EVELINA ILINA EXTENDED PORTFOLIO by Evelina Ilina

PORTFOLIO

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TABLE OF CONTENTS

PROFESSIONAL

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TH E I A AC | G LO BAL SU M M ER SCHOOL ‘HYPERCIT . . . 10

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WORLSHOP

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Location: Moscow Address: Udarnik cinema area Serafimovitcha street 2 bld. 1

THE AIM OF THE PROJECT: Research and innovative planning of the urban environment. Studying urban strategy, parametric design, physical programming, digital simulation and develop strategic project PERSONAL

ACADEMIC

and create and fabricate own by coding algorithm in Grasshopper. The use of inexpensive materials economically in order to maximum 3 Using the inherent strength and economy of double curved surfaces for (at least ostensibly) social ends makes Gaudi’s architecture a pi

EVELINA ILINA

DESIGNER / ARCHITECT

E D U C A T I O N AND T R A I N I N G [ MAA ] MASTER IN ADVANCED ARCHITECTURE [ BA ]

Institute for Advanced Architecture of Catalonia IAAC 2016-2018, Barcelona, Spain SPECIALIST IN INTERIOR DESIGN Stroganov Moscow State Academy of Art and Industry 2008 – 2014, Moscow, Russia

IAAC GLOBAL SUMMER SCHOOL 4-17 July 2016, Moscow, Russia) // Research and innovative planning of the urban environment. // Studying urban strategy, parametric design, physical programming, digital simulation and develop strategic project STROGANOV SUMMER SCHOOL Julie-August 2013, Florence, Italy // study Italian Renaissance architecture

EXPERIENCE

Novembre -March 2019, Architecture Intern at MIRALLES TAGLIABUE EMBT, // Parco del Mare (Rimini, Italy) (Restaurant unit design, 3D modeling (Rhino), renders (3D Max/Vray). drawings) // San Giacomo church (Ferrara, Italy) (Facade design, brick layout, renders (3D Max/Vray)) // Qingdao Masterplan (China) (research, collages, project development, 3D modeling (Rhino), renders (3D Max/Vray) August -September 2018, Architecture Intern at Guallart Architects, Worked on design proposal for Shenzhen Cooperation Zone Central Area (1 prize) and «Shenzhen new marine city» competition (4 prize). // District urban development // Concept documentation ( Masterplan, 3D modeling, diagrams) July 2013- PRESENT, FREELANCE INTERIOR DESIGNER, // Concept development and detailing // 3D modeling and rendering in 3DS MAX // Construction documentation (dismantling/construction of partition walls, organized electric junction, illumination scheme);

EXHIBITIONS

// Experience Future Cities - at Union Industrial Space // Barcelona 2018 // Living (in) Future Cities - at MUHBA OLIVA ARTES // Barcelona 2017 // "Dormant wall", "Liquid skin" prototypes and ‘‘Mining lab’’ model on the permanent exposure at IAAC // Barcelona, 2017 // Degree project was taken to the Stroganov Academy Fund (Thesis: The redevelopment of the «Bolshevik» confectionary) // Moscow, 2014 // Neuhaus contest for young desiners, an Audience Choice Award // Moscow, 2012

INFO E-mail

evelinailina@gmail.com

Mobile +34 658 904 114 // +7 903 00 11 44 0 Behance Evelina ilina Issuu

Evelina Ilina

SOFTWARE SKILLS Adobe Photoshop InDesign Premiere After Effects

Autodesk Rhinoceros 5 Grasshopper 3D Studio Max Vray

ADDITIONAL SKILLS Lasercut 3dPrintig CNC Milling Photonometry Drawings Model making Construction of small architectures

LANGUAGES English (fluent) Russian (native) Spanish (beginner) 5

PARCO DEL MARE DI RIMINI MIRALLES TAGLIABUE EMBT [ PROFESSIONAL PROJECT ] I 2016 - PRESENT I

RESTAURANT ON THE SEAFRONT WITH LIGHTWEIGHT STRUCTURE ELEMENT

QINGDAO MASTERPLAN MIRALLES TAGLIABUE EMBT [ PROFESSIONAL PROJECT ] I 2019 I

MIRALLES TAGLIABUE EMBT [ PROFESSIONAL PROJECT ] I 2016 - 2019 I

SAN GIACOMO CHURCH IN FERRARA, ITALY 9

GENERATIVE ALGORITHMS COMPUTATIONAL DESIGN

BLOOM MORPHOLOGY

MESH METAMORPHOSE INTERACTIVE MODEIING FROM GAUDI'S CHAIN MODELS, FREI OTTO'S TENSILE MODELS TO ADVANCED AERODYNAMIC SOFTWARES, WE USE FORSES TO HELP MOLD BALANCED AND OPTIMIZED GEOMETRIES. WITH THE AID OF INTERACTIVE PHYSICS SIMULATIONS WE CAN CREATE DIGITAL MATERIALITY AND REAL LIFE BEHAVIOUR AS FORM FINDING PROTOCOL. CREATE A LIVE-INTERACTIVE MODEL USING FORCES AS PARAMETRS USING KANGAROO AS MAIN ENGINE. THE TASK IS TO BUILD A SIMPLE INTERFACE WHWRW THW USER CAN "PLAY" WITH INPUTS, SUCH AS ATTRACTORS, SLIDERS, FUNCTIONS AND TIME TO TRANSFORM A MESH, USING A CUBIC SPACE OF 10x10x10 UNITS.

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VERTIGO AGENT-BASED STRUCTURAL COLUMN INFORMED BY A SPECIFIC STIGMERGIC ENVIRONMENT

THE AIM IS TO EXPLORE A SHIFT IN THE DESIGN PARADIGM, FROM DIRECTLY DEFINING FORMAL OUTPUTS, TO THE DESIGN OF BEHAVIORS ABLE TO OPERATE IN INFORMATION RICH ENVIRONMENTS. STARTING FROM PERVASIVE DATA INPUTS AS OPERATIONAL SUBSTRATE, TO DESIGN BASIC BEHAVIOURS FOR A MULTY-AGENT BASED SYSTEM ABLE TO GROW, BUILDING COHERENT COMPOUNDS, WHICH ARE NOT ONLY RESPONSIVE GEOMETRIES, BUT ARE CONSTANTLY ASSESSED BY AN INTERNAL FEEDBACK SYSTEM.

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FINE ART CENTRE

DISSOLUTION IN CONTAMPRORARY ART [ BAA PROJECT ] I 2012 I

[THE AIM] THE PROJECT FOCUSES ON FINDING NEW FORMS OF SPATIAL ORGANIZATION. IN CONTRAST TO THE GENERAL IMAGE OF THE ART CENTERS WHEN ARCHITECTURE ATTRACTS BY EXTERNAL APPEARANCE WHICH INTERNAL SPACE IS DICTATED BY EXTERNAL GEOMETRY RATHER THAN THE IDEA OF FOCUSING ON EXPOSED OBJECTS. THE PURPOSE OF THIS PROJECT IS TO CREATE A SPACE INSIDE AS A CONTINUATION OF THE EXPOSITION. THUS, THE DOMINANT TOPIC IS THE COMPLETE IMMERSION OF VISITORS IN CONTEMPORARY ART. IT IS IMPLIED THAT SPACE WILL NOT BE READ AS SEPARATE OBJECTS TAKEN OUT OF CONTEXT BUT PERCEIVE THE EXPOSITION AS A COMPLETE SYSTEM WHERE THE INTERIOR OF THE SPACE IS THE UNIFYING ELEMENT.

ASTROPHYTUM MURICATUM

TUTORS:MARK BURRY, RODRIGO AGUIRRE 20

[ SE.8 BIFURCATION SEMINAR ] I 1-16 MARCH 2017 I

[THE AIM OF THE SEMINAR] EXPLORE GAUDI’S BIFURCATION COLUMNS AND CREATE AND FABRICATE OWN BY CODING ALGORITHM IN GRASSHOPPER. . USING THE INHERENT STRENGTH AND ECONOMY OF DOUBLE CURVED SURFACES FOR (AT LEAST OSTENSIBLY ) SOCIAL ENDS MAKES GAUDI’S ARCHITECTURE A PIONEERING EXAMPLE OF ADVANCED GEOMETRIC FORMS. THE SURFACE OF THESE MODELS IS COMPRISED OF ROTATED PLANES. TO MAKE THE STRAIGHT GUIDING LINE, A CORD WAS TIED TAUT (OR A METAL BAR WAS HUNG HORIZONTALLY AT A CERTAIN HEIGHT ) BETWEEN THE HIGHEST AND LOWEST POINTS OF THE ROOF. HERE, IN THIS MODELS, ONE CAN SEE THE CLEAR FINAL RESULTS REACHED WITH SIMPLE GEOMETRICAL EXERCISES. THERE WAS ESTABLISHED A SYSTEM EMPLOYING SIMPLE GEOMETRIES IN ORDER TO ACHIEVE OUR BIFURCATIONS. FURTHERMORE, THE CHANGES BETWEEN DIFFERENT GEOMETRIES WILL PRODUCE OUR BIFURCATION SYSTEM.

[CONCEPTUAL DEVELOPMENT] ASTROPHYTUM MURICATUM MODELS THIS OCEAN CRETURE CAN BE FOUND AT A DEPTH OF 30 METERS AND CAN CURL UP TO PROTECT ITSELF FROM PREDATORD AND STRETCHES OUT TO BE ABLE TO FEET ITSELF WITH PLANKTON IT WAS FASCINATING TO SEE THE SPECIFIC KIND OF THIS ANIMALS’ DIFFERENT ARMS BRANCHING WHICH INSPIRED TO DEVELOP A SYSTEM THAT CAN CHANGE AS SOON AS BIFURICATION REACHES THE NEXT LEVEL. 21

type 1 skylight closed

type

type 1 skylight closed

type 2 structural tree

type

type 2 structural tree

type 3 structural tree

[COMPUTATION] BEGINNING FROM THE MOST SIMPLE GEOMETRY WHICH IS A TRIANGLE WE BEGAN TO UNDERSTAND THE PRODUCTION PROCESS, ITS LIMITATIONS AND FLEXIBILITY. WE THEN APPLIED OUR “ASTRO” INSPIRED SECTION WITH OUR DOMINANT BRANCHING SYSTEM AND CREATED MULTILEVELED COLUMN STRUCTURE. CONSIDERING FURTHER DEVELOPMENT WITH THE USE MD SLIDER DEFINITION IN GRASSHOPPER AS A TOOL. THIS TOOL ALLOWS ONE TO DEFINE A COLUMN BRANCHING SYSTEM WITH LIMITLESS PROFILE SUBDIVISION. IN ADDITION THIS GRASSHOPPER DEFINITION GAVE US A CHANCE TO INVESTIGATE SUPPORTING DIFFERENT LOADS WITH BRANCHES THAT HAVE DIFFERENT RESISTANCES.

A ZERO-FOOTPRINT STRUCTURE

MINING LAB LOCATION: NOVOROSSIYSK, RUSSIA

[CONCEPT] THIS PROJECT REPRESENTS AN IDEA OF DIFFERENT WAYS OF A ZERO FOOTSTEP BUILDING. ACCORDING TO SYSTEM RULES SITE (QUARRY), NATURAL RESOURSES (LOCAL MATERIAL), WATER ONLY RENTALOF CONSTRUCTION EQUIPMENT IS REQUIRED. THE LABORATORY INCLUDES 3 BUILDINGS WHICH REPRESENT 3 TYPES OF ZERO-FOOTPRINT AND ENERGY EFFICIENT CONSTRUCTION PROCESS. SINCE ALL THE EXTRACTED MATERIAL IS USED IN FURTHER DEVELOPMENT IT IS A ZERO WASTE WAY OF BUILDING AS WELL. THE PROJECT AIMS TO CREATE A PLACE FOR A MATERIAL, ECOLOGICAL, PHYSICAL AND ENVIRONMENTAL STUDIES IN THE IMMEDIATE VACANATY OF THE MATERIAL SOURCE IN ORDER TO SAVE TIME AND RESOURSES OF THOSE WHO INVOLVED. THE RESEARCH CAMP IS LOCATED ON THE PLATEAU ITSELF WHERE THE EXTRACTION OF THE MATERIAL TOOK PLACE. THE DESIGN IS ADAPTED WITH TE LEAST MODIFICATIONS TO THE CONDITIONS OF QUARRY DEVELOPMENT SITES THROUGH RUSSIA.

TUTORS: ENRIC RUIZ GELI, MIREIA LUZARRAGA 24

[ SELF SUFFICIENT STUDIO ] I 2017 I

// 3D PRINTED FROM THE QUERRY EDGES // GRC // ENVIRONMENTAL SCIENCE

// ADUCATIONAL CAMPUS // ASSEMBLE SPACE. STRUCTURE // DRILLING MOLD + CONCRETE + WATER // SELFHEALING CONCRETE

// GEO LABORATOTORY // CAVE DRILLING // BATTERY STARAGE // MATERIAL PRODUCTION (OWEN TO BAKE CLINKER, POWDER MILL ECT) // MATERIAL RESEARCH/

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KINETIC SKIN STAGES // KANGOUROO BASED STRUCTURE perspective top view

[ GALAPAGOS GENETIC OPTIMISATION ] ACCORDING TO GEOGRAPHIC LOCATION DATA COLLECTION WAS MOSTLY ON THE PERIOD WITH WEAK SOLAR ACTIVITY, OCTOBER TO MAY RELATIVELY

kinetic skin stages

[ SOLAR RADIATION ANALYSIS ] WINTER SOLAR RADIATION ANALYSIS IDENTIFIED AREAS WITH THE MOST ACTIVE RADIATION DURING THE CHOSEN PERIOD. USING THE GALAPAGOS GENETIC OPTIMISATION THE MOST VALUABLE LOCATION FOR THE CONSTRUCTION WAS DEFINED. THE SITE IS LOCATED IN THE EQUAL CLOSE PROXIMITY TO 5 WATER WELLS SITUATED AT THE SITE ORIGINALLY. SUN RADIATION DATA AND EQUIDISTANCE WATER FACILITIES BECAME FUNDAMENTAL CONDITIONS FOR THE LOCATION

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[SCALE

MODEL]

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DORMANT WALL SELF SUSTAINABLE GREEN FACADE

TUTOR: MARCOS CRUZ

[ MASTER THESIS | C-BIOM.A] 30

I 2017/2018 I

GREEN WALL

FACADE TILES

CAIXAFORUM, MADRID SPAIN

PORTO, PORTUGAL

DORMANT WALL

[CONCEPTUAL DEVELOPMENT] THE URBAN WORLD IS INEXTRICABLY LINKED WITH THE NATURAL AS IF THE BIOMIMICRY OF ARCHITECTURAL STRUCTURES OR THE LITERAL INTRODUCTION OF BIO ORIGINALISM WHICH IS SO-CALLED «GREEN WALLS». UNDERSTANDING HOW MUCH RESOURCES ARE SPENT TO MAINTAIN IT, CAN WE ACTUALLY CALL THEM GREEN? THIS PROJECT IS ABOUT RETHINKING THIS QUESTIONABLY EFFECTIVE METHOD OF ARTIFICIAL CREATION OF A VERTICAL ENVIRONMENT FOR PLANTS TO LIVE. HOW CAN WE DESIGN A FACADE SYSTEM FOR A DESERT PLANT, WHICH BY EVOLUTION HAS ADAPTED TO THE AGGRESSIVE ENVIRONMENTAL CONDITIONS? THE HYDROTROPIC REACTION OF SELAGINELLA LEPIDOPHYLLA IS THE PHENOMENON THIS RESEARCH IS BASED ON. THE PROJECT AIMS TO RETHINK A CURRENT FACADE DESIGN IN A NEW PARADIGM. TO EXPLORE NEW PROSPECTS OF RESPONSIVE ARCHITECTURE APPROACH BASED ON A COMBINATION OF NATURAL BEHAVIOR AND COMPUTATIONAL MORPHOGENESIS. AS WELL AS SELAGINELLA LEPIDOPHYLLA GOES INTO A DORMANT MODE DURING DROUGHT, THE SAME WAY THE FACADE OF THE BUILDING SWITCHES TO THE ENERGY CONSERVATION MODE ACCORDING TO THE EXPOSED PARAMETERS UNDER CERTAIN ENVIRONMENTAL CONDITIONS.

[PANEL

MORPHOLOGY

THROUGH

PLANTS

ANIMATION VIDEO

PHOTONOMETRY]

[FACADE

SYSTEM]

THE SYSTEM IS DESIGNED IN SUCH A WAY THAT THE COLLECTION AND TRANSPORTATION OF RAIN WATER TO THE PLANT IS DUE TI THE UPPER REMOVABLE PANEL AND LOWER BASE DIRECTLY TO THE SOIL HOLLOW. THUS, NO MATTER WHERE THE WATEL ENTERS, IT IS ALWAYS TRANSPORTED DIRECTLY TO THE PLANT.

[ WATER PATHS TROUGHT THE BOTTOM PANEL ]

WATER FLOW DIAGRAM

MA02 / 2017 - 2018 C BIOM A / Marcoz Cruz

Hollow for the soil Water paths

[FINAL PROTOTYPE]

Absorbent agregate mix //Cocnut fibre //Marble //Ballast

VIDEO

Gypsum/Marble powder

[BOTTOM PANEL]

[ PRESUMED LAYOUT FOR PANELS ] ะกhanges in water flow depending on the panels position

[01]

X CONTAINER WAX CONTANIER

WAX RESOURCE // WAX RESOURSE HEATO LAMPS SETTING 75 C // HEAT LAMPS SETTINGS

// 75 C Â°

[02]

SKIN PANELS IN PANELS

ANGLE //35 DEEGREE SLOP ANGLE 35 DEGREE SLOP OVERLAPPING PANELS

// OVERLAPING PANELS

[03]

SUPPORT STRUCTURE ODEN WOODEN SUPPORT RUCTURE // MAIN STRUCTURE

MAIN STRUCTURES (COLAMNS) (COLUMNS ) SUB STRUCTURES (BEAM) // SUB STRUCTURE (BEAM) STOP HOOKS // STOP HOOKS

[SYSTEMATIC 38 36

APPROACH]

PERFORMATIVE USE OF LIQUIDS IN CURVED GLASS ASSEMBLIES. [ LIQUID SKIN SEMINAR ] I JANUARY/APRIL 2017 I

PERFORMATIVE WAX //TUTOR: EDOUARD CABAY // EXTERNAL EXPERTS. RESJA FERUSIC, CARLES SALAS // CRICURSA EXPERT: FERRAN FIGUEROLA // TECHNICAL ADVISOR: ALEXANDRE DUBOR // STUDENTS : EVELINA ILINA ( STRUCTURE DESIGN AND ASSEMBLIES )

MONTAKAN MANOSONG ( LIQUIDS )

YA CHIEH CHANG

( PERFORMATIVE EFFECT )

[PERFORMATIVE USE OF LIQUIDS] THE SEMINAR FOCUSES ON THE INTEGRATION OF LIQUIDS WITHIN CURVED GLASS ASSEMBLIES OR SURFACES, WHETHER AS CLOSED OR OPEN SYSTEMS, IN ORDER TO PRODUCE ARCHITECTURAL EFFECTS OR PERFORMANCE: CLIMATIC, ENERGETIC AND SPATIAL. THE SEMINAR IS A UNIQUE OPPORTUNITY TO WORK HAND IN HAND WITH THE CATALAN WORLD LEADING GLASSCURVING COMPANY OF CRICURSA. THE COURSE IS SET UP AS A COLLABORATION. .

[WAX THERMOFORMIMG] THE CONCEPT OF THE PROTOTYPE BASED ON THE IDEA OF PARAFFIN SHAPE PERFORMANCE UNDER THE INFLUENCE OF TEMPERATURE CHANGES. THE SYSTEM THAT DRAWS ON THE CHANGING OPACITY OF PARAFIN WAX ACCORDING TO GIVEN HEAT COMES IN THE FORM OF GLASS PANELS SITTING ON WOODEN STRUCTURE IN A SEQUENCE WHERE WAX FLOW PERFORMS IN CONGRUENCE WITH GRAVITY. THE PERFORMATIVE WAX SYSTEM NOT MERELY SERVES AS A SKIN FOR SUNSHADE BUT ALSO ONE SPACE THAT EXTENDS FROM THE ROOFTOP, FACADE TO APPROACHABLE HUMAN SCALE, WHICH ALLOWS VISITORS TO ENTER AS PART OF THIS DYNAMIC SCULPTURE THAT RESPONDS TO THE ENVIRONMENTAL CONDITION. WAX, HAVING THE PROPERTIES OF TRAVERSING BETWEEN PHASE OF LIQUID AND SOLIDITY, TRANSPARENCY AND OPACITY AND MEANWHILE CAPTURING AND STAGNATING ITS OWN MOTION, COMES TO OUR INTEREST AS THE MAJOR LIQUID TO WORK WITH. A SERIES OF TESTS ON THE WAX EFFECT WERE CARRIED OUT TO EXPLORE SPLASHING BY POURING WAX INTO WATER, BUBBLING BY MELTING SOLID WAX, AND EVENTUALLY THE DRAPING EFFECT ALONG A SLANTING SURFACE.

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PERFORMATIVE PAVILION PERFORMATIVE USE OF LIQUIDS IN CURVED GLASS ASSEMBLIES //TUTOR: EDOUARD CABAY // EXTERNAL EXPERTS. RESJA FERUSIC, CARLES SALAS // CRICURSA EXPERT: FERRAN FIGUEROLA // TECHNICAL ADVISOR: ALEXANDRE DUBOR // STUDENTS : 24 PEOPLE GROUP PROJECT

[ LIQUID 40

SKIN

SEMINAR ]

I 2 TERM I

112°

67° 6°

13°

6.9°

[STRUCTURE

DETAILS]

[ OVERLAPING DETAIL ] [01] 1

[02] 1 2 3 4 5

[ CONCRETE BASE ] 2

[01]

[02]

OVERLAPING SYSTEM

SINGLE SEAL UNITS

1. OVERLAPIND DISTANCE 2. STRUCTURALSILICON 3. SETTING BLOCK 4. 2 MM THK ALUMINIUM CROSS SECTION 120 X 45 MM

1. TOP GLASS PANEL 6 MM 2. METAL SPACER 3. DEHYDRANT GEL 4. SECONDARY SEALANT - SILICON 5. BOTTOM GLASS PANEL 8 MM 43

[PERFORM OF THE LIQUID]

[1 : 5

MODEL]

THE DESIGN OF 1 : 5 MODEL IS DIFFERENT FROM THE ORIGINAL PRTOTYPE TO INTRODUCE THE LARGERE SCALE OF THE PROJECT. IT IS DOUBLED IN SIZE STRUCTURE WITH MIRRORED GRID. BECOUSE OF THAT THE POSITION AND NUMBER OF CILUMNS ARE DIFFERENT. NOW ITS 7 COMPLETE AND 2 HALFS TO SUPPORT ADGES AND MAKE IT STABLE. 45

HYPERCITIES RESEARCH AND INNOVATIVE PLANNING OF THE URBAN ENVIRONMENT [FABRICATION] Mirror//TUTORS: has been MARIA placedKUPTSOVA under the table at 45 DG in order to project dynamic paths for ÀNGEL MUÑOZ | IAAC the robot, projection seated up under the table with Wide-Angle lens projector which IRINA SHAKLOVA top made of 6 mm tempered glass. To create all this physical visualisation system we ELENA MITROFANOVA IVAN MITROFANOV MOSCOW for a frame construction. Tissue fabricated an installation by using a| FABLAB milling machine slices for buildings models were created with laser cutting and brass rod frames as a //LOCATION: MOSCOW, substructure were connected with joints UDARNIK CINEMA AREAwhich were 3d printed and designed by our SERAFIMOVITCHAteam STREET BLD. 1 as 2well.

THE MIRROR HAS BEEN PLACED UNDER THE TABLE AT 45 DG IN ORDER TO PROGECT DYNAMIC PATHS FOR THE ROBOT, PROJECTION SEATED UP UNDER THE TABLE WITH WIDE-ANGLE LENS PROJECTOR. THE TOP OF THE TABLE IS MADE OF 6 MM TEMPERED GLASS. THE FRAME CONSTRUCTION FOR PHYSICAL VISUALISATION SYSTEM WERE FABRICATED USING CNC MILLING. TISSUE BUILDINGS MODELS WERE LASER CUTTED AND BRASS ROD FRAMES AS A SUBSTRUCTURE WERE CONNECTED WITH 3D PRINTED JOINTS AND DESIGNED BY OUR TEAM AS WELL. ROBOT SCHEME #EXPLODE

Physical Installation // STUDENTS: 14 PEOPLE GROUP PROJECT

Mirror has been pla the robot, projecti top made of 6 mm fabricated an insta slices for building substructure were

Physical Installation

[ IAAC GLOBAL SUMMER SCHOOL ] 19 I 4-18 JILY 2016 I

[THE AIM] The project assumes city as ephemeral space and our aim was to create a visual scheme different streams which place in chosen area. . STUDYING URBANof STRATEGY, PEREMETRIC DESIGN,take PHYSICAL PROGRAMMING, DIGITAL SIMULATION

Form Generation Day/Night

AND DEVELOP STRATEGIC PROJECT

THE PROJECT ASSUMES AS EPHEMERAL AND THE AIM WAS TO about CREATEenvironmental A VISUAL SCHEMEnoise OF Using SmartCity Arduino platform SPACE our group collects data DIFFERENT STREAMS WHICH TAKE PLACE IN CHOSEN AREA and light pollutions. To fulfil this with the information about routes, traffic pattern, congestion we collect data from the Kinect and internet resources. We resorted to 3d scanning technology to discover relations between architectural volume and urban [THE WORKFLOW] structure and to analyse geolocation of chosen area in general. The point cloud which USING SMARTCITY ARDUINO PLATFORM TO COLLECT DATA ABOUT ENVIRONMENTAL NOIZE AND LIGHT POLLUTIONS. TOprocess FULFILL provides THE INFORMATION ABOUTinformation ROUTES, TRAFFIC PATTERN, was obtained during this us more clear and helps to CONGESTION DATA WAS COLLECTED WITH THE KINECT AND INTERNET RESOURCES. WE RESORTED collect data about physical layers for the project research.VOLUME AND TO PHOTOMETRIC SKANNING TO DISCOVER RELATIONS BETWEEN ARCHITECTURAL URBAN STRUCTURE AND TO ANALYSE GEOLOCATION OF CHOSEN AREA IN GENERAL. THE POINT CLOUD WHICH WAS OBTAINED DURING THIS PROCESS PROVIDES US MORE CLEAR INFORMATION AND TO COLLECT DATA PHYSICAL LAYERS FOR THE PROECT RESEARCH. Analysis ofHELPS the data enabled to ABOUT write an algorithm which in turn generate a form. To

display it on the model an extruder robot has been assembled. ANALYSIS OF THE DATA ENABLED TO WRIGHT AN ALGORYTHM WHICH IN TURN GENERATE A FORM. TO DISPLAY IT ON THE MODEL AN EXTRUDER ROBOT HAS BEEN ASSEMBLED.

Point Cloud 47

THANK YOU

EVELINA ILINA +34 658 904 114 evelinailina@gmail.com