Portfolio Erik Fukino
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www.erikfukino.com
All material shown is created by me and/or in collaboration with group members (marked with *)
Erik Fukino
Education
Work Experience
Skills
Merit
1994-05-05
Lund School of Architecture Bachelor and Master Level 2016-2019
Tengbom, internship Intern 2017
Umeå School of Architecture Bachelor of Fine Arts 2014-2016
VIDA Museum of Arts Art director, museum assistant 2011-2016
Rhino VRay Adobe Sketchup Revit Model
1st prize in the idea competition for Hangö Granitborg 2017
efukino@gmail.com www.erikfukino.com (+46) 738 184 617 Malmö, Sweden
Cover page: Isometric drawing of Ryue Nishizawa’s Garden House
Swedish English Japanese
Font: HK Grotesk
Index 1. Awaken My Love! -Thesis sneak peak 2. House Without Stairs
3. Seize the Tide -In-house competition 4. Take me to the Water
6. Vännäsby+Vännäs -Train stop pavilion -Inhabiting the Hinterland
5. Upp-och-Ner Crematory -Bachelors project
7. Bölesholmarna Baths
More projects at www.erikfukino.com!
View of the Naturum from my master thesis “Awaken My Love!”
Awaken, My Love! Master Thesis Hanko (HangÜ), Finland After recieving the diplomas from the idea competition win together with Rickard Ramberg and Rasmus Rosenblad nothing really happened in the granite castle in Itäsatama, Hanko. Some makeshift flea markets and coffee booths were put in the empty shell of the previous granite quarry but in the greater scale it remained a shadow from its former past. Hanko’s unequable tourist season concentrates during peak summer leaving the
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city with unoperated businesses the rest of the year. In the digital era the city need a public living room - a social platform for people to meet and interact - year round. The city is not only molded around the temporal tourist. I wanted to take advantage of this unique possibility to feedback and explore the potentials we had in our winning
proposal. Why did our proposal win and how should the area be developed a posteriori? How would a transformation and redefenition of a 130-year old building be redeveloped and be adapted to the present society? How are the boundaries between public and private, non-profit and commercial activity considered in the sense of availability?
Isometric drawing of the proposal of the site in Hanko
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Restaurant n gata
n Ham
Restaurant
Square Extended port promenade Berthage
Wooden deck Studio plaza
Accomodation
Private entrance
Studio plaza
Port promenade
Kitchen
Ateliers
Register
Eating space Open space
Open space
Dipping pool for sauna
Seating Exhibitions
Flexible space
Naturum Sauna Berthage
Fireplace
New dwellings New dwellings
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Port promenade
View of the updated facade towards south. Alike Jardin du Luxembourg in Paris the furniture is kept flexible for spontanious meetings.
Phase one of the proposal is to identify the orientation of the building. Two public entrances north and south. The main facade to the east could be seen as an impenetrable wall. By removing the two volumes on the west facade the Granite
Site Plan, 1:500
Castle could return to a closer version of its previous state. Without the removed wooden volumes the proposal could utilize the openings left behind. By doing minor sensitive incisions in the facade the building’s orientation is rotated
towards the water and its backside. This “acupuncture” invites the travelers from the water with more expressive and visible entrances.
Site diagrams of the transformation
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Going from a solid wall the east facade gets two new glazed entrances with greater clarity for the visitor.
Proposed east facade 1:400
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View of the west facade with the pergola extension for sun protection.
Long Section, 1:200
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View towards the harbor from the sauna entrance. Sauna visitors can cool down in the water just outside of the facility. Towel is optional.
Proposed interior facing south. Intentionally kept empty to showcase its spaces.
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Roof plan of Southern Hanko and Itäsatama. 1:4000
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いえ の かいだん ! / House Without Stairs Term 9, collaboration with Ingrid Rabo Halvorsen, 4 weeks Tokyo, Japan Ie no kaidan, いえ の かいだん, or House Without Stairs, is about creating a home without stairs, and rather using a secondary shelf structure as a mean of transferring to another space throughout our home. This idea was inspired by the bouldering activity and cross referencing the dimensions of a structure to a our own bodily dimensions and span of reach. On the ground floor we drew inspiration from the kotatsu 炬燵 as a gathering
dining space, which is extruded into the ground level so it can work as a reading space. By walking upwards on the surrounding shelf structure that can also be used for storage, one arrives at the sleeping platform. On this level we have also added a study place in which one can communicate to the other flatmate who is occupying the kitchen space for a more social interaction on a daily basis.
Isometric view of the building in its context
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The site given with the dimensions 7x10 metres with the housing volume being 6x5 metres
Volume extruded into the ground creating the “kotatsu� and the sleeping unit
Floors becoming desks and roofs becoming floors...
The platforms span around the house acting as shelves, floors, stairs, desks....
Main volumes and secondary structure
Wooden structure
Stairs? Shelves? Floor? Desks? Seats?
Polycarbonate facade
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Second floor, 1:100
Ground floor, 1:100
Kotatsu space
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Model view, 1:20, balsa wood
“...illustrations where drawn based on the section details... and they were given depth through the use of graphical perspective in order to better convey the spatial extension and relationships of their interior spaces� - Atelier Bow-Wow (Graphic Anatomy 2)
N-E-S-W facades, 1:200
Perspective section
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Seize the Tide Term 8, in-house competition in Unesco’s Waddenzee Waddenzee, Netherlands “Experience Waddenzee from new perspectives. Celebrate and inhabit the landscape’s ever changing environment.” This proposal asks the user to fully experience and participate in the transition of the scenery while making minimized impact of the site. The hut stands on a firm and withstanding concrete legs that raised the shelter from the high tides creating an encapsulation; a cloister and a retreat. Become isolated and disconnect from
the frenetic city life. Encapsulate yourself and seize the tide. *To prevent your garments from getting wet when the tide is on the rise one would raise their clothes to their knees. Their feet and legs would meet the water whilst their attire stay dry. The man made terps grants a raised place that disconnects from the water. When it is high tide only a portion of the terps are exposed thus, in a similar fashion the hut performs the same performance.
Exploded isometric drawing of the competition proposal
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Imagine a regular house. Regular in its shape, with a pitched roof and a chimney. Nothing unusual to stand out in a serene setting as Waddenzee.
Diagrams depicting how to escape the hectic city life
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Low tide, 25th of May 12:07, 0.17 m
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Groundfloor, 1:400
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First floor, 1:400
High tide 25th of May 18:27, 2.27 m
Long section, 1:400
Model, 1:20, balsa
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The new icon in the city silhouette!
Please be cautious...
Do
Perspective view of the Pavilion.
Take me to the Water! Term 8, in-house competition for the future’s winery Ribersborg, Malmö How could architectural interventions benefit the Swedish wine industry with new unparalleled ideas that could drive the business forward in terms of production and marketing? Would something unique and surprising provide the trade with what is missing? This proposal investigates and explores new methods of growing and cultivating crops and what architectural possibilities that derives from that. TAKE ME TO THE WATER blends the rural
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and urban fabrics in terms of production of grape and wine with public uses in Ribersborgsparken in central Malmö. Combining two ready-made objects; the jetty and greenhouse this proposal presents a solution to fuse two concepts into one giving the cityscape another public silhouette. A modular wood construction with no dependancy of soil aims to open up the possibilities of future sustainable cultivation.
This module is used for storage.
og friendly!
Site diagrams: Ribersborg’s 11th pier!
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1. Timber posts and supporting timber studs.
Section cut of the proposal
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2. Secondary structure. Hidden installations and flat timber flooring.
3. Wood posts and horizontal support. Hydroponic buckets and planters.
4. Glazing and roof. Here one can see the inside-outside relation.
The Growing: Water is dispensed from pipes under the flooring. Since it is a greenhouse the temperatures keeps consitent yielding better grapes.
Timber joint detail. Used throughout.
All of the modules are interlockable and can be stacked and arrayed in need of space. Here one sees the layers of the production tower; private/public.
Long section
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This model is meticulously hand-cut from one single piece of paper. I used this method to unfold the simplicity of the proposal; three singular modular pieces repeated to create a whole. 27
Upp-och-Ner Crematory Term 6, Studio Samtid: Bachelors project, 10 weeks Limhamns Kalkbrott, Malmö This proposal for a crematory in the abandoned limestone quarry in Limhamn takes inspiration from the site’s identity and orientation and translates that notion to a building envelope and internal walkways. Upp-och-Ner Crematory (“up and down” as well as “upside-down”) sits calmly in the midst of the reed field and its design mimics the site’s pathways and plateaus and
invites the visitor on a journey in, out, up and down the landscape. From visiting the site for the first time the standout feature of the quarry was its orientation. To get to one place from another one is forced to take a longer passage around the quarry going down on a slope. By then, the visitor has experienced parts of the quarry they’ve not experienced before.
Initial concept sketch
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Columbarium
Outer ramp
Inner ramp
Supports
Chapel
Parking Entrance
Exploded isometric
Site plan, paths
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View of the main chapel
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Roof plan 1. Existing roads 2. Hearse entrance
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3. Parking 4. Public entrance
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Chapel Plan 4. Public entrance 5. Hearse entrance 6. Outer ramp
1. Chapel 2. Path from entrance 3. Inner ramp
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Section A-A 5. Inner ramp 6. Outer ramp 7. Columbarium
1. Entrance foyer 2. Staff offices 3. Cremation 4. Chapel
1 : 400
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My first design concept derived from the basic geometry of the dome. It has a spatial quality to it that I could experiment with.
One of my biggest inspiration from the site was its orientation with no straight paths. I started investigating the round spiral form.
3 The spiral platform could create spaces similar to the dome by adding a wall to it.
The finished concept has two layers: one on the inside of the spiral and one orientation on the outside where the visitor walks.
Concept diagrams
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Entrance underground with a geometrical wooden structure with hidden lights.
Outer ramp going upwards to the columbarium
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Vännäsby City Core + Train Stop Pavilion Term 4, West Vännäsby, Umeå, Sweden In the heart of the proposal for a new city core lies the train stop, an important hub in Vännäsby as a considerable amount of the inhabitants commute. My iteration for the train stop was to incorporate elements with various sensorial experiences. A light space frame contrasts with the massive partition walls in concrete, creating an elemental interplay between light and mass. The programs create different spaces or rooms within the
Site Plan 1:500
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covering roof which in turn responds to these spaces. Partially covered with tiles with artificial light following the spine for the dark winter climate, partially glazed for intake of sun and scattered voids creating courtyards along the platform with trees whose branches breaking the rigid geometry of the space frame, the roof enhances the spaces. The artificial light creates a lantern when the sun’s down highlighting the new core like a lantern in the dark.
North View
Form finding / Appropriation Diagrams
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Site Model 1:300, 1mm white cardboard
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Model 1:100, foam, polycarbonate, birch
Night Render, North View
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Inhabiting the Hinterland Term 3, groupwork Lägret, Vännäs Focusing primarily on dwellings and territorial specificities, we mapped a divided area west of central Vännäs; a smaller municipality 30 kilometers west of Umeå.
The mapping were the base for our collective dwelling intervention with approximately 30 units in the second phase of the project.
Bird’s view drawing of collective dwellings / ink / digital
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hin·ter·land, noun German : hinter, behind (from Middle High German, from Old High German ‘hintar’) + land, land (from Middle High German ‘lant’, from Old High German; see ‘lendh’ in Indo-European roots).
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Groundplan 1:1000
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Section A-A 1:1000
Section B-B 1:1000
Collective Levels: Dwelling Proposal Term 3, groupwork Lägret, Vännäs The idea for a collective dwelling was based on the notion of having levels with different shades of collectiveness ranging from public to private. Following the pre-existing foliage of the site, the proposal is arranged creating an internal boulevard with social terraces facing inwards. Derived
Area map
from four volumes organized in different combinations, the dwellings are then appropriated to its use and placement by pushing and pulling creating adapted qualities.
Site diagrams
Volumetry diagrams
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Collective Levels: Life in the suburb
Direcly visible when entering the proposed dwellings lies the housing typology for families. With a mix of shared, public and private space, the house create numerous programmed and un-programmed activities and exchanges. Double-height in the living room allows for light intake and the inhabitants can look out on their private backyard through its big windows framing the view. The bedroom on the groundfloor
is flexible if necessary thus the house grows or shrinks with the inhabiting family. By having an open terrace the dwellers can choose by their own to define what’s theirs and what’s not, creating an in-between space nudging the blurred lines of private and collective.
Section view / ink / digital
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Isometric diagrams
Perspective floorplan
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Bölesholmarna Bath Facility Term 2, individual work Bölesholmarna, Umeå On a beautiful island located near the central area of Umeå lies Bölesholmarna, an island with a wide variety of qualities regarding spatiality and views. The goal of the project was to design a bath facility not bigger than 250 m2 that interacted and related to the location.
Based on knowledge gained on diverse workshops and exercies we explored many aspects and characters we wanted our proposal would convey to its users.
Conceptual drawing
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Site plan of Umeå
Site Plan 1:1000
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Model 1:100 / 1mm cardboard
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Program
Section, 1:1000
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By cutting a portion of the proposal I could investigate the anatomy of the facility and focus on its structure (bones) and its envelope (skin). The model shows how the building would work in a technical way and how the envelope related with the structure.
1:20 section model / 1+3mm cardboard, 1mm polycarbonate
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View from pool and courtyard
Rooms and structure diagram
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Thank You!
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Detail of roof model of Carlo Scarpa’s Museo Castelvecchio
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more projects at www.erikfukino.com