Portfolio Erik Fukino
www.erikfukino.com
Erik Fukino
Education
Work Experience
Skills
1994-05-05
Lund School of Architecture Bachelor of Science 2016-
VIDA Museum of Arts Art director, museum assistant 2011-2016
Adobe Sketchup Revit Rhino VRay
efukino@gmail.com www.erikfukino.com (+46) 738 184 617
Umeå School of Architecture Bachelor of Fine Arts 2014-2016
Cover page: Isometric drawing of Ryue Nishizawa’s Garden House
www.vidamuseum.com Toyota TLSNO Norway Warehouse Worker 2013-2014
Swedish English Japanese
Fonts: Gotham, HK Grotesk
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1. Office for Hay
4. BĂślesholmarna Bath Facility
7. Modular Photo Studio
2. Margretedal Culture Clash
5. Invisible Cities: Zenobia
3. Inhabiting the Hinterland 1.1. Public Space 1.2. Collective Dwellings 1.3. Mapping 1.4. Pont Parc
6. Common Scenarios: Space > Place
8. Private projects 6.1 Ryue Nishizawa study
B. Bird’s view of first collective dwellings layout All material shown is created by me and/or in collaboration with group members (marked with *)
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Office for HAY Term 5, in collaboration with Sigrid Thunberg Lund, Skåne With the aim of designing a sustainable building that met today’s Swedish requirements we designed a solarresponsive office building for Danish design-collective HAY. The building with its 4,5 floors with a total of 45 workspaces and a showroom takes up 1000 sqm in the heart of the beautiful heart of Lund. The concept was to contrast the nearby buildings with a playful A. Project location in Lund. No scale. B. View from south.
facade that doubles as a solar protective element. The result was parametric solar panels responsive to the sun’s current location - letting in sun in the winter and blocking sunrays on hotter days. This concept helps the buildings internal heating in an efficient way reducing its ecological impact.
1. Form
The form follows the street and allows transportation to nearby facilities.
2. Height
4,5 floors and a total area of 1000 sqm. The building’s total height dont exceed its neighbours.
3. Windows
Glazing covers 25-35% of the facade. Different windows cover different programs within the building.
4. Facade and roof
Floor 2-4 is covered with sun-protective panels. The green roof helps reduce the ecological impact of the office.
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1. Showroom
Here HAY can showcase their products on an area of 100 sqm. Big windows opens up to the street.
2. Open space
These spaces can be occupied by office appendages or what the current occupants need. This space is flexible for the user.
3. Enclosed space
Load-bearing walls enclose glazed rooms for group-meetings or more private works.
4. Technical space
Located in the darkest areas of the office. Load-bearing core.
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Glazed walls creates an open light interior where the users feel more connected to eachother. Double height areas on each floor unites the spaces. The lounge area on the third floor is a space where users can use for breaks, eating, meetings or just a hangout-space. E
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C. Form finding diagrams
E. Interior view, office floor.
D. Program diagram
F. Interior view, lounge.
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A. Site plan, 1:2000
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1. showroom/shop 2. reception/counter 3. mechanical room 4. cleaning storage
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5. technical space 6. entrance 7. storage 8. atelier/studio
9. pentry/food area 10. lounge 11. copy room 12. group room
B. 2nd floor, 1:200
D. 4th floor, 1:200
C. 3rd floor, 1:200
E. 5th floor, 1:200
13. technical space 14. WC 15. RWC
green roof
atelier
office
orientation
lounge steel sun-oriented panels
atelier
office
showroom
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“...illustrations where drawn based on the section details... and they were given depth through the use of graphical perspective in order to better convey the spatial extension and relationships of their interior spaces.� - Atelier Bow-Wow (Graphic Anatomy 2)
A. Perspective section 1:100
concrete sandwich wall
storage etc.
10 (m)
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C B+C. Model 1:100, 1mm grey cardboard / 2mm off-white cardboard D. Site model 1:500, 5mm styrofoam / red acrylic
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Margretedal Culture Clash Term 5, group work, 1 week Southern Lund, SkĂĽne Margretedal is a site with various contextual contrasts. The area borders green areas, residential areas and the historical middle-age area. In the historical core the buildings are low and dense with a rich mix of expressions, playfulness and vivid courtyards. This concept of city planning was the starting point for the shape of future Margretedal. Modern architecture in a A. Perspective section 1:100
historical setting. Mejeriet and the city park, the closest neighbours, attracts and is used my many citizens of Lund both old and young interested in cultural events such as music concerts, parties and performances. Our vision was to create a passage of cultural experiences from the park, Mejeriet and further through Margretedal.
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B. Concept inspired from the past
D. Project’s location in city. No scale
C. Early concept collage
E. View from west
daycare
Mejeriet
tram station/ square east entrance
square green space
housing area
new parking
housing area
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B
Four basic houring blocks create paths and courtyards mimicing the historical core in Lund.
By removing edges we create entrances to the courtyards which we intented to become open green space for everybody.
Four different housing types with various heights and widths creates a playful topography with a dense core.
A. Site plan 1:2000 B. Form concept diagram
C. View showing the different house types
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D. Section, 1:500 E. House typings diagrams
F. View, inner square
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Mapping: Public Space
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Term 4, group work West Vännäsby (WIP) Vännäsby is located approximately 5 kilometers east of Vännäs, a village with 1500 inhabitants. When analyzing its public buildings and spaces we observed they all are directly connected with its main spine Umevägen and Kungstensvägen. What Vännäsby is lacking is a core, a space where the inhabitants can hang out with each other. A. Strategy Diagrams B. Strategy Diagrams depicting the connection
Focusing on a narrative walk from the beach promenade to the train station we intend to create a public space connecting the south side of the train tracks with the north side, where the latter has a big plot for future dwellings. By excavating the current parking plot we add public spaces and various programs.
C. 3d aerial view of current public spaces
Vännäsby City Core + Train Stop Pavilion Term 4, group work West Vännäsby In the heart of the proposal for a new city core lies the train stop, an important hub in Vännäsby as a considerable amount of the inhabitants commute. My iteration for the train stop was to incorporate elements with various sensorial experiences. A light space frame contrasts with the massive partition walls in concrete, creating an elemental interplay between light and mass. The programs create different spaces or rooms within the
covering roof which in turn responds to these spaces. Partially covered with tiles with artificial light following the spine for the dark winter climate, partially glazed for intake of sun and scattered voids creating courtyards along the platform with trees whose branches breaking the rigid geometry of the space frame, the roof enhances the spaces. The artificial light creates a lantern when the sun’s down highlighting the new core like a lantern in the dark.
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B A. Site Plan 1:500 B. South Elevation 1:500
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D C. Form finding / Appropriation Diagrams D. North View
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B A. + C. Model 1:100, 1mm, 2mm, 5mm foam, 8mm polycarbonate, birch
C B. Site Model 1:300, 1mm white cardboard
D: Night Render, North View
Inhabiting the Hinterland Term 3, groupwork Lägret, Vännäs Focusing primarily on dwellings and territorial specificities, we mapped a divided area west of central Vännäs; a smaller municipality 30 kilometers west of Umeå.
A. Bird’s view drawing of collective dwellings / ink / digital
The mapping were the base for our collective dwelling intervention with approximately 30 units in the second phase of the project.
hin·ter·land, noun German : hinter, behind (from Middle High German, from Old High German ‘hintar’) + land, land (from Middle High German ‘lant’, from Old High German; see ‘lendh’ in Indo-European roots).
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A. Groundplan 1:1000
B. Section A-A 1:1000 C. Section B-B 1:1000
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Collective Levels: Dwelling Proposal
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Term 3, groupwork Lägret, Vännäs The idea for a collective dwelling was based on the notion of having levels with different shades of collectiveness ranging from public to private. Following the pre-existing foliage of the site, the proposal is arranged creating an internal boulevard with social
terraces facing inwards. Derived from four volumes organized in different combinations, the dwellings are then appropriated to its use and placement by pushing and pulling creating adapted qualities.
D. Area map
F. Arrangement Diagram
E. Appropriation Diagram
G. Volumetry Diagram
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B
C A. Floorplan 1:200 B. 2nd floor 1:200
C. View* (by J. Ridell)
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F D. Floorplan 1:200 E. 2nd floor 1:200
F. View* (by J. Ridell)
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Collective Levels: Life in the suburb Direcly visible when entering the proposed dwellings lies the housing typology for families. With a mix of shared, public and private space, the house create numerous programmed and un-programmed activities and exchanges. Double-height in the living room allows for light intake and the inhabitants can look out on their private backyard through its big windows framing A. Section View / ink / digital
the view. The bedroom on the groundfloor is flexible if necessary thus the house grows or shrinks with the inhabiting family. By having an open terrace the dwellers can choose by their own to define what’s theirs and what’s not, creating an in-between space nudging the blurred lines of private and collective.
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C B. Perspectical floorplan / ink / digital
D C. Isometric Diagram / ink / digital D. Isometric Diagram / ink / digital
Mapping of Lägret Term 3, group work Lägret, Vännäs Exploring and analyzing different aspects of an area is crucial for an intervention, defining various parameters such as borders, nodes, public and private areas etc. When mapping Lägret the central spine, Fällforsvägen, became our starting point for our study, depicting how dwellings and public spaces grew out from it and how it connected the rural side (north) and the sub-urban side (south) and the central core of Vännäs. An empty plot in close proximity to schools and Fällforsvägen with direct contact with the rural and the sub-urban became our choice for a dwelling project.
A. Site Plan 1:1500*
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C B. Site model build in 1:300 scale / 1mm cardboard* C. Site model build in 1:300 scale / 1mm cardboard*
D D. Close up detailing of model
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Pont Parc/Bridge Park Term 3, group work, workshop with Jan-Richard Kikkert L채gret, V채nn채s How do we create natural social meeting places through architecture? A five day workshop focusing on the notion of a space were meetings can occur. By layering multiple programmes on top of an infrastructural element, we created an opportunity for the inhabitants of L채gret to meet. The combination of A. Plan 1:300
a bridge with a park and a garden establish natural encounters as they walk over it, staying on the various seating opportunities. The placement of the foliage follows the pre-existing vegetation on the site plot thus creating a seamless transition onto the bridge. This to erase the notion of it being just a bridge.
C B. Model 1:100 / 1+2+3mm cardboard* C. Views*
Bölesholmarna Bath Facility Term 2, individual work Bölesholmarna, Umeå On a beautiful island located near the central area of Umeå lies Bölesholmarna, an island with a wide variety of qualities regarding spatiality and views. The goal of the project was to design a bath facility not bigger than 250 m2 that interacted and related to the location. A. Conceptual Drawing / ink / digital
Based on knowledge gained on diverse workshops and exercies we explored many aspects and characters we wanted our proposal would convey to its users.
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B A. Floor Plan 1:200 B. Site Plan 1:1000
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E C. Programs
D. Section A-A 1:1000 E. Section B-B 1:1000
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B A. Model south west facade 1:100 / 1mm cardboard B. Courtyard
C. View north-east
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D. Program / Facade Diagram
F. View Courtyard
E. View from pool
G. View pool, sauna and courtyard
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Anatomy of the bath
By cutting a portion of the proposal I could investigate the anatomy of the facility and focus on its structure (bones) and its envelope (skin). The model shows how the building would work in a technical way and how the envelope related with the structure.
The diagram (D on previous page) shows the superimposition of the horizontal envelope displaying what is wall and what is roof.
A. 1:20 section model / 1+3mm cardboard, 1mm polycarbonate B. Technical definition sketches
D. View
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Invisible Cities: Zenobia Term 1, group work Based off Italo Calvino’s Invisible cities, we imagined and explored the spatial qualities of Zenobia through collages, and models in different scales from our analysis of the text. “... with many platforms and balconies placed on stilts at various heights, crossing one another, linked by ladders and hanging side-walks surmounted by coneroofed belvederes...�. Our perception of Zenobia was formed on a concept of it always evolving, growing A. Zenobia sketch / ink
from the ground up like a living organism that expanded by taking material from itself, recycling and re-using, to mature even further. Inspired by japanese origami we scrutinized various forms that could change its form without adding or removing material. Materialized in our 1:500 model we wanted to show an organism spiraling from the ground up with dwellings becoming condensed the higher up one came.
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C B. 1:500 model / 1mm cardboard* C. Form study*
A. Transform, Evolve1:1 model / 2x4 cm wood stud / textile*
The 1:1 model shows the evolving quality of Zenobia, were one form can change within itself from the actions of the human, the dwellers.
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Modular: Photo Studio Term 2, group work, workshop with Josep Ferrando Umeå During a five day workshop we created furnitures to be used within the school’s premises with the objective to explore the possibilities of a modular element that could serve its purpose for numerous furnitures that we considered A. 1:1 model / 4x4 wood stud B. Isometric drawing / ink / digital
were lacking in the building. Numerous attempts of combining and negotiating between all of the groups resulted in one stick with different joints and holes that worked with all of the groups’ proposals.
C. 1:1 model detail
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Common Scenarios: Space > Place Term 1, group work Umeå
Is a city ever perfect? We analyzed various parts of Umeå searching for a flaw making people not interact with eachother. How could we turn a space into a place, where people who inhabited/used it could interact with each other? D. View E. Axonometric drawing / digital
F. View from the inside
Our proposal took advantage of existing “shelters”, a bus stop in Vasaplan, which we considered being an unfinished refuge. By adding a fourth wall we enclosed the space inside, turning it into a place, were awaiting citizens could collectively heat up the room in the raging northern cold.
more projects at www.erikfukino.com