Ewbank Contents of Cunningham House - 26th September

The Contents of Cunningham House Sale

www.ewbankauctions.co.uk

The Contents of Cunningham House, Woodhill, Send, Surrey Monday 26th September 2016

Monday 26th September 2016

ÂŁ6

ewbank’s auction sale dates 2016 Viewing days/times vary, please contact the auctioneer for details

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

Alastair McCrea, MA Partner

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

John Snape, BA, ASFAV Partner

alastair@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

john@ewbankauctions.co.uk

September 21st Jewellery, Silver & Watches 22nd Fine Art & Antiques 23rd Antique Furniture & Clocks 26th The Contents of Cunningham House, Woodhill, Send

November 10th Asian Art 10th Textiles, Sewing & Vintage Fashion 16th Antique & Collectors' 30th Jewellery, Silver & Watches

October 5th 6th 27th 27th

December 1st Fine Art & Antiques 2nd Antique Furniture & Clocks 8th Entertainment & Memorabilia (Movie, Music, Sporting & Toys) 9th Vintage Posters 14th Antique & Collectors' 15th Fine Wines & Spirits

Antique & Collectors' Photographic, Scientific Instruments & Natural History Decorative Arts Contemporary Art

Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale.

Cover: Lot 541 Inside Front Cover: Lot 224 Inside Back Cover: Lot 359

Dates are published on our website and are subject to change without notice.

Cunningham House, Woodhill, Send, Surrey

Surrey & Hampshire’s Premier Auctioneers & Valuers Sale of the contents of

Cunningham House, Woodhill, Send, Surrey On instructions from the executors in the estates of Clive and Annette Lloyd Napoleonic Prisoner of War Paintings, Marine Paintings, Library Furniture, Decorative Items, Works of Art

SALE: Monday 26th September at 10.00 am at the Burnt Common Auction Rooms ON VIEW AT THE HOUSE: Saturday 17th September: 10am-2pm; Monday 19th September: 10am-5pm; Tuesday 20th September: 10am-7pm; Wednesday 21st September: 10am- 5pm; Thursday 22nd September: 10am-5pm; Friday 23rd September: 10am-5pm THERE WILL BE NO VIEWING ON SATURDAY 24th or MONDAY 26th Our quarterly antiques and fine art sale including jewellery and silver will be on view at the auction rooms which are under 200 yards away from the house. Prospective buyers can park at the saleroom and walk over. There is limited disabled parking at the house and in the lane.

For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s Live Internet Bidding please visit our new website: www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101 E-mail: antiques@ewbankauctions.co.uk Buyers Premium 27% inclusive of VAT MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

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INFORMATION FOR BUYERS AT AUCTIONS ORDER OF SALE Monday 26th September 2016 at 10.00am Lot Garden and Garage:

1-10

Annie’s Attic:

31-49

Bedroom 4:

72-76

Top Floor Landing:

77-85

Bedroom 2:

105-116

Bedroom 3:

135-150

Main Bedroom:

171-196

Stairs and Landing:

215-230

Conservatory:

251-258

Kitchen:

278-285

Hallway and Cloakroom:

305-326

Dining Room:

345-372

Study:

392-406

Clive Lloyd’s Library:

425-483

Drawing Room:

502-543

1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price.

Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 22.5% on the hammer price of each lot purchased. In addition, VAT will be added to this premium (see below).

5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union.

[These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme.

The VAT included within the premium is not recoverable as input tax.

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone. REMEMBER THAT YOU CAN BID LIVE ON EWBANKS LIVE ON THE SAME BASIS AS IF YOU ARE IN THE ROOM. 10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform.

Artists Resale Right: Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser's invoice.

Where possible such lots are marked in the catalogue with a §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.co.uk or phone +44 (0) 0845 410 3410

11. Methods of Payment. Usually any cheques will need to be cleared before you can take the goods away. Please discuss with our office in advance of the sale if you plan to use other methods of payment (except cash, for which there is an upper limit of 15,000 euros equivalent). There is an additional charge of 2.5% plus VAT on credit card payments with no additional charge on debit card payments (either made securely online or in person via a chip and pin machine).

12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day. And removal charges at £10 plus VAT per lot per day.

Cunningham House, Woodhill, Send, Surrey

P.J. Mene, cast bronze figure of a horse with a small dog at its feet signed and marked, P. Barbedienne Fondeur

Contents of a Surrey Country House Cunningham House, Woodhill, Send, Surrey Owned By The Late Clive And Annette Lloyd

Ewbank’s, Surrey and Hampshire’s premier auction house, have announced that they are hosting a special single-owner sale on 26th September of the contents of Cunningham House, Woodhill, Send the former residence of Clive and Annette Lloyd, who moved there from Netley Mill in Shere in 1999.

The Lloyds previously owned Gomshall Mill, which was mentioned in the Domesday Book, which was in a perilous state and threatened with demolition. They converted it into a thriving tearoom and antique shop.

Next door, they established the Gomshall Gallery, which specialised in nineteenth century marine art. Later moving to Cuningham House about 200 yards from Ewbank’s salerooms.

Clive Lloyd (1920-2004) began his career as an industrial chemist, served in the Royal Navy throughout World War II, and worked as a designer on returning to civilian life. However, his love for the sea never abated; he was a keen sailor and fisherman, and in the 1960s started to collect marine paintings and research the artists who created them.

Apart from this he had a successful career as a graphic designer and was an artist and sculptor. He travelled extensively, creating stage sets for major motion picture companies such as the Rank Organisation, and in the late 1970s, he was commissioned to redesign the interiors of a number of top South African hospitals.

His early career had led on to him opening the gallery in Surrey for the sale of fine art; he was a recognised expert on his subjects, sending paintings all over the world to museums and private collectors. A highly gifted man, he was a Fellow of the Royal Society of Arts and Annette was a graduate of the Royal College of Art. However, it was whilst browsing in London’s Portobello Road Market, that his focus shifted. He found and bought what he thought was an exquisitely carved, tiny ivory boat. He later found it to be bone, not ivory, and made by a French prisoner of war.

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This chance discovery became the first step on a lengthy journey to learn and acquire more examples of prisoner of war work, resulting in the formation of one of the largest private collections of prisoner of war artefacts then in existence. Although most of the collection was sold some years ago; his library, a few Napoleonic prisoner of war items, and an important collection of paintings by Napoleonic prisoner of war Ambroise Louis Garnerary (1783 - 1857) are included in the sale. (One illustrated above) During his 30-year quest to find out more about this neglected field of history, Lloyd wrote two well-respected books on the subject, set against an historical background dating from the Seven Years’ War (1756-63) to Napoleon’s downfall in 1816. They document the arts, crafts and occupations of the prisoners of war in England, France and America from 1756 to 1816, providing the historical background to and detailed examination of a neglected area of warfare. They also illustrate the incredible skills possessed by the makers of these remarkable ‘works of art’.

There are eight paintings by Ambroise Louis Garnerary (1783 - 1857) in the sale. Garnerary was a French corsair, painter and writer, who served under Robert Surcouf and Jean-Marie Duterte, and was held prisoner by the British for eight years.

He was captured on the French vessel ‘Belle Poule’ in 1806, and not being given the privilege of parole, was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, before being released in 1814. On returning to France, Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. There are eight of his paintings in the sale.

Relatively few Garnerary paintings are known to exist and this is believed to be the largest single collection in the World of his Napoleonic prisoner of War themed paintings. For the last 40 years or so Lloyd sought out and bought any that he could find and many of them are illustrated in his books.

An oil-on-canvas depicting prison hulks lying in Portsmouth Harbour, has a sale estimate of between £3,000 and £5,000. It is large measuring 53cm by 107cm, and has a plaque showing the artist’s name as ‘Hoppey Turner’. This was believed to be the way in which the British officer who dealt with, and made money from, Garneray’s works, kept secret their source, as described in Lloyd’s book ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’.

Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra, and a further three in the National Maritime Museum, Greenwich, London.

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An oil-on-canvas by Bernard De Hoog (1866-1943), entitled ‘Maternal Duties’ has been valued at between £1,500 and £2,500. It is signed B. De Hoog, and measures 53cm by 46cm. It depicts a mother spoon-feeding her baby.

A small selection of French P.O.W. artefacts is available in the sale, including a rare Napoleonic masonic apron, which belonged to Louis Duchemin, which he wore at the P.O.W. lodge ‘Le Paix Desiree’ at Wincanton.

The apron measures 26cm x 38cm, and is illustrated in ‘French Prisoners’ Lodges’ by J. T. Thorp; it comes with a French Prisoner of War Lodge certificate for Louis Duchemin on becoming a Master of ‘Le Paix Desiree’ lodge with red wax seal in metal box, and a marriage certificate dated 4 February 1808, for Louis Duchemin and Elizabeth Clewett whose father was the Wincanton Masons’ printer. This lot is estimated at between £800 and £1,200.

Among Lloyd’s collection are a selection of bronzes. One by Antoine-Louis Barye, of a tiger, is estimated at between £1,000 and £1,500. It stands on a rectangular base, is 42cm long and is signed. Another, is a cast bronze figure of a horse with a small dog at its feet, signed and marked P. Barbedienne Fondeur, who was a French metalworker and manufacturer, who was also well-known as a bronze founder. The figure was sculpted

by Pierre-Jules Mêne (1810 - 1879), a leading French sculptor and one of the pioneers of animal sculpture in the 19th century. It measures 45cm by 65cm, and has been valued at between £2,500 and £3,500.

A 19th century terracotta model of a cockerel in coloured glazes by French sculptor Paul Comolera, for the Choisy-le-Roi faience factory, is 61cm high and carries an estimate of between £800 and £1,200.

Many furniture lots are for sale, including a Regency rosewood breakfront bookcase with carved decoration and brass galleried top. It measures 163cm high, 200cm wide, and 38cm deep and has been valued at £1,5002,500, by the team at Ewbank’s. Also in the sale is a 19th century continental light flame mahogany and ebonised collector’s cabinet estimated at £400 to £600.

An early 20th century penny in the slot Polyphon, an early disc player, in a walnut-veneered glass-fronted case with discs and open disc compartment below, carries an estimate of between £500 and £800. It stands on bun feet, and measures 145cm x 50cm x 32cm.

Clive Lloyd’s research library is also included in the auction. One of the most valuable lots is one featuring 23 volumes of ‘The Naval Chronicle’, by J.S. Clarke and others, published by Bunney & Gold, London in the early 19th century. There are many works relating to French Napoleonic prisoners of War. The full sale can now be seen on our website www.ewbankauctions.co.uk and the whole sale will be on view in the house on Saturday 17th September and from Monday to Friday 19th to 23rd September. The house will be put on the market in the Autumn after the sale.

The auction itself is on Monday 26th September at 10 am and will be held at Ewbank’s Auction Rooms.

Live online bidding is available on the Ewbank’s Live website or on www.theauctionroom.com which was recently founded by Chris Ewbank and other auctioneers to give buyers the chance to buy live online for the same price as buyers in the room.

For valuations the saleroom is open from Monday to Friday from 9am to 5pm and there is no need to make an appointment as valuers are always available to advise visitors. For further information or to make a specific appointment to see any of Ewbank’s specialists, contact the saleroom on 01483 223101 or email antiques@ewbankauctions.co.uk. www.ewbankauctions.co.uk www.theauctionroom.com

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GARDEN AND GARAGE 1 Set of four green painted cast-iron and wooden slat seated armchairs with scrolling floral decoration £200-300 2 Green painted aluminium patio table and two chairs

33 Small black, red and gilt decorated spice chest with four drawers £30-50 34 Small black, red and gilt painted cabinet marked ‘Cigars’ with shelves inside £40-60

£20-30

3 Three fibre glass sheep, one of which is damaged

£30-50

4 Eleven variously sized terracotta and plastic garden pots

£30-50

5 Green painted cast metal garden table on scrolling tripod base and a pair of white painted small garden tables on three supports £60-100

35 Two fish tackle boxes and a gun box with green, red and gilt painted decoration £50-80 36 Pair of green, red and gilt decorated filing cabinets with cartouches of ships, one being HMS Gunner £50-80 37 Black, red and gilt decorated tripod table

£60-100

38 Pair of walnut rustic style stools, each on three legs

£60-100

39 Green, red and gilt decorated six drawer chest, each drawer marked for different sewing equipment £40-60 40 Green, red and gilt decorated spice and pulse chest with fifteen various drawers £50-80 41 Green, red and gilt decorated pedestal desk, the top with cartouche decorated with a ship £80-120 42 Green and gilt decorated coal box

6 6 Pair of composite stone ball finials, on square bases, balls 42cm high, bases 88cm wide £500-800 See Illustration 7 Seven gilt wood and gesso picture frames, various sizes

£60-100

8 Four gilt wood and gesso picture frames, various sizes

£40-60

9 Gilt wood and gesso picture frame with scrolling and pierced decoration, 141cm x 94cm £50-80 10 Gilt wood and gesso picture frame with scrolling foliate decoration, 106cm x 91cm £50-80

ANNIE’S ATTIC 31 Pair of green, red and gilt painted open bookshelves, each approximately 217cm high £150-250 32 Modern computer desk, metal filing cabinet and a modern mahogany open bookcase £60-100

£30-50

43 Green, red and gilt decorated bath tub with floral decoration £30-50 44 Small black and gilt decorated coffer marked ‘Captain L.T. Mason, The Granville, Plymouth’ on turned supports £30-50 45 Black and gilt decorated chest of two short and two long drawers on plinth base, the top decorated with a cartouche of a compass £40-60 46 Victorian green leather upholstered and buttoned back nursing chair on cabriole legs £50-80 47 Persian style Belgian made grey and red ground rug, 170cm x 120cm £30-50 48 Five carved and painted masks and two carved wood birds

£40-60

49 Pair of carved wooden stirrups

£30-50

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BEDROOM 4 72 Beechwood rocking chair

£30-50

73 Pair of brass student type table lamps with green glass shades £50-80 74 Gilt framed mirror with scroll and foliate decoration, rectangular bevelled plate, overall size 74cm x 65cm £100-200 80 80 19th century landscape scene with figures around a camp fire, oil on panel, 15.5cm x 22cm £200-300 See Illustration 81 Silver plated pot on tripod supports, three small carved ivory figures, two pottery bulls, and an elephant £40-60

75 75 W. Rogers, seascape with sailing and rowing boats coming into harbour, signed, oil on canvas, re-lined, 49.5cm x 75cm £200-300 See Illustration 76 Three framed bird prints comprising Black Grouse, Buffle Headed Duck and Sand Grouse, each 23cm x 28cm £40-60 82

TOP FLOOR LANDING 77 Victorian mahogany button back open armchair on turned supports £200-300 78 Victorian oak four tier whatnot with three drawers, on turned supports, 170cm high £80-120

82 Persian silk rug with an ivory ground, six cartouches each with a different design of trees and floral decorated borders, 154cm x 90cm £250-350 See Illustration 83 Carved hardwood grotesque mask head sticking out its tongue, with abalone eyes, 24.5cm high £30-50 84 Pair of Far Eastern shoes inlaid with mother of pearl

£30-50

79 79 19th century landscape with figures walking down a country path amongst trees and at the foot of the path there is a figure with cattle watering, oil on board, 20.5cm x 20.5cm £200-300 See Illustration

10

85 85 Chinese carved ivory puzzle ball on stand, the outer ball carved as dragons, on figural stand, 27.5cm high £200-300 See Illustration

BEDROOM 2 105 Modern computer desk, 129cm high

£40-60

106 Pair of pine bedside chests each with three drawers, on bun feet £40-60

115 Pair of studio pottery bedside lamps with cut out and scored decoration £40-60 116 Collection of thirty-eight sea shells

£40-60

BEDROOM 3 107 Folding beech wood chair and two stools and a walnut bedside cupboard with an open section over a single drawer, on cabriole legs £40-60 108 19th century mahogany wash stand with fold over top, cupboard and a drawer and under tier, 84cm x 36cm x 36cm £40-60 109 Rosewood and line inlaid over mantel mirror with bevelled plates, broken swan neck pediment, 88cm x 75cm £80-100

135 Pair of beech tables with smaller under tables, (lacking one under table) £40-60 136 Child’s beech wood framed rush seated chair

£30-50

137 Child’s oak and beech wood chair with carved back rail on turned supports £40-60 138 Modern framed beechwood and blue upholstered button back arm chair £40-60 139 Pair of pine floor standing bedside chests, each with three drawers on bun feet, 61cm high £40-60 140 Modern pine wardrobe with two doors, on bun feet

110 110 Wigerus Vitringa 1657-1721, black and white watercolour of a struggling ship at sea and another with a broken mast, dated 1704, 13.5cm x 20cm £300-500 See Illustration

£30-50

141 20th century low stool on cabriole legs with tapestry seat, 29cm x 123cm x 33cm £50-80 142 20th century gilt framed rectangular wall mirror with scrolling shell decoration, 60cm x 48cm £150-250 143 19th century walnut sideboard with pierced and carved doors on gadrooned plinth base, 96cm x 138cm x 49cm £150-250 144 19th century mahogany shaving stand with circular mirror, two compartments on turned column and tripod base, 140cm high £80-120 145 Modern flower print, 34cm x 23cm

111 111 Wigerus Vitringa 1657-1721, black and white watercolour of ships in harbour, a smaller rowing boat in the foreground, 14.5cm x 19.5cm £300-500 See Illustration 112 Pair of 19th century French coloured engravings after L. Garneray entitled ‘Peche de l’esturgeon’ and ‘Peche au Maquereau’, 36cm x 46cm £80-120 113 Five 19th century profile portrait silhouettes of two ladies and three gentlemen £60-100 114 19th/20th century portrait miniature of a Tudor gentleman with beard, wearing a ruff and a hat, painted on paper, 6cm x 6.5cm £50-80

£20-30

146 20th century rosewood and brass mounted book stand, and a pair of modern book ends in the form of stylised elephants £30-50 147 Eight 19th century prints with coloured foil and hand coloured and hand applied decoration to include St. George and the Dragon, St. James of Spain, St. Dennis of France and others £150-250 148 Set of four feather pictures of birds, each 9.5cm x 8cm

£80-120

149 Two late 19th century needlework samplers, both by the same hand, Mary Sherlock, the first 1892 and the second 1895, 31cm x 33.5cm and 30cm x 32cm respectively £50-80 150 Coromandel and brass bound dressing table box with fitted interior, 30cm wide £80-120

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MAIN BEDROOM 171 19th century rosewood effect framed tub armchair with button back £150-250

175

172

175 19th century burr yew work table with twin fall flaps, three rotating drawers and on one side two drawers, the other with bag underneath on quatrefoil base and lion’s paw feet, 75cm x 49cm x 33cm £200-300 See Illustration

172 19th century Dutch marquetry inlaid serpentine fronted side table with a single drawer, on carved cabriole legs, 74cm x 79cm x 47cm £300-500 See Illustration

176

173 173 19th century Dutch marquetry inlaid dressing table mirror on bombe base, fall flap above a single drawer, on shaped supports and feet, 66cm x 48cm x 45cm £200-300 See Illustration 174 Pair of French style green and blue painted armchairs on cabriole legs £150-250

12

176 19th century continental flamed mahogany and ebonised collectors cabinet with lift up top, two doors enclosing six drawers and two further drawers under, on carved square supports, 95cm x 99cm x 54cm £400-600 See Illustration 177 Walnut framed cheval mirror, 160cm high

£50-80

178 18th century walnut framed stool with tapestry seat, on carved cabriole legs, 49cm x 92cm x 51cm £80-120

179 In the style of James Wilson Morrice, oil on board, of ships in harbour, 7cm x 10cm.

£200-300

180 In the style of James Wilson Morrice, titled verso ‘Boulogne, The Ramblers’, oil on board, 12cm x 15cm.

Indistinct signature verso. £200-300 181 Pen and ink sketch of a hare, 7cm x 14cm

£30-50

182 182 English school, portrait of a lady in Elizabethan dress with pearl earrings, necklace and white lace collar, in gilt and decorated frame, 54.5cm x 40cm £1500-2500 See Illustration

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183 183 Pink ground silk prayer rug, 88.5cm x 58cm

ÂŁ150-250 See Illustration

184 184 Persian silk prayer rug with pink ground, 92cm x 60cm

14

ÂŁ100-200 See Illustration

185 Burmese red and black lacquered tray decorated with various figures, 58cm diameter £80-120 186 Satinwood tea caddy with two caddies and a central glass well, of sarcophagus form on squashed bun feet, 39cm wide £100-150

193 George III needlework sampler embroidered in colours with trees, flowers, foliage and animals, embroidered with a verse reading ‘You whose fond wishes do to heaven aspire who make those blessed abodes your sole desire, if you are wise and hope that bliss to gain use well your time live not an hour in vain. Let not the morrow your vain thoughts employ but think this day the last you shall enjoy’, by Mary Williams of Woolwich and dated 1798, 42cm x 32cm £100-200

187 187 John Mayne van der Kemp, cast bronze model of a lioness, 29cm wide £300-500 See Illustration 188 Rectangular silver cigarette box, makers WTT & Co., Birmingham, with engine turned decoration, on four ogee bracket feet, 14.5cm wide £40-60 189 Pair of silver plated chamber candle holders and snuffers

£40-60

190 Persian style rug with green grey ground, 155cm x 93cm

£20-30

194 194 19th century coromandel and brass mounted dressing table box, the lift up cover revealing a fold-out mirror, central slide-out sections revealing mother of pearl mounted manicure sets, rulers and letter opener, with glass and silver mounted jars and boxes and two silver backed brushes, 34cm wide £400-600 See Illustration

195

191

195 Pair of George III oval walnut tea caddies with single compartments and sunburst covers, each 12cm high x 20cm wide £150-250 See Illustration

191 Pair of gilt metal figural table lamps with scrolling decoration, each on four scroll feet, 54cm high £250-350 See Illustration

196 Collection of vintage fashion, handbags and accessories including Aquascutum silk scarf, Viyella silk scarf, handbags including Radley and Jane Shilton, costume jewellery etc. £100-200

192 Pair of red and black lacquered gilt framed miniature convex mirrors, 9.5cm diameter £80-120

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STAIRS AND LANDING 215 Modern hardwood altar type table

£40-60

216 19th century walnut and burr yew bureau with fall flap over a single drawer, on cabriole legs, 59cm wide, 32cm deep £80-100 219 217 20th century gilt gesso girandole with scrolling foliate and shell decoration, the central bevelled rectangular plate flanked by twin candle holders, 93cm x 114cm £200-300 218 Victorian walnut round table on carved column and scrolling tripod base, 73cm high, 51cm diameter £60-100

219 French gilt wood three piece suite with carved decoration on carved and turned supports comprising sofa and two open arm chairs £200-300 See Illustration 220 Brass Corinthian column floor standing lamp with square base and lion’s paw feet, 140cm high £60-100 221 18th century black and white engraving of a battle scene, 22cm x 54cm £60-100

222 Collection of ten hand-coloured prints of a birds comprising Eared Grebe, Red Breasted Merganser, Goosander, Seal Drake, Ptarmigan, Grey Lag Goose, White Fronted Goose, Bernicle Goose, Canada Goose and Red Breasted Goose, each 23cm x 28.5cm £150-250 223 Pair of hand-coloured prints of birds comprising male and female Pochards and male and female Gadwalls, 32cm x 47cm £50-80

224 224 19th century view of St Paul’s cathedral from The Thames with boats and buildings in the foreground, oil on copper panel, 20cm x 31cm £200-300 See Illustration

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225

225 Ambroise Louis Garneray (French, 1783-1857), Prison hulks in line ahead at Portsmouth Harbour, oil on canvas, 52cm x 104cm.

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814.

On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007.

Provenance: The Clive Lloyd Collection. £2500-3500 See Illustration

226 Late 19th century upright penny in the slot polyphon in walnut veneered glass fronted case with discs and open disc compartment below, on bun feet, 145cm x 50cm x 32cm £500-800 See Illustration

226

17

CONSERVATORY 251 Pair of cast-iron based and wood topped trestle type tables

£50-80

227 227 Collection of twelve wooden handled and steel blade cutters. £100-150 See Illustration

252 (one of a pair)

228 228 Collection of seven 19th century sugar cutters

£80-120 See Illustration

229 Collection of various implements/tools to include nutcracker, potato peeler, containers of various sorts, waffle press and other items £100-150

252 Pair of cast metal urn shaped plant stands, on square bases, 98cm high £200-300 See Illustration 253 Pair of white painted ceiling hanging planters

£40-60

254 254 Pair of cast metal herons, 137cm high

230 230 Cast metal strut easel picture stand with scrolling decoration, 52cm high £50-80 See Illustration

£200-300 See Illustration

255 Five terracotta and pottery planters

£30-50

256 Green painted and carved wood bookcase

£40-60

257 African Benin type cast bronze figure

£80-100

258 Pair of carved and painted South American wall brackets of a winged horse and a figure, 38cm high £30-50

18

KITCHEN

HALLWAY AND CLOAKROOM

307 French hardwood serpentine fronted and marble topped hall table, 92cm x 90cm x 43cm £100-200

305 278 278 English School, early 19th century, resting seated figures by a horse and cart by a rocky outcrop, oil on panel, 30cm x 43cm £400-600 See Illustration

305 Black Forest carved wood coat rack, with carved oak leaf decoration and deer’s head surmount, 75cm wide £200-300 See Illustration 306 17th/18th century oak coffer with carved decoration, 46cm x 96cm x 54cm £100-200

308 308 Mahogany framed and leather upholstered tub armchair £100-150 See Illustration

279 279 Collection of thirty brass and copper decorated oil lamps £200-300 See Illustration 280 Collection of ten pewter oil lamps £100-200

281 281 A collection of twenty steel wick candle snuffers £250-350 See Illustration 282 Collection of seventeen brass bell kitchen weights ranging from one ounce through to 14lbs £100-150 283 Collection of glass comports

£80-120

284 Collection of eleven stoneware ginger beer bottles by Surrey makers £60-100 285 Selection of glassware to include drinking glasses, sundae dishes and bowls £80-120

309 309 19th century mahogany metamorphic writing table converting to library steps, (measurements as a writing desk), 74cm x 100cm x 54cm £300-500 See Illustration

19

312 312 19th century mahogany and leather upholstered open armchair £200-300 See Illustration

310 (one of a pair) 310 Pair of Regency rosewood open bookcases with carved decoration on plinth bases, 234cm x 125cm x 50cm £2000-3000 See Illustration

313 (one of a pair)

311 311 Regency rosewood library table with two drawers, on twin end supports and scroll feet, 73cm x 67cm x 121cm £400-600 See Illustration

20

313 Pair of green and black flecked marble pedestals on octagonal bases, 109cm high £800-1200 See Illustration

322 Eleven modern cream and brown glazed ribbed pots with bird decoration £60-100

314 314 Pair of 19th century mahogany, leather upholstered and buttoned back armchairs £500-800 See Illustration 315 Reproduction mahogany drum table on fluted column and quatrefoil base, 73cm x 71cm £80-120

323 323 J. Moigniez, cast bronze figure of a heron, 55cm high

£800-1200 See Illustration

316 316 Rococo style gilt framed wall mirror with broken swan neck pediment and stylised shield surmount, 131cm x 73cm £250-350 See Illustration 317 Brass and green glass student’s type table lamp

£30-50

318 The cloakroom in the hallway - Rectangular gilt framed wall mirror with shell and scroll decoration, 50cm x 42cm £150-250 319 Persian style Shah Abbas rug made in Belgium, the red ground with twin medallions, 177cm x 120cm £60-100 320 Two carved wood bird figures by The Feathers Gallery, both of Vulturine Guinea Fowl, limited editions of 450/2000 and 57/2000.

Resin figure of an Avocet, collection of resin birds and animals to include resin group of four swans, one with a broken neck and a resin group of doves perched on branches, small carved wood figure of a humming bird and two wooden dishes. Collection of small items comprising two turned wood bowls, clear and coloured glass duck, wooden duck, wooden rhino, two glass birds with filled sand decoration, birds from The Feathers Collection, a small wooden gavel and a carved stone bird £80-120 321 Sliced and polished petrified wood sample, probably Madagascan £20-30

324 324 Spanish School, late 17th century Madonna and Child in elaborate costume and headdress, oil on copper, 17cm x 12cm £800-1200 See Illustration

21

325 325 A.M. Cortez, Cattle grazing by a riverside, signed, oil on canvas, 72cm x 93cm

£400-600 See Illustration

326 326 Ambroise Louis Garneray (French, 1783-1857), Prison hulks lying in Portsmouth Harbour at dusk, oil on canvas, 56cm x 112cm.

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007.

Provenance: The Clive Lloyd Collection. £2500-3500 See Illustration

22

DINING ROOM

345 345 Regency style mahogany drum top dining table with eight drawers, (four of those are faux drawers,) on turned column and quatrefoil base, leather inset top, 75cm x 185cm £800-1200 See Illustration

346 346 Set of eight Regency mahogany bar back dining chairs, (two carvers and six singles)

347 Two Edwardian mahogany four and five tiered folding cake stands, smaller stand - 76cm high

£500-800 See Illustration

£100-150

23

351 351 Regency mahogany circular ship’s decanter table with carved recesses for glasses and galleried decanter stand on turned column and tripod base, 61cm high, 81cm diameter £300-500 See Illustration

348 348 William & Mary fruitwood cabinet on stand, the cabinet being late 17th century, with geometrically moulded doors enclosing a fitted interior with ten drawers and a central recess with cover, the stand with bobbin turned supports, stretchered base and bun feet, 118cm x 60cm x 38cm £600-1000 See Illustration

352 352 George III burr-yew and yew cross banded serpentine fronted slope front knife box on three paw feet, fitted interior, 36cm x 23cm x 22cm £200-300 See Illustration

349 349 Late 19th/early 20th century Florentine gilt wood wall mirror with scrolling foliate and shell decoration, 124cm x 163cm £800-1200 See Illustration

353 353 Persian rug with a central navy blue ground single medallion, various decorative borders, 279cm x 185cm £150-250 See Illustration 354 Carved hardwood African female bust with necklace and earrings, 36cm high £50-80 355 Four carved mask South American hardwood candle holders, tallest 11.5cm £30-50

350 350 Italian late 18th/early 19th century walnut coffer the hinged fall front carved with four reserve panels above a similarly carved plinth base, 75cm x 174cm x 55cm, (altered from a top opening coffer.) £400-600 See Illustration

24

356 Pine and metal bound barrel; and an oak plant holder 357 Mixed selection of drinking glasses and decanters

£30-50

£100-150

358 Pair of brass candlesticks, with knopped stems and circular bases, 50cm high £40-60

359 French terracotta model of a cockerel in coloured glazes, by P. Comolera for Choisy-le-Roi, 61cm high £800-1200 See Illustration

360 Selection of stoneware bottles and jars

£30-40

361 English silver miniature alms style dish, modern, London maker’s mark ‘EIM’ £40-60

362 A small selection of silver plated wares to include two wine bottle coasters, a glass bowl on column with three swans to the base, plated mats/coasters and a pair of small dishes £50-80

363 Royal Crown Derby ‘Bali’ pattern part dinner service, 8 plates £30-50

364 Copeland late Spode part dinner service, four meat dishes, side plates and smaller plates, (34) £30-50 359

365 365 Follower of Willem Van de Velde, ships reefed down in a gale, oil on panel, 25cm x 35cm, label verso “Leeds City Art Gallery and Temple Newsam House”, in a tortoiseshell veneered and ebonised frame £1000-1500 See Illustration

25

366 366 Circle of David Teniers, figures on a path with a church and cottages beyond, oil on panel, inscribed ‘DT’ to the rock lower centre, 24cm x 19cm, remnants of label verso £600-1000 See Illustration

367 367 Ambroise Louis Garneray (French, 1783-1857), Panorama of Portsmouth Harbour with prison hulks in line ahead and warships at anchor, including warships of the American and Spanish navies, oil on canvas, 51cm x 102cm.

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007.

Provenance: The Clive Lloyd Collection. Purchased from Christie’s, sale 9631, lot 379, May 21, 2003. £3000-5000 See Illustration

26

368 368 Edward Charles Williams (1807 - 1881), Night, the village forge, oil on board, inscribed and dated 1867 on paper label verso in ink, 28cm x 20cm £300-500 See Illustration

370 370 Joseph Bussenot, A soldier kicking a drunken colleague, ink heightened with white on brown paper, signed lower left, 23cm x 23cm £150-250 See Illustration

369 369 English School, 18th century, An English battleship with commandeered French Vessels, oil on copper, 15cm x 20cm £300-500 See Illustration

371 371 Early 19th century ink drawing by J. Adam of figures on the quayside with their catch, signed and dated 1826, 16cm x 20cm £100-150 See Illustration 372 19th century black and white print of ships at sea, after Dirk de Jongh, 20cm x 29cm £40-60

NEX

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STUDY 392 19th century mahogany framed leather upholstered button seated armchair

£150-250

393 393 Regency rosewood breakfront bookcase with carved decoration and brass galleried top, 163cm high, 200cm wide, 38cm deep

394 394 Pair of 20th century mahogany framed and leather upholstered buttoned back and seated desk chairs £300-500 See Illustration

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£1500-2500 See Illustration

395 395 19th century partner’s mahogany desk with drawers and cupboards, 70cm x 122cm x 93cm

£1000-1500 See Illustration

396 Modern mahogany and leather topped filing cabinet

£50-80

397 Two oak stools on twin end supports, with stretchered bases

£40-60

398 Royal Keshan Belgian made Agra wool carpet, 132cm x 170cm

£50-80

399 Early 19th century cannon ball

£80-120

400 400 Rare Napoleonic French Prisoner of War masonic apron, which belonged to Louis Duchemin which he wore at the P.O.W. lodge ‘Le Paix Desiree’ at Wincanton, the apron measures 26cm x 38cm, the apron is illustrated in ‘French Prisoners’ Lodges’ by J. T. Thorp page 296, second edition, published 1935, with a French Prisoner of War Lodge certificate for Louis Duchemin becoming a Master of ‘Le Paix Desiree’ lodge with red wax seal in metal box, and Marriage certificate dated 4th day of February 1808, for Louis Duchemin and Elizabeth Clewett whose father was the Wincanton Masons’ printer, (3), There is an account of Duchemin’s life in The Duchemin Family History by L. M. Bray £800-1200 See Illustration

29

401 401 Ambroise Louis Garneray (French, 1783-1857), Early morning view of Portsmouth Harbour with the prison hulks at low tide, showing fishermen and nets on the mud banks, oil on canvas, 54cm x 104cm.

Made from two pieces of different weave and sewn together vertically showing how material was valued by prisoner of war craftsmen (see ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007).

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925).

Provenance: The Clive Lloyd Collection. £3000-5000 See Illustration

402 402 Wigerus Vitringa (1657 - 1721), black and white watercolours, pair, ships at sea, signed, 12.5cm x 17.5cm

30

£800-1200 See Illustration

403 403 19th century, French ships near a jetty, oil on pine panel, 33cm x 25cm £200-300 See Illustration 404 M. Fournier, ‘Vue generale du village et de l’oasis de Mechonneck’, watercolour, 15.5cm x 36.5cm £60-100 405 Scene with a figure on a horse and another standing, signed ‘DV’ and dated 1876, watercolour, 7cm x 11.5cm £40-60

427

429

427 ‘The Old Jersey Captive; Or a Narrative of the Captivity of Thomas Andros on Board the Old Jersey Prison Ship, New York, 1781’, published by William Pierce (Boston, 1833). Inscribed with name of former owner and with further inscription to back page: “The property of James L. Durfee of Berkeley - a good sail makes...”, rebound in quarter leather and marbled boards, with original cover inset. Contained in custom box file titled to spine, purchased from Edward J. Lefkowicz, Inc., Providence, USA in 1993 for $275 £50-80 See Illustration

429 ‘Military Memoirs; Edward Costello - The Peninsular and Waterloo Campaigns’, edited by Antony Brett-James and signed by Brett-James to title page, published by Longmans (1967). Inscribed by Peter Young, general editor of the Military Memoirs series, inside front cover page; “To Silver Wolf (possibly addressing Mr. Lloyd?) from the [Brig.] General Editor, Peter Young: 12 Sept 1967” Very Good.

Green cloth-covered boards. Contained in custom box file titled ‘Edward Costello - A. Brett-James’ £30-40 See Illustration 430 ‘The Asiatic Annual Register, or, A View of the History of Hindustan for the Year 1805’,

by Lawrence Dundan Campbell, printed for Cadell and Davies (London). Previous owner’s name inscribed on title page.Full brown leather. Fair. £40-60

406 Portrait of Frank Brangwyn, etching, signed Joseph Simpson (1879-1939), two others by the same artist, also signed and two other prints £60-100

CLIVE LLOYD’S LIBRARY 425 ‘Narrative of the Surrender of Buonaparte’

by Captain F.L. Maitland, published by Henry Colburn (London, 1826). Fold-out map contained. Also with two related newspaper clippings. Half-leather and marbled boards. Good. Titled ‘Maitland’s Narrative’ to spine £40-60

426 426 ‘King of Prussia’s Works’ or ‘The History of My Own Times’, in 13 volumes, being the posthumous works of Frederick II, trans.

Thomas Holcroft, published G.G.J. and J. Robinson (1789). Inscribed by former owner; Captain Chesney of the Royal Artillery, Full brown leather. Good. £80-100 See Illustration

428 428 “Recollections of the Jersey Prison-Ship; taken and prepared for publication from the original manuscript of the late Captain Thomas Dring”, by Albert G. Greene, published by H.H. Brown (Providence, 1829), with fold-out engraved frontis of the Jersey Prison Ship. Title page inscribed by former owner J.W. Chandler, and with hand-written notes inside front page from other former owners. Fair (contents).

Rebound quarter leather and marbled boards. Contained in custom box file titled to spine “Jersey Prison Ship - Thomas Dring” £60-100 See Illustration

431 431 ‘Voyages a Cadenne, dans les deux Ameriques, et Chez les Antropophages’, by Louis-Ange Pitou, published for the author (Paris, 1805). Fold-out engraved frontis.Very Good. Rebound half-leather and cloth-covered boards. £60-80 See Illustration

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432 ‘French Prisoners Lodges: a Brief Account of 50 Lodges and Chapters of Freemasons’

by John T. Thorp, published by The Lodge of Research (Leicester, 1935). Half-leather and cloth-covered boards. Near Fine. Along with ‘Some Notes on French Prisoners Lodges’ by W. Bro. Wonnacott, pamphlet, circa early to mid 20th century, no publishers name, possibly privately printed.

Contained within a card for “Edward J. Lefkowicz Inc., Rare Books”. Contained in custom box file titled to spine “French Lodges” £50-80 433 ‘Journal; Containing an Account of the Wrongs, Sufferings, and Neglect Experienced by Americans in France’, by Stephen Clubb, “late a prisoner in that Empire”, printed at Boston Fair (Boston, 1809). Disbound, purchased in 1999 from Edward J. Lefkowicz Inc., Providence, USA for $300 £30-40

435 Four volumes on French Prisoners of War in Scotland and England comprising; ‘St Ives; Being the Adventures of a French Prisoner in England’ by Robert Louis Stevenson’, published by William Heinemann (London, 1898), ‘The French Prisoners of War in Selkirk; Being the Reminiscences of Sub. Lieut. Adelbert J. Doisy’, published by G. Lewis & Co. (no date), illustrated by George Hope Tait, inscribed former owner’s name “Geo. Crickton” to cover, and facsimile prints of some pages, contained within custom box file, ‘Fragmentary Notes of the French Prisoners in the West of England and Other Places in the Early Part of the Nineteenth Century’, by J.D. Prickman (1901), contained within custom box file, ‘The French in Wincanton’ by George Sweetman, published by same (Wincanton, 1897) and facsimile copy of same annotated by Mr. Lloyd £40-60

437 Three publications of ‘Message from the President of the United States Transmitting a Report of the Secretary of State...’, including two copies of ‘The number of impressed American Seamen confined in Dartmoor Prison, April 29 1816’, printed by William A. Davis (Washington, 1816), one rebound half-leather and cloth-covered boards, purchased from Edward Lefkowicz Inc., Providence, USA, in the 1990s for $250, the other (dis-bound), and ‘In Relation to Individuals Selected From American Prisoners of War and Sent to Great Britain for Trial, April 16 1814, printed by order of the Senate of the United States by Roger C. Weightman (Washington City, 1814), rebound half-leather and clothcovered boards, Also; ‘Report on Treatment of Prifoners of War’, ordered to be printed 9th May 1798, half-leather, (4) £60-100

438

436 434 434 ‘A Tour Through Sicily and Malta in a Series of Letters to William Beckford from P. Brydone’, two volumes, printed for W. Strahan & T. Cadell (London, 1774 - third edition). Contained fold-out map frontis in volume 1.Very Good. Full leather with replaced spine. £40-60 See Illustration

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436 ‘Narrative of a Captivity and Adventures in France and Flanders’, by Edward Boys, printed for J.F. Dove (London, 1831 second edition). Fold-out engraved frontis.Very Good. Rebound half-leather and cloth-covered boards £40-60 See Illustration

438 ‘A Full and Correct Account of the Chief Naval Occurences of the Late War between Great Britain and the United States of America’ by William James, printed for T. Egerton (London, 1817), inscribed to title page name of former owners “Graham Hansow” (?), bookmarked with notes by Mr. Lloyd, contained loose typewritten seller’s note from former sale. Half-leather and marbled boards. Good. Contained in custom box file title ‘Naval Occurences William James’ Provenance: - Purchased in 1992 from Edward J. Lefkowicz, Inc., Providence, USA for $425 £40-60 See Illustration

439 Three volumes on the War of 1812 between the United States and Great Britain; ‘The History of War, Between the United States and Great Britain’, compiled by J. Russell, printed and published by B. and J. Russell (1815), with two bookmarks inserted by Mr. Lloyd, full leather, fair, contained in custom box file, purchased in 1992 from Edward J. Lefkowicz, Inc., Providence, USA for $175, ‘Journal; of a Young Man of Massachusetts...captured at sea by the British...confined first, at Melville Island, Halifax, then at Chatham, in England and last, at Dartmoor Prison’, printed by Rowe and Hooper (Boston, 1816 - second edition), full leather with replaced spine, fair, contained in custom box file, and ‘Memoirs of Andrew Sherburne; A Pensioner of the Navy of the Revolution’, written by himself, published by William Williams (Utica, 1828), with book-plate for John M. Chain, ex-lib, fair, full leather, contained in custom box file, purchased in 1992 from Edward J. Lefkowicz, Inc., Providence, USA for $150 £30-50 440 ‘Thirty Years from Home; or a voice from the main deck, being six years in a Man-ofWar, the experience of Samuel Leech’, by Ebeneezer Collins, published by John Neale (London, 1844), with various bookmarks inserted by Mr. Lloyd, half-leather and marbled boards, very good, contained in custom box file, Along with; ‘Recollections of the Jersey Prison-Ship; taken and prepared for publication from the original manuscript of the late Captain Thomas Dring’, by Albert G. Greene, published by H.H. Brown (Providence, 1829), fold-out engraved frontis depicting the Jersey Prison Ship partial (damaged), pasted in slip for “Regulations of Union Juvenile Library”, contained in custom box file £30-50 441 ‘A Green Hand’s First Cruise...together with a residence of Five Months in Dartmoor’, two volumes by A. Younker, published by Cushing and Brother (Baltimore, 1841), both volumes inscribed former owner’s name Josiah Cobb in pencil to title pages and with “Library of Congress Duplicate” stamp, various bookmarks inserted by Mr. Lloyd, cloth covered boards. Good. Ex-lib.

Contained in fitted box file titled “A Green Hand’s First Cruise”, Along with; ‘Journal; of a Young Man of Massachusetts ... captured at sea by the British...confined first, at Melville Island, Halifax, then at Chatham, in England and last, at Dartmoor Prison’, printed by Rowe and Hooper (Boston, 1816), with fold-out engraved frontis depicting “Description of Dartmoor Prison, England”, bookplates of former owners contained, full leather, fair, contained in custom box file £50-80

444 442 442 ‘Jail Journal or, Five Years in British Prisons’ by John Mitchel, published by Cameron, Ferguson & Company (Glasgow, no date - author’s edition), and ‘Locks, Bolts and Bars: Stories of Prisoners in the French Wars’, collected by Mrs. Oliver Elton, published by Frederick Muller (London, 1945), both re-bound in matching green half-leather and cloth covered boards £40-80 See Illustration 443 Four volumes on Prisoners of War in Britain and prisons in Britain; ‘Prisoners of War in Britain: 1756 to 1815’ by Francis Abell, published by Humphrey Milford (London, 1914), ‘Dartmoor Prison: A Record of 126 Years of Prisoner of War and Convict Life’

by A.J. Rhodes, published by John Lane (London, 1933), and ‘The Story of Dartmoor Prison’ by Basil Thompson, published by William Heinemann (London, 1907), all re-bound brown half-leather and cloth-covered matching bindings, along with ‘Prisoners-of-War-Work 1756-1815’ by Jane Toller, published by The Golden Head Press (Cambridge, 1965), contained in custom box file, (4) £40-60

444 Six volumes on Naval History and Sailor’s Lives comprising; ‘The Life of Alexander Stewart’, prefaced by his grandson Sir P. Malcolm Stewart, and inscribed by his grandson; “To Harry McGowan, a token of appreciation from P. Malcolm Stewart, 5 April 1950”, printed at University Press (Oxford, 1947), ‘The Log of a Jack Tar’, edited by V.L. Cameron, published by T. Fisher Unwin (London, 1891), ‘The Hidden Navy’ by Evelyn Berckman, published by Hamish Hamilton (London, 1973), ‘The Diary of Peter Bussell’, edited by his greatgrandson, published by Peter Davies (London, 1931), ‘My Adventures During the Late War’ by Donat Henchy O’Brien, published by Edward Arnold (London, 1902), contained within some pages from another volume on Lieut. O’Brien, these five in matching green half-leather and cloth-covered boards, and ‘The British Tar in Fact and Fiction’ by John Leyland, published by Harper and Brothers (London, 1911), in brown half-leather £40-60 See Illustration 445 ‘A History of Vagrants and Vagrancy’ by C.J. Ribton-Turner, published by Chapman and Hall (London, 1887), re-bound half-leather and cloth-covered boards, and four further volumes; ‘The Postage and Telegraph Stamps of Great Britain by Philbrick and Westoby, published by Sampson Low, Marston, Searle, and Rivington (London, 1881), original half-leather and marbled boards, ‘Coins of the Romans relating to Britain’ by John Yonge Akerman, published

by John Russell Smith (London, 1844), ‘Famous Bank Forgeries, Robberies and Swindles’ by R. Thurston Hopkins, published by Stanley Paul & Co. Ltd. (London, 1936), and ‘The Bank of England Note: A History of Its Printing’ by A.D. Mackenzie (Cambridge, 1953), both green half-leather and cloth covered boards £40-60

33

446 446 ‘French Prisoners of Norman Cross’ by Rev. Arthur Brown, published by Hodder Brothers (London, no date), green clothcovered boards, contained in custom box file, and ‘The Depot for Prisoners of War at Norman Cross Huntingdonshire’, by Thomas James Walker and signed by him on half-title page, published by Constable and Company Ltd. (London, 1915), rebound in green half-leather £50-80 See Illustration 447 ‘James Veitch; Philosopher Inchbonny Jedburgh’ by George Watson, reprinted from the Jedburgh Post of September 29th and October 6th, 1899, this a paperback pamphlet, cover loose but present, ‘Extracts from the History of the Royal Burgh of Sanquhar’ by T.A. Johnston, published by William Grieve & Sons (Dumfries, no date), section on page 5 marked in pen by Mr. Lloyd, both contained in custom box files, and ‘Transactions of the Hawick Archaeological Society - Session 1912’, printed at “The Hawick Advertiser Office” (Hawick, 1912), re-bound half-leather and cloth covered boards, and other for 1908 (4) £20-40 448 ‘Prisoners of War in France from 1804-1814; Being the Adventures of John Tregerthen Short and Thomas Williams’, with introduction by Sir Edward Hain, published

by Duckworth & Co. (London, 1914), rebound green half-leather and cloth covered boards, and another on similar subject; ‘Journal of Two Escapes from French Prisons’ by George Hall, reprinted by Truslove & Hanson Limited (London, no date), with handwritten paste in notes on the author inside front cover, contained in custom box file £30-40

34

449 Ten volumes on Prisoners of War in late 18th and early 19th century France and Britain including ‘A Relic of the Revolution…of 1776’, by Charles Herbert, published by Charles H. Peirce (Boston, 1847), full contemporary leather, purchased from Edward J. Lefkowicz, Inc., Providence, USA in 1990s for $300 ‘The Depot for Prisoners of War and Norman Cross, Huntingdonshire’ by Thomas James Walker (London, 1913), ‘Prisoners of War in France Being the Adventures of John Tregerthen Short and Thomas Williams’, with introduction by Sir Edward Hain, published by Duckworth & Co. (London, 1914), with many bookmarks inserted by Mr. Lloyd, ‘Jail Journal’ by John Mitchel, published by M.H. Gill & Son Ltd., (Dublin, 1913), with handwritten presentation inscription from “Thomas Atkinson” (?) dated 1913, ‘The Dartmoor Yankee’ by Malcolm Lynch, published by Tabb House (Cornwall 1992), etc. including three re-bound volumes in decorative halfleather bindings £50-70

452 Collection of books on maritime paintings, naval history, etc. including ‘Louis Garneray: Peintre, Ecrivain, Aventurier’ (in French) (1997), Nesser’s ‘History of the United States Navy’, vols 1 & 2, ‘Floating Prison’ by Louis Garneray, with a note signed by the translator addressed to Mr. Lloyd, ‘Prisoners of War Ship Models’ by Ewart C. Freeston, published by Nautical Publishing Company (Hampshire, 1973), another of same in decorative half-leather and green cloth-covered boards, ‘The Lloyd Collection of Napoleonic Prisoner of War Artifacts’, presented by John F. Rinaldi, in half-leather and cloth-covered boards, and a quantity of catalogues for same £40-60

453 453 ‘Horrors of Slavery or the American Tars in Tripoll’, by William Ray, printed by Oliver Lyon (Troy, 1808), former owner’s name inscribed to title page and later scrubbed out, Full leather, Fair, purchased from Edward J. Lefkowicz, Inc., Providence, USA in 1996 for $200 £80-100 See Illustration 450 450 Six volumes on Napoleonic Prisoners of War; ‘Napoleon the Gaoler’ by Edward Fraser, published by Methuen & Co. Ltd. (London, 1914), ‘Napoleon’s British Visitors and Captives’ by John Goldworth Alger, published by Archibald Constable (Westminster, 1904), ‘Napoleon and the Invasion of England’ by Wheeler & Broadley, published by John Lane (London, no date), etc., all re-bound in decorative half-leather and cloth-covered boards £30-40 See Illustration 451 ‘Encyclopaedia Britannica’, Vols 1-29, two Index volumes, Propaedia volume, Britannica Atlas, and five further Britannica volumes, and a selection of dictionaries, thesaurus etc. £20-40

454 Selection of literary interest volumes including Waverley Novels Vol. 1, printed for Cadell & Company (Edinburgh, 1829), Enoch Arden by Alfred Tennyson, published by Henry S. King and Co. (London, 1874), Dickens novels in red bindings, etc., ‘The Handbook of Heraldry’

by John E. Cussans, published by John Camden Hotten (London, 1869), ‘Christopher Tadpole’ by Albert Smith, published by George Routledge & Co. (London, 1853), Life of King Henry The Eighth’ by Patrick Fraser Tytler, published

by Oliver & Boyd (Edinburgh, 1837) £30-40

455 Large collection of historical and naval interest volumes etc., including ‘The British Navy: Its Strength, Resources, and Administration’ by Sir Thomas Brassey, published by Longmans, Green & Co. (London, 1882), in two volumes, poor, ‘The British Navy: Its Strength, Resources, and Administration’ by Sir Thomas Brassey, published by Longmans, Green & Co. (London, 1882), in two volumes, poor, ‘Devonshire Antiquities’ by John Chudleigh, (Exeter, 1893), ‘The Depot for Prisoners of War at Norman Cross’ by T.J. Walker (London, 1913), also three cigarette card albums, etc. £50-100

459 Large selection of art, collector’s and historical interest books including; ‘Rariora: Being the Notes of Some of the Printed Books, Manuscripts, Historical Documents, Medals, Engravings, Pottery, Etc. Etc. Collected by John Eliot Hodgkin’, in three volumes, published by Sampson Low, Marston & Company Ltd., ex-lib, ‘English, Scottish and Irish Table Glass’ by G. Bernard Hughes, published by B.T. Batsford Ltd. (London, 1956), in two volumes, ‘Artes Etruriae Renascuntur: A record of the Historical Old Pottery Works of Messrs’ Josiah Wedgwood & Sons, by Barnard and Hodgkiss (1920) £60-120

456 Partial research and mock-up library of Mr. Clive Lloyd; comprising paperback volumes and box files containing research for publications and mock-ups, and partial mock-up of Hulk, Depot & Parole/ The Arts, Crafts & Occupations of the Prisoner of War by Clive Lloyd £20-40

460 Twenty-nine volumes of ‘Royal Academy Pictures’, published by Cassell & Company Ltd. (London, late 19th and early 20th century), six “Connoisseur” publications on artists e.g. George Morland, F. Wheatley, R.A., and ‘The Art Journal’, 2 volumes (Vol IX and Vol X), published by Virtue & Co. (London, 1870 & 1871) £30-40

457 Selection of five 18th and 19th century volumes comprising; ‘The female orators or, the courage and constancy of divers famous queens, and illustrious women’, “Englifh’d from the French Edition of Monfieur De Scudery”, printed by T. Tebb (London, second edition, early 18th century), ‘Divine Judgment and Mercy Exemplified’, by Rochester, Rogers et. al., (London, 1746), with inscription inside front cover, ‘Hudibras, in Three Parts’, by Samuel Butler, printed by R. Urie (Glasgow, 1753), ‘Letters on Demonology and Witchcraft’ by Sir Walter Scott, published by John Murray (London, 1831), ‘To Love and Be Loved’, various authors, published by Simpkin, Marshall & Co. (London, 1855) £80-120

458 458 ‘The Naval Chronicle’, twenty-three volumes, J.S. Clarke and others ed., published by Bunney & Gold (London, early 19th century), paste-in book plate of former owner, half-leather and marbled boards. Int. Good, bindings Poor. £300-500 See Illustration

461 Three volumes published by the Antique Collectors Club; ‘The Dictionary of British Artists 1880-1940’, ‘Works Exhibited at the Royal Society of British Artists 1824-1893’, and ‘The Dictionary of Victorian Painters’

by Christopher Wood, ‘The Royal Academy of Arts: A Complete Dictionary of Contributors and their work from its foundation in 1769 to 1904’, vols 1-4 and additional vol. 1, by Algernon Graves, published by Henry Graves & Co. Ltd. And George Bell and Sons (London, 1906), red cloth-covered boards, and ‘The British Institution’ by same, published by Kingsmead Reprints (Bath, 1969), and ‘A Dictionary of Artists’ by sames, published

by Kingsmead Reprints (Bath, 1969), ‘World Collectors Annuary’, Vols XXI & XXII, ‘Royal Academy Exhibitors’, Vols IIV, ‘Lexicon Nederlandse Beeldende Kunstenaars 1750-1950’ by Pieter A. Scheen, vols 1-2, ‘Bryan’s Dictionary of Painters and Engravers’, vols I-V, ‘Encyclopaedia of Painting’ by Bernard S. Myers, published by Hutchinson & Co. (London, 1963 - third impression), ‘A Dictionary of British Miniature Painters’, complete in two volumes, by Daphne Foskett, published by Faber and Faber (London, 1972), and ‘Water-colour Painting in Britain’, vols 1 & 2, by Martin Hardie, published by B.T. Batsford Ltd. (London, 1967 - second edition) £40-80

462 Collection of gardening and nature interest books and magazines, and a collection of cookery books £20-30 463 ‘The Annual Register, or a View of the History, Politics, and Literature, printed for J. Dodsley (London, late 18th century), 22 vols, poor £20-40 464 Large collection of books; literary, art and historical interest including; ‘The Stolen White Elephant’ by Mark Twain, published

by George Newnes (London, no date), ‘London: Vanished & Vanishing’ by Philip Norman, published by Adam & Charles Black (London, 1905), ‘East of Malta, West of Suez’, published by His Majesty’s Stationery Office (London, 1943), ‘The Clans, Septs, and Regiments of the Scottish Highlands’ by Frank Adam, ‘The Portrait of Peter Pett and the Sovereign of the Seas’, large copy of ‘Printing the Times 17851953’, ‘Van Gogh’ by Jean Leymarie, ‘A Guide to Elephanta’ by Hirananda Sastri (Delhi, 1934), etc. including modern novels £50-100

465 465 ‘Liber Nauticus and Instructor in the Art of Marine Drawing’ by Dominick and John Thomas Serres, published by Scholar Press (London, 1979), and Contemporary Scale Models of Vessels of the Seventeenth Century by Henry B. Culver, published by Payson & Clarke Ltd., (New York, 1926), one of a limited edition of 100 copies printed for members of the Ship Model Society, this 58/100. Good. £30-40 See Illustration

35

466 466 ‘The Old English Landscape Painters’, vols 1-8, by Col. Grant, published by F. Lewis (Leigh-On-Sea, 1957), a limited edition publication 345/500, blue cloth-covered boards. Very Good £40-60 See Illustration

467 467 ‘A History of Napoleonic and American Prisoners of War’, complete in two volumes,

by Clive Lloyd, published by the Antique Collector’s Club (2007) £20-30 See Illustration 468 30 Vols of ‘The Life and Times of…’

English Kings and Queens, published by Book Club Associates, London, purple cloth-covered boards, ‘A Pictorial History of Costume’ by Wolfgang Bruhn and Max Tilke, published by A. Zwemmer Ltd., (London, 1955) £20-30

36

469 ‘The Art of Navigation in England in Elizabethan and Early Stuart Times’ by David W. Waters, published by Hollis & Carter (London, 1958), ten volumes by Basil Lubbock, published by Brown, Son & Ferguson Ltd., including ‘The Log of the Cutty Sark’ (1954), ‘Adventures by Sea From Art of Old Time’ by Basil Lubbock, published by The Studio Ltd., (London, 1925), limited edition publication, no.

203/1750, and ‘Adventures by Sea From Art of Old Time’ by Basil Lubbock, published

by The Studio Ltd., (London, MCMXXV), limited edition publication, no. 1148/1750 £20-30 470 ‘Die Nederlandischen Maler Des. 17 Jahrhunderts’ by Walther Bernt, complete in four volumes, published by Bruckmann (Munchen, 1960), red cloth-covered boards, and two further vols ‘Die Nederlandischen Zeichner Des 17 Jahrhunderts (1958), green cloth-covered boards, ‘De Haagse School’, 2 vols, by Dr. Jos. De Gruyter, (Rotterdam, 1968), blue cloth-covered boards, ‘Dutch Painters of the 19th Century’, edited by Max Rooses, published

by Sampson Low, Marston & Company Ltd., (London, 1901), half-leather, and ‘Dutch Landscape Painting of the Seventeenth Century’ by Wolfgang Stechow, published by Phaidon (London, 1968 - second edition), and ‘Dutch Painters of the 19th Century’ by Marius, edited by Geraldine Norman, published by Antique Collectors Club (1973), ‘Flemish Painters 1430-1830’, vols I-II, by R.H. Wilenski, published by Faber and Faber (London, 1960), ‘Schweizer Kleinmeister’, von Walter Hugelshofer, published by Fretz and Wasmuth (Zurich, 1943), and ‘Dutch Painters of the XIXth Century’, edited by Rooses (1901), with paste-in bookplate for Frank Cyril Tiarks £40-60 471 ‘Dictionnaire Des Peintres, Sculpteurs, Dessinateurs et Graveurs’, vols 1-10, by E. Bénézit, published by Librairie Grund (Paris, 1976), and ‘Les Petits Maitres de la Peinture Valeur de Demain’, vols 1-5, by Gérald Schurr (Paris, 1975) £30-40

472 472 ‘Dizionario Illustrato Dei Pittori, Disegnatori E Incisori Italiani Moderni E Contemporanei’, vols I-IV, by Luigi Pelandi and Luigi Servolini, (Milano, 1962) £60-80 See Illustration

473 473 ‘History of Freemasonry in the Province of Roxburgh, Peebles and Selkirkshires’ by W. Fred. Vernon, published by George Kenning (London, 1893), Ex. Libris E.H. Shackleton, paste-down Masonic bookplate inside front cover. Shackleton was raised to the degree of Master Mason at Guild of Freemen Lodge on 30 May 1913 £20-40 See Illustration

DRAWING ROOM 502 Pair of Regency rosewood bar back open armchairs with cane seats £100-200

474 474 ‘The Prisoners’ Memoirs, or Dartmoor Prison’, anon., compiled by a prisoner in England, printed for the author (New York, 1852), contained in custom box file, this purchased in 1985 for £250 (incl. postage) from Sim Comfort, Wimbledon £30-50 See Illustration 503 475 ‘The Adventures of Ebenezer Fox’, published by Charles Fox (Boston), and ‘A Relic of the Revolution…of 1776’, by Charles Herbert, published by Charles H. Peirce (Boston, 1847), green cloth-covered boards, contained in custom box file, purchased from Edward J. Lefkowicz, Inc., Providence, USA in 1990s for $225 £30-40 476 Three volumes on French & Danish prisoners of war; ‘Dr. James Currie and the French Prisoners of War in Liverpool’ by Alfred de Curzon, published by Edward Howell (Liverpool, 1926), red and gilt cloth-covered boards, contained in custom box file, ‘Travels through Denmark and part of Sweden’, by James Macdonald, printed for Richard Phillips, (London, 1810), dis-bound, contained in custom box file, and ‘Prisonen Danske Og Norske Krigsfanger I England’, published by Glydendal (Copenhagen, 1953), re-bound half leather and cloth-covered boards £30-50 477 Page from ‘Clarendon’s History, Oxford 1701-1704’

£40-60

478 Page from ‘Baskerville’s Virgil 1757’

£40-60

503 French carved and gilt wood armchair on shaped cabriole legs £200-300 See Illustration

504 504 French carved and gilt wood three seater sofa

£300-500 See Illustration

505 French carved and gilt wood armchair on cabriole legs

£150-250

480 A page from King James Bible, 1611, Framed, II Chronicles chapters 11 and 12 £80-120 481 Page from Second folio Shakespeare 1632, ‘Troilus & Cressida’ £50-80 482 Page from Pynson’s ‘Froissart’, 1523

£50-80 506

483 Page from Foxes Book of Martyrs, 1576

£50-80

506 French carved and gilt wood armchair on cabriole legs with shell decorated back top rail £200-300 See Illustration

37

507 507 Pair of French 20th century mahogany and parquetry lamp tables, two tiered, of oval form, each with two drawers, 59cm x 56cm x 41cm £100-200 See Illustration

508 (one of a pair)

509 20th century mahogany rectangular coffee table on carved cabriole legs, 55cm x 138cm x 76cm £50-80

511 French gilt wood chair with upholstered seat and back, on cabriole legs

£30-50

£60-100

512 French marquety inlaid oval two tier occasional table with a single drawer, on square tapering supports, 74cm x 61cm x 45cm £40-60

38

513 19th century gilt wood pier table with red and white veined marble top over a carved frieze on turned and reeded supports and stretchered base, 91cm x 105cm x 45cm £500-800 See Illustration

514

508 Pair of 19th century mahogany fold-over tea tables on turned and reeded supports, 74cm x 92cm x 45cm £600-1000 See Illustration

510 Pine TV cabinet

513

514 Pair of 19th century cast iron twin handled urn shaped vases, on pine stands, 98cm high £600-1000 See Illustration 515 19th century gilt wood and gesso wall mirror with shell and scrolling foliage decoration and bevelled rectangular plate, 99cm x 87cm £200-300 516 Mahogany footed low stool upholstered in floral fabric, 29.5cm wide £30-50 517 Persian style rug with ivory ground and twelve medallions, decorative borders, 283cm x 210cm £80-120

518 Persian style mocha ground rug with a single central medallion and numerous decorative borders, 98cm x 108cm £50-80 519 Brass Corinthian column oil lamp, with glass shade and fluted column, 93cm high £60-100 520 Brass Corinthian column oil lamp with glass reservoir, glass shade and flute, 83cm high £60-100 521 Pair of brass easel form picture holders with scrolling decoration, 21cm high £80-120 522 Spelter figural lamp stand shaped as a lady in classical dress, with brass lamp and glass shade, 75cm high £80-120 526 526 18th century hand-blown octagonal green glass wine bottle, paper label inscribed by hand and reading ‘My father’s rum bottle carried off by burglars from the farmhouse...... Darlington, I was only six years old.....’, 26cm high £200-300 See Illustration

527 Studio pottery bowl and studio pottery dish and cover, bowl 15cm diameter dish and cover 13cm diameter £40-60

528 Pair of Bristol blue glass decanters, each with its own stopper one marked Whisky and the other Brandy, 22.5cm high £80-120 523 523 19th century brass thread and cotton-reel holder with pin cushions, nine cotton-reel holders on ebonised base with glass dome, 43cm high (including dome) £100-150 See Illustration 524 Small carved stone figure on wooden stand, figure with head on knees and arms over head £40-60

529 529 Dutch marquetry inlaid decanter in box with six gilt decorated decanters and stoppers and two glasses, 23cm high, 28cm wide, 19cm deep £400-600 See Illustration 525 525 18th century green glass wide necked bottle, 21cm high £50-80 See Illustration

39

530 530 P.J. Mene, cast bronze figure of a horse with a small dog at its feet signed and marked, P. Barbedienne Fondeur, 45cm x 65cm ÂŁ2500-3500 See Illustration

531 531 Antoine-Louis Barye, bronze figure of a tiger, on rectangular base, signed to base, 42cm long

40

ÂŁ1000-1500 See Illustration

533 532 533 Cast bronze figural group of two herons on rockwork, signed E. De La Brierre, on oval base, 17.5cm high £400-600 See Illustration

532 J.Moigniez bronze figure of a bird on foliage, on oval base, 25.5cm high £400-600 See Illustration

534 534 Ambroise Louis Garneray, (French, 1783-1857), Prison hulks in Portsmouth Harbour, oil on canvas, 53cm x 107cm. Plaque on frame of the picture reading ‘Portsmouth Harbour 1790-1807, painted by Ambroise Louis Garneray French prisoner of war, this view of West End of Portchester Creek, shows the French and Spanish Hulk’s that were used for confining the Prisoners of war’. Guards can be seen on the hulks which are flying Red Ensigns. One hulk appears to be flying a Spanish flag and a small sailing craft on the right hand side is flying the White Ensign.

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007.

Provenance: The Clive Lloyd Collection. Formally believed to have been in the Sir Eric Fullerton Collection. £2500-3500 See Illustration

41

535 535 Ambroise Louis Garneray, (French, 1783-1857), Prison hulks and other shipping in Portsmouth Harbour, oil on canvas, showing detail of hulks and other warships including one under sail, 53cm x 102cm. Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833.

The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007.

Provenance: The Clive Lloyd Collection, believed to have been formally from the collection of the Duchess of Sutherland. £3000-5000 See Illustration

536 536 Auguste Garneray, (1785-1824), figures in a graveyard in an Indian port, signed and dated Auguste Garneray 1813, pencil and watercolour, 13cm x 18cm £400-600 See Illustration

42

537 537 Circle of Charles Francois Grenier de la Croix dit la Croix de la Marseilles, figures on the quayside, oil on panel, in gilt wood frame with oak leaf decoration, 10cm x 13cm £800-1200 See Illustration

538 538 William Anslow Thornley, shipping off the coast, signed, oils on canvases, pair, 35cm x 29cm

£1200-1800 See Illustration

43

539

539 Ambroise Louis Garneray (French, 1783-1857). Portsmouth Harbour, early morning view of the prisoner of war hulks in Portchester Creek, oil on canvas, c1812, 51cm x 107cm.

With plaque showing artist’s name as ‘Hoppey Turner’, this was believed to be the way in which the British officer who dealt with, and made money from, Garneray’s works, kept secret their source (see ‘A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007).

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour.

From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925).

Provenance: The Clive Lloyd Collection. £3000-5000 See Illustration

44

540 540 Bernard De Hoog (1866-1943), ‘Maternal Duties’ signed B. De Hoog, oil on canvas, 53cm x 46cm

£1500-2500 See Illustration

45

541 541 Ambroise Louis Garneray (French, 1783-1857), Prison hulks lying in Portsmouth Harbour, oil on canvas, 53cm x 107cm.

With plaque showing artist’s name as ‘Hoppey Turner’, this was believed to be the way in which the British officer who dealt with, and made money from, Garneray’s works, kept secret their source (see ‘A History of Napoleonic and American Prisoners of War 1756-1816 Hulk, Depot and Parole’, Clive Lloyd, ACC Art Books, 2007).

Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel ‘Belle Poule’ in 1806 and not given the privilege of parole he was sent to the prison hulk ‘Prothee’ in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925).

Provenance: The Clive Lloyd Collection. £3000-5000 See Illustration

542 542 M. Donat, figures by a copse, oil on panel, signed, 9.5cm x 14.5cm £500-800 See Illustration

46

543 543 19th century, figures with horses, signed, oil on wooden panel, 8.5cm x 12.5cm. £250-350 See Illustration

47

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48

TERMS OF SALE EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

The forename(s) and surname of the artist: In our opinion a work by the artist.

The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work.

The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest.

‘Signed’: Has a signature which in our opinion is a recognised signature.

‘Dated’: Is so dated and in our opinion was executed at that date.

The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

Measurements: Height precedes width.

AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction.

If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding.

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk . In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within ninety days

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after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5).

Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10 Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11 Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing.

Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are secondhand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12 Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (i) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13 Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within one month of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate.

Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right.

Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

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CONDITIONS OF BUSINES FOR ONSITE AUCTIONS CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS (November 2015) These conditions of business for auctions held at an auctioneer’s premises (“Conditions”) consist of: (1) Users’ Introduction (which sets out a guide for users of these Conditions); (2) Information for Buyers (which sets out information for buyers who will be subject to the Terms of Sale); (3) Terms of Consignment (which are the contractual terms that sellers at auctions are subject to); and (4) Terms of Sale (which are the contractual terms that bidders and buyers at auctions are subject to).

Items (2), (3) and (4) are used together as a package.

(1) USERS’ INTRODUCTION 1.1 Modern consumer protection law, whether from the UK or the EU is having a steadily increasing impact on the sale of goods by auction. In particular, the Consumer Rights Act 2015 (the “Act”) and the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013 (the “Regulations”) apply to auction sales held at the auctioneer’s premises. Copies of the Act and the Regulations are available for inspection on request.

1.2 The Act stipulates that contractual terms that apply to consumers must be prominent and transparent (i.e. legible and expressed in plain and intelligible language). In addition, the Act sets out an indicative, non-exhaustive, list of terms which may be regarded as unfair and therefore not binding on a consumer. As a result (and in order to prevent these Conditions becoming unwieldy and unbalanced), these Conditions ask the auctioneer on occasion to accept more risk and responsibility in relation to its business buyers and sellers than it usually would (and indeed than it may legally have to) in order to bring these Conditions in line with the Act. 1.3 The Regulations state that certain information about the seller/auctioneer, the contract and the consumer’s rights must be provided to a consumer prior to concluding any contract for the consignment or sale of goods. However the extent of information to be provided depends on whether the contract itself is deemed to be a distance, off-premises or onpremises contract. These Conditions have been prepared on the assumption that all contracts with sellers and buyers are on-premises contracts (meaning contracts negotiated and concluded at the auctioneer’s premises). The information that the auctioneer is required to provide to consumer sellers and buyers is set out at the start of the Terms of Consignment and Terms of Sale respectively.

1.4 These Conditions have been prepared based on the following assumptions: a. the contracts concluded with the seller for the consignment of the goods and with the buyer for the purchase of the goods are on-premises contracts; b. the auctioneer will take possession of the goods from the seller prior to the auction; c. the auctioneer will prepare the description of the goods appearing in the auction catalogue based on the information provided by the seller and the auctioneer’s own inspection of the goods; d. the buyer will have the opportunity to inspect the goods prior to the auction and will have the opportunity to attend the auction in person; e. the auctioneer will take payment of the goods from the buyer, deduct any commission/ premium, agreed expenses and VAT and pay the remainder to the seller; and f. the auctioneer will keep the goods until they are either collected by the seller (if unsold at the auction) or collected by the buyer following the auctioneer’s receipt of the purchase price from the buyer.

1.5 The auctioneer has two points of interaction with consumers: a. when the auctioneer provides services to the seller; and b. when the auctioneer comes into contact with buyers. (Although not primarily contracting with the auctioneer, who is an agent for the seller, buyers normally contract on standard terms imposed by the auctioneer as agent. Some of these conditions create a direct contract between the buyer and the auctioneer).

1.6 These Conditions are designed to reflect the law and provide reasonable protection for the seller, the auctioneer and the buyer. The authors had in mind general sales of fine art and these Conditions do not deal with specialist sales such as plant and machinery, or agricultural produce. In these areas, statute law tends to lay down extra duties which must be dealt with by specific conditions not appearing here.

1.7 These Model Conditions primarily consist of the “Terms of Consignment” and the “Terms of Sale”. The transactions between seller and auctioneer, and seller and buyer are completely distinct contracts. We have therefore placed considerable importance on using the expression “Terms of Consignment” for sellers and other consignors who consign property for sale at onsite auctions, and “Terms of Sale” for transactions which take place by auction.

The term “Conditions of Business” includes both the Terms of Consignment and the Terms of Sale as well any notices displayed in the saleroom and any announcements made by the auctioneer at the auction.

1.8 Individual clauses have been drafted in the light of statutory requirements and case law.

1.9 Buyers and sellers are bound by the auctioneer’s Conditions of Business (2) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are

displayed in our salerooms or announced by the auctioneer at the auction.

Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 22.5% on the hammer price of each lot purchased. In addition, VAT will be added to this premium (see below).

5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them.

However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone.

10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained).

Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform.

11. Methods of Payment. Usually any cheques will need to be cleared before you can take the goods away. Please discuss with our office in advance of the sale if you plan to use other methods of payment (except cash, for which there is an upper limit of 15,000 euros equivalent). There is an additional charge of 2.5% plus VAT on credit card payments with no additional charge on debit card payments (either made securely online or in person via a chip and pin machine).

12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day.

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EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

The forename(s) and surname of the artist: In our opinion a work by the artist.

The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work.

The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest.

‘Signed’: Has a signature which in our opinion is a recognised signature.

‘Dated’: Is so dated and in our opinion was executed at that date.

The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

Measurements: Height precedes width.

AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction.

If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding.

(3) TERMS OF CONSIGNMENT Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Consignment carefully. Please note that if you (or another person acting on your behalf) provide goods to us to sell on your behalf at our auction, this signifies that you agree to and will comply with these Terms of Consignment.

Please note that these Terms of Consignment relate to auctions held at our premises only.

SUMMARY OF COMMISSION AND CHARGES Commission is charged to sellers calculated, per lot, at 15% Entry Fee £10 per lot (sold or unsold) Catalogue Illustration Fee £10 per lot (sold or unsold, discretionary) Loss and damage warranty 1.5%.

All the above are subject to VAT at the current rate.

Commission and fees are negotiable for important or large collections and consignments.

1 Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person who places a bid for Goods at our auction; “Buyer” means the person who makes the highest bid for the Goods accepted by the Auctioneer; “Commission” means the commission that we charge you on the sale of the Goods as set out in Clause 5 below; “Consumer” means an individual acting for purposes which are wholly or mainly outside that ndividual’s trade, business, craft or profession; “Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “FCA” means the Financial Conduct Authority; “Goods” means the goods that you consign to us for sale at our auction; “Hammer Price” means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer; “Premium” means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale; “Price” means the total of the Hammer Price, Premium and any applicable VAT; “Proceeds” means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT; “Reserve” means the minimum price at which the Goods may be sold; “Seller” means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable); “Terms of Consignment” means these terms of consignment;

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“Terms of Sale” means the terms of sale for bidders or buyers at our auctions; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer); “VAT” means any value added tax or equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk In these Terms of Consignment the words “you”, “yours”, etc. refer to the Seller. The words “we”, “us”, etc. refer to the Auctioneer. If the consignment of Goods to us is made by an agent we assume that you (as owner of the Goods) have authorised the consignment and authorised the agent to contract on your behalf. All obligations that apply to the Seller under these Terms of Consignment shall apply to the owner of the Goods and their agent, jointly and separately. Any reference to a ‘Clause’ is to a clause of these Terms of Consignment unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of the auction-related services that we are providing to you as set out in these Terms of Consignment or otherwise agreed with you in writing.

2.2 Our name, address and contact details as set out in these Terms of Consignment and/or on our Website.

2.3 The rate at which we will charge you the Commission plus any applicable VAT on the sale of the Goods as set out in Clause 5.

2.4 The fee that we will charge you plus any applicable VAT as set out in Clause 18 if either the Goods are unsold at auction or the Goods are withdrawn by you from the auction after the Goods have been catalogued and/or marketed by us prior to the auction in any way.

2.5 The arrangements for collection of any unsold Goods as set out in Clauses 18 and 20 and terms regarding payment of any Proceeds due to you set out in Clause 17.

2.6 If you have any complaints, please get in contact with us using the contact details set out on our website.

3 Procedure for consigning Goods for sale at auction 3.1 If you consign Goods to us for sale at auction, you will need to provide us with the following information about you, in a form acceptable to us: 3.1.1 Your legal name and proof of identity; 3.1.2 Information about the Goods (as set out in Clause 12); 3.1.3 Your bank account details; 3.1.4 Your address and contact details; 3.1.5 Your VAT registration number (if applicable); and 3.1.6 Your confirmation of whether you are selling the Goods as a Trader or as a Consumer.

3.2 If you do not provide us with, or we are not satisfied with any of the above information, we may refuse to accept consignment of your Goods for sale in our auction.

3.3 You must provide the Goods to us by any stated deadline (at your expense). We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4 The contract between you and the Buyer 4.1 The contract between you and the Buyer will be formed when the hammer falls accepting the highest bid for the Goods at the auction.

4.2 You may directly enforce any terms in the Terms of Sale against a Buyer and/or a Bidder to the extent that you have suffered damages and/or loss as a result of the Buyer and/or the Bidder’s breach of the Terms of Sale.

4.3 If you breach these Terms of Consignment, you may be responsible for damages and/or losses suffered by a Buyer, Bidder and/or by us. If we are contacted by a Buyer and/or a Bidder who wishes to bring a claim against you, we may in our discretion provide the Buyer and/or Bidder with information or assistance in relation to that claim.

4.4 We normally act as an agent only and will not have any responsibility for default by you or the Buyer.

5 Commission 5.1 We will charge you a commission on the sale of the Goods calculated as a percentage of the Hammer Price at the following rate: 15% plus VAT 5.2 In addition we have an Internet and marketing charge of £10 per lot and a further charge of £10 per lot for printed catalogue illustrations (these charges apply to both sold and unsold lots) and all charges are plus VAT. 6 Loss and Damage to Goods 6.1 We are not authorised by the FCA to provide insurance to you. However, subject only to Clauses 6.4 and 6.5, we accept liability for Goods from the time we takepossession of the Goods until the fall of the hammer.

6.2 Our liability for Goods is limited to our lower pre-sale estimate for the lot before the sale, or the Hammer Price if the lot has sold, or to the Reserve if the lot is unsold.

6.3 To justify accepting liability for Goods as set out above, we will charge you 1.5% plus VAT of the Hammer Price plus VAT or, if unsold, 1.5% of our lower estimate for the lot.

6.4 The liability accepted by us in Clause 6.1 does not include any liability for loss or damage to the Goods that is caused by or results from: (i) any inherent vice or defect affecting the Goods; (ii) acts of God, flood, drought, earthquake or other natural disaster; (iii) acts of terrorism, civil commotion, riots or war; or (iv) nuclear, chemical or biological contamination.

6.5 If you (or your agent) instruct us in writing not to assume liability for Goods, the Goods remain entirely at your risk unless and until the Goods pass to the Buyer or are collected by you or on your behalf. In this case Clauses 6.1 - 6.4 will not apply.

7 Photographs You will pay for the cost of any photographs of your Goods produced for the auction catalogue. We reserve the right to photograph all Goods unless you specifically request us not to. The copyright in such photographs will be owned by us, along with the text of the auction catalogue. For charges see clause 5 above.

8 Minimum bids and our discretion Goods will normally be offered subject to a Reserve agreed between you and us before the auction in accordance with Clause 9. We may sell Goods below the Reserve provided that we account to you for the same sale proceeds as you would have received had the Reserve been the Hammer Price. If you specifically give us a “discretion” we may accept a bid of up to 20% below the formal Reserve.

9 Reserves 9.1 Reserves must be reasonable and may not exceed our lower pre-sale estimate for that lot. We may decline to offer Goods which, in our opinion, would be subject to an unreasonably high reserve (in which case the Goods carry the storage and insurance charges set out in these Terms of Consignment).

9.2 Once we have agreed a Reserve, this cannot be changed except with your and our consent.

9.3 Where a Reserve has been agreed only we may bid on your behalf and only up to one bid below the Reserve (if any) and you may in no circumstances bid personally or ask anyone else to bid on your behalf.

9.4 Pre-sale notifications will be sent via email if provided, or post if not, reserves will not be set by the auctioneer without specific instructions and we must be advised of any request for a reasonable reserve figure by you, in cases were no reserve has been set by you then the item will be sold without reserve.

10 Electrical items 10.1 You must test any electrical items that you wish to consign to us for sale using external contractors. We will not accept any Goods that are not certified as safe by an electrician (unless they are antiques).

10.2 If we notify you that we will not accept uncertified electrical Goods, you must remove such Goods promptly at your expense following such notification. If you do not collect the Goods within five days of our written notice to do so, we may dispose of the Goods at your expense.

11 Unsafe Goods If in our opinion any of your Goods, in particular those which are soft furnishings, infringe safety regulations, we will not offer these Goods for sale.

You must remove such Goods at your expense. If you do not collect such Goods within five days of our written notice to do so, we may dispose of the Goods at your expense.

12 Warranties and information about the Goods 12.1 You must provide us with all information that you have relating to the provenance, export/import history, condition, attribution and authenticity of the Goods (and any additional information that may be relevant).

12.2 In addition to any warranties implied by law, you warrant to us and the Buyer that: 12.2.1 any information that you provide in relation to the Goods is complete, correct and up-to-date; 12.2.2 the Goods will match any description of the Goods that you provide to us; 12.2.3 as far as you are aware, the main characteristics of the Goods set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by us at the auction) are correct.

12.2.4 to the best of your knowledge, the Goods have been lawfully imported and lawfully and permanently exported as required by the laws of any country in which the Goods were located; required declarations upon the export and import of the Goods have been properly made; and any duties and taxes on the export and import of the Goods have been paid; and 12.2.5 you will pay all taxes and duties potentially due on the sale of the Goods.

12.3 You must let us know promptly, and in any event before the auction, if you find out that any of the information you have provided to us relating to the Goods is incorrect or incomplete and/or if the Goods do not match the description that you provided to us or the main characteristics of the Goods set out in the auction catalogue.

12.4 Any information that you provide in relation to the Goods may form part of the contract between both of us and the Buyer and you acknowledge that the Buyer may have a statutory right to reject the Goods if the information provided is incorrect.

12.5 If we have to refund the price of any Goods to the Buyer due to the Goods being a Deliberate Forgery, you must promptly, and in any event within seven days, reimburse to us any Proceeds that we have transferred to you for those Goods following receipt of our written notice requesting you to do so.

13 Transfer of ownership of the Goods You warrant and undertake to us and the Buyer that you are the true owner of the Goods (or are properly authorised by the true owner to sell the Goods on the owner’s behalf) and you currently have and will have the right to sell the Goods to the Buyer with good and marketable title free of any third party rights or claims at the time when ownership of the Goods is to be transferred.

14 Indemnity You will indemnify and keep us fully indemnified against any and all liability, loss, damage, costs (including reasonable legal fees and any VAT in relation to such fees) and expenses which we may incur or suffer as a result of any breach of Clauses 12 or 13 by you or anyone acting on your behalf, including without limitation, if we are required to refund the price of any Goods to the Buyer as a result of your breach of these clauses.

15 Terms of Sale You agree that the Goods will be sold to the Buyer in accordance with our Terms of Sale, a copy of which will be displayed in the saleroom and printed in our auction catalogue.

16 Authority to deduct commission and expenses and retain premium and interest You authorise us to deduct our Commission at the stated rate and all expenses incurred on your account from the Hammer Price, plus any applicable VAT. You consent to our right to charge the Buyer and retain

beneficially the Premium plus any applicable VAT paid by the Buyer in accordance with our Terms of Sale and any interest earned on the sale proceeds until the date of settlement.

17 Settlement 17.1 Provided that the Buyer has paid for the Goods, we will usually pay the net sum due to you within twenty eight days of the last day of the auction by crossed cheque to the seller.

17.2 If the Buyer has not paid for the Goods, we will not submit payment to you. In this case no settlement will be made. We will however discuss with you the rights that we may exercise under Clause 9 of our Terms of Sale in relation to a Buyer’s failure to pay. We will not release the Goods to the Buyer until we have received payment in full of the Price for the Goods.

17.3 You must notify us in writing if your bank account details change. We will not be responsible for any payments made to the incorrect bank account if this is because you have not provided us with the correct bank account details.

17.4 If we make payments to your bank account in error, we may request reimbursement by sending you an invoice.

17.5 We may deduct any sums that you owe to us from the Proceeds.

18 Unsold and withdrawn items 18.1 If the Goods are unsold at auction, you authorise us to negotiate a sale by private treaty not later than the close of business two working business days following the last day of the auction. In this case you will pay to us the same charges as if such Goods had been sold at auction and, so far as appropriate, these Terms of Consignment will apply to any such sale.

18.2 In addition to Clause 18.1, we may, with your consent, re-offer unsold Goods at a future auction (or by private treaty thereafter as set out in Clause 18.1 above) but we may recommend a variation in estimates or Reserve.

Where, in our opinion, Goods are unsaleable, we will notify you and you must collect such Goods from the saleroom within seven days of the date of our notice to do so. If you fail to collect such Goods promptly, we may charge you reasonable storage charges at a daily rate of £5 per lot per day. If unsold lots remain with us after a period of one week, without instructions from you, we reserve the right to offer them to a local charity shop or arrange for their disposal at a charge of £10 plus VAT per lot.

18.3 You will pay us a charge of 15% of lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are unsold at the auction and fail to sell by private treaty as described in Clause 18.1.

18.4 You will pay us a charge of 15 % of the lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are withdrawn from the auction after being catalogued and/or marketed by us prior to the auction in any way.

19 Withdrawal of the Goods by us 19.1 We may (acting reasonably) at our discretion at any time withdraw your Goods from our auction: 19.1.1 for legal, reputational or operational reasons (including if you fail to provide evidence to verify your identity or your title to the Goods to our satisfaction); 19.1.2 if we reasonably believe that you may be, or are about to be, in breach of these Terms of Consignment; or 19.1.3 if we reasonably believe the Goods to be a Deliberate Forgery.

20 Warehousing 20.1 We have no liability for Goods that you deliver to our saleroom without sufficient sale instructions. We reserve the right to charge you a minimum warehousing charge of £5 plus any applicable VAT per Lot per day.

20.2 We will notify you to ask you to remove any of your unsold or withdrawn Goods. Unsold and withdrawn Goods will be subject to the charges set out in Clause 20.1 above if you do not remove them within five days of the date of our notification requesting you to do so.

20.3 If you do not remove your unsold or withdrawn Goods within [thirty days] of the date of our notification we may either: (a) sell such Goods and set off charges from any net proceeds of sale; or (b) at your expense dispose of such Goods.

21 Our liability to you 21.1 We will not be liable to you for any loss of opportunity or disappointment suffered as a result of participating in our auction.

21.2 In addition, neither we nor the Buyer shall be responsible to you and you shall not be responsible to the Buyer or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

21.3 Subject to Clause 21.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the Proceeds due for the Goods if sold or the Reserve if unsold.

21.4 Notwithstanding the above, nothing in these Terms of Consignment limits the liability of us or our employees or agents for: 21.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 21.4.2 fraudulent misrepresentation; or 21.4.3 any liability which cannot be excluded by law.

22 Notices 22.1 All notices between you and us regarding these Terms of Consignment must be in writing and signed by or on behalf of the party giving it.

22.2 Any notice referred in Clause 22.1 may be given: 22.2.1 by delivering it by hand; 22.2.2 by first class pre-paid post or Recorded Delivery; or 22.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

22.3 Notices must be sent: 22.3.1 by hand or registered post: a. to us, at our address set out in these

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Terms of Consignment or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing.

22.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankaucctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

22.4 Notices will be deemed to have been received: 22.4.1 if delivered by hand, on the day of delivery; or 22.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 22.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 22.2.3.

22.5 Any notice or communication given under these Terms of Consignment will not be validly given if sent by fax, any form of messaging via social media or text message.

23 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

24 General 24.1 Each of the clauses of these Terms of Consignment operates separately.

If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

24.2 We may change these Terms of Consignment from time to time, without notice to you. Please read these Terms of Consignment carefully, as they may be different from the last time you read them.

24.3 Except as otherwise stated in these Terms of Consignment, each of our rights and remedies: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Consignment or general law; and (b) may be waived only in writing and specifically. Delay in exercising or nonexercise of any right under these Terms of Consignment is not a waiver of that or any other right. Partial exercise of any right under these Terms of Consignment will not preclude any further or other exercise of that right or any other right under these Terms of Consignment. Waiver of a breach of any term of these Terms of Consignment will not operate as a waiver of breach of any other term or any subsequent breach of that term.

24.4 These Terms of Consignment are between you and us. No person other than you, the Buyer or us will have any rights to enforce any of these Terms of Consignment.

24.5 These Terms of Consignment and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

(4) TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only.

1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk . In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

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The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

10 Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11 Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are secondhand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12 Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (i) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13 Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within one month of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate.

Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right.

Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

55

No exit from A3 here

HOW TO FIND US Heading north on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs.

Heading South turn off the A3 11⁄2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound.

Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

Burnt Common Roundabout one way

one way

A3

Please note: if using Sat Nav to navigate to us then do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the Burnt Common roundabout then follow directions as above.

EWBANK AUCTIONEERS Chris Ewbank founded Ewbank’s in 1990 selling out of the Hog’s Back Hotel and in 1994 we acquired our present salerooms, the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles away with trains to Waterloo (23 minutes).

Throughout our time in Guildford, we have had the privilege of advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of two hundred Antiques and Fine Arts auctions and five hundred monthly Collectors sales. When we started in 1990 we held six auctions a year and we are now expecting to hold more than 50 auctions in the next twelve months.

We always seek to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors (Chris is a Chartered Arts and antiques surveyor), and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients.

As the costs of selling by auction in Central London have rocketed we have benefitted from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustration of all lots for sale are included on the internet. We estimate that we now with four regular photographers on our staff take in excess of 50,000 images per annum. Buyers are attracted from all over the world.

We have invested heavily in technology in recent years with both new back office systems and website. This gives a far greater global marketing ability. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. Since our first auction published on the internet that side of our business has risen markedly so that in the last 12 months we have had 3.5 million pages views on our website up from 2 million in the previous year. Recognising the importance of live internet bidding in today’s market we have for the last twelve months been operating our own live bidding platform Ewbank’s Live and regularly report over 50% of our sales being to on line bidders. With others we have now also set up a new search hub and bidding platform www.theauctionroom.com which saves buyers up to 6% as against other commercial platforms.

Ewbank’s has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own Salerooms, bidding platform and some fifty specialist sales a year. Turnover in our first year in 1990 was approximately £250,000 and just one of our quarterly sales now easily exceeds that figure. Building refurbishments works have doubled the size of our floor space in recent years to accommodate the sale volumes. We have for some years now been able to claim that we are Surrey and Hampshire’s premier antique fine art and specialist auctioneers.

Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He was also an elected Member of its International Governing Council (the highest decision making body in the Institution) from 2005 to 2013. He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was Chairman from 2000-2007. He is on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Company of Arts Scholars.

We look forward to the future technological advances that will continue to enhance the auction experience for our clients and buyers.

Chris Ewbank FRICS ASFAV

56

ewbank’s auction sale dates 2016 Viewing days/times vary, please contact the auctioneer for details

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

Alastair McCrea, MA Partner

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

John Snape, BA, ASFAV Partner

alastair@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

john@ewbankauctions.co.uk

September 21st Jewellery, Silver & Watches 22nd Fine Art & Antiques 23rd Antique Furniture & Clocks 26th The Contents of Cunningham House, Woodhill, Send

November 10th Asian Art 10th Textiles, Sewing & Vintage Fashion 16th Antique & Collectors' 30th Jewellery, Silver & Watches

October 5th 6th 27th 27th

December 1st Fine Art & Antiques 2nd Antique Furniture & Clocks 8th Entertainment & Memorabilia (Movie, Music, Sporting & Toys) 9th Vintage Posters 14th Antique & Collectors' 15th Fine Wines & Spirits

Antique & Collectors' Photographic, Scientific Instruments & Natural History Decorative Arts Contemporary Art

Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale.

Cover: Lot 541 Inside Front Cover: Lot 224 Inside Back Cover: Lot 359

Dates are published on our website and are subject to change without notice.

The Contents of Cunningham House Sale

www.ewbankauctions.co.uk

The Contents of Cunningham House, Woodhill, Send, Surrey Monday 26th September 2016

Monday 26th September 2016

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