The Indigenous Storytellers Scholarship Edition

Celebrating Worimi Culture is one of the core values at the heart of Murrook

Enhance your visitor experience by taking part in one of our cultural programs, a smoking ceremony, or sand dune quad bike adventure

Take a moment with Worimi stories in our new interactive knowledge centre

Where appropriate, we can help you incorporate cultural content into your event plan.

Our Function & Events Coordinator will assist you to develop an events package best suited to your needs and ensure your program is a success.

Meals and refreshments are provided by our in-house chef, specialising in locally acquired native ingredients.

H A P P Y P L A C E * find your

Murrook Culture Centre is quickly establishing itself as one of Port Stephens most popular venues

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Step through generous glass doors onto a large deck shaded by large paperbarks to overlook a picturesque lagoon brimming with wildlife

Multiple flexible spaces can easily accommodate small meetings to large multi-day events catering for up to 400 guests

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MODE ET BEAUTÉ

The Moon Dancers

As art and fashion meet in the brilliance of the moonlit sky, be inspired by the textures of nature and the colours of sunsets.

Spirit Child

Motivate your beauty looks from the colour of our dawns and dusks, our stars and the moon. They are put there to illuminate your soul and shine from within.

OUR COVER

WEARING: SUNDREAMING Organic Cotton Jersey Crop Top REIKO Mallory Jacket YANGGURDI Metallic Weave Earrings

BEAUTY CREDITS: Face: LAURA MERCIER Pure Canvas

CHARLOTTE TILBURY Wonder Glow ARMANI Silk Foundation in #8 LAURA MERCIER Translucent Powder in Honey CHANEL Cream

Bronzer Cheeks: NUDESTIX Blush in Sunkissed JANE IREDALE

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Extensions Mascara NATASHA DENONA Eyeshadow Palette in #5 Lips: REVLON Matte Lipstick in Shameless 14

Model SAMANTHA HARRIS Photographer PAUL DEAR Hair Stylist ALANA JOHANSSON Makeup Artist LILLY MILJKOVIC

EDITORIAL

Editor-in-Chief/Creative Director LARA LUPISH

Deputy Editor JACK BAILEY

FEATURES

Features Editor LARA LUPISH

Editorial Manager JACK BAILEY

Editorial Coordinator SOPHIE BURLEY

FASHION

Fashion Editor LARA LUPISH

Digital Content Manager JACK BAILEY

DESIGN

Senior Designer COURTNEY KRIIS

PHOTO

Photographers PAUL DEAR & DARBY YOUNG

COPY & PRODUCTION

Sub-Editor PENELOPE GREEN

Content Writers LARA LUPISH, JACK BAILEY & KYLIE MORRIS

MARKETING

Communication & Marketing Manager

JACK BAILEY

Senior Manager JASON FOX

PR & Marketing Coordinator SOPHIE BURLEY

Production Coordinator KRISTAL ALFONSO

PUBLISHING

FAÇON CREATIVE

SPECIAL THANKS

A huge thank you (again!) to our stunning cover star, Samantha Harris. A very special thank you to Greater Bank, without whom this scholarship and magazine edition would not be possible. Thank you to Murrook Culture Centre, namely Andrew Smith and Nicole Chaffey. Thank you to all our mentors who are featured in this magazine. Thank you to RDA Hunter for your support. Thank you to our committee members. A big thank you to the Façon team, who work hard every single day. Last but not least, thank you to all the people across NSW who submitted their artwork for our consideration for this scholarship. Picking our nine finalists was extremely difficult. We hope you enjoy this edition as much as we loved creating it. Façon acknowledges the Traditional Custodians of the land on which we stand today, and pay our respects to their Elders past, present and emerging.

É faconaustralia.com

Ú @facon_au

Î Façon Australia

í Newcastle, NSW 2300

copyright © 2023

All rights reserved, no part of this publication may be reproduced in whole or in part without permission from the publisher, including all logos, titles and graphic elements.

It brings me immense joy and pride to present to you this very special edition of Façon magazine.

This issue holds a special place in my heart because it not only celebrates creativity, but also pays homage to the art, design, and creativity of the traditional custodians of the land we live on, walk on, and create upon.

At Façon, we believe in the power of storytelling and the importance of giving a platform to diverse voices.

That's why I am thrilled to announce the launch of the Indigenous Storytellers Scholarship, also known as the "Djuyalgal Scholarship" in the traditional Gathang language of the Worimi People.

The scholarship is a collaboration between Façon and Greater Bank, with a shared mission of connecting our regional community to Indigenous expression and art while supporting the culture, arts, and creativity of Australia's First Nations people.

The Indigenous Storytellers Scholarship is a program designed to celebrate, sustain, and nurture Indigenous art and design in New South Wales. As part of this initiative, Greater Bank will provide a scholarship to support the winner's creative aspirations. The recipient will also receive guidance and mentorship from the esteemed Murrook Culture Centre and our revered mentors, ensuring that their journey is guided by cultural knowledge and wisdom.

This multi-layered assistance will help the recipient in more ways than they realise.

It clears a creative mind from a financial perspective, so that they are truly free to think,

create, share their story, plan and, last but not least, sleep without worrying about how they are going to make their creative dream come true.

How do I know this? Well, from practical experience, with my own creative dreams and aspirations when I started my beloved Façon. My early struggles are well known to my family and my amazing , dedicated team. However, I was very lucky to receive philanthropic assistance and a big learning curve in grant writing resulted in some financial assistance.

A creative career path is a difficult one to navigate on so many levels - this is why the Indigenous Storytellers Scholarship is so close to my heart.

Creating a special edition of Façon Magazine exclusively featuring profiles of the scholarship finalists and their mentors is a great honour. This edition will serve as a testament to the wealth of artistic expression and storytelling prowess within Australia's Indigenous community.

I am grateful for the opportunity to be a part of this meaningful initiative and to witness first-hand the transformative power of art and storytelling. Together, let us celebrate, support, and elevate the Indigenous creatives whose voices have often been overlooked, marginalised or taken advantage of in the past. Let us forge connections, nurture talent, and build a more inclusive and vibrant creative landscape.

Thank you for joining us on this extraordinary

Paving the Way for RECONCILIATION

SCHOLARSHIP PROGRAM PROVIDES AN IMPORTANT STEP IN GREATER BANK’S RECONCILIATION JOURNEY.

Today’s First Nations creators are the Custodians of the oldest unbroken tradition of art in the world. Through practices across a range of disciplines, Indigenous Australian artists have shared their stories and expressed culture, community, and love for Country for millennia.

There are so many extraordinary Indigenous artists across New South Wales who are making their mark in the creative arts sector. Greater Bank is privileged to support real opportunities for artistic growth and development through the provision of $10,000 in scholarship funding for The Indigenous Storytellers Scholarship program and partnering with Façon to bring this program to life.

As a customer-owned bank, we have a long history of supporting the community. You could say it’s in our DNA. This program, however, was something special.

Greater Bank is on the path to Reconciliation, and The Indigenous Storytellers program presented an opportunity for us to play a meaningful role in moving towards better understanding and supporting our First Nations communities. That’s what art can do.

The program has unearthed a wealth of creative talent across the state with more than 70 quality entries received, from which the committee had the unenviable task of selecting nine finalists and the eventual scholarship recipient.

The program has unearthed a wealth of creative talent across the state.”

We’ve embraced this scholarship opportunity knowing it has potential to positively change the future for all involved, which is incredibly exciting. While the scholarship itself is important, the opportunity for the winner to work with a mentor who is a leader in their field will be an invaluable experience.

Greater Bank believes in providing greater support and partnership to our First Nations communities and we are committed to reconciliation and working closely to build strong relationships across the communities in which we operate.

Together, our aim is to demonstrate a genuine support for Indigenous Australians, both internally through our employees and externally with current and future customers.

We’d like to extend our heartfelt congratulations to all the entrants and finalists of the Indigenous Storytellers Scholarship. We look forward to following the careers and future endeavours of these remarkable artists.

Photography By DARBY YOUNG Façon | Indigenous Storytellers |

Together, our aim is to demonstrate a genuine support for Indigenous Australians.”

NURTURING ART, CREATIVITY AND CULTURE

The Indigenous Storytellers Scholarship, also known as the Djuyalgal Scholarship in the traditional Gathang language of the Worimi People, is an initiative that supports and celebrates the creativity and artistic expressions of Australia's First Nations people.

THE SCHOLARSHIP, A COLLABORATION BETWEEN FAÇON MAGAZINE AND GREATER BANK, IS DESIGNED TO CELEBRATE, SUSTAIN AND NURTURE INDIGENOUS ART AND DESIGN IN NEW SOUTH WALES.

It offers a $10,000 scholarship to support the winner's creative aspirations, along with guidance from Murrook Culture Centre, an organisation that provides education and cultural experiences related to the Worimi People.

This special edition of Façon Magazine profiles the finalists in each category, as well as the Indigenous mentors involved in the scholarship.

The scholarship program opened applications to nine different creative discipline categories: fashion design, accessory design, art painting, music, dance, writing, digital art, film, and photography. The program seeks to foster Indigenous talent in each of these categories and provide a platform for Indigenous artists to share their stories.

The winner of the scholarship program will receive $10,000 to support their creative aspirations, along with a mentoring session with a leading voice from their creative discipline. Additionally, they will have access to Murrook Culture Centre's

facilities and guidance. The winner will be selected from the finalists of each category by a special panel comprised of local business leaders and First Nations voices from the community.

The scholarship committee includes a range of community members who are dedicated to promoting Indigenous art and culture in the region. They include Lara Lupish, Editor-in-Chief of Façon Magazine; Ingrid Kaczor, Community Engagement Manager of Greater Bank; Andrew Smith, CEO of Worimi Local Aboriginal Land Council; Simone Jordan, from the Office of Indigenous Strategy and Leadership at the University of Newcastle; Alissa McCulloch, Director of HUNTERhunter; Kate O'Mara, Director of Special Projects RDA Hunter; Dr. Kirsten Molloy, President of the Equal Futures Project; Lynne Mangovski, Member of the Hunter Medical Research Foundation; Jack Bailey, Communications and Marketing Manager of Façon Magazine; and Jason Fox, Senior Manager of Façon Magazine.

The scholarship program is an opportunity to celebrate the rich and diverse artistic traditions of Australia's First Nations people, while also supporting the next generation of Indigenous artists. The scholarship provides Indigenous artists with the resources and support they need to pursue their creative passions and tell their stories through various artistic mediums.

Through The Indigenous Storytellers Scholarship, Façon and Greater Bank aim to connect the regional community with Indigenous expression and art. The scholarship program provides a platform to showcase Indigenous talent and to promote greater understanding and appreciation of Indigenous art and culture in New South Wales.

This program is an important step towards recognising and valuing the contributions of Australia's First Nations people to the country's cultural and artistic heritage. It is a way of acknowledging the unique stories, experiences, and perspectives of Indigenous Australians and providing them with the resources they need to share their stories with the world.

Façon | Indigenous Storytellers | 11

Scholarship Finalists

MEET THE SHORTLISTED ARTISTS VYING FOR THIS YEAR'S INDIGENOUS STORYTELLERS SCHOLARSHIP, BROUGHT TO YOU IN PARTNERSHIP WITH GREATER BANK

SCHOLARSHIP RECIPIENT ANNOUNCED NAIDOC WEEK 2023

FIND AN EXCERPT OF OUR FINALISTS' WORK ON OUR WEBSITE!

LILLARDIA BRIGGS-HOUSTON Fashion Design Finalist

Lillardia Briggs-Houston is a Wiradjuri, Yorta Yorta, and Gangulu fashion designer and artist living in Narrungdera/ Narrandera, Wiradjuri Country. Lillardia's eponymous fashion label was established in 2018 with the aim of supporting self-determination and autonomy within the First Nations fashion industry. Lillardia lives and works on her grandparents' country, who are fundamental in the growth of her practice, embedding Country and Kin throughout her work.

REN WHALEBOAT Art Painting Finalist

Ren Whaleboat, also known as RENYEN, is a visual artist from Newcastle. Her preferred medium is realism charcoal with contrasting line work portraiture. Being born and raised on Awabakal country, with roots from North Queensland, Birri Gubba, Mitakoodi, Gugu-Badhun and Peibri Clan of Mer (Murray Island) in The Torres Strait, her art reflects her diverse cultural heritage.

RENAE LAMB Dance Finalist

Renae Lamb is a proud descendant of the Wiradjuri and Wongaibon people of central west New South Wales. She is the Founder of Midnight Dreaming, a contemporary Aboriginal Dance and Art Studio located at University of Newcastle. Midnight Dreaming’s aim is to showcase the need for change and the need for dance syllabi in Australia, while also educating globally.

BROOKE SCOBIE Writing Finalist

Brooke Scobie is a queer Goorie (Bundjalung) single mum, poet, writer, and podcaster, living on Darkinjung land. Their work is a powerful love letter to Country and to those marginalised by society, featured in prestigious publications like Overland Journal, Running Dog, Red Room Poetry, and SBS. Brooke also holds a black belt in Taekwondo, which they achieved at just 13 years old.

BERNARD KELLY-EDWARDS Digital Artist Finalist

Bernard Kelly-Edwards is a single dad and digital artist who belongs to the Gumbaynggirr, Bundjalung and Dhunghutti Nations on the mid north coast of New South Wales. Bernard’s art incorporates textures and colours inspired by Mother Nature. He is also the Founder of BKE Consultancy, a service of rich cultural knowledge supporting deeper awareness of individual or group growth.

JOSHUA DOCTOR Music Finalist

Joshua Doctor is a proud Yuwaalaraay, Gamilaraay and Gubbi Gubbi man from Lightning Ridge in North-West New South Wales and was raised on Yuwaalaraay country. After graduating high school in 2020, Joshua pursued a creative development process in performing arts at NAISDA Dance College to further develop his passion for performance. He is currently continuing his studies whilst also following his other passion of making music.

JAHVIS LOVEDAY Film Finalist

Jahvis Loveday is an award-winning filmmaker from the Dyirbal tribe of Far North Queensland, but his story, born and raised, is on Bundjalung country. Jahvis has created more than 12 short films and 250 online videos. Through his company, Something Deadly, Jahvis aims to bring to life the stories of his First Nations brothers and sisters, and bring his unique stories into the fold of Australian culture.

MARLEY MORGAN Photography Finalist

Marley Morgan is a First Nations (Wiradjuri/Gamilaraay) fashion photographer based in Gumbaynggirr country. She is an advocate for inclusion and diversity within mainstream media and fashion. Marley aims to uplift and empower Aboriginal people through building relationships with communities. She wants to provide opportunities for greater exposure to showcase her beautiful modern culture and business to a wider mainstream audience.

NATASHA LUCAS Accessory Design Finalist

Natasha Lucas is a proud Euahlayi woman and mother to her three daughters, living on Darkinjung country. The beginning of her art journey was inspired by her daughters, for whom she created jewellery, accessories and educational tools. Natasha opened her own business, Mayarra Arts, in 2021, where she shares her passion and pride for accessory design and art.

Meet our mentors

MEET THE MENTORS FOR THE INDIGENOUS STORYTELLERS SCHOLARSHIP, WHO WILL BE SHARING THEIR KNOWLEDGE AND EXPERIENCE WITH OUR SCHOLARSHIP RECIPIENT

Photography DARBY

SAMANTHA HARRIS CHERIE JOHNSON SARETTA FIELDING

KASSIDY WATERS WARREN TAGGART

CHRISTINE ANU

MATT FIELD

PRISCILLA REID-LOYNES

GERARD BLACK

HARRIS Samantha

Written by KYLIE MORRIS

Samantha Harris is a name synonymous with the Australian fashion industry. As a member of the Dunghutti people, she has not only broken barriers in the modelling world but also become a powerful advocate for Indigenous rights and culture. In fact, Samantha firmly believes that the inclusion of Indigenous culture by mainstream fashion is the biggest change of her 20-year international career.

Samantha fell in love with modelling when she was just four years old, after her first appearance on a junior catwalk in a shopping centre in Tweed Heads, in northern New South Wales. Growing up in a busy household with limited financial resources, the modelling industry offered Harris an avenue to fulfil her dreams and provide for her family.

At 13, Samantha entered a national competition in Girlfriend magazine, which led to her signing with Chic Management. This marked the beginning of her career as one of the most successful Indigenous models in the world. She has graced the covers of magazines including Vogue Australia and has walked the runway for some of the biggest names in fashion, including Romance was Born, Dion Lee, Ellery, just to name a few..

Not defined by her modelling career, she is also a passionate advocate for Indigenous rights and culture. In 2019, she travelled to the Kimberleys with her mother to campaign with World Vision for improved living conditions in remote communities. She is determined to use her influence to raise awareness about the issues faced by people living in those communities and to support them where possible.

Samantha has seen a significant shift in the fashion industry during her career. When she first started

out, there were very few Indigenous models in the industry. As the years went on, she and other Indigenous models were able to showcase their talent. Today, there are Indigenous runway shows, Indigenous singers and artists, and Indigenous designers.

Samantha welcomes mainstream fashion’s gradual but now firm embrace of Indigenous culture.

A role model for younger women and girls of all colour, Samantha uses her platform to speak out about the issues she cares about, and to empower others. She has become a favourite subject for high school projects and young fans seek her out for photo opportunities and selfies.

She is not the only Indigenous model making waves in the industry. Whadjuk Noongar man and model Nathan McGuire is another rising star who uses his influence to mentor young Indigenous kids keen to enter the industry.

SHE HAS EXPERIENCED THE THRILL OF WALKING ALONGSIDE OTHER INDIGENOUS MODELS, WEARING BEAUTIFUL INDIGENOUS DESIGNS AT AUSTRALIAN FASHION WEEK:

"IT WAS JUST, THIS IS ME – THIS IS WHO I AM. I WAS REPRESENTING MY CULTURE IN BEAUTIFUL INDIGENOUS DESIGNS. IT FELT QUITE AMAZING AND LIBERATING TO BE ABLE TO DO THAT."

SAMANTHA SEES OPPORTUNITIES TO USE HER INFLUENCE BOTH INSIDE AND OUTSIDE THE FASHION INDUSTRY. IF FASHION CAN CONTINUE TO BECOME MORE INCLUSIVE AND REPRESENTATIVE, THEN THERE IS EVEN MORE POTENTIAL FOR POSITIVE CHANGE.

A testament to the power of perseverance and determination, she is proud of her Indigenous heritage and uses her voice to raise awareness about the issues faced by Indigenous communities.

The fashion industry has come a long way in terms of representation, but there is still much more to be done. With inspiring figures like Samantha and Nathan leading the way, the future of Indigenous representation in fashion looks bright.

This is an amended version of the cover story that ran in Façon Magazine: Dreaming Edition, originally published in 2022.

Photography WENDELL LEVI TEODORE

JOHNSON Cherie

Photography ALEXANDER MCINTYRE

Written by JACK BAILEY

In the vibrant realm of Aboriginal arts and education, one name shines bright: Cherie Johnson.

As the visionary behind Speaking in Colour, Cherie is an esteemed consultant dedicated to uplifting and empowering indigenous communities. Hailing from South Australia and raised on Awabakal country, commonly known as Newcastle, she is an active member of the Awabakal Community, a testament to her deep-rooted connection to her people.

Cherie grew up around nature and the arts. Her mother is a fine artist and a lover of all things natural. This foundation of creativity, nature, heritage and culture became the very essence of who Cherie is today, fuelling her passion and drive to make a lasting impact.

“As a creative person, I’ve always had process diaries as part of my art-making practice, written scripts and imagined worlds,” she says of her

love for the arts. “In fact, we would create stories of fantastic characters and worlds all of the time, thinking not much beyond our night routine.”

Cherie acquired a Diploma in Teaching from the University of Newcastle (UoN) in 2006 and a Bachelor of Fine Arts from the University of Sydney in 2001. Complementing her formal education, she honed her skills in dance through the National Aboriginal and Islander Skills Development Association (NAISDA), further enhancing her artistic repertoire.

Beyond her roles as a mother, educator, artist, author, and entrepreneur, Cherie is completing a PhD, delving into the profound subject of "the effects of urban Aboriginal women embracing their culture and its significance in the contemporary context." This research exemplifies her commitment to exploring and understanding the transformative power of cultural reclamation in modern society.

Photography ALEXANDER MCINTYRE

Cherie's expertise as a previous lecturer in Aboriginal culture and education is highly regarded, earning her a position as a casual lecturer at UoN.

THROUGH HER ENGAGING AND INSIGHTFUL TEACHING, SHE INSPIRES AND ENLIGHTENS STUDENTS, FOSTERING A DEEPER UNDERSTANDING AND APPRECIATION FOR INDIGENOUS CULTURE.

An accomplished artist, Cherie's photographic and woven artworks have graced prestigious exhibitions in Perth, Sydney, and her beloved hometown of Newcastle. Moreover, her contributions extend beyond gallery walls, as she has also left her indelible mark through the creation of significant public artworks in Newcastle. This artistic expression serves as a powerful medium to convey her unique perspective and encapsulate the essence of her heritage.

Asked what inspires her, Cherie simply states: “Creation, nature, my dreams, everything in my world. There is no one thing that creates the perfect storm, it’s a factor of many.”

In addition to her artistic endeavors, Cherie dedicates her time and expertise to her business Speaking in Colour, which educates, equips and encourages other businesses and educators to understand and embrace Aboriginal culture. By ensuring the alignment of business success with positive social impact within local communities, she exemplifies her commitment to effecting meaningful change on multiple fronts.

Cherie considers her biggest achievements in life as, “being a mum to two beautiful humans; navigating adulthood on my own; the work we do at Speaking in Colour, and the social impact it has.”

Her unwavering dedication to Aboriginal arts, education, and cultural preservation has established her as an influential force. Through her profound insights, artistic brilliance, and unwavering determination, Cherie continues to shape a brighter and more inclusive future for indigenous communities, leaving a notable legacy for generations to come.

And her advice to any up-and-coming writers? “Write daily - morning and night. Scribble with no hesitation. Pour out your ballads, write letters to yourself. Write a letter as someone else to another person entirely. Speak for the trees. Imagine all the possible perspectives, especially the ones not considered before. Find the joy.”

Photography ALEXANDER MCINTYRE

Photography ALEXANDER MCINTYRE

Photography JONATHAN CARROLL

FIELDING Saretta

Written by LARA LUPISH

Saretta Fielding is a renowned Wonnarua artist and designer with a deep connection to her Indigenous culture, Country, and community. Her journey in Indigenous art, culture, and Country has been extensive, spanning both her roles as an artist and a commercial designer. As a proud Indigenous woman, Saretta's cultural identity is intricately woven into every aspect of her fine artworks and designs, which showcase the unique culture of Australia's First Nations peoples.

Through her corporate and private commissions, Saretta creates artworks that serve to strengthen her connection to her Country and people while also sharing her culture with others. She believes that each artwork is a way of making a connection to those who curate and collect her works, regardless

of their cultural background or location. This passion for authentic, engaging, and thoughtprovoking artwork has garnered Saretta a fanbase that spans the globe.

Saretta's love of art began during her childhood, when she experimented with different art mediums and techniques. Her fascination with the challenge of using art to convey contemporary influencessuch as the challenges facing her community, the beauty of nature, and the experiences of life - has remained a constant throughout her career.

Saretta's main medium is sand-based media and millennia-old engraving techniques which pay homage to traditional Wonnarua sand engravings still found throughout the Hunter region in New South Wales, Australia. Each highly textured piece embodies the enduring style, designs, and totems

Photography LUXOTTICA AUSTRALIA Samantha Harris wearing Ray-Ban Special Edition Wayfarer designed by Saretta Fielding

of ancient engravings, adding a striking dimension to her contemporary works.

However, Saretta's work is not just about creating beautiful art. It's also about promoting economic inclusion for Aboriginal communities through art. She's committed to supporting initiatives in the arts that contribute to closing the gap between Indigenous and non-Indigenous Australians. In 2016, Saretta Art and Design established the Malang Indigenous Corporation, a not-for-profit organisation that champions social investment in Indigenous communities by nurturing and supporting emerging and established Indigenous artists and designers nationwide.

Creating a platform for Indigenous and nonIndigenous Australians to move forward together is a high priority for Saretta. She believes that art has the power to bring people together and create a shared understanding of culture, history, and identity. Through her artwork and initiatives, Saretta has forged a strong path into the international and Australian art scene with heart and soul that is visible and intentional in every art piece that she creates.

Through her initiatives and collaborations, she is creating a more inclusive art community which values the contributions and perspectives of Indigenous artists.

With her talent and dedication, Saretta has established herself as a trailblazer in the international and Australian art scene, and her impact on the art world will undoubtedly continue to grow in the years to come.

SARETTA'S PASSION FOR HER WORK IS PALPABLE. HER ART IS NOT ONLY VISUALLY STUNNING BUT ALSO MEANINGFUL AND POWERFUL, ACTING AS A BRIDGE BETWEEN CULTURES AND PROMOTING A GREATER UNDERSTANDING OF INDIGENOUS CULTURE AND HISTORY.

Photography SARETTA ART & DESIGN

Photography SARETTA ART & DESIGN

WATERS Kassidy

Written by JACK BAILEY

Kassidy Waters is a dancer with Bangarra Dance Theatre, an internationally renowned contemporary Indigenous dance company based in Sydney, Australia. Bangarra is known for its powerful and evocative performances which draw on Indigenous culture and storytelling to create a unique and inspiring dance experience.

Kassidy is a descendant of the Wonnarua Nation and grew up in regional New South Wales. She began dancing at a young age and was immediately drawn to the expressive and emotional nature of dance.

In 2012, Kassidy was successful in joining the NSW Public Schools Aboriginal Dance Company, created in partnership with Bangarra Dance Theatre and The Arts Unit. There, she discovered Bangarra

Photography

& BANGARRA DANCE THEATRE

and was captivated by the company's fusion of Indigenous culture and contemporary dance. She trained for four years at the National Aboriginal Islander Skills Development Association (NAISDA Dance College) in a range of Aboriginal and Torres Strait Islander Dance and culture, classical, modern and contemporary dance, then completed Sydney Dance Company’s Pre Professional Year of 2017. In 2019, Kassidy joined Bangarra as a Company Dancer and quickly established herself as a talented and dedicated member of the company.

She has performed in several of Bangarra's productions, including the critically acclaimed SandSong: Stories from the Great Sandy Desert, which premiered in 2020. SandSong is a consultation between Bangarra and the Wangkatjungka/Walmajarri People of the Kimberley and Great Sandy Desert Region of Australia. The production tells the story of the People’s fight for their land and culture against the forces of colonisation and industrialisation. A part of the ensemble cast, Kassidy played a key role in bringing the story to life through dance.

Beyond Bangarra, Kassidy is passionate about using dance as a tool for educating, empowering and continuing culture. She has worked extensively

with youth nationally and internationally as well as many different projects, performance works and artists. She believes that dance has the power to break down barriers and unite people.

Bangarra Dance Theatre was established in 1989 by NAISDA (National Aboriginal Islander Skills Development Association) Dance College founder Carole Y. Johnson and NAISDA alumni Rob Bryant and Cheryl Stone. Stephen Page was Bangarra’s artistic director for 32 years.

The company is committed to showcasing the richness and diversity of Indigenous culture through dance and storytelling.

BANGARRA'S PRODUCTIONS

OFTEN EXPLORE ISSUES OF IDENTITY, DISPLACEMENT, AND CULTURAL SURVIVAL, DRAWING ON TRADITIONAL STORIES AND THEMES TO CREATE CONTEMPORARY WORKS THAT ARE BOTH POWERFUL AND THOUGHTPROVOKING.

Photography LISA TOMASETTI & BANGARRA DANCE THEATRE

The dance theatre has toured extensively both nationally and internationally, sharing its unique brand of contemporary Indigenous dance with audiences around the world. Bangarra has performed at prestigious venues including Sydney Opera House, the Kennedy Center in Washington D.C., and London’s Royal Opera House. In addition to its performance work, Bangarra is committed to community outreach and engagement. The company runs several education and outreach programs, including a dance training program for Indigenous youth, and works with Indigenous communities across Australia to share and celebrate culture through dance.

Kassidy is just one of the many talented dancers who have been drawn to Bangarra's unique blend of culture and contemporary dance.

HER PASSION FOR DANCE AND HER COMMITMENT TO SOCIAL CHANGE MAKE HER A PERFECT FIT FOR THE COMPANY'S MISSION AND VALUES.

Bangarra Dance Theatre remains a trailblazer in the world of contemporary dance and as Kassidy continues to evolve as an artist, it is clear that her contributions to Bangarra and the wider world of dance will only continue to become more significant.

She is a rising star to watch out for in the dance world.

Photography GREGORY LORENZUTTI

Photography DANIEL BOUD & BANGARRA DANCE THEATRE

WARREN TAGGART Uncle

Written by JACK BAILEY

Warren Taggart, also lovingly known as Uncle Warren, is an Aboriginal Elder, respected community leader and a proud Wonnarua man. Uncle Warren has dedicated his life to preserving and promoting the culture and traditions of his people, and has played a significant role in the local community as a cultural educator and mentor.

Born in the small town of Singleton, in rural New South Wales, Uncle Warren grew up with a deep appreciation for his Aboriginal heritage. His father instilled in him a sense of pride in his culture, and he was taught traditional knowledge including cultural sites, bush medicine, and where to always find water, even in drought.

AS A YOUNG MAN, UNCLE WARREN BECAME INVOLVED IN THE LOCAL ABORIGINAL COMMUNITY AND BEGAN TO SHARE HIS KNOWLEDGE WITH OTHERS.

Over the years, Uncle Warren has become a highly respected cultural educator. He has worked with many organisations and institutions, including schools, universities, and the local community, to promote a greater understanding of Aboriginal culture and history. He has also been involved in various cultural festivals and events, including NAIDOC Week celebrations.

Beyond his tireless work as a cultural educator, Uncle Warren is also a documenter of cultural sites. He has collaborated with photographers Allan Chawner and Carol Carter to produce the book Spirit of Place: Aboriginal Sites of the Hunter Region, including an essay by archaeologist Dr Jillian Huntley, and preface by Professor John Maynard. Allan Chawner taught photography at the University of Newcastle and is well known for his exhibitions in Australia and overseas. Carol Carter, also a photographer and teacher, photographed engraving sites in the early 1980s and worked with the Awabakal Cooperative. Uncle Warren has worked closely with Allan and Carol in the documentation of cultural sites.

The book is a stunning collection of photographs that explore the beauty and cultural significance of the Hunter Valley region. It features more than 200 pages of breathtaking images, accompanied by an insightful essay on the different types of Aboriginal art sites in the region, the range of images, and the techniques used. In Spirit of Place: Aboriginal Sites of the Hunter Region, Uncle Warren provides a unique perspective of the Hunter Valley, drawing on his deep connection to the land and its people. The book captures the rugged terrain and sweeping vistas of the region in exquisite detail, allowing readers to gain a deeper appreciation of the region's rich heritage. The book has received widespread critical acclaim for its powerful artistry, and its contribution to the preservation of Indigenous culture and knowledge. Photographs from the book will form the foundation of an important exhibition of the same name at Singleton Arts and Cultural Centre from June 24 to September 3, 2023.

Committed to promoting reconciliation and understanding between Indigenous and nonIndigenous Australians, he believes that education is the key to breaking down the barriers that exist between these two communities, and that by sharing knowledge and working together we can create a more harmonious and inclusive society.

Uncle Warren is also a role model for many young people in Newcastle and the Hunter. He works with local schools and youth groups to provide an

UNCLE WARREN HAS BEEN RECOGNISED WITH NUMEROUS AWARDS AND ACCOLADES, INCLUDING THE 2016 ELDER (MALE) OF THE YEAR AT THE UPPER HUNTER NAIDOC AWARDS AND 2022 CITIZEN OF THE YEAR IN SINGLETON.

All rock art sites are in the Yengo National Park and surrounding country.

‘Spirit of Place —Aboriginal Sites of the Hunter Region’ by Warren Taggart, Wonnarua Elder and Knowledge Holder

Landscape Photography WARREN TAGGART, ALLAN CHAWNER & CAROL CARTER

extensive education program on site, including the art traditions and cultural stories of the area.

The most important aspect of the program is its inclusivity of all Australians in the understanding of Aboriginal heritage into the future.

Uncle Warren's work as a cultural educator, a documenter of cultural heritage, and community

leader has had a profound impact on the Hunter community and beyond. Through his commitment to sharing knowledge and promoting understanding, his legacy will continue to inspire and guide future generations of Aboriginal and non-Aboriginal Australians alike.

ANU Christine

Written by JACK BAILEY

Christine Anu, an Australian icon and proud Torres Strait Islander woman, has captivated audiences worldwide with her mesmerising voice, magnetic stage presence, and unwavering commitment to promoting Indigenous culture. For more than three decades she has blazed her own unique trail in the music industry as a force to be reckoned with when it comes to advocacy, empowerment, and the celebration of Indigenous heritage via her music.

Born on March 15, 1970, in Cairns, Queensland, Christine grew up immersed in the vibrant music and dance traditions of her close-knit Torres Strait Islander community. This early exposure ignited her passion for performance and set her on a path to greatness. Christine’s breakthrough came in 1995, with her iconic rendition of My Island Home, originally written by Neil Murray. This soulful interpretation quickly became an anthem for Indigenous Australians, propelling her into the spotlight.

Her heartfelt rendition of the song has resonated deeply with Australians, so much so that many consider it an unofficial Australian National Anthem.

Throughout her career, Christine has fearlessly embraced a range of music genres, effortlessly blending pop, R&B, jazz, and traditional Indigenous sounds to create a unique and powerful style. Her albums, including Stylin' Up (1995), 45 Degrees (2003), and Chrissy's Island Family (2007), received critical acclaim, showcasing her versatility as an artist and her ability to convey deep emotions through her soul-stirring voice.

BEYOND

HER

STELLAR

MUSICAL ACHIEVEMENTS, CHRISTINE HAS BEEN A TIRELESS ADVOCATE FOR INDIGENOUS RIGHTS AND CULTURAL PRESERVATION. SHE HAS USED HER PLATFORM TO SHED LIGHT ON ISSUES AFFECTING FIRST NATIONS COMMUNITIES, SUCH AS LAND RIGHTS, EDUCATION, AND HEALTH DISPARITIES.

Her proudest career highlights include mentoring her now 18-year-old daughter, Zipporah, as an entertainer in her own right, and performing on stage with her in 2019 at the Women’s NRL Grand Final.

CHRISTINE HAS PLAYED A PIVOTAL ROLE IN SEVERAL UNFORGETTABLE HISTORIC MOMENTS: HER PERFORMANCE OF MY ISLAND HOME AT THE SYDNEY 2000 OLYMPICS CLOSING CEREMONY REMAINS PARTICULARLY MEMORABLE.

Christine's immense talent and unwavering dedication have earned her numerous awards and accolades. She has been honoured with multiple Australian Recording Industry Association (ARIA) Awards, including Best Female Artist. She has also received the Artistic Excellence Award at the Australian Women in Music Awards, solidifying her reputation as a multi-faceted performer.

As an artist, Christine continues to evolve while remaining committed to uplifting her community and inspiring future generations. She mentors young Indigenous musicians, encouraging them to embrace their heritage while forging their own artistic paths. Through her powerhouse performances and collaborations, she sparks meaningful conversations, breaks down barriers, and fosters understanding between cultures.

Christine's music transcends boundaries, touching the hearts of people around the world.

HER UNWAVERING PASSION, RESILIENCE, AND COMMITMENT TO INDIGENOUS CULTURE HAVE MADE HER AN INFLUENTIAL FIGURE AND AN INSPIRATION TO MANY. WITH HER POWERFUL VOICE AND INDOMITABLE SPIRIT, SHE CONTINUES TO MAKE AN INDELIBLE MARK ON THE MUSIC INDUSTRY AND SOCIETY AS A WHOLE.

FIELD Matt

Written by JACK BAILEY

Broadcaster, television producer, and proud descendant from Kuku Yalanji Country: Matt Field is making waves in the entertainment industry. His notable achievement is creating the television series Music People, which reaches audiences across Australia, America, and Europe and utlises live music to raise awareness and revenue for social causes.

Matt's artistic journey began at a young age when he discovered a love for creating music. He started playing the drums at the age of eight, and his passion for drums, groove, rhythm, and music

has since remained strong. He credits his parents for buying him his first drum kit at the age of nine, which sparked his lifelong devotion to the instrument.

Matt is always grateful for the wonderful people he meets in the creative industries, as they continue to inspire him. Among his greatest achievements, he proudly acknowledges his wife and two children.

He has realised his dream of producing and hosting a music TV show in Music People, which provides a platform for talented creatives and offers him the opportunity to meet remarkable artists in the

Photography RENAE SAXBY

industry. Matt values the stability and love he shares with his family while working in an industry that often challenges traditional family dynamics, and recognises that this balance requires hard work.

An early but already powerful legacy of Music People is its contribution to amplifying the voices of First Nations storytellers. Matt believes that sharing knowledge is crucial for the unity and progress of their country.

BY PROVIDING A PLATFORM

FOR OUR STORYTELLERS, THE PROGRAM AIMS TO CONTRIBUTE TO A MOVEMENT OF UNDERSTANDING AND RECONCILIATION.

During the COVID-19 pandemic, when venues closed and musicians faced unemployment, Matt raised enough capital to pay over 140 musicians to perform on Music People. He also provided employment for a production crew of 10, ensuring their livelihoods during difficult times.

Music People continues to make a difference by providing instruments and music tuition to families in need. For instance, last month, the show supported 12 households in the Rivergum Grandparents as Parents group, where grandparents serve as primary caregivers for their grandkids on limited incomes.

Matt's experience working in the TV industry is extensive and diverse. In 2006, he was involved in one of the first live-streamed music television shows called Monday Night LIVE, streamed on the internet. He also worked on the ABC music show Live at Basement. Following his passion for drumming, he performed with various touring bands. From 2014 to 2018, Matt hosted and produced Balcony TV, a music television show in Sydney. It gained popularity through a YouTube channel, showcasing Australian artists to an international audience. In 2019, recognising the potential of social media live stream broadcasts,

Matt raised more than $200,000 to launch his music show, Music People.

For aspiring individuals seeking a career in the TV industry, Matt offers valuable advice. He acknowledges the challenges of breaking into the industry but encourages persistence and remaining open to unexpected opportunities that align with one's vision.

Matt emphasises the importance of integrity and the ability to accept rejection, as it only takes one "yes" to move forward. He advises staying focused on the vision and working diligently, even during times when progress may seem slow. Finally, he recommends spending time in silence, connecting with the spiritual language of the land, and gaining wisdom from the experience.

Matt's journey as a broadcaster, TV producer, and advocate for social causes exemplifies his commitment to the arts and making a positive impact through his work. With Music People, he continues to bring the power of live music to audiences worldwide while uplifting marginalised voices and supporting communities in need.

Photography RENAE SAXBY

Photography RENAE SAXBY

REID-LOYNES Priscilla

Written by JACK BAILEY

Priscilla Reid-Loynes, a Gamilaroi Ullaroi woman hailing from the town of Walgett, in North-West New South Wales, has embarked on a creative journey deeply rooted in her cultural heritage. From her childhood memories of vibrant crepe paper flowers adorning tables during celebrations, to the act of collecting and crafting with natural treasures found in her homeland, Priscilla's love for creating runs deep.

As an adult, Priscilla has embraced storytelling as her artistic medium, sharing cultural knowledge and stories as a storytelling artist in early childhood, primary, and secondary educational spaces for more than 25 years.

She has also has delved into the art of weaving, particularly focusing on Yadhaar Gurayn, or feather

flowers, and adornment making. These practices serve to remember and honour the traditional ways of adorning homes and creating wearable art as a Gamilaroi Ullaroi woman. Priscilla regards her creative process as an unbroken practice handed down by her ancestors, a timeless tradition she refers to as Maaramaldaana, which encapsulates the essence of continuous creation and being in the world.

Priscilla's artistic endeavors have yielded notable achievements throughout her career. As a creative story artist, she developed Spin A Yarn, a game designed to nurture strong oral language skills in early childhood.

She played a pivotal role in the creation of the television series Little J and Big Cuz, which received a Logie Award in its inaugural season. Priscilla continues to contribute to the show, now

Photography J ASON WILSON GAMILAROI ULLAROI

in its final (fourth) season.

One of Priscilla's proudest accomplishments in adornment making was reclaiming the tradition by crafting a possum fur wrap for her niece, Luuluu, as a baby, and weaving a basket for her daughter, Sarah. More recently, Priscilla and Sarah were commissioned to create adornments for designer Annette Sax of fashion brand wa-ring. Their work featured in Annette's debut runway show and graced the pages of Façon’s Dreaming Edition in 2022, with the adornments worn by renowned First Nations model Samantha Harris.

Another highlight for Priscilla and Sarah was their collaboration with The Australian Ballet's production The Hum, utilising their knowledge of the Eurah plant from Gamilaroi and Ullaroi Country to eco-dye fabric and incorporate cultural narratives. Witnessing their Maaramaldaana adornments alongside the designs of Taungurung artist Annette Sax on stage at the Sydney Opera House was a stirring moment in their creative journey.

mussel shells, remnants of her ancestors' gatherings, all serve as wellsprings to spark the imagination. Priscilla finds inspiration in the rhythmic dance of the Earth with water, sun, moon, wind, and the traces left behind in their wake.

When asked to impart wisdom to aspiring accessory designers, Priscilla offers sage advice grounded in her personal experiences. She urges them to draw inspiration from their own Country and lived experiences, their creation stories, and the language passed down by their ancestors. She emphasises the importance of creating with love and care for Country, people, and future generations, thus preserving the integrity of their work.

Priscilla Reid-Loynes's artistic journey serves as a testament to the power of creativity and cultural connection. Through her storytelling and adornment making, she weaves a vibrant tapestry of Gamilaroi Ullaroi heritage, inspiring others to embrace their own roots and contribute to the artistic landscape with purpose and integrity.

The ability to instill a sense of strength and spiritual connection through her adornments, while passing down knowledge to future generations, is a source of immense joy and fulfillment.

Priscilla draws inspiration from Gunimaa, or Mother Earth, and the rich tapestry of stories and language woven into the Gamilaroi Ullaroi Country and Knowledge system. Dhariwaa, her beloved homeland, teems with diverse plant and bird life. The vivid hues of gum and pine leaves, the expanse of the azure sky, the lilac buddha wood flower (a cousin of the medicinal plant), and the shimmering

FOR PRISCILLA, THE ACT OF CREATING ACCESSORIES HOLDS DEEP SIGNIFICANCE. IT REPRESENTS A CONTINUATION OF ANCESTRAL PRACTICES, CONNECTING HER TO THE OLDEST LIVING CULTURES IN THE WORLD.

Written by JACK BAILEY

BLACK Gerard G

erard Black, a proud Worimi Man, embarked on his artistic journey at a young age, captivated by the paintings created by his talented uncles which adorned the walls of his grandparents' house.

This early exposure ignited a creative spark within him, fostering a deep love for the art of creation.

Gerard's Indigenous background and profound connection to nature played a pivotal role in shaping his artistic path, guiding him towards a profound exploration of storytelling and heritage.

After a successful 10-year career as a tattoo artist, Gerard created his business Baiyami Art in Victoria, and transitioned his focus to painting, drawing, and digital art, combining his formidable design background with his passion for Indigenous culture and narratives.

His artistic endeavours have been marked by significant achievements including the honour of having his artwork displayed in Rip Curl Australia stores and headquarters, as well as participating in the prestigious Rip Curl Pro Bells Beach event. Gerard's talent and unique vision also led him to collaborate with Adobe as an Adobe Ambassador, a testament to his digital art prowess. Notably, he was entrusted with the design of the Indigenous Round jerseys for the NRL Newcastle Knights in 2022 and 2023.

Gerard's skills in creating Reconciliation Action Plan artworks for corporations and councils are sought after, reflecting his ability to intertwine art and social progress. His contributions to Melbourne Water and the NSW Environmental Protection Authority in producing Aboriginal identity artworks have left a lasting impact. In recognition of his remarkable work, Gerard was honoured with the Koorie Heritage Trust Koorie Art Show People's Choice Award consecutively in 2022 and 2023, solidifying his status as an accomplished artist.

Façon | Indigenous Storytellers | 47

Digital art holds a special place in Gerard's heart for its boundless possibilities. The versatility and experimentation it offers allow him to explore a myriad of techniques, styles, and concepts without the constraints of traditional mediums. With digital tools at his disposal, Gerard can achieve precise and intricate artwork, exerting full control over every stroke and colour. The global reach of digital platforms have enabled him to connect with a diverse audience, sharing his art with individuals from various backgrounds and cultures, fostering dialogue and appreciation.

both traditional and contemporary, and delves into the diverse artistic traditions of different cultures to broaden his creative horizons.

For those venturing into the world of digital art, Gerard offers valuable advice based on his own journey.

GERARD IS INSPIRED BY

A MULTITUDE OF SOURCES. HIS INDIGENOUS HERITAGE AND PROFOUND CONNECTION TO NATURE SERVE AS CONSTANT WELLSPRINGS OF CREATIVITY.

Drawing from traditional designs, shapes, colours, and themes, Gerard seamlessly integrates them into his artwork, bridging the past and present. The natural landscapes surrounding him provide inspiration, with topographic maps serving as foundational elements in his pieces. From these maps, Gerard weaves intricate interpretations and infuses them with his own storytelling elements. He also draws inspiration from an array of artists,

He recommends embracing experimentation and perpetual learning, and fearlessly explore new techniques, tools, and styles, allowing yourself the freedom to evolve. The expansive realm of digital art provides endless possibilities, so venture into different software, brushes, and workflows to find what resonates with you. Seek inspiration from diverse sources, both within and outside the digital art sphere; engage with the artistic community, attending workshops or online courses; and continuously hone your skills. Above all, stay true to your unique voice and perspective, for it is that distinctiveness that will set your artwork apart. Throughout the creative journey, remain resilient in the face of challenges and setbacks, for they often serve as catalysts for growth and breakthroughs.

Gerard’s artistic odyssey with Baiyami Art embodies a deep exploration of Indigenous heritage, digital innovation, and storytelling. Through his breathtaking creations, Gerard continues to captivate audiences with his unique vision, promoting cultural appreciation and inspiring fellow artists to embark on their own transformative journeys.

MODE BEAUTÉ et

The

MOON DANCERS

AS ART AND FASHION MEET IN THE BRILLIANCE OF THE MOONLIT SKY, BE INSPIRED BY THE TEXTURES OF NATURE AND THE COLOURS OF SUNSETS. BRIGHT COLOURED OCHRES MIMIC THE SUN AND MICA METALLICS REFLECT THE MOON. TOGETHER THEY TELL AN ANCIENT STORY OF THE MOON DANCERS.

CAMILLA Coat with Faux Fur Trim and Belt in For the Love of Leo Print CAMILLA Fit and Flare Pants in For the Love of Leo Print WA-RING

Sleeveless Waterfall Vest HIGH Parallel Belt

BALLY Eliska Suzy Shoes in Cuero

MARLENE BIRGER Franklyn Dress

SARETTA Koyiyoong Campsite Silk Scarf

YANGGURDI Metallic Tassle Earrings

RALPH LAUREN Geometric Motif Shawl Collar Cardigan CARLA

ZAMPATTI Black Fabulously Flared Skirt MAARA COLLECTIVE

Ella Woven Tunic in White CAMILLA Calf Length Heeled Boot in Black WA-RING Lomandra Coiled Earrings

CAMILLA Cut-out Shoulder Jersey Dress in For the Love of Leo print WA-RING

Lomandra Coiled Earrings CARLA

ZAMPATTI New Collection Jacket in Brown

BEAUTY CREDITS: Face: Laura Mercier Pure Canvas Charlotte Tilbury Wonder Glow

Armani Silk Foundation in #8 Laura Mercier Translucent Powder in Honey Chanel Cream

Bronzer Cheeks: Nudestix Blush in Sunkissed Jane Iredale Highlight Stick in Eclipse Eyes:

HOURGLASS Unlocked™ Instant Extensions Mascara Natasha Denona Eyeshadow Palette in #5 Lips: Revlon Matte Lipstick in Shameless 014

Model SAMANTHA HARRIS

Photographer PAUL DEAR

Hair Stylist ALANA JOHANSSON

Makeup Artist LILLY MILJKOVIC

WEARING: SARETTA

Dress in Nukang Woni Print

CAMILLA Sleeve Panelled

Jacket in 'All in Nouveau' Print

SARETTA Vintage Necklace

SARETTA WA-RING YANGGURDI MAARA COLLECTIVE SUNDREAMING

Fashion Assistant KIRA HADLEY

Hair Stylist ALANA JOHANSSON

Makeup Artist LILLY MILJKOVIC

Talent (Model) SAMANTHA HARRIS

Special thanks to Wanggaliyn Barrayga Dancers and Myall River Camp for location

www.myallrivercamp.com.au

SARETTA Dress in Nukang Woni Print CAMILLA Sleeve Panelled Jacket in All in Nouveau Print SARETTA Vintage Necklace

Façon Beauté

DRAW INSPIRATION FOR YOUR BEAUTY LOOK FROM THE COLOURS OF OUR LAND.

GAZE AT THE HUES OF OUR SUNSETS, OUR STARS, AND THE MOON. THEY ARE PUT THERE TO ILLUMINATE YOUR SOUL AND SHINE FROM WITHIN

Makeup Photographer PAUL DEAR

Creative Director LARA LUPISH

Production Manager JACK BAILEY

Makeup GENEVIEVE LAWSON Model LAURA MATHESONN

BEAUTÉ

BEAUTY NOTES

Skin: Go-toSwipeys MacFix Plus SundayRileyAuto Correct BangnBodyBeauty Balm OmoroviczaBudapest Serums EmbryolisseLait-Crème

Concentré Face: NarsSheer Glow Foundation RCMACream Foundation NarsNatural Radiant Concealer NikkiaJoyTranslucent Powder Cheeks: FentyBeautyMatchstix in Mocha Eyes: LovisaFace Pearls LoungeFaceLash SephoraBest Skin Ever Concealer in 01 Brows: SchwarzkopfGot To Be Glue Gel Lips: MacBoldly Bare Lip Liner RCMACream Foundation

BEAUTY NOTES

Skin: Go-toSwipeys MacFix Plus SundayRileyAuto Correct BangnBodyBeauty Balm OmoroviczaBudapest Serums EmbryolisseLait-Crème

Concentré Face: NarsSheer Glow Foundation RCMACream Foundation NarsNatural Radiant Concealer NikkiaJoyTranslucent Powder Cheeks: NarsMulti Stick in Orgasm ColourpopBlush in Main Chick FentyBeautyMatchstix in Mocha Eyes: BPerfectCosmetics Carnival Palette LoungeFaceLash Brows: SchwarzkopfGot To Be Glue Gel Lips: FentyUniversal Gloss Bomb OfraCosmeticsAll The Lights Highlighter

BEAUTÉ

BEAUTY NOTES

Skin: Go-toSwipeys MacFix Plus SundayRileyAuto Correct BangnBodyBeauty Balm OmoroviczaBudapest Serums EmbryolisseLait-Crème

Concentré Face: NarsSheer Glow Foundation RCMACream Foundation NarsNatural Radiant Concealer NikkiaJoyTranslucent Powder Cheeks: NarsMulti Stick in Orgasm ColourpopBlush in Main Chick FentyBeautyMatchstix in Mocha Eyes: BPerfectCosmetics Carnival Palette LoungeFaceLash Brows: SchwarzkopfGot To Be Glue Gel Lips: Stila Liquid Lip in Caramello SephoraBest Skin Ever Concealer in 01

BEAUTY NOTES

Skin: Go-toSwipeys MacFix Plus SundayRileyAuto Correct BangnBodyBeauty Balm OmoroviczaBudapest Serums EmbryolisseLait-Crème

Concentré Face: NarsSheer Glow Foundation RCMACream Foundation NarsNatural Radiant Concealer NikkiaJoyTranslucent Powder Cheeks: NarsMulti Stick in Orgasm ColourpopBlush in Main Chick FentyBeautyMatchstix in Mocha Eyes: BPerfectCosmetics Carnival Palette Lounge

FaceLash Brows: SchwarzkopfGot To Be Glue Gel Lips: Stila Liquid Lip in Caramello Sephora Best Skin Ever Concealer in 01