JessicaSoe_Architecture by Jessica S

JESSICA SOE ARCHITECTURE PORTFOLIO 2013-2016

JESSICA SOE

jsoe@design.upenn.edu

E D U C AT I O N University of Pennsylvania | 2013-2017

Harvard GSD | Summer 2011

Master of Architecture Master of Integrated Product Design

Career Discovery Six week intensive architecture studio summer program

University of Pittsburgh | 2006-2010

Paris Summer Abroad | Summer 2013

B.S. in Biological Sciences Minor: Chemistry

H O N O R S / I N VO LV E M E N T

EXPERIENCE Gensler | Summer 2016 (DC) , Feb 2017- present (Phila) Architecture Intern Worked on multiple projects ranging from base building to interior designs. Assisted on construction documents and construction administration

Granum A/I | Summer 2015

Architecture Intern Proposed preliminary architectural design, developed 3D models, renderings, presentation, assisted in permit/bid documents for major projects

Architectural Design Studio | Summer 2014

Architecture Intern Worked closely with Principal, Donghoon Han, AIA, on a new 100,000 sqft extension for University of the Nations in Revit

Fabrication Lab Laser Tech | 2013-present University of Pennsylvania Operated laser cutting machines for 500+ undergraduate/graduate students

SKILLS Software Rhinoceros 3D 5.0 Revit AutoCad Grasshopper Maya Solidworks ArcGIS Sketchup

Annual Department Grant | 2013-2017

University of Pennsylvania Awarded on an individual merit basis by the Chair of the deparment

Ideal Beam Competition | 2013

University of Pennsylvania First Place; Orchestrated by Richard Farley, AIA

Graduate Teacher Assistant | 2017 University of Pennsylvania IPD: Needfinding; assisted professor in teaching duties and designed/set schedules for classes; graded homework

Graduate Teacher Assistant | 2017 University of Pennsylvania ARCH: Contemporary Furniture Design Studio; assisted professor in teaching duties and met with students on a weekly basis for desk crits

COMMUNITY Ghana Medical Mission | 2009 Vray Maxwell Keyshot Adobe Photoshop Illustrator Indesign Lightroom

Physical CNC Lasercutting 3D printing

University of Pennsylvania Summer semester in Paris, France

Model Making Woodworking

Unite for Sight Two week medical mission assisting in eye surgical procedures, prescription and medical care

Unite for Sight | 2010 Co-founder/Chapter President Organized and headed volunteer outreach to homeless shelters for free eye care

Bethesda Project | 2015-present Community Volunteer Bethesda Project provides shelter, housing, and programs reaching out to chronically homeless men and women

ACADEMIC CONTENT 01

INTO THE VOID

MIURA PODS

PAVILION FOR THE INVOLVED EXPRESSIVE

PHILLY CYCLE

FABRICATION

DEPLOYABLE STRUCTURES

ELASTIC EXCESS

MICRO-FIT

EXPERIMENTS IN STRUCTURE

REVIT

SPRING - SPRING 2015 | KUTAN AYATA

FALL 2013 | SIMON KIM

SPRING 2014 | SCHWENK- WOODMAN

SPRING 2013 | MECHANICAL ENGINEERING

SPRING 2015 | MOHAMAD AL KHAYAR

SPRING 2014 | DANIELLE WILLEMS

FALL 2014 | BRIAN PHILLIPS

FALL 2016 | MOHAMAD AL KHAYAR

FALL - SPRING 2014 | FRANCA TRUBIANO

01 INTO THE VOID Studio 702 Spring 2015 Critic: Kutan Ayata “A plan of a building should be read like a harmanoy of spaces in light. Even a space intended to be dark should have just enough light from some mysterious opening to tell us how dark it really is. Each space must be defined by its structure and the character of its natural light.“ - Louis Kahn This project investigates the idea of a void. The void,

in this case, would be more a theatrical space. This is

achieved through the way in which light can define and create new spatial spaces. In this project, architecture of

duality – the dual nature of co-existence – solid/void, light/dark, stark/serene. The employment of simplistic materials reinforces the duality of the space.

Created by using elements that conflict one another, this is a method used to create visual interest within a piece and draw the eye to specific areas. This project utilizes solid

and void, texture and smooth glass, dark and light to demonstrate contrast.

POOL TYPOLOGY

GROUND PLAN

CAR STATION

FIRST FLOOR PLAN

admin

steam room CAR STATION

admin

facilities

admin facilities

lifeguard

staff CAR STATION

steam room

SECOND FLOOR PLAN

CAR STATION

UNROLLED ELEVATION

AXON

CLOSEUP

DETAIL SECTION

DETAIL PLAN

1/8” SCALE POWDERPRINT MODEL

1/8” MODEL DETAILS

1/32” MODEL DETAILS

1/32”SCALE MODEL

Working arduino contracting mechanical system

Acrylic, MDF, bolts, screws, fabric, arduino

02 MIURA PODS Studio 501 Fall 2013 Philadelphia , PA This project deals with the suggested states that are basic in the

behavioral sciences are stasis and panic- the wide spectrum may be negotiated, but are designing abstract and physical machines that can switch from one state to the other. Interactively

allows the experimenter to explore the diversity of representation and range of scale of aggression. â&#x20AC;&#x153;Miuraâ&#x20AC;? is a rigid fold in Japanese. It is an example of the practi-

cal importance of rigid origami, or treating hinges and rigid surfaces like the paper and creases in paper folding problems. A folded Miura fold can be packed into a very compact area, its thickness restricted only by the thickness of the folded material. The fold can also be unpacked in just one motion by pulling on opposite ends of the folded material, and likewise folded again.

Critic: Simon Kim

SECTIONAL STUDIES

SECTION STUDIES

EXPANDED FORM

COLLAPSED FORM

OPENED FORM

SECTION

PLANS

ENTERTAINMENT

RELAXATION

SATISFACTION

03 PAVILION FOR THE INVOLVED EXPRESSIVE Studio 501 Fall 2013 Philadelphia , PA The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And, the opposite of life is not death, it’s indifference. - Elie Wiesel

Words, like sculpture and architecture, can invoke and express ideas to others through the language, the sound of it, the frequencies, and the volume. Using Elie Wiesel’s quote, emotions and different states were considered to be moments of panic.

indifference

The state of is what these moments of panic ultimately lead to as a person, through time, becomes more and more detached. Indifference can have different connotations, determining whether this neutral state can be a positive or a negative one, something wanted or ignored. Considering the context in which Elie Wiesel said this quote, indifference is negative. While moments of panic are something human that we all go through, defining us as human, indifference is the opposite. Being indifferent means to be detached, unable to empathize. The inability to empathize lead us to actions that are led by logic or reason, robotic and inhuman.

Critic: Simon Kim 18

PARABOLIC FORM STUDY LINE TO CURVATURE

POINT TO LINE STUDY 0, 3

-1, 3 -1, 2

0, 2

-1, 1

0, 1 0, 0

-1, 0

1, 0 2, 0 3, 0

3, -1

-2, 3 -2, 1

0°

-135°

-225°

0, -1 3, -1

1, -2

2, -1 1, -1

0, -1 -45°

-180°

-270°

-90°

-180°

-315°

LARGEST DISTANCE BETWEEN POINTS IN A, B, C, D ,E ,F ,G

EXTRAPOLATION: LIFE LINE

A+B+C+D+E+F+G=H

MODULE B

MODULE C

MODULE D

MODULE E

MODULE F

MODULE A

-360°

-3, 3

-3, 2 -5, 1

0, -6 2, -7

1, -8

DEFORMATION STUDY

FRAMEWORK EXPLORATION STRETCHED MEMBRANE

FABRIC PLASTER CASTING Following through with the idea of creating abstract forms for a purpose, we experimented with materiality to discover itâ&#x20AC;&#x2122;s inherent qualities and the meanings that it can evoke. We explored how the fabric of tensile membranes can be frozen at certain moments and become the opposite. While tensile membranes rely on support, the plaster castings are now frozen at a moment and become the opposite of the fabric in tension, now an independent membrane. Our process was done in 4 steps by creating abstract grids, stitching them onto the fabric to act as control points, and then pouring plaster into the fabric. We discovered the many forms that could be created and then took it further to explore how weight and form could help to ground love and hate.

04 PHILLY CYCLE Schwenk Woodman Competition Spring 2013 Philadelphia , PA What is a community? A community is a group of people living in the same place or having a particular characteristic in common. What is Philly Share? It is a bicycle transit that is a short term use of public bicycles. This project connects these two major ideas to form a system that would be convenient and fun for everyone. The projectâ&#x20AC;&#x2122;s main goal is to be an eco-friendly and community-

minded bicycle share program for Philadelphia, the city of brotherly

love. This program will not only reduce the negative effects of travel on the city, but also, recycle used and old bicycles in hopes of rejuvenating these bicycles to its glory days. The use of bicycles will support economic sustainability and growth as they will increase accessibility to jobs, recreation, and other locations. They will attract a large, growing, and diverse audience: families, students, employees/commuters, residents, and tourists. The bike share system is built on the concept of circulation. For the city scale, we proposed some bicycle routes that are loops, connecting main places of interests and parks, to show people how they can explore the city.

y l l i Ph cle Cy

DEMOGRAPHICS

MULTI-MODAL CONNECTIONS

PROPOSED BIKE SHARE STATION LOCATIONS

PROPOSED BIKE TRAIL

Green transit= No pollution or congestion

Bike share complements and supports other forms of public transportation

HOW IT WORKS SWIPE IN / PAY

SELECT YOUR CYCLE

EVERY STATION WILL HAVE A KIOSK

Contactless paypass

Every bike share trip produces $7 for the local economy

3 hrs of biking per week can reduce the risk of heart disease and stroke by 50%

BIKE RECYCLE PROGRAM RIDE

RETURN

DONATED BIKES FROM COMMUNITY

BIKES COLOR CODED WITH GREEN WHEELS

EACH BIKE WILL BE CHECKED TO BE IN SAFE WORKING CONDITION

BIKES PUT ON RACKS AND STORED AT PHILLY CYCLE

EACH BIKE WILL BE EQUIPPED RFID AND GPRS FOR TRACKING

BIKES READY TO USE BY FAMILIES, STUDENTS, COMMUTERS, TOURISTS

COMMUNITY INVOLVEMENT

PARTNERS/SUPPORT

STATION SPONSORSHIPS

WORK RESTAURANTS

MUSEUMS

CORPORATE

FAMILIES COMMUTERS STUDENTS RESIDENTS TOURISTS

EDUCATION

Station branding

MEMBERS CORPORATE

TRAIN/BUS

WATERFRONT

NONPROFIT

COMMUNITY HEALTH

TRANSPORTATION

Provide a venue to connect with their audience on an emotional level Attract and retain tenants and visitors

Public policy

BUSINESS MODEL

A place for like minded peopleto gather Ability to use bike facility

Customers to retail location Able to use bikes in bike marathons Enhanced mobility options for employees and residents Reduce parking demands on site

COLLEGES

NON-PROFIT

Purchasing, operating, and maintaing the station

Discounted memberships Neighborhood partners

Brand exposure

TOURISM PARKS

COME FROM 34TH BRIDGE

GO INTO THE WETLAND

enter the outside circle

GO INTO THE TRAIL

go to the roof go to the yard

enrollment and reception

parking

go to underground storage

BICYCLE CIRCULATION WALKING CIRCULATION TRUCK CIRCULATION

05 FABRICATION Mechanical Engineering Spring 2013 Philadelphia , PA

This sphere was designed in SolidWorks to produce a threedimensional object from sheet stock using press-fits (no glue) and parametric modeling. The physical product was created using a laser cutter on medium-density fiberboard and acrylic of thicknesses of 1/4â&#x20AC;? and 1/8â&#x20AC;?.

Professor: Jonathan Fiene 30

06 DEPLOYABLE STRUCTURES Spring 2015 Philadelphia , PA

The Icosidodecahedron is a tessellation that consists of twenty triangular faces and twelve pentagonal faces. This polyhedron includes six decagons (10 sides each) joined in pairs at thirty vertices. In order to make it deployable a 144 degree scissor hinged connection is used. These scissor connections occur at sixty different areas in order to deploy inward and outward.

Professor: Mohamad Al Khayar 32

CLOSED

INTERMEDIATE

DEPLOYED

CLOSED

DEPLOYED

07 ELASTIC EXCESS Studio 502 Spring 2013 “On the sidewalks, encased in spotless plastic bags, the remains of yesterday’s Leonia await the garbage truck....you begin to wonder if Leonia’s true passion is really, as they say, the enjoyment of new and different things, and not, instead, the joy of expelling, discarding, cleansing itself of a recurrent impurity.” - Italo Calvino “Invisible Cities”

This project investigates the mechanics of waste collecting and processing and how that is a generative field condition as it is part of the site. This project looked at different operations of waste- sorting,

piling, compacting. Those operations were embodied in the

project through the different gradient of intensities of local deletions (sorting), aggregations (piling) and compaction, which determine different distributions. Different programs would be regulated through these operations and the relationships between these. Office /lab space in times of compaction. Deletion (sorting) occurs on a more surface treatmentporous structure which also would provide an interior and exterior system spaces. Programs would melt into each other and blend

space within each other 36

Critic: Danielle Willems

SITE ANALYSIS

MAP OF GARBAGE

2013

1990

2013

1990 Residential

Residential

Recycling Route

Incinerator Route

Garbage Truck Route

Landfill Route

Transfer Route Landfill Route

CATALOG OF PROGRAM INTENSIITIES

PROGRAM

ELEVATION

PLAN

SECTION

CLOSEUP OF SECTION

08 MICRO-FIT Studio 601 Fall 2014 Critic: Brian Philips “Millenials spend too much time on their computers and not enough time exercising. The nation’s youth are less physically active than they were a decade and ago and rapidly growing more sedentary each year. “ - Centers for Disease Control and Prevention This project integrates the natural

environment

into the built environment. Neighborhood inhabitants experiences the challenges to recognize the importance of finding a balance between the built and natural environment. A community’s landscape could regenerate, bringing a more environmentally, culturally, and economically sustainable area. At the same time, it would provide a higher quality habitat, house more people, require less infrastructure, and consume fewer resources.

scenic journey of walking, climbing, and resting stops integrates natural habitats and human habitat for a multisensory experience. This proA

vides an environment where the housing system negotiates the organic and inorganic

AVIARY

BUTTERFLY GARDEN

owner vs rent households

lack of parks

Obesity

Percent

40 30

Millennials

20 10 0

1971

1976

1988

2001 2005

Year Philadelphia New York City Los Angeles Chicago Houston Pheonix San Antonio San Diego Dallas San Jose USA

40% 35% 30% 25% 20% 15% 10% 5% 0% 2002

28% 22% 26% 29% 24% 28% 23% 31% 21% 27.5%

2004

2006

2008

2010

OBESITY PREVALENCE ADULT HYPERTENSION PREVALENCE ADULT DIABETES PREVALENCE

32%

Out of 10 cities, PHILADELPHIA is the most overweight and is higher than the national US average. Out of the 67 counties in PA, Philadelphia ranks last in health in the program’s annual report. Men’s Health rated Philadelphia 98th out of 100 in its Worst Cities for Men

gyms

rise in caloric intake

high calorie junk food

lack of access to healthy food

decline in poverty sugar sweetened physical beverages activity

LEADING TO

diabetes heart disease

cancer

hypertension

sleep obesity disorders

stroke

respiratory disease

2012

WATERFALL

VEGETABLE GARDEN

BUILT

VS.

NATURAL ENVIRONMENT

BIRDS

RAIN SUN

VEGETATION

NATURE BUTTERFLY/FLORAL GARDEN

VEGETABLE GARDEN

BIRD WATCHING

HONEY BEES

“PHILADELPHIA MUSES” MURAL

INSTALLATIONS

JOURNEY

SITE CONDITIONS

CIRCULATION

SEPERATE

ENTRANCE

SEPERATE

SUNLIGHT - SCALAR CHANGE

START JOURNEY HERE

INSTALLATION MURAL

RAINFALL

STAIRS

PROGRAM

START YOUR JOURNEY ROOFTOP PROGRAM UNITS

SHARED KITCHEN RETAIL

> BIRD WATCHING

VEGETABLE GARDEN

BUTTERFLY/FLORAL GARDEN HONEY BEES

“PHILADELPHIA MUSES” MURAL

INSTALLATIONS

RAINFALL

BUTTERFLY GARDEN

VEGETABLE GARDEN

AVIARY

HONEY BEES

SECTION 49

SECTION PERSPECTIVE

TYPICAL FLOOR PLAN upper level

TYPICAL FLOOR PLAN lower level

09 EXPERIMENTS IN STRUCTURE Fall 2016 Philadelphia , PA

This project is a structural system based on a tensile system. We were interested of the play of the compression members. Taking the jig and offsetting the resting point of the jig and cantilever and at the same time, the tensile sytem to exert itself, like a roofscape. How can the jig compliment the system? We experimented with ways in which the jig can become an inverted system. Two different systems: the solid members, the wires will thread through these members and all the wires will transition from internal to external. Also, the external to internal and finally meet. Inversion of linear system through the jib to a three dimensional conversion to the jig.

Professor: Mohamad Al Khayar 52

7 5/8"

2'-6"

7'-8"

1'-6 15/16"

2'-9"

2'-8 1/16"

5'-0"

2'-3 15/16"

1'-10 1/8"

1'-3 1/4" 10 5/8"

4'-0"

1'-6"

3'-0"

1'-6"

REVIT Philadelphia Rowhome

Fall 2014

8' x 8' CHROME FRAME SKYLIGHT 1" INSULATED GLASS

JSOE

METAL COPING 2 " x 8" WOOD BLOCKING Level 3 23' - 6"

1/2" CLAPBOARD SIDING 8 MIL AIR BARRIER 3/4" PLYWOOD SHEATHING 6" METAL STUD WALL 8 MIL VAPOR BARRIER 1/2" GYP BOARD INTERIOR 1/2" EPDM MEMBRANE AROUND SKYLIGHT

Pine Street Addition

WOOD BLOCKING 2x 6 DOUBLE WOOD BLOCKING

WOOD BLOCKING FOR GYP BOARD

Add- Skylight Section 1" = 1'-0"

Arch 531

METAL COPING 2 x 14 WOOD NAILER

5 1/2" INSULATION

Level 3 23' - 6"

6' - 0"

14' - 5"

Level 3 Rear 21' - 0"

Typical Wall Call Out Details

Drawn By Checked By

Level 2 Rear 11' - 0"

Wall Call Out Details 3/4" = 1'-0"

Scale

1/4" CHROME PANEL 3/4" PLYWOOD SHEATHING 2 x 6 WOOD STUD WALL 3/4" INT PLYWOOD SHEATHING 6 MIL RUBBER MEMBRANE METAL COPING 2 x 14 WOOD NAILER 5 1/2" INSULATION Level 3 23' - 6"

2 1/2" INSULATION

METAL COPING 4" EXTERIOR BRICK MASONRY 1 1/2" AIR CAVITY 1 1/2" RIGID INSULATION 8" CONCRETE MASONRY BLOCK 6 MIL VAPOR BARRIER 1/2" METAL FURRING 4 3/4" INTERIOR FINISH GYPSUM BOARD ADD502 Level 3 23' - 6" Level 3 Rear 21' - 0"

6' - 0" ---

ROWLOCK 15 DEGREE SLOPE

FLASHING ---

Level 2 Rear 11' - 0" METAL WALL TIES

CONTINUOUS FLASHING WITH WEEP HOLES ROWLOCK 15 DEGREE SLOPE BOND BEAM CONCRETE WALL ANCHOR BOLTS Level 1 2' - 0"

Level 2 13' - 6"

6 ADD502

Level 2 Rear STEEL 11' - 0"ANGLE

Level 2 Rear 11' - 0"

BOND BEAM

6' - 0"

6' - 0 1/2"

FLASHING WITH WEEP HOLES @ 2' O.C/ STEEL ANGLE

METAL WALL TIES Level 2 13' - 6"

25' - 0"

Level 2 13' - 6"

FLASHING WITH WEEP HOLES @ 2' O.C/

1 A202

CONTINUOUS FLASHING WITH WEEP HOLES Level 1 2' - 0"

GROUND 0' - 0"

ANCHOR BOLT Level 1 2' - 0"

5 ADD502

GROUND 0' - 0"

CONCRETE WALL ANCHOR BOLTS

GRAVEL

ADD201

GRAVEL

---

GRAVEL Level Basment -6' - 6" 4" FRENCH DRAIN

2-1/2" RIGID INSULATION

2-1/2" RIGID INSULATION Level Basment -6' - 6" 1" GRAVEL LAYER

Level Basment -6' - 6" 4" FRENCH DRAIN 1" GRAVEL

4" FRENCH DRAIN

2-1/2" RIGID INSULATION 1" GRAVEL LAYER

JSO

Level 3 Rear 21' - 0"

14' - 5"

6' - 0"

As indicated

METAL COPING 4" EXTERIOR BRICK MASONRY 1 1/2" AIR CAVITY 1 1/2" RIGID INSULATION 8" CONCRETE MASONRY BLOCK 6 MIL VAPOR BARRIER 3 FURRING 1/2"Level METAL - 6" 3/4"23' INTERIOR FINISH GYPSUM BOARD

Level 3 Rear 21' - 0"

1 ADD502

ADD503

0' - 0"

Project Number Issue Date Author Checker

North Section 1/4" = 1'-0"

South Section 1/4" = 1'-0"

East Section 1/4" = 1'-0"

Arch 531

Date METAL WALL TIES

Pine Street Addition

Project Number

12/16/2013 12:34:20 PM

Level 2 13' - 6"

Office High Rise (Curtain Wall)

Spring 2014

JSOE 1

VERTICAL SOLAR SHADE CUSTOM CURTAIN WALL PANEL WITH LOW-E GLAZING

Level 5 50' - 0"

RECTANGULAR DUCT

2' X 4' RECESSED LIGHT FIXTURE - TWO BALLAST 3 LAMP 120 V

RECTANGULAR DUCT

6 1/8" BASIC INTERIOR WALL (2HRS)

4" LW CONCRETE FLOOR

Level 5 50' - 0"

8" x 14" CONCRETE RECTANGULAR BEAMS COMPOUND CEILING - 2' X 4' ACT SYSTEM

36" X 84" METAL SINGLE- FLUSH DOOR 36" X 84" METAL SINGLE- FLUSH DOOR FRAME

4" LW CONCRETE FLOOR

Level 4 40' - 0"

8" x 14" CONCRETE RECTANGULAR BEAMS

CUSTOM CURTAIN WALL PANEL WITH LOW-E GLAZING

VERTICAL SOLAR SHADE

Level 4 40' - 0" 14" CONCRETE ROUND COLUMNS

14" CONCRETE ROUND COLUMNS

RHOMBOID CURTAIN WALL PANEL

PIPE HAND RAIL

Level 3 30' - 0"

ARCH 532 Level 2 20' - 0"

Philadelphia Office Building

Partial Detailed Wall Sections Project Number Date Drawn By Checked By 3

Partial Detailed Wall Section East/West 1/2" = 1'-0" 5

Partial Detailed Wall Section North South 1/2" = 1'-0" Scale

JSOE A

JSOE

1/2" = 1'-0

1 2

ROOF (INSULATION)-EPDM

A501

532.201 Issue Dat Autho Checke

ROOF (INSULATION ON METAL DECT)-EPDM

Roof 90' - 0"

SKYLIGHT

Roof 90' - 0"

ROOF - INSULATION ON METAL DECK (EPDM) RHOMBOID CURTAIN WALL PANEL

Level 8 80' - 0"

Level 7 70' - 0"

Level 6 60' - 0"

Level 5 50' - 0"

4" LW CONCRETE FLOOR

Level 8 80' - 0"

14" CONCRETE ROUND COLUMNS

PIPE HAND RAIL

Level 7 70' - 0"

Level 6 60' - 0"

2.5" x 5" RECTANGULAR MULLION CURTAIN WALL STOREFRONT PANEL W/ LOW-E GLAZING

RECTANGULAR DUCT

1/4" 12 " SLOPED ROOF WITH INSULATION ON METAL DECK (9" THICKNESS)

Level 4 40' - 0"

2' x 4' RECESSED LIGHT FIXTURE - TWO BALLAST 3 LAMP 120 V

Level 5 50' - 0"

RECTANGULAR DUCT

Level 4 40' - 0"

Level 3 30' - 0"

Level 2 20' - 0"

2 A402

CUSTOM CURTAIN WALL PANEL WITH LOW-E GLAZING

VERTICAL SOLAR SHADE

4" LW CONCRETE FLOOR 8' X 14' CONCRETE RECTANGULAR BEAMS

Mezzanine 10' - 0"

Mezzanine 10' - 0" 2

14" CONCRETE ROUND COLUMNS

Level 1 0' - 0"

CABLE DUCT

WATER MAIN

GAS MAIN

B1 -11' - 9 13/16"

FOUNDATION WALL

A202

Level 1 0' - 0"

B1 -11' - 9 13/16"

SEWER

B2 -23' - 9 13/16"

ARCH 5

B3 -35' - 9 13/16"

Philadelphia Buildin

ANCHOR

B2 -23' - 9 13/16"

B2 -23' - 9 13/16" TIEBACKS

TIEBACKS

PAD

B3 -35' - 9 13/16"

48" X 24" CONCRETE BEARING FOOTING

ARCH 532 B3 -35' - 9 13/16"

Philadelphia Office Building

Detailed Bu Sectio

Second Detailed Building Section 2

Detailed Section East/West 1/8" = 1'-0"

Date

Drawn By

Checked By

Detailed Section Issue Date 1/8" = 1'-0"

Drawn By Checked By

A401.1

Author Checker

5 6:39:36 PM

Detailed Building Section 1/8" = 1'-0"

Date

532.2013

Project Number 1

Project Number

Scale

A401

JESSICA SOE jsoe@design.upenn.edu 267.210.0101