Transiting the invisible

ALICANTE’S Exhibition Hall is proud to present its new exhibition entitled by the artist, Ignacio Llamas.

The Explanada space will host the photographic exhibition until October 29.

The councillor for Cul ­ ture, Nayma Beldjilali, highlighted: “The different formats that make up the exhibition are absolutely fascinating for the viewer.

“We can take a tour which makes us reflect on some conflicting concepts such as light and darkness or life and death.”

With a degree in Fine Arts from the UCM, Ignacio Llamas completed his training by participating in various workshops with artists such as Luís Gordillo, Misuo Miura, Jaime Lorente and Gerardo Aparicio.

At the beginning of the 90s, Ignacio enjoyed his first solo exhibition and since then he regularly shows his work in galleries, museums and art centres.

He has had individual and collective exhibitions in Spain, Portugal, Italy, Germany, the United Kingdom, the USA, Brazil and Argentina, frequently participating in both national and international contemporary art fairs.

Among the awards received, it is worth highlighting the one awarded by the National Association of Art Critics, in 2016, as the best Spanish artist in ARCO.

UNEMPLOYMENT continues to decline in Pinoso and stands at levels not seen for more than a decade.

The month of June closed with 461 people from Pinoso registered in the unemployment office. This means that, during the first semester of this year, 44 people left the unemployment lists.

Over the last few years, a decrease in the unemployed has been detected in Pinoso: 2022 closed with 505 people, 2021 with 561 and 2020 with 580 people.

It should also be noted that since 2016, the evolution of unemployment has been declining to reach the

ORIHUELA City Council is setting the wheels in motion in a bid to make the traditional water wheels of the orchard declared a World Heritage Site by Unesco.

The Moquita and Pando waterwheels are of Islamic origin, the current work dating from the 18th century (1730 and 1781), with subsequent restorative works.

They have wheels eight metres and 24 centimetres in di­