MM GALVANISED STEEL TO WOOD ADAPTER

250

250 250250 250 250

2 MM GALVANISED STEEL TO WOOD ADAPTER

MDF BOARD TO BE ATTACHED TO OUTER MDF BOARD WITH 25 MM BOLTS AND ANGLE RIDGID STEEL HINGES

GIN WHEEL GIN WHEEL PULLING GIN WHEEL GIN PULLING WHEEL SYSTEM MAX. GIN WHEEL PULLING GINSYSTEM WHEEL MAX. PULLING WEIGHT PULLING SYSTEM PULLING WEIGHT SYSTEM MAX. CAPACITY 250MAX. SYSTEM MAX. WEIGHT SYSTEM MAX.250 CAPACITY WEIGHT KG WEIGHT CAPACITY WEIGHT CAPACITY 250250 KG CAPACITY 250 KG CAPACITY 250 KG WOODEN BALL FOR KG KG WOODEN BALL FOR STOPPING PULLING WOODEN BALL STOPPING PULLING WOODEN BALL FORFOR SYSTEM AT WOODEN BALL FOR STOPPING PULLING WOODEN BALL FOR STOPPING PULLING SYSTEM AT MAXIMUM HEIGHT STOPPING PULLING SYSTEM AT STOPPING MAXIMUM HEIGHT SYSTEM ATPULLING SYSTEM AT HEIGHT SYSTEM MAXIMUM HEIGHT 20MAXIMUM MMMAXIMUM GIN AT HEIGHT MAXIMUM HEIGHT 20 MM GIN WHEEL 20 MM WHEEL 20 MM MM GIN GIN SPECIALIST 20 WHEEL 20 SPECIALIST MMGIN GIN WHEEL ROPE WHEEL SPECIALIST WHEEL ROPE SPECIALIST SPECIALIST ROPE SPECIALIST ROPE ROPE ROPE

DETAIL D1A - GIN DETAIL D1A GIN DETAILD1A D1A---TO GIN DETAIL GIN ATTACHMENT DETAIL D1A GIN ATTACHMENT TO ATTACHMENT TO ATTACHMENT TO ROOF TRUSS ATTACHMENT TO ROOF TRUSS ROOFTRUSS TRUSS ROOF ROOF TRUSS

GIN WHEEL HOOK TO GO GIN WHEEL THROUGH HOOK HOOK FIXINGTO GO GIN WHEEL HOOK TO HOOK GINTHROUGH WHEEL HOOK TOFIXING GO GO GIN WHEEL HOOK TO GO HOOK GINTHROUGH WHEEL HOOK TOFIXING GOTHROUGHBOLT ZINC PLATED THROUGH HOOK FIXING THROUGH HOOK FIXING ZINC PLATED THROUGHCONCRETE HOOK FIXING ANCHORTHROUGHBOLT ZINC PLATED THROUGHBOLT ZINC PLATED THROUGHBOLT CONCRETE ANCHOR GALVANIZED METAL BOLT ZINC PLATED THROUGHBOLT CONCRETE ANCHOR ZINC PLATED THROUGHBOLT CONCRETE ANCHOR GALVANIZED METAL BOLT CONCRETE ANCHOR SECURITY HEAVY DUTY GALVANISED FIXING CONCRETE ANCHOR GALVANIZED METAL BOLT GALVANIZED METAL BOLT GALVANIZED METAL SECURITY HEAVY DUTY GALVANISED FIXING STAPLE RING HOOK ONBOLT BACKPLATE GALVANIZED METAL BOLT SECURITY HEAVY DUTY GALVANISED FIXING SECURITY HEAVY DUTY GALVANISED FIXING STAPLE RING HOOK ON BACKPLATE SECURITY HEAVY DUTY GALVANISED GALVANIZED STAPLE RING HOOK ON BACKPLATEFIXING SECURITY HEAVY DUTY GALVANISED FIXING STAPLE RING HOOK ON BACKPLATE BACKPLATE GALVANIZED STAPLE RING METAL BRACKET STAPLE RINGHOOK HOOKON ON BACKPLATE GALVANIZED GALVANIZED METAL BRACKET GALVANIZED METAL BRACKET GALVANIZED 18METAL MM HARD WOOD BRACKET METAL BRACKET 18 MM HARD WOOD METAL BRACKET FLOORING 18 MM HARD WOOD 18 MM MM HARD WOOD FLOORING 18 HARD WOOD EXISTING CONCRETE FLOORING 18 MM HARD WOOD FLOORING FLOORING EXISTING CONCRETE FLOORING EXISTING CONCRETE FLOORING EXISTING CONCRETE EXISTING CONCRETE FLOORING EXISTING CONCRETE FLOORING FLOORING FLOORING

DETAIL D1B - GIN DETAIL D1B GIN DETAIL D1B---GIN GIN DETAIL D1B WHEEL ATTACHMENT DETAIL D1B GIN WHEEL ATTACHMENT WHEEL ATTACHMENT WHEEL ATTACHMENT TO FLOOR WHEEL ATTACHMENT TO FLOOR TOFLOOR FLOOR TO TO FLOOR

TWO ROUND GINROUND WHEEL TWO HINGES FOR PULLING TWO ROUND TWO ROUND HINGES FOR STOPPING TWO ROUND SYSTEM HINGES TWO ROUND HINGES FORFORMAX. STOPPING GIN WHEEL HINGES FOR WEIGHT STOPPING HINGES FOR STOPPING GIN WHEEL STOPPING CAPACITY GIN WHEEL 250 STOPPING GIN WHEEL GIN KG GINWHEEL WHEEL

250

EXISTING STEEL WOODEN BALL FOR ROOFEXISTING TRUSS STEEL STOPPING PULLING EXISTING STEEL EXISTING STEEL ROOF TRUSS EXISTING STEEL SYSTEM AT ROOF TRUSS EXISTING STEEL ROOF TRUSS GIN WHEEL ROOF TRUSS MAXIMUM HEIGHT ROOF TRUSS GIN WHEEL PULLING SYSTEM GIN WHEEL GIN PULLING WHEEL SYSTEM MAX. WEIGHT GIN WHEEL MMSYSTEM GIN PULLING GIN20 WHEEL PULLING MAX. WEIGHT CAPACITY 250SYSTEM KG PULLING SYSTEM WHEEL MAX. WEIGHT PULLING SYSTEM MAX. WEIGHT CAPACITY 250 KG MAX. WEIGHT SPECIALIST CAPACITY MAX. WEIGHT CAPACITY 250250 KG KG CAPACITY ROPE 250 CAPACITY 250KG KG

DETAIL D1C - -GIN DETAIL D1A -GIN GIN DETAIL D1C DETAIL D1C GIN DETAIL D1C ---GIN WHEEL ATTACHMENT DETAIL D1C GIN ATTACHMENT TO WHEEL ATTACHMENT WHEEL ATTACHMENT WHEEL ATTACHMENT TO CEILING WHEEL ATTACHMENT ROOF TRUSS TO CEILING TO CEILING TO CEILING TO CEILING

TOP OF BUILDING

KINETIC WALL, REF TO DWG DT-02 COCOON, REF TO DWG DT-01 NEW WOODEN FLOORING, REF TO DWG DT-03

LOWER ROOF TOP

FIRST FLOOR LOWER ROOF LEVEL

MEZZANINE LEVEL

UPPER GROUND FLOOR

LOWER GROUND EAST

LOWER GROUND WEST

DATUM

SECTION A-A 1:150

DATUM

SECTION C-C 1:150

ROOF LEVEL

FIRST FLOOR

UPPER GROUND FLOOR

LOWER GROUND WEST

LOWER GROUND EAST

SECTION B-B 1:100 A-IAD UNIVERSITY OF HERTFORDSHIRE 2017 Name:

A H I M SA - T H E WOME N’S CE NT R E N I N A E K E ROT H

GIN WHEEL HOOK TO GO THROUGH HOOK FIXING ZINC PLATED THROUGHBOLT CONCRETE ANCHOR GALVANIZED METAL BOLT SECURITY HEAVY DUTY GALVANISED FIXING STAPLE RING HOOK ON BACKPLATE GALVANIZED METAL BRACKET 18 MM HARD WOOD FLOORING EXISTING CONCRETE FLOORING

DETAIL D1B - GIN WHEEL ATTACHMENT TO FLOOR

DETAIL D1C - G WHEEL ATTACH TO CEILING

AHIMSA The Women’s Centre Nina Ekeroth

for women to interact with the local clientele

Ahimsa is a women’s shelter with a twist. It

a shop that works for womens health, on

of Eastbourne. The official function of the building is a yoga centre with a cafe and several levels.

works as an organic self-sufficient system AHI M SA - THE WO M E N ’ S CE N TRE

A - IA D

NINA EKE ROTH

Ahimsa is a women’s shelter with a twist. It works as an organic, self sufficient system that make the beneficiaries interact with the local clientel of Eastbourne. The official function of the building is a yoga centre with a cafe and a shop that works for womens health, on several levels.

EASTBOURNE, BN22 8XJ 1:1000 B E D F O R DW E L L P U M P I N G S TAT I O N

Concept: Metamorphosis. Ahimsa aims to help women grow from figurative eggs to strong and beautiful butterflies

SHOP A

WOMEN’S SHELTER

CATERPILLAR

COCOON

BUTTERFLY

Flexible, Soft, Curious

Podlike, Transparent

Beauty, Bravity, Finale

WHAT

YOGA CENTRE

EGG

FLAT ASPHALT ROOF

LOWER FLAT ROOF (SEE GROUND FLOOR)

Small, Sensitive, Enclosed

HOW

ahimsa.

CAFE

Space for Hiding, Round Shapes

Soft Materials, Curves

Private Space at a Height

Extravagancy, Playfulness

WHERE

WORK SHOP

Entrance, Toilet, Bedrooms

Cafe, Transitional Spaces, Kids Areas

Meditation Space, Quiet Spaces

Yoga Studio, Cafe, Apartments

PROPOSED WOOD AND GLAZE LANTERN LIGHT FIRE ESCAPE FIRST FLOOR

REFUGE POINT

PROPOSED WOOD AND GLAZE LANTERN LIGHT YOGA SPACE/EVENTS AREA KINETIC WALL WITH MULTIPLE FUNCTIONS: 1. ACOUSTIC PROPERTIES 2. WHITE PROJECTION SCREEN 3. DECORATIVE SCREEN

M E D I TAT I O N COCOONS

THREE PITCHED ROOF AREA

CUSTOM MADE HANGING "COCOONS" FOR MEDITATION

STORAGE

K I N E T I C WA L L

EXISTING WOOD AND GLAZE LANTERN LIGHT

F L E X I B L E YO G A / E V E N T S PA C E

FIRST FLOOR

Branding key words: butterfly, watercolour, femininity

FLAT ASPHALT ROOF

WO M E N ’ S S H E LT E R

B U T T E R F LY L E A F I N S TA L L AT I O N

FIRE ESCAPE FIRST FLOOR

CUSTOM MADE DECORATIVE ACOUSTIC "BUTTERFLY LEAVES"

MASTER BEDROOM

APARTMENT A TWO BEDROOMS

MASTER BEDROOM

LIVING AREA/KITCHEN

APARTMENT B TWO BEDROOMS

BATHROOM

BEDROOM

BATHROOM

ahimsa.

LIFT

CORRIDOR

TRANSITIONAL SPACE

MEZZANINE AREA VOID

MEZZANINE

APARTMENT C - ACCESSIBLE, ONE BEDROOM MASTER BEDROOM

APARTMENT D ONE BEDROOM MASTER BEDROOM

LIVING AREA/ KITCHEN

The butterfly wings have been transformed into a decorative detail in the cafe of the building and the cocoons have been replicated in the yoga studio to be used for meditation.

LIVING AREA/ KITCHEN

SLOPING CEILING OVER REST ROOMS FIRE ESCAPE

S TA F F RO O M

GLAZED ROOF

EXIT TO OUTDOOR SEATING

SHOP

U P P E R G RO U N D F L O O R

C STORAGE

OFFICE

WOMEN'S SHELTER ENTRANCE/STAFF AREA OFFICE

STAFF KITCHEN CLEANING STORE

COUNCELLING ROOM 1

COUNCELLING ROOM 2

FIRE ESCAPE FIRST FLOOR UP

FEMALE REST ROOM

CHANGING ROOM - WOMEN'S ONLY LIFT

REFUGE POINT REFUGE POINT

CHARITY RECEPTION

CAFE

ACC. WC/ CHANGING ROOM

LIFT

SHOP

7200

WORKSHOP AREA FOR WOMEN'S SHELTER

UNISEX ACC. WC

CHARITY STORAGE CLEANING STORE

GREEN HOUSE

FEMALE REST ROOM

AROMA THERAPY AREA

L O W E R G RO U N D F L O O R WO R K S H O P F O R S H E LT E R

MALE REST ROOM

BABY CHANGE

CHARITY RECEPTION

SCALE 1:350

EXHIBITION MODEL WITH DISPLAY COCOONS AND BUTTERFLY EFFECT SHADING - FROM EXPO FOR CENTRE

YOGA STUDIO WITH INTERACTIVE CLASS PROJECTED ON KINETIC WALL

A-IAD UNIVERSITY OF HERTFORDSHIRE 2017 Name:

Royston Farmerâ&#x20AC;&#x2122;s Market Jessica Fernando

place to eat and re-connect the community

The proposed programme is to provide a

expansive outdoor grounds are re-purposed

of farmers and residents. The Horse and Groom, an abandoned pub and its

commercial outlet for the local farms, offer a

to house the facilities.

East Meets West Montanna Harriott

and raised in London of Egyptian heritage,

The project develops around the story of

an art gallery, an egyptian restaurant and a

who inherit the building in Mayfair. The spaces are organised around the floors into

Nassor Brothers, two young brothers born

permorning arts venue.

general arrangement.

33.

34.

11.

10.

11.

Purple:Lavender, improve mood, reduce stress/anxiety. Blue:Fresh, odur eliminator. Red:Roses, positive emotion inducer. Yellow: Citrus, cleanliness, happiness, positivity. Brown: Coffee Orange: Sandlewood Green: Minerals/Salts

34.

13.

34.

Giving the user a unique Roman experience, using sensory features - Smells, Touch, Sight. (FIG 7.)

Section - xx.

11.

visuals.

THE EXPERIENCE. Basement Level.

12.

Changing room. FIG 4.

30.

Scale: 1:150

Ground Level.

34.

33.

34.

34. 19.

18.

17. 11.

Section - xx. 20.

11.

16.

21.

34.

22. 15. 14.

Scale: 1:150 First Level. 33.

24.

34.

27.

20.

23.

Section - xx. 11. 10.

11.

25.

10.

29.

28.

30.

Thermae, rooftop overlooking Poplar. FIG 5.

legend.

1. Gymnasium 2. Staff Office 3. Exhibition Space 4. Private Lounge Space 5. Public Lounge Space 6. Coffee Station 7. Book Cove 8. Prayer Room 9. Wash Room 10. Changing Room 11. Toilet Facilities 12. Staff Kitchen 13. Staff Room 14. Main Lobby 15. Product Room 16. Cafe 17. Kitchen 18. Freezer Room 19. Kitchen Storage 20. Pump Room 21. Pump Room Entrance 22. Reception 23. Corridor - Rain 24. Sauna 25. Hot/Cold Pool 26. Function Room 27. First Aid 28. Massage Rooms 29. Spa Reception 30. Laundry Room 31. Private Relax Room 32. Thermae 33. Fire Escape 34. Storage Space

Dark Grey Stone

Brick Slip - Cladding

Hot and Cold Pool, rose water feature. FIG 6.

Anti-slip Tiling

Dark Woods

Red Fabric

26.

34.

Wall Tiling Scale: 1:150 Second Level.

Corridor - Rain. FIG 7.

33.

Section - xx.

32.

31. 34.

11.

Scale: 1:150

34.

Section - xx.

GH Name:

I-AD Degree Show 2016

Ancient Roman Bath Spa Georgia Hayes

in East India Dock in London. The project enables the user to gain unique experience of what it is to be like in the Roman era, while relaxing socialising and exercising. “TO COLLABOARATE THE COMMUNITY TOGETHER AS

ANCIENT ROMAN BATH SPA.

The proposed site is located

atGEORGIA Poplar Baths, currently a leisure centre HAYES

INTRODUCTION. SITE: The proposed site is located at Poplar Baths, which is situated on East India Dock Road, Poplar, London. The site is currently functioned as a leisure centre, but the owner of the site feels that the site is not being used to its full potential and wants to find ways in which to help build the community in London. The area has a variety of ethnic cultures, surrounded by shopping and housing areas. The site is also next to All Saints DLR, with various bus stops, meaning there are several transport links to get to the place.

ONE, BASED ON ROMAN EXPERIENCE”

SITE PLAN.

AIM: The main aim of this project is to enable the user to gain unique experience of what it is to be like in the Roman era. As well as allowing the community to collaborate together as one, no matter what ethnicity they are. Functions of Ancient Roman Bath Spa will allow the user to relax, socialise, exercise and even gain knowlege through exhibitions.

CONCEPT. THE ROSE.

The Pentagram (Ritual Symbol)

PROGRAMME: The proposal for this site is a Roman style spa, which includes functions of a typical Roman Bath in the Roman era. The Romans used the baths for socialising, eating and educational purposes, as well as hygiene. The functions of this site will have the typical spa elements, but also functions where each indvidual can socialise and collaborate as a community. The main idea is to also give each user a unique experience by senses. The brand name of this is ‘Ancient Roman Bath Spa’.

East India Dock Road, Poplar, London, E14 0ED

Simple Geometry - the octagon.

The formation of the rose (Collaboration of the community) The Octagon Interlocking (Rose Structure)

CONCEPT DEVELOPMENT. Following on from the interlocking geometrical structure (the rose) this specific shape is used throughout the building in many forms to create unique patterns. For example, it is used as the facade design wihin the entrance (Fig 1.) and the ceiling detail within some parts of the building (Fig 2) It is also used as a shape for the water fountain that is used as a unique feature for the pool (Fig 3/6)

The main idea is to use the concept shape to create patterns throughout the building, but also allowing the community to form together as one by applying functions to the concept itself.

Product Room - Geometrical Ceiling Detail. FIG 2.

Name:

Formation of the octagon shape, from the pentagram.

There is a clear link between the theme of a rose and the collaboration of the community, by how there are a variety of roses (representing culture and ethnicity) the single rose petals (the community) form together to make one single rose (formation of the community) which gives a pretty outlook. Roses also have symbolic meaning, relating back to the symbol of a ritual (the pentagram). Lastly, the fact that the romans used bathing to socialise and bring the community together also links to the concept.

The Rose

The gathering of rose petals(The community)

Geometrical Rose Shape.

Technical Drawing- Geometrical Rose Water Fountain. FIG 3.

Front Elevation - Facade/Logo Detail. FIG 1.

I-AD Degree Show 2016

The Piano Bar Clara Hend

its original charm as a pinao bar. Geometric

The premises of an old Grade II-listed pub

new designs are added without altering the

patterns in the proposed design frame the intricate original Art-Deco bar details, while

from 1934, the Dr. Johnson, is reinstated into

original atmosphere.

MODERNIST PASSIVHAUS BARN Redcoats Barns is currently deteriorating within itâ&#x20AC;&#x2122;s current stage, it is apparent that major construction works are needed to preserve the history and heritage of the Barns. The Intension of the Client is to preserve the existing barns by respecting the history/covenant and deeds of the building but converting the barns into a modern home for himself and his family. The implication of Passivhaus results in the reduction of energy bills by up to 90% and based on the location of the Redcoats Barns and itâ&#x20AC;&#x2122;s footprint, there are tendencies for high energy bills if the Passivhaus concept is not Implemented.

Ground Floor Plan

First Floor Plan

Modernist Passivhaus Barn James Igbafe

history and heritage of the Barn. Barns. The

Redcoats Barns is currently deteriorating

home for himself and his famil. Passivhaus

and major construction works preserve the

Design Concept Phase 1

Intension of the Client is to preserve the existing barn but converting it into a modern design reduces energy bills by up to 90%.

The overall design of the proposed barn saw changes t the exterior which did not complement the heritage value of the barn, especially due to its listed compromised the integrity of the barn. The barnâ&#x20AC;&#x2122;s queen post truss roof stands as the fundamental value to this rich heritage barn, any structural deflections to the trussed means a breach of listed components. Overall, this initial design after revue posed more problems structural wise and design wise than first anticipated. Although the visuals complements a modern and inventive look, it played no relationship to the existing fabric. This meant a re-change of design was needed.

Design Concept Phase 2

Existing Timber Frame Retain existing timber frame and treat to relevant regulations

Design Concept Proposal - Re- Development - Understanding the structure

Proposal: Wrap existing timber frame with an outer layer of insulation creating a blanket effect

Passivhaus Blanket

Existing Timber Frame

TER

VIEW B, SHOWING THE CAFE AREA AND ENTRANCE TO THE THEATRE ON THE GROUND FLOOR

VIEW C, SHOWING THE CAFE ON THE GROUND FLOOR

GAGE PLANIUM STAINLESS-STEEL FLOOR MATTE BLACK SONATA STUDIO FLOOR SILVER (PLAIN)STREAMLINE CARPET TILE MILDMAY GREY RUBBER ROLL FLOORING VIEW D, SHOWING THE ACTIVITY SPACE ON THE FIRST FLOOR

THE FIRST FLOOR OF THE PERFORMING ARTS YOUTH CENTER CONSISTS OF OFFICES AND CONSULATATION ROOMS FOR GUIDANCE AND COUNSELLING, AN ACTIVTY SPACE WHERE YOUNG PEOPLE CAN SOCIALISE AND PLAY GAMES, RECORDING STUDIOS AND A MULTIFUNCTIONAL SPACE. THE MULTIFUNCTIONAL SPACE SITS WITHIN THE HANGING WAVE PIECE ON THE FIRST FLOOR AND IS USED FOR SCRIPT WRITING, PLANNING, TEACHING AND REHEARSING. THE BLOCK DESKS CAN BE EASILY MOVED, STACKED AND JOINED TO CREATE A PLATFORM SPACE FOR REHEARSALS.

SOUTH ELEVATION

URGUP STONE BEIGE PORCELAIN FLOOR TILE CANDY RED ALUMINIUM COMPOSITE PANEL FOR CLADDING. (COVERS RAISED SEATING PLATFORM AND FLOATING SPACES

Performing Arts Youth Centre Lannekka Iloka

support young people, leading educational

Youth Network Milton Keynes specialises

Bus Terminal is converted into a vibrant,

programmes and performing arts projects that inspire young people. The vacant innovative and inspiring youth centre.

in working with local communities to

THE BUSZY YNMK PERFORMING ARTS YOUTH CENTER LANNEKKA ILOKA

PERSPECTIVE SECTIONAL VIEW THE CLIENT YOUTH NETWORK MILTON KEYNES (YNMK) IS A NON-PROFIT ORGANISTAION WHICH SPECIALISES IN WORKING WITH LOCAL COMMUNITIES TO SUPPORT YOUNG PEOPLE WITHIN MILTON KEYNES. YNMK LEAD SEVERAL ENJOYABLE AND EDUCATIONAL PROGRAMMES AND PERFORMING ARTS PROJECTS WITH THE INTENTIONS TO INSPIRE YOUNG PEOPLE AND MAKE THEM FEEL MORE CONNECTED WITH THE COMMUNITY.

LIFT

DRESSING ROOM MEDICAL ROOM STORAGE

KITCHEN

STAGE FEMALE TOILETS

THE BRIEF TO REFURBISH AND DESIGN THE CURRENTLY VACANT SITE THE BUSZY, INTO A VIBRANT, INNOVATIVE AND INSPIRING YOUTH CENTER WHERE YOUNG PEOPLE CAN GO TO ENGAGE IN ENJOYABLE ACTIVITIES, SOCIALISE AND BE CREATIVE.

THEATRE

MALE TOILETS

A B

CAFE

DIS. WC

VIEW B, SHOWING THE CAFE

ENTRANCE

GROUND FLOOR PLAN

LIFT

DOWN

OFFICE

CONSULTATION ROOM

STORAGE

RECORDING STUDIO

OFFICE

PRODUCTION SUITE OUTDOOR SEATING

FEMALE TOILETS

SITE PLAN

ACTIVITY SPACE

MALE TOILETS

MULTIFUNCTIONAL ROOM

PRODUCTION SUITE

RECORDING STUDIO DIS. WC

STORAGE

FIRST FLOOR PLAN

THE BUSZY BUS STATION IS WITHIN CENTRAL MILTON KEYNES AND IS EASILY ACCESSIBLE TO YOUNG PEOPLE. THE BUS STATION IS A FREE STANDING PAVILLION WITH INSPIRATION FROM BUILDINGS BY THE ACCLAIMED ARCHITECT, MIES VAN DER ROHE. THE DEEP CANOPY EXTENDED OVER THE CONCRETE PAVED PODIUM AND EXPOSED BEAMS MAKE THIS BUILDING ICONIC WITHIN MITLON KEYNES

VIEW C, SHOWING THE CAFE

THE CONCEPT WAS TO EXPERIMENT WITH THE CURVACEOUS FORM OF SOUND WAVES AND TO INTRODUCE FLUIDITY INTO THE EXISTING RIGID STRUCTURE TO IMPROVE THE CIRCULATION. THE HANGING WAVE PIECES WERE ADDED TO THE EXISITING BUILDING, ALLOWING THE EXTERIOR STRUCTURE TO REMAIN UNTOUCHED BUT MADE THE SPACE LARGER TO ALLOW THE PROGRAMME FOR THE PERFORMING ARTS YOUTH CENTER. THE GROUND FLOOR OF THE PERFORMING ARTS YOUTH CENTER HAS A CAFE, MEDICAL ROOM, KITCHEN, TOILETS AND A THEATRE. THE YOUTH CENTER CAN BE HIRED FOR LOCAL PERFORMANCES AND SHOWS WHICH IS A GREAT WAY FOR THE COMMUNITY TO JOIN TOGETHER AND SUPPORT THE TALENT OF YOUNG PEOPLE.

BUSZY YNMK PERFORMING ARTS YOUTH CENTER EXTERIOR RENDER

VIEW D, SHOWING THE ACTIV

THE FIRST FLOOR OF THE P GUIDANCE AND COUNSELLI STUDIOS AND A MULTIFUNC THE FIRST FLOOR AND IS US EASILY MOVED, STACKED AN

CONCEPT AND VIEW SKETCHES

VIEW A, SHOWING THE TWO ENTRANCES TO THE FLOATING FLUID SPACES

SOUTH ELEVATION

Narrative The narrative behind the Jumbo Planetarium is that an individual or a group of people can have the chance to travel through space. The experience allows visitors to do so through a series of fun learning obstacles as well as seeing sights along the way until they discover their space destination.

Render showing virtual reality area

x, C01 1PT

Render showing the Planetarium

n The Tank

Get Involved The Jumbo Planetarium Is home too many attractions, with various activities combining education and fun. The immersive activities allow people of all ages to explore new worlds. The activities include an immersive cinema, virtual reality zones, arcade games and the main attraction the planetarium. The diversity in the attractions is what anchors the overall concept of the Jumbo Planetarium. Having various sized activity zones allows us to create some personal and intimate experiences as well as larger more communal social experiences. One example of this would be the immersive cinemas, the individual cinema head pods allows the visitor to immerse themselves into the activity whiles the acoustics block out all the outside noise creating a more personal and intimate experience

Jumbo Planetarium Sam Ismay

generations. Different functions are assinged

The Jumbo Planetarium has an educational

chance to travel through space.

to different parts of the building. Within, an individual or a group of people can have the

and social element appealing to two different

Jumbo Planetarium

Narrative

The narrative behind the Jumbo P have the chance to travel through series of fun learning obstacles as space destination.

A-IAD

Sam Ismay Concept

The concept for the Jumbo Planetarium is to create a simultaneous experience through combining educational features with new and exciting social elements, the experience will appeal to two different generations. The way in which these qualities can be achieved is through developing diverse areas within the Jumbo Planetarium. By assigning different functions to each area it will create a greater quality experience for all.

“Look What’s Out There” “Look what’s out there” is the slogan that the Jumbo Planetarium encourages. The experience allows visitors to look up to the stairs and discover new adventures in an exciting and social way. Combining education and fun is the goal of the Jumbo Planetarium, as it thrives on interaction creating extraordinary adventure for everyone

Balkerne Gate, Colchester, Essex, C01 1PT

Render of seating area in The Tank

Render of bar area in The Tank

Workshop B&B Jamie Kok Zhi Ming

don. The psace near Brick Lane will provide

The project provides an additional space for

cept is a sculptural three-dimensional space

acommodation for in-residence artists and makers, and a small studio space. The con-

Blackhorse Studio, a maker space in Lon-

that fits between the railway lines.

DANIEL KUNRUNMI WAREHOUSE 89 SHOREDITCH WORSHIP STREET

Warehouse 89 Daniel Kunrunmi

door space, an indoor skate-park as well

Warehouse 89 in the heart of buzzing

that extends to the roof and floor, where also

as social and gaming spaces. The design concept follows a dramatic curving surface

Shoreditch is an event space, with out-

skating can take place.

DANIEL KUNRUNMI WAREHOUSE 89 SHOREDITCH WORSHIP STREET THE HEART OF SHOREDITCH WAREHOUSE 89 IS A BRAND NEW 8,000 SQ FT EVENTS SPACE LOCATED IN THE HEART OF SHOREDITCH. CLOSE TO BOTH OLD STREET AND LIVERPOOL STREET TUBE AND NATIONAL RAIL LINES THE SPACE HAS A PRIVATE ENTRANCE, WITH EASY LOADING ACCESS AND COURTYARD, WHICH IS PERFECT FOR SUMMER EVENTS. PRO GRAMME WHAT I WILL BE PROPOSING IS FOR A INDOOR SKATEPARK AND RESTUARANT. I HAVE CHOOSEN THIS PROGRAMME AS THERE IS A LACK OF YOUTH SOCIALABLE PLACES. MY BUILDING WILL CONTAIN 7000 SQUARE FEET SKATE PARK AND A 7000 SQUARE FEET DIN NING AND GAMES AREA. BUDGETS THE BUDGET IS LOOKING TO BE 1 MILLION BUT THE CLIENT IS WILLING TO GO OVER IF NEEDS BE CONSTRAINTS THE BUILDING HAS A FEW RE STRAINTS AND CONSTRAINTS. THE BIGGEST ONE IS THE SURROUNDING AREA AND BUILD ING. I HAVE PROPOSED TO ADD ANOTHER FLOOR TO MY BUILDING THIS WILL BE FINE BUT I WILL NOT BE ABLE TO INCREASE THE WIDTH OR LENGTH OF MY BUILDING AS THE BUILDING IS SURROUNDED BY OTHER BUILDINGS.

EXPLODED EXISTING SITE

PROPOSED GROUND FLOOR 1:400

PROPOSED FIRST FLOOR 1:400

EXISTING PROPOSED SITE

Treequil Park Michaella Laniti

that brings people together during the winter

A city escape in the form of an indoor park

enjoy the view.

months. A central courtyard with trees brings the outside space in and a restaurant to

Mezzanine Floor

design description

The design is about the depth at the same time everything is still open but remains the unique design element and usage of each space. Besides that, when walk in to the interior, you can find any curve or round shape element design, basically the interior part is not shape and square design, because in this case I want to

create a

contradiction to

both elements so that the sphere feature design would become more unique and outstanding. out

genius bar

second floor office

exhibition area

cafeteria

first floor office

sections

reception area

black timber

ial boar d

Sectio n

e ctiv pe s r

ter ma

E XT

RIO

E RD

al Pe

LIM MING ZHENG

black tiles

precedent study

cement render

glass

white matte

TRO Experience Agency Lim Ming Zhen

office for the world-wide event company

The project occupies an old warehouse on

crowd who seek a life-work life balance,

agency TRO. The office design aims to provide a healthy environment for the working where staff and clients interact organically.

the Old St round-about, to provide an ideal TRO EXPERIENCE AGENCY

old street london

(SHOWCASE + office) LIM MING ZHENG 16001392

Concept

London EC1V 9HE

THE EXPERIENCE AGENY To providing an ideal office for an event company agency which is Tro. They are passionate about connecting people and brands through memorable experiences. Many people encounter imbalance of work and life, it leads people to being suffer and depress. So the purpose of this project is to create an office with contain the value of work life balance.

the interlancing of varous aspect

The whole idea of the design is connect people

together

through

memorable

experiences. Therefore, the design is more focus on the target audience, and how to make more interaction between the branding, staff and target audience. Creating a space that could stand out the main focus and making more business opportunity. This idea of design also could affect the relationship between the spaces, visitor and staff. This is why the design is using heirarchy element to differentiate the spaces instead of building a wall or partition to break up the space.

furniture layout plans First Floor

Ground Floor

Second Floor

Mezzanine Floor

design description

create a

contradiction to

both elements so that the sphere feature design would become more unique and outstanding. out

Love, Heal & Inspire Michelle Loh Lik Yi

a place to integrate them back into society.

This project focuses on changing the

design provides for public amenities as well

The shelter is specifically designed for single women mothers under 25 years old. The

environment for homeless people, providing

as living quarters, aka â&#x20AC;&#x2DC;love boxesâ&#x20AC;&#x2122;.

reception

CAFE

LOUNGE AREA

CAFE COUNTER

LOUNGE AREA INSTALLATION

POOL AREA

STUDY AREA M U LT I - P U R P O S E ROOM

STAIRCASE DESIGN

FRONT PERSPECTIVE

left elevation

section x-x

SEATING AREA

MEETING ROOM

SIDE PERSPECTIVE

front elevation

right elevation

section y-y

back elevation

Sopwell Community Centre Low Qi Wei

area of St Albans city, into a modern social hub that provides a new meeting point for the local community. The redesigned building

s o p w e l l c o m m u n i t y c e creates n t r ean iconic design that stands out while providing a place of civic significance.

The proposal is to transform an old pub in

thel centre o w q i ofwthe e i Sopwell Ward, a deprived

A-IAD

project brief The aim is to transform an old pub in the center of Sopwell Ward into a modern social hub that provides a new meeting point for all the residents of Sopwell to re-connect with the community.

Justification

Community Centre provides all the amenities and neccessary facilities required by the community hence improves the social welfare of the residents. It is also important to provide a meeting point or place for gatherings in the community to increase communications among the residents. Thus, the connection between people can be bonded or strengthened.

location

The proposed site is orginally King Offa Pub, located at Wallingford Walk on Abbots Avenue West, St. Albans. The site is strategically placed in the centre of Sopwell ward which is within a mile distance for all residents of Sopwell. It is across the bridge from St. Julianâ&#x20AC;&#x2122;s Church which is a famous landmark for locals so it is easily to find. The land area is very open and wide that provides sufficient space for the proposed program. 5

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500

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Dec 30, 2016 22:21

1000 m

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University of Hertfordshire

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111

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Sta

115

14 16

El Sub

AVENUE

Shelter

NORMAN 14

ABBOTS

10 12

CHAPEL PLACE

96.6m

86.9m

AVENUE ABBOTS

102

1 9

OAK OLD

of St

Julian

Church

PLACE

2a 2b

2c 2d

127

92.0m

114

40 42

44 46

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2 GLENGALL

Bloomsb Court

WEST

ABBOTS

1 to

AVENUE

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34a

MILL

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24 26 28

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82.3m

Shelter

COTTON

62 64

WEST

ABBOTS AVENUE

TCB

GORHAM

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DRIVE 25

Post 14

B45

existing building facade

proposed floor plan

A1(M)

B4540

exterior facade

Post

HOLYRO

CRESCE

NUNS LANE

7 Post

9 11

46 48

Post

site map

table arrangement

ground floor site boundaries

concept - interlink My concept is inspired by the connection between two or more people of the community by interlinking or interacting with each other. The joint communication is a continuous circuit of information and relation whether it diverts inward or outwards.

banquet (max. 100pax)

boardroom (max. 56pax)

first floor

precedent study Walkerville Civic & Community Centre re-establishes the presence of the esteemed Town Hall while creating contemporary new administration and public spaces for the Council and community.

theatre (max. 90pax)

monument be able to use the deconstructive elements to interact with the historical past.

FLOORS LEVEL

MEMORIAL SPACE

2F 1F GF UGF

The core area of the memorial space, Calm, darkness and sunlight, all these elements create the meditation for visitors to experience the relationship between the past and future.

The Deconstruction

of Legacy The Christ Church Greyfriar Garden Used to be Gothic church that opposite St Paul's Cathedral in the City of London. the church was largely destroyed by bombing during the Second World War. The ruins are now a public garden. This concept inspired by the destruction of the impact that made by the Wars. This form is the resultant of the sculptural inspirations and thinking of the architecture's consistency with the historical narrative. The legacy of Christ Church Greyfriars memorial can be a static symbol commemorating the past, but through an organic living monument that evolves over time, capable being affected by its users.

PRECEDENTS STUDIES

Christ Church Greyfriars Memorial Exterior Facade View CHRIST CHURCH GREYFRIARS MEMORIAL SECTIONAL VIEW This public space regardless of age, faith, background, nationality, language,â&#x20AC;&#x201C; attracting and involving people outside the established audience. The Consistency dynamic of the structure form brings back the memorial accent. The used of pre-cast concrete without any modify that present the simple, peace and calm environment, experience the real event in the past. Also, The deconstructive design creating a visual impact to attract pedestrians to stop by and experience this Christ Church Greyfriars memorial.

From ground level there are walkway ramp down to Underground. The walkway design comes with the light fitting that lead visitor to the memorial space. When the visitor enters they will experienced the silent and darkness in memorial space. The interior horizontal light tubes flows create the running effect of falling back to past historic memories. The dark space only allows the natural sunlight came in from skylight void.

3DVIEWS

FULL GLASS AREA

MEMORIAL SPACE

RAMP AREA VIEW

Christ Church Memorial Zhen Feng Lu

thedral in the City of London, but was largely

The Christ Church Greyfriar Garden used to

a memorial space that uses light an material

destroyed by bombing during WW2. The ruins are now a public garden, which inspire

be Gothic church that opposite St Paulâ&#x20AC;&#x2122;s Ca-

textures to invoke historic memories.

Zhen Feng Lu

Christ Church Greyfriars MEMORIAL EC1, King Edward St, London EC1A 7BA, City of London United Kingdom

SITE: Christ Church Greyfriars Garden, City of London

Design Narrative

CHRIST CHURCH GREYFRIARS MEMORIAL LAYOUT PLAN

DAMAGED IN THE BLITZ RAMP AREA The front part provides a green ramp that accessible to the memorial information centre. The ramp comes with the real green turf which enhancing the natural environment, not just preserve the green but also create the relationship with human.

INFORMATION CENTRE

RAMP AREA

MEMORIAL SPACE CANTILEVER MEMORIAL GARDEN

INTERACTIVE AREA This area provides the connection from the space inside to the outside historical wall. Visitors can actually feel it and touch with this sensational experience from a different aspect.

INFORMATION CENTRE Information centre provide staircase, elevator and ramp easy accessible for all the visitors. This area provide 360 views full glass area and the historical information of Christ Church Greyfriars.

SPACE FLOWS

CANTILEVER

CASE STUDIES

The Cantilever interior features the idea from the dark to bright . The interior showing the gradient of some skylights from concrete wall to whole glazing tempered glass window. Concept show how the Church transforms from the dark through the London Fire, damage and rebuild to give a new reborn life for it.

MEMORIAL GARDEN The deconstructive concrete blocks scatter around the area.This shows the impact of the bomb in the war that create fluctuation. The concrete seat provided the visitors sit surround the feature monument be able to use the deconstructive elements to interact with the historical past.

FLOORS LEVEL

MEMORIAL SPACE The core area of the memorial space, Calm, darkness and sunlight, all these elements create the meditation for visitors to experience the relationship between the past and future.

The

Deconstruction

2F 1F GF UGF

ELECTRIC BALLROOM ARCADE 1 LY

START!

to 3 23

PLAYER MATTHEW

E 184

Brief: Arcades in London are becoming a distant memory due to the lack of usage over the past couple of decades. Due to this deterioration many arcades have struggled to keep their doors open and have resorted to closure. In order to encourage a recovery of entertainment in arcades, the ideology of the arcade and entertainment must evolve in order to adapt to the current generation and beyond.

TCBs

TCB

3 to

Proposal: The proposal of the arcade aims to incorporate knowledge of current advavancing technology with the usage of aesthetics in order to create an appealing visual yet practical experience. The majority of modern entertainment heavily relies on an extreme visual experience with the inclusion of HD and 4K technology. Bingo Hall

Camden ac convenient train due This acts a in the pa either in e busy parts

28.6m

Features: The most outstanding feature of the arcade is the glass wall walkway which acts as an optional walking path in the centre of the arcade, providing a spectacle/highlight for the arcade. Additionally the wall also contains LED screens supplying the latest HD/4K technology, displaying entertainment, advertisements and possible tournament gameplay which allows the consumers to gather around the wall from the small lobby on the bottom floor or the balcony from the top floor. The wall also is interactive both visually and physically , resmembing a gamepad as a whole and the doorways resembling the popular arcade game Pacman.

Shelter

The main idea is to be able to create the experience which the audience desires through modern entertainment but taking it up the next level. Not only should the arcade provide entertainment but it should also provide some leisure for those who 28.4mfor the ones require moderate relaxation after an intense gaming session or supervising their children. Areas of leisure will allow social interaction but also provides the balance of the consumer market.

S The Electr the heart of PO number o popular for concert

Electric Ballroom Arcade Matthew Ly

past couple of decades. The proposal of

Arcades in London are becoming a distant

usage of aesthetics in order to create an

the arcade aims to incorporate knowledge of current advavancing technology with the appealing visual yet practical experience.

memory due to the lack of usage over the SITE LOCATION: ELECTRIC BALLROOM, 184 CAMDEN HIGH STREET, LONDON, NW1 8QP

ADE

St Michael's

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Camden acts as an appropriate area for an arcade as it is in a convenient area where everyone can commute to via bus and train due to the wide number of public transport services. This acts as a huge positive factor in comparisson to arcades in the past due to the fact that arcades in the past were either in extremely inconvenient areas or in the extremely busy parts of London which can be offputting and expensive to travel to.

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SITE INFORMATION: Bank The Electric Ballroom is originally a music venue located in the heart of Camden High Street which is popular for the high PO number of tourism and markets. Adiditionally, Camden is popular for the alternativ#e music scene which results in daily concerts around a large number of both big and small independent music venues.

L EN

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The

Hetal Mandalia OPTION 1

Railway Hub Bringing Co-Working To The Community

GROUND FLOOR

BASEMENT

FIRST FLOOR

The main feature of the design is the partition walls. The wall itself is made up of a repeated hexagon pattern frames. The indie of the hexagons are hollows to allow light to flow through the space and the partition walls are on wheels to allow easy movement of them within the space.

SECOND FLOOR

The position of the partition walls is indicated on the floor with circular nodes creating a hexagon pattern, the hexagons are connected at nodes to enable the partition walls to be flexible and pivot into different positions. The desks and tables are designed developing from the idea of flexibly origami, with a modular triangle design. The flexibility of the furniture and the partition walls means that there are many combinations for the floor layout. Depending on user needs the design is able to accommodate small and individual work as well as bigger group work and meetings. The top two floors serve as working spaces, the ground floor is a cafe and reception area and the basement is mainly for events.

OPTION 2

OPTION 3

OPTION 4

OPTION 5

The Railway Hub Hetal Mandalia

Road in Edgware. It is proposed to become

The Railway Hub is a GradeII-listed mock-

modular system of office-design. The ground

a co-working space and community hub, providing flexible working space within a

Tudor building fromThe 1931, located on Station

Hetal Mandalia

floor includes a public cafe and reception.

Railway Hub Bringing Co-Working To The Community

The Railway Hub is located on Station Road in Edgware. It is a mock-Tudor building that was built in 1931. It was designed by AE Sewell for the brewers Truman Hanbury and Buxton. The building has been abandoned since the early 2000â&#x20AC;&#x2122;s and in 2003 it was Grade II listed and has been on the Historic Englandâ&#x20AC;&#x2122;s Heritage at Risk Register since 2013. The concept for the design is based around origami. The notion of modular flexibility is bought forward through all floors. The main feature of the design is the partition walls. The wall itself is made up of a repeated hexagon pattern frames. The indie of the hexagons are hollows to allow light to flow through the space and the partition walls are on wheels to allow easy movement of them within the space. The position of the partition walls is indicated on the floor with circular nodes creating a hexagon pattern, the hexagons are connected at nodes to enable the partition walls to be flexible and pivot into different positions. The desks and tables are designed developing from the idea of flexibly origami, with a modular triangle design. The flexibility of the furniture and the partition walls means that there are many combinations for the floor layout. Depending on user needs the design is able to accommodate small and individual work as well as bigger group work and meetings. The top two floors serve as working spaces, the ground floor is a cafe and reception area and the basement is mainly for events.

Waterview Lucy Miller

The proposal re-utilises the Haggerston Baths in Hackney. The proposed spaces include a bar and cinema, as well as public social spaces.

Healing Peaks Neemaeli A Mkony

emotional needs of patients. The programme

The Healing Peaks facilty is a well-being

mind-and-body studios on the top floor.

provides therapeutical services and develops from public spaces on the ground to private

centre specifically designed around the

Renders excuting my concept and proposal showing the activity space that consist with a indoor rock climbing wall, which also looks into the gaming area (shown below image one). I have a render showing the music room and ground floor common room. I kept the theme of each room quite subtle and bright. I consciously didnâ&#x20AC;&#x2122;t want to have a space that was too colourful, I wanted to go for a mature look with the youth club and have a uniqueness

b for the area of d office space ace carrys four l ork with and add outh club. Shooung vibrant peve a new and an give the area th things to do in

C H A P E L

P L A C E

E C 2 A

Merge Youth Club Jade Mondele

to complement the existing offerings for

The proposed youth club is a modern

and gaming area. The colour scheme is

space located in Shoreditch, London

entertainment in the area. The centre includes a music room, common room intentionally subtle and simple.

M E R G E J A D E

MON D E L E

School of Creative Arts

YOUTH

CLUB

Renders excuting my concep space that consist with a indo looks into the gaming area (sh render showing the music roo I kept the theme of each room sciously didnâ&#x20AC;&#x2122;t want to have a wanted to go for a mature lo uniqueness

My concept is to design a modern youth club for the area of London, Shoreditch. I have transformed an old office space building (Michael Baileyâ&#x20AC;&#x2122;s association), the space carrys four l evels which was a good enough space to work with and add in all the necessary elements I needed for a youth club. Shoredtich is an area that is filled with so many young vibrant people, and I feel that this is the perfect fit to have a new and upcoming cool youth club. This opportunity can give the area a whole new light and give it more variety with things to do in Shoreditch.

C H

9 am

1 pm

5 pm

6 pm

food selling courners Peak hours cooking classes

- Food market - Food court

Experience

Function 12

1 pm

5 pm

Food courts/public spaces

open kitchen healthy cooking class (each day each cousine)

6 pm

CONSEPT PHASE food selling courners Peak hours cooking classes

et t

Food courts/public spaces

open kitchen healthy cooking class (each day each cousine)

Experience

The ambition is to create a transformable market. The function of the particular space can get changed depending on the day time in order to attract new audience. At the peak housrs fould courts will turn into a cooking class kitchen displaying some healty recipiecs of healty meal within one of the Eastern traditional cookong techniques. Each show will take 30 minuts. Everyone could become a part of this interective cooking class FREE of charge . The only issue is going to be a use of products that are selling in the market. So the visitor will be directed to buy some products.

SOLAR BATARY MODULE Gets affected with the sun and generates enerjy

This will encrease the annual income of the market and will gain its popularity.

ELECTRICITY Electricity generated with the solar batary goes through the colomn

DEFENCIVE STRUCTURE Completed with mash material

THE KEY OBJECTIVES OF THE DESIGN IDEA Promote sustainable designs; Establish a detailed vision for the area; Celebrate and enhance Whitechapel as a diverse and thriving centre for residents and tourists; Promote Whitechapel as a place to work and conduct business; Regenerate the Whitechapel district centre; Identify opportunities to deliver new infrastructure; Embed high quality interactive public space.

Name:

I-AD Degree Show 2016

Whitechapel Street Market Svetlana Morgoshiia

Multicultural, sustainable and interactive

Whitechapel Road in London perhaps best

vision for the area is proposed, to support

working areas could prevent social conflicts in the development of immigrants. A unique future regeneration and development.

encomposses the idea of a ‘high street’.

Y ST

BRAD REET

APEL

ITE

URNE

FULBO STR EET

ADDING VALUE : WHITECHAPEL STREET MARKET SVETLANA MORGOSHIIA

A- IAD

WHY A WHITECHAPEL MARKET ? Vast swathes of the city are home to different pockets of nationalities from across the globe, according to official statistics. There are 4 main coultures working in the Whitchapel Market : PAKISTAN , TURKISH , INDIAN , BANGLADESHI . This information leaded to the idea if separation of the market into three main zones.

Along the section of street stretching from Aldgate to Stratford, Whitechapel Road perhaps best encomposses the idea of a ‘high street’. It is both a place of exchange, with a high intensity of retail, and a movement corridor linking the city centre toEast London. Markets form part of the larger urban systems of exchange, employment, food, and social interactions and therefore their fate has implications for the broader city context. There is a need to think strategically about the system of markets in London, which offer a unique draw for tourists as well as providing for local livelihoods. Ensuring the survival of the rich and diverse charecter of Whitechapel Market is a step in this direction.

TOWER HAMETHMITS POPULATION PAKISTANIN

10k

Poland

ZONES

TURKY

Philipines

BANGLADESHI Vietnam

Sri Lanka

Lebanon

seafood

Nigeria

INDIAN

Multicultural, sustainable and interactive working areas could prevent social conflicts and stagnation in the development of immigrants, like in France for example, where isolated districts exist with a marginal population. 0

15%

grocery vegetables open kitchen fruits

food court

20%

25%

30%

35%

grocery food court fruits

sweets

open kitchen

INDIAN

The design plan provides a clear and unique vision for the area, and guiding principles to support the future regeneration and development of Whitechapel. It aims to use the momentum, already created by Crossrail, combined with public sector investment to inspire a new and exciting place.

fresh drinks

FUNCTIONS

PAKISTAN / TURKISH

seafood

BANGLADESHI

grocery vegetables open kitchen

fruits

food court

Grocery grocery food court

22 %

fruits

open kitchen

Fresh veg and fruits

sweets

fruits

fresh drinks

34 %

open kitchen spices fruits

Open kitchen Food court

food court grocery

28 %

Fish

Name:

Sweets

Spyces

67 I-AD Degree Show 2016

Therefore: Innovation Hub Yassir Jamain

Social comunities or research centres

The aim of this porject is to create an

sculptural element, that includes stairs, desk

innovation hub space, for commercial use.

come together in this space. The design is organised around a threaded-like â&#x20AC;&#x2DC;foldingâ&#x20AC;&#x2122; furniture and acts as pathway indicator.

LAYOUT PLAN - GROUND FLOOR SCALE 1 :150

The aim of this design report is to form and justify the functions of designing a ‘Social lounge’. This social lounge with consist of a bar and certain activities to assist the consumers to socialize during this atmosphere. This report will hold the location of the site picked for this project, the concept design, the structural analysis,and the brief development of this particular project. the site on Station road in Edgware is placed in an exceedingly very busy space, therefore planning a social lounge will be very ideal, because it would have an outsized increase within the customers. the site is a grade th three building, the exterior and structure of the building will be kept the same with some changes to its interior outcome. My proposal for the site is to design a social Lounge. There isn’t many, if not at all any Social lounges in England. The whole reason for this design idea is to increase the community in terms of making society communicate in terms of making society socialise more. Not only that, but to also allow people to enjoy and relax. The way in which I have decided to come by this idea is to include certain activity attributes joined with a bar.

LAYOUT PLAN - ROOFTOP FLOOR SCALE 1 :150

Tennis Gardens Claire Nsiah-Baidoo-Takyi

central bar area and table-tennis playing tables. It is meant to provide for a social space of gather for the local community.

A social lounge is proposed near the tube station in Edgeware. Organised around a

3D Creative Hub & Gallery Nursyahirah Binti Abd Rahim

lively gathering spaces for artists living and

The proposal for a creative space or hub

among the youth and young adults.

working in Bethnal Green and Hackney. The programme promotes social interaction

is to include an art gallery, creative and

Hatfield Womenâ&#x20AC;&#x2122;s Nest Ashley Omanga

University of Hertfordshire

School of Creative Arts

A-IAD

The Womenâ&#x20AC;&#x2122;s Nest is a place majority of the women in Hatfield can call their second homes. As illustrated below, the space involves a lot of curvaceous structures. This is mainly meant to make the women feel comfortable and free will to move around. The largescale structures are emphasised on the ground and first floor. On the roof, are three long skylights to allow enough passage of light during the day. The ceiling, is made out of wood which is then curved to look like drappings falling of the ceiling. These are supported by 4 columns.

On the first floor, contains an auditorium that is flexible in terms of use. Activities such as, yoga classes, group meetings and motivational talks can take place.

This facility caters for women that work day shift or night shift. The largescale curvy structure (above) acts as dividers in the exhibition space. This gives the space a unique circulation movement.

Hatfield Womens Nest Ashley Omanga

the busy highway and a few kilometres from

The Hatfield Women’s Nest - facility, is

call their second homes. The design involves

the town centre. The Women’s Nest is a place where the women in Hatfield can

University of a curvaceous structure. HertfordshireUH Hatfield Women’s Nest

located in a quite private residential area off

School of Creative Arts

Ashley Omanga

A-IAD

The Hatfield Women’s Nest - facility, is located in a quite private residential area off the busy highway and a few kilometres from the town centre. The area is accessible to pedestrians, cyclists and car. This in an empty warehouse 11.7m wide and 10.8m high.

Bringing in this project to the neighbourhood, will eliminate any insecurity during the late hours of the night. The above floor plan (ground floor) will mainly be used by women that work the night shift and are free during the day

On the other hand, The first floor will mainly be used by women that work the day shift and are free during the night. This floor contains; a live band section with an open restaurant and an auditorium for different activities such as motivational talks and Yoga

The above is a detailed drawing of the largescale curved concrete walls, that will be in the exhibition space. These structures will permanently be placed and white in colour.

Leica Office and Gallery Ong Zhen Huan

shape in an existing office building near

The famous Leica cameraâ&#x20AC;&#x2122;s London

narrow lot, which is achieved with the use of

Brick Lane. The design is carefully organised around the distribution of light in the long and

headquaters and gallery space is to take

skylights and glazed surfaces.

ORANGERY SECTION X-X SCALE @ 1:100

My main feature in my design is the Mixology Areas / Bar Areas to go and experiment with the teas and other ingredients. A way I have defined those areas is with Brass Inlay on the flooring of the Tea Rooms. The inlay strips of Brass act like “subliminal” track lines where the visitors will follow and see that they all lead to different Mixology Bars within the building.

The reason why I chose to add an Orangery extension is because I couldn’t create my Secret Room within the main building itself. Therefore, as a substitute I chose to add the extension, not that it will be secret but it is for additional space. It can also act as a Private space for venue hire for big groups of people. It also makes use of the unused space that is in the middle of Twyford Abbey and it doesn’t clash or cause any sort of distraction to the area as it is hidden away with the surrounding buildings.

KEY:

PROPOSED COURTYARD PLAN SCALE @ 1:500 TWYFORD ABBEY & ORANGERY EXTENSION COURTYARD SPACE

THE SURROUNDING BUILDINGS

FLOOR DETAIL - SECTION VEW SCALE @ 1:2

AXONOMECTRIX EXPLODED VIEW SCALE @ 1:100

RECTANGULAR MULLION STRUTURE FOR NEW GLAZZED ROOF

SELF CLEANING GLASS ROOF

CLEAR PERSPEX CEILING

LIGHT GREY SLATE WALL TILES

DOUBLE GLAZED WINDOWS WITH METAL FRAMEWORK

BRICK WALL STRUCTURE

My design is all about the experience of the visitor and making them feel over the top special and luxurious. My strategy to create this atmosphere is to create Mixology areas where people can experiment with different types of teas, spices, flowers and herbs. By doing so the visitor get to see what types of teas and other beverages they like. They can also create their own blend and have it there or in the Shop area and take it home all packaged up. My inspiration for this was from my Presidents study on T2 which let you taste and buy the tea that you like.

Many people in Ealing are if the age group of 25-29 in the 2011 statistic and the second highest was 30-34. The blending of Generation X and Y is important as they are my target age group that is suited for my design. Generation X being more willing to go to places for relaxation, destressing and escapism. Generation Y like similar things to Generation X so it will make it perfect to join the two together. However, Generation Y like the updated modern twist to old classics.These qualities are what I am looking for and what I have taken into consideration when designing.

The Royal Tea House Mahesh Parekh

House works in conjunction to the nearby

Twyford Abbey dates to 1807 and located

the High Tea-drinking tradition of past times.

development into housing units. The design style draws from modern-day opulence and

in Londonâ&#x20AC;&#x2122;s Ealing. The proposal for a Tea

The Royal Tea House - Twyford Abbey Mahesh Parekh

AXONOMETRIC VIEW SCALE @ 1:100 Twyford Abbey dates to 1807-1809; the original one story dwelling (south west part) built on the site of a former medieval manor house was designed by William Atkinson as an early 19th century Gothic revival building. In the mid- 19th century the manor was extended to the north and east.

KEY: ROOF

Circulation to the Mixology Areas.

Mixology Bar Area.

Twyford Abbey is located in the London Borough of Ealing. Ealing is situated in the West part of London, England. It is the 3rd largest London Borough in population, and 11th largest in size, covering part of west London and a small part of NorthWest London. Its administrative centre is Ealing Broadway. The local authority is Ealing London Borough Council.

Aerial Birds-eye View FIRST FLOOR

Lobby View - Ground Floor

Ground Floor Tea Room

GROUND FLOOR

Front Entrance View - West Wing Shop - Ground Floor

Section X-X

Mixology Area - First Floor

My proposal for creating Twyford Abbeyâ&#x20AC;&#x2122;s West Wing into a Tea House will work due to the Feasibility Report done previously. It will work in conjunction to the redevelopment of the rest of the buildings attached which are made into housing units because it will create more publicity to the area which will attract more people to area of Ealing. The style of my interior space for my design is Modern Day Opulence and the inspiration for that has come from my research made on tea, and how drinking tea had a social hierarchy attached to it. Due to only the wealthy and upper classes being able to drink it during the first social comming of tea, I have created a 21st Century Opulent design to go with my programme of High Tea.

ARCADE 360 CENTRE

GAMING E TO SUIT ET A MIRTI SOCIAL STRAIGHT HE CLEAR HIND THE AND ANY LACK CORTHINKING HERE LOW OR OPENS D PARTICIBLES AND NG, HOME ASS WALL D VEGETAARE PROE CAN BE AT HOME.

7 CHASE SIDE, SOUTHGATE, LONDON, N14 5BP

CORRIDOR TO GAME ROOMS- BASEMENT BASEMENT

GROUND FLOOR

FIRST FLOOR

ROOF PLAN

RARY FOR D CURVED DS OR THE A SENSE AINED BY HI TREE IS H OTHERS. BUDDHA EE THAT OGETHER.

NDREA PATTALIS AND DESIGN L6

READING BOOTHS- FIRST FLOOR

KEY: ZONE 1: BASEMENT LOUNGE- SPACE FOR SOCIALISING, DOING HOME WORK WHILE ENJOYING THE JUICE BAR WHICH IS CATERED FOR BY THE GARDEN

ZONE 3 LADIES W.C - FIRST FLOOR

ZONE 5

ZONE 1

ZONE 9

ZONE 3: WARPED ENTRANCE- USING LIGHTING, A LEANING TIMBER ROOF AND INTIMIDATING CONCRETE WALL CREATES A CURIOUS ENTRANCE

ZONE 4

ZONE 4: MIRROR MAZE- A FUN SPACE FOR CHOOSING A PATH WITH REFLECTIONS DISTORTING VISION, WITH THE BRIGHTLY LIT STAIRCASE CREATING CLARITY IN THOUGHT

ZONE 6 ZONE 2

ZONE 2: FUN ROOMS- A MIXTURE OF PC GAMING SUITES, TV ROOMS AND TABLE TOP ROOMS. A SPACE WHERE YOUTHS WORK TOGETHER TO BUILD THEIR FURNITURE

ZONE 7

ZONE 5: YOUTH SUPPORT- STAFF ALWAYS PRESENT TO ASSIST AND REHABILITATE YOUTHS, MAINTAIN THE ARCADE AND PROVIDE SUPERVISION THROUGH WALL OPENINGS ZONE 6: RELAXATION ZONE- SPACE TO BE REFLECTIVE ZONE 7: LEARNING ZONE- SPACE TO BE PRACTICAL WITH TIME AND ENERGY, GAIN EXPERIENCE AND LOCAL EXHIBITORS HELP WITH THE YOUTHS FUTURE CHOICES

ZONE 8 TUNNEL LIBRARY- FIRST FLOOR

ZONE 8: PEACE GARDEN- SEATING SURROUNDED BY THE SACRED BODHI TREE AS A CELEBRATION FOR THE JOURNEY TAKEN THROUGH THE ARCADE ZONE 9: KNOWLEDGE ZONE: A TUNNEL SHAPED LIBRARY WITH SOLO READING PODS AND LONE SEATING FOR FOCUS ON KNOWLEDGE GAINING

ANDREA PATTALIS INTERIOR ARCHITECTURE AND DESIGN L6

Arcade 360 Andrea Pattalis

North London. It occupies and transforms

The Arcade 360 projet was born to combat

and includes a learning and teaching zone,

a former pub into a youth club. The design encourages the personalisation of furniture

the rising anti-social behaviour rates in

greenhouse and entertainment.

ARCADE

ARCADE 360

ARCADE 360 PROVIDES THE PARADIGM FOR A PERSONAL JOURNEY FOR A NORTH LONDON YOUTH WHO HAS NOT FOUND THEIR FEET IN LIFE. INSPIRED BY THE CONCEPTION OF SPACE AND EXPERIENCE ARCHITECTURE, THE ARCADE 360 WAS BORN TO COMBAT THE RISING ANTI SOCIAL BEHAVIOUR RATES IN THE AREA. THE COLOURS RED AND GREEN SYMBOLISE BAD AND GOOD IN A PLAYFUL WAY THROUGHOUT THE ARCADE WHICH WAS INSPIRED BY THE TILING PATTERN ON THE EXTERIOR OF THE PUBLIC HOUSE BUILDING FROM THE 1920’S.

3 STOREY 1920’S PUBLIC HOUSE CONVERSION TO A YOUTH CENTRE THE BASEMENT IS WHERE YOU CAN FIND LOUNGES, TOILETS AND GAMING ROOMS WITH THE ENCOURAGEMENT TO PERSONALISE FURNITURE TO SUIT EVERY PERSONS NEEDS. THE GROUND FLOOR IS WHERE YOU MEET A MIRROR MAZE THAT REFLECTS THE STATE OF MIND OF THE AVERAGE ANTI SOCIAL YOUTH. CHOICE OF PATH TAKES PLACE HERE, THE YOUTH CAN GO STRAIGHT TO A SUPPORT ZONE WITH STAFF THERE FOR EVERY NEED; OR TO THE CLEAR AND BRIGHT STAIRCASE WHERE THE JOURNEY CONTINUES. BEHIND THE STAIRCASE IS AN INFORMATION BOARD WHERE JOBS ARE POSTED AND ANY LOCAL NEWS BY THE STAFF MEMBERS. THIS IS FOLLOWED BY ‘THE BLACK CORRIDOR’ WHERE TACTILE ACOUSTIC FOAM WALLS CREATE A DEEP THINKING ZONE, LEADING TO MALE OR FEMALE ONLY RELAXATION ROOMS WHERE LOW LIGHTING AND SELF EVALUATION IS ENCOURAGED. THE CORRIDOR OPENS OUT TO A LARGE AND BRIGHT ZONE OF LEARNING, TEACHING AND PARTICIPATING. LESSONS CAN BE HELD IN THE CLASSROOM, TEAMWORK TABLES AND POP UP EXHIBITIONS ARE HELD TO HELP YOUTHS WITH JOB FINDING, HOME LIFE, FRIENDS OR EVEN STUDY TRIPS AWAY. SURROUNDED BY A GLASS WALL IS WHERE THE GREENHOUSE IS LOCATED, WITH FRESH FRUIT AND VEGETABLES ARE GROWN BY THE YOUTHS AS PLANTING AND NURTURING ARE PROMOTED. THIS VEGETATION IS GIVEN TO THE JUICE BAR AND SOME CAN BE TAKEN HOME AND ENCOURAGE YOUTHS TO GROW THEIR OWN AT HOME.

CORRIDOR TO GAME ROOMS- BASEMENT

ON THE FIRST FLOOR SEATING IS SURROUNDED BY A TUNNEL LIBRARY FOR INDEPENDENT LEARNING. WITH A BRONZE MIRRORED FLOOR AND CURVED WALLS, BOOKS CAN BE TAKEN TO THE INDIVIDUAL READING PODS OR THE SURROUNDING SEATING PROVIDED EACH BY A WINDOW FOR A SENSE OF PERSPECTIVE. AS A CELEBRATION FOR THE EXPERIENCE GAINED BY THE ARCADE, A PEACE GARDEN SURROUNDED BY A LARGE BODHI TREE IS WHERE YOUTHS CAN ENJOY THE FRESH AIR AND SOCIALISE WITH OTHERS. THE BODHI TREE IN BUDDHISM IS WHERE THE BUDDHA FOUND ENLIGHTENMENT SO IS A VERY SACRED TREE THAT HELPS GROUND THE CONCEPT OF THE ARCADE TOGETHER.

READING BOOTHS- FIRST FLOOR

LADIES W.C - FIRST FLOOR

MIRROR MAZE ENTRANCE- GROUND FLOOR

LOUNGE BASEMENT- BASEMENT

GREEN HOUSE- GROUND FLOOR

TUNNEL LIBRARY- FIRST FLOOR

CROSS SECTION SOUTH FACING

FRONT ELEVATION SOUTH FACING

BACK ELEVATION NORTH FACING

EXPLODED 3D VIEW

BLOCK PROPOSAL CONCEPT

ANDREA PATTALIS INTERIOR ARCHITECTURE AND DESIGN L6

HOTEL 120 Coralena Pattalis

The site is enclosed behind a padlocked gate with a private driveway off Cockfosters Road. As it is already privatised, this allows easy conversion of the programme within the structure. On the site there is a brick cabin, which houses the maintenance room, and a portacabin towards the rear. The brick structure I propose to turn into the hotels reception after completing an extension to double its size. Between the cabin and the tower on the site I propose to build a submerged basement level walkway to allow access between the 2. This will be partially covered above but allow for port-hole style rooflights to replicate the windows on the tower. Where the walkway and tower meet underground, the lift access will begin from basement level. The site will need to be altered to meet public safety regulations in terms of fire escapes, meeting points, and security. A secure car park will need to be incorporated within the plot, along with some maintenance of the landscaping. Potentially some trees will need to be removed that interfere with the structure.

Coralena Pa

This project aims to in tional role through re-

Cockfosters Water Tow tion is in North London The tower was designe J.W. Milne, chief engine It incorporates a suppo 1,130 mÂł. A number o providers, Vodaphone

I propose to turn the to used as the main circu of the tank to make wa the facade of each roo ing membranes. I also intend to build a staff changing, and wa produce of the restaur knock down the existin small cafe, lobby area,

All the research of the area suggest the programme to be placed will be successful. The immediate area of Hadley Wood is very affluent, as justified by the area stats taken form the 2011 consensus, therefore a boutique luxury hotel would be suited. Cockfosters Road has some of the largest and most expensive homes in London and has seen face to many celebrities The location is within the commuter region within the M25, therefore it is an ideal location for travellers commuting into London and can use the hotel as a base with direct travel links into central London taking only 40 minutes. The structure is suitable for a hotel as the bowl of the tower is set above the tree line providing glorious views into Trent Park and the countryside surrounding. The plot is large enough for deliveries for the day to day maintenance of the hotel and functioning of a business. There are low crime rates and high economic output in this region therefore the style of â&#x20AC;&#x2DC;luxury livingâ&#x20AC;&#x2122; should not be disapproved by locals. Similarly, the proposed strategy should not be rejected by Enfield Council as the walkway I suggest between the cabin and tower, will be submerged underground therefore not running the landscape and preserving wildlife.

The programme I inten er will be converted to will house a restaurant new submerged walkw maintenance room in t All the suite doors will parametric angles. I pr resent. As the external tank w each space as window sunlight. These will be Each of the supporting these will be followed these angles througho As there will be limited the roof level, will prov lar interior facade.

Hotel 120 Coralena Pattalis

a luxury boutique hotel and cafe public

The abandoned Cockfosters Water Tower

perforated with small openings to allow views

spaces. The rooms follow the circular shape of the tower, while the concrete envelope is

in North London is re-purposed to house

out towards the park.

HOTEL 120 Coralena Pattalis

This project aims to investigate how Interior Architecture and Design can take on a transformational role through re-defining existing contexts and functions in space. Cockfosters Water Tower is located on: Cockfosters Road, Barnet, EN4 0JF. The geographical position is in North London, on the outskirts of Trent Park, within the suburb of Hadley Wood. The tower was designed in 1968 by the architect Edmund C. Percey of Scherrer and Hicks, and J.W. Milne, chief engineer of the Lee Valley Water Company. It incorporates a supporting hyperboloid lattice of reinforced concrete and has a capacity of 1,130 m³. A number of mobile phone masts are located on the roof for various mobile network providers, Vodaphone being the main. I propose to turn the tower to an 8 bedroom luxury boutique hotel with a central atrium to be used as the main circulatory passageway and views to the sky. I propose a single floor extension of the tank to make way for dining facilities. This will also be circulated around the atrium, which the facade of each room will be at angles correlating to the 120° pitch of the hyperboloid supporting membranes. I also intend to build a basement for the services of the hotel. This will include for staff offices, staff changing, and wash rooms. On the sub-basement level there will be storage rooms for the produce of the restaurant, and maintenance and laundry facilities for housekeeping. I intend to knock down the existing services cabin and propose a new reception building which will house a small cafe, lobby area, a toilet and some outdoor seating areas.

The programme I intend to place into the site is a boutique hotel, making use of the entire plot. The tower will be converted to an 8 bedroom luxury suite. I propose a single storey extension to the roof which will house a restaurant and kitchen. The cabin on the ground floor, will convert to the hotels lobby and a new submerged walkway will connect the tower. The current staircase will be replaced with a lift, and the maintenance room in the tower converted to a communal space meeting point. All the suite doors will face inwards towards the atrium and have windows angled towards the roof at parametric angles. I propose for each interior facade to differ from one another with the angles they represent. As the external tank walls are 500mm thick I will experiment with punching small port shaped holes in each space as windows and play on the direction of the excavation, making use of the height and natural sunlight. These will be angled to face the sky at parametric angles. Each of the supporting structures are angled at 120° from the floor, using these angular conventions, these will be followed through into the interior whereby a central atrium will be produced conveying these angles throughout the design. As there will be limited light from the external walls, the central atrium which I propose to be glazed at the roof level, will provide walkways for circulation, along with creating a dynamic aesthetic on the angular interior facade.

Nepalese Restaurant Waren Rai

Restaurant with a modern interior design.

The design brief is to convert a Garden

as a bamboo wall, as well as a nepalese

The design pallette includes both traditional metarials and modern interpretations, such

Centre in Houslow Heath into a Nepalese

food-display and a cooking-school areas.

The Forest Springs Elwira Rakiec

bustle, to a forest location nearby a river

The day-spa offers a luxurious get-away to

connceted via a glazed atrium space. The

Gade. The programme develops along the two existing buildings, which are now to be

nature, away from the everyday hussle-and-

design uses a simple and calming pallette.

ASOS HOLLY

SHOWROOM

ROLLINS

14064799

A-IAD

Location was of the highest importance when selecting the correct space for the showroom. Asos is a London based digital brand with warehouses around the UK and their headquarters located in London’s West End. Marshall Street is located just off of London’s famous Carnaby Street and Oxford Circus. Giving it the perfect location for ASOS’ target shoppers. Young Stylist 20 Somethings.

NEW

TECHNOLOGIES

Digital and virtual technologies are the backbone of the company, given that ASOS is an online brand, I wanted to honor its roots by combining their existing technologies with my own new ones. I created the ‘Snap it Shop it’ app for customers of the showroom to download and use within the store. The app enables customers to browse the store’s stock and try on garments to know what fits best, the item can then be purchased in store via the app or alternatively customers can scan the item code on the app and have it sent to their home. The showroom will not work as a regular retail space. All purchases in store will be made via the app or via one of the interactive touch screen podium’s located in store.

THE

DIGITAL

Name:

VISULISATION

THE

FUTURE

ASOS

RETAIL

DIGITAL

SHOWROOM

I-AD Degree Show 2016

Asos Showroom Holly Rollins

space and concept store in the heart

The online-only clothing brand and sales

brand’s digital roots. The main space once a

ASOS

of London’s Soho. The store features a number of technologies to incorporate the

SHOWROOMswimming pool is now the central showroom.

platform Asos now establishes a physical HOLLY ROLLINS 14064799

A-IAD

The Asos Showroom design was cultivated from the need for a tangible store for online retailer ASOS.com. The Storefront will be located at 15 Marshall Street, London, In a prime location in London’s west end. The store will stock ASOS own branded products and a number of technologies to incorporate ASOS’ digital roots. EXSISTING

SECTION

B-B

SECTION

A-A

FLOOR

PLAN

PROPOSED

FLOOR

PLAN

PROPOSED

SECOND

FLOOR

PLAN

ROOF

PLAN

The existing site once served as a swimming pool and leisure centre, with a large main pool hall. In my design plans I have filled and converted the main pool into a space to exhibit some of ASOS’ most current stock. I have also created a second level to the main pool hall to give customers a more interesting space to explore. The diagram below shows the flow of the customer through out the space. As well as a second level and an adaptation the sites existing features I have also added new technologies intertwining ASOS’ existing digital online structure with my own design of technologies to incorperate the showroom with the existing website.

The above diagrams show the showroom at sectional views. Section B-B shows the entrance wall of the structure, highlighting the converted pool aspect of the room. Section A-A also shows the converted pool detailing, with the shelving grids included and entrances to the customer fitting rooms on the wall behind.

Section B-B Name:

I-AD Degree Show 2016

HELPING HAND. A JOURNEY THROUGH THE SHELTER. Randeep Sadasivan As the concept of the homeless shelter is to rebuild the life of a homeless individual by providing help they need to get back on their feet. I have introduced various accviies that I believe will provide evident that it is needed in order to rejuvenate a homeless individual. One of the most important accviies in my design is having the consultaaons rooms as this, in my concept, is considered the first stage the individuals go through. Secondly, the individuals are provided space such as study zones in order to carry out accviies with staff members on exercises such as CV building etc. There will also be a library available for them to use for pe personal or professional development. Lastly, as the homeless individuals will be coming from a hardship and a rough patch in their lives, I believe a socialising zone that will be open to the public will be beneficial as everyone can interact, share stories and relax all as one.

New East Facade The exissng facade had various downfalls on the building such as lighhng issues and having a access limitaaons. I have introduced a new steel framed, single glazed window facade with an extended entrances to ensure maximum light enters the building and controlled access into the site.

Render - Consultation Room This seccon of drawings represents the details of the consultaaons rooms within my design, Each consultaaon rooms has cladding with mber planks and is coloured for idennty.

Section - Detail Seccon detail drawing idennﬁes the materials used for the interior of helping hand, including some of its exissng structural materials.

Internal Elevation - Consultation rooms An internal elevaaon of the consultaaon room suggests the materials used and proposed exterior of the rooms.

Internal Elevation - Dormitories Internal elevaaon of the dormitories available for the homeless, there will be 14 rooms available at Helping Hand.

Detail - Sliding Door Detail drawing highlights the design detail on the sliding door to the rooms and how the mechanisms work.

Render - dormitories An internal visualisaaon of how the exterior walls of the dormitories will appear.

Render - Social Zone Realissc render of the scheme the socialising zone will portray, including furniture fifings, finishes and lighhng sources.

Render - Bedroom Visual showing the colour scheme in the bedrooms and what each room will include; Arm chair, bedside table, a wall sconce, pin board and bed size depending on needs.

Internal Elevation - Library Visualising the space available in the library, showing oﬀ the bespoke designed book shelves.

Randeep Sadasivan Interior Architecture & Design University Of Hertfordshire

Helping Hand Randeep Sadasivan

programme provides for residential suites,

The shelter for the homeless is located in

example, wood and glass.

professional office space and social spaces. The interior finishes are warm and clean, for

anHELPING abandoned building inHAND. Croydon. the REBUILDING LIVES OF THE HOMELESS. Randeep Sadasivan

Scale: 1:!50 Proposed First Floor. First ﬂoor is where most educaaonal accviies take part such as interaccon in the library and study spaces. There is also a unisex toilet including disabled, storage and a staﬀ room.

The aim of my proposal is to provide a fresh faced, up liied homeless shelter for the need in Croydon. p The proposal will offer shelter for those who are looking for over night shelter as well as shelter for a short period of me unnll they find somewhere permanent. Including other necessiies that one may associate with a homeless shelter, such as providing meals throughout the day and hot showers. However what makes this project stand out from exissng shelters is the combinaaon of providing a huge process of rejuvenaang the indivudal. The shelter will provide help and support for those who seek shelter by having consultaaon sessions as well as areas for the indivudal to beeer themselves to leave the situaaon they are in that mome of me in their lives. The proposal of this design will include the following: moment The shelter will have professionals working with the homeless in private consultaaons rooms providing vital and confidennal help to those who may need this service. It will also include study zones for those willing to learn and beeer themselves in order to find jobs once they leave or assistance with anything they are struggling with by staff members. Also considering there may be indivudals with children who may come to the shelter there is of course space to accomodate them as well as a kids and family zone to keep them occupied. In order to provide further resources for the homeless, the design adapts a small library full of educaaonal medias. Lastly as this shelter is a way of giving back to the community and helping those in need on the ground floor there will be a socialising zone, this will be open to the public to learn more about the shelter as well as space for the indivudals to share each others stories and relax.

Scale: 1:!50 Proposed Ground Floor. Ground ﬂoor consists of four entrances to the site, the main entrance is from the East side. This will lead to the receppon/socialising zone. This ﬂoor also holds the consultaaon rooms, kids/family zone and most importantly accommodaaon for the homeless.

Proposed West Elevation. In order to ensure the new proposal is nooced by the public i have introduced ETFE cladding on the walls with LED bulbs to light up the pillows with speciﬁc colours in relaaon to my brand design.

Proposed East Elevation. The East Elevaaon is the main entrance into the building. A new steel framed glass facade has been introduced in order to eliminate environmental limitaaons.

Scale: 1:!50 Proposed Basement Floor. Basement floor holds only the necessiies that you will find in a homeless shelter. The floor consists of a kitchen to prepare, a canteen area to eat as a whole and shower faciliies.

Randeep Sadasivan Interior Architecture & Design University Of Hertfordshire

FUEL HEAVEN CAFE AND RESTAURANT DILAN SAYIR

Cafe Render

To present my design idea, I have produced renders. The renders show different parts of the cafe/restaurant. I have designed renders of the main parts of the building.== These are the cafe, entrance, kitchen and the exterior of the site which consists of trees and green areas. The renders present my design concept which is geometric shape. I have used geometric shapes to design the interior. The wood pillars which I have used on the ceiling, is to make the room look like it is flowing, just the way petrol would flow. I have presented the logo in my renders. I wanted the logo to be eye catching because, I dont want the space to loose its function. Although ca customers would be in cafe/restaurant, I still want them to realise that they are in a petrol station. I believe my design creates a calming settled environment, which is designed in a luxry way. The materials that I have used throughout my renders are all similar. I have used light oak furniture as they best suit the wood pillars on the ceiling. I have also picked light colour tiles to use throughout the interior space. The exterior of the site consists of many trees and car park spaces. The aim is to hide the petrol station from the exterior so people can find it fascinating and drive into the space.

Kitchen Render

Entrance Render

Exterior Render

Fuel Haven Cafe - Restaurant Dilan Sayir

a unique experience. The original function

An abandoned petrol station in Walthamstow

petrol-station theme.

of the petrol station is still retained, however, the design creates a unique space, with a

is converted in a cafe and restaurant offering FUEL HEAVEN CAFE AND RESTAURANT DILAN SAYIR

Brief The aim of the project p is to convert an abandon petrol station located in Walthamstow, East London, into a more useful and unique space for the people living in, Walthamstow. The aim of the project is to turn the existing space into a cafe/restaurant with its unique geometrical interior design. The purpose of the design idea is to design a enthuiastic unique first design in London. The petrol station will become an important icon of Walthamstow with its architecural and internal design. The design of the petrol station should give a picture of Art Deco whilst, the beauty of the design will be spotted as unique. The exterior of the building is going to have a big impact on the design of the whole space, as the exterior will be the first part to attract customers into the space. I designed the exterior with trees so noone can see the inside the petrol station as long as they drive in. The design idea came from my holiday to Turkey summer 2016. I was attracted by the petrol station which consists of cafe or restaurants. After getting influenced by this design idea I thought, why shouldnt we have one in London? Whilst designing a spacial interior I didnt want the site to loose its function which is a petrol station. Although theres going to be a cafe/restaurant within the petrol station, there would still be supplying petrol to all customers. I dont want the site to loose its actual function and become something totally different.

Floor Plan 1:50

Surface over tank and pipelines reinforced as necessary to withstand vehicular traffic pressure Substantial manhole cover

The diagrams show the change I have made to the exterior of the building. It also shows the walls that I demolished. The diagram also shows the windows which I have added to h the exterior of the building.

Concrete under pump. Flexible connection to be positioned above finished islan level

Raised above ground level

Concrete block surface within 3.6m of pump

Angle check valve Suction and vent pipes surrounded by 150mm concrete

Upward discharge vent pipe with fine wire 5m min above ground level

150mm (Concrete)

6mm plate steel welded tank

Metal plate welded to tank

Elevation: 1:100

Deaf Cultural Centre Ruth Sebuliba

the centre of St Albans City, is refurbished

A former police station building with a

organised around the central atrium space

distinct modernist concrete structure in

to accommodate a deafness awareness and cultural centre. The main spaces are which features a series of openings.

Long Section

in the middle of ys been a public to referbish and lub. Where new nts and relax or r children from homework. This n and still have

Ground Floor Proposed

First Floor Proposed

Second Floor Proposed Key Cafe Play Area Mummy Room Toilets Staff Room

Kitchen Classroom Library Multi Purpose Room Storage

I made it so the ground floor is primarily for just the parents and children to come and have fun while learning, due to the theme of the play area. The first floor will be used for the older children for there help with any homework afterschool. I think this division of the older children and the younger children is better for the user

Sectional Perspective

experience. Technical Drawing

Insulation

Ceiling Panel

Concrete Roof

Yoga Swing t Ceiling Mount

Hanging Chain

Cross Section

Lil’ Tots & Tea Pots Hazel Simon

End is refurbished to a Play Cafe and after-

The White Heart Public House in Ponders

parents on lower floors.

school club. The design provides for a social space for children on upper floors, and for

Hazel Ann Simon

User Experience

Long Section

Site

265 High Street Ponders End EN3 4DW

PROJECT TITLE Lil Tots & Tea Pots Play cafe and After School Club

PROPOSED SECOND FLOOR

The White Hart Public House is a derelict site in the middle of the High Street in Ponders end, and has always been a public house since 1861. My proposal for the site is to referbish and redesign it into a Play Cafe and after school club. Where new parents can come to socilise with other parents and relax or spend some time with thier children. Older children from nearby schools can come and seek help with homework. This is a space where children can play and learn and still have fun.

DRAWING ILLUSTRATION

SITE LOCATION THE WHITE HART, 265 HIGH STREET, PONDERS END, EN3 4DW

DRAWN BY Hazel Ann Simon

A102 02/05/2017 SCALE: 1:100 @A3

Concept

DRAWING NO.

PROPOSED FIRST FLOOR

23173

The concept of my design is, ‘Learning through Play’. When designing for children, it immediately has an educational purpose whether PROJECT TITLE or not it was intended. This is because children are learning non stop, they will pick objects up and play with them. They can use their imagination to create whole new things from these objects. The importance of play is crucial in the development of children, it enhances their social, physical and communication skills. Young minds are still forming and need to be stimulated.

10866 5486

Lil Tots & Tea Pots Play cafe and After School Club

3451

Ground Floor Proposed

I want the space to be somewhere children will want to come, but also I want the parents that take their children there to feel a sense of nostalgia and remember all the fun they had as a child.

14240

15068

21333

3846

1000

DRAWING ILLUSTRATION

I made it so the g children to come a the play area. The there help with an the older children

SITE LOCATION THE WHITE HART, 265 HIGH STREET, PONDERS END, EN3 4DW

DRAWN BY Hazel Ann Simon

DUE DATE

7054

02/05/2017

experience.

SCALE: 1:100 @A3

DRAWING NO.

Techn PROPOSED GROUND FLOOR

23815

Cei

Lighting Wire- pinned up to services above Custom Beam Clamp L625mm Hard wood base panel (270W x 585L x 10mm H)

Existing Lattice Structure (Steel H Beam)

270

Steel Suspension Cable Sushraft Spiral hook

270

LED Pendant eddison bulb

GROUND FLOOR

Led Safety Lighting with recessed Aliminium profile

1017

Beam Clamp

Carpet (6mm)

Timber Joists Suspended Acoustic Panels Timber Studs

TT DET-03

220

15 Acoustic Underlay (10mm)

47 Plywood Flooring Board (47mm)

Timber Joist 150mm

TT DET-01 TT DET-02

LED Pendant eddison bulb

Sushraft Acoustic Panel 600mm Dia

Circular Modular Seating

Existing Lattice238Structure 817 (Steel H Beam) 1000 350

220

Step (Treadplate finish)

Sushraft Spiral hook 6

2489

2242

Steel Suspension Cable

TT DET-02

Digital Display Monitor

LED Pendant Edison bulb Custom Beam Clamp L625mm Hard wood base panel (270W x 585L x 10mm H)

Suspended Acoustic Panels

TT DET-01

Beam Clamp

Sushraft Acoustic LightingPanel Wire- pinned up 600mm Diato services above

Digital Display Monitor

LED Pendant Edison bulb

2489

Circular Modular Seating

2242

Step (Treadplate finish)

220 1017

Timber Joists

TT DET-03

220

238 1000

817

350

Led Safety Lighting with recessed Aliminium profile

Carpet (6mm)

EXPLODED ISOMETRIC PROJECTION 1:100

15 Acoustic Underlay (10mm)

47 Plywood Flooring Board (47mm) Led Safety Lighting with recessed Aliminium profile Timber Joist 150mm

TT-DET-03 1:2

GROUND FLOOR PLAN 1:250

Carpet (6mm)

15 Acoustic Underlay (10mm)

The Ground floor is a homage to the Historical Context of Filter House, where existing features are highlighted to create an immersive experience. Existing machinery is displayed within the Entrance Hall and replica clarity bowls play a tribute to the historic routines of the building in the welcome Exhibit. The Tanks now house exhibits relating to the filtration of water, with a space provided for industry display. The newly created ‘Royal Society of Chemistry Talk Tank’ is a branded space where the ethical topics of chemistry can be discussed and explained, making chemistry more relatable to visitors and encouraging them to join in the debate.

47 Plywood Flooring Board (47mm) Timber Joist 150mm

FLEXIBLE EXHIBITION - SPACE INTERIOR VIEW

FIRST FLOOR - INTERIOR VIEW

RSC TALK TANK - INTERIOR VIEW

CROSS SECTION B-B 1:200

CROSS SECTION C-C 1:200

CROSS SECTION D-D 1:200

LONG SECTION A-A

Graphic Retail Panel

1:100

Automatic Doors to Coffee Shop Existing Ceramic Tiles INDUSTRY DISPLAY

Existing Pipes enhanced by Uplighters

LED Spot Uplighters TICKETS/RETAIL

ENTRANCE HALL

Carpet (6mm)

Acoustic Underlay

Timber Studs Talk Tank Cross section 1:100

(10mm)

Plywood Flooring Board (47mm) Timber Joist 150mm

Filter House Chemistry Centre Nicola Smith

black river water into clean drinking water

Filter House, built in 1955 in Sandford Hill

context whilst providing a space that

under one roof using chemical processes. The Chemistry Centre honours the historical

improves society’s relationship A-IAD to science. Filter House Chemistry Chelmsford, was the first building to turnCentre

Nicola Smith

Fh Fh Fh Fh 2017

LOCATION: Sandford mill, Chelmsford. Filter House, built in 1955, was the first building to turn black river water into clean drinking drinking water under one roof using chemical processes. The proposed programme of Chemistry Centre honours the historical context of the past whilst providing a space that improves societies relationship with Science,inspires the next generation of chemists and reinstates a sense of pride for the Local Community.

2017

Filter House

CONCEPT: FILTER

Inform To increase awareness of the public to the importance of Chemistry and its everyday applications

Inspiration: Daily routine of Workers checking clarity bowls to check the clarity and quality of water.

Fh Filter House

Inspire To promote careers within Chemistry. Fh Fh 2017

Kitchen Chemistry

Filter House

2017

Filter House

Fh Fh 2017

2017

Filter House

RIVER CHELMER

GRASS VERGE

MAIN ENTRANCE / COFFEE SHOP

GRASS VERGE

Circulation

PROPOSED SITE PLAN 1:500

A route is created through the exhibits where visitors can fully experience the different spacial qualities of the building, enhancing the narrow constraints whilst keeping the user guessing whats next.

PICNIC AREA

MATERIALS

Light

Artifical lighting is used to enhance the existing features of the building and materials that effect the strength and colour of light are introduced.

Much of the building has been left Raw with materials introduced to compliment its industrial nature.

Clarity

Semi transparent materials are used within the flexible exhibition space and for wayfinding.

2017

Filter House

Above: Kent Machine, First Floor

Chemistry Lab!

WATER STORAGE

KEEP CLEAR

Engage To enrich Science education in the East of England

Filter House

Chemistry Set

SITE OFFICE

BRAND ETHOS

LOADING BAY

2017

GRASS VERGE

FIRE ESCAPE

Filter House

2017

CARPARK

FOOTPATH

Polycarbonate Fluorescent Brushed Sheets Perspex Aluminium

CIRCULATION DIAGRAM

Chemistry Explainer

Galvonised Steel

Filter House: A History

Above: Staff Uniforms

Above: View into Tanks from First Floor

There are no Lab coats here. Filter house focuses on the human side of chemistry, where the barriers between the general public and Scientists do not exist. The Centre aims to improve visitors science literacy so that everybody has a voice in the ethical implications of chemistry.

Axonometric of Kinetic Track System 1:50 22

Chemistry Explainer VIEWING PLATFORM 20

Cross Secion B1 1:50

VIEWING PLATFORM FLOOR PLAN 1:250

Sliding Panel Elevation 1:50

Taking Advantage of the sites beautiful surroundings, the new terrace offers views across the River Chelmer and Blackwater Canal. The covered picnic area provides a perfect spot for visitors to relax whilst the functional planting doubles as an exhibit on the Chemistry of different Plants.

FE-DET-02 1:20

FE-DET-01 1:10

FLEXIBLE EXHIBITION SPACE

FIRST FLOOR 19

KEY

1. Main Entrance Hall and Public Display 2. Coffee Shop 3. Welcome Display 4. Ticket Desk 5. Gift Shop 6. Store 7. Visitor Map 8. Toilets 9. Water Story Projection 10. Water Story Exhibit 11. Live! Water Experiment 12. Staff Office 13. Industry Display 14. Learning Lab 15. Store 16.World Chemistry Exhibit 17. Rest Area 18.175 Faces of Chemistry (Interractive) 19.Live! Algae Filtration 20.Observation Room 21.Covered Picnic Area

FIRST FLOOR PLAN 1:250

The Upstairs space is a bright and spacious environemnt where interractive and tactile exhibits portray the Human and everyday side of chemistry. A Custom Designed Flexible Exhbition space allows the Centre to update their exhibits regularly, whilst the permanent Experiments create an exciting and inspiring atmosphere.

Situated within the existing Labs, the new ‘Learning Lab’ provides a space where the next generation of chemists can take part in experiments and research.

Lighting Wire- pinned up to services above 11

Custom Beam Clamp L625mm Hard wood base panel (270W x 585L x 10mm H)

9 270

Steel Suspension Cable Sushraft Spiral hook

RSC TALK TANK TT-DET-01 1:20

Sushraft Acoustic Panel 600mm Dia LED Pendant Edison bulb

East Elevation

First Floor 83

West Elevation

North Elevation

Second Floor

South Elevation

Green House - Tring Joshua Spinks

sustainable office space for a local green real

A former office above a functioning

light, ventilation, photovoltaics, etc.

estate agency. The office showcases the best sustainability principles, such as natural

Green House - Tring into a pertrol stationin Tring is transformed Joshua Spinks

A green house to me, holds a variety of different things and looks after them with light, food and water. It has a lot of light entering it which makes things grow and become established/developed.

Ideology of the Concept Natural Light

• • • •

Energy

• •

Development

VR Technology

These glass atriums allow tremendous amounts of light into the building to the darkest areas. This Allows more natural light and also provides a ventilation system which is controlled automtically. English Ivy inside the atrium create a pleasant aesthetic and also help nutralise the air.

Using VR technology in this building is essential for the sensational experience of seeing your possible future home virtually. VR will also help advertise and brand the building for this new era of property hunting. It will gain attention from a wide variety of people wanting to try this new iconic feature.

Energy efﬁciency is vital in the design of this building as it is currently at a very poor standard This location gets a variety of weather in this location, perfect for Solar Panels, Wind turbines and also the collection of rain water.

In the concept of Green House, the growth/ developing of plants is the key focus. This is also the focus in this building as I want customers to develop as a person here with an educational activity, awareness of sophisticated technology and aknologing more sustainable ways of living.

Materials

1.6m

Atrium Design

•

Lots of natural light Artiﬁcial light should be cool white luminance Light materials and colours to complement the natural ambiance When sun light is to much, it should still be visible but less intense and damaging with a shading system

1.6m

Natural Light

Drone Technology

Manipulating natural light coming from the south elevation, prevating direct sunlight on the ofﬁce creating a comfortable workspace.

Drone within my design are a key experience for the user in multiple ways. It helps their House/Land search a lot easier and also allows the user to interact with modern technology.

Sections

101

Section B-B

150 157

Kinetic Stages Scale 1:200

Chef Atrium Branding

The expansion and contraction is created by the “Flasher Deluxe Tessellation”, created by Jeremy Shafer. The material memory allows the surface area to shrink down by a third. Detail of Moving Structural Element Scale 1:10 Rotating path

Precontraint® Satin 502 material

Static steel structural column

Pined to material Inner tube space for electrical relays Arms that conceal within tubing

Street View of Concrete Information Pillar with Interior Directions on top

EXTERIOR The idea behind the facade is to create a simple form with a striking look. The idea came from gastronomic food itself; heavy with detail and texture. The material is Corten, only really visible during sunlight, will gradually changing over time. The use of Cor-ten reflects the concept of change. The identity changes at night, emphasizing the chaos pattern in shadows. The facade needed to be as equally fascinating as the day facade. The rectangular panels help the temperature control of the kitchen and cold rooms.

THE ‘RAW’ LOOK - Limited colour palette; rusty steel influence - Singular chaos pattern as central design feature across building. - Allows the colourful gastronomic food to be central to customers’ views.

The raw food, kitchen flame, and the process of change are reflected in the aesthetics. The materials were chosen to represent the archetypes of a kitchen, and the processes and activities in the kitchen.

The Old: Represents the buildings character, and the tradition of food as art. - Exposed concrete skeleton structure, scorched wood, weathered metals.

110

130

150

Business Atrium Branding

Back View of Atrium

DESIGN FEATURE

This branding asset reflects the idea that the ‘food as art’ is always at the centre of focus. The art piece in the centre of the building, that is hidden from general public view, and can only be seen round the back of the building, the public’s’ entrance.

94 304 400

110

130

150

BRANDING

The kinetic art piece represents the movement, change, and balance Residential chefs, or the businesses currently at the plaza can have their between art, food, and science. The key feature is its branding facilities. brand promoted on the almost 10 metre central feature.

The New: Represents the gastronomic foods, the geometry and future of food technology. - Smooth stainless steel, glass, smooth slatted wood, white Corian plastics.

Main arm Rotating ball Pivot path

Gastronomy Plaza Lana Stockton

provides for a business base for chefs, a

A building in Aylesbury is being turned into

gastronomy. the design blends old and new

training centre for aspiring cooks as well as a place for the public to experience molecular

a gastronomy hub and social space. It

GASTRONOMY PLAZA

details and a bold materialsâ&#x20AC;&#x2122; palette.

THE ART OF DYNAMIC EQUILIBRIUM

LANA STOCKTON THE PROGRAMME

INTERIOR VIEWS

Project Title: DeNovo Gastronomy Plaza Business Strategy: Part of DeNovoâ&#x20AC;&#x2122;s brand portfolio Project Site: Sloane House, 24 New St, Aylesbury, Bucks. HP20 2NH Designer: Lana Stockton Company: LBI Designs Overall Activities: - Molecular Gastronomy Blends physics and chemistry to transform the tastes and textures of food resulting in new and innovative dining experiences. - Start-up & Business Development No. 2 in the world for innovation, Buckinghamshire top in country for innovation, and new start-up financial aid for Southern England. - Young Chefs Training School Implements a training school programme linking with Aylesbury College. - Residential Chef E.g., Heston Blumenthal, Tom Kerridge, or Marcus Wareing cooking classes, selling own branded products and promotions.

THE CONCEPT

Hire-out Desks

Conference Room

Experimentation Lab

Media Library and Casual Seating

Prototype Restaurant

Corridor

Gastronomic Order + Kitchen Chaos + Natural Chaos Breaking the boundaries between what is hidden in the kitchen, the process of making food, and what the public sees as the final product. Food becomes a piece of art.

NARRATIVE

The creation of each floor went through stages of continuing processes.

Auditorium

Library Service Street

General Activities

Conference Room Hire-out Desks

Lounge

Second Floor

Pin Plan Kitchen

Cold Room

Library

Specialist Room

Experimentation Labs

Chaos

Cafe

First Floor Toilets Commercial Kitchen

Order

Private Class

Cooking Class Prototype Restaurant Commerce & Exhibition

Equilibrium

Section A-A

Ground Floor

103

Eon Productions Film Studio Wei Seng Tan

A creative office studio for a new film company is being envisioned in Hackney.

105

Astronomy Science & Museum Eu-Shen Tan

The centre and museum is proposed in the iconic Lighthouse in Kings Cross.

107

Green House Render: Revit & Photoshop

Metal Profile Rubber Glass 10 x 10mm

Construction Detail - New window with already existing wall. -Energy saving, spectrally Selective Coatinged Glass -Aluminium Frame, rusty finish 1.Inside View 2.Outside view 3. PLan 4. Elevation & Zoom up 5. Section & Zoom ups

Ground Floor Render: Revit & Photoshop

1200

Metal Profile 10 x 10mm Rubber Glass

OUTSIDE

INSIDE

Rubber 10 x 10mm 10 x 10mm Metal Profile

Ground Floor Render: Revit & Photoshop

Section A-A

Section B-B

Scale 1:100 Scale 1:100

Four Sections of the building

Four Elevation of the building - Day time

Four Elevation of the building - Night time

600

1:30

Lumber House Agata Waldek

The proposal for the abandoned public house in Oxford to be transformed into a rehabilitation centre for handicapped people.

A-IAD

LUMBER HOUSE LEVELS OF NATURAL LIGHT ON EACH FLOOR

Rehabilitation Centre Agata Waldek

Scale 1:3000

1st Floor TRANSPARENT Last Stage of the Rehabilitation and ‘transition’ Ecotheraphy -Mental Well Being, and self acceptance GROUND FLOOR Living Area/ Multi-function Floor Less obscure - ‘Opening up’ To the society- Part of the ‘transition’’ MOST OBSCURE Physiotheraphy Level Privacy for rehabilitation

OBSCURE Interior - Gradient wood finished throughout the floors, light to dark.

DARK - LIGHT

The Lumber House project based on transformation of an old pub into a Rehabilitation Centre for handicapped people. The site is located in Oxford near by one of the main hospitals for the convenience of the clients, and also very short distance to the Shotover Hill Park which inspiration has been introduced throughout the design. The programme of the design and concept are very much connected. This is because the programme affects the way the design in order to have the most meaning to the users. Firstly, the building consists of 4 floors - on which programme is seprataed by its functions. The lowest floor- Cellar, is the Physiotheraphy for the clients which also is seen as the most obscure and darkest side of being handicapped because in most cases, there is no cure.

Next, the ground floor is the floor which is dedicated to the social aspect of ones ability to communicate and socialise. Therefore, this has taken the biggest floor and the one which has an easiest access to, just like with people, it is easier to work on their sociability. Another floor is the Ecotherpahy which is the last stage of the rehabilitation where t he clients get to focus on purely themselves through experiencing peace and fall in love with the beauty of earth and see through the darkness. The programme and the design concept is translated into the access of natural light into the building. Therefore, the amount of light depends on each floor, and the higher the floor is, the more light it gets to it.

Second Floor

First Floor

Ground Floor

Cellar

PROGRAMME

GREEN HOUSE

INTERIOR

SUN LIGHT Adjustements to the building e.g. skylight and the Green House in order to allow as much as possible sun light delivered into the building.

Interior View: Ground floor

Scale 1:150

Interior View: Ground floor

109

Front Elevation

Right Elevation

Left Elevation

Hatfield Night Bar Wan Nur Atheerah

town centre. The warehouse is located at

This is a building that is situated at an

people and students of the University of

St Albans Road West. It is repurposed to a social space for the entertainment of young Hertfordshire.

open area and not far from the Hatfield

Key map scale 1:15000

School of Creative Arts

Site map scale 1:2000 Level of Privacy

This is a building that is situated at an open area and not far from the Hatfield town centre. Also near by the site, is the one only mall in Hatfield, Galleria outlet mall. Galleria is where most of the resident choose to go for shopping, eating and family gathering. Other than visiting London and St. Albans. This is one of the strongest reason for deciding to build a new entertainment centre in Hatfield that opens until late at night is still young, there is a venue for them to go to. The existing building was an empty building and unoccupied. The building is an empty warehouse which was occupied by a textile manufactor. While the building next to it is just an empty warehouse ready to be sold. The building structure has a basic brick wall finish. The warehouse is located at St Albans Road West, AL10 0TE, Hatfield. The building is consisted by four other building with three same size and one slightly big than the rest. This warehouse was a family run business which has been established for almost 20 years. This warehouse used to supply all sorts of fabrics to many com

Level 1

pany.

provide a new social space for tor the

bar

community.

storage

office staff room

Young generations toilets

and adults

lounges

seating area

Level 2

Sections @ scale 1:100

Section A-A

Section C-C

Section C-C not to scale

Section B-B

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â&#x20AC;&#x2DC;EXPLOREâ&#x20AC;&#x2122; YOUTH HOSTEL DOMINIKA WIELGOS The vibrant in colour spaces is to create an unforgettable experience for the users. Each of the floors as well as each sections of the building have been designed in a different colour. I have chosen four main colours blue, green, yellow and red, as using different tones they can be used together in one area. The purpose of this project was to achieve an enjoyable and comfortable accommodation. Common room which is placed on second and third floor is a place for users who wants to enjoy their time with friends or meet new people. A ping pong and snooker table, TV with video games and an access to a rooftop bar is made for entertainment without leaving the building. The bedrooms are designed to be all the same. I have created an addition wall in each of the rooms with a custom cut out shape which then continues to the floor creating a continuous pattern which indicates the concept idea. The cut out is to be coloured in to give the space a unique look. Suspended ceiling in each area is to give an interesting light effect. The ceiling and walls designs have been inspired by organic forms, and each of the areas are to have different shapes and forms. The colour is to be fading in starting from ceiling continuing onto wall from darker to lighter getting the effect of different shades.

Common Room

Room Detail Bedroom

Colour Sheme

Corridor

Room Exterior

Reception

Kitchen/ Dining Room

Explore Youth Hostel Dominika Wielgos

airports. The interior spaces are filled with

The youth hostel is located next to London

uniform design and simple aesthetic pallette.

colourful graphics and bring a joyful youthful

â&#x20AC;&#x2DC;EXPLOREâ&#x20AC;&#x2122; YOUTH HOSTEL DOMINIKA WIELGOS

appearance to the space. The rooms have a

Bridge and good access to London The site was historically a Victorian tannery, many original features of the building survive today. Three stunning floors of the original building feature wooden beams and floorboards and exposed brick walls. In addition, the site offers a walled yard, a rooftop with views of central London, and a sparse industrial concrete garage space. The warehouse is being used for private events and parties. 49 Tanner Street is located 10 minutes away walk from London Bridge Station with an easy access to all London Airports. My proposal for the site is a youth hostel. I believe it can boost up the rate of the area in terms of a safety and place to stay close to Central London. While hotels around the area offers private rooms with no chance to socialise with others, my design will be different as it will be designed to offer sociable accommodation, with bunk beds in rooms, living rooms with televisions and books, and self-catering facilities open to a diversity of people from diverse backgrounds, religions and culture.

Site Plan

North Elevation

Ground Floor

Third Floor

First Floor

Second Floor

Section A-A

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Wapping Running Club Hok-I Wong

shop, bar and small swimming pool. It is

The design brief is to convert the warehouse

the river and canal.

providing a social and exercise space for runners and joggers who refer to exercice by

site in Wapping into a running club, with

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Music Centre Nur Aqilah Elisa

industrial look is mostly preserved to give a special aesthetic appeal to the concert hall interiors. The colour pallette aligns with the

TITLE : MUSIC CENTRE AnPROJECT old industrial buiiding is being refurbished NUR AQILAH ELISA

rustic materials of the existing structure.

into a music centre and concert venue. The

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A-IAD BA(Hons) Interior Architecture and Design University of Hertfordshire

Tutors Silvio Carta Paul Cureton Erica Liu Eva Sopeoglou Visiting Lecturers 2016-2017 Gabby Code Anthony Cole Teresa Collins Richard Douglas Geraint John Juliana Kei Kostandinos Kizis Gihan Karunaratne Sabrina Puddu Alvaro Velasco-Perez Giuseppina Giufrida Simon Knight Felipe Lanuza-Rieling Sofia Krimitzi Laura Narvaez Phuong-Tram Ng Robert Thompson Alan Whittingham External Examiners Adrian Friend, Royal College of Art Lara Rettondini, Univ. of Westminster

With the support of

Denton Associates

Hertfordshire Association of Architects

Royal Institute of British Architects

Catalogue design: Eva Sopeoglou

University of Hertfordshire Hatfield Hertfordshire AL10 9AB www.herts.ac.uk

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Image: Elwira Rakiec

Architecture - Interior Architecture and Design University of Hertfordshire 2016-2017