PROPOSAL 004 by Eugene Cappelluti

CLIENT

RESPONSE TO REQUEST FOR PROPOSAL I CLIENT BRICKELL HEIGHTS I MIAMI, FLORIDA I 12 JUNE 2014

June 12, 2014 Mailed and E-Mailed Ms. Sandra Tripp sandra.tripp@Client.com Director of New Projects 895 Broadway New York, NY 10003 Dear Ms. Tripp: Thank you for this opportunity to submit our qualifications to Client. We are honored to be considered for this project and feel that our design talent, project qualifications, knowledge and resources uniquely qualifies us for this project. HOK maintains an unwavering commitment to client service and design excellence. We understand our greatest asset is the ability to listen to the specific goals of our client and project. We have assembled an unmatched team to assist in your endeavor to successfully execute this project. I, Marlene M. Liriano, IIDA, LEED®AP ID+C will serve as Managing Principal. I am the Interior Design Director for HOK’s Florida practice. With over 29 years of experience in the Fortune 500 corporate market, my expertise, diligence, and unique design ability are an asset to this project team. Christina Hart, ASID, IIDA, LEED®AP ID+C will serve as the Design Principal, and is Director of Hospitality Interiors for HOK. An award winning designer, Christina has honed her expertise in the design of premier spa venues and upscale hospitality environments. Christina and I will be working closely together on the overall design direction. Yenny Calabrese, IIDA, LEED®AP ID+C will serve as project manager and will be your day to day contact. Her experience in design of corporate facilities and brand execution brings unique and tailored knowledge to your project. Migda Colon, AIA, LEED® AP BD+C will serve as project architect working closely with Christina and Yenny, supporting the project team and providing her experience with hospitality clients. Tim Blair, AIA, LEED®AP will serve as Technical Director ensuring that the contract documents are fully coordinated enabling a smooth and cost efficient construction process. I believe that we are uniquely qualified to serve as your architect and interior designer because: •

Our team has extensive experience with hospitality environments specifically in the design of premier spa venues

•

Our depth of knowledge in understanding the everyday use of both fitness facilities and hospitality environments.

HOK 120 NE 27th Street, Suite 700 | Miami, FL 33137 USA

t +1 786 497 4810 f +1 786 497 4811 Florida State Registration: AAC001139

hok.com

•

Commitment from two award winning Design Principals which currently serve on the HOK Design Board, to insure that the final product brings a design sensibility which is unique and unparalleled.

•

Our culture values the power of teams and promotes collaboration as a founding principle. Our team will work together with you from beginning to completion of your project, engaging your team on every issue and making decisions together.

•

Our design approach and methodology is one of bringing innovation into the design process and helping our clients to work better, think better and feel better.

•

We maintain an unwavering commitment to client service and design excellence, always setting the highest standards.

•

We understand our greatest asset is the ability to listen, learn and explore specific goals with our client.

•

Our commitment to the environment and society stems from our founding partners.

•

The same project team that develops the design and works with your team will also oversee the construction to project completion. We believe that there is a break in continuity and communication if separate teams are assigned to the design and construction phases.

•

Our team will be your one point of contact managing the process, lines of communication, consultants and contractor for delivery of a turn-key project, so that you can continue to take care of your business during this process.

I appreciate your consideration of our qualifications and proposal, and I look forward to working with you and your team. I can assure you that Equinox will have the best talent that HOK has to offer, to provide you with an exceptional environment. Sincerely, Marlene M. Liriano, IIDA, LEED® AP ID+C Interior Design Director Vice President/Principal

HOK 120 NE 27th Street, Suite 700 | Miami, FL 33137 USA

t +1 786 497 4810 f +1 786 497 4811 Florida State Registration: AAC001139

hok.com

CONTENTS 1

OUTLINE

KEY PERSONNEL

FEES

CONSULTANTS

INSURANCE

process, people, and services

proposed team, relevant experience

fee information

consultant proposals

certificates

section I one

HOK DNA

Rancho Bernardo Inn & Spa San Diego, California

HOKâ&#x20AC;&#x2122;s mission is to deliver exceptional design ideas and solutions through the creative blending of human need, environmental stewardship, value creation, science and art.

InterContinental Boston, Massachusetts

SECTION ONE PROCESS I PEOPLE I SERVICES I

DESIGN PROCESS HOK’s process for designing the Equinox Brickell Heights Fitness Center and Spa would be highly collaborative, utilizing the best expertise of HOK, our consultant team and the Equinox team. Our goal would be to combine the extensive expertise of the Equinox team in having developed over 50 Equinox locations with the creativity and design expertise that HOK has in developing unique environments that respond to the brand and functional requirements of our clients. The process would start with having a Kick-Off Meeting to take a deep dive into understanding the: Equinox brand, design philosophy, Equinox design standards, goals for this project and review the program and block plans developed. We would discuss team roles, lines of communication, schedule expectations and budget. HOK would ask the right questions to clearly understand Equinox’s goals and priorities for this project and document those to guide us throughout the design process. Initially, we understand that there are early decisions to be made and coordination with the base building. This team has experience with this, and is prepared to work diligently with our consultants to resolve these issues. As we move into Schematic Design, we would start by conducting a site visit with our consultant team to thoroughly understand the design opportunities and constraints of the site. We would review the mood boards supplied by Equinox as well as gather inspirational imagery that responds to the culture of Miami. HOK would review the design opportunities, constraints and imagery with Equinox, and with your feedback, would then launch into a design charette. We would model the space three dimensionally in REVIT to be able to study the design and volumes of space. In collaboration with the Equinox consultants and our engineering/ consultant team, we would develop all of the plans, elevations and sketches required to define a strong, creative design concept that embodies the Equinox brand. We would review the approved space plan with the City of Miami officials to ensure that there were no code issues. HOK would produce a pricing package that would then be used to review with the cost estimator to develop a cost

model and ensure that we are designing within budget and make any necessary adjustments. In Design Development, we would work closely with the Equinox Consultants and our engineers and consultants to fully develop the design. This would involve developing: floorplans, reflected ceiling plans, elevations, millwork design, lighting design, finish palettes, and interior vignettes of key areas. We would present the design to Equinox at two presentations and incorporate your input to refine the design. The Design Development will be documented in a Pricing Set to once again insure that we are designing within budget and make any necessary adjustments. During Construction Documentation, HOK will be finalizing the drawings in coordination with our engineers and consultants. HOK will review the Equinox Design Standards to incorporate as many of your typical details as possible making necessary modifications for this specific design. We will develop a thorough set of construction documents and specifications needed to permit, bid and build the project. The HOK team will conduct two coordination and review meetings during this phase as well as one final presentation in New York. While the Bidding and Negotiation process is taking place, HOK and our engineers will respond to all requests for information from the general contractors and make adjustments to the documents or specifications to meet Equinox’s budget. During Construction Administration, HOK will attend weekly construction meetings and conduct site visits to ensure that the design is being built as documented and per our specifications. We will provide progress photos of the site visits to Equinox and the team. HOK will review all submittals, shop drawings and respond to all requests for information in a timely manner to make sure that the general contractor has the information he needs to keep the process moving. Our attitude during construction is to be very much a team player, be proactive in resolving issues quickly and stay one step ahead of the general contractor. As the construction is completed, HOK will conduct a site walk with the general contractor for him to document a punch list and we will review it again to ensure that every detail is complete and meets Equinox’s expectations.

HOK will fulfill all of the scope and deliverable requirements as defined in the Equinox RFP below:

PHASES OUT OF SEQUENCE SERVICES AND SPECIAL CONSTRUCTION

(TO PROTECT THE PROJECT’S INTERESTS DURING THE DESIGN AND CONSTRUCTION/RENOVATION OF THE BASE BUILDING. AND DUE TO THE BUILDING’S DEVELOPMENT AND CONSTRUCTION SCHEDULE, SOME ELEMENTS OF OUR TI WILL NEED TO BE DESIGNED AND COORDINATED EARLIER THAN TRADITIONALLY SCHEDULED SUCH AS COORDINATION OF INTERNAL STAIR DESIGN, SLAB PENETRATIONS AND DEPRESSIONS, ANYTHING THAT AFFECTS BASE BUILDING ELEMENTS OR SYSTEMS, MPOE LOCATIONS COORDINATION, MAJOR INFRASTRUCTURE SYSTEMS DESIGN, ETC. PLEASE PROPOSE A SEPARATE LUMP SUM, NTE FEE TO COVER THESE ISSUES.) 1.Design and resolve all LL/tenant design and coordination issues as spelled out in the work letter such as the following in advance of complete TI design in order to protect Equinox’s interest • •

• • • • • •

Acoustical Separation – Structural Engineer to review and advise on the hertz of the structure, Acoustical Engineer to prepare proposed isolation strategies coordinating with the Structural Engineer MEP Design – MEP Engineer to review base building design and advise as to whether it meets Equinox’s needs, as outlined in work letter, if not, detailed recommendations need to be made on Equinox’s behalf, as well as development of any TI design needed to inform the MEP Design including all pathways for services in and out, louver locations and sizing and provisions for hot water Any required slab depressions or openings for MEP or other connections to be identified and coordinated with LL’s architect for incorporation into the base building design, once reviewed and approved by Equinox Any Code Issues such as ADA access, Emergency Egress including all Stairs and Vestibules, occupancy etc Entry Doors and Window Details, Including Glazing System and Louver Locations as they relate to our Blocking Plans, Design Goals and MEP needs Grade levels as they relate to proposed Entries and Exits Viability of Proposed Internal Stair Design and Location from an Architecturaland Structural Standpoint Achievable Ceiling Heights to underside of slab and various beam heights

2. Attend bi-weekly meetings with LL/Developers design team for duration of project until LL delivery of space 3. Review and comment on all issuances of Base Building Construction Documents and Shop Drawings as they relate to the Project Space/Design 4. Make field visits to observe construction progress of the Base Building as it involves the Project Demised Area 5. Alert Equinox immediately and modify the Project’s Construction Documents as required to accommodate conditions that differ from those anticipated by Base Building Documentation. 6. Prepare sketches or documents expeditiously as needed to communicate design intent or coordination with the Base Building Architect in order to prevent schedule delays. 7. Deliverables will vary but every meeting must be minuted for record by Interior Designer/Architect sign intent or coordination with the Base Building Architect in order to prevent.

SCHEMATIC DESIGN

(CONFIRMATION AND DEVELOPMENT OF EQUINOX BLOCKING, EGRESS, PROJECT KICK OFF, CONSULTANT ENGAGEMENT, TEAM IMMERSION) 1. Review of Equinox Progress Plans and Base Building Progress plans 2. Prepare and Present Detailed Milestone schedule that maps out weekly meetings, Key Presentations, Interim Review and Decision Dates, and Drawing Issue Dates – All dates must follow Equinox’s project schedule. 3. Host a 1 Day Kick off Meeting to Review Equinox Design Standards, Project Expectations, and Milestone Schedule. (Discussion to include previous project Lessons Learned) 4. Prepare BOMA SF Calculations (Usable and Rentable, and any Lease required SF calculations) for Project Space – compare against Lease Outline Drawings. 5. Review work letter for project to confirm any areas of concern. 6. Confirm and Review location of “Jack Slab” floors (if needed for acoustical isolation/vibration), isolated ceiling assemblies or other program elements to be acoustically isolated. 7. Develop plan layouts and significant feature details based on Equinox Blocking Plans. 8. Coordinate and Review all work with Equinox’s consultants and design team. Deliverables: • • • •

• • •

Schematic Design Drawings – Digital Files on Compact Disc, .FTP or Flash Drive with drawings in PDF and ACAD format (typically bound files are preferred), Printed sets if requested Milestone Schedule Floor Plans at 1/8”=1’-0”, indicating room area SF, locker counts and other pertinent program information provided on Equinox Blocking plans. Preliminary Reflected ceiling plans with elevation markers in each room indicating anticipated finished ceiling height with proposed locations of MEPS indicated. Signoff will be required on these to move into design development. This will be referred to as the “high / low diagram.” Plan diagram with proposed acoustical assemblies for each area,prepared in coordination with acoustical consultant. Overall cross sections at 1/8”=1’-0”. Five (5) black and white 3-D Vignettes of major design elements.(Review views with Equinox in advance).

9. Schedule: approximately 4 weeks 10. Meetings: This phase will include one (1) Equinox presentation, (to review the high low plans with MEP engineer) and weekly interim meetings via teleconference or videoconference IN ADDITION to any required coordination meetings with consultants. Architect is also expected to attend any needed landlord coordination meetings. Architect to issue agendas 48 hours in advance of meetings and writeminutes of all meetings to be issued for record within 48 hours of meeting.

Elemis Spa, St. Regis Bangkok Bangkok, Thailand

DESIGN DEVELOPMENT (OUTLINE OF CDS, APPLICATION OF EQUINOX DESIGN STANDARDS, GUIDELINES TO SPECIFIC PROJECT, CONSULTANT COORDINATION, DEVELOPMENT OF SPECIAL FEATURES/AREAS/MATERIAL APPLICATIONS, FINALIZATION OF DESIGN)

7. Schedule: approximately 8 weeks 8. Meetings: This phase will include two (2) Equinox presentations, and weekly interim meetings via teleconference or videoconference IN ADDITION to any required coordination meetings with consultants. Architect and Engineers are also expected to attend any needed landlord coordination meetings. Architect to issue agendas 48 hours in advance of meetings and write minutes of all meetings to be issued for record within 48 hours of meeting.

1. Prepare and Review a drawing list and cartoon the full drawing set for the

final CD set for Equinox review and approval. 2. Develop Floor Plans, Reflected Ceiling Plans, and Elevations. Develop critical interior details that are integral to the design intent of the project. Develop all cabinetry and millwork details describing the overall design intent of these built in elements. 3. Coordinate and Review all work with Equinox’s Consultants and design team. 4. Work with Equinox Design Team to Develop a materials and finishes schedule outlining specific products and their typical application. 5.Develop a lighting package of decorative fixtures in conjunction with the Lighting Designer, outlining specific fixtures and their typical application. 6.Deliverables: • • • • •

• •

• • • •

• • • • •

Design Development Drawings – Digital Files on Compact Disc, .FTP or Flash Drive with drawings in PDF and ACAD format (typically bound files are preferred), Printed sets if requested. Construction Floor Plans and Finish Floor Plans at 1/8” = 1’-0” Floor plans and elevations to include Owner Supplied Items andSignage, including any Exterior signage. Signage Details (Utilize Equinox Design Guidelines as a startingpoint.) All internal elevations for both “front of house” and “back of house” spaces with finish / material call outs and all visible devices, including light switches, outlets, thermostats, strobes, signage, speakers, etc. – 1/4” = 1’-0”. Enlarged floor plans on sheets for Key areas including Retail, Juice Bar, Sales Office, Spa, both Men’s and Women’s locker rooms with locker type, clearances and count – 1/4” = 1’-0” Reflected Ceiling Plans - These should include refined and developed “highlow” diagrams into reflected ceiling plans to better coordinate mechanical routing with ceiling heights. Ceiling design should be inclusive of all diffusers, sprinkler head locations, lighting fixtures, audio speakers, anticipated access panels, and all other ceiling devices that effect aesthetics (such as egress signage.) These elements should be delineated for further coordination with the mechanical, electrical, plumbing, and fire protection engineers for their finalization in the CD phase. Overall cross sections at 1/8”=1’-0”. Detail section at locker rooms at ¼”=1’0”. 4-5 3D Vignettes of key design areas rendered with finishes Progress Finish Plans in Equinox format. Sample drawing will be provided. Key details and features. Reutilize as much as possible of Equinox standard details for mirrors, railings, waterproofing, showers,millwork, etc., but modify as needed for relevant changes to finishes, construction conditions, acoustical criteria. Equinox standards and ACAD drawing samples will be provided. Required Acoustical Details for Equinox review and approval. Outline specification book for all trades including all materials,finishes and lighting selections Provide ¼” Scale drawings for the Cardio and Strength areas for Equinox internal coordination of equipment layouts, power, data and CATV. (Midway through DD) Completed Check List – Equinox to provide template Preliminary Pricing Set w/narrative for budgeting of any areas or trades not yet documented.

W Hotel Lexington New York, New York New York Palace Hotel New York, New York

Melia Hotel Atlanta, Georgia

CONSTRUCTION DOCUMENTS (FURTHER CONSULTANT COORDINATION OF DESIGN, DETAIL DEVELOPMENT, SPECIFICATION DEVELOPMENT) 1. Finalize and coordinate drawings, schedules and specs with all consultants and produce further details necessary to bid and construct all elements of the project. 2. Coordinate and Review all work with Equinox’s design team. 3. Coordinate and Detail any non Equinox specified furniture pieces (coordinate with design team), lighting elements, and custom furnishings (if applicable.) 4. Provide SK drawings after Executive Walkthrough for any discretionary changes. 5. Provide documentation of all signage – Interior and Exterior for bid – Equinox to provide design. 6. Deliverables: •

• • • • •

Construction Document Drawings for Review, Bid and Construction, Permit Dwgs and Landlord Review Drawings – Digital Files on Compact Disc, .FTP or Flash Drive with drawings in PDF and ACAD format (typically bound files are preferred), Printed sets if requested Detailed Demolition Plans, including MEP Construction Floor Plans and Finish Floor Plans at 1/8” = 1’-0” Floor plans and elevations to include Owner Supplied Items and Signage, including any Exterior signage. Signage Details All internal elevations for both “front of house” and “back of house” spaces

with finish / material call outs and all visible devices, including light switches, outlets, thermostats, strobes, signage, speakers, etc. – 1/4” = 1’-0”. • Enlarged floor plans on sheets for key areas including Retail, Juice Bar, Sales Office, Spa, both Men’s and Women’s locker rooms with locker type, clearances and count – 1/4” = 1’-0” • Reflected Ceiling Plans - These should include finalized and • coordinated mechanical routing with ceiling heights. Architectural ceiling design plans should be inclusive of all diffusers, sprinkler head locations, lighting fixtures, audio speakers, anticipated access panels, and all other ceiling devices that effect aesthetics (such as egress signage.) • Floor plans and detailed schedule with dimensions and power/data requirements of all equipment, fixtures and accessories (including plumbing accessories and all those that are provided by owner for coordination purposes). • Overall cross sections at 1/8”=1’-0”. Detail section at locker rooms at ¼”=1’0”. • 4-5 Updated 3D Vignettes of key design areas rendered with finishes • Finish Plans in Equinox format. Sample drawing will be provided. • Key details and features. Reutilize as much as possible of Equinox standard details for mirrors, railings, waterproofing, showers,millwork, etc., but modify as needed for relevant changes to finishes,construction conditions, acoustical criteria. Equinox standards and ACAD drawing samples will be provided. • Acoustical Details incorporated into relevant floor, wall, ceiling details with BOLD notes indicating which details require on site inspections by our Acoustical Consultant • Any other Details as required. • Control sample books (4 copies) for all material finishes and samples. • Construction Specifications Book – this must be issued with Bid Set and be all inclusive of all trades, materials and elements, including quality standards and finishes. • Finalized ¼” Scale drawings for the Cardio and Strength areas for Equinox internal coordination of equipment layouts, power, data and CATV. • Completed Check List – Equinox to provide template • Closeout documents which is inclusive of a conformed set and the final record documents of all SK’s, RFI and PCO responses at the end of the job. 7. Schedule: Approximately 12 Weeks 8. Meetings: This phase will include two (2) Equinox coordination and review meetings,one (1) final presentation in New York, and weekly interim meetings via teleconference or videoconference IN ADDITION to any required coordination meetings with consultants. Architect is also expected to attend any needed landlord coordination meetings. Architect to issue agendas 48 hours in advance of meetings and write minutes of all meetings to be issued for record within 48 hours of meeting.

section I one

BUILDING DEPARTMENT REVIEW / LANDLORD REVIEW 1. Once the Owner releases the documents for permit and landlord review, provide clarifications to the documents as required. Assist the Owner in any meetings, reviews, and make minor adjustments to the documents and specifications in order to achieve approvals. 2. Ongoing communication in person, via email or via phone. 3. Deliverables • Clarification to Construction Documents, required in writing within 5 days of request. • Formal response to any comments in writing, within 5 days of receipt. • Minor adjustments to documents and specifications due to clarifications 4. Meetings: eight to ten (8-10) meetings are estimated during this Phase. (These are not inclusive of meetings required during the SD/DD/CD phases.) BIDDING AND NEGOTIATION 1. Once the Owner releases the documents for bidding, provide clarifications to the Contractors as required. Assist the Owner in the negotiations with the selected general contractor, including bid walks, and make minor adjustments to its documents and specifications in order to meet the Owner’s budget. 2. Ongoing communication in person, via email or via phone, quick turn around times are expected. 3. Deliverables • Clarification to Construction Documents, or response to RFIs from bidders, required in writing within 3 days of request • Minor adjustments to documents and specifications due to clarifications or to meet Owner’s budget 4. Meetings: six to eight (6-8) meetings are estimated during this Phase CONSTRUCTION ADMINISTRATION 1. Regular on site coordination, including at stud framing 2. Updated Plan Issued to Equinox of full club once framing is reviewed with overall dimensions and Program SF for each space to confirm consistency with signed off plans and design 3. Examine construction process and alert Equinox to any derivations from Construction Documents 4. Examine the construction of the Project at its conclusion 5. Deliverables: • Provide sketch drawings and general clarification to the Contractor in order to further clarify interior construction details if requested in the normal construction process. • Review shop drawings and material sample submissions within 10 days of receipt (Equinox Design Team to receive shops in parallel and be included in reviews as needed, however AOR to be responsible, any derivation from approved construction documents to be approved by Design Team in writing.) • Create and provide a punch-list of unsuitably finished elements in order to assure an acceptable level of quality control. • Provide project manual and supporting documents created during the project.Provide weekly photos and written summary of construction progress todesign team (these can be shared via email or shared site.) 6. Meetings: Attend weekly (at minimum) scheduled site meetings to evaluate construction, review progress and answer questions from the General Contractor. MEP Engineers are required on site as needed – weekly at the inception of the project for any coordination. Acoustical consultants to include at lease 3 field site visits and inspection reports to confirm that our acoustical details are followed during construction – these visits should be coordinated by the Architect

Fairmont Oman Muscat, Oman

Sense, A Rosewood Spa Abu Dhabi, United Arab Emirates

SECTION TWO PROPOSED TEAM I RELEVANT EXPERIENCE

CLIENT MARLENE LIRIANO, I I D A , L E E D A P I D + C

CHRISTINA HART, A S I D , I I D A L E E D A P I D + C

M A N A G I N G P R I N C I PA L / D E S I G N P R I N C I PA L

D E S I G N P R I N C I PA L / H O S P I TA L I T Y + D E S I G N SPECIA LIST

TIM BLAIR, A I A , L E E D A P B D + C

YENNY CALABRESE, I I D A , L E E D A P I D + C PROJEC T M A N AGER

TECHNICA L LE A DER

MIGDA COLON , A I A , L E E D A P B D + C D E S I G N E R / H O S P I TA L I T Y + S PA

HOK DESIGN STUDIO

STEVEN FELLER P.E., PL MEP

B + J CONSULTING ENGINEERS STRUCTURAL

CRITERION ACOUSTICS

ONELUX STUDIO

ACOUSTICAL + VIBRATION

LIGHTING

E D U C AT I O N

Bachelor of Applied Science, Interior Design Florida International University P R O F E S S I O N A L R EG I S T R AT I O N

Interior Design: Florida #3425 NCIDQ Certificate No. 8809 LEED Accredited Professional MEMBERSHIPS

International Interior Design Association Board Member 2014-2016 Commercial Real Estate Women Interior Design Associations Foundation Society of American Registered Architects U.S. Green Building Council H O N O R S /AWA R D S

2013 Distinguished Alumni Torch Award -Florida International University Alumni Association 2012 Best of Miami Architects & Designers -Miami Today 2006 Interior Designer of the Year -Miami Chapter of the American Institute of Architects PROFESSIONAL EVENTS

IIDA 2013 Global Excellence Awards -Jury Member Herman Miller / Workscapes Design Exchange 2013 -invited participant

“

We take pride in immersing ourselves into a company’s culture and brand in order to create an environment that truly reflects your identity.

“

M A R L EN E M . L IRI A N O,

IIDA , LEED A P ID+C

Managing Principal | Design Principal

Marlene M. Liriano, IIDA, NCIDQ, LEED AP ID+C, is Vice President and the Director of Interior Design for HOK’s Florida practice. For nearly three decades, Marlene has successfully delivered innovative and thoughtful design solutions that exceed her client’s expectations. Her approach is built on advancing the business goals of her clients, supporting the organization’s culture and maximizing their productivity. Her work has perpetuated a tradition of insight, cultivated a spirit of team collaboration and promoted thought leadership with rare expertise resulting in long-term client accounts, multiple design awards, and has been featured in publications including Contract Magazine and Design Book. Marlene has been recognized for her work with Fortune 500 Companies and Multinationals with whom she has forged long lasting relationships.

SELECTED EXPERIENCE

600 Brickell, Phase I Lobby, Conference Center, Health Club, Tenant Improvements and Building Standards Miami, Florida YMCA of Greater Miami Allapattah Family Branch* Miami, Florida DYL Merrick Mixed-use Residential and Office Tower and 60 Luxury Units* Coral Gables, Florida Signature Place 246 Luxury Condominiums Amenity Areas & Sales Center* St. Petersburg, Florida Infinity at Brickell and Infinity II Lofts at Brickell 1015 Residential Units Amenity Areas & Sales Center* Miami, Florida Brickell View Mixed-use Residential Tower 600 Residential Units & Amenity Areas, Retail & Office Space* Miami, Florida Residences at Village of Merrick Park 120 Residential Units & Amenity Areas* Coral Gables, Florida Camden Brickell Mixed-use Residential Tower 405 Rental Apartments & Amenity Areas* Miami, Florida Douglas Grand Mixed-use Residential Tower 159 Rental Apartments & Amenity Areas* Coral Gables, Florida

4 LEED Certified

* experience prior to joining HOK

Coral View / The Aston Mixed-use Residential Tower * Miami, Florida Grove Hill Tower Model Units 80 Luxury Condominiums & Amenity Areas* Coconut Grove, Florida Fortune House Condo/Hotel Tower 297 Residential Units & Amenity Areas* Miami, Florida Melbourne Beach Hilton Hotel 300-Room Hotel* Melbourne Beach, Florida Sheraton Beach Hotel 500-Room Hotel* Turks & Caicos Islands Marriott Vacation Club International* Doral Country Club, Florida Hotel Presidente* San Salvador, El Salvador Los Morros Condominiums Cartagena, Columbia La Voile Rouge Hotel & Beach Club Miami Beach, Florida Kingfish Hall Restaurant (AKA Pescado) Garden Shops at Village of Merrick Park* Coral Gables, Florida Mundo Restaurant at the Residences at the Village of Merrick Park* Coral Gables, Florida

E D U C AT I O N

Cornell University Bachelor of Science in Design & Environmental Analysis P R O F E S S I O N A L R EG I S T R AT I O N S

American Society of Interior Designers International Interior Design Association P U B L I C AT I O N S

Interior Design Hospitality Design Contract Hotel Business Clubs and Resorts AWA R D S A N D H O N O R S

Gold Key Winner Best Guest Room in the Midscale / Upscale Market Category Melia Hotel - Atlanta, Georgia New Good Neighbor Award Sheraton Meadowlands Hotel and Conference Center East Rutherford, New Jersey Gold Key Winner Restaurant Hospitality Design: Express Greenwich, Connecticut Modernization Excellence Award The Sutton New York, New York

“

Passion for creativity fuels our drive to inject inspiration from across the world, or from a detail as close as the end of your fingertips, in the design of exuberant spaces.

“

CH RIS T IN A H A R T,

ASID, IIDA LEED A P ID+C

Design Principal | Hospitality and Spa Specialist

As Design Principal, Christina will work with the client and the project team to establish the project program and design the building from the inside out by carving out dynamic interior spaces, creating planning relationships that reinforce the synergies of the program functions, establishing an aesthetic, and participating in value-engineering sessions. As the project moves to documentation, bid/award, and construction/installation, Christina’s role will be design oversight. She will review documents, contractor/vendor submittals, and the construction/installation to ensure that the design quality and intent are maintained.

SELECTED EXPERIENCE

Sense, A Rosewood Spa Abu Dhabi, United Arab Emirates

Du Parc Kempinski Private Residences LeMont-PĂ¨lerin, Switzerland

Willow Stream Spa, Fairmont Oman Muscat, Oman

Mandarin Oriental Los Angeles, California

Elemis Spa, St. Regis Bangkok Bangkok, Thailand Elizabeth Arden Flagship Spa New York, New York Elizabeth Arden Spa Tysonâ&#x20AC;&#x2122;s Corner, Virginia Regency Spa New York, New York The Spa, Four Seasons Philadelphia Philadelphia, Pennsylvania Peninsula Spa Tokyo, Japan Canyon Ranch at Canyon Ranch Living Bethesda, Maryland Rancho Bernardo Inn & Spa San Diego, California Al Faisaliah, A Rosewood Hotel Riyadh, Kingdom of Saudi Arabia Mandarin Oriental New York, New York Rosewood Abu Dhabi Abu Dhabi, United Arab Emirates Fairmont Oman Muscat, Oman Fairmont DC Washington, DC Melia Hotel Atlanta, Georgia

4 LEED Certified

* experience prior to joining HOK

Toronto Marriott Eaton Center Toronto, Canada Marriott Hanover Hanover, New Jersey Hollywood Roosevelt Hollywood, California Four Seasons Philadelphia, Pennsylvania InterContinental Boston, Massachusetts The Peninsula Tokyo Tokyo, Japan Sofitel Philadelphia, Pennsylvania Sheraton Meadowlands East Rutherford, New Jersey The Sutton Hotel New York, New York Turning Stone Casino Resort Verona, New York Yacht Haven Phuket Phuket, Thailand Puncak Resort Java, Indonesia Carita Bay Resort Java, Indonesia

E D U C AT I O N

Florida International University Masters of Business Administration Bachelor of Science, Interior Design Art Institute of Fort Lauderdale P R O F E S S I O N A L R EG I S T R AT I O N S

Interior Design: Florida - ID5619 NCIDQ® Certificate No. 24597 LEED® Accredited Professional MEMBERSHIP

International Interior Design Association Interior Design Associations Foundation U.S. Green Building Council

“

My passion lies in fusing a client’s identity and vision into an unforgettable experience and physical space that transcends time.

“

Y EN N Y CA L A B R ES E,

IIDA LEED A P ID+C

Project Manager

Yenny has over a decade of experience in the design of unique and upscale projects. Her experience and creativity have garnered numerous design awards as well as the loyalty of client accounts. She has been responsible for managing project teams, establishing creative design solutions and delivering successful projects. Yenny is an active member of the International Interior Design Association.

SELECTED EXPERIENCE

600 Brickell, Phase I Conference Center, Health Club, Tenant Improvements and Building Standards* Miami, Florida Genovese, Joblove & Batista, PA Miami, Florida 4 White House|Black Market Office Consolidation

and Restack Ft. Myers, Florida

Sabadell United Bank Branches Miami Beach, Florida South Miami, Florida Sabadell United Bank Operations Center Miami Lakes, Florida SOL Group Headquarters St. Michael, Barbados HBO Latin America Group (HBO)* Coral Gables, Florida Zubi Advertising* Coral Gables, Florida Microsoft LATAM AHQ Refresh* Fort Lauderdale, Florida Telefonica Key Center Renovations* Doral, Florida Carnival Cruise Lines North Tower * Renovation Doral, Florida

4 LEED Certified * experience prior to joining HOK

DYL Development Group Executive Offices * Miami, Florida Sabadell United Bank Executive Offices 29th and 30th Floors * Miami, Florida City Palms Sales Center * West Palm Beach, Florida

Skyline at Mary Brickell Village Sales Center* Miami, Florida Carnival Cruise Lines North Tower * Renovation Doral, Florida DYL Development Group Executive Offices * Miami, Florida Sabadell United Bank Executive Offices 29th and 30th Floors * Miami, Florida City Palms Sales Center * West Palm Beach, Florida Skyline at Mary Brickell Village Sales Center* Miami, Florida

E D U C AT I O N

Rhode Island School of Design Bachelor of Fine Arts and Bachelor in Architecture Universidad de Puerto Rico Bachelor in Environmental Design P R O F E S S I O N A L R EG I S T R AT I O N S

AIA LEED M E M B E R S H I P S /A F F I L I AT I O N

NCARB P U B L I C AT I O N S

Arq.i.tec (Arquitectura Imagen y Tecnología) Año I, Vol. 2

“

It is through our design we get to enhance the mood and boost confidence, stimulating a healthy lifestyle.

“

MIG DA CO LÓ N, A I A , L E E D A P B D + C Project Designer | Hospitality and Spa Specialist

With over a decade of architectural experience, Migda balances her education and training with a keen understanding of interior spaces, paying particular attention to detail. She currently preforms as a Project Manager and has collaborated in significant hospitality projects.

SELECTED EXPERIENCE

Sense, A Rosewood Spa Abu Dhabi, United Arab Emirates

MGM Grand Sanya Hainan, China

Willow Stream Spa, Fairmont Oman Muscat, Oman

Milford Plaza New York, New York

Sho: The Spa at MGM Grand Sanya Hainan, China The InterContinental Barclay New York, New York Revere Hotel Boston, Massachusetts Rosewood Abu Dhabi Dubai, United Arab Emirates The New York Palace Hotel New York, New York Waldorf Astoria New York, New York F1 Port Imperial 1-3, 4-5 Weehawken, New Jersey Conrad Bangalore Bangalore, India Fairmont Resort & Residences Muscat, Sultanate of Oman Grand Hyatt DC Washington, DC Marriott Long Wharf Boston, Massachusetts

4 LEED Certified

* experience prior to joining HOK

New York Marriott Marquis New York, New York W New York New York, New York Chelsea Stratus New York, New York Radisson Plaza Minneapolis, Minnesota

E D U C AT I O N

University of Tennessee Bachelor of Architecture, 1985 P R O F E S S I O N A L R EG I S T R AT I O N S

Florida, #AR0016697, 1999 Georgia, #007909, 1992 NCARB #64341, 1994 LEED Accredited Professional M E M B E R S H I P S /A F F I L I AT I O N

AIA, #30115306 Beacon Council

“

By respecting the aesthetic, financial and technical drivers for the project, we can deliver a successful project for all of the stakeholders.

“

T IM B L A IR , A I A , L E E D A P B D + C TECHNICAL LEADER

Tim brings his expertise in the design and construction of major design projects to include corporate, commercial, private and institutional facilities. His portfolio of project management services include Bacardi, Motorola and Alliance Francaise renovation projects, Burger King, Adobe, IBM, and Chico’s.

SELECTED EXPERIENCE

HOK Miami Office Miami, Florida

Adobe Headquarters Phase III and IV San Francisco, California

City Centre & Hotel Nikko Atlanta, Georgia

Yahoo! Latin America Coral Gables, Florida

Chicoâ&#x20AC;&#x2122;s & White House Black Matket Workplace Strategy & Strategic Facility Master Plan Fort Myers, Florida

Ryland Corporate Headquarters Columbia, Maryland

Chicoâ&#x20AC;&#x2122;s National Store Support Building Fort Myers, Florida Bacardi USA Headquarters Miami, Florida Raymond James Office Coral Gables, Florida Office Depot Global Headquarters Boca Raton, Florida Motorola Offices Various Locations, South Florida Merrill Lynch Offices Various Locations, South Florida AT&T Corporate Campus Atlanta, Georgia Burger King Headquarters Miami, Florida Carlton Fields Miami Office Miami, FloridA WPP Miami Office Miami, Florida

4 LEED Certified

* experience prior to joining HOK

Martinair American Headquarters Miami, Florida British Consulate Office Miami, Florida Macquerie Office Miami, Florida Carlton Fields, PA Miami, Florida Atrium at Perimeter Atlanta, Georgia Humana Offices Various Locations, South Florida Park Avenue at Morris County Morris County, New Jersey Zarco, Einhorn, Salkowski & Brito, PA Miami, Florida

Centara Grand BangkokCovention Center Bangkok, Thailand

SECTION THREE I FEE INFORMATION

section I one

HOK DNA

MGM Grand Sanya Hainan, Sanya, China

Design is the art and science of defining and creating optimal, sustainable and beautiful environments for people.

Rosewood Abu Dhabi Abu Dhabi, United Arab Emirates

SECTION FOUR SUBCONSULTANTS I PROPOSALS

STEVEN FELLER P.E., PL

B+J CONSULTING ENGINEERS

CRITERION ACOUSTICS

ONELUX STUDIO

mechanical, electric, and plumbing

structural engineering

acoustical and vibration

lighting

Steven Feller P.E., LEED AP Anatoly Averbuch Robert Raynor Michael Torrey, C.I.P.E., LEED AP Jack Nedlin June 4, 2014 HOK 120 N.E. 27th Street Suite 700 Miami, FL 33137 Attn: Re:

Marlene M.Liriano, Vice President Equinox @ Brickell Heights

Dear Marlene: Thank you for this opportunity to work with your company. Scope of Services We propose to prepare HVAC, Electrical, Plumbing and Fire Sprinkler engineering plans for the above project as per Equinox Scope of Services dated 4/29/2014. The project consists of 3 story spa/fitness center for a total of 33,327 sq. ft. Ground floor consists of 1260 sq. ft. lobby. 7th level – café, laundry, locker rooms, showers – 10,341 sq. ft. 8th level – fitness, cardio, pilates – 16,588 sq. ft. 9th level spa, yoga, juice bar, showers, 5,138 sq. ft. Large open staircase is interconnecting 7, 8th, and 9th levels; therefore the space may be designed as an atrium or other code allowable approach. Engineering Fees Schematic Design

$ 9,000

Design Development

$27,000

Construction Documents

$48,000

Building Department Review, Bidding and Negotiation.

$ 6,000

Construction Administration & Other Special CA $24,000 Scope as noted in Equinox Scope dated 4/29/14 (includes review of shop drawings, responses to RFI’s, 24 weekly meetings for a period of 6 months and punch list) Total: $114,000 500 Northeast Third Avenue  Fort Lauderdale, Florida 33301 954 467 1402 Fax 954 467 5752 Please visit our website: www.fellerpe.com

Reimbursable Expenses (Not To Exceed $5,000) Alternate Fee Tel/Com/CATV

$7,500

Life Safety Consultant Due To Atrium (If Required)

$8,000

Client Responsibility The Client shall furnish the Engineer with drawings in AutoCAD.dwg (Release 14 or higher). The data should follow a standard layering system that must be documented and shall include reflected ceiling and power/telephone layouts. Additional Services We have the capability and would be pleased to perform the following services. Our proposal considers the following listed services as “Additional Services”.   

Security and Audio Visual – Locations to be provided for inclusion in base documents Field Observation visits beyond as specified above unless due to missing documentation. Preparation of record drawings (as-builts)

The Engineer shall be compensated for additional services. When authorized by the Client the Engineer shall proceed with the additional services for fees to be reviewed and approved at that time. Reimbursable Expenses The Engineer shall be reimbursed for all incidental expenses incurred in performing the above services. Expenses to be included: printing for Client review, bidding construction and permits, express mail service, messenger service, long distance telephone calls, the preparation of CAD disks for parties other than the Client. Reimbursable expenses are in addition to the fee indicated in “Engineering Fees”. Please provide est. NTE for these for approval in advance. Indemnification The Client shall indemnify and hold harmless the firm and all of its personnel from and against any and all claims, damages, losses and expenses (including reasonable attorney’s fees) arising out of or resulting from the performance of the services, provided that any such claim, damage, loss or expense is caused in whole or in part by the negligent act, omission, and/or strict liability of the client, anyone directly or indirectly employed by the Client (except the Firm), or anyone for whose acts any of the may be liable.

500 Northeast Third Avenue  Fort Lauderdale, Florida 33301 954 467 1402 Fax 954 467 5752 Please visit our website: www.fellerpe.com

section I four

Claims for Consequential Damage The Client and Consultant waive consequential damages for claims, disputes or other matters in question arising out of or relating to this Agreement. Termination This Agreement may be terminated by either party upon not less than seven days written notice. All documents produced by Steven Feller, P.E., PL under this agreement shall remain the property of Steven Feller, P.E., PL and may not be used by the Client for any other endeavor without the written consent of Steven Feller, P.E., PL. Fees are due 30 days upon billing and are not subject to project proceeding into construction, project financing or any other reason. ALL FEES MUST BE PAID TO 90% OF CONSTRUCTION DOCUMENTS PRIOR TO SIGNING AND SEALING OF PLANS PROVIDING CLIENT HAS RECEIVED BILLS FOR THIS SERVICE IN A TIMELY MANNER. In recognition of the relative risks, rewards and benefits of the project to both the Client and the Firm, the risks have been allocated such that the Client agrees that, to the fullest extent permitted by law, the firm’s total liability to the Client for any and all injuries, claims, losses, expenses, damages or claim expenses arising out of this agreement from any cause or causes, shall not exceed our fee. Such causes include, but are not limited to, the Firm’s negligence, errors, omissions, strict liability, breach of contract or breach of warranty. If the above scope, terms and conditions are acceptable to you, please sign and return one copy to our Ft. Lauderdale office to authorize us to proceed with this work. Very truly yours, STEVEN FELLER, P.E., P.L.

Steven Feller, P.E. President

______________________________________ HOK DATE:___________________

SF/mcw

cc: File –

Sandra Tripp – Director @ Equinox 237080604Prop

500 Northeast Third Avenue  Fort Lauderdale, Florida 33301 954 467 1402 Fax 954 467 5752 Please visit our website: www.fellerpe.com

section I four

DAVID KOTCH Since 1998, David Kotch has worked in nearly every aspect of the audio industry. From 1998 to 2004, David designed and optimized live sound systems, specifically for Broadway Theater. After 2004, David focused his energy on acoustical consulting, and had the opportunity to work for four global design firms: Walters-Storyk Design Group (WSDG), Engineering Harmonics (EH), Masque Sound, and a-‘ku-stiks. David’s breadth of knowledge and experience extends to many types of projects, including fitness facilities, performing arts, hospitality, education, recording studio design and broadcast facilities. His extensive portfolio offers him the ability to draw from his acquired skill set to provide creative solutions for specific situations. David’s skill set includes sound and vibration isolation, acoustical measurement, systems optimization and design, and computer aided acoustical modeling. David was educated at Lehigh University, where he graduated with honors with an architecture degree. David has presented multiple times at the AES national conference. In 2010, he won the Pro AV Spotlight Award for his work on the Dolan Studios at NYU. David is a member of the Audio Engineering Society (AES), Acoustical Society of America (ASA), Institute of Noise Control Engineering (INCE) as well as an approved noise consultant with the New York City Department of Environmental Protection (NYC DEP).

SAM NEFF Sam Neff has over five years of hands-on experience in architectural acoustics and noise control. He specializes in complex noise isolation, acoustical measurement and computer modeling projects. Sam graduated with a B.S. in Computer Science from the University of Colorado – Boulder in 2003 and returned to the University of Colorado – Denver to pursue a M.S. in Recording Arts in 2008. In 2010, Sam was hired at Walters-Storyk Design Group (WSDG) and had the opportunity to work on numerous highprofile projects in New York City and elsewhere. In 2012, Sam joined Criterion Acoustics which has afforded him the opportunity to further expand his skill set. Since joining Criterion Acoustics, he has had the opportunity to utilize his experience on a number of project types, ranging from performing arts centers and educational facilities to nightclubs and recording studios. Sam is a member of the Audio Engineering Society (AES), Acoustical Society of America (ASA), Institute of Noise Control Engineering (INCE) as well as an approved noise consultant with the New York City Department of Environmental Protection (NYC DEP).

June 6, 2014 To: Marlene M. Liriano HOK 120 NE 27th Street, Suite 700 Miami, FL 33137 t +1 786 497 4828 f +1 786 497 4811 Marlene.Liriano@hok.com Project Location: Equinox Brickell Heights Miami, FL RE:

Proposal for Acoustical Consulting Services at Equinox Brickell Heights – V1

Dear Ms. Liriano, Thank you for the invitation to submit a proposal for the acoustical consulting services for HOK (“Client”) upcoming project known as Equinox Brickell Heights (“Project”). This proposal is in response to the RFP issued by Equinox to HOK on May 27, 2014. As you requested, Criterion Acoustics, LLC (“CA”) encloses a proposal for certain services related to the Project. The proposal consists of the enclosed Scope of Work and Terms and Conditions. Please review the terms of the proposal and, if acceptable to you, please sign and date the bottom of the proposal and return the signed proposal to CA within thirty (30) days from the date of this letter. Please do not hesitate to contact CA with any questions or concerns that you have or modifications that you would like to make to enclosed proposal. Sincerely, Criterion Acoustics, LLC

David Kotch Principal

Equinox Brickell Heights Acoustic Consulting Proposal

6/6/2014 Version 1

SCOPE OF WORK FOR EQUINOX BRICKELL HEIGHTS - 6/6/2014

1) Scope of Project

The project requires acoustical consulting services for a new fitness center in Brickell Heights Miami, FL. Acoustical design and consulting will include the following:  Sound and vibration isolation design  Internal room acoustic treatment specification These services will be provided for the following spaces:  Cardio Floor  Group Fitness Studio  Yoga Studio  Pilates Studio  Cycling Studio  Strength Floor  Multi-room Spa

2) Architectural Acoustics Consulting

1. Criterion Acoustics (CA) will meet with the owner and design team to review the objectives for the project. In this meeting we will identify the essential acoustical elements and requirements for the outlined the spaces. 2. Prepare an acoustical program narrative and report that describes the essential acoustical features and design strategy for the spaces. This narrative will include: i. Overview and description of the acoustical program. ii. An outline of the wall, floor, and ceiling assemblies that will be needed to meet the required sound and vibration requirements. iii. Preliminary recommendations for the acoustic treatments needed to meet the required Reverberation Time (RT) goals. This will cover issues such as appropriate types of construction materials and the requirements for any special materials. iv. Provide preliminary recommendations to meet the outlined Noise Criteria (NC). This will include recommendations to reduce the bothersome noise generated by mechanical systems. 3. Conduct computer modeling, as required, to confirm the acoustical design strategy for the indicated spaces. 4. CA will provide design and documentation of all applicable architectural details in AutoCad and/or Revit. 5. CA will work closely with the design team to integrate the acoustical design concept into the design for the spaces. These will be refined as the design develops and evolves. 6. Review the drawings and specifications prepared by the design team to assess the degree to which the recommendations have been properly implemented.

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3) Sound Isolation Design Overview

1. The primary focus of this design is to isolate bothersome noise, sound and vibration between spaces. 2. Boundary system design for sound isolation will include the following: i. Documentation of typical ambient sound levels. ii. Definition of daily operating sound levels in the spaces. iii. Boundary system modeling to ensure desired isolation is achieved and ambient levels are not exceeded in the neighboring spaces. iv. Working closely with the structural engineer to ensure the natural frequency of the structural systems is adequate 3. Design and documentation of all architectural details in AutoCad and/or Revit including but not limited to: i. Plan and sections ii. Partition types iii. Ceiling construction details iv. Decoupled floor construction details v. Penetration details vi. Door and window details vii. Speaker mounting details 4. Review the drawings and specifications prepared by the design team to assess the degree to which the sound isolation recommendations have been properly implemented and determine how the designs might otherwise affect the isolation performance of the completed facility.

4) Internal Room Acoustics Treatment Design Overview

1. Calculations and modeling can determine the required reverberation time (RT) and ensure appropriate reverberation times are achieved to maximize speech and music intelligibility. 2. Specify the acoustic treatments, which will be a joint effort between the architecture/interior design team and CA. Design and documentation of the mounting details and locations will be issued in AutoCad and/or Revit. 3. CA will review the interior design drawings and specifications prepared to assess the degree to which material recommendations have been properly implemented.

5) Architectural Acoustics Construction Administration

1. Close supervision of the acoustic aspects of the construction work is critical to the success of the completed project. CA will closely monitor the required aspects of the work to assess whether they meet the design intent in the drawings and specifications. This will be achieved through site visits and digitally submitted photographs.

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2. During construction, CA advises the architect in monitoring those parts of the construction contract that relate specifically to acoustical requirements and acoustical aspects of the work. This includes the following tasks: i. Review contractor submittals and shop drawings. ii. Respond to RFIs. iii. Maintain required submittal logs. iv. Ensure compliance with the relevant aspects of the construction drawings and specifications. v. Conduct site visits to examine the progress of the work and advise the architect with respect to the acoustical aspects of the work. These visits will be documented with a letter of findings. vi. Upon substantial completion of construction, conduct a final site visit. Document this visit by providing a punch list that identifies relevant aspects of the construction work that deviate from the drawings and specifications.

6) Design Meetings & Site Visits

1. CA works closely with the design team to coordinate the design work with that of other disciplines. Design meetings are needed to facilitate the design process, offering essential opportunities for the design team to discuss and resolve a wide range of overlapping and possibly conflicting design goals. 2. Site visits during construction site provide CA with essential information about the progress of the work and allows CA to assess whether the work is being properly performed. 3. A total of four (4) site visits have been allotted for the design herein. They will occur as outlined below: Phase Design Meeting Site Visits During Construction Commissioning Total

Visit 1 2 1

7) Compensation for Design Services

1. For the work the work outlined above CA proposes the following schedule of professional fees: Phase Fee Schematic Design Design Development Construction Documents Construction Administration Total

$10,000 $10,000 $10,000 $5,000 $35,000

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2. The above schedule excludes travel and reimbursable expenses. The reimbursable expenses will not exceed $6,000. 3. The above schedule does not include alternate design services. 4. Additional Services: i. Work not covered under this fee proposal shall be billed at the following rates upon written approval by the client: a) Principals are billed at $250/hour b) Associate Principals at $150/hour c) Consultants are billed at $125/hour

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Equinox Brickell Heights Acoustic Consulting Proposal

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TERMS AND CONDITIONS FOR EQUINOX BRICKELL HEIGHTS – 6/6/14 Services. During the Term of this agreement (this “Agreement”) CA agrees to perform for Customer the services (the “Services”) which are described on the attached Scope of Work. This Agreement consists of the Scope of Work and these Terms and Conditions.

Performance. CA shall perform the Services with the care, skill, and diligence that are reasonably expected of a consultant in CA’s position. CA makes no other warranty, either express or implied, with respect to the Services. CA is an independent contractor and will have sole control over the method, details, and means of performing the Services. All work related to the Project other than the Services are sole responsibility of Client. CA and its associated consultants are not licensed engineers or architects, and CA’s and its associated consultants’ drawing and design documentation including structural, mechanical, architectural, and electrical information are strictly for CA’s use only. The structural, mechanical, architectural, and electrical engineering work for the Project are the sole responsibility of Client. CA shall not be prevented from rendering services for and on behalf of any person, firm or corporation in addition to Client. Client agrees that the Services, all tasks, duties, results, inventions and intellectual property developed or performed by CA pursuant to this Agreement shall be the sole property of CA for all purposes, including, but not limited to, copyright, trademark, service mark, patent and trade secret.

Payment. As consideration for performance of the Services, Client agrees to pay CA as follows (the “Fee”): See section 7 for a schedule of professional fees and hourly rates. CA may require that Client pay for materials, services and supplies at the time they are ordered from a third-party. Otherwise, CA’s invoices are due and payable at CA’s address set forth above in lawful money of the United States, without setoff, deduction or demand, within thirty (30) calendar days of Client’s receipt of such invoice. In addition to any other rights and remedies provided under law and equity, all of which shall be cumulative, any unpaid amounts shall accrue interest at the rate of 12% per annum (or, if less, the maximum rate allowed by law) beginning 10 days after the same is due until paid. No endorsement or statement on a check or letter accompanying a check or payment shall be considered an accord and satisfaction, and CA may accept the check or payment without prejudice to CA’s right to recover the balance or pursue other available remedies.

Term. The term of this Agreement (the “Term”) shall begin on the date on which both Client and CA have executed this Agreement (the “Effective Date”) and, unless terminated sooner in accordance with this Agreement, shall terminate on the completion of the Services, but no later than one (1) year after the Effective Date. This Agreement may be terminated by either party at any time, with or without cause, by giving written notice to the other party not less than thirty (30) calendar days before the effective date of termination, provided that, in the event of a termination for cause, the breaching party shall have the right to cure the breach within the notice period. Upon termination of this Agreement, Client shall compensate CA under the terms of this Agreement for the Services performed and expenses incurred through the effective date of termination. Termination of this Agreement as identified herein shall not

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terminate any liability arising out of conduct prior to the actual date of termination and the obligations of both parties contained herein shall survive termination, cancellation or expiration of this Agreement. Client Responsibilities. Client shall reasonably cooperate with CA in the performance by CA of the Services, including, without limitation, providing CA with reasonable facilities and access to data, information, property and personnel of Client. Client shall be responsible for the performance of its personnel and agents and for the accuracy and completeness of all data and information provided to CA for the performance by CA of the Services. Client agrees that CA’s performance is dependent upon the satisfaction of the Client’s responsibilities hereunder and decisions and approvals of Client in connection with the Services. CA shall be entitled to rely on all decisions and approvals of Client. Client shall be solely responsible for, among other things: (a) making all management decisions and performing all management functions; (b) designating a competent management member to oversee the Services; and (c) evaluating the adequacy and results of the Services.

Indemnification. CA shall indemnify, defend and hold harmless Client, its affiliates and related entities and each of their principals, officers, directors, partners, agents, affiliates, related entities and employees (“Related Parties”) from any and all claims, liabilities, and expenses (“Claims”) arising out of or relating to the negligence or willful misconduct of CA in providing the Services or any breach of this Agreement by CA. Client shall indemnify, defend and hold harmless CA and its Related Parties from any and all Claims arising out of or relating to the negligence or willful misconduct of Client or any breach of this Agreement by Client.

Governing Law. This Agreement shall be governed by, and construed in accordance with, the laws of the state where the Project is located (without giving effect to the choice of law principles thereof). Any action based on or arising out of this Agreement or the Services shall be brought and maintained exclusively in any court of such state or any federal court of the United States, in each case located in the county or district in which the Project is located. Each of the parties hereby expressly and irrevocably submits to the jurisdiction of such courts for the purposes of any such action and expressly and irrevocably waives, to the fullest extent permitted by law, any objection which it may have or hereafter may have to the laying of venue of any such action brought in any such court and any claim that any such action has been brought in an inconvenient forum.

Interpretation. This Agreement sets forth the entire agreement and understanding of the parties relating to the subject matter hereof, and supersedes all prior agreements, arrangements and understandings, written or oral, relating to the subject matter hereof. No representation, promise, or inducement has been made by any party that is not embodied in this Agreement, and no party shall be bound by or liable for any alleged representation, promise or inducement not so set forth. If any provision of this Agreement is found by a court of competent jurisdiction to be unenforceable, such provision shall not affect the other provisions, but such unenforceable provision shall be deemed modified to the extent necessary to render it enforceable, preserving to the fullest extent permissible the intent of the parties set forth herein.

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No waiver or modification of this Agreement, including any change orders, shall be valid unless in writing and signed by the parties to this Agreement. Force Majeure. Except for the payment of money, neither party shall be liable for any delays or nonperformance to the extent, and for so long as, such delay or nonperformance is caused by or results from circumstances or causes beyond its reasonable control, provided that the affected party makes commercially reasonable efforts to avoid such delay or nonperformance and resume full performance as soon as reasonably able, including, without limitation, acts or omissions or the failure to cooperate by the other party (including, without limitation, entities or individuals under its control, or any of their respective Related Parties), acts or omissions or the failure to cooperate by any third party, fire or other casualty, act of God, shortages, strike or labor dispute, war or other violence, or any law, order, or requirement of any governmental agency or authority.

Enforcement. If any action at law or in equity is necessary to enforce or interpret the terms of this Agreement, the prevailing party shall be entitled to reasonable attorneys’ fees and costs incurred, in addition to any other relief to which such party may be entitled. In the event of default or nonpayment by Client under this Agreement, CA shall have the right to file and perfect a lien against any real and personal property and fixtures related to the Project to the fullest extent permitted by law, and to take all such actions as may be advisable or necessary under applicable law to enforce and foreclose such lien as part of CA’s remedies hereunder.

Notices. Any notice given related to this Agreement shall be given in writing and shall be delivered either by hand to the party, by certified mail, return receipt requested, or by commercial overnight courier (e.g. FedEx) to the party at the party’s address stated above. Any party may change its address stated herein by giving notice of the change according to this paragraph.

Assignment. Neither party may assign or transfer any or all rights under this Agreement without written consent from the other party; provided, however, that CA may assign payment rights and subcontract the Services in a manner deemed appropriate by CA.

LIMITATION OF LIABILITY. IN RECOGNITION OF THE RELATIVE RISKS AND BENEFITS OF THE PERFORMANCE OF THE SERVICES BY CA, CLIENT AGREES, TO THE FULLEST EXTENT PERMITTED BY LAW, THAT THE LIMIT OF LIABILITY OF CA AND ITS RELATED PARTIES FOR ANY AND ALL CLAIMS OF ANY NATURE WHATSOEVER SHALL NOT EXCEED THE AMOUNT OF THE FEE ACTUALLY RECEIVED BY CA FOR THE SERVICES. SUCH CLAIMS AND CAUSES INCLUDE, BUT ARE NOT LIMITED TO, NEGLIGENCE, STRICT LIABILITY, BREACH OF CONTRACT, TORT AND WARRANTY. IN NO EVENT SHALL CA AT ANY TIME BE LIABLE FOR SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING BUT NOT LIMITED TO LOSS OF PROFITS, REVENUE, USE OF CAPITAL, CLAIMS OF CUSTOMERS, COST OF PURCHASED OR REPLACEMENT PROPERTY.

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Waiver of Jury Trial. CA and Client hereby irrevocably waive, to the fullest extent permitted by law, all rights to trial by jury in any action, proceeding or counterclaim relating to this agreement.

Counterparts. This Agreement may be executed in two or more counterparts, each of which shall be deemed an original but all of which taken together shall constitute one and the same instrument. Signatures to this Agreement transmitted by facsimile, email, portable document format or by any other electronic means intended to preserve the original graphic and pictorial appearance of this Agreement and shall have the same effect as the physical delivery of the paper document bearing original signature.

Authorization. CA is authorized to begin the Services upon receipt of signed copy of this proposal. The individuals signing below on behalf of each party represent and warrant that each has the power and authority to execute this Agreement on behalf of such party, and to bind, such party hereto. In no event shall this proposal be binding on CA unless and until it has been signed by Client and countersigned by CA.

IN WITNESS WHEREOF, both parties acknowledge and agree that they have read and fully understand the entire contents of this Agreement. The parties have had the opportunity to discuss the contents of the Agreement with their respective consultants and attorneys and each other and agree that entering into the Agreement is in their respective best interests.

Offered by: Criterion Acoustics, LLC

By:

Date:

Accepted For: HOK By:

Date:

Name:_______________________________________ Title:________________________________________

Page 9 of 9

PROJECT EXPERIENCE SHEET LEGAL ENTITY/ EXPERT NOISE Adore – Miami, FL, 2013  o Scope:



Acoustical analysis and sound isolation design for a new nightclub located in Hotel Boulan. o Client: Ocean First Group o Legal Entity: Report was issued to and accepted by the City of Miami Asbury Park Theater – Asbury Park, NJ, 2013 o Scope: Acoustical analysis and sound isolation design for a new theater. o Client: Sackman Development o Legal Entity: Report was issued to and accepted by the City of Asbury Park Planning Board. Biergarten - Asbury Park, NJ, 2013 o Scope: Environmental noise study for a new rooftop biergarten. o Client: Private Client o Legal Entity: Presentation and report presentation at the City of Asbury Park Planning Board. Brick CrossFit – New York, NY, 2013 o Scope: Vibration and acoustical analysis o Client: Brick Crossfit o Legal Entity: Report was issued to and accepted by Community Board 4 and Board of Standards and Appeals Create Night Club – Los Angeles, CA, 2013 o Scope: Environmental noise study for an existing nightclub. o Client: SBE Group o Legal Entity: Report was issued to and accepted by the City of Los Angeles CrossFit Jersey City – Jersey City, NJ, 2013 o Scope: Vibration and acoustical analysis o Client: Crossfit Jersey City o Legal Entity: Report was issued to and accepted by Community Board 4 and Board of Standards and Appeals CrossFit NYC – New York, NY, 2013 o Scope: Vibration and acoustical analysis o Client: Crossfit NYC o Legal Entity: Report was issued to and accepted by the Board of Standards and Appeals CrossFit Solace – New York, NY, 2013 o Scope: Vibration and acoustical analysis o Client: Crossfit Solace o Legal Entity: Report was issued to and accepted by the Board of Standards and Appeals Saff Inc – New York, NY, 2013 o Scope: Acoustical analysis and sound isolation design for a new night club o Client: Sapphire Incorporated o Legal Entity: Report was issued to and accepted by Community Board 2 and State Liquor Authority Finale – New York, NY, 2012 o Scope: Acoustical analysis and expert testimony in court o Client: EMM Group o Legal Entity: Testified in the New York State Supreme Court as an expert





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Heights Tavern – New York, NY, 2012

Scope: Acoustical analysis and sound isolation design for a new restaurant Client: Stephen Daly Legal Entity: Report was issued to and accepted by Community Board 12 Hudson Hotel – New York, NY, 2012 o Scope: Acoustical analysis o Client: Morgan’s Hotel Group o Legal Entity: Report was issued to and accepted by Community Board 4 The Emerson – Los Angeles, CA, 2012 o Scope: Environmental noise study for new nightclub. o Client: SBE Group o Legal Entity: Report was issued to and accepted by the City of Los Angeles San Diego Nightclub – San Diego, CA, 2012 o Scope: Environmental noise study for a new roof top nightclub. o Client: Private Client o Legal Entity: Report was issued to and accepted by the City of San Diego Sound Nightclub – Los Angeles, CA 2012 o Scope: Acoustical analysis and sound isolation design for a new night club o Client: MUSE Lifestyle Group o Legal Entity: Report was issued to and accepted by the City of Los Angeles 16 Washburn Place – Caldwell, NJ, 2011 o Scope: Acoustical analysis and sound isolation design for a new recording studio o Client: Sumar Entertainment o Legal Entity: Presentation and report presentation at the City of Caldwell Planning Board. Forensic Acoustic Project – Chicago, IL, 20114 o Scope: Expert analysis of a failed acoustic design o Client: Confidential o Legal Entity: Confidential No. 8 – New York, NY, 2011 o Scope: Acoustical analysis and sound isolation design for a new nightclub o Client: LDV Hospitality o Legal Entity: Report was issued to and accepted by Community Board 4 Fashion Week Relocation from Bryant Park to Lincoln Center – New York, NY, 2010 o Scope: Environmental noise study for the relocation of the Fashion Week tents o Client: Private Client o Legal Entity: Private Client Philadelphia Billiards – Philadelphia, PA, 20104 o o o

Scope: Environmental noise study for a new 300 person rooftop club/lounge Client: Private Client Legal Entity: Report was issued to and accepted by The City of Philadelphia Griffin Lounge – New York, NY 20084 o Scope: Acoustical analysis and sound isolation design for a new nightclub o Client: Chris Reda o Legal Entity: Worked with the legal team during the litigation. o o o

MAJOR DESIGN PROJECTS  The AXIS at Planet Hollywood – Las Vegas, NV, 2014

Internal room acoustics for a 7,500 seat theater renovation in Planet Hollywood casino for long-

standing Britney Spears show.

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229 W. 28th Street – New York, NY, 2013

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Alicia Keys Recording Studio – New York, NY, 2013

Sound isolation design and internal room acoustics for a new nightclub.

Architectural design, internal room acoustic specification, sound isolation design, and mechanical noise control for Alicia Keys’ private recording facility.

With Masque Sound 2 With Engineering Harmonics 3With a-‘ku-stiks 4 With Walters-Storyk Design Group

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Battery Maritime Hotel – New York, NY, 2013

Sound isolation design for a 2,000 seat event space and all guest rooms for a new hotel located in Lower Manhattan. Executive Briefing Center – Dallas, TX, 2013 o Systems design and DSP programming for a unique interactive media center for a Fortune 500 company. Frederick Douglas Blvd. Restaurant – New York, NY, 2013 o Acoustical analysis and sound isolation design for a new restaurant. o

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Human Studios – New York, NY, 2013

Architectural design, internal room acoustic specification, sound isolation design, and mechanical noise control for a high profile advertising production facility. Moonlight Studios – Chicago, IL, 2013 o Internal room acoustics for an event space. o

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Newtown High School – Newtown, CT, 2013

AV systems design for the existing auditorium.

North Bay Road Residential Project – Miami, FL, 2013

Sound isolation design, internal room acoustics specification, and mechanical noise control for a night club and media room in a 20,000 square foot residential project. QVC – West Chester, PA, 20134 o AV systems design for a highly reverberant glass atrium. Skylark – New York, NY, 2013 o Acoustic evaluation and internal room acoustics for a large multi-room event space. SLT Fitness – Hamptons, NY, 2013 o Sound isolation design for a fitness studio in the Hamptons. Starlight Theater – Rockford, IL, 2013 o Acoustical evaluation and systems recommendations for existing amphitheater. Finale & The General – New York, NY, 2012 o Acoustical design including sound isolation design and internal room acoustics for a new 4,000 square foot nightclub with strict noise code requirements. Catch – Miami, FL, 2012 o Acoustic treatment design for a new restaurant space. Chilton Towers – Elizabeth, NJ, 2012 o Sound isolation design for an existing residential tower. Cosmopolitan Casino and Resort, Las Vegas, NV, 2009-2013 3 o Principal acoustical and systems designer for the new theater in the casino. 3 o Principal acoustical and systems designer for the new dinner theater in the casino. o

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Remedial acoustical consulting for bothersome noise in the guest rooms. Principal acoustical designer and systems consulting for a 10,000 square foot nightclub and 75,000 4 square foot pool deck. DeSales University – Center Valley, PA, 2012 o Principal system designer for two university theaters and the Pennsylvania Shakespeare Festival. Iglesia Ni Cristo – Philippines, 20122 o Principal systems designer for new 80,000 seat stadium; 1,500 seat theater and convention hall. Lexington Brasserie & Catch – New York, NY, 2012 o Remedial room acoustics of two restaurants. Mac Ewan University – Edmonton, AB, Canada 2012 o Architectural design, internal room acoustic specification for a new multi-room educational recording facility. o Design team for the audio and video systems of the university’s performing arts building. Robert’s Steakhouse at the Taj Mahal – Atlantic City, NJ, 2012 o Acoustic treatment design for a new restaurant space. Scarsdale Mastering – Scarsdale, NY, 2012

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Scores at the Taj Mahal – Atlantic City, NJ, 2012

o o

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Architectural design and internal room acoustic specification for a new mastering studio.

With Masque Sound 2 With Engineering Harmonics 3With a-‘ku-stiks 4 With Walters-Storyk Design Group

Page 3 of 6

Sound isolation design, internal room acoustics specification, and mechanical noise control for a new 100,000 square foot nightclub. Western Connecticut State University – Danbury, CT, 20121 o AV systems engineering assistance for new university concert hall, theater, and recording studio. Brooklyn Technical High School – New York, NY, 2011 o Principal audio systems designer for New York City’s largest historic public auditorium. Club Regent Casino – Winnipeg, MB, Canada 20112 o Electro-acoustic model of a mid-size theater in a casino. Electric Lady Studios – New York, NY, 2011 o Principal architectural and acoustical designer for new audio control room. Kevorkian Mastering at Avatar Studios – New York, NY, 2011 o Remedial acoustical consulting for the mastering studio at Avatar studios. Kimmel Center – Merriam Theater Conversion, Philadelphia, PA, 20114 o Principal systems designer for the conversion of an existing theater to an HD cinema system with the capabilities of a theatrical sound system. Lincoln Center Theater Third Tier (LCT3) – New York, NY, 20114 o Project engineer for the audio and video systems of new theater at Lincoln Center. MIT Walker Arts Building – Cambridge, MA, 20112 o Design team for the audio and video systems of MIT’s new experimental multimedia, music, and performing arts building. New Jersey Institute of Technology – Newark, NJ, 2011 o Principal audio system designer for a college theater. Red Rooster – New York, NY, 20114 o

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Principal acoustical and systems designer for a 4,000 square foot restaurant and jazz club.

Roy Thomson Hall – Toronto, ON, Canada 20112

Environmental noise study and model for three outdoor stage locations impacting surrounding buildings for the City of Toronto. o Design team for audio systems renovation of the main symphony hall. Berklee College of Music – Boston, MA, 20104 o Design team for proposed renovations of all existing studios. o Performed acoustical analysis of current spaces specifically regarding isolation requirements and internal room acoustic requirements, especially low frequency analysis. Gracie Theater, Husson University – Bangor, ME, 2009-20104 o Project manager and designer of performance sound and video systems. Lucky Clover - Miami, FL, 20104 o Acoustical design including isolation and internal room acoustics for a new nightclub. Mansion Club – Miami, FL, 20104 o Remedial acoustics for existing nightclub New Victory Theater – New York, NY, 20101 3 o Project engineer for audio system renovation. NYU Steinhardt James L. Dolan Recording Facility – New York, NY, 2009-20104 o Project manager, co-designer for systems, general acoustic consulting for a new recording facility. Philadelphia Billiards – Philadelphia, PA, 20104 o

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Environmental noise study and acoustic feasibility study for new 300 person rooftop club/lounge on existing building near adjacent condominiums. Pink Elephant – Playa Del Carmen, Mexico 20104 o Acoustical design including isolation and internal room acoustics for a new nightclub. Scripps Network – New York, NY and Knoxville, TN, 2007 & 20104 o Acoustic consulting regarding structure borne and airborne noise transmission for new data center in Knoxville. o Vibration isolation for existing live TV studio in New York City. Standard Hotel – New York, NY, 20104 o Forensic acoustic investigation regarding nightclub sound isolation problem. Victoria’s Secret Fashion Show, Multiple Locations, 2005-2010 o FOH sound engineer, systems calibration, and associate systems designer. o

 

With Masque Sound 2 With Engineering Harmonics 3With a-‘ku-stiks 4 With Walters-Storyk Design Group



Brighton Beach Memoirs, Nederlander Theater – New York, NY, 2009



Provocateur at the Gansevoort Hotel – New York, NY, 20094

Loudspeaker layout/modeling, systems consulting, and systems calibration for a Broadway play.

Acoustical design including isolation, internal room acoustics, and systems consulting for a 4,000 square foot nightclub with strict noise code requirements. Weiss Studios – New York, NY, 20094 o Remedial acoustics for a private event space. Le Poisson Rouge – New York, NY, 20084 o Acoustical design and systems design for a multi-room, 1200 person, multi-purpose club with varied programming including jazz, rock, and hip hop. o

 

SYSTEM CALIBRATION CLIENTS  Recording studio calibration and loudspeaker management/DSP programming clients: o 160 Massachusetts Ave at Berklee College of Music – Boston, MA 2013 o Red Bull Music Academy – New York, NY o Roc the Mic Studios (Jay Z and Beyonce), New York, NY o Jungle City Studios – New York, NY o Oven Studios (Alicia Keys) – Glen Cove, NY o Quad Studios – New York, NY o Premiere Studios – New York, NY o David Kutch Mastering – New York, NY o Fight Klub Studios – New York, NY o Jim Jones Private Studio – New York, NY o The Food Network (Multiple 5.1 Rooms) – New York, NY o Hit Factory Criteria (All Rooms) – Miami, FL o Kenny Fan Recording – Taipei, Taiwan o Village Studios – Hong Kong, China o Approximately 22 Art Institutes Nationwide o WWE Broadcast – Stamford, CT o Sony Records – New York, NY  Live system calibration clients: o Alicia Keys World Tour o The Smith Center – Las Vegas, NV o Brighton Beach Memoirs – New York, NY o Le Poisson Rouge – New York, NY o Fashion Week Tents – New York, NY o Victoria’s Secret Fashion Show – Various Locations o Gracie Theater, Husson University – Bangor, ME SOFTWARE & ACOUSTIC MODELING PLATFORMS  Design Software: o Autodesk AutoCAD 2013 & REVIT 2014 o Google SketchUp  Acoustics Software: o AFMG EASE 4.3 – Room acoustic modeling o AFMG Reflex - Reflecting, scattering and diffusion simulation o AFMG EASERA – Acoustic measurement tool o AFMG SysTune – Real time systems analysis and measurement tool o AFMG Soundflow – Sound absorption and transmission loss simulation o B&K 2270 – Handheld sound level meter and analyzer o B&K Pulse – Post processing and analysis software o BASTIAN – Calculates airborne and impact sound transmission between rooms o Data Physics Quattro – Four channel real time analysis tool o L -Acoustics Soundvision – Electro-acoustic simulation tool o Marshall Day INSUL – Transmission loss simulation o Matlab R2010 – Technical computing software 1

With Masque Sound 2 With Engineering Harmonics 3With a-‘ku-stiks 4 With Walters-Storyk Design Group

Page 5 of 6

ME’scope – Analytical tool to measure vibrations in machinery Meyer MAPP – Electro-acoustic simulation tool Meyer Sound Labs SIM3 – Real time systems analysis and measurement tool Odeon – Room acoustic modelling SIA SMAART 7 – Real time systems analysis and measurement tool SoundPlan 7 – Environmental noise modeling and simulation software TRANE Acoustic Program – Acoustical analysis software for mechanical noise

o o o o o o o 

Programming Software o BSS London Architect - Open architecture DSP control software o Crestron – Programming of Crestron control systems o Yamaha DME Designer – Open architecture DSP control software o Media Matrix NWare - Open architecture DSP control software

PRESENTATIONS, PAPERS, AWARDS  AES Workshop - New York, NY, 2013 o W27 DSP Studio Monitoring “Acoustics For Small Live Sound Venues – Creating (& Fine-Tuning) The Consummate Performing/Listening Environment”  AES E-Library – New York, NY, October 2011 st o eBrief 33. 131 Convention “Techniques for High SPL Noise Mitigation in Club Venue Design”  NYU Symposium on 3D Sound – New York, NY, 2010 o Invited presenter “Small Room Acoustics for Multi-channel Sound Reproduction”  Pro AV Spotlight Award – New York, NY, 2010 o (with WSDG) NYU Steinhardt Recording Facility  AES Conference Technical Tour – New York, NY, 2009 o NYU Steinhardt Recording Facility  AES NYC – New York, NY, 2009 o Chapter Presentation “Le Poisson Rouge: A New Multi-Purpose Entertainment Environment”  AES Conference – San Francisco, CA, 2008 o Presentation “Controlling Low Frequencies in Small Spaces”  Case Study - New York, NY, 2007 o “A Real World Case Study of the E-Trap by Bag End at Ovasen Studios,”  AES Conference Technical Tour – New York, NY, 2005 o Masque Sound

With Masque Sound 2 With Engineering Harmonics 3With a-‘ku-stiks 4 With Walters-Storyk Design Group

June 5, 2014

Ms. Marlene M. Liriano, IIDA, LEED AP ID+C Vice President, Director of Interior Design HOK 120 NE 27th Street, Suite 700 Miami, FL 33137 Re: Lighting Design Services for Equinox Brickell Heights I Miami, FL Dear Marlene: Thank you for inviting us to submit a proposal to provide lighting design services for Equinox Brickell Heights. We understand the project is approximately 33,500 square feet. Our scope of work includes the following project areas: I.

Interiors − Reception Area − Juice Bar − Retail Shop − Men and Women’s Locker Rooms − Multi-room Spa − Group Fitness Studio − Yoga Studio − Pilates Studio − Cycling Studio − Employee Locker Room − Cardio Floor − Strength Floor − Laundry Room − Back of House and Support Offices − Sales Office

Scope of Services We will perform the following design services for this project: Schematic Design − We will familiarize ourselves with the project component − We will review and comment on lighting budgets prepared by others.

158 West 29th Street, 10th Floor New York, NY 10001 (212) 201-5790 www.oneluxstudio.com

Marlene M. Liriano HOK June 5, 2014

_____________________________________________________________________________________ Design Development − We will develop detailed design concepts for lighting in all major project areas, and present those concepts to the Architect and/or the Owner for approval. Lighting concepts will be presented using sketches, plans, and renderings as required. − After approval of our design concepts, and consistent with our scope, we will prepare preliminary lighting plans for all project areas. − We will prepare a preliminary lighting fixture schedule and catalog cuts for coordination with other team members, and for budget pricing. − We will develop preliminary Control Intent strategies. − We will prepare preliminary specifications for lighting in CSI format. Construction Documents − We will revise our design to conform to the Owner’s budget through the interim construction document submission. − We will perform lighting calculations as required to validate our design concept. − We will develop detailed lighting control strategies including recommendations for automatic lighting controls (e.g. daylight sensors, occupancy sensors, etc.) in public areas. Control equipment will be specified by the electrical engineers. − We will prepare Comcheck calculations for project areas within the scope of work and designed by One Lux Studio for inclusion into the Architect’s or Engineer’s drawings.

− − −

We will prepare final lighting plans for inclusion into the Architect’s and Engineer’s drawings. We will prepare a final lighting fixture schedule for inclusion in the Engineer’s drawings. We will prepare final specifications for lighting in CSI format.

Construction Phase − We will review lighting-related shop drawings submitted by the Contractor, and recommend action to the Architect. − We will respond to the Contractor’s requests for information. − We will visit the jobsite and prepare a list of lighting-related construction deficiencies for inclusion in the Architect’s punchlist. − We will direct the aiming of adjustable light fixtures, and the programming of lighting control systems. Please note that we have no professional registration. Any documents we prepare, if required, will have to be certified by the Architect or Engineer. Fee Our fee for the lighting design services outlined above will be a lump sum fee of $35,000. ADD ALT:

Soul Cycle

$6,000

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Marlene M. Liriano HOK June 5, 2014

_____________________________________________________________________________________ Hourly Rates Hourly rates for additional services will be 2.5 times DPE (Direct Labor plus 34% for mandatory and customary benefits) and are based on the actual salaries of the individuals performing the work (except st for partners, where a flat rate is provided). Hourly rates are adjusted each January 1 . The following hourly rates are valid through December 31, 2014. Partner $275 Senior Associate $125 - $170 Associate $100 - $130 Designer $50 - $100 Intern $35 - $70 Reimbursable Expenses Reimbursable expenses will include the following: − Long distance travel expenses − Messenger services and express mail − Document printing, reproduction and plotting costs for project milestone submissions. − Other third-party expenses reasonably incurred by One Lux Studio in furtherance of its work on the Project. Reimbursable expenses will be billed with a 10% mark-up. Assumptions The fee provided above is based on the following assumptions: − The lighting program and scope for the project as described earlier will not materially change. − Exterior lighting and lighting for signage is not included in the scope of work. − Schedule is as follows: i. Schematic Design Four (4) Weeks ii. Design Development Eight (8) Weeks iii. Construction Documents Twelve (12) Weeks iv. Construction Administration Six Months − −

− − − −

Lighting drawings will be produced using the latest version of AutoCAD, on AutoCAD backgrounds provided to One Lux Studio by the Architect. Drawings are to be developed by the Architect and are to be delivered to One Lux Studio, LLC (hereafter “One Lux Studio”) in a timely manner and will be inclusive of all work by other sub consultants. One Lux Studio shall not be responsible for delays arising out of any failure of the Architect to deliver drawings and any other work product necessary for the completion of One Lux Studio’s work in a timely manner. One Lux Studio will be provided with a complete ½-size drawing set of all architectural and electrical drawings after each major drawing issuance. Project meetings will be held, and Owner-provided information and decisions will be given, in a timely manner. Emergency lighting selections will be by the engineers. We anticipate document submissions as follows: i. 100% Design Development

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Marlene M. Liriano HOK June 5, 2014

_____________________________________________________________________________________ ii. iii.

Interim Construction Documents at 50% completion 100% Construction Documents

Additional Services Additional Services will include those out of scope items of work required by Owner. This work will only proceed upon prior written authorization. The following items of work are included within Additional Services: − − − − − − − −

Daylight design services or daylight analysis. Design services related to LEED certification for the project. Submission of lighting calculations to local authorities to verify compliance with local building code and/or zoning requirements. Certification of lighting design documents or energy code compliance calculations by a registered design professional. Progress inspections for lighting energy code compliance. Redesign of lighting and controls systems due to a material change to our scope or the lighting program. Revision of documents (drawings, fixture schedule, etc.) after issuance of Interim Construction Documents due to Owner-driven changes or value engineering. A cumulative delay of more than 6 months in project completion compared to the schedule outlined above.

In the event that the project is suspended in whole or in part for more than sixty (60) consecutive days or ninety (90) days in total and subsequently restarted, our fee for basic design services shall be equitably adjusted. Payment Schedule Once work has commenced, invoices for basic services, additional services and reimbursable expenses will be submitted on a monthly basis. Invoices will be considered correct as submitted if not questioned in writing by your office within fifteen (15) days of the invoice date. Payment is due within 30 days of the invoice date. Payments shall not be dependent on project financing. Properly submitted invoices which are unpaid sixty (60) days after invoice date may result in a suspension of services or the termination of this Agreement by One Lux Studio. One Lux Studio reserves the right to suspend all work on the project if payment is not received when due. In the event of such suspension, the Owner and the Architect will waive all rights, claims, etc. which they might otherwise have against One Lux Studio as a direct or indirect result of such suspension. Terms and Conditions In the event that One Lux Studio is bound by the terms of a prime agreement with the Owner, the Architect shall provide One Lux Studio with a complete copy of this agreement for our review and comment, prior to the execution of the agreement. Notwithstanding the foregoing, Architect acknowledges that One Lux Studio will not be required to execute any instrument that increases its obligations or reduces its rights as specified in this letter of agreement, without additional compensation.

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Marlene M. Liriano HOK June 5, 2014

_____________________________________________________________________________________ No deductions will be made from the compensation on account of any penalty, liquidated damages or other sums withheld from payments to any Design Professional or Contractors, or on account of scope changes in the project. In the event of any dispute, claim, question or controversy arising out of this agreement, its performance, interpretation and/or alleged breach (hereafter, cumulatively, “Claim”) and not exceeding $50,000 in value (determined by aggregating all such Claims which then are in controversy between the parties), the parties agree such Claim initially shall be subject to non-binding mediation. Such mediation shall be pursuant to the Construction Industry Arbitration Rules of the American Arbitration Association, utilizing a single mediator. Requests for mediation shall be filed in writing with the other party. Unless mutually agreed by the parties, any mediation that does not result in either a mutually agreed resolution of the Claim or a recommendation of the mediator within sixty (60) days of the date when the request for mediation is filed shall be deemed unsuccessful or terminated. The parties shall share the mediator’s fee and any filing fees equally. The mediation shall be held in New York City, unless another location is mutually agreed upon. Agreements reached in mediation shall be enforceable as settlement agreements in any court having jurisdiction thereof. The mediator shall have no power to bind the parties absent their consent, or otherwise to impose any resolution upon either party. All proceedings in mediation shall be by way of settlement discussions and shall not be used or admissible in any subsequent judicial proceeding, for any purpose. Except to the extent expressly stated above, any Claim between Owner or Architect and One Lux Studio not resolved by negotiation or mediation between the parties shall be resolved by submission to the Supreme Court of the State and County of New York, wherein exclusive jurisdiction and venue shall lie. For purposes of this provision, both the Owner or Architect and One Lux Studio agree that any Claims arising hereunder may be brought therein. The parties agree that this Agreement shall be governed by the laws of the State of New York, without regard to its conflicts of law’s provisions. One Lux Studio will not be responsible for or be liable in any way for the discovery, presence, handling, removal, disposal of or exposure of persons to hazardous materials in any form at the project, including but not limited to asbestos, asbestos products, mercury, lead, polychlorinated biphenyl (PCB) or any other toxic substances, and the Owner shall defend, hold harmless, and indemnify One Lux Studio in connection with any claim or action arising in connection therewith. The Owner understands and agrees that products or building materials that are permissible under current building codes and ordinances may, at some future date, be banned or limited in use because of presently unknown hazardous and/or defective characteristics. The Owner agrees that if any such product or material specified for this project by the One Lux Studio shall, at any future date, be suspected or discovered to be defective or a health or safety hazard, then the Owner shall waive all claims as a result thereof against One Lux Studio. One Lux Studio will not be responsible for the acts or omissions of the Contractor, subcontractors or any other persons performing any of the work or for the failure of any of these parties to carry out the work in accordance with construction documents. This agreement may be terminated by either party upon fourteen (14) days written notice in the event that the other party fails substantially to perform its obligations under this agreement through no fault of the

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Marlene M. Liriano HOK June 5, 2014

_____________________________________________________________________________________ party initiating the termination. One Lux Studio will be paid for all services rendered up to and including the date of termination. Should One Lux Studio terminate this Agreement for non-payment, One Lux Studio shall be compensated for all unpaid sums then due and owing under the terms of the Agreement in addition to all remaining sums due under the terms of the Agreement (“Termination Fee”). Drawings, calculations and specifications as instruments of service are and will remain at all times the exclusive property of One Lux Studio, whether the project for which they are made is executed or not. The instruments of service are not to be used by the Owner for other projects or extensions or other modifications to this project except by written agreement between and with appropriate compensation to One Lux Studio. Notwithstanding the foregoing, Owner agrees to indemnify, defend, and hold harmless One Lux Studio from any liabilities arising out of any modifications made to One Lux Studio’s instruments of service by any third-party without One Lux Studio’s prior input and written approval of such modification. Prior to commencing work under this Agreement, One Lux Studio shall provide Owner or Architect, at their request, with an insurance certificate evidencing One Lux Studio’s insurance coverage limits, including errors and omissions coverage, then in effect. One Lux Studio’s policy for professional liability insurance shall be available for inspection by the Architect or Owner, subject to redactions of application and/or business information required by the insurer, at all reasonable times upon request. Owner and Architect agree that One Lux Studio’s liability under the terms of this Agreement shall be limited to its available insurance coverage. It is specifically understood and agreed that there shall be no personal liability on the part of One Lux Studio, its successors and assigns or its directors, officers, members, shareholders, employees, or agents of the foregoing entities with respect to any of the terms, covenants, obligations and conditions of this Agreement. This Agreement constitutes the entire agreement and understanding of the parties with respect to the subject matter hereof and supersedes any and all prior or contemporaneous written or oral understandings. This Agreement may be modified only by an instrument signed by both parties.

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Marlene M. Liriano HOK June 5, 2014

_____________________________________________________________________________________ We trust that the above meets with your approval. We look forward to working with you on this project and request that you indicate your approval of this letter of agreement by signing in the space provided below and returning one copy to One Lux Studio. Please indicate if we should send our invoices to you or another individual in your firm, and provide your project number for reference purposes. Accepted and Agreed: Name/Title Company Date

Billing Instructions:

Name/Title Company Project Reference Number

ONE LUX STUDIO, LLC

Fernando Soler Partner

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Firm Profile One Lux Studio is an award-winning lighting design firm based in New York City. Formed in 2007, the firm has gained a reputation for design excellence and technical proficiency. The experts at One Lux Studio focus on the sustainable design of lighting concepts and systems utilizing both natural and artificial lighting from the initial concept through to site supervision that enhance architectural spaces. Our experience and technical background coupled with innovative strategies have created expressive yet timeless concepts in light. Our mission is to provide the best service in the lighting design industry for our clients. Most importantly, this means bringing the combined creative ideas of all of our partners and staff to each project. Creating the appropriate mood, respecting and enhancing the architecture and threading the best technology through each project are the critical tests that each of our designs must satisfy.

Design Methodology One Lux Studio has been responsible illuminate some of the most iconic buildings that help define a city skyline and groundplane. Our design team is well versed in this project type; often acknowledged for its commitment and leadership. Their experience and technical background coupled with innovative strategies have created expressive yet timeless concepts in light. A leader in energy efficient and effective design, our lengthy track record of energy saving projects has been accomplished by a â&#x20AC;&#x153;team-basedâ&#x20AC;? collaborative design approach. We promote and practice design innovation in an effort to achieve buildings that are resource efficient. One Lux Studioâ&#x20AC;&#x2122;s legacy was built on a foundation where technical feasibility and constructability are paramount project criteria. This methodology is instilled firmwide and throughout all phases of our work.

158 West 29th Street, 10th FL New York, NY 10001 www.oneluxstudio.com

Fernando Soler Partner, ONELUX Studio Mr. Soler is a founding partner of One Lux Studio with over 20 years of lighting design experience. Prior to lighting design, Mr. Soler worked as an architectural designer on a variety of commercial and residential projects in Argentina. Mr. Soler also served as a design correspondent for two major Argentinian newspapers – El Cronista Comercial and La Capital about topics on art and architecture. Drawing from his unique perspective as a trained architect, Mr. Soler’s design sensibility transcends typical solutions. He has collaborated with many of the worlds leading architects and designers. His distinguished portfolio has earned him widespread recognition. With project experiences from boutique retail to corporate interiors and with particular expertise in hospitality projects, Mr. Soler’s experience enables him to work with light enhancing environments across all sectors. Driven by his love for architecture, design and a firm belief that light should enhance a space without imposing upon it, he works at the forefront of his industry creating beautiful visual environments. Project Experience Equinox Health Clubs – Multiple Locations Exhale Spa, Boston, MA PURE Yoga East and West Side, New York, NY The Element, Starwood Hotels Prototype (Standard and LEED) ALOFT Starwood Hotels Prototype (Standard and LEED) NoMad Hotel Restaurant & Lounge, New York, NY Silver Towers, New York, NY Eventi Hotel, New York, NY Katsuya Restaurant, Los Angeles, CA Ritz Carlton Hotel and Residence, South Beach, FL The Houston Club, Houston, TX Reunion Tower Lounge, Dallas, TX The Bossert Hotel, Brooklyn, NY Hotel Lucky, Long Branch, NJ

Education Master of Architecture, Pratt Institute School of Architecture, 1994 Bachelor of Architecture, National University of Rosario, School of Architecture Rosario, Argentina, 1991

Registrations Architect, Argentina, 1991

Professional Affiliations AIA International Membership

158 West 29th Street, 10th FL New York, NY 10001 www.oneluxstudio.com

Elena Areshina Designer, ONELUX Studio Elena Areshina approaches design with an understanding of intent and artistic aptitude. Before starting her career in lighting, Elena worked as a interior designer on renovation projects throughout Manhattan. Developing a respect for light forms and the effect it has on mood and ambience, she saw another opportunity to be part of creating fresh and innovative atmospheres. Elena contributes to the coordination of projects from design through construction administration. Her strong organizational skills coupled with dedication to good client relations forms the foundation of successful projects.

Project Experience Metropolitan Hotel, Brooklyn, NY West Village Residences, New York, NY Nomad Hotel Restaurant & Lounge, New York, NY Equinox Fitness, Multiple Locations Sports Club LA, Chestnut Hill, MA The Educational Alliance, New York, NY 1045 Avenue of the Americas, New York, NY Energy Center, ExxonMobil Corporate Campus, Spring, TX Chado Ralph Rucci, New York, NY Hyatt Place Hotel, New York, NY Hyatt Minneapolis Renovation, Minneapolis, MN Rotisserie Georgette, New York, NY The Houston Club, Houston, TX Radisson Blu Hotel, Minneapolis, MN Edition Hotel, New York, NY 50 West Street Condominium Tower, New York, NY

Education Master of Arts in Lighting Design / Parsons The New School for Design / 2011 Bachelor of Arts in Fine Arts in Drafting / Moscow State Pedagogical University / 2002

158 West 29th Street, 10th FL New York, NY 10001 www.oneluxstudio.com

Amrita Spa, Swissotel Krasnye Holmy Moscow, Russia

SECTION FIVE I INSURANCE CERTIFICATE I

CERTIFICATE OF LIABILITY INSURANCE

DATE (MM/DD/YYYY)

12/12/2013

THIS CERTIFICATE IS ISSUED AS A MATTER OF INFORMATION ONLY AND CONFERS NO RIGHTS UPON THE CERTIFICATE HOLDER. THIS CERTIFICATE DOES NOT AFFIRMATIVELY OR NEGATIVELY AMEND, EXTEND OR ALTER THE COVERAGE AFFORDED BY THE POLICIES BELOW. THIS CERTIFICATE OF INSURANCE DOES NOT CONSTITUTE A CONTRACT BETWEEN THE ISSUING INSURER(S), AUTHORIZED REPRESENTATIVE OR PRODUCER, AND THE CERTIFICATE HOLDER. IMPORTANT: If the certificate holder is an ADDITIONAL INSURED, the policy(ies) must be endorsed. If SUBROGATION IS WAIVED, subject to the terms and conditions of the policy, certain policies may require an endorsement. A statement on this certificate does not confer rights to the certificate holder in lieu of such endorsement(s). CONTACT Kristen Davidson NAME: PHONE (A/C, No, Ext): (770)552-4225 E-MAIL ADDRESS: jerry.noyola@greyling.com

PRODUCER

Greyling Insurance Brokerage 450 Northridge Parkway Suite 102 Atlanta GA 30350

FAX (A/C, No): (866)550-4082

INSURER(S) AFFORDING COVERAGE

Zurich American Insurance Co. INSURER B :American Guarantee & Liability INSURER C :Lloyd's of London

NAIC #

INSURER A :

INSURED

HOK Global Coverage

INSURER D : INSURER E : INSURER F :

CERTIFICATE NUMBER:13-14 (HOK StL Global)

COVERAGES

REVISION NUMBER:

THIS IS TO CERTIFY THAT THE POLICIES OF INSURANCE LISTED BELOW HAVE BEEN ISSUED TO THE INSURED NAMED ABOVE FOR THE POLICY PERIOD INDICATED. NOTWITHSTANDING ANY REQUIREMENT, TERM OR CONDITION OF ANY CONTRACT OR OTHER DOCUMENT WITH RESPECT TO WHICH THIS CERTIFICATE MAY BE ISSUED OR MAY PERTAIN, THE INSURANCE AFFORDED BY THE POLICIES DESCRIBED HEREIN IS SUBJECT TO ALL THE TERMS, EXCLUSIONS AND CONDITIONS OF SUCH POLICIES. LIMITS SHOWN MAY HAVE BEEN REDUCED BY PAID CLAIMS.

INSR LTR

TYPE OF INSURANCE

ADDL SUBR INSR WVD

POLICY NUMBER

POLICY EFF POLICY EXP (MM/DD/YYYY) (MM/DD/YYYY)

GENERAL LIABILITY

X X

COMMERCIAL GENERAL LIABILITY CLAIMS-MADE

GLO9830113-03

OCCUR

Contractual Liability

12/15/2013 12/15/2014

GEN'L AGGREGATE LIMIT APPLIES PER: PROPOLICY LOC JECT

ANY AUTO ALL OWNED AUTOS HIRED AUTOS

UMBRELLA LIAB EXCESS LIAB

BAP9830112-03

SCHEDULED AUTOS NON-OWNED AUTOS

$ $

MED EXP (Any one person)

PERSONAL & ADV INJURY

GENERAL AGGREGATE

PRODUCTS - COMP/OP AGG

$ $

AUTOMOBILE LIABILITY

LIMITS

EACH OCCURRENCE DAMAGE TO RENTED PREMISES (Ea occurrence)

12/15/2013 12/15/2014

COMBINED SINGLE LIMIT (Ea accident) BODILY INJURY (Per person)

$ $

1,000,000 1,000,000 10,000 1,000,000 2,000,000 2,000,000 1,000,000

BODILY INJURY (Per accident) $ PROPERTY DAMAGE (Per accident)

$ $

OCCUR

EACH OCCURRENCE

CLAIMS-MADE

AGGREGATE

0 DED RETENTION $ WORKERS COMPENSATION AND EMPLOYERS' LIABILITY Y/N ANY PROPRIETOR/PARTNER/EXECUTIVE N/A OFFICER/MEMBER EXCLUDED? (Mandatory in NH) If yes, describe under DESCRIPTION OF OPERATIONS below

C Professional Liability

AUC6726228-03

12/15/2013 12/15/2014

WC STATUTORY LIMITS

OTHER

E.L. EACH ACCIDENT

5,000,000 5,000,000

E.L. DISEASE - EA EMPLOYEE $ E.L. DISEASE - POLICY LIMIT

B0146LDUSA1303767

12/15/2013 12/15/2014

Per Claim Aggregate

$2,000,000 $2,000,000

DESCRIPTION OF OPERATIONS / LOCATIONS / VEHICLES (Attach ACORD 101, Additional Remarks Schedule, if more space is required)

CERTIFICATE HOLDER

For Proposal Only

CANCELLATION SHOULD ANY OF THE ABOVE DESCRIBED POLICIES BE CANCELLED BEFORE THE EXPIRATION DATE THEREOF, NOTICE WILL BE DELIVERED IN ACCORDANCE WITH THE POLICY PROVISIONS. AUTHORIZED REPRESENTATIVE

David Collings/JERRY ACORD 25 (2010/05) INS025 (201005).01

Elemis Spa, St. Regis Bangkok Bangkok, Thailand

HOK DNA

In science and art, success results from knowledge and intuition.

M A R L EN E M . L IRI A N O, HOK 12 0 N E 27 T H S T S U I T E 70 0 M I A M I , F LO R I DA 3 3 1 3 7 7 8 6.4 97.4 8 1 0 M A R L E N E . L I R I A N O @ H O K .C O M

IIDA , LEED A P ID+C