WINTER 2022
On her rise in the Australian fashion industry and her love of Indigenous creativity.
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Façon Creative, parent company to Façon Magazine, is the one-stopshop for marketing solutions. We have the pleasure of working with many great Sydney and Newcastlebased businesses and helping them bring their marketing dreams to life. Take a look at what campaigns Façon Creative has been involved with over the past 6 months!
The Rebrand of PBM
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Sydney building and strata managers, Professional Building Management (PBM) approached Façon Creative looking to elevate its brand identity. Beginning with We are just thrilled with how it’s all a complete logo redesign and new style coming together, and I feel so proud guide, PBM’s visual identity was completely refreshed and solidified. Afterof travelling how we are looking as we have to Sydney and conducting a photoshoot totally stepped things up a notch. of both the PBM team and their building, This is the consistency and sharp clients now have a suite of images to be used on their complete web revamp, and image we have been wanting to put social media management - all conducted together, it's perfect. We couldn’t by Façon Creative! We think they are looking pretty slick. have possibly done all of this
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BUSINESS ADMINISTRATION
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Imagery & Videography for Rundle Tailoring You may have seen us on the silver screen. Iconic Newcastle brand Rundle Tailoring employed Façon Creative to create end-to-end campaign production, including new imagery for its sale collateral and two separate television commercials.
Website Design for THAI TOWN
A new flavour sensation touched down i Marketown Shopping Centre earlier this year. Façon Creative worked with Thai Town from the very start to design and build its new website, shoot a great suite of imagery and video, secure local media coverage to get its name out there and social media management.
Digital Campaign for VERITY Verity Leadership, a local champion of equality in the workplace, got assistance from Façon Creative to organise an event, promote it on social media and obtain media coverage through engaging our local media contacts and public relations techniques.
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Meg and Lauren got in touch with Façon Creative for a photoshoot to document their incredible fitness journey and cele success at the ICN Bodybuilding Competition. Congratulations girls!
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CONTENTS FEATURES 28
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FAÇON ATTENDS AFTERPAY AUSTRALIAN FASHION WEEK 2022 A sensory experience and fashion unlike you’ve seen it before. The Façon team got a glimpse of just what the future of Indigenous fashion is all about.
IN THEIR WORDS – Q&A WITH SHILO & DAVID JONES Creative director of DAAFF, Shiloh McNamee, and David Jones have shown their love for Indigenous fashion, and off the back of Australian Fashion Week, First Nations creatives are making their mark.
LA MODE 68
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in these pieces that connect with the land and make you feel like nature’s goddess.
GENETIC TRIGGER Androgynous street style meets mixed metallics, bringing these looks together through technicality and spirituality.
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TEXTURAL SYNCHRONICITY
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WALK TALL Inspired by the earth’s
Q+A KIN FASHION First Nations fashion takes centre stage, with capsule collections and soft ochre tones with an individualised take on this creative expression.
THE GODDESS Soft meets strong
Structured silhouettes and soft edges. The beauty of a handprinted fabric, turning modernism on its head.
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AMANTHA HARRIS - LIVING S THE DREAM Samantha Harris has spent her life in fashion’s spotlight, paving the way for those behind her. But just how far have we come in the world’s love for Indigenous creativity? We speak to Sam about her experience and what is still yet to come.
natural beauty, style these men’s fashion pieces into your next luxe winter wardrobe.
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SAMANTHA HARRIS
THE DREAMING 48
THE KID LAROI – FROM HUMBLE BEGINNINGS From
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NATHAN MGUIRE – THE FUTURE OF INDIGENOUS
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THELMA PLUM – BACK AND BETTER THAN EVER
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ECO DANCERS – STAMPING OUT THE ECO
THE GODDESS
FASHION By showcasing his heritage, Nathan McGuire has been dubbed “the face of the future”, but he is now taking steps away from the runway, and working towards celebrating the future for Indigenous creatives on a national scale.
Achieving renowned success for Better in Blak, Thelma Plum has never shied away from the public eye. With a new single under her belt and a tour with Vance Joy, there is much more of the ride still left.
FOOTPRINT IN DANCE Horrified at the environmental impacts of the dance industry, Koby Elliott took matters into her own hands and started creating alternatives for performers that wouldn’t end up at the bottom of landfill.
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JESS MAUBOY – SHINES AS DARWIN ABORIGINAL
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SARETTA FIELDING – THE INFLUENCE OF ART
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the boy straight out of Waterloo, Sydney, to Justin Bieber sliding into his DMs, there’s no doubt The Kid Laroi's name is well known. But from humble beginnings comes worldwide success and this is no exception.
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ECO DA N C E R S
ART FAIR FOUNDATION AMBASSADOR With Indigenous art and design coming to the forefront, this hits close to home for singer/songwriter Jess Mauboy. Joining forces with DAAFF, she is connecting these home-grown creatives with the international stage.
Connection to Country is what Saretta Fielding says is the driving force behind her artworks, but what makes her pieces stand out from the crowd? Drawing from the history of her land and the people within it, Saretta’s name is one you need to know.
LUXE 138
LUXE PROFILE – ELLA HAVELKA: MISSION,
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LUXE WINE & DINE – INDIGIEARTH CAFE
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LUXE ESCAPE – LONGITUDE 131° Experience
CHARLEE FRASER – FROM NEWCASTLE TO THE BIG CITY Hailing from Newcastle NSW, Charlee Fraser has already carved a brilliant international modeling career for herself.
156 B E AU T É
PURPOSE AND INSPIRATION As a First Nations woman, ballet was far from the expectations set for her, but with determination, grace and little bit of grit, Ella Havelka is now encouraging the next generation to do the same.
Indigenous culture in its finest form comes to life in the heart of Mudgee Wine Country. With authentic food and drinks, Indigiearth cafe creates a sensory fusion unlike any other.
the Australian Outback like you’ve never seen it before in luxurious Longitude 131°. Connect with the culture and heritage that surrounds the retreat and feel the atmospheric exchange of the Red Centre.
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@facon_creative jack@faconaustralia.com faconaustralia.com
ACCESSORIES 196
A COLOUR DREAM Whether it be sunset auburn tones and ochre tints or the deep blue of the winding rivers, accessories should be brave this season. It’s time to layer up with mixed tints and bold moves.
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GENETIC TRIGGER
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THE DR EA M I NG
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TEXTURAL S Y NC H RON IC I T Y
OUR COVER
WEARING: SARETTA Dress in Nukang Woni Print CAMILLA Sleeve Panelled Jacket in 'All in Nouveau' Print SARETTA Vintage Necklace
WINTER 2022
Model SAMANTHA HARRIS Photographer PAUL DEAR Masthead Artist SARETTA FIELDING
BEAUTYCREDITS: Face:LauraMercierPureCanvas Stylist ALANA JOHANSSON CharlotteTilburyWonderGlowArmaniSilkHair Foundation in #8 Laura Mercier Translucent Powder in Honey Chanel Makeup Artist LILLY MILJKOVIC CreamBronzerCheeks:NudestixBlushinSunkissedJane IredaleHighlightStickinEclipseEyes:HOURGLASS Unlocked™InstantExtensionsMascaraNatashaDenona EyeshadowPalettein#5Lips:RevlonMatteLipstickin Shameless 014
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On her rise in the Australian fashion industry and her love of Indigenous creativity.
BEAUTÉ 160
SPIRIT CHILD The land is deep and wide with colours to illuminate your soul. Look around you and shine from within, taking inspiration from all that you see.
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REVITALISED Start anew with the rising of each day. Just as you wash away the day, so does the earth with the rising of the moon. Use this time to pamper your hair and skin, ready for the day ahead.
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HEALING WATERS Embrace the "spirit of healing waters" by quenching your skin with the best of nature’s ingredients, native vitamins and enriching face oils.
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SLEEPING BEAUTY Deeply hydrate your under eyes, treat your skin to a nourishing mask, quench your lips and revitalise your hands this winter.
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STORM RESIDUE Like “walking on a mosaic driftwood beach”, embrace the masculine scents of nature.
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BEAUTY Q&A – BUSH MEDIJINA Preserving traditions and seeking knowledge for the next generations is Bush Medijina’s philosophy and with natural and native skincare, this is set to be your go-to this winter season.
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SAMANTHA HARRIS-
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THE GODDESS
Mercedes
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EDITORIAL
Editor in Chief/Creative Director LARA LUPISH
FEATURES & BEAUTY
Features Editor LARA LUPISH Editorial Manager JACK BAILEY Editorial Coordinator SOPHIE BURLEY
FASHION
Fashion Editor LARA LUPISH Digital Content Manager JACK BAILEY Fashion Assistant ASHLEIGH MARSHALL
DESIGN
Senior Designer MEG BLACKBURN Graphic Design BRAYDEN MAYBURY
PHOTO
Photographers PAUL DEAR, DARBY YOUNG & MILLY HOOPER Videographers AARON HABERFIELD, ALICE KJOLLER & STEPHEN ROBERTS
COPY & PRODUCTION
Sub-Editor MOIRA MCGANN Staff Writers LARA LUPISH, JACK BAILEY, SOPHIE BURLEY, KYLIE MORRIS & CHARLOTTE LLOYD
MARKETING
Communications Executive JACK BAILEY Client Relationship Manager JASON FOX PR & Marketing Coordinator SOPHIE BURLEY Digital Coordinator ASHLEIGH MARSHALL & GABRIELLA GRANT Events Coordinator KRISTAL ALFONSO
PUBLISHING
FAÇON CREATIVE SPECIAL THANKS
A huge thank you to our stunning cover star, Samantha Harris! A very special thank you to Myall River Camp for allowing us to shoot our cover at their beautiful location. Thank you to the countless mentors we had advise us on this edition: Andrew Smith, Nicole Chaffey, Uncle Warren and Saretta Fielding. Thank you to our ongoing advertisers and supporters, we can’t do this without you. A big thank you to the Façon team, who work hard every single day. Last but not least, thank you to our readers! We hope you enjoy this edition as much as we loved creating it. Façon acknowledges the Traditional Custodians of the land on which we stand today, and pay our respects to their Elders past and present.
faconaustralia.com @ facon_au Façon Australia Façon – Newcastle, NSW 2300 copyright © 2022 Façon mode | method | fashion | trend All rights reserved, no part of this publication may be reproduced in whole or in part without permission from the publisher, including all logos, titles and graphic elements.
This edition has allowed us to dream our dream, as that is what creatives do and what Façon is built on. Our beautiful cover girl, the gorgeous and inspirational Samantha Harris, epitomised how I felt about this edition. Having worked with Samantha over the years as a fashion editor in Sydney on numerous covers of other magazines, I recalled the connection I had felt with Heather when I was a child and how I felt privileged that I was immersed in Indigenous culture, and I feel this is how I also connected with Samantha.
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his issue, the ‘Dreaming Edition’, holds a place very dear to my heart. Not only does it focus on creativity, which is what I live and breathe, but importantly, the art, design and creativity of the traditional custodians of the land on which we live, walk and create on.
The cover shoot was inspired by the Worimi story of the Moon Dancers. The images we captured, took my breath away and the emotion brought tears to my eyes. To work with the dancers in creating a scene as the sun set over the Myall Lakes was an experience I will never forget, for myself and also the Façon team. The whole journey in putting this issue together has been an unforgettable one. We have met and connected with so many brilliant Indigenous fashion designers, artists, photographers, dancers and models. The vibrancy and colour emitted by the art I've seen is breathtaking.
My life was transformed at a very early age by my best friend, Heather. She lived across the road from me. Myself, my brother, Heather, and her younger brother Dwayne, formed a strong friendship, but then time took its course and Heather’s family moved away back to Wilcannia. I was so sad.
This edition has allowed us to dream our dream, as that is what creatives do and what Façon is built on. We have been supported in this edition by the brilliant stories and energy of the Indigenous creatives we shared this dream with – and how best to do this but through a creative heart!
Heather and I had something very important in common: we bonded because, growing up, we felt different to the other kids in the street. My family is from Russian and Ukrainian descent, and we were sometimes made to feel a little different. I’m not sure if this was my imagination or a tangible attitude. It was, of course, Newcastle in the '80s. I think Heather felt the same way. Her family is Indigenous.
Art is how we all speak: quietly, honestly and without any interference from outside noise.
The great thing was that over time the connection between our two vastly different cultures was irrelevant. We drew the other kids on the block into our games and connected everyone in the neighbourhood. This was a completely unintentional outcome, but a natural one, and one I remember to this day. I feel proud that we ‘paved the way’, in our own small way.
Enjoy!
Lara xx
Winter 2022 editor@faconaustralia.com
That is the feeling I wanted to share with you, our readers: a feeling of connection and unity. My goal was to share design, art and creativity as one, together in these pages. And I hope we have achieved that.
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SAMANTHA
HARRIS living the dream Written by KYLIE MORRIS Photographed by PAUL DEAR Fashion Editor LARA LUPISH
SAMANTHA HARRIS ON HER RISE IN THE AUSTRALIAN FASHION INDUSTRY AND THE AWAKENING OF THE WORLD’S LOVE OF INDIGENOUS CREATIVITY.
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SASSANDBIDE Strider Leather Pants SUNDREAMING OrganicCottonJerseyCropTop BALLY Tyara Boots in Cuero/Bone REIKO Mallory Jacket YANGGURDI Metallic Weave Earrings
Face:LAURA MERCIER Pure Canvas CHARLOTTE TILBURY WonderGlow ARMANI Silk Foundation in #8 LAURA MERCIER Translucent Powder in Honey CHANEL Cream Bronzer Cheeks: NUDESTIX Blush in Sunkissed JANE IREDALE Highlight Stick in Eclipse Eyes: HOURGLASS Unlocked™Instant ExtensionsMascara NATASHA DENONA Eyeshadow Palette in #5 Lips:REVLON Matte Lipstick in Shameless 014
MAARACOLLECTIVE Lenah Wide Leg Pant in Red Earth MAARA COLLECTIVE Woven Belt in White MARLENEBIRGER Cielas Top YANGGURDI Paper Plait Earrings with Feather WA-RING Lomandra and Silver Coiled Bracelet in Grass & Silver
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amantha Harris – the most celebrated Indigenous model of her generation – says the embrace of Indigenous culture by mainstream fashion is the biggest change of her 20-year international career. “When I first started, I couldn’t even tell you one other girl who was an Indigenous model in the industry,” she says. “But as the years went on, we’ve been able to showcase what we can do.
“Now there are Indigenous runway shows, there are so many amazing Indigenous singers and artists and designers. It wouldn’t have happened 20 years ago. Look how far we’ve come. I love looking back and thinking about that.” Samantha has lived her lifetime in fashion. She was just four when she first set foot on a runway, at a shopping centre in Tweed Heads in northern NSW. It was 1994 and she was, she says, extremely shy. But on the junior catwalk set up in the shopping centre atrium, Samantha fell in love with the idea of being a model. “It’s a feeling you can’t describe,” she says. “It’s like I’m meant to be there, as silly as that sounds. Growing up I was the shyest kid ever – I wouldn’t talk to anyone – but I was someone else on the runway.”
"LOOK HOW FAR WE’VE COME. I LOVE LOOKING BACK AND THINKING ABOUT THAT."
Many more junior catwalks followed, and beauty pageants too. The shyest kid ever found her feet. Then, in 2003, a minor miracle… Samantha Harris, from Banora Point, and descendant of the Dunghutti people, entered a national competition in Girlfriend magazine, and her world changed. At the ripe old age of 13, she landed a modelling contract with Chic agency.
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“Growing up, I lived in a really busy household,” she says. “We didn’t have a lot of money. My mum and dad tried their best. When I went to Sydney for work, I was still really young and my mum would say, don’t forget where you came from. “Now that I'm older I understand what she meant more.” Speaking to Sam Harris today, it’s clear she’s never forgotten her roots. She is refreshingly engaging and thoughtful. Passionate about Indigenous rights and culture, and still closely connected to her family, and her husband and their lives together in Sydney. To hear her talk, she still loves her job, but she’s not defined by it. “I know who Samantha Harris is,” she says. “And what I want in life.” “I know who I am. The modelling industry can be a tough industry, but now that I’m older, and I’ve been in the industry for so long, I know how it works. I don’t take things too personally. I know who I want to be as a person now.” Clearly, the thrill is there still. Sam lights up when she describes her sense of liberation and elation walking alongside other Indigenous models, wearing Indigenous designers' collections at Australian Fashion Week. “It was just, this is me – this is who I am,” she says. “I was representing my culture, in beautiful Indigenous designs. It felt quite amazing and liberating to be able to do that.” Among the serene paperbarks and eucalypts on the beautiful Myall Lakes, Samantha is a powerful presence. She is the sum of the remarkable life she’s already lived: the 14-year-old who travelled to New York to shoot for US Glamour, the cover girl for Australian Vogue – only the second Indigenous model ever – when she was just 18. But she’s also the Indigenous ambassador who took her mum to the Kimberley in 2019 to campaign with World Vision for improved living conditions in remote communities. I asked her whether she felt a responsibility to raise the issues faced by people in those communities. “Not a responsibility, I enjoy doing it,” she says. With an army of followers on social media, she’s become a role model for younger women and girls of colour, who see in her successes a chance at their own. She’s a favourite subject for high school projects and young fans seek her out for photo opportunities and selfies.
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SASSANDBIDE Strider Leather Pants SUNDREAMING OrganicCotton Jersey Crop Top BALLY Tyara Boots in Cuero/Bone REIKO Mallory Jacket YANGGURDI Metallic Weave Earrings
CAMILLA Cut-out Shoulder Jersey Dress in For the Love of Leo print WA-RING Lomandra Coiled Earrings CARLA ZAMPATTI New Collection Jacket in Brown
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"I KNOW WHO I AM. THE MODELLING INDUSTRY CAN BE A TOUGH INDUSTRY, BUT NOW THAT I’M OLDER, AND I’VE BEEN IN THE INDUSTRY FOR SO LONG, I KNOW HOW IT WORKS."
MARLENEBIRGER
Franklyn DressSARETTA Koyiyoong Campsite Silk Scarf YANGGURDI
Metallic Tassle Earrings
CAMILA CoatwithFauxFurTrimand in ForBelt the Love of Leo print CAMILA Fit and Flare Pants in For the Love of Leo print WA-RING SleevelessWaterfallVestHIGHParallelBelt BALLY Eliska Suzy Shoes in Cuero
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he recounts feeling nervous at the Indigenous fashion show last year, when she noticed girls in the audience pointing her out, looking and saying, ‘There’s Sam Harris’. “I’m like, I’m not that exciting,” she laughs.
She is a fan herself, admiring others in the industry who she thinks use their influence to make a change, such as Whadjuk Noongar man and model, Nathan McGuire. “Nathan is doing great things,” she says, “mentoring young Indigenous kids who want to get into the industry. He’s really aware of helping where he can.” Samantha Harris’ role in this movement is evolving still. She sees opportunities to use her influence in and outside the fashion industry. If fashion can change to become more truly representative and inclusive, then maybe even more is possible. “Yes, and the real change has really only been in the past two or three years,” Samantha says. “I mean, the recognition has always been there to some extent – the Uluru shows were happening years ago. But now magazines are putting Indigenous models on their covers, and featuring designers as well. It’s so exciting.” The world has turned. Samantha Harris is standing strong, just as she always has. But her example is there now, for others to follow in her footsteps. Not just on the catwalk, but in printmaking and design, photography and business. From little things, as they say...
RALPHLAUREN GeometricMotif Shawl Collar Cardigan CARLA ZAMPATTI Black Fabulously Flared Skirt MAARACOLLECTIVE Ella Woven Tunic in White CAMILLA Calf Length Heeled Boot in Black WA-RING Lomandra Coiled Earrings
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SARETTA Dress in Nukang Woni Print CAMILLA Sleeve Panelled Jacket in 'All in Nouveau' Print SARETTA Vintage Necklace
"I MEAN, THE RECOGNITION HAS ALWAYS BEEN THERE TO SOME EXTENT – THE ULURU SHOWS WERE HAPPENING YEARS AGO. BUT NOW MAGAZINES ARE PUTTING INDIGENOUS MODELS ON THEIR COVERS, AND FEATURING DESIGNERS AS WELL. IT’S SO EXCITING." Fashion Assistant KIRA HADLEY Hair Stylist ALANA JOHANSSON Makeup Artist LILLY MILJKOVIC Talent (Model) SAMANTHA HARRIS Special thanks to Wanggaliyn Barrayga Dancers and Myall River Camp for location www.myallrivercamp.com.au
Dreaming Edition
FAÇON
At Fashion Week AF T E R PAY AUST RA L I A N FA S H ION W E E K 2 02 2
Façon had the immense honour of being invited to the Indigenous Fashion Projects (IFP) runway at this year’s Afterpay Australian Fashion Week. Up-and-coming First Nations designers showed off their latest collections to an eager crowd at Sydney’s iconic Carriageworks, topped off with a performance by Jess Mauboy!
Following the success of the inaugural IFP Runway in 2021, Indigenous Yuwaalaraay designer Julie Shaw; Native Swimwear, by Biri designers returned to the main stage, where internationally celebrated Ngarabal designer Natalie Cunningham; and, Ngali, by Wirad First Nations Australian models such as Samantha designer Harris, Denni Francisco. Nathan McGuire and Friend of David Jones, Magnolia Maymuru, stunned in a magnificentdisplayofAboriginalandTorresStraitAs Islander First Nations design. women fast making their mark on the globa landscape, the designers have been pushing the boundaries and using Façon got to see exclusive collections from thefashion following as a platform designers: to tell their stories and share their unique culture Kirrikin, by Wonnarua designer Amanda Healy; Liandra through Swim, their designs. by Yolngu designer Liandra Gaykamangu; Maara Collective, by
Dreaming Edition
The Façon team were wowed by the designs and presentation. The runway showcased some of the best fashion Australia has to offer at t with fresh takes on swimwear and gorgeous statement patterns. Our team was also lucky enough t few moments backstage before the runway and meet someofthedesigners,allofwhomwereveryex be sharing their latest collections at the largest fashion event in the country.
DAAFF and IFP’s creative director, Shilo McNa said the runway aesthetics were designed to take guests on an immersive sensory journey desert heart of Australia, along fresh through to the sea.
“Connection to Country is core to the artistic practice of so many First Nations designers and creatives,” she said. “It’s been so rewarding to see this represented on the runway. I feel extremely grateful to h able to work with so many talented people and to be mentored by industry leaders.”
The IFP Runway, a Darwin Aboriginal Art Fai Foundation(DAAFF)initiative,presentedbyAf and supported by David Jones was an incredible experiencefortheFaçonteamandwelookfor seeingwhatthesetalenteddesignersdo
Pictured: Façon Team
Dreaming Edition
IN THEIR WORDS
Q&A with Shilo McNamee & David Jones AF T E R PAY AUST RA L I A N FA S H ION W E E K 2 02 2
Shilo McNamee is the creative director of Darwin Aboriginal Art Fair Foundation (DAAFF), an organisation that showcases the contemporary fine art of more than 70 Aboriginal and Torres Strait Islander Art Centres. DAAFF also brings us Indigenous Fashion Projects (IFP), whose runway at Afterpay Australian Fashion Week (AAFW) made waves this year. Façon sat down with Shilo to discuss her important work.
What is DAAFF and what does it do? The Darwin Aboriginal Art Fair Foundation is owned and run by its (Art Centre) members, and we exist to support our members by creating opportunities that aid in the preservation, protection and elevation of Indigenous culture. One of our signature events is The Darwin Aboriginal Art Fair. It is the only national event of its kind, and has secured a reputation as the country’s most significant and internationally recognised Aboriginal and Torres Strait Islander arts event with 100 per cent of all sales generated by the event returned to Art Centres and their respective Indigenous communities. We also host the National Indigenous Fashion Awards (NIFA) and the Country to Couture fashion show in Darwin.
How has the experience been so far at AAFW? AAFW has been an incredible experience for all of us; the five designersintheshowhavebeenabletogetsomewonderfulexposure for their work. This experience has also been amazing for me: I have come over to the fashion space as a visual artist, so I'm thrilled to have had such a wonderful opportunity to learn from other creative peers and apply my skills in a new space.
Which artists and designers should we be keeping our eye on?
I am really excited by the five Indigenous designers in t Kirrikin, by Wonnarua designer Amanda Healy; Liandra Sw by Yolngu designer Liandra Gaykamangu; Maara Collect Yuwaalaraay designer Julie Shaw; Native Swimwear, by Bi Ngarabal designer Natalie Cunningham; and Ngali, by Wir designer Denni Francisco. These five First Nations desi all actively growing their fashion brands as part of the IFP Pathways Program supported by David Jones. I feel really proud to be a part of their journey and see Indigenous people succeeding in can'twaittoseewhattheydonext!
What excites you when it comes to new art you have been seeing lately? I follow a lot of different contemporary artists on social media. I'm very inspired by the way people are fusing different types of traditional skills and processes together with digital media to create work that is totally unique and out of the ordinary!
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DAVID JONES
Façon also had the chance to speak with David Jones, supporters of the Indigenous Fashion Projects Runway. Tell us about your experience working with the IFP Runway at AAFW. WereallyvalueourongoingrelationshipwithDarwinAboriginalArt Fair Foundation’s (DAAFF) Indigenous Fashion Projects (IFP), and working collaboratively with the team on the IFP Runway at AAFW is always an exciting time. The initiative by DAAFF sees talented First Nations designers, artists, creative directors and stylists coming together for an incredible celebration of design and culture. Through our Pathway Programs in partnership with IFP, we offer a mentorship program from Australian designers in our David Jones family who work closely with the First Nations designers to share knowledge and insights. This is really valuable, especially in the lead uptomajormomentsliketheIFPRunway.Theprogramisatwo-way learning opportunity for us to share knowledge between the designers and industry leaders in order to best support a future of diverse design.
How have things changed in the Australian fashion industry in regards to Indigenous fashion? AtDavidJoneswebelieveinsupportingdiversedesigntoensurethe future of fashion is more inclusive, so it’s great that major fashion events like AAFW are using this opportunity to celebrate First Nations creative talent on a national scale. We look forward to continuing our commitment and evolving the IFP Pathway Programs in future to open up business opportunities for designers, and continue to learn and adapt to best support their growth in a sustainable way.
Are there any up-and-coming designers we need to keep an eye on? ThefiveFirstNationsdesignerswhopresentedontheIFPRunwayare ones to watch as they each bring an unique point of view and strong creativity to the fashion industry. From Maara Collective’s incredible silkdressesanditsexcitingdebutmenswearstylesthatwesawonthe runway, to Kirrikin’s beautiful artwork and Liandra’s new swimwear inspired by the ocean, each brand shows a unique story, intrinsic detail and beautiful quality, which we know will be in high demand when available to shop in resort season.
In your opinion, what makes Indigenous fashion stand out? The rich storytelling and inspiration behind each of the artwork and designs by First Nation designers is what makes Indigenous fashion so special. The attention to detail and thought process behind each of the garments is something truly to be admired and we really encourage everyone to take the time to learn about the inspiration behind each collection.
THE DR EA M I NG
PHOTOGRAPHYBY
Darby Young
Dreaming Edition
“You are the warmth of an open fire in winter nights giving comfort in solitude” My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
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Dreaming Edition
THE KID LAROI From Humble Beginnings Written by LARA LUPISH
The Kid Laroi has taken over the world. The kid from Waterloo, Sydney, Australia, who now is an LA local and besties with the likes of Justin Bieber and Post Malone, has carved his way from very humble beginnings. 48 | Façon | Dreaming Edition
Photography ADAMKARGENIAN
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Photography JACKOWENBENNETT
"NEVER BE ASHAMED OF WHO YOU ONCE WERE. THAT PERSON HELPED YOU TO BE THE PERSON THAT YOU ARE TODAY." -The Kid Laroi
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ith a lifetime of experiences that have no doubt helped him create the stories that he tells, this ability is also in his blood, with both of his parents being immersed in the music or media industry, moving into music was second nature to Laroi. His artistic name takes inspiration from his Indigenous ancestry of the Kamilaroi people and so does his storytelling inhismusicandlyrics.FirstsignedtoSonyMusicAustralia in 2017 with a development deal, Laroi started to fly and develop his style and confidence and build himself into a unique artist. Never before had Australian music seen an artist with a very distinct style of his own. The fan base had an underground vibe and Laroi’s popularity grew slowly and steadily the “old way”, by his music being shared and word of mouth, until the massive break happened. However, smaller wins were consistently occurring along the way: singles with Miley Cyrus, and collaborations with Machine Gun Kelly and Post Malone. Then Justin Bieber DM’d Laroi and told him that he wanted toworkwithhim!Andsotheinternational Stay was born hit andanyonenotonTheKidLaroiwagonjumpedon. Not so long ago, when The Kid Laroi returned to his native Australia with a hugely successful sold out tour, it was obvious how much he is loved in his homeland. Not bad for “thekid”whotookagambleanddroppedoutofAustralian PerformingArtsGrammarSchooltopursuehisdreamsand an international career. The Kid Laroi has put Australian music back on the international stage.
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Dreaming Edition
The Future of Indigenous Fashion
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Written by JACK BAILEY
n the bustling backstage area of Afterpay Australian Fashion Week, Nathan McGuire is cool, c collected. Dubbed the “face of the future” by GQ , Nathan is about to step out on the Indigenous Fashion Projectsrunwayinfrontofhundredsofeagerfashionaficionados. When asked about walking the runway, Nathan tells Façon“I: feelamazing.It' . snicetobearoundothermobs andI'mreallyexcitedforallthedesignerstoshowcasetheirnewcollections.”
Nathan is walking for designer and Yuwaalaraay woman Julie Shaw and her brand Maara Collective.
This year, the Indigenous Fashion Projects runway is supp DavidJones.WorkingwiththisiconicAustralianbrandhas to Nathan. “Thedesignerisafriendofmineandshe’sjuststartingtoreleasesome menswear and asked if I would walk,” he says, “and I thought, yeah, I'd “David Jones is a brand I’ve worked with many times over the years and love to walk! I’m just excited about sharing our different throughout mycultures career,” he says. and “They’re one of the biggest brands in mobswiththeindustry.It’sanexcitingspacetome.Australia, ” sotohavetheirsupportandthatkindofbacki how our industry can really work together to make everything powerful Beingfeaturedincampaignsforiconicbrandssuchand asimpactful GQ,Davidwhen Jones you support the designers to be able to sell their and Country Road, Nathan is no stranger to the modelling world. With clothes, and just have another way for the designers to b such huge success of his own, he is now looking to the future of First another outlet to have their market.” Nations people in the modelling industry. And as if all of his modelling success wasn’t enough, Nathan has also “I don’t walk runways as much anymore,” he says. “I get to attend a lot been busy working on his own fashion line, Solid Ochre. The brand was of shows now, and it’s really exciting to see all the shown young for the new firstmodels time at Melbourne Fashion Festival earlier this year come in and showcase our beauty and how diverse we are. That’s why to much acclaim. it’s important for the sustainability and longevity of our industry to have that First Nations presence.”
Dreaming Edition
“I'VE GOT A LOT OF COOL THINGS ON THE HORIZON, BUT ONE THING I'M REALLY EXCITED ABOUT IS A PROGRAM I'VE DEVELOPED CALLED MOB IN FASHION.” -Nathan McGuire “I guess it was a semi debut because the brand isn’t very old, it’s about six months old,” Nathan says. “So it was basically getting a feel for what Solid Ochre looks like going forward. I learned a lot from that experience and I can see where the brand is going. And then watching Australian Fashion Week, I’m looking at it from a different perspective. I’m looking at it as like, what’s the show look like as a designer… What kind of story do I want to tell?” So what is next for Nathan? His plan involves continuing to help First Nations people fly high in the fashion industry and beyond. “I’ve got a lot of cool things on the horizon, but one thing I’m really excited about is a program I've developed called Mob in Fashion,” he says. “It’s about placing First Nation creatives into behind-the-scenes roles, such as photographers, stylists, makeup artists, hair stylists, events and journalism. All different sorts of facets of the industry, but behind the scenes so we can broaden that spectrum of representation for our First Nations community and provide meaningful career opportunities that people can add to their portfolio.” Nathan’s passion for this program and creating jobs for First Nations people comes across in the way he speaks about his work: “They’re networking at industry level events. That’s what creates sustainable careers. That’s what gets that creative to the next meeting, to the next job, and on bigger campaigns and forging careers.” Sitting on the sidelines as Nathan walked the runway at Afterpay Australian Fashion Week, it becomes evident that he will keep soaring. Watch this space, because even after so much success, there is still plenty more on the horizon.
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Dreaming Edition
“I’VE SPENT A LOT OF TIME IN VANS, ALTHOUGH NOT RECENTLY, AND I REALLY WANTED TO WRITE A NOSTALGICFEELING ‘DRIVING’ SONG, WHICH I HOPE WE NAILED!” -Thelma Plum
Dreaming Edition
Back and Better Than Ever
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Written by JACK BAILEY
helma Plum dropped her new single Backseat Of My MindinMaytomuchacclaim–herfirstoriginalm since 2019’s era-defining, ARIA-winning album, Better In Blak. Threaded with purposeful, reflec lyrics – “As I look in the rear-view mirror, I le behind in the backseat of my mind” – the new t seestheGamilaraaysinger-songwriterven future, carried by her captivating, emotive vocals.
“I’ve spent a lot of time in vans, although not recently, lol, and I really wanted to write a nostalgic-feeling ‘driving’ song, which I hope we nailed!” says Thelma. “It’s been so fun to play live!”
ThelmaplayedthetracktoexcitedaudiencesaspartofVIV whereshewasjoinedbyPaulKellyforastringofperformance House.Furtheringherexcitingliveschedule,Thelmawills nationally throughout October, appearing in Darwin, Bri Hobart and Melbourne.
Thelma’s acclaimed debut album Better In Blak–astoriedrecordofcultu heritage, love and pain – became one of the most successfu year with seven ARIA nominations and a win, as well as spawn Gold-certifiedsingle, NotAngryAnymore, andthreePlatinum Better singles: In Blak, HomecomingQueen , and Clumsy Love. The title track landed in the top 10 of the Triple J Hottest 100, the highest ever result for an Indigenous artist at the time, and won the prestigious Vanda and Young ‘Song of the Year’ award.
WhileBackseatOfMyMind marksThelma’sfirstneworiginalmusicsi album, the beloved creative has far from receded from the public eye. Thelma and her music have been involved in high-profile campaigns fo Day and for Netflix’s Back To The Outback animated feature film, starr Tim Minchin and Eric Bana. With plenty more on the horizon, Thelma is looking forward to you buckling upandjoiningherfortheride!
Photography GEORGIAWALLACE
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Dreaming Edition
Stamping Out the Eco Footprint in Dance
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Written by CHARLOTTE LLOYD
ynamic mother and dancewear that is friendly to the environment. entrepreneurial spirit Koby Elliott is taking dancewear to The company came into fruition in 2019 when Koby faced a a new sustainable high with request many mothers hear over their lifetime: “Mum, can I her environmentally friendly start dance lessons?” company, Eco Dancers. Along with her sister Samantha And as one of the most popular pastimes young girls Whitford, and Ella Havelka, the participate in nationwide, the request was almost exp first Indigenous person to be selected for The But littleAustralian did Koby know when accepting this that she would Ballet, the three set out to produce cost-effective, high-quality be contributing to an ever-growing issue riddling our country.
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Horrifiedtofindoutthemostcommondancewear,sucha and leotards, use metres of non-recyclable fabrics like nylon and polyester,Kobywasdeterminedtofindasolutiontha contributetolandfill.
Eco Dancers partners with dance schools and studios to create an eco-friendly alternative for the performing industry...
Consequently, Koby came up with an innovative company that is making strides in the dance world, working to create ethical alternatives. Eco Dancers produces effective and high-quality dance uniforms that are environmentally friendly and live up to the Academy of Dance’s approved exam-wear. With t women focused on the future of dance and the environment working hand in hand, their success was almost inevitable.
Today, Eco Dancers partners with dance schools and studios to create an eco-friendly alternative for the performing industry, with their goal to have at least 50 per cent of dancewear purchased globally to be made from recycled material by 2025. Ontopofthis,thecompanysupportsandactsasare for old dancewear, offering outgrown pieces to be repurposed, and giving materials a new life and a new performance each time. Koby, Ella and Samantha are a progressive force, offering a highly glamorised industry an avenue to consciously perform in a way that will assist our environment.
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Dreaming Edition
Shines as Darwin Aboriginal Art Fair Foundation Ambassador
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Written by JACK BAILEY
t cannot be mistaken that singer, songwriter and proud Kuku Yalanji and Wakaman woman, Jessica Mauboy, takes pride in her heritage. Wrapping up a stint as one of the coaches of the most recent season of The Voice, Jessica has now partnered with Indigenous notfor-profit arts and fashion organisation, Darwin Aboriginal Art Fair Foundation (DAAFF). This partnership aims to shine a spotlight onAboriginalandTorresStraitIslandercreativityand designinAustralia. DAAFFcelebratestherichculturalandartisticdiversity of Aboriginal and Torres Strait Islander people and is responsible for key projects throughout the year. including the Darwin Aboriginal Art Fair (DAAF), an annual event showcasing the contemporary fine art of morethan70AboriginalandTorresStraitIslanderart centres held in Darwin each year. As part of her community ambassador role, Jessica will help DAAFF promote and connect Indigenous artists, performers and art centres from some of Australia’smostremoteregionswithhome-grownand international audiences. Jessica is honoured to lend her support to such a worthwhile cause, a cause that helps to elevate opportunitiesforAboriginalandTorresStraitIslander creativesfromthefarcornersofAustralia.
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“I AM EXTREMELY EXCITED AND ALSO HUMBLED TO BE ABLE TO COLLABORATE WITH THE DARWIN ABORIGINAL ART FAIR FOUNDATION.” -Jess Mauboy
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“GROWING UP ON LARRAKIA COUNTRY, I ALWAYS DREAMED OF BECOMING A SINGER...” -Jess Mauboy
“I am extremely excited and also humbled to be able to collaborate with the Darwin Aboriginal Art Fair Foundation,” Jessica said. “Growing up on Larrakia Country, I always dreamed of becoming a singer and I still pinch myself knowing I was lucky enough to stumble across the opportunities that led me to a career that allows me to express myself creatively,” she said. “There are many talented First Nations creatives who aren’t afforded these same chances, which is why it is so important to provide pathways for emerging designers, artists and producers; through partnering with DAAFF I hope to do just that and in doing so help to ensure the Indigenous art and fashion industry remains sustainable and ethical,” she added. The Foundation pays homage to the world’s oldest living culture, by providing Indigenous artists with vibrant platforms to showcase their art and design. Last year, DAAFF’s online art fair generated a record-breaking $3.12 million in sales, with 10 per cent of the profits going back to the art centres, the artists and their communities. Jessica invites you to follow her on this journey, as she celebrates some of the best art and design Australia has to offer.
For information please visit : www.daaf.com.au
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"I’M DRAWN TO THE CHALLENGE OF USING ART TO CONVEY CONTEMPORARY INFLUENCES..." -Saretta Fielding
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Edition Wayfarer designed by Saretta
Samantha Harris wearing Ray-Ban Special
Dreaming Edition
The Influence of Art Written by LARA LUPISH
aretta Fielding has had an extensive Saretta’s main journey medium uses her favoured sand-based media in Indigenous art, culture and Country, and millennia-old engraving techniques. Her art pays homage both as an artist and commercial designer, to traditional Wonnarua sand engravings, which are still to be and a proud Indigenous woman. Saretta is foundtodaythroughouttheHunterregioninNSW,Austral a Wonnarua woman: a brilliant artist, Each highly hertextured piece embodies the enduring sty Aboriginalculture,Countryand designs community and totems ancient engravings, adding a striking aredeeplyingrainedineveryfacet dimension ofher tofine her contemporary pieces. artworks and designs. ThestrongdesireforeconomicinclusionviaAboriginala Saretta is very passionate about sharing the unique culture of a commitment very dear to Saretta’s heart. Her involvement Australia’sFirstNationspeoplethrough in authentic, initiatives engaging in the arts that contribute to Closi and thought-evoking artwork. Through her corporate and a high priority in creating a platform for Indigenous and nonprivate commissions she creates artworks or designs that Indigenous Australians to move forward together. In 2016, she says “strengthens my connection to my Country and Saretta Art and Design established the Malang Indige to my people”. She looks at each art work as a way to make Corporation, a not-for-profit organisation championin a connection to those who curate and collect her works, social investment in our communities by nurturing and wherever they live and whatever their personal cultural supporting emerging and established Indigenous artists and heritage is. Saretta’s art is loved all over the world. designersfromaroundAustralia.
Saretta’s passion and love of art started long before she Saretta Fielding has definitely paved a strong path int launchedSarettaArtandDesigninAs 2016. achild international sheloved andAustralianartscenewithhearta topaint,drawandexperimentwithdiverseisart visiblemediums. and intentional in every art piece she creates. “I’m drawn to the challenge of using art to convey contemporary influences – the challenges facing my community,thebeautyofnature,andtheexperiencesoflife,” she says.
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From Newastle to The Big City Written by LARA LUPISH
H
ailing from Newcastle, NSW, Charlee Fraser has already carved a brilliant international modeling career for herself. Having walked in New York Fashion Week in2016,shewentontocompleteherfirst fashion circuit.
The proud Awabakal woman was first photographed as an 18-year-old in her hometown of Newcastle. After Charlee’s new bob-styl in 2016, her edgy look took her to the heights of interna campaigns. In 2018 she was hailed as the model who walked the most shows at NYFW including international prestigious runways for Dior, Balenciaga, Stella McCartney and more.
2018 was also the same year she gracedVogue her first Australia cover “The Faces” which was one of Charlee’s dream milestones. She went on to grace the covers of Vogue’s international titles including Vogue Italia, Vogue Mexicoand Vogue Japan as well as other international titles such as Numéro and Zoo Magazine. More recently a very important cover for Charlee was this year where she featured on the “Power of Now” edition for Australianaccompanied Vogue by three other key Indigenous women (Elaine George, Cindy R and Magnolia Maymuru). Charlee has been a regular on the international runway circuit as well as the face of many fashion and beauty advertising campaigns such as TomFord,Céline,Givenchy,Ballyjusttonameafew.
After nine years in the fashion industry, Charlee is feelings and thoughts heard with her #NotJustTrending campaign. The Australian model has taken it upon herself to s fashion production and methods in the fashion industry. Charlee is adamant about her place in the industry around diversity and ethics of how the industry produces its products. “My hope is to not only represent my country and my heritage, but to raise awareness around sustainability in the fashion industry,” she says.
As we watch Charlee Fraser rise on the internationa a model and spokesperson for diversity, eco-conscious fashion and beauty, the young woman is at the forefront not only for her beauty but also her stance in her industry.
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"MY HOPE IS TO NOT ONLY REPRESENT MY COUNTRY AND MY HERITAGE, BUT TO RAISE AWARENESS AROUND SUSTAINABILITY IN THE FASHION INDUSTRY." -Charlee Fraser
Photography LUKE DUBBELDE 63 | Façon | Dreaming Edition
An old soul with a fresh twist, Crystalbrook Kingsley is culturally connected, sustainably‑led, simply sophisticated and stemmed in history The first five‑star hotel to grace Newcastle, Crystalbrook Kingsley sparks vibrant energy and nostalgia in one moment
282 King Street, Newcastle, NSW
crystalbrookcollection.com #ResponsibleLuxury
My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
“You wore your shawl with style and grace, you have given me a completely different memory”
LA MODE
PHOTOGRAPHYBY
Darby Young
"The sunsets and sunrises, unshared, are a reminder that you are not with me physically, but I see your beauty in them." My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
Warm ochre knits connected with cool denim pieces lift you into a state of strength and love of texture. Soft silks mixed with textured tulle and woven accessories make you look and feel like nature’s goddess! PHOTOGRAPHYBY Darby Young FASHIONEDITOR Lara Lupish FASHIONASSISTANT AshleighMarshall PHOTOGRAPHERMENTOR Paul Dear PRODUCTIONMANAGER Jack Bailey HAIR& MAKEUP Chelsea Evans MODEL
Jerrah Smith
TARESE EPERE Ball Gown YANGGURDI Weaved Silver and Silk Earrings ALICE MCCALL Poolside Denim Jacket AMBER DAYS Crop Silk Top in Copper Print
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SOVEREIGN Grey Knitted Beanie REIKO Grey Jumpsuit CAMILLA Multi Calf Length Heeled Boot WA-RING Ochre Cropped Boxy Top
MARLENE BIRGER Stylist's Own Hat WA-RING Multi Ochre Scarf NGALI Birrang Sheath Dress with Embroidered Collar ONE TEASPOON Hollywood Jackson Mid Waist Wide Leg Jeans CAMILLA Solid Black Calf Length Heeled Boot REIKO Grey Knitted Sweater YANGURRDI Gaan Spirit Feather Earrings
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BRIXTON Jo Rancher Hat CAMILLA Black Thigh Length Boots NGALI Rust Knitted Vest SUNDREAMING Organic Cotton Jersey Crop Top BALLY Belted Leather Skirt WA-RING Lomandra Silver Coiled Bracelet YANGGURDI Pandanus Arm Cuff YANGGURDI Mon Mungan Weaved Braclets
WELDS Skin Food MACStudioFixFluid NATASHA DENONA Sunset Palette MAC Fresh BrewLipstick&StripdownLipLiner
BRIXTON Unisex Black Gain Fedora YANGGURDI Lomandra Printed Circle Earrings AMBER DAYS Brown Corduroy Flare Pant CAMILLA Solid Black Calf Length Heeled Boot REIKO Denim Shirt NGALI Feeling the Space Neckscarf/Headband
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NGALI Stoney Gum Reversible Silk Scarf ONE TEASPOON Hollywood Jackson Mid Waist Wide Leg Jeans
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VIDEOGRAPHYBY
Darby Young
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AVA I L A B L E AT:
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REPRESENTING
A POWERFUL MESSAGE OF SUPPORT FOR A CONSTITUTIONALLY ENSHRINED VOICE TO PARLIAMENT. The Uluru Statement from the Heart's Voice Makarrata T-Shirt spreads an important message of reform for First Nations Peoples. Made in Australia, this pure organic cotton tee boasts bright and vibrant graphics to the front and back and raises awareness for the Uluru Statement movement. Sally Scales, a proud Pitjantjatjara woman, said the new design was created with family in mind and represents a powerful message of support for a constitutionally enshrined Voice to Parliament. “The inspiration behind the t-shirt was to include the artistic styles of my mother, my grandmother and myself to reflect the different techniques that flow through our generations,” Ms Scales said. “What this also represents is the generational wisdom involved in progressing the Voice to Parliament. The Uluru Statement isn’t a new movement… it has been progressing for generations. I wanted that to come through in the shirt" Book 3 |
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GENETIC TRIGGER
Androgynous style meets street-smart silken skirts. Parachute fabrics enhanced with technical metallic knits, brought together with spiritual prints, earths these looks as one. Photographed by PAUL DEAR Fashion Editor LARA LUPISH Assistant Fashion Editor ASHLEIGH MARSHALL Production Manager JACK BAILEY BTS Photographer DARBY YOUNG Makeup GENEVIEVE LAWSON Model LAURA MATHESONN
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ALICEMCCALL Midnight Magic Jacket in Forest Green ALICEMCCALL Midnight Magic Pants in Forest Green BYMALENEBIRGER AW22BeltBag Belmoa DENTSClassicLeather in Gloves Black ZARA AngoraCroppedTurtleNeck DRJumper MARTENS Nappa Leather Boot 8 Hole in Black available at The Famous Rockshop
BYMALENEBIRGER AW22LoreyCoat MAJESTICFILATURES Top in Gold BYMALENE BIRGER AW22LaurrinePants STEVEMADDEN Shoulder Bag in Mint Green DRMARTENS Nappa Leather Boot 8 Hole in BlackAvailableatThe Famous Rockshop
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"Genetic memories flooded my senses recalling a mystic past
SASS&BIDE GraffitiSpeaks SASS Skirt &BIDE Femme Fatale Top STEVEMADDEN Maxilla-R Sneakers In Pink REIKOJEANS Macy Rock Puffer Jacket
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unknown to me in my life." My Worimi Lovesong Dreaming by The Love Poems of NORM NEWLIN
STEVEMADDEN Zabrina Heels In Mint Green REBECCAVALLANCE Dress in Gold available at Lillie’s at The Junction BY MALENEBIRGER AW22EviiaCoat DENTS ClassicLeather in Black Gloves
ZARA Pleated Plisse Set in Teal BYMALENEBIRGER Cebella Bag in Leather THERUSSOCOLLECTION Pocket Square THECURATED The Classic Coat in Camel STEVEMADDEN Jessey Mauve Velvet Heels
Euroka Print
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MAJESTICFILATURES Pants NAUTICA Competition Shellsuit JacketSTEVEMADDEN Zabrina Heels in Mint Green ZARA FauxLeather Jacket in Brown
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Skin:Go-toSwipeys MacFixPlus Sunday RileyAutoCorrect Bangn Body Beauty Balm Omorovicza Budapest Serums Embryolisse Lait-Crème Concentré Face:NarsSheerGlowFoundation RCMA Cream Foundation Nars Natural Radiant Concealer Nikkia Joy Translucent Powder Cheeks: Nars Multi Stick in Orgasm Colourpop Blush in Main Chick Fenty BeautyMatchstix in Mocha Eyes: BPerfect Cosmetics Carnival Palette Lounge FaceLashBrows: SchwarzkopfGotToBeGlueGel Lips:KevinAucoin TheExpertLipColour in Wild Orchid
SASSANDBIDE GraffitiSpeaksTop NAUTICA Competition Elise Bike Shorts STEVENMADDEN Jessey Mauve Velvet Heels HIGHAW22OffbeatParka
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BYMALENEBIRGER AmelaJacket BYMALENE BIRGER Haylen Pants THERUSSOCOLLECTION Euroka Tie ZARA FauxLeatherShirt DRMARTENS Nappa Leather Boot 8 Hole in Black available at The Famous Rock Shop GUCCI GGBeltwithDoubleG Buckle in Black available at Cosette
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GENETIC TRIGGER Videography by DARBY YOUNG
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NGALI: Designer: Denni Francisco MOB: Wiradjuri About: Denni is a fashion entrepreneur withmorethan25yearsofexperienceinthe industry. Ngali, operates through the lens of Yindayamarra–fashionthatisgentletoCountry and respectful of other First Nations creatives.
Façon sits down with Scott McCartney, CEO of Aboriginal Chamber of Commerce Victoria to discuss the rise of First Nations fashion and the complexity of the fashion industry.
PHOTOGRAPHYBY Clint Peloso PHOTOGRAPHERASSISTANTKylieArchieKnight CREATIVESTYLIST Rhys Ripper HAIR&MAKEUP Renata Furdi TALENTPetaDuncan&JavaddAnderson
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Fashion is an amazing reflection of how we see ourselves as an individual and more broadly as a community."
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1. SOLID OCHRE: Designer: Nathan McGuire MOB:WhadjukNoongar About: Nathan (he/him) is a high-profile model based in Naarm. He has worked withDavidJones,CountryRoad,Sportscraft,RMWilliams,H&M,Tiffany&Co, Dior, Nike, Tommy Hilfiger, and has graced the pages of GQMagazine . Nathan is passionate about using his profile to advocate for First Nations representation in every part of the fashion industry. 2. Clothing the gaps: Designer: Laura Thompson MOB:Gunditjmara About: Laura (she/her) is the co-founder and CEOofClothingTheGaps–anAboriginalsocialenterprisebasedonWurundjeri Country in Brunswick. Laura is a preventative healthcare professional at heart. She started selling tees that spark conversations to support health promotion and educationincommunitythroughtheClothing3. The AMBER GapsFoundation. DAYS: Designer: Corina Muir MOB:Yorta Yorta and Boonwurrung About: Corina (she/her) is a mother, artist, designer, nature protector and campaigner. CorinahasalwayscaredforpeopleandCountry.ShefoundedAmberDays–an ethicalandsustainablelabelinspiredbybush,desertandsea.AmberDayshas featured in both VogueAustralia and British Vogue. Corina is passionate about uplifting and collaborating with other First Nations women in the industry.
What is Kin Fashion? Kin Fashion is a program supporting First Nations creatives in the fashion industry. A cohort of nine First Nations entrepreneurs has designed individual capsule collections to launch as part of Melbourne Fashion Festival in March 2022. In January 2022, a dedicated Design-Development Studio will open on Peel St, Collingwood, with the support of the City of Yarra.
What achievements have you been most proud of since starting with Kin Fashion? The experience of developing and launching this program has been incredibly successful. One of the gaps in the sector for emerging creatives is the lack of access to the building blocks required to design and sample a collection. Despite the lockdowns, we have been able to connect creatives with high-quality resources and materials that have elevated their creative vision. All our manufacturers are ethically accredited, our raw materials and print studios are world class. Resources like patternmakers and access to the studio have given the collective the real opportunity to explore the creative process of fashion and learn more about the business side as well. Another aspect of the experience has been the swell of support from other peak bodies and organisations. We had the incredible support of Melbourne Fashion Festival to launch with both a stand-alone textile exhibition in Fed Square paired with the First Nations Runway. Also, as part of the official opening ceremony, the Welcome to Country included an edit of First Nations Kin Fashion designers.
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4 Why is fashion important to you? Fashion is an amazing reflection of how we see ourselves as an individual and more broadly as a community. It is a creative expression of identity – all gender – nonverbal and intergenerational. It is a powerful reflection of the times we are living. Right now, First Nations Fashion is being spotlighted and this is a very significant reflection of our time.
Which up-and-coming designers should we be keeping an eye on? All of our Kin designers are ones to watch www.kinfashion.com.au
Kin Fashion has seen huge success at AAFW and Melbourne Fashion Week. What is next for Kin Fashion? We are planning on developing more programs to engage with other FN creatives. We also have plans to offer adaptive sessions for artists to get involved as an incubator program. Moving forward some pop-up activation will also be on our horizon.
4. SUNDREAMING: Designer: Merrill Bray MOB: Central/Northern/ EasternAranda About:MerrillisanartistfromAliceSprings.Sheisfromthe Pungarte skin group, which is one of eight. Merrill was born in 1958 and has been paintingsincetheageoftwelve.HerGreatGrandmotherA'raka(meanings istheSundreamingWomanfromIllbarlinja. 5. ADJADURA: Designer: Daen Sansbury-Smith MOB: Narungga, Kaurna and Trawlwoolway About: Daen (he/ him)isacontentproducer,visualartist,designerandfounderofAdjad which means ‘my people’s art’ in Narungga language. He is also the founder of Blak Crow - a production company offering audio engineering and sound design services,aswellasfilmproductionandaugmentedrealityexperiences collectionofworkmapsAncestralmemoryandconnectiontoCountry.
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YANGGURDI: Designer: Cassie Leatham MOB: TaungurungandDjaDjaWurrung About: Cassie (she/her) is a weaver, cultural educator, jewellerymakerandfashiondesigner.Hercareer as a multidisciplinary artist spans 35 years. Her workhasappearedintheNationalGalleryof Victoria and the Koorie Heritage Trust.
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"
We are planning on developing more programs to engage with other First Nations creatives."
wa-ring: Designer:AnnetteMOB: Sax TaungurungBadjur About:Annette(she/her) is the founder of wa~ring. wa~ring means ‘river iskin’–theplacewherewomengathertoshare waterstorieswithTaungurungCountry.Annetteis passionateaboutdrivingeducation,socialjustice and self-determination through fashion. She has morethan20yearsofexperienceasacreativearts director, artist, illustrator and designer of toys, homewares and fashion accessories.
7 6. wa-ring: Designer:AnnetteMOB: Sax TaungurungBadjur 7. ADJADURA: Designer: Daen Sansbury-Smith MOB: Narungga, Kaurna and Trawlwoolway About: Daen (he/him) is a contentproducer,visualartist,designerandfounderofAdjadura Art,whichmeans‘mypeople’sart’inNarunggalanguage.Heis also the founder of Blak Crow - a production company offering audio engineering and sound design services, as well as film productionandaugmentedrealityexperiences.Hiscollection ofworkmapsAncestralmemoryandconnectiontoCountry. 8. TAYLAH: Designer: Taylah Aimee Cole MOB: Koorie fromNaarm(StolenAbout: Gen) Taylah(she/her)isatextile designer and artist. Her work centres storytelling from her lived experience,throughthesubjectmatteroffloraandfauna.Sheisa mixedmediaartist,exploringwhereartanddesignintersect.
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KIN pays respect to all First Peoples and Elders — those living and those resting in the Dreaming.
The beauty of a hand-printed fabric that takes reference from the earth. Embrace these styles and make them your own for winter.
PHOTOGRAPHY
Paul Dear
FASHIONEDITORL FASHIONASSISTANT
ara Lupish Kira Hadley
PRODUCTIONMANAGER MAKEUP
Jack Bailey
GenevieveLawson
HAIRSeanAnthony MODELS
BrionyOseiandSavannahOsei(Kinder)
Savannah(Right) BRAVE : + TRUE Dakota Scarf Confetti Spice MARLENE BIRGER DaurenaMaxiDress in Black Briony(Left): MARLENE BIRGERDaurenaMaxiDress in Cinammin Brown SOVEREIGN Beanie
Special thank you to Mathew Orr, Great Northern Hotel Venue Manager for the use of this location.
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Savannah(Left) CORIN : CORCORAN & ELLA BORG Boots CORIN CORCORAN & ELLA BORGGloves L'IDÉE SOIRÉE 90's SleevedGown in Ruby WA-RING Lomandra Coiled Earrings Briony(Right) STEVE : MADDEN Danessa Black Boots CORIN CORCORAN & ELLA BORGGloves ONE TEASPOON Khaki Iggie Star Bike Short ONE TEASPOON Khaki Star Mesh Lola Bralette REIKO Coat in Khaki
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Savannah: Skin:KYLIE BEAUTY Skin Eye Cream BANGN BODY Lip Balm TATCHA The Essence OMOROVICZA Budapest Serums EMBRYOLISSE Lait-crème Concentre Face:NARSSheerGlowand RCMA VK11 Foundation Pallette CHARLOTTE TILBURYMagicAwayConcealer NARS Creamy Radiant Concealer FENTY BEAUTYMatchstix KOSAS COLOR + LIGHT:CremeBlush&Highlighter in Tropic Equinox OFRA COSMETICSAlloftheLightsHighlight NARS Blush in Lovejoy NIKKIA JOY Velvet Finishing Powder URBAN DECAYAllNighterSetting Brows: Spray SCHWARZKOPFGotToBeGlueGel Eyes: URBAN DECAY Eyeshadow Primer URBAN DECAY 24/7 Shadow in Psych BPERFECT COSMETIC Carnival Palette COLOURPOPDiscoLadyGlitterallyMCOBEAUTY Obsessed FaceGlamEye&Body Jewels Disco Ball MECCA MAX Whip Lash Mascara MECCA COSMETICS Lashes MECCA MAX Eyeliner Pencil in Brown Eyed Girl and Blackest Black Lips:FENTY BEAUTYGlossBombUniversal KEVYN AUCOIN The Moltern Lip MAC Lip Pencil in Whirl
STEVE MADDEN Julien Pink Heels CAMILLA Leather Drop Sleeve Panelled Jacket BY MALENE Birger Knitted Skirt SOVEREIGN Crochet Top
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Briony: Skin:KYLIE BEAUTY Skin Eye Cream BANGN BODY Lip Balm TATCHA The Essence OMOROVICZA Budapest Serums SMASHBOX Primerizer Face:NARS SheerGlowand RCMA VK11 Foundation Pallette NARS Creamy Radiant Concealer FENTY BEAUTYMatchstix OFRA COSMETICSAlloftheLightsHighlight NARS Blush in Lovejoy NIKKIA JOY Velvet Finishing Powder URBAN DECAYAllNighterSetting NARS Spray OrgasimMultistick Brows: SCHWARZKOPF GotToBeGlue GelANASTASIA BEVERLY HILLS Brow Pro Palette Eyes: URBAN DECAY Eyeshadow Primer BPERFECT COSMETIC Carnival Palette COLOURPOP Disco Lady GlitterallyObsessed MECCA MAX Whip Lash Mascara MECCA COSMETICS Lashes MECCA MAX Eyeliner Pencil in Brown Eyed Girl and Blackest Black Lips:FENTY BEAUTYGlossBomb in Pink Dragon HARLOTTE COSMETICS Skinny Dip Lipstick MAC Lip Pencil in Whirl
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Briony(Left) STEVE : MADDEN Haldan Brown Boots PRIVVY Rosemary Shaggy Sheike Coat WA-RING Coiled Earrings Silver Thread with Lomandra Grass Core SOVEREIGN Khaki Crochet Top BY MARLENE BIRGER High Waisted Pants Savannah (Right): WA-RINGLinenAnorak in Ochre Print YANGGURDI Triangle Bikini in Lomandra Print STEVE MADDEN Danessa Black Boots
Savannah(Left) STEVE : MADDEN Posse Red Patent Boot Heels ONE TEASPOON Chromatic Bike Shorts ONE TEASPOON Chromatic Lola Bralette CAMILLA Cobra King Studded Biker Jacket WA-RING Silver Coiled Hoop Earrings Briony(Right) STEVE : MADDEN Winona GoldBoots CAMILLA She’sGotGraceCatsuit ZIMMERMAN Celestial Fringe Cape YANGGURDI Metallic Weave Earrings
Greeting the sun's soft rays with a smile...
My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
MISSONI Pants STEVE MADDEN VIP, Silver Iridescent Heels AMBER DAYS Crop Silk Top in Copper Print YANGGURDI Metallic Tassle Earrings SOVEREIGN Gloves
NAXLuxeFinishingCream NAK Thermal Shield GHD Curve Thin Curling Wand NAK Shine Mist NAKAmpedUpStylingGel GIMME MOREHairExtensions
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Dreaming Edition
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Dreaming Edition
VIDEOGRAPHYBY
AaronHaberfield
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IMAGE CREDIT © Paul Dear Photo
767 Hunter Street, Newcastle West, NSW
READY-TO-WEAR FORMAL HIRE BESPOKE TAILORING
4940 8382 | rundletailoring.com.au
BRIXTON Corduroy Pants in Forest Green ADJADURA Woven Hoodie JOE BLACK Check Informer Jacket in Grey available at Rundle Tailoring RM WILLIAMS Comfort Craftsman Boots available at Rundle Tailoring THE RUSSO COLLECTION Pocket Square HIDE AND SEEKER The Roll Top Backpack
WALK
TALL
Let the land inspire your winter wardrobe with the colours of the earth's natural beauty. Discover your inner warrior and stand apart from the crowd in your luxe winter attire. Creative Director LARA LUPISH
Photographed by DARBY YOUNG Photography Mentor PAUL DEAR Fashion Editor JASON FOX
Production Manager JACK BAILEY Grooming ALANA JOHANSSON Model DAVID WALSH
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HIDE AND SEEKER Flatiron Mini Satchel JUNKYARD GYPSIES Vintage Suede Jacket JOE BLACK Reign Trouser in Rust available at Rundle Tailoring JOE BLACK Lascar Jacket in Rust available at Rundle Tailoring FLORSHEIM Lace to Toe Sneaker available at Rundle Tailoring BRIXTON Men's Bowery L/S Flannel ADJADURA ART S/S Boxy Tee
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CAMILLA Gothic Goddess Collared Long Sleeve Shirt JUNKYARD GYPSIES Sheepskin Vest JOE BLACK Cord Guard Jacket in Olive available at Rundle Tailoring RM WILLIAMS Ramco Jeans in Indigo available at Rundle Tailoring RM WILLIAMS Comfort Craftsman Boots available at Rundle Tailoring
STONED SAINT MOON Stylist’s Own Vintage Belt FLORSHEIM Crossover Lace to Toe Sneaker available at Rundle Tailoring SARETTA Kamari Silk Scarf RM WILLIAMS Marle Howe Sweater in Grey available at Rundle Tailoring JUNKYARD GYPSIES Vintage Cape
RM WILLIAMS Comfort Craftsman Boots available at Rundle Tailoring LONDON FOG Clevedon Coat available at Rundle Tailoring LEVI'S Stylist’s own Vintage Shirt ADJADURA S/S Boxy Tee CITY CLUB Breeze Edusa Chino in Tan available at Rundle Tailoring
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BRIXTON Utopia Men's Jacket RM WILLIAMS Comfort Craftsman Boots available at Rundle Tailoring GIBSON Justice Chino in Black available at Rundle Tailoring BRIXTON Red Checked Button Up
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BRIXTON Unisex Heist Beanie CAMILLA Order Of Disorder Relaxed Dropped Crotch Pant YANGGURDI Organic Terry Sleeveless Tee JUNKYARD GYPSIES Vintage Leather Jacket
YANGGURDI Organic Cotton Hoodie
"WALK TALL IN THE WARRIOR WAY PROUD IN YOUR MURRI HERITAGE. YOU HAVE BEEN GIVEN SO MUCH AND ASKED FOR SO
My Worimi Lovesong Dreaming Love Poems of NORM NEWLIN
Dreaming Edition
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Dreaming Edition
Videography by STEPHEN ROBERTS
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Book 3 |
Façon
| 1
Photographer: Jim Wild – Underfine Media Makeup Artist: Chereine Waddell
ADVERTORIAL
" We crea program student brands they are togethe areas o they wi
ate an individual m for every t, based on and designers e obsessed with, er with the key of the industry ish to explore.
FORSEEING THE FUTURE OF
FASHION.
National Fashion College is the new way to study fashion. Classes are taught by a panel of Australia’s leading fashion experts in an intimate environment and hands-on experience in the industry is actively encouraged. We sat down with founder Bryce McIntosh to get the low-down on this unique school and all its opportunities. Why did you decide to start National Fashion College? After working in fashion for close to 15 years, nine of which were in fashion education, I was able to pay close attention to the needs of students. Leaving school is an incredibly confusing time for young adults, and I wanted to create a course that offered flexibility and the chance to explore. What can students expect when training at National Fashion College? Our main focus is to provide the opportunity for students to explore and understand their career options. For example, we may get a student keen on a career in styling, however, after undertaking our styling classes together with industry internships, they may realise that the career path isn’t right for them. We have 40 subjects that the students learn throughout the year, focusing on the four key areas of communications, creative direction, retail and business management. All students are guaranteed internships that are organised for them by NFC. We create an individual program for every student, based on brands and designers they are obsessed with, together with the key areas of the industry they wish to explore. We also regularly assist on huge events: just recently our
students worked at the Rolling Stone Awards, The Iconic Beauty Showcase, and they all assisted at Afterpay Australian Fashion Week! How are National Fashion College’s courses different to similar courses from other schools? We place a strong importance on careers, not just through our reputable internship program, but also by doing everything in our power to ensure students are working in jobs by the end of their course. Many schools have a focus on their graduation rate, whereas for us, we focus on our student’s employment rate. Why do you believe hands-on experience in the fashion industry is so important? Internships are powerful as they really help students learn the ropes in a real-life setting. It’s also giving students the flexibility to test the waters first, without completely dedicating their lives to a career that might not be right for them. On average, our students will undertake anywhere between four to eight internships during their studies with us. How can people find out more about National Fashion College? Enrolments are now open for our July and October intakes! With options to join us online or on campus, we have multiple flexible options for prospective students. E: hello@nationalfashioncollege.com W: www.nationalfashioncollege.com I: www.instagram.com/nationalfashioncollege
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LU X E PHOTOGRAPHY JULIAN KINGMA
“...longing for the night to wrap us in her velvet glove.”
My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
Photography CYBELE MALINOWSKI
ELLA HEVELKA: MISSION, PURPOSE AND INSPIRATION WRITTEN BY LARA PUPISH
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Photography DANIEL BOYD
Luxe Profile
Photography ZIA SIAN
As a young girl, Ella Havelka discovered her love for dance after watching a performance of Swan Lake. She was mesmerised by the beauty of what she saw. After that, she started to learn dancing at her local ballet school in Dubbo. As a descendant of the Wiradjuri people, this young Indigenous girl was working against the grain of what was expected of her by society at that time. Most young Aboriginal girls were expected to go down the path of sport: basketball, running – or anything other than ballet. However, this passion and love of dance she felt as a young girl was the start of an exceptional career that saw Ella become the first Indigenous dancer to join The Australia Ballet. Her first professional appearance was in 2009 as part of Bangarra Dance in Fire – A Retrospective. This was the first of many appearances with the company, continuing to thrill audiences with performances in Mathinna, Of Earth and Sky, Belong, Spirit, and Terrain. In 2012, Ella performed in New York with Bangarra and The Australian Ballet in Warumuk – in the Dark Night, a collaborative work created by Stephen Page for The Australian Ballet’s 50th anniversary celebrations. This was the dancer's introduction to performing with The Australian Ballet.
Photography ZIA SIAN
Luxe Profile
In 2013, Ella joined the company after an invitation by artistic director David McAllister, and her dreams and aspirations as a young girl were realised. Ella was the subject of an eponymously titled film in 2016, which centred on her life and journey in dance as an Indigenous woman. In the film, Ella talks about how she felt she was “dancing between two worlds” and trying to find where she fitted in. Her candid conversations in the respected documentary saw Ella reveal how she felt “different” to the other dancers but how she found her creative freedom and success, which she still carries with her today. In 2019, this soulful blending of cultures was displayed by Ella when she was a guest performer with her beloved Bangarra Dance for its 30th anniversary. Her commitment and love of dance continues to this day. In 2020, The ELLA Foundation was established. Ella’s goal around this foundation is to mentor young First Nations dancers across Australia, to be able to lead and inspire them to love dance just as she did, and to know that dance can be your life in whatever way you wish. Ella has paved the way for so many dancers in Australia. She is a true artist who followed her dreams and worked hard to not only compete in an industry with so few places at the top, but also to inspire and in turn, encourage so many young Indigenous dancers.
Luxe Profile
For more information on The ELLA Foundation visit ellafoundation.com.au
Pictured: Children of the Brolga Dance Academy and Danceworks Sydney
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INDIGIEARTH CAFE: An Authentic Indigenous Taste Experience in the Heart of Mudgee Wine Country WRITTEN BY JACK BAILEY PHOTOGRAPHY RAINY KING
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Luxe Wine & Dine
Immerse yourself in the beauty of Australian native foods, botanicals, culture and rituals at Indigiearth café. In the heart of Mudgee wine country, unassuming in its simplicity but bold in impact, sits a rustic arrangement of shipping containers, placed on an industrial estate with a stunning outlook to the surrounding nest of hills. The Indigiearth café offers one of the most original dining experiences available in Australia. Indigiearth’s premier dining experience Warakirri is designed to tantalise tastebuds and provide an education on Australia’s authentic native cuisine. This five-course degustation is a definite must if travelling to Mudgee. Enjoy bush tucker dining at its finest, incorporating seafood, game meats, rainforest fruits, desert delights and native beverages. An innovative, award-winning Aboriginal-owned and established business, Indigiearth brings 60,000 years of Aboriginal culture to its patrons. From the desert to the sea, Indigiearth sources native Australian foods from Aboriginal communities who use land management practices that respect the earth. Warakirri by Indigiearth embodies these principles and elevates them to an exquisite experience like no other. Drinks include thirst-quenching Australian native tipples, such as a quandong & banana smoothie or native mocktails utilising native fruits and herbs.
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Luxe Wine & Dine
Crocodile, kangaroo and emu feature heavily on the menu, in creative pairings that blend western tastes with native wonder foods. Main courses like emu fillet in rainforest plum sauce and lightly crusted lemon myrtle barramundi delight the senses, alongside popular staples like kangaroo burgers with bush tomato chutney. Over four magical hours, enjoy Australian native food and beverages, prepared in a unique fusion of modern techniques with traditional methods. Be transformed by authentic cultural entertainment, musical and cultural storytelling, and the in-depth knowledge of Aboriginal culture and food, pioneered by owner and Ngemba Weilwan woman, Sharon Winsor. Sharon Winsor hails from western New South Wales and her greatest pastime as a young girl was to collect bush fruits and catch yabbies. This led to her passion for sharing Aboriginal food in its purest form. Combining her culinary training with an unparalleled knowledge of Aboriginal food, Sharon has created a transformative dining and cultural experience unlike any other. Warakirri is 100 per cent Aboriginal owned and operated, and champions the development and employment of Indigenous people. Sharon has assisted Aboriginal communities to set up wild harvesting, business enterprises and purchases produce back from those communities. “Indigiearth has been a result of evolving business with continued learning, growth and confidence,” Sharon says.
Indigiearth is more than just a business, it’s my healing, my passion and runs deep within my soul.” SHARON WINSOR
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Sharon has found her vocation as a commercial cook and product developer; she is committed to Indigiearth as a labour of love, and a vehicle for sharing her culture. “Indigiearth is more than just a business,” she says. “It’s my healing, my passion and runs deep within my soul.” If by chance you find yourself planning a trip to Mudgee, make sure to pay a visit to Warakirri by Indigiearth. Eat, sip, enjoy and learn.
Luxe Wine & Dine
For more information visit www.indigiearth.com.au
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LONGITUDE 131° Travel to the Red Centre for a Luxurious Getaway WRITTEN BY JACK BAILEY PHOTOGRAPHY JULIAN KINGMA
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Luxe Escape
Nestled among rich red dunes, Longitude 131° overlooks Australia’s best-known natural icon, Uluru. Surrounded by sweeping plains and sparse landscape, Longitude 131° is an island of luxury, inviting you in with its subtle design and holding you there with its warm atmosphere, decadent amenities and indulgent views. The welcoming, open spaces include a restaurant and bar with ever-changing views of the monolith Uluru as a backdrop. Lounge in contemporary style, relax with an icy drink and exchange stories of the day’s adventures in the Outback. And when it comes time to lay your head down and rest for the night, your luxury tent awaits. Dotted among the dunes of the Central Australian desert are 16 tented pavilions, each offering connection with the Outback and its heritage. They are the ultimate luxury basecamp from which to experience the natural and cultural landscapes of Uluru and the Australian Outback, with friendly Longitude 131° staff ready to share a yarn. .
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Luxe Escape
Guests experience a sense of true calm, of being grounded and connected to the landscape." Longitude 131° showcases vibrant Aboriginal artworks alongside relics from the region’s explorers, and guests can embark on a signature itinerary of guided adventures, allowing a personal discovery of the Red Centre’s iconic natural attractions and Aboriginal culture. After a day exploring, luxuriate in Spa Kinara, a cool sanctuary in Australia’s red desert. Guests experience a sense of true calm, of being grounded and connected to the landscape. The spa treatments use local native healing botanicals and traditional massage techniques, so you can connect with the nature that surrounds you. Guests of Longitude 131° experience one of Australia’s most iconic and remarkable destinations up close and personal, and with an added air of luxury. If a trip to the Red Centre is on your bucket list, do it in style at Longitude 131°.
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For more information, head to www.longitude131.com.au 153 | Façon | Dreaming Edition
Façon Beauté
“Dream and let your dark eyes of serenity see this reality.” My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
B E AU T É
Façon Beauté
SPIRIT
child
Take inspiration from the colours of our land. Motivate your beauty looks from the colour of our sunsets, our stars, the moon. They are put there to illuminate your soul and shine from within. All rock art sites are in the Yengo National Park and surrounding country. ‘Spirit of Place —Aboriginal Sites of the Hunter Region’ by Warren Taggart, Wonnarua Elder and Knowledge Holder
Beauty Photographer PAUL DEAR Landscape Photography ALLAN CHAWNER & CAROL CARTER Creative Director LARA LUPISH Production Manager JACK BAILEY Makeup GENEVIEVE LAWSON Model LAURA MATHESONN
Façon Beauté
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Façon Beauté
B E A U T Y N OT E S Skin:Go-toSwipeys MacFixPlus Sunday RileyAutoCorrect Bangn Body Beauty Balm Omorovicza Budapest Serums Embryolisse LaitCrème Concentré Face:NarsSheerGlowFoundation RCMA Cream Foundation Nars Natural Radiant Concealer Nikkia Joy Translucent Powder Cheeks: Nars Multi Stick in Orgasm Colourpop Blush in Main Chick Fenty BeautyMatchstix in Mocha Eyes: BPerfect Cosmetics Carnival Palette Lounge Face Lash Brows: Schwarzkopf GotToBeGlueGel Lips:Stila Liquid Lip in Caramello Sephora Best Skin Ever Concealer in 01
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164 | Façon | Dreaming Edition
Façon Beauté
B E A U T Y N OT E S Skin:Go-toSwipeys MacFixPlus Sunday RileyAutoCorrect Bangn Body Beauty Balm Omorovicza Budapest Serums Embryolisse LaitCrème Concentré Face:NarsSheerGlowFoundation RCMA Cream Foundation Nars Natural Radiant Concealer Nikkia Joy Translucent Powder Cheeks: Nars Multi Stick in Orgasm Colourpop Blush in Main Chick Fenty BeautyMatchstix in Mocha Eyes: BPerfect Cosmetics Carnival Palette Lounge Face Lash Brows: Schwarzkopf GotToBeGlueGel Lips:FentyUniversalGloss Ofra Bomb Cosmetics AllTheLightsHighlighter
Façon Beauté
B E A U T Y N OT E S Skin:Go-toSwipeys MacFixPlus Sunday RileyAutoCorrect Bangn Body Beauty Balm Omorovicza Budapest Serums Embryolisse Lait-Crème Concentré Face:NarsSheerGlowFoundation RCMA Cream Foundation Nars Natural Radiant Concealer Nikkia Joy Translucent Powder Cheeks: Nars Multi Stick in Orgasm Colourpop Blush in Main Chick Fenty BeautyMatchstix in Mocha Eyes: BPerfect Cosmetics Carnival Palette Lounge Face Lash Brows Brows:: SchwarzkopfGotToBeGlueGel Lips:Stila Liquid Lip in Caramello Sephora Best Skin Ever Concealer in 01
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168 | Façon | Dreaming Edition
Façon Beauté
B E A U T Y N OT E S Skin:Go-toSwipeys MacFixPlus Sunday RileyAutoCorrect Bangn Body Beauty Balm Omorovicza Budapest Serums Embryolisse LaitCrème Concentré Face:NarsSheerGlowFoundation RCMA Cream Foundation Nars Natural Radiant Concealer Nikkia Joy Translucent Powder Cheeks: Fenty BeautyMatchstix in Mocha Eyes: Lovisa Face Pearls Lounge Face Lash Sephora Best Skin Ever Concealer in 01 Brows: SchwarzkopfGotToBeGlueGel Lips:Mac Boldly Bare Lip Liner RCMA Cream Foundation
Dreaming Edition
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Dreaming Edition
Videography by DARBY YOUNG
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H U N T E R P L A S T I C S
Follow @hunterplasticsurgery
S U R G E R Y . C O M . A U
y for more patient journeys
Façon Beauté 1. DILKARA Reconstructive Treatment 2. DILKARA Curly Hair Co-Wash 3. OUD Body Lotion EDP 4. SISLEY Black Rose Beautifying Emulsion 5. ECOYA Sage and Cedar Reed Diffuser 6. JO MALONE LONDON Wood Sage and Sea Salt Home Candle 7. ELLA BACHÉ GentleEnzymeSmoothingBodyExfoliant 8. TRUDON Balmain Candle 9. JO MALONE LONDON English Pear and Freesia Body Crème 10. SANTA MARIA NOVELLA Rose-GardeniaBubbleBath
Photographed by PAULDEAR Special thank you to Newcastle Flower Studio for providing the props for this shoot.
REVITALISED Wash away the day and pamper your hair and skin in preparation for a new day.
7.
10.
8.
9.
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HEALING WATERS
Quench your skin with the best of nature’s ingredients, native vitamins and enriching face oils.
3. 1. 2.
4.
Photographed by PAULDEAR Special thank you to Newcastle Flower Studio for providing the props for this shoot.
1. CARBON THEORY Charcoal,TeaTree&VitaminEBreakoutControl 2.Overnight BIOSSANCESqualene Serum +VitaminCRose 3. ROHR Oil REMEDYBoab+RosehipFace&BodyOilwithVitamin 4. ALYAE SKINMulti-ComplexFacialOil
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Façon Beauté
1. FENTY SKIN FlashNapInstantRevivalEye2.GelAVENE Cream DermAbsoluRecontouring 3. BIOSSANCE Mask Squalene+MarineAlgae 4. Eye TAN LUXE SuperGlowBodyHyaluronicSelf-Tan 5. SKIN Serum JUICE Plum Power Whipped Clay Mask and Brush 6. SISLEYAllDayAllYearAntiAgingProtection 7. SISLEYConfortExtrêmeNutritive 8. FENTY LipBalm SKIN Hydra’ResetIntensiveRecoveryGlycerin 9. STRIVECTIN HandMask AdvancedHydrationRe-QuenchWater
SLEEPING BEAUTY
Deeply hydrate your under eyes, treat your skin to a nourishing mask, quench your lips and revitalise your hands this winter.
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Photographed by PAULDEAR Special thank you to Newcastle Flower Studio for providing the props for this shoot.
7. .9
Façon Beauté
STORM RESIDUE
Embrace the masculinity of nature with these winter scents. 1. MUSGO REAL Classic Scent 2. COSTUME NATIONAL Homme EDP 3. TOM FORD OudWoodEDP 4. JO MALONE LONDON Myrrh&Tonka Cologne Intense 5. CREED Viking Cologne 6. PACO RABANNE 1MillionElixirEDPIntense Photographed by PAULDEAR Special thank you to Newcastle Flower Studio for providing the props for this shoot.
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Façon Beauté
Originating in a small shed with big dreams, Bush Medijina was born to support Warningakalina women, and preserve traditions and knowledge for future generations. Bush Medijina is the natural, native skincare brand you need to try this winter!
01
Can you tell us a bit about the origins of Bush Medijina?
02
What’s the inspiration behind Bush Medijina?
Our bush medicines have inspired our Bush Medijina pro The idea of starting our business grew from the need to help range. The range empowers our people by honouring ancient our own people, especially our elderly who can no longer go on traditions and sharing this and its beauty with the world. Country. We were also motivated to start a business because Our traditional knowledge comes from our connection t there really isn’t much employment opportunity for women on land, native botanicals, Groote Eylandt, particularly one that brings our culture and our ancestors, and our stories. We have been using our bush knowledge and medicines to heal ourselves knowledge together. for generations. We want to lift our Indigenous people and othersshed up so that we can be stronger and healthier together. We began experimenting with soaps and balms in a small and started selling products locally in the community to test the market. Everyone loved the products, and they were really "This was the beginning of a big helping people with all sorts of skin-related issues. This was dream to grow a business, to the beginning of a big dream to grow a business, to support our women and families and to preserve our traditions and support our women and families knowledge for future generations.
and to preserve our traditions and knowledge for future generations."
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03
What are the values of the Bush Medijina brand? Why is the Bush Medijina brand and work so important?
OurmissionistosupportWarningakalinawomentob in culture, wellbeing, education, and respect.
Wearetheonlywomen’sAboriginalcorporationandb to be owned and operated on the Groote Archipel story, our culture and our traditional knowledge is very important to us. Mainland and overseas people are becoming more interested in Indigenous culture and traditional ways of healing and we want to share our knowledge and products with them.
Bush Medijina provides a safe space for women to c workandsupporteachother.Weloveourjobsandha fun making the products and working together.
04
What sets Bush Medijina apart from other beauty brands? For us, we are First Nations people having a go at walking in two worlds to share our knowledge and heal people, using recipes and techniques passed down to us by our mothers, grandmothers and aunties. The harvesting, producing and packaging is all done by hand by us here in Angurugu community. We wild-harvest local bush medicine botanicals and combine it with natural and sustainable ingredients sourced from the most reputable suppliers across Australia. We put a lot of love and care into each product with the intention to heal people. We love what we do, and people can feel that when they use our products.
"The range empowers our people by honouring ancient traditions and sharing this and its beauty with the world. We want to lift our Indigenous people and others up so that we can be stronger and healthier together." 182 | Façon | Dreaming Edition
Façon Beauté
"We put a lot of love and care into each product with the intention to heal people. We love what we do, and people can feel that when they use our products."
05
What beauty products would you recommend for our readers coming into the winter season? Where can our readers find your products?
OurBreatheEasybalmistheperfectproducttoget the cold season. Set in a pot of organic coconut oil, it’s enriched with organic eucalyptus and peppermint essential oils and our wild-harvestedmamarra(smallleavedpaperbark)e
Ourminibalmpackisagreatwaytotryallofourfiveba formulated with the intention to comfort and soothe with every use.Oh,andwecan’tforgetaboutouraward-winningl soothing dry, cracked lips in the cooler months. You can see our entire range and read more about how we give back to communities online at www.bushmedijina.com.au
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AC C E S S O I R E S
My Worimi Lovesong Dreaming The Love Poems of NORM NEWLIN
“You in the mind of a flower, full-bloomed in psychedelic colours...”
ACCESSOIRES
ACCESSOIRES
A Colour
dream
Layer accessories with ochre tints mixed with peach and crimson highlights. Use colours from a sunset sky or deep blues from Neptune’s realm. Be brave, be bold with colour this winter season. Inspired by ‘The Love Poems of Norm Newlin’
PHOTOGRAPHY FASHIONEDITOR
Milly Hooper Lara Lupish
PHOTOGRAPHERMENTOR Paul Dear PRODUCTIONMANAGER Jack Bailey MAKEUP AshFouche MODELDanaBudden
BYJOHNNY Window Check Flare Top STUDIO MELT Woven Scarf STUDIOMELT Black and Pearl Earrings GUCCI Leather Belt with Horsebit available at Cosette BRIXTON Joanna Felt Hat in Black HIGHTEAWITHMRSWOO Fingerless Gloves in Brown
B E A U T Y N OT E S Skin:Go-toSwipeys MacFixPlus Sunday RileyAutoCorrect Bangn Body Beauty Balm Omorovicza Budapest Serums Embryolisse LaitCrème Concentré Face:NarsSheerGlowFoundation RCMA Cream Foundation Nars Natural Radiant Concealer Nikkia Joy Translucent Powder Cheeks: Fenty BeautyMatchstix in Mocha Colourpop Blush in I Need Space Ofra Cosmetics AllTheLightsHighlighter Eyes: Mac Pigment in Retrospect Brows: Anastasia Beverly Hills Brow Powder SchwarzkopfGotToBeGlueGel Lips: KevynAucoin The ExpertLipColour Wild inOrchid
197 | Façon | Dreaming Edition
SIMONCURWOOD 9KWhiteGoldCushion Blue Topaz Ring SIMONCURWOOD Morganite Bezel Pendant SIMONCURWOOD Morganite Diamond Ring SIMON CURWOOD Multicolour Bangle SIMON CURWOOD Yellow Sapphire Pea Ring SIMONCURWOOD Briolette Blue Topaz Necklace SIMONCURWOOD 9KWhiteGold Cushion Briolette Blue Topaz and Diamond Cocktail Ring SZ K SIMONCURWOOD Blue Topaz Cushion Drop Hook Earrings BY JOHNNY Penny Strapless Top
198 | Façon | Dreaming Edition
ACCESSOIRES
HIGHAffluentShirt in Silk CHILDE DRUMMER Vino Rossa Rose Sunglasses available at Lillie's At The Junction DENTS GlovesSophiaWomen’sTouchscreenLeather GloveswithBow
ACCESSOIRES
REIKOJosieRockShirt JILLIANBOUSTRED Bailey Shirt in BlackBRACE+TRUEDuchessGlovesin Red available at Seraph SARETTA Koyiyoong Silk Scarf CHILDE INFINITEGlossIvorySunglasses available at Lillie's At The Junction
ALICEMCCALL OhYouPrettyThingBlouse inHoneycombBrixtonin Beanie Mustard SARAHGARDNER OpalandDiamond Snowflake Pebble Ring SARAHGARDNER Roman Pebble Ring SARAHGARDNER Opal Rising Band SARAHGARDNER OpalStar Pebble Ring STUDIOMELT AriAthansPetite Diamond9ctGoldRing SARAHGARDNER Constellation Ring STUDIOMELT Atelier NarceGoldOvalFaceRing SARAHGARDNERJEWELLERY
available at Studio Melt
201 | Façon | Dreaming Edition
Dreaming Edition
202 | Façon | Dreaming Edition
Dreaming Edition
Videography by DARBY YOUNG
203 | Façon | Dreaming Edition