Ewbanks - 20th Century Art & Design Auction - Thursday 19th February - 10.30am by Andrew Ewbank

20th Century Art & Design Thursday 19th February 2015

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Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA ASFAV Partner

Andrea Machen, Decorative Arts Specialist

Alastair McCrea, MA Partner

Andrew Delve, MA ASFAV Partner

Tim Duggan, ASFAV Partner

Front/back Cover Lot 431

Inside Front Cover Lot 286

chris@ewbankauctions.co.uk

alastair@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

andy@ewbankauctions.co.uk

andrea@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

John Snape, BA ASFAV Partner

john@ewbankauctions.co.uk

20TH CENTURY ART & DESIGN

Surreyâ&#x20AC;&#x2122;s premier antique and fine art auction rooms

25th Anniversary

20TH CENTURY ART & DESIGN Arts & Crafts, Art Nouveau, Art Deco, Moorcroft, Modern Design & Contemporary Art

SALE: Thursday 19th February 2015 at 10.30am VIEWING: Monday 16th February 9.00am - 5.00pm Tuesday 17th February 9.00am - 8.00pm Wednesday 18th February 9.00am - 5.00pm Thursday 19th February 9.00am - 10.30pm For the fully illustrated catalogue and Registration for Live internet bidding go to www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101

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INFORMATION FOR BUYERS 1.

Introduction.The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 25.2% inclusive of VAT on the hammer price of each lot purchased.

VAT. (†) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

Condition of Lots. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Intending buyers have ample opportunity form inspection of goods and neither the seller nor we as the auctioneers accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Condition Reports.We may be able to assist buyers unable to view by providing a condition report, but these reports are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. (Please see our Conditions of Sale).

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Commission bids should be left with us before an auction starts. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or Email. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). We accept card payments provided that your registered address is the same as the card address. There is a surcharge of 2.5% plus VAT on credit cards but no charge on debit cards. 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges which are currently set at £5 plus VAT per lot per day. 13. Artist Resale Right. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.org.uk or telephone +44 (0) 845 410 3410.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. The forename(s) and surname of the artist: In our opinion a work by the artist. The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. ‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest. Signed: Has a signature which in our opinion is a recognised signature. Dated: Is so dated and in our opinion was executed at that date. The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and /or date and/or inscription have been added by another hand. Measurements: Height precedes width.

ORDER OF SALE: Thursday 19th February 2015 at 10:30am Arts & Crafts Art Nouveau Art Deco Moorcroft Modern Design Contemporary Art

Lot 1 42 74 143 197 303

Arts & Crafts

3 3

Pair of early 20th century stained glass panels decorated with stylised flowers in arched frames, each 126cm x 56cm £200-300 See Illustration.

1 1

Liberty & Co, Arts & Crafts oak desk and bookcase bookcase with two doors with leaded glass the intersections in the form of hearts, pierced heart decoration and dog kennel base. 137 x 107 x 37cm Desk with part leathered top, single drawer and cabinet, 76 x 99 x 49.5cm, handles stamped L&Co. This appears to have once been two separate matching items of furniture. £700-1,000 See Illustration.

Copper Fender with repousse decoration ‘Rothschild Lily’ 123 x 11.5cm £80-120

4 4

Early 20th century stained glass panel decorated with a stylised blue flower, 126cm x 56cm £150-250 See Illustration.

Early 20th century stained pine arched door with cast metal lock and frame, 231cm x 121cm £100-200

Early 20th century gouache of a lady playing tennis, indistinct signature, 18cm x 23cm £50-80

8 Arts & Crafts walnut twin train mantel clock inset with enamelled panels, 33cm high £200-300 See Illustration.

Pair of Compton Art Guild, terracotta scroll pots designed by Mary Seaton Watts, with impressed seal marks, 29cm x 37cm £1,000-1,500 See Illustration.

10 Burmantofts faience jardiniere and stand, the green ground with floral relief decorated panels, 90cm £50-100

7 7

An earthenware glass eyed cat with sling in the manner of Galle, early 20th C part signature to base 22.5cm £70-100 See Illustration.

11 Bretby majolica green ground jardiniere, with three herons around the base, impressed mark and number ‘1593’, 39cm high £40-60 12 A pair of copper fireside boxes, with planished surface and studded straps, reeded brass carrying handles terminating in sunflower form mounts. 24 x 33.5 x 20 £100-150

15 Painted and stained glass panel depicting a woman, in Pre-Raphaelite style, wearing armour and with a sword, probably Joan of Arc, late 19th to early 20th century, 61cm x 39cm £150-250 See Illustration. 16 Early 20th century oak two tiered table with Indian white marble and specimen stone chess board, top possibly later, 76cm x 48cm x 48cm £70-100

17 17 Arts and Crafts copper box with four enamel roundels overlayed with studded decoration, 5 x 20 x 14.5cm £300-500 See Illustration. 13 13 Design for a stained glass window in the manner of Henry Payne, water colour and pencil, 15.5cm x 10.5cm, 10 x 4.40in. (25 x 11cm) £50-80 See Illustration. 14 Early 20th century pine bench of plank construction

£80-120

18 Arts & Crafts firescreen in wrought metal with stylised floral decoration, 77cm x 50cm £50-80 19 In the manner of the Glasgow school mahogany three tiered magazine rack, with pierced back raised on splayed feet 94cm x 36cm x 23cm £80-120 20 Burmantofts pottery vase with yellow glaze impressed Burmantofts Faience, 52cm high £60-100 21 Aesthetic style mahogany arm chair with pierced moorish style back, rush seat, on turned tapering legs £80-120

22 Robert ‘Mouseman’ Thompson oak oval cheese board, the handle with a carved mouse, 37cm long £100-150 See Illustration.

23 23 Minton tiles, scenes from Shakespeare designed by John Moyr Smith A set of five black print on white with buff and five others with different colourways, 15.5 x 15.5cm £150-250 See Illustration. 24 Arts & Crafts walnut and oak two tiered occasional table with pierced decoration, 66cm high, 38cm wide, 30cm deep £50-80 26 26 Twin branch brass wall sconce in the form of a griffin 39cm high £100-150 See Illustration. 27 A large Arts & Crafts copper door plate with planished and pierced decoration 74cm £50-80 28 Ebonised side table in Glasgow School style, 69cm high 53cm wide 53cm deep £40-60 29 After W.S. Coleman ‘The Yacht Race’ and ‘Golden Hours’ photochrome lithographs re- framed with original labels on reverse, 50 x 37cm (2) £50-80 25 25 Pair of Doulton Lambeth stoneware ‘Scotch’ decanters and stoppers in mainly brown and blue glazes, with tubelined decoration each 25cm £150-250 See Illustration.

30 30 Della Robia pottery 1894-1906 plaque moulded with two children making sandcastles, in blue, yellow and white glazes, incised mark verso, 12cm x 23cm Provenance: Purchased by the vendor’s grandmother from the Della Robia factory. £250-350 See Illustration.

32 An Arts & Crafts oak dresser with Glasgow School style stained glass the back with foliate carved decoration and pierced sides, over two shaped drawers and leaded glass cupboards, 188cm x 160cm £200-400 See Illustration. 33 The Studio magazine in bound editions, 1916-1918 and three half yearly bound volumes Volume 5 six issues June-Dec 1903, Volume 6 x 2 Jan-June 1904 & June -Dec 1904 all half bound in red calf, two year books number 69 and 72 and volume 57 £50-80 34 Arts and Crafts hand beaten copper chestnut pan and cover with scrolled handle £40-60 35 Arts & Crafts oak corner shelf, with triangular cornice, 38cm high £40-60

31 31 Della Robia pottery 1894-1906 plaque moulded with children playing around a tree, painted and incised marks painted DR mark and monogram for painter Alice Louise Jones, verso, 20cm x 24.5cm Provenance: Purchased by the vendor’s grandmother from the Della Robia pottery in Birkenhead. £400-600 See Illustration.

12 34

36 George Jensen brooch set with green Chrysoprase stone, marks for 1910-1925, design number 120, 7.7cm high £150-250 See Illustration. 37 After Cecil Aldin ‘Waiting for something to turn up’ unsigned print £30-50 38 Arts & Crafts pewter inkwell with hinged cover and plain banded decoration, 22.5cm diameter £60-100 39 Arts & Crafts copper framed oval mirror with Celtic knot roundels 52 x 63.5cm 25 x 20in. (64 x 51cm) £80-120 40 Early 20th century pottery jardiniere base with stylised foliate decoration, 69cm high £30-50

41 Sir William Nicholson (1872-1949), set of four prints from ‘London Types’ to include ‘Rotten Row’ and ‘Any Corner’, each 26cm x 22cm £100-200

Art Nouveau

Art Nouveau 42 Two prints after L. Vallet of a lady ‘J’en Pince, Donc je Suis’ and ‘Sports D’Hiver’, each 30.5cm x 23cm £40-60 43 After Jean-Gabriel Domergue (1889-1962) ‘Alice Soulie’ Cabaret show poster photomechanical reproduction in colours, 1926, on paper, printed by H. Chachoin, Paris, with margins framed, 157cm x 117cm £400-600 44 ‘Spring Love’ a figure group by Richard Aigner for Rosenthal impressed in the column, Richard Aigner Munchen, various stamps to base, 27.6cm £100-150

48 48 WMF silver plate and glass centrepiece c.1910 the clear glass cut with finger facets and etched with floral sprigs on a spreading column base, overlayed with floral swags, stamped mark to base, 30 x 44cm £200-400 See Illustration. 49 Kayserzinn lidded jug, similar box, a pair of Orivit beakers with clover design and a petal edge pin tray £120-160 50 Royal Doulton pottery soap dish in blue, green, pink and brown glazes with dragonfly decoration, inscribed to base ‘Specially designed & manufactured by the Royal Doulton Potteries for the proprietors of Wright’s Coal Tar Soap’, 15cm wide £40-60

45 45 An Art Nouveau painted terracotta figure of a girl water carrier impressed oval makers stamp and numbered 708, 65cm £200-300 See Illustration. 46 Rethondes, France, a pate de verre Art Nouveau blue glass lamp shade and five others, all early 20th Century £70-100 47 Pair of Doulton stoneware candlesticks decorated with Art Nouveau style floral decoration. 10.5cm 5in. (13cm) £50-80

51 51 Art Nouveau mahogany and marquetry inlaid table top revolving bookcase, probably by Shapland & Petter with four panels of inlaid flowers, the top inlaid with lily pads linked by curved stringing 33 x 29 x 29cm £200-300 See Illustration.

54 54 Art Nouveau figural nut dish by WMF the figure of a young lady holding the stalk of a leaf which forms the handle, 20cm x 31cm x 26.5cm £400-600 See Illustration.

52 52 WMF Claret jug decorated with a fruiting vine and with bird finial Stamp marks to base, 35cm £150-250 See Illustration.

53 53 WMF Tri form dish with stylised floral design, Stamped marks, 10cm x 46cm £250-350 See Illustration.

55 55 Art Nouveau WMF glass and silverplated figural centrepiece, the glass with etched and faceted decoration, 67cm x 51cm x 14cm £1,200-1,500 See Illustration.

56 56 Louis Marjorelle and Daum, a wrought iron and cased glass bucket vase, clear over white glass with polychrome mottled interior, engraved signature Marjorelle, Daum, Nancy and the cross of Lorraine, 23cm x 24cm £1,500-1,800 See Illustration. 57 Pair of Kayserzinn vases cast with fuchsia decoration, the handles in the form of stems, 28cm, stamped and numbered to base £300-500 See Illustration.

58 58 WMF stand with pierced decoration of leaves and berries 15cm x 26cm £180-220 See Illustration. 57

59 Art Nouveau walnut penwork four fold firescreen, each panel 74cm x 16cm

£50-80

63 A group of early 20th C ceramics to include a Mintons vase with Art Nouveau decoration, another similar, a Villeroy Boch vase and a small Lear pottery vase, tallest 17cm £150-250

60 60 An Austrian Art Nouveau centrepiece modelled with two maidens each with outstretched arms holding a central bowl in the manner of Ernst Wahlis, ivory blush colours with gilt highlights, impressed ‘made in Austria 1025 22’, 36cm wide £80-120 See Illustration.

64 64 An Austrian Jugendstil figural card tray by Amphora, Reissner, Stellmacher & Kessel, impressed and painted marks, 25cm £200-300 See Illustration.

65 61 61 Jess Lawson Peacey, a pottery figure of a cherub holding a cornucopia c.1930, polychrome decoration, on square section base, incised signature £80-120 See Illustration.

65 WMF Art Nouveau tea set decorated with berries and foliate decoration c.1910 comprising tea pot, hot water jug, milk jug on twin handled tray, tray 47.5cm £250-350 See Illustration.

62 Julius Dressler, Bohemia, a large Jugendstil majolica centrepiece decorated in green glazes 43.5cm £50-80

71 Early 20th C Arch top mirror with Art Nouveau decoration of poppies pine wood back, 67 x 46cm £50-80 72 Ernst Wahliss, Austrian double gourd vase with Art Nouveau style decoration of flowers highlighted in gilt C1910 Vienna, Turn shield stamp and incised numbers, 26cm £60-100

66 66 WMF twin handled syphon stand, with decoration of flowing tendrils stamped marks, 21cm £180-220 See Illustration. 67 A large rectangular Secessionist style twin handled tray with mother of pearl inlay, 53.5cm £40-60 68 Thermidor Belge Patent Brass and Copper standard oil lamp (converted) 161cm high £50-80 69 An Art Nouveau style silver beaker stand with decoration of birds and flowers, by William Comyns, London, 1898 £50-80

70 70 A pair of Art Nouveau, garden wall pockets in the form of girls heads with flowing locks, composition stone, 40cm £100-150 See Illustration.

73 Early 20th century Villeroy & Boch Jugendstil majolica pedestal basin in green and brown drip glazes, 117cm high £500-800 See Illustration.

Art Deco

74 74 Art Deco metal figural lamp cast as a female dancer on one leg with arms outstretched on stepped marble base, 51cm high ÂŁ400-600 See Illustration. 76

75 Art Deco five piece bedroom suite in birds eye maple with rosewood inlay, comprising a gentlemens cabinet with line of drawers and fitted cabinet, a dressing table with matching leather top stool, a single door wardrobe and bed end ÂŁ500-800 See Illustration.

76 Art Deco figure of a dancing girl, gold patinated spelter 1930s, on marble column base, 36.5cm high ÂŁ100-150 See Illustration.

77 77 Susie Cooper Crown Works, an unusual kestrel form jug with hand painted design of colour blocks with sgraffito detail, 16cm high £70-100 See Illustration. 78 Collection of half dolls including one holding a fan, and feather skirt half doll, boxed £70-100 79 Art Deco car teapot probably by Sadlers, mauve/blue, registered design number 820236, 22cm wide £30-50

81 81 S M Price sketch ‘I do Feel it ‘ young girl by a mirror, titled and signed verso, 15cm x 10cm £40-60 See Illustration. 82 Two prints ‘The Fortunes of ball room’ and ‘Colour is life’ each 23cm x 18cm and another untitled 18cm x 23cm £40-60 83 After Keith Prouse, two Art Deco style prints each depicting a lady and a gentleman with a Rolls Royce, 3903/4000 and 3681/4000 £40-60

80 80 A R Read, wood block print ‘Night Wind’ depicting a nude girl with colourful scarf, signed, titled numbered 25/50 in the margin, 23cm high £60-100 See Illustration.

84 84 George V silver Art Deco sandwich label holders in the form of flags, comprising six flags with nineteen different plastic filling cards, 7.5cm high, maker’s mark ‘AS’, Birmingham, 1913 £80-120 See Illustration.

85 Katzhutte, German Art Deco figure of a dancing lady in blue dress holding a hat, 29cm £80-120 86 Royal Dux figure group of two girls dancing and a single figure numbered 8456 £50-80 87 Continental figure of a girl in Pierrot style costume, marked on base with a green crown and impressed 2125, 21cm high £50-80 88 Continental porcelain figure of a dancing girl, numbered 15333, 18.5cm high £50-80 89 Three googly eyed figures and a pin cushion doll, continental c.1930 Tallest, 7cm £30-50

92 92 Asprey London, an Art Deco style dressing table set in silver and plastic, comprising three scent bottles, three circular boxes, mirror brush and comb set, (10) hallmarks for London 1955 £200-300 See Illustration. 93 Schmidt-Hofer bronze of a female nude holding a shoe, signed, on black marble base 36cm high £150-250 See Illustration. 94 Relief carved Wooden plaque on stand, Leda and the swan, on plinth base 20cm by 28cm £50-100

90 90 Large Rosenthal figure of a reclining nude green mark to base and signed, 952, WR 25 x 39cm £150-250 See Illustration.

95 Collection of Clarice Cliff ‘Bizarre’ monthly news letters mostly from the 1990s and a collection of photographs used to illustrate the magazines £30-50 96 Art Deco lamp base in the form of a girls head probably by Goldscheider On turned wooden base, with original brass and bakelite fittings, 27cm (head only) £100-150 See Illustration. 97 Goldscheider Art Deco glazed terracotta wall mask, girl wearing a hat bearing original paper label and with numbers incised on reverse, 28cm £70-100 See Illustration. 98 Austrian bronze Art Deco figure of dancing woman with saxophone, in the manner of Hagenauer, on green onyx base, apparently unsigned marked made in Austria on base £150-250 See Illustration. 99 Art Deco chrome and blue enamelled table lamp, 28cm £30-50

91 91 Rosenthal figure group of embracing couple, by Richard Aigner impressed marks ‘Richard Aichner Munchen ‘ base with green stamp and impressed K295, 39cm £200-400 See Illustration.

103 103 Art Deco glass perfume bottle by Julien Viard, the stopper in the form of a cat, faceted glass with enamelled decoration of stars and the moon in clouds, produced for Depinoix, unmarked, 11cm £250-350 See Illustration. 104 Sabino frosted opaline glass vase decorated with swallows in flight, signed Sabino France to base, 18cm high £80-120

100 100 After Pierre le Faguays, ‘Message of love’ bronze figure of a girl holding a dove, bearing signature and foundry mark for Susse Freres, Paris. mark for Susse Freres, Paris. the figure stands on rocks, mounted on a green variegated marble base 47cm high Provenance: Purchased 2004, Clars is in Oakland CA. £300-500 See Illustration. 101 A. M. Klimecki - A poster for the “Clarice Cliff Collectors Club 1982-1992”, limited edition 67/150, signed in pencil, 21”x14.5”, framed (frame: 25”x19”) £30-50 102 Royal Doulton flambe vase decorated with stags, and a Carltonware Pagoda pattern twin handled vase, Doulton 26cm, Carlton vase 16cm £50-80

105 Collection of Royal Doulton seriesware china, comprising three square Moorish plates, desert scene bowl, six Tunis plates, and an Arabian Nights sandwich plate £50-80 106 Royal Doulton, ‘Merryweather’, part dinner service comprising; hexagonal 29cm diameter serving plate, tureen with a lid, 15cm high, four graduated meat plates, hexagonal dish, 15cm diameter, fifteen 25.5cm plates, sixteen 26.5cm plates, twelve 24cm soup plates, twenty-three 19cm plates, two 18cm hexagonal side plates and nine saucers and six cups £200-400 See Illustration. 107 Art Deco frosted glass and gilt metal chandelier, each moulded section stamped Hanots, 90cm high £300-500

106

108 An unusual spherical silver plated tea pot on splayed feet, matching cream and sugar, curved hardwood handles £80-120

112 Art Deco walnut gentlemans dresser, single drawer to cupboard doors on scrolled legs to bun feet 108cm h 72cm w 45cm d £80-120

109 Art Deco lamp with figure of a nude male in bronze patinated spelter on alabaster base, 20cm £100-150

110 110 After Rene Marquet bronze panther on stepped base signed in the maquette, 10cm high, 20cm wide £300-500 See Illustration.

113 113 Carltonware a rare desk stand in Forest tree pattern made for Onoto pens c.1930, 10 x 14.5 x 9cm £150-250 See Illustration.

111 Art Deco limed oak bedroom suite with chrome handles and carved foliate square panels, dressing table with heart shaped mirror, 163cm high, stool, gentleman’s dresser 124cm high and wardrobe 180cm x 137cm £300-500

114 Schneider trumpet form vase with white speckled clear glass and raspberry coloured rim and base. Signed on base. 34cm x 29cm ÂŁ400-600 See Illustration.

115 Lorenzl silvered bronze nude figure of a dancing girl on green onyx base, 18.5cm x 39cm x 22cm. Signed on the base of figure ÂŁ1,500-1,800 See Illustration.

114

115

116 Oscar Bach an Art Deco German American 1884-1957 silvered bronze figural lamp modelled as four naked men supporting a circular dish stamped, with signature and foundry mark, 51.5cm including glass shade. Oscar Bruno Bach, designer craftsman, started his career in his native Germany, one of his early designs a prayer book cover for Pope Pius, remains in the Vatican permanent collection. he won the Grand Prix at the World Exhibition in Turin in 1911. From 1911 to his death he lived in New York, where he set up his studio, exhibiting regularly at the Metropolitan Museum of Industrial Art. His work appears in the Empire State building, the Rockefeller Centre, the Chrysler Building. The form of the telamon figures seen in the lamp stems from a design for a pair of monumental bronze lanterns that were designed for the New York Department of Health building in 1932 £800-1,200 See Illustration.

117 Lalique ‘Druide’ opalescent glass vase with green staining, high relief design of mistletoe, designed 1924, etched R Lalique France mark, 19cm £1,200-1,500 See Illustration.

116

118 ‘Players please’ an enamel advertising sign showing a sailor for H.M.S. Invincible 73.5 49cm £100-150

117

119 An Austrian Goldscheider figure group of a woman and young girl signed with artists name ‘Gruber’ and factory marks and numbers to base 31cm £200-300 See Illustration. 120 Josef Lorenzl design for Keramos, two Spanish girls in traditional costume C 1930 model number 1239, printed and impressed signature, 36cm £250-350 See Illustration.

119 121 121 Art Deco Burleigh ware plaque celebrating the jubilee of King George and Queen Mary 1935, designed by ET Bailey modelled in relief with silver highlights, impressed Bailey, printed mark, 34cm £150-250 See Illustration. 122 A Faience tile kettle stand decorated with birds within a crest and an Art Deco Vase with carved earthenware decoration of birds signed R Meguinion and impressed marks 12cm £50-80 123 Val St Lambert faceted purple flash vase marks on base, 13cm £50-80 124 Asprey & Co an Art Deco shagreen and ivory mounted box, another similar and a shagreen card case £200-400 125 Two Art Deco satinwood photo frames of fan form with original 1920s Bonzo the dog postcards tallest 24cm £60-80 126 Art Deco ebonised console table with white metal trim, 74cm high, 61cm wide, 25cm deep £50-80 120

136 136 After Charles Lemanceau a French Art Deco figure group of deer by ODYV Odette Berlot & Yvonne Mussier produced ceramics under the trade name ODYV from 1927-1940, 30.5cm x 45.5cm £150-250 See Illustration. 127 127 Armand Vallee, French (1884-1960) ‘L’Oiseau Mort’ depicting a lady in 1930s evening dress and a dead bird Vallee was a fashion designer poster artist and illustrator, working for journals ‘Fantasio’ and La Vie Parisienne’ 32cm x 24cm £200-300 See Illustration.

137 1930s French clock of variegated red marble with spelter dog and two garniture stands face marked Comptoir General M Schnerb, Bd Poissonniere, Paris, 23cm high £50-80 138 Monart glass vase with yellow trails and broken silver over purple, cased in clear glass, 13cm high £50-80

128 J Price, theatrical costume designs, one with pink trim the other with green trim, pen ink and wash, one signed, dated 1915, each 33cm x 23cm £50-100 129 Collection of pin cushion head dolls 1920s-1930s and two powder bowl figure dolls, some numbered, tallest 11.5cm £80-120 130 Two bisque bathing belle type piano dolls, modelled as nude figures, 1920s £30-50 131 Art Deco black and white veined marble mantel clock 21cm x 37cm £50-80 132 Clarice Cliff ‘ Raffia’ design vase, a banded Shelly vase and two Art Deco clocks Clarice vase 25cm £60-80 133 Carlton ware leaf dish and nine other pieces of Carlton ware and two collectors books £50-80 134 Shorter part dessert service, the green ground decorated with flowers, comprising three dishes and a jug and three other pieces £50-80 135 Art Deco table in burr maple on block supports, 75cm x 152cm x 86cm £70-100

139 139 Clarice Cliff bonjour shape bachelor tea service, peony pattern marked with Wilkinson, Royal Staffordshire mark £150-250 See Illustration. 140 French Art Deco walnut and chrome mounted aneroid barometer and thermometer, by INDIC, No. 3967, 36cm high £50-80 141 A Shelley Regent shape part coffee service with geometric design comprising milk jug, sugar bowl, six cups and five saucers, Reg no 781613 £100-150 142 Carlton Ware Harvest dishes marked Australian design, (7) largest 25 x 24cm £80-120

Moorcroft

146 Moorcroft iris and spring flowers baluster form vase incised signature and impressed ‘Potter to HM the Queen’ 15cm £150-250

Moorcroft

143 143 James Macintyre Florian pattern jug designed by William Moorcroft tubelined decoration on two shades of blue, with silver plated rim, Florian ware stamp and registered design number 326471, green signature 20cm £200-400 See Illustration. 144 Moorcroft pomegranate transition pattern vase, frieze of fruit within leaf decorated bands, impressed marks and blue signature, 19cm high £200-400

147 147 Large Moorcroft shallow bowl with decoration of iris on a cream matt glaze ground painted in pastel shades, signed and with ‘Potter to H.M. the Queen’ 27.6cm diameter £200-400 See Illustration. 148 Moorcroft bud vase with Glasgow rose style design, similar dish and another with sunflower vase 10cm, dishes 11.7cm £150-250 149 Moorcroft Hibiscus pattern plate on a blue ground impressed mark and green signature, 22cm £80-120 150 Moorcroft Leaf and berry pattern waisted vase incised signature and ‘Potter to H.M the Queen’ 18cm £150-250 151 Moorcroft pottery bowl and cover, hibiscus pattern internal paper label, 11 x 16cm £100-150 152 Moorcroft vase with stylised floral pattern, signed and dated ’93, 14cm £100-150 153 Modern Moorcroft round box and cover, the blue ground decorated with roses, impressed and painted marks, 107/500 12.5cm diameter £50-80 154 Moorcroft bowl, leaf and berry design, 20cm diameter £150-250

145 145 Moorcroft Leaf and berry pattern shallow bowl on unusual light brown ground impressed mark ‘Potter to her Majesty the Queen’, green signature, 22cm diameter £100-200 See Illustration.

155 Moorcroft vase, Arum lily design, impressed marks, 12cm high £100-150 156 Moorcroft bulbous vase with design of spring flowers on a blue ground signature and marked Potter to HM the Queen, impressed mark, 13.5cm £100-150

157 Moorcroft vase with ‘Black Tulip’ design by Sally Tuffin, 19cm high £150-250

158 158 Moorcroft vase, ‘Windsor Carnation’ design by Sally Tuffin for ‘Talents of Windsor’, 28/300, 28cm high £300-500 See Illustration.

159 159 Moorcroft bonbonniere, ‘Symphony’ design by Emma Bossons, dated 2003, 22cm high £150-250 See Illustration.

160 160 Moorcroft Vase with white and yellow flower design, dated 2003, 20cm high £150-250 See Illustration.

161 161 Moorcroft centenary blue ground vase with Yacht design, 24cm high £180-220 See Illustration.

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164 164 Moorcroft twin handled vase ‘Snow drop’ design, by Rachel Bishop, 15.5cm high £60-100 See Illustration. 162 162 Moorcroft vase with Gypsy design by Rachel Bishop, date 14/4/00, 14cm high £150-250 See Illustration.

165 Moorcroft vase with flower design by Rachel Bishop, dated 20th May 2004 9/150, 23cm high £150-250 166 Moorcroft vase in the ‘Kopak’ design by Nicola Slaney, dated 2000, 13cm high £120-180

163 163 Moorcroft vase with flower design by Rachel Bishop for Liberty 43/50, 24cm high £200-300 See Illustration.

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167 Moorcroft vase decorated with female nudes on a purple ground, design by S Pendlebury, dated ’99, 25cm high £300-500 See Illustration. 168 Moorcroft pin dish with flower design, dated ’93, diameter 11cm £30-50 169 Moorcroft rectangular dish with Anemone design, 20cm wide £40-60 170 Moorcroft vase in the ‘Atlantica’ pattern, designed by Sian Leeper, 15cm high £200-300

172 172 Moorcroft Vase leaf and berry pattern deep red ground, flambe glaze impressed signature and ‘potter to the Queen mark’ C 1928-34, 16cm high £200-300 See Illustration.

171 171 Moorcroft vase with Swallow design, by Rachel Bishop, 55/500, dated 97, 25cm high £200-300 See Illustration.

173 173 Moorcroft vase with pomegranate design, blue signature and impressed marks to base 15cm high £150-250 See Illustration.

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174 Moorcroft Vase Ophir pattern designed by Rachel Bishop for Liberty & Co 19/100, 25cm high 10 x 5in. (25 x 13cm) £200-300 See Illustration.

176 Moorcroft vase ‘Windsor Carnation’ design, by Sally Tuffin for ‘Talents of Windsor’, 42/300, 28cm high £300-500 See Illustration.

175 175 Moorcroft ginger Jar ‘Trout’ pattern, by Phillip Gibson, dated 1998, 15cm high £120-180 See Illustration.

177 177 Moorcroft vase ‘Reeds in Sunset’ pattern, by Philip Richardson, 1997/98, 18cm high £200-300 See Illustration.

179 Moorcroft bonbonniere, ‘Symphony’ design, by Emma Bossons dated 2003, 22cm high £150-250 See Illustration.

178 178 Moorcroft vase ‘Fairy Rings’ pattern, by Philip Richardson, circa 1988, 36cm £400-600 See Illustration.

180 180 Moorcroft vase ‘Profusion’ design, by Philip Gibson, dated 2001, 32/100, 42cm high £800-1,200 See Illustration.

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181 181 Moorcroft vase and cover, ‘Jewel of Medina’ pattern, by Emma Bossons for Liberty, dated 2002, 13cm high £100-200 See Illustration.

186 186 Moorcroft ginger jar, ‘Blue on Blue’ design, 15cm high £100-200 See Illustration.

182 182 Moorcroft lidded bowl, ‘Bells of Spring’ Pattern for Liberty by Emma Bossons, 14/50, dated 2003, 9cm high £150-250 See Illustration. 183 Moorcroft ginger jar in the ‘Anemone’ pattern, 15cm high £100-200 184 Moorcroft ginger jar in the ‘Spring Blossom’ pattern, 15cm high £120-180 185 Moorcroft ginger jar in the ‘Midnight Blue’ pattern, by Philip Gibson, dated 2002, 15cm high £120-180

187 187 Moorcroft vase in the ‘Cymric Dream’ pattern, by Rachel Bishop for Liberty, 154/250, dated March 2000, 21cm high £300-500 See Illustration.

188 188 Moorcroft vase with flower design, dated 2000, 15cm high £150-250 See Illustration.

193 193 Moorcroft commemorative mug for the coronation of Edward VII and Queen Alexandra, with personal inscription from Arthur Lasenby Liberty of Liberty London in blue and green glazes, dated 1902, base inscribed ‘From Mr. & Mrs. Lasenby, Liberty, The Lee, Bucks’., and initialled ‘WM’, 10cm high, and a signed and inscribed copy of ‘Spring-time in the Basque mountains’ by Arthur Lasenby Liberty, 10cm high £150-250 See Illustration. 194 Moorcroft oval dish decorated with flowers, impressed marks, 23cm wide £50-80

189 189 Moorcroft ginger Jar Ingleswood design by Phillip Gibson dated 2002 15cm high £120-180 See Illustration. 190 Moorcroft green ground ginger and cover, ‘Hibiscus design’, 15cm high £60-80 191 Moorcroft squat vase with decoration of Hibiscus, bearing green signature and potter to the late Queen Mary label, 12cm high £100-150 192 Moorcroft ovoid vase decorated with pansies, signed and impressed marks, 11cm high £40-60

195 195 Moorcroft blue glazed vase decorated with Irises, 13cm high £180-220 See Illustration. 196 Moorcroft bowl and cover with Hibiscus design, diameter 13cm £120-150

Modern Design

199 Ardmore, South African studio pottery study of a mythological beast with two smaller on his back, 48cm high, 54.5cm long £80-120

Modern Design 197 Rosewood bookcase mid 20th century £100-150

200 Vigneron a mid 20th Century low sideboard with tiled panel teak with sycamore interior, two cabinets and four drawers, the tiled panel with abstract design of wine bottle, glasses and food, 83cm x 248cm x 48cm £500-800 See Illustration. 201 Scandinavian glass vase with etched design of two girls with stars above, indistinctly signed Selander ? 489-295 and another with etched dove, signed 12.2cm, and a Sevres France glass dish with frosted bird £50-80

197A 197A Anton Michelsen silver year spoons and forks sixteen in total, 1959-1966, various designers, silver gilt and decorated in enamels. Silversmith Anton Michelsen started the tradition for Christmas spoons in 1884, in the 20th C a different designer was chosen each year to design the spoon decoration. £300-500 See Illustration.

202 202 Lalique scent bottle ‘Amour flacon’ collection limited edition 1994, 60ml perfume, sealed, signed, numbered, with box, clear glass heart shaped bottle the top with frosted finial of embracing lovers 14cm x 8cm £150-250 See Illustration.

198 198 Gio Ponti for Bonacina Italy a ‘Conti Biancamano’ chair rattan construction mid 20th C £300-500 See Illustration.

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203 203 Lalique glass scent bottles ‘Hittite’ and ‘Deur Fleur’ both with etched mark, boxed 9.5cm £150-250 See Illustration. 204 Pair of Laurid Lonborg of Copenhagen, Denmark bentwood armchairs NB: Bought by vendor in 70s from Danish Embassy in Bangladesh, Dacca £200-300

206 206 Lalique vase with decoration of birds and leaf covered sections etched Lalique France to base 12cm £120-160 See Illustration. 207 Pair of Orrefors clear and blue frosted glass candlesticks, 32.5cm high £60-100 208 Mid 20th C glass by Kosta, Hadeland and Orrefors each piece signed £50-80 209 Lalique glass scent bottle ‘Deux Fleur’ etched signature, 9 x 9.2cm £80-120 210 Lalique clear glass scent bottle with frosted lily of the valley flower stopper etched signature 12cm £100-150 211 Lalique black glass figure of a seated nude etched mark Lalique France, 6 x 5.5cm £100-150 212 Troika square form vase signed on base 9cm £50-80

205 205 Lalique scent bottle ‘Deux anemones’ globular form bottle the stopper in the form of two flowers in frosted glass and enamel 17cm £150-250 See Illustration.

213 Studio pottery vase signed on the base G Shanks, 29cm high, pottery bowl diameter 24cm, and an enamelled metal tile decorated with a cockerel, 20cm x 20cm £50-100 214 Teak dining room suite, comprising sideboard, eight armchairs and dining table, sideboard with four drawers flanked by two cupboard doors 33” high 66” wide 21” deep, dining table twin end supports 29” high 72” wide 46” deep £200-300 215 Karen Strand for Anton Michelsen Denmark a silver Persian Palm brooch signed Strand and with Michelsen mark, 3 x 6cm £50-80

216 Cini & Nils, ‘Halo’ blue glass and metal ceiling light, diameter 56cm £150-250 217 Poole Pottery charger with abstract design on a red ground, dolphin mark, 41cm £50-80 218 Two Galle style cats with glass eyes and hand painted design, each approximately 33.5cm high £50-100 219 Pair of Italian late 20th century earthenware cats decorated with stylized foliate forms 36cm £50-80

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220 220 Silver and blue marble desk stand the triangular silver box enclosing a glass inkwell, on large ball feet. maker A M & Co London 1998 24cm wide £100-150 See Illustration. 221 Tall cased glass bottle vase in orange to red with white rim 52cm £40-60 222 Silver plate and glass circular box mounted with model of a fish and similar Swedish box with nude finial £50-100 223 Two small bronze hares unmarked, tallest 10cm £50-80 224 Bronze fox by Michael Storey 13.5cm

£50-80

225 Lalique flacon Collection pour Homme ‘Equus’ mascot scent bottle limited edition year 2002 fluted bottle with frosted glass horse mount, signed, 100ml perfume, unused and boxed and with numbered certificate, 20cm £300-500 See Illustration.

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226 Lalique Flacon Collection pour Homme ‘Sagittaire’ mascot scent bottle limited edition year 1999 fluted glass bottle with satyr figure holding a bow, signed and numbered, 100ml perfume, unused, boxed and with certificate, 20.5cm £300-500 See Illustration.

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227 Lalique pour Homme flacon Collection, mascot top scent bottle ‘pheonix’ limited edition from year 2000 bottle with fluted base and finial of a feathered head, 100ml perfume, unused, signed boxed with numbered certificate £300-500 See Illustration. 228 Lalique pour Homme Flacon Collection mascot perfume bottle limited edition year 2001 bottle with fluted glass the top mounted with a frosted glass faun, signed and numbered, 100ml perfume, unused, boxed and with certificate, 18cm £300-500 See Illustration. 229 Lalique Flacon Collection ‘Commedia’ perfume bottle with floral stopper limited edition 2007, 140ml perfume, sealed and boxed with certificate, 17.5cm £150-250 See Illustration.

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231 Lalique mens fragrance mascot bottle in the form of a lion’s head signed on base, limited edition with certificate, 100ml perfume, unused, boxed, 14cm £150-250 See Illustration. 232 Lalique glass, four sun fish in shades of blue, amber and red, signed, boxed £100-150

230 230 Lalique Flacon Collection, ‘Sheherazade’ scent bottle limited edition 2008 Arch form bottle with black glass overlay and enamelled stopper, 30ml perfume, unused, boxed, 14cm £150-250 See Illustration. 233 233 Lalique ‘Chevrefeuille’ glass giant scent bottle clear and frosted glass bottle with decoration of woodbine signed on base 600ml perfume, unused, boxed 27cm high £600-1,000 See Illustration. 234 Glass plaque depicting female nudes on abstract background signed M Camal? (indistinct) 26cm by 36cm £60-100 235 Stylized figure of a footballer on marble base cast metal with gold patination, 27.5cm £50-80 236 Arnold Machin for Wedgwood, Ferdinand the Bull, designed in 1941 unmarked, 16.5 x 30cm £150-250 See Illustration.

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237 237 Bronze in the form of a pair of ballet shoes, signed on black marble circular base, 13cm Provenance: Purchased from Louis C Morton Casa de Subastas, Mexico City £70-100 See Illustration.

238 A red and silver enamel desk lamp by Lupela Spain 40cm £100-150 See Illustration. 239 Robin Wade studio pottery fan shaped vase with incised and relief decoration, signed on base 16cm £30-50 240 Norman Foster Nomos table, round clear glass top on chrome base, diameter 120cm £500-800 241 Pair of 1950s powder coated disc wall lights in the style of Alexander Calder, diameter of shade 30cm £100-105 242 Copper and brass sun burst wall light, diameter 80cms £80-120

247 243 243 Eric Ravilious Wedgwood Garden pattern part service comprising 6 soup bowls, dia 24cm, 6 bowls dia 16cm, 6 plates dia 18cm., date mark 1953 £100-200 See Illustration.

247 Eric Ravilious Garden Pattern gravy boat and stand, date mark 1954, stand width 21cm £50-80 See Illustration.

244 Eric Ravilious Wedgwood Garden pattern set of six dinner plates, dia 25cm and a set of six side plates, dia 23cm., date marks 1954 & 1953 £100-200

248 248 Eric Ravilious for Wedgwood, Garden Pattern bowl, date mark 1953, diameter 25cm £60-100 See Illustration. 245 245 Eric Ravilious for Wedgwood Garden pattern oval plate, width 33cm £100-150 See Illustration.

249 249 Eric Ravilious for Wedgwood, Garden Pattern pair of tureens and covers, diameter 27cm £150-250 See Illustration. 250 Crown Devon Memphis vase by Colin Melbourne black ground highlighted in gilt, 23cm high £40-60 246 246 Eric Ravilious Garden Pattern oval meat dish, date marked 1954, width 37cm £150-250 See Illustration.

251 Arne Jacobsen for Fritz Hanson two ‘butterfly’ chairs £50-80 252 Studio pottery including two stoneware bowls by Graham Bloice, a vessel, and two vases £50-80

264 264 Robert Welsh for Old Hall an ‘Alveston’ tea and coffee set with original tray £100-200 See Illustration. 253 253 Marcel Breuer two BT2 tables for Isokon designed 1936 birch plywood construction, apparently unmarked, largest 36cm x 61cm x 47cm £500-800 See Illustration.

265 Hugh Casson for Midwinter a ‘Riviera’ design, part tea set comprising two jugs, bowl, oval plate, four cups, six saucers £30-50

254 Poole pottery plate decorated with Saint George, designed by Tony Morris, 287 of 1000, diameter 76cm, in presentation box £50-80 255 Gustavsberg Sweden an Argentor ware vase and bowl vase 17.8cm, bowl 10cm diameter £50-80 256 Pair of large post modern black and yellow candle sticks retailed by the Conran shop 25cm £30-50 257 Pair of stylish thermos jugs in copper and chrome marked Thermos, made in England, designed by Leks Hoster ?, 21cm £30-50 258 Woodblock rosewood coffee table on square section legs, 1970s, 43cm x 135cm x 85cm £60-100 259 1970s Rosewood Danish style draw leaf dining table with set of four chairs 74cm x 142cm x 92cm (fully extended 254cm) £200-300 260 Gordon Russell, pair of teak armchairs with slat backs padded seats on square legs £50-80 261 Neil Morris for Morris of Glasgow, Cumbrae range sideboard four drawers flanked by cupboard doors in zebrawood and teak, 85cm x 160cm x 48cm £150-250 262 Chrome adjustable swing arm lamp retailed by kare Germany 162cm high £150-250 263 Large porcelain figure of a lady with bell form skirt unmarked, 41cm £40-60

266 266 Waistel Cooper studio pottery stoneware lamp base dry textured finish with vertical combed decoration signed to base, 32.4 x 21cm £150-250 See Illustration. 267 Set of six Roland Ward ‘Safari’ glasses each etched with a different animal £60-80 268 Bed/settee upholstered in blue Designers Guild fabric £100-150

269 Teak desk with six drawers on chrome supports 1970s 30 x 75 x 28in. (76 x 191 x 71cm) £100-150

270 270 Six Burgundy leather covered chairs, on metal frames chairs sold by Tekno Design £550-650 See Illustration. 271 A number of books by studio potters including Leach, Hamada and Cardew and similar titles £50-80 272 20th century hand blown pale green glass decanter, tray and eight glasses with painted red rims £80-120 273 A collection of Rosenthal studioline ceramics designed by Peynet Comprising bowls dishes vases and glasses with engraved figures £100-150 274 Set of eight Baccarat ‘Dom Perignon’ Champagne flutes in two sizes

£50-100

275 Orrefors glass, Sweden, an ice bucket, a petal form vase and a faceted vase all signed and in original boxes £50-100 276 Giotto Stoppino for Kartell Milan, magazine rack 1960s model 4675, 47 x 40cm £50-80 277 Tapio Wirkkala ‘Arcadia’ vase, block form clear glass etched signature to base ‘ Tapio Wirkkala 3571’, 27cm £150-250

278 278 Tapio Wirkkala for Iittala two cased glass vases number 3586, designed 1959 engraved marks 29cm £150-250 See Illustration. 279 Oiva Toikka for Nuutajarvi Notsjo a clear glass light house vase and a small Orrefors vase engraved with reindeer and skiers 24cm £70-100 280 Andries Dirk copier for Leerdam glass Holland a clear glass vase, signed and a Stromberg cased glass vase Stromberg 34.5cm, Copier vase, thick walled with small strands bubbles in base 18cm £100-150 281 An industrial style sculptural clock constructed from various metals, quartz movement, 40cm £80-120 282 Ercol circular dining table and set of six matching dining chairs with pink upholstered seats 74cm high x 128cm diameter £100-150

284 284 Collection of Crich pottery, various designers, four vases, vase and cover, butter dish, shallow dish, jug, three mugs and a teapot £100-200 See Illustration. 285 Georg Jensen gold ring, design number 1092, of curved sculptured design Signed Georg Jensen 18ct. £300-400 285A Georg Jensen gold drop earrings, of number 1138 design. Each earring suspending two articulated panels of abstract design signed Georg Jensen, clip fitting. Circa 1966, 18ct gold. £400-600

283 283 Set of four 1970s tiles decorated with stylised birds in tube line decoration, each 20cm x 20cm £60-100 See Illustration.

286 Ettore Sottsass, (1917-2007) for Bitossi Italy a group of two totem vases and two bowls A ‘Rochetto’ vase of cylindrical form a ‘Calice’ waisted form vase and two ‘Diablo’ bowls, each hand signed, E Sottsass, Bitossi Montelupo, tallest 47.5cm £1,000-1,500 See Illustration.

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294 Floor standing clear glass vase 100cm

287 Noguchi Prismatic table original design Isamu Noguchi 1957, authorized re-edition for Vitra, label verso 38cm high, 47cm wide £100-200 288 Quartz crystal 29cm x 37cm

295 1970s metal and glass side table, 38cm high, 182cm wide, 39cm deep £50-100

£150-250

296 1970s Italian Travertine coffee table with centeral support 39cm high, 180cm wide, 20cm deep £100-200

289 Swan table, Sovetitalia single curved glass plate with a stainless steel plate. 54cm h 44cm h 30cm d £150-250

297 1980s Chrome and glass side table 50cm h 60cm w 60cm d £40-60

290 Le Corbusier a pair of Grand Confort LC 2 chairs designed 1928, Cassina of late 20th C manufacture, signed Corbusier in the chrome, black leather cushions £800-1,200 See Illustration.

298 Pierre Vandel Paris Burgundy metal and glass two tier table 75cm h 128cm w 40cm d £40-60 299 1980s black two tier stand with triangular legs, 80cm high, 75cm wide, 43cm deep £50-100

291 Achille & Pier Castiglioni an ‘Arco’ floor lamp for Flos, chromium plated steel and marble, bears manufacturers labels, 230cm high £300-500

300 Set of six Scandinavian blonde wood chairs with panel backs and seats on octagonal splayed legs £100-200

292 Tony Laverick b. 1961, a large bowl with varying patterns within geometric forms, signed, 33cm diameter £50-80

301 Modern brown leather and steel framed two seater sofa, 68cm high, 140cm wide, 83cm deep £150-250

293 De Styl, reproduction Dutch modernist poster, produced for the magazine synonymous with the early 20th Century Design movement, framed. 70cm x 51cm Text bottom right corner reads: ‘Magazine: De Stijl: maandblad gewijd aan de moderne beeldende vokken en kultuur (The Style: monthly magazine on modern plastic arts). Issue containing vol.3, no.1 (November 1919) and vol.3, no.6 (April 1920). Cover image by Vilmos Huszar (1884-1960) (c) Victoria and Albert Museum, London AGL7214’ £40-60

£40-60

302 Archie Shine, ‘Donnington’ rosewood extending dining table on square tapering supports, with extra leaf, 72cm high, 167cm wide, 84cm deep, extended 212cm £300-500

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Contemporary Art

Contemporary Art Artist Resale Right. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.org.uk or telephone +44 (0) 845 410 3410.

303 Tabitha Salmon, b. 1955, Venice canal scene with figures in gondolas, signed and dated ’95, 81cm x 101.5cm £200-300

304 304 K Nixon - seagulls in flight, signed, oil on board, 142cm x 89cm £400-600 See Illustration. 306 306 K Nixon - Geisha, signed, oil on board, 122cm x 78.5cm £400-600 See Illustration.

305 305 K Nixon - four herons surrounded by flowers, signed, oil on board, 122cm x 89cm £400-600 See Illustration.

307 307 K Nixon - two Japanese figures with two albino peacocks, signed, oil on board, 122cm x 89cm £400-600 See Illustration.

309 K Nixon - shire horses pulling a plough, signed, oil on board £400-600 See Illustration.

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308 K Nixon - two grey parrots, signed, oil on board, 45.5cm x 43cm £100-150 See Illustration.

310 Follower of Samuel Peploe, ‘Laggan Farm Stacks’, labelled verso, unsigned, oil on board, 28cm x 38cm £300-400 See Illustration. 311 § Basil Ivan Rakoczi, British 1908-1979, ‘Narcissus’, signed, mixed media. Signed and dated ’47’ verso with title and artist’s personal numbering ‘879’, 47cm x 61cm Provenance: This painting was one of a small series based on characters from Greek myths. The painting was sold by Rakoczi in 1949 to a collector in Nottingham. This work will be added to the catalogue raisonne by his grandson. £1,200-1,800 See Illustration.

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314 314 Julian Gordon Mitchell, ‘Michael’, signed, oil on canvas, 89cm x 73.5cm £200-300 See Illustration. 312

315 Julian Gordon Mitchell, portrait of a lady, signed, oil on canvas laid on board, 43cm x 35.5cm £80-120

312 § Christiaan Hendrick Beekman, Dutch 1887-1964, still-life of flowers, signed Christ Beekman, oil on canvas, 48cm x 38cm £400-600 See Illustration.

316 316 ‘Void’ triptych print, titled, dated 78’ and signed indistinctly in pencil, framed. 72cm by 30cm £100-200 See Illustration.

313 313 Cain Caser (b.1973). ‘Wasp Waist’. Abstract portrait, inkjet giclee print. Signed by the artist verso, 40.5cm x 40cm Provenance: purchased by the vendor at an artists signing session at John Lewis Kingston. Print produced in limited quantities for John Lewis in 2012. £150-250 See Illustration.

317 317 Joan Miro (1893-1983). Plate 3, 1956. Original lithograph, unsigned, 23cm x 38cm, extracted from the book “Joan Miro” by Jacques Prévert and Georges Ribemont-Dessaignes. £50-100 See Illustration.

318 Wefe Deliss pair of portraits of a young boy and girl, watercolour, signed, 40.5cm x 35.5cm £200-300

322 20th century, French quayside scene with numerous boats and figures, signed with initial ‘B’, gouache, 26cm x 56cm £100-200 323 Berkley, portrait of a seated nude lady, pen and ink, signed, and another by the same artist verso of a clothed seated lady, watercolour and wash, signed, 25.5cm x 17.5cm and 33.5cm x 23cm respectively £100-200 324 Drypoint etching of a young girl playing dress up, unsigned, 43cm x 25.5cm £50-100

319 319 Declan Marry - cows in a field ‘Black and Whites’, signed and titled verso, 48cm x 48cm £100-200 See Illustration.

325 325 Jack Casiday, London street scene, signed, oil on board, 45.5cm x 61cm £80-120 See Illustration. 326 § Augustus Edwin John (BRITISH, 1878-1961) signed lithograph ‘The Bathers’, 30.5cm x 40.5cm £150-250 327 F E Sewell, print of a woman standing in a door way, signed and dated 1952 in the margin in pencil, 45.5cm x 28cm £100-200 328 Set of eight Boris O’Klein French humorous dog engravings, each signed and titled in pencil to the margin, each 20.5cm x 25.5cm £150-250 329 F E Sewell etching of a priest, the background with armed forces entering a church, signed in pencil and dated 1952, 43cm x 35.5cm £100-200

320 320 Declan Marry - ‘Looking toward the Surrey Hills’, signed and titled verso, 40.5 x 40.5cm £100-200 See Illustration.

330 20th century Spanish school, oil on board of a matador, indistinct signature, 23cm by 33cm £50-100

321 Sunday B Morning after Andy Warhol, ‘Mao’ in Pink and Orange screenprint, unframed £120-180

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331 20th century English school, of moored ships, indistinct signature, 29cm x 37cm £50-100 See Illustration.

332 Dorothy Baker, acrylic on board, woodland landscape signed 37cm x 27cm £200-300 See Illustration.

333 333 Francisco Zuniga (Mexican, 1912-1998), bronze, crouching figure with green patination, signed in the bronze, on polished granite base, 17 x 15 x 16cm Jose Jesus Francisco Zuniga Chavarria (1912-1998) was a Mexican artist known for his painting and his sculpture. One of the most notable Mexicans of the 20th Century. Zuniga created over thirty five public sculptures, such as the monument to poet Ramón López Velvarde in Zacatecas and others dedicated to Mexican heroes. Zuniga preferred figurative art because he found the human figure to be “the most important aspect of the world around (him)”. He was also strongly influenced by pre Hispanic art. £1,000-1,500 See Illustration.

334 Tibor Szakos (Hungarian). ‘Girl With Flower’, enameled copper panel depicting an abstract female form, signed T.Szakos ’97. Mounted in wooden frame (panel: 16.5cm x 25.5cm, frame: 30.5cm x 39.5cm) Provenance: Purchased from Gannon House Gallery, Sydney c2000. £30-50

337 Sharon Peoples (Australian) Red Shoes, two embroidered mixed media textiles each 12.5cm x 18cm, framed Provenance: Purchased from Gallery in Sydney c.2005. £40-60 338 Carl Pappe (American), print depicting a tree, signed in pencil to lower margin, framed, 18cm x 7.5cm Carl Lewis Pappe 1900-1998. Worked principally in Mexico and was part of the artistic life of the time that included Diego Rivera, Frieda Kahlo, Noguchi, and Tamayo £30-50 339 Bernard Meninsky (British, 1891-1950), print depicting a study of a nude, 24cm x 18cm £20-40

335 335 Fleur Cowles (American, 1908-2009). ‘Leopard on Branch’, signed and dated FLEUR 66 lower right, oil on board 12.5cm x 15cm, frame 23cm x 25.5cm And two other oils on board by Fleur Cowles ‘Tiger with Butterflies’, signed and dated 66’ with Grosvenor Gallery label verso, 11.5cm x 14cm (frame 23cm x 25.5cm); and ‘Bird Watching’ signed and dated 65’ with 1967 Hammer Galleries New York label verso, 26.5cm x 23.5cm (frame 38cm x 35.5cm). All framed (3). Fleur Cowles was an artist, socialite, writer and fashion editor living variously in New York, London and Sussex. A friend of Georges Braque and Salvador Dali she championed the work of Lucian Freud and Peter Blake early in their careers. Several of her paintings were used as illustrations for books by the poet Robert Vavra, notably Tiger Flower, published in 1968. Provenance: Purchased from Christies Twentieth Century British Art Auction, 14 March 2002. £300-500 See Illustration. 336 Irving Amen (American, 1918-2011). ‘Mother & Child’, woodblock print, artists proof, signed and titled to margin in pencil. Framed, 51cm x 38cm (frame: 71cm x 58.5cm). £80-120

340 Irving Amen (American, 1918-2011), ‘Con Spirito’, colour print, signed, titled and inscribed A/P artists proof in pencil, 40.5cm x 53.5cm, framed, frame: 61cm x 73.5cm, and another Irving Amen colour print, ‘Nude #17’ 17/90, signed in pencil, framed and glazed, 25.5cm x 30.5cm, frame: 34cm x 39cm, (2) £80-120

341 341 Clara Klinghoffer (Ukrainian, 1900-1972), lithograph depicting two girls, signed and numbered 8/XV11 in pencil, 34cm x 34cm, framed and glazed Provenance: purchased from Bonhams, London 2010. With Bonhams label verso. £80-120 See Illustration.

342 342 Anita Fenton (American), ‘Penguins’, black limited edition print, titled and numbered 1/25, signed and dated 1931 in pencil to margin, framed, damaged 16.5cm x 16cm, (frame: 25.5cm x 25.5cm) £20-40 See Illustration. 343 Clarence Holbrook Carter (American, 1904-1998) - ‘Nude Torso’, signed titled and numbered 35 to lower margin in pencil, framed, 18cm x 12.5cm (frame: 29cm x 24cm) £100-200

349 349 Clarence Woodburn (British, mid 20th century) Seated nude, pencil and charcoal sketch, signed and dated 1934, 38cm x 28cm, Framed and glazed (frame: 53.5cm x 66cm) Provenance: purchased from Peter Francis Auctioneers Wales, 2010. £60-100 See Illustration.

344 William Frederick Foster (American, 1883-1953) - sketch depicting three female nudes, signed ‘W.F’., 24cm x 19cm £70-100 345 Miriam Sommerburg - Italian coastal scene, woodblock print, signed in pencil, framed, 23cm x 28cm £30-50 346 Mexican School, 20th Century - Print depicting Weavers in Ajijic: Deshilanbo los Capullos, signed ‘Rafael G’ in pencil, woodcut on paper, framed.,14cm x 19cm £30-50 347 Emil Jean Kosa Jr. (American, 1903-1968) Abstract pencil sketch of a ship, numbered A9 and with Emil Kosa Jr., Estate stamp verso, 9cm x 15cm £100-200 348 Marcus Beavan - ‘Sweet Chestnut’, wood engraving, signed and numbered 12 of edition of 100, 14cm x 16.5cm, framed (frame: 33cm x 33cm) Provenance: purchased at Christie’s Modern & Contemporary Prints, March 2010 (sale 5571, part lot 1). £50-80

350 350 John J. Benninger (American, 20th century) - ‘Harvest’, 1937, watercolour on paper depicting nudes in a vineyard, signed, titled and dated 37’. 30.5cm x 30.5cm Frame and glazed (frame: 44cm x 44cm). £70-100 See Illustration.

352 Fanny Rabel (Polish-Mexican, 1922-2008) ‘Visage’, color lithograph, signed print, number 181 of edition of 275, with authentication label from The Collector’s Guild Ltd New York verso. Framed and glazed. 59.5cm x 44.5cm Fanny Rebel: born Fanny Rabinovich was a Polish-born Mexican artist. She arrived in Mexico in 1938 where she studied art at the Escuela Nacional de Pintura. A friend of Frida Kahlo, she was the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. £40-60 See Illustration. 353 After Amedeo Modigliani -1920s soft ground etching depicting sketch of a woman’s face with printed signature, framed and glazed, 16.5cm x 9cm £80-120 354 Pablo Picasso (1881-1973) - Nude surrounded by faces, print published by Mourlot, 1954, bearing signature lower right, framed and glazed, 33cm x 25.5cm £100-200

351 351 § Paul Lucien Maze (French, 1887-1979) ‘Jessie’, coloured chalk on grey paper, signed lower right, framed and glazed, 63.5cm x 38cm (frame: 85cm x 59.5cm) Provenance: purchased from Roseberys, 2009. £400-600 See Illustration.

355 355 Grossmann (American, 20th Century) - Pastel on paper of a nude female figure, 40.5cm x 33cm, signed, framed (frame: 73.5cm x 56cm) Provenance: purchased from Treadway Toomey Auctions, US 2009. £300-500 See Illustration. 352

356 Unknown artist - Kneeling nude, 20th century, oil on canvas, unsigned, 61cm x 48cm £40-60

357 Cameron Fraser (b.1968) - Amaryllis, carborundum print on 2 sheets, joined and mounted on canvas, 2000, signed and dated lower right, unframed, 89cm x 122cm £100-200

360 W. Bangol? - Nudes in landscape, gouache on board, signed indistinctly lower left, framed, 40.5cm x 35.5cm £40-60

358 358 Harry Morley (BRITISH, 1881-1943) 20th century etching depicting a mother and child, signed in pencil to margin, framed and glazed (image size: 17.5cm x 12.5cm, frame size: 43cm x 35.5cm) Provenance: Purchased from Christie’s, London 2010. £60-100 See Illustration.

361 361 Lucas Samaras (Greek/American b. 1936) ‘Burning Match’, c1970, colour screenprint on paper, framed and glazed, 46cm x 35.5cm Provenance: Purchased from Christies The Donald Munson Collection, 1995. £80-120 See Illustration.

362 359 359 Sholto Johnstone Douglas (Scottish, 1871-1958) Figures looking upwards, watercolour and pencil, unsigned, framed and glazed, 24cm x 17cm (frame: 46cm x 38cm) Provenance: purchased from Philips, 11 January 2000, Oils Watercolours and Prints, lot 87. £80-120 See Illustration.

362 § Augustus Edwin John O.M., R.A. (British, 1878-1961) - ‘The Dawn’, signed lithograph, 48cm x 71cm, signed in pencil, published by The Ministry of Information and is part of a series of works entitled “Britain’s efforts & ideas” Provenance: Purchased from Images Gallery 2002. £300-500 See Illustration.

363 Unknown artist - Regatta, c.1940, oil on canvas, framed, 61cm x 38cm Provenance: Purchased from Treadway Toomey Gallery, Chicago 2009. £50-80

366 364 364 Jean Charlot (American/French, 1898-1979) - ‘Mexican Mother, 1948’, lithograph, signed and titled in pencil to lower margin. 43cm x 33cm, Framed with border (frame size 78.5cm x 67.5cm). £100-200 See Illustration.

366 § Pablo Picasso (1881-1973) - Abstract Nudes, signed in pencil to bottom right, removed from Verve Vol 5, No 19-20, 37cm x 26.5cm Revue Artistique Et Litteraire, 1948, Couleur De Picasso, Teriade Edition Mourlot 1948; a book entirely devoted to Picasso, containing many Picasso illustrations. Framed and glazed. £100-200 See Illustration.

365 365 John Loring (American, b.1939) - New York, Mexico, California, Canada, signed and dated 73 lower right, artist’s Proof 6/6 lower left in pencil, framed. 49.5cm x 76cm Provenance: Purchased from Christies The Donald Munson Collection, 1995. John Loring was design director at Tiffany & Co between 1979 and 2009. £100-200 See Illustration.

367 367 Raul Anguiano (Mexican, 1915-2006) ‘Alfarera’, 1992, lithograph on arches, signed, numbered and dated in pencil Edition: 105/150 54.5cm x 67cm, 100/150, framed and glazed £150-250 See Illustration.

371

368 368 ‘Quarantacinque Disegni di Modigliani’. Portfolio of 45 prints of drawings by Amedeo Modigliani. Vitali, Lamberto; Einaudi, 1959, number 500 of print run of 750 copies, loose-leaf folder with editorial, 58.5cm x 47cm x 6.5cm Provenance: Purchased from Martin Art, Washington DC, 2002. £150-250 See Illustration.

371 Jose Guadalupe Posada (Mexican, 1852-1913) - ‘Purgatorio’ print on fine blue cotton paper, copy from orginal engraved broadside, originally used to illustrate a newspaper article celebrating The Day of The Dead in Mexico in 1904. Full translated title ‘The Artist’s Purgatory where the Calaveras of all the Artists and Artisans lay to rest’. Framed. 25.5cm x 38cm Provenance: Purchased from Noyola Antiques Mexico, 2004, label verso. £50-80 See Illustration.

369 Boris Lovet-Lorski (American, 1894-1973) Portrait of a woman, mixed-media including pencil and crayon on paper, signed and dated 1968 lower left corner, framed and glazed, damaged, 40.5cm x 24cm Provenance: Purchased from Stephensons Auction, Philadelphia 2008. £80-120

370 370 Sarah Jimenez (Mexican, b.1927) - ‘La Muerte de Zapata’, lithograph from the portfolio “450 Years of Struggle: Homage to the Mexican People” reproduces a linocut by Jimenez. Depicting the death of Mexican revolutionary Emiliano Zapata in 1919. Numbered 95 of edition of 146 prints from the 1st edition (edition was limited to 500). Framed. 28cm x 40.5cm Provenance: Purchased from Noyola Antiques Mexico 2004, label verso. £60-100 See Illustration.

372 372 Alexander Artamonov (Russian, b.1958) Girl holding a dove, abstract nude, mixed media on board, signed and dated 2001? framed, 35.5cm x 20cm Provenance: Purchased from Best Fine Arts, Finland 2002. £50-80 See Illustration.

373 Jean Charlot (American/French, 1898-1979) - Baby in a chair, 1936, signed and dated, artist’s proof in pencil to plate, Framed and glazed (frame size: 45.5cm x 37cm, image size: 28cm x 21cm) Provenance: purchased from auction in the US in 2002. £60-100 374 Unknown artist - ‘London 1935’, mixed media design for a poster, framed and glazed (image size: 37cm x 24cm, frame size: 56cm x 44.5cm) £30-50 375 Sarah Jimenez (Mexican, b.1927) - Black and white print depicting two children, signed to the margin in pencil, framed, 51cm x 35.5cm (frame: 70cm x 52cm). Provenance: purchased at auction Nadeau’s New England America, 2007. £60-100 377

376 376 § Georg Kolbe (German, 1877-1947) - Woman, lithograph, signed and numbered lower left, 10/100, framed and glazed, 34.5cm x 44.5cm (frame: 40.5cm x 52cm) Provenance: Purchased from Gray’s Auctioneers US, 2008. £150-250 See Illustration. 377 Horace Ascher Brodzky (British/Australian, 1885-1969) - ‘The Bather’, no. II/XXV lino cut print, framed, 24.5cm x 23.5cm Provenance: purchased at Bonhams Oxford, 2010, with Bonhams labels verso. £300-500 See Illustration. 378 Peter Partington ‘Pintails’ signed and numbered 145 /150 in pencil, 30.5cm x 21.5cm Provenance: Purchased from The William Marler Gallery, Cirencester, October 1988 £10-20

379 379 Konrad Cramer (American, 1888-1963) Three Graces, woodcut print, signed and dated 1933, framed and glazed, 25.5cm x 19cm (frame: 51cm x 40.5cm) £80-120 See Illustration. 380 After Paul Nash - 20th century print depicting trees, unsigned, framed, 28cm x 20.5cm £40-60

383 TDM Harvey, Great Malborough Street, W1. ‘Stone Toms & Partners, Architects’, architectural painting, mixed media, signed, titled and dated 54’, framed and glazed, 44.5cm x 51cm, (frame: 65cm x 70cm) £150-250 See Illustration.

381 381 § Dod Procter (British, 1892-1972) - Seated nude in studio, signed oil on canvas, in painted frame. 51cm x 40.5cm Provenance: purchased from Canterbury Auction Galleries in 2008. £800-1,200 See Illustration.

384 384 § Paul Lucien Maze (French, 1887-1979) Seated nude, pastel on wove paper, signed lower right, 52cm x 43cm (frame: 70cm x 59.5cm) Provenance: purchased from Christie’s sale 9337, 14 March 2002 (lot 166). £400-600 See Illustration.

382 Portrait of Nesjaja Hatali - Navaho Indian Medicine Man, signed Christy, 73’, framed, 45.5cm x 30.5cm (frame: 63.5cm x 48cm) £40-60

383

387

386 385 385 § John Piper (British, 1903-1992) - Eye and Camera: Marble, Red and Black (L. 234). screenprint in colours, 1973, signed and inscribed A/P. in pencil, one of twenty proofs, aside from the edition of 70, published by Marlborough Fine Art, with full margins, framed. 73.5cm x 48cm, Provenance: Christies - The Orde Levinson Collection of Prints by John Piper, 2001 (sale: 9179, lot 59). £400-600 See Illustration.

386 Muriel Branegan Bacon (American) - ‘The Jade Necklace’ oil on canvas, signed upper left, inscribed with title verso to canvas ‘Collier Rosse - Paris’, also inscribed verso on upper left stretcher bar ‘Paris 1940’. Framed, 61cm x 50cm, (frame size: 81cm x 71cm) £400-600 See Illustration. 387 § Leon Underwood (British, 1890-1975) Reclining woman, 1930, pastel and chalk, signed Leon U and dated 30’, 37cm x 46cm, framed (frame size: 62cm x 72cm) £1,000-1,500 See Illustration.

390 Fanny Rabel (Polish-Mexican, 1922-2008)Sketch depicting a female nude, signed lower right, framed and glazed, 35.5cm x 25.5cm Fanny Rebel: born Fanny Rabinovich was a Polish-born Mexican artist. She arrived in Mexico in 1938 where she studied art at the Escuela Nacional de Pintura. A friend of Frida Kahlo, she was the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. £60-100

388 388 J. Pickman - Three figures, oil on canvas, signed lower left, 61cm x 76cm, (framed: 81cm x 96.5cm) £40-60 See Illustration.

389 389 Pablo Esteban O’Higgins (Mexican, 1904-1983) - Cuautla market, colour lithograph, 1946, signed in pencil to lower right margin, from an edition of 200 of the portfolio ‘Mexican People’ (consisting of 12 lithographs by various Mexican artists) published by Taller De Grafica Popular, Mexico. 30.5cm x 38cm Provenance: purchased from Stern Fine Art, US 2002. £80-120 See Illustration.

391 391 § Louis Icart (1888-1950) - standing nude with arms outstretched, colour etching, signed in pencil, framed, 23cm x 18cm £400-600 See Illustration.

394 394 Walter Rogalski (American, 1923) - ‘Screaming Beast’, etching/engraving, 1951, signed, titled, dated and inscribed artist proof in pencil to margin, 40.5cm x 48cm, framed and glazed (frame: 61cm x 65cm). £100-200 See Illustration.

392

395 Tony Hallbauer - ‘Potato Harvest’, print titled, signed and dated 1924, 28cm x 34cm £30-50

392 Boris Lovet-Lorski (American, 1894-1973) Standing nudes, pen and ink, signed, framed and glazed, 30.5cm x 23cm (frame: 48cm x 40.5cm) £100-200 See Illustration.

393 393 § John Jobson (Irish, b.1941) - ‘Autumn Cherries’ signed with initials ‘JJ’ (lower right), oil on board, signed again verso, inscribed and dated ‘John Jobson/01/Autumn Cherries’, with Christies labels, framed. 23cm x 35.5cm Provenance: Purchased from Christie’s ‘The Irish Sale’, May 2002 (9542, lot 303). £400-600 See Illustration.

396 396 Moses Soyer (American, 1899-1974) - Seated nude, pen ink and watercolour on paper, signed. framed and glazed, 35.5cm x 24cm £400-600 See Illustration.

398

397 397 Kelyne (b.1955) ‘Elle le Regarde Devenir’, signed oil on canvas, c.2000. 100cm by 50cm, framed Provenance: Purchased from Opera Gallery, New York. Sold with hardback Opera Gallery catalogue. £1,000-2,000 See Illustration. 398 Hamzah Carr, British, ‘Plastics’ air brush on paper, signed and dated 1946, 53.5cm x 43.5cm £200-300 See Illustration. 399 20th century print of a castle signed in pencil indistinct 19cm x 12cm and another of a church dated ’38, 39cm x 30cm £50-100 400 O’Brien, street scene, oil on canvas, signed and framed 58cm x 89cm £100-200

401 401 Joeller Bernard, watercolour of a female figure, signed and dated ’79, 47cm x 30.5cm £100-200 See Illustration. 402 20th century English school, cross-roads with two figures and a car, unsigned, oil on board, 38cm x 43cm £60-100

403 403 Martin Fuller, two male figures, watercolour, signed and dated ’84, 37cm x 53.5cm £200-300 See Illustration. 404 El Alamein ‘ Jack Revisiting’ pastel unsigned, United Society of Artists label verso, 37cm x 63.5cm £80-120 405 Johnson pastel of a ballerina ‘Lemon and Lime’, signed, Society of Women Artists at Westminster Gallery label verso, 58.5cm x 38cm £150-250

407 407 John Paddy Carstairs, boats at Teddington, mixed media with watercolour, dated 1952, artist label verso, 33cm x 51cm £250-350 See Illustration. 408 No lot 409 § Paul Nash, ‘Raider in the Moors’, print of a Heinkel III Bomber £200-300 410 Modernist townscape, indistinctly signed and dated ’47, oil on canvas, known by the title Spanish Village, 76.5cm x 101.5cm Provenance: Formerly owned by Anthony Quinn (actor) a friend of Bernard Etzin (chairman of Brother international), vendor’s mother was PA to Bernard, Canvas was gifted as a wedding present in the mid 1970s. £50-100 411 Tamsin John, still-life of leaves in a vase, signed and dated ’95, artist’s proof, 57cm x 44.5cm £40-60

406 406 Jeanne Bieruma Oosting, watercolours, pair of still-life studies of Hydrangeas, signed, gallery label verso, 61cm x 45.5cm £200-400 See Illustration.

414 § Salvador Dalí (Spanish, 1904-1989), ‘Rembrandt: Portrait du peintre par lui-meme,’ lithograph on Rives paper, pencil signed lower right, edition E88/150. Published by Lucus, New York 1974. Marked in pencil verso ‘Peter Lucus 7 July 1997’. Sold with a copy of a certificate of authenticity signed by Peter Lucas. H: 84cm x W: 63.5cm overall Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £200-400 See Illustration.

412 412 § John Gledhill, ‘The Ship’, lino-cut, 10/20, signed, titled and numbered in the margin, 28cm x 31.5cm £80-100 See Illustration. 413 ‘San Giminiano’ coloured print, indistinctly signed and dated 1994, 33cm x 26cm £60-80

415

414

415 Alexandra Nechita (American/Romanian, b.1985). ‘A New Tomorrow’. Gold leaf embossed etching. Limited edition aquatint, 2011. Signed 29cm x 23cm (overall: 76cm x 57cm) Alexandra Nechita: A child prodigy Alexandra Nechita began drawing at two and working with oils and acrylics aged seven. Nechita’s first exhibit was held at a Los Angeles-area public library when she was eight years old. Her talent and popularity grew and she became labelled as the “petite Picasso” by the media. Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £150-250 See Illustration.

417 § Joan Miro (1893-1983). Un Oeillet Rouge (A Red Carnation), from the book Le lézard aux plumes d’or (The Lizard with Golden Feathers) 1971. Color Lithograph, unsigned. With embossed Miro ‘signature’ inside. Image size: 33.5cm x 48cm, paper size: 35.5cm x 49.5cm. Opens to reveal Miro poems: “Un oeillet rouge Éclate Brilliant Sur le bout d’un parapluie porté par Un merlan à queue de perroquet Couché sur la neige Rosé” Translated: A red carnation, Brilliant, At the tip of an umbrella held by, A whiting with the tail of a parrot, Hidden beneath the pink, Snow. “Deux grandes dames minces habillées en noir une longue plume de canari au chapeau sortent du concert”. Translated: Two tall thin society ladies dressed in black with a long canary feather in their hats leave the concert. Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £60-100

416

418

416 § Salvador Dali (Spanish, 1904-1989). ‘Cosmic Rhinoceros’. Limited edition sculpture in bronze with green patina, number 307 of 350 VF. Signed on the belly, with foundry stamp “Airaindor”. On marble base. 36cm x 9.5cm x 18cm Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £600-1,000 See Illustration.

418 Michael Godard. ‘Rat Pack Road’, limited edition giclee print on canvas. Signed bottom right, 94 of Edition of 300. Image size 61cm x 75cm. Canvas size: 73.5cm x 84cm. Rolled. “Dean Martin, Sammy Davis Jr., Frank Sinatra, and the rest of the “Pack” are seen in the old Sands casino enjoying a game of billiards. This was a very common scene on the Vegas Strip in the sixties and seventies. Of course in my world they are all olives.” - Michael Godard. Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £100-200 See Illustration.

419 419 Fabian Perez. ‘The Proposal XII’, limited edition giclee print on canvas. Hand signed bottom right corner, numbered 11 of 225. Rolled. 78.5cm x 61cm Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £100-200 See Illustration. 420 Lena Sotslova (Russian, b.1963). ‘Together Forever’, Limited Edition giclee print on canvas, hand embellished. Signed and numbered 178/195. With certified stamp and edition number verso. 63cm x 101.5cm Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £60-100 421 Natalie Dyer, ‘Happy Hour’ Limited edition giclee print on canvas. Hand signed to bottom right. Number 5 of edition of 250. Signed and titled ‘Happy Hour, Women with attitude, Natalie Dyer’ and numbered 5/250 verso. Rolled. 51cm x 117cm, Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £40-60 422 Natalie Dyer, ‘A Women’s work is never done’, limited edition giclee print on canvas. Signed bottom right number 2 of edition of 250 Signed and titled ‘A woman’s work is never done 2/250 Women with Attitude series. Natalie Dyer’ verso. Rolled. 76cm x 109cm Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £60-100

423 423 After Edgar Degas (French, 1834-1917). Danseuse Tenant son Pied Droit dans sa Main Droite, Dancer Holding Her Right Foot in Her Right Hand. Bronze sculpture. Bearing signature, dated 1998, numbered 23 IV / IX. With Foundry stamp ‘Cire Perdue C. Valsuani’ to base. 56cm x 37cm Provenance: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions £1,000-2,000 See Illustration. 424 Sir William Russell Flint, (1880-1969). ‘Carmelita’, colour print, signed by the artist in pencil to lower right margin. Framed and glazed. £50-80

426 David Clyde Dridan, Australian school, landscape, ‘Rising Mist’, signed, printed label verso, 32cm x 45cm £300-500 427 Portrait of a young girl, oil on board, signed and dated ’64, 60cm x 83cm £50-80 428 Trevor Grimshaw, signed limited edition print of a steam train, 90/150, 58cm x 48cm £80-120 429 Trevor Grimshaw, ‘Railway and Canal’, signed limited edition print, 144/150, 50cm x 59.5cm £80-120 430 Trevor Grimshaw, ‘Approaching Monoliths’, signed limited edition print, 1/150, certificate of authenticity verso, 48cm x 38.5cm £80-120

425 425 Ernest Tino Trova, silk screen poster for ‘Recent Sculpture, Pace Gallery, New York, 1967’, 64.5cm x 64.5cm £200-300 See Illustration.

431 Guy Carleton Wiggins, American 1883-1962, ‘Snow Storm in the City’, signed, inscribed verso, oil on canvas laid on board, 22cm x 29cm Provenance: Purchased at auction from Bruun Rasmussen auctioneers in Denmark in September 2014 for 60,000 DKK. Sold with a copy of auction Invoice. £10,000-15,000 See Illustration.

431

432 432 Impressionist style landscape, monogrammed ‘B’ dated 1989, oil on canvas, 114cm x 90cm £100-200 See Illustration. 433 Impressionist style landscape, monogrammed ‘B’ dated 1989, watercolour, 85cm x 53cm £50-100 434 Impressionist style landscape, monogrammed ‘B’ dated 1988, watercolour 85cm x 53cm £50-100 435 Impressionist style landscape, monogrammed ‘B’ dated 1989, watercolour 68m x 48cm £50-100 436 Impressionist style landscape, monogrammed ‘B’ dated 1989, watercolour, 56cm x 76cm £50-100

437 § Mel Howse, ‘Poverty Over’ sculpture, 2010, enamel on steel, 220cm high, bowl 120cm diameter, This sculpture was made for and is being sold by Christian Aid. “Poverty: lack of money, food, shelter - but ultimately about inequality and lack of power. This piece explores the gap between those who are living in poverty and those who are not. Here are two circular vessels. The most conspicuous of these, a vertically oriented shallow lens, represents the human eye. It stares challengingly at us. The eye is society’s conscience. Beneath sits a deep bowl, it’s interior hidden from us. If we come closer we see another eye looking up from it’s base. This is the eye of the poor - unseen from a distance and lost as we walk away. This eye requires more from us to get our attention. The juxtaposition of the two vessels implies that one vessel brings attention to the other. In essence they are the same. Poverty is staring at us and can be uncomfortable to witness. But once we have seen, the challenge is to act.” The piece was commissioned in 2010 by Christian Aid who exhibited it throughout the cathedrals of Britain over a three year period. It was launched at Southwark Cathedral by Loretta Minghella. The surreal sculpture animated their campaign about poverty, drawing in visitors to see a unique and unusual piece of work formed of two huge enamelled vessels which are in the form of eyes internally. It is made from spun steel and fired industrial enamels. The sculpture is by contemporary glass artist and enameller Mel Howse. It features we believe, the largest hand worked enamelled bowl ever made at a diameter of approximately 1.2m and 600mm deep. Mel is an experimental glass artist who pushes the boundaries within her commissions. Her largest work is a 500m2 glass façade for a Sainsbury flagship store - hand made in fired enamels. Her most unusual piece is the The Artbath in cast iron and vitreous enamel. She has long worked in industrial environments to create glass art despite scale. The auctioneer’s are waiving their vendor’s commission on the sale to benefit Christian Aid £5,000-8,000 See Illustration.

437

438 Alexander Millar, limited edition signed print ‘leap frog’ 28/495, 19cm x 18cm £70-100

441 439 439 Alexander Millar, limited edition signed print ‘Balancing Act’, 2004 23/295, 74cm x 58cm £150-250 See Illustration.

441 Alexander Millar, limited edition signed print ‘Mam and Dad’, 23/295, 74cm x 58cm £150-250 See Illustration.

442 440 440 Alexander Millar, limited edition signed print, four figures and a dog, 105/495, 50cm x 59cm £150-250 See Illustration.

442 E H Shepard (1879-1978 Winnie the Pooh illustrator) watercolour study of a Woman crossing a stream, signed verso and inscribed, ‘Woodmancote, Lodsworth Sussex’ 14cm x 16cm £200-300 See Illustration.

443 443 Emily Kame Kngwarreye (1910-1996) Australian Aboriginal school abstract composition synthetic polymer paint on canvas signed verso 120cm x 88cm Provenance: Consigned from a deceased estate. Purchased from the Barry Stern Gallery 19-21 Glenmore Road Paddington Australia in 1996. Emily Kame Kngwarreye was an Australian Aboriginal artist from the Utopia community she is one of the most prominent and successful artists in the history of contemporary Indigenous Australian art

Kngwarreye started to paint in her late 70s, artistically trained in traditional methods for designs in women’s ceremonies in the Utopia community Kngwarreye solo exhibitions include: Coventry, Sydney, 1990 Gabrielle Pizzi, Melbourne, 1990, 91, 92 Hogarth Gallery, Sydney, 1991 Gallery Savah, Sydney, 1994, 1996, 1997. Emily, Oude Kerk Amsterdam 1999 Mbantua Gallery and Cultural Museum, 2007–08 The National Art Center, Tokyo, 2008 National Museum of Australia, Canberra, 2008 £15,000-25,000 See Illustration.

444 Anne Wright, portrait of a woman with twin girls, signed dated 1970, 100cm x 120cm Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200 445 De Alberbi, abstract composition, metal and painted board, signed dated ’69, 50cm x 100cm, Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200 448 448 Charles S. (Pic) Higgins (1893-1980) ‘South of the Wall’ horse and rider painted on rough cut of wood, signed, titled and dated 1947 verso, titled and dated 1947 verso, 29cm by 48cm Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200 See Illustration.

446 446 § David Blackburn, ‘Blue landscape with trees and water’, pastel, signed and dated 1988, label verso, 40cm x 34cm Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200 See Illustration. 447 B. A. Dummer, ‘Man with the no Wife’, signed, oil on paper, 25cm x 20cm Provenance: Single owner collection of modern art consigned from a local deceased estate £30-50

449 449 La Barbara, study of a tree, oil on canvas, signed dated ’79, 48cm x 42cm Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200 See Illustration.

450 David Blackburn, ‘Sunlit Landscape with Bushes’, pastel, signed and dated 1990, 40cm x 36cm Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200

453

451 451 Charles S. (Pic) Higgins (1893-1980) ‘Tunise’ painted on rough cut of wood signed, titled and dated 1946 verso, 22cm x 28cm £100-200 See Illustration.

453 Lawrence Leifchild Toynbee, (1922-2002), ‘The Bathers’, monogrammed LLT and dated ’71, oil on board, 91cm x 120cm Provenance: Single owner collection of modern art consigned from a local deceased estate £400-600 See Illustration. 454 Salle Tomlinson, 20th century continental landscape, signed, oil on canvas, 56cm x 70cm Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100 455 Pair of pen and ink illustrations of two men fighting, unsigned 22cm x 20cm and 22cm x 17cm, framed as one Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100 456 Giorgio Morogna, autumnal scene, signed, titled and inscribed verso, oil on canvas, 36cm x 33cm Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100

452 452 § Raoul Dufy (1877-1953), Rideau de théâtre pour le ballet “Palm Beach”, limited edition print, signed and dated 1933, 120/200, 48cm x 60cm Provenance: Single owner collection of modern art consigned from a local deceased estate £400-600 See Illustration.

457 20th century painting on glass of a volcano erupting, unsigned, 60cm x 29cm Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100

460 458 458 § Eiko Yoshimoto, ‘Woman with Violin’ signed, pastel, gallery label verso, 41cm x 29cm Provenance: Single owner collection of modern art consigned from a local deceased estate £150-250 See Illustration. 459 20th century sketch of a woman undressing, unsigned, oil on paper, 37cm x 22cm Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100 460 Donald, pen and ink sketch of a young lady, signed and dated ’48, 37cm x 25cm Provenance: Single owner collection of modern art consigned from a local deceased estate £60-100 See Illustration. 461 Donald, pen and ink sketch of a young girl, signed and dated ’48, 37cm x 25cm Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100 See Illustration. 461

462 Donald, pen and ink sketch of a young boy, signed and dated ’48, 37cm x 25cm Provenance: Single owner collection of modern art consigned from a local deceased estate £50-100 463 20th century Russian school oil on canvas of an archway signed and inscribed verso Bopnkha 59cm by 49cm Provenance: Single owner collection of modern art consigned from a local deceased estate £100-200

464 464 Hall Thorpe (1874-1947), ‘Marigolds’, print, woodcut in colours, signed and titled, published by Hall Thorpe, London, 25cm x 30cm £150-250 See Illustration. 465 § Willem Sternberg de Beer (b. 1941), two cheetahs, signed, oil on canvas, 88cm x 90cm £2,000-2,500 See Illustration.

465

466 Chung Shek ‘Grace in Motion’ signed oil on canvas 89cm by 120cm. Consigned directly by the artist £1,200-1,800 See Illustration.

466

467

468

467 Chung Shek ‘Red Shoes’ signed oil on canvas 79cm by 78cm. Consigned directly by the artist £1,500-2,500 See Illustration.

468 Chung Shek ‘Restful’ signed oil on canvas signed 65cm by 100cm. Consigned directly by the artist £1,200-1,800 See Illustration.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and Loss and Damage Warranty charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

2 Commission. Commission is charged to sellers calculated per lot, as follows:

15% up to £1,000 - 10% thereafter.

Entry Fee £10 per lot

Catalogue Illustration Fee £10 per lot (discretionary)

Loss and damage warranty 1.5%.

All the above are subject to VAT at current rates

Commission and fees are negotiable for important or large collections and consignments.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense .

4. Loss and damage warranty. All goods on our premises are warranted against fire, theft or accidental damage while on our premises and sellers are charged at the rate of 1.5% of the hammer price plus VAT on our best estimate of what the hammer price would have been had the goods sold.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

5. Illustrations. Almost all lots in our sales are illustrated on the internet. There are is a £10 plus VAT marketing and internet listing charge. Many lots in our Quarterly Fine and Specialist sales have an illustration in a physical catalogue. Where this is the case, or where a lot is entered for sale after the published catalogue closing date, then there is a £10 plus VAT catalogue illustration charge. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us “discretion” we may accept a bid of up to 20% below the formal reserve.

11. Unsold lots and withdrawn items If an item is unsold it may with your consent be re-offered at a future sale (see point 14b relating to authority to sell below). Where in our opinion an item is unsaleable, you must re-collect such items from the saleroom promptly on being so informed. Otherwise, storage charged may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of 10% of the mid sale estimate plus VAT on being bought in or withdrawn after being catalogued.

TERMS FOR SELLERS continued 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to indemnify us and any buyer or third party in respect of breach of this undertaking. 14. Authority to sell, deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission and applicable charges at the stated rate and all expenses incurred for your account from the hammer price and consent to our right and retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. b) In the case of lots unsold at auction, you authorise us at our discretion to negotiate a sale by private treaty not later than 21 days after the day of the sale at a price no less than 50% of the reserve that would have applied during the previous auction, unless you inform us in writing of your intention to collect the goods. In the case of a sale within this period the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of ÂŁ5 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within one week, we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case, no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owned by you to us on other transactions to be deducted from the sale proceeds. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request UNSOLD LOTS: YOUR ATTENTION IS DRAWN TO ITEM 11 ABOVE Unsold items which you wish to keep must be collected within five working days otherwise storage charges will apply. Please discuss with us as soon as possible the re-offering of unsold lots. If unsold lots remain with us after a period of one week, without instructions from you, we reserve the right to offer them to a local charity shop or arrange for their disposal at a charge of ÂŁ10 plus VAT per lot.

CONDITIONS OF SALE Ewbank’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. Definitions In these Conditions:

(a) “auctioneer” means the firm of Ewbank’s or its authorised auctioneer, as appropriate;

(b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) “terms of consignment” means the stipulated terms and rates of commission on which Ewbank’s accepts instructions from sellers or their agents;

(e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2

(h) The singular includes the plural and vice versa as appropriate.

2. Bidding Procedures and the Buyer (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. Increments Bidding increments shall be at the auctioneer’s sole discretion. 4. The Purchase Price The buyer shall pay the hammer price together with a premium thereon of 25.2% inclusive of VAT [or incremental] at the rate imposed by law. 5. Value Added Tax Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘†’ or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. Payment (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and

(b) pay to us the total amount due in cash or in such other way as is agreed by us.

(c) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. Title and Collection of Purchases (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and Loss and Damage Warranty charges. (3) No purchase can be claimed or removed until it has been paid for.

CONDITIONS OF SALE continued 8. Remedies for Non-Payment or Failure to Collect Purchases (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) to proceed against you for damages for breach of contract;

(b) to rescind the sale of that Lot and/or any other Lots sold by us to you;

(c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(f) to retain that or any other Lot sold to you until you pay the total amount due;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. T hird Party Liability All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. Commission Bids Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. W arranty of Title and Availability The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. Agency The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. T erms of Sale The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

CONDITIONS OF SALE continued 14. Descriptions and Condition (1) Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. Forgeries Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that-

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/ or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions

(1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

HOW TO FIND US

Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

A257

One Way

Heading South turn off the A3 11â &#x201E;2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound.

Burnt Common Roundabout

Heading North on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs.

Please note: if using Sat Nav to navigate to us then do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the Burnt Common roundabout then follow directions as above.

EWBANK AUCTIONEERS In 1994 we acquired the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles with trains to Waterloo (25 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of a hundred Antiques and Fine Arts auctions and over three hundred General Sales. When we started in 1990 we held six auctions a year and we are now expecting to hold up to 24 in the next twelve months. If they are to succeed, businesses like ours must give clients and buyers an efficient and friendly service and, over the years, we have always tried to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by auction in Central London have rocketed we have benefited from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustrations of almost all lots in our quarterly Antique and Fine Art auctions, are included on the internet. Buyers are attracted from all over the world. We have an agreement with artfact.com, who list our antique sales on Ebay, take commission bids from prospective buyers and facilitate active participation in the auction from a PC anywhere in the world at the time that the sale is actually in progress. This gives a far greater global marketing ability. We are trail-blazing in this field as there are only a handful of other Antique and Fine Art salerooms in the UK who also list on Ebay. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. In our first internet linked auction in 2005 there were nearly 20,000 visits to our online catalogue generating over 500 specific enquiries and the figures have risen markedly since then. Ewbank Auctioneers has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own salerooms and some twenty sales a year. Turnover since 1990 has increased by over 800%. Building refurbishment works have just been completed, which include a new mezzanine floor doubling our existing floor space, a new entrance, offices, a new heating system and external face-lift. Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He is also an elected Member of its International Governing Council (the highest decision making body in the Institution). He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was Chairman from 2000-2007. He has also in recent years been on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Guild of Arts Scholars, Dealers and Collectors. Chris Ewbank FRICS ASFAV

EWBANK’S AUCTION SALE DATES 2015 Viewing days/times vary, please contact the auctioneer for details.

March

August

4th

Antique & Collectors’

18th

Fine Jewellery & Silver

19th

Fine Art

20th Antique Furniture & Works of Art

5th

Antique & Collectors’

September 2nd

Antique & Collectors’

3rd

Music & Sporting Memorabilia

4th Film / TV & Entertainment Memorabilia

April 1st

Antique & Collectors’

16th

Fine Jewellery & Silver

16th

Asian & Eastern Art

17th

Fine Art

22nd

Movie Posters

18th Antique Furniture & Works of Art

6th

Antique & Collectors’

October

21st

Toys & Collectables

22nd

Fine Wines & Spirits

May

Antique & Collectors’

22nd

20th Century Art & Design

November

June 3rd

Antique & Collectors’

17th

Fine Jewellery & Silver

18th

Fine Art

19th Antique Furniture & Works of Art 25th

7th

Music & Sporting Memorabilia

4th

Antique & Collectors’

5th

Asian & Eastern Art

18th

Fine Jewellery & Silver

19th

Fine Art

20th Antique Furniture & Works of Art

26th Film / TV & Entertainment Memorabilia December July 1st

Antique & Collectors’

16th

20th Century Art & Design

30th

Militaria & Medals

2nd

Antique & Collectors’

3rd

Music & Sporting Memorabilia

4th Film / TV & Entertainment Memorabilia 9th

Fine Wine

Next 20th Century Art & Design Auction 16th July 2015

Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale. Dates are published on our website and are subject to change without notice.