Portfolio

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ROY WANG’S PORTFOLIO 2010


ROY WANG HAN YI

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BIRTH INFORMATION 16 Nov 1987 th

CURRICULUM VITAE

Male, Chinese Singaporean

EDUCATION

April, 2012 Bachelor of Fine Arts Visual Communication School of Art Design & Media, Nanyang Technological University December, 2005 GCE ‘A’ Levels St Andrew’s Junior College December, 2003 GCE ‘O’ Levels River Valley High School

SOFTWARE SKILLS Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Adobe Aftereffects, Adobe Lightroom, Final Cut Pro, DVD Studio Pro

RELEVANT SKILLS Fine Arts, Art Direction, Branding, Photography, Illustration, Copywriting, Fiction writing, Bilingual (English & Mandarin)

PROFESSIONAL PRACTICE

ART & DESIGN ARTIST 2008 – Present

LIVING PORTRAITS Branding, Art Direction, Curating, Design execution, Photography & Marketing of a brand new art gallery / heritage centre space.

MINISTRY OF EDUCATION, TEMASEK JUNIOR COLLEGE Branding and Design execution of poster and collaterals for a nation–wide tertiary level environmental fashion carnival.

SINGAPORE ART MUSEUM (8Q) Branding, Art Direction, Design execution of Tactile exhibition held in 8Q, Singapore Art Museum

NEU PRINT PTE LTD Handled ad-hoc graphic layout and execution, includes posters, banners, magazines, pamphlets, brochures, point-of-sale material etc

SONY SINGAPORE Design execution and layout of press–kit, marketing collaterals, point-of-sale material, guidebooks, manuals, posters and shopping bags SKIN INC Product photography, Design execution & layout of marketing collaterals, point-of-sale material, posters, event photography, store photography (Orchard Central, Resorts World, Orchard Ion) SUNGEI BULOH NATURE RESERVE Reproduction of the Sungei Buloh Guidebook and teacher’s pack JULIETTE HAS A GUN Event Photography PAUL & JOE Event Photography, Production of Point-of-sale material LOEWE Event Photography JUICY COUTURE Event Photography

SITTING IN PICTURES Set Design and painting of backdrop for Mediacorp OCTO Drama, Cafe 13 THE CHINESE WEDDING SHOP Product Photography, Store Photography PRESTIGE PRODUCT DISTRIBUTION Store photography (CK Tang,Takashimaya) NTU SCHOOL OF ART DESIGN & MEDIA Motion typography, Caption Design, Press kit design and execution for Asst Prof Vladimir Todorovic. Includes poster, postcards, typography, DVD menu & label design for two films, The Snail on the Slope, and Silica ESC Publication Design for Asst Prof Ina Conradi, includes layout and typography design for a 100 page publication featuring her teaching methods and her past students works. MY CHICKEN RICE STALL Restaurant menu design SPOC PTE LTD Illustration for print media, Singapore Food Festival 2009


ARTIST STATEMENT

COMPETITIONS, AWARDS & EXPERIENCES TBA, 2010 Exhibition Tiger Translate Double Vision 2010, Growth of the Hell Bank August, 2010 Crowbar Awards 2010 / Silver, Publication Design Tasting Colors August, 2010 Crowbar Awards 2010 / Finalist, Publication Design Intercause July, 2010 Commonwealth Photographic Awards 2010 / Judges Select, Top 10 Fantasies of the Concrete Jungle June, 2010 Exhibition / 12x: An Art Experiment Fantasies of the Concrete Jungle June, 2010 Exhibition / Pameran Poskad 2010 Fantasies of the Concrete Jungle July, 2009 Crowbar Awards 2009 / Finalist, Illustration Roybot & Sweets December, 2008 Exhibition/ Pameran Poskad 2008 Roybot & Sweets August, 2005 Exhibition / Gilles Massot Retrospecs and future pixs August, 2001 Exhibition / NUS Childhood Adolescence

I’ve been trained in Fine arts since I was a young age of 3, in genres such as painting, drawing etc, and it was only in the recent 5-6 years have I been experimenting in other disciplines like Photography and Graphic design. I think no matter what I do, I look to incorporating these different realms together, because I believe fundamentally art is a form of universal passion and expression, and bringing these different principles together does allow for innovation and the element of the ‘unexpected’ in conveying what I want to say. Currently majoring in Visual Communications does allow me, in a lot of ways, bring forth design principles to my Art concepts, inspiring a more liberal approach and a spirit of unconformity in producing my work.


ROY WANG HAN YI

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DIFFERENT, WE LIVE TOGETHER [ Links ] http://factory1611.com/2009/10/different/


Digital Photography, October 2009 4 panels, 84.1 x 237.6cm A work born out of an exploration trip down to Little India, Singapore. Taking on a drifting approach, (allowing one to wander freely guided by free will) and visually documenting the entire experience of sight, smell, experience, and also the typography in the environment, I started to see how many people born of different ethnic groups and different nationalities co-exist in this unique system seldom observed in other parts of Singapore. Languages, verbal and written differ from lane to lane, shop to shop, and this intricacy in our society, is exactly what defines it, whereby people communicate as a collective whole. This particular work borrows on the main ingredients of a popular dish found in Little India, mutton curry: Potato, Onion, Coconut milk & Mutton. As objects pass through a liquid surface, its very properties that define it visually gets abstracted and what we see is in fact an image of inference or a collective of ideas. I felt that this analogy was very appropriate for what I had wanted to express about this area. On top of that, I superimposed text of different languages, from photographs taken at the location itself, onto the objects as an added-on representation of Little India itself.


ROY WANG HAN YI

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TASTING COLORS 吃出色彩 Color themed bilingual (English / Mandarin) cookbook, May 2010

CROWBAR AWARDS 2010 PUBLICATION DESIGN, SILVER AWARD

CONCEPT

Art Direction, Design, Copywriting, Photography:

This Color themed bilingual (English/Mandarin) cookbook

Roy Wang

aims to remind one of the intricate relationship between color in food, and colors in everyday life, often ignored

Produced by FACTORY 1 6 11

or un-realized by the hurried city dwellers of our times, through a fictional diary of a personality(fresh grad who just embarked on his career). In this edition, the color featured is Yellow, and the hope is such that after reading this book, one would pause for a moment once in a while, reflect and appreciate this beautiful world that we reside in.

[ Links ] http://factory1611.com/2010/05/tasting-colors-吃出色彩/ http://issuu.com/factory1611/docs/tastingcolors


LIVING PORTRAITS Branding, Art Direction, Curating, Design execution, Photography & Marketing of a brand new art gallery / heritage centre space, Aug 2010

LIVING PORTRAITS

BRAND & IDENTITY

DESIGN DIRECTION

LIVING PORTRAITS

BRAND & IDENTITY

LOGO COLORS RECOMMENDED COLORS (SECONDARY)

DARK BROWN C:55% M:60% Y:65% K:40%

LIGHT BROWN C:25% M:25% Y:40% K:0%

“HERITAGE MIX” CONSISTS OF LIGHT & DARK BROWN CONSIDERED AS CONCEPTUAL APPROACH TO LIVING PORTRAITS: THE DARK PAST & THE BRIGHT FUTURE

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Produced by FACTORY 1 6 11 & PERSPECTIVE

[ Links ] www.livingportraits.com.sg www.factory1611.com

The rise of Singapore from a colonial port city to one of the world’s most vibrant and successful nations has been the business of its extraordinary leaders. During the four and half decades since its independence, Singapore has grown form being a developing country to one of the most developed nations in Asia, despite its small population, limited land space, and lack of natural resources. Lee Kuan Yew has stated that Singapore’s only natural resources are its people and their strong work ethic. Living Legacy, featuring more than 200 oil paintings, other visual media and audio commentary, is divided into three sections: 1.)The Colonial Period, focusing on the landing of Sir Stamford Raffles in 1819 and the beginning of British colonial rule; 2.)Images of Everyday Life, depicting struggles for survival under colonial rule, the deprivations of war, confrontation with communism, federation with Malaysia and culminating with Singapore’s independence on a MONDAY

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9 AUGUST, 1965; 3.)Modernisation and Industrialisation, documenting the remarkable achievements of Singapore’s founding fathers: Lee Kuan Yew, Dr. Goh Keng Swee, Toh Chin Chye, S.Rajaratnam, Lim Kim San and Eddie Barker to name a few. The timing of this exhibition could not be more opportune, as Singapore recently lost one of its “most illustrious sons,” Dr. Goh Keng Swee, who died on SATURDAY, 14 MAY, 2010. It is imperative, as never before, to honour these exceptional leaders, so that, as Eugene K B Tan, a Law professor recently stated, “we do not have a collective amnesia about our past.” Singapore has its heroes; it needs to honour and recognize them as LIVING LEGACIES. Their lives, their legacies uphold and encourage the ideals and uniqueness of Singapore and its people.


ROY WANG HAN YI

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ROY@FACTORY1611.COM

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WATER ART [ Links ] http://factory1611.com/2009/07/water-art/

Conceptual Photography, July 2009 Digital Print, 118 x 84cm Its amazing how our minds start to disassociates unclear matter from their nature, and abstracts their shapes and colors in order to understand, by relating to other familiar objects. My work, uses water as a medium to adopt the colors and shapes, and with them, generate optical diversity and movement, and in effect engenders imagination to how or what things could be through an abstract Photographic composition of light on light, color on color, shapes verging on shapes.


ROY WANG HAN YI

CALL TO CHAT

EMAIL ME

VISIT

+65 9369 1342

ROY@FACTORY1611.COM

WWW.FACTORY1611.COM

FANTASIES OF A CONCRETE JUNGLE CONCEPT

Series of 10, Digital Photography print, April 2010

This piece, titled Fantasies of a Concrete Jungle explores on the societal conflict between technology, human, and nature. As a society progresses on and embarks on more technological exploits that comes at the price of nature, one wonders we would get to experience this natural warmth of beauty tomorrow. Especially so for city dwellers like us, surrounded by a concrete jungle everyday, have we on a larger basis forgotten this existence of this beauty ourselves. My photographic piece, using a futuristic, fantastical and imaginative approach which i really like, and is pretty childlike and vulnerable in many sense, questions whether nature, in the future, would exist simply as a fantasy or a constructed fragment of our history.

COMMONWEALTH PHOTOGRAPHIC AWARDS 2010, JUDGES SELECT

[ Links ] http://factory1611.com/2010/06/fantasies-of-aconcrete-jungle/


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NAMECARD DESIGN

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ART

DESIGN

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Roy Wang

+65 9369 1342 roy@factory1611.com

www.factory1611.com

FRONT BACK


ROY WANG HAN YI

CALL TO CHAT

EMAIL ME

VISIT

+65 9369 1342

ROY@FACTORY1611.COM

WWW.FACTORY1611.COM


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