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Astronomy
ART 273 Ceramics IV: Advanced Projects in Ceramics 5
(HP) Capstone course in the development of knowledge and skills in the creation of ceramic forms using the medium as a point of departure for critical thinking and creative problem solving. Focus on the creation of a series of ceramic forms to be viewed in public display. Prerequisites: ART 272 or instructor permission
ART 274 Ceramics Workshop 3
(HP) Ceramics workshop based on a variety of topical techniques and processes. Examples include alternative firing methods and systems, Majolica, low-fired ceramic processes and sculpture. See current schedule for course topic. May be repeated two times for credit. Prerequisites: ART 107 or ART 270.
ART 275 Glaze Formulation for Studio Ceramics I 3
Introduction to the materials and methods used in glaze making for studio ceramics. Students will use the principles of experimental design to become familiar with the materials typically used in studio ceramics and learn to make original utilitarian glazes suitable for mid-range firing in an electric kiln. Glaze application and kiln operation will be discussed. Prerequisites: ART 270, ART 271, or instructor permission
ART 276 Glaze Formulation for Studio Ceramics II 3
Continuing exploration of the materials and methods used in glaze making for studio ceramics. Students will build on the experience from ART 275 and learn to manipulate existing glazes to alter their properties. Students will also learn to formulate glazes for high fire gas kilns and learn consider the role of kiln atmosphere in studio ceramics. The course will also introduce the properties of standard historical stoneware glazes. Prerequisites: ART 270, ART 271, ART 275 or instructor permission
ART 277 Glaze Formulation for Studio Ceramics III 3
Final course in exploring the materials and methods used in glaze making for studio ceramics. Students will use their accumulated knowledge of glaze materials to extend their palette to include non-traditional and non-utilitarian ceramic surfaces. The class will introduce sculptural glazes, textural surfaces and crystalline glazes for mid-range electric and high fire gas kilns. Students will also explore studio economics and design an hypothetical studio to suit their working process and proposed body of work. Prerequisites: ART 270, ART 271, ART 275, ART 276 or instructor permission
ART 294 Portfolio Development 5
(HP) Advanced course focused on developing a portfolio of work with faculty guidance emphasizing personal exploration, studio research of contemporary and traditional themes, issues, media, skills and techniques, and presentation in 2D studio art. Media may be combined. Student’s choice of media. Previous experience in primary medium of choice required. Prerequisites: Instructor permission
ART 295 Professional Practices 5
Advanced course required for students nearing the completion of their Associate of Fine Arts degree in art, graphic design or photography or nearing completion of an Associate of Technical Arts in Interactive Web Design. Professional practices include portfolio design, development and editing. Focuses on self-assessment, development of personal style (or “personal presentation”) and resume preparation. Prerequisites: Instructor Permission
ART 297 Gallery and Exhibit Technique 2
(TE) Instruction and practical experience in all aspects of the design and installation of exhibitions. Content includes curating, installation and de-installation of artwork, graphic design for posters and publications. Graphic design experience is preferred (GRA 110). Weekly time commitment includes two hours of classroom instruction and three hours of hands-on gallery supervision each week. May be repeated three times for credit. Limit 5 students. Prerequisites: Instructor permission
Art History -
ART H 124 Understanding World Art 5
(H,D) Introduction to artwork from various under-represented world cultures in a wide range of media for the student with little experience in the visual arts. Traditional and contemporary approaches to creating artwork as practiced globally and historically combined with the study of visual language and culture in the medium, theme, subject or culture represented. Course includes all forms of visual expression, the process of artistic creation and thought, and the role of visual culture in society and history. Discussion and studies in forms of representation as examples of culturally based perceptions of time, space, self, identity, community and otherness.
ART H 220 Western Art History: Ancient to Medieval 5
(H) Survey of art from ancient foundations to the 14th century in Europe. Topics and issues of art history as relevant to the formation of styles, methods of construction, and the role of the artist in early civilization. Includes study of the cultures of Egypt, Ancient Greece, Rome, and Early Christian. Introduction to the analysis of imagery and the methods and practice of art history. Recommend previous enrollment in ART 124. Sequential order preferred.
ART H 221 Western Art History: 15th to 18th Centuries 5
(H) Survey of the dominant styles and movements of art in Europe and America from the 15th to the 18th centuries. Social, religious, political and philosophical changes and their connection with the role and creations of the artist. Includes Renaissance and Baroque periods. Analysis of imagery and practice of historical research. Recommend previous enrollment in ART 124. Sequential order preferred.
ART H 222 Western Art History: 18th to 19th Century 5
(H) Survey of major movements in the art of Europe, America and Russia from the 18th to the early 20th centuries. Traces the development of major changes in artistic expression, theory, meaning and content leading to the development of the Modern movement. Includes Classicism, Romanticism, and Impressionism. Analysis of imagery and methods and practice of historical research. Recommend previous enrollment in ART 124.
ART H 224 Contemporary Movements 5
(H) Development and spread of Modernism since the early 20th century and subsequent movements in art to the present day. Includes a survey of modernist theory and criticism, issues of gender and multiculturalism, and their effect on art. Includes such movements as Cubism, Abstract Expressionism, and Post Modernism. Previous enrollment in ART 124 recommended. Sequential order preferred.
ART H 228 The World of Anime and Manga 5
(H,D) Introduction to the history, culture, and creators who developed anime & manga: Japanese animation and comics. Examines the reciprocal influences between Japanese and Western artists to understand how anime and manga have become transnational mediums. Introduces key creators of the 20th century and examines influences on their work, as well as how these works influence contemporary visual art. Engages with critical themes, including an analysis of ethnocentric reactions, stereotyping, prejudice, discrimination, and gender bias, as seen in works of anime & manga, and experienced by creators working the industry. Prerequisites: Eligibility for ENGL& 101
Astronomy courses involve studying the origin, composition, and structure of the solar system, stars, galaxies, and the universe. Most astronomy courses satisfy the Natural Science Lab (NS-L) graduation distribution requirement.
