FARAH ALREFAAE
Se l e c t e dWor k.
FARAH AL REFAAE J uni orAr chi t ect
EDUCATI ON 2 0 1 5 2 0 2 0
Bachel orDegr eeofAr chi t ect uralEngi neeri ng R a n k e da sF i r s t o f t h 2 e 6P a t c h2 0 1 9 2 0 2 0 Cl a s s
DATEOFBI RTH
A l I s r a ’ aP r i v a t eUn i v e r s i t y
7/8/ 1 997
NATI ONALI TY
J ORDANI AN
CONTACT
+962790956922
Farahal smai r . ar chi t ect @gmai l . com
2 0 1 5 2 0 1 4
Hi ghSchoolDi pl oma A s ma ’ aT h a t A L Nt a q e e nS c h o o l A mma n-J o r d a n
SKI LLS S OF T WA R E S
MODELLI NG & RENDER R E V I T/DY NA MO A UT OCA D3 D/ 2 D 3 DMA X/ V r a y S K E T CHUP
I a m aqua l i fie da nds k i l l e da r c hi t e c t , wi t haba c he l o r ' sde g r e ei na r c hi t e c t ur a l e ng i ne e r i ng f r o mI s r a aPr i v a t eUni v e r s i t ya ndr a nk e dfir s t o f2 02 0c l a s s .
L UMI ON I NF R A WOR K
I ha v eag r e a t a ppr e c i a t i o no f t hei mpo r t a nc eo f ‘ De s i g na ndF a br i c a t i o n’ i no url i v e sa nd mo r ei mpo r t a nt l y , i nt hel i f ea ndpr o f e s s i o no f a na r c hi t e c t . Thepa s t s i xy e a r so f myl e a r ni ng pr o c e s ss t r o ng l yr e fle c t t hi sa dmi r a t i o n.
GRAPHI C & PRESENTATI ON
I ' m pa r t i c ul a r l ypr o udt oha v ec o nt r i but e dt omyfir s t l a r g es c a l epr o j e c t LUS AI LKATARA HOTELNORTHTOWER,whi c hI wa spa r t o f dur i ngmywo r ka t RUMAt e l i e ra sa nJ uni o r a r c hi t e c t . Thi swi de r a ng i nge x pe r i e nc eo f ac o mpl e x , l a r g e s c a l ea r c hi t e c t ur a l pr o j e c t ( whi l es i mul t a ne o us l ywo r k i ngo no t he rs ma l l e rpr o j e c t s ) ha sa c c e l e r a t e dmyl e a r ni ng-no t . o nl ymyt e c hni c a l de s i g na nddr a wi ngs k i l l sbut a l s os o f t s k i l l sa st i mea ndt a s kma na g e me nt Mya mbi t i o nt obe c o mea na r c hi t e c t wa si g ni t e ds i nc eI wa sy o ung , I ha v ea dmi r e di nt r i c a t e bui l di ng sa nds t r uc t ur e s . I a m na t ur a l l ydr a wnt ot hi sc a r e e rbe c a us ei t r e qui r e sl o t so f c r e a t i v i t ya nda ne y ef o rde s i g n. Be i nga na r c hi t e c t a l s oa l l o wsmet oi nt e r a c t wi t hpe o pl e , whi c h i si mpo r t a nt t omebe c a us eI a m as o c i a l pe r s o n. I e nj o yDe s i g ni nge v e r y t hi ngs t a r t i ngf r o ma . pe nt oas k y s c r a pe r , e a c hde s i g nj o ur ne yi sane wc ha l l e ng et ha t I s t r i v et oa c hi e v ea nds o l v e I a mk e e nt odi s c us sho wc a nI a ddv a l uet oy o urfir ma nda ddr e s sque s t i o nsy o uma yha v e a bo ut mea ndmypo r t f o l i oi na ni npe r s o ni nt e r v i e w . S i nc e r e l y , F a r a hAl Re f a a e
.
A d o p eP h o t o s h o p I n d e s i g n
I NTREST
WORKSHOPS
P o we r p o i n t
SCAN TO BI M Furni t ur eDesi gn P A R A MT R I CA R CHI T E CT UR EF A B R I CA T I ON UR B A NP L A NNI NGA R CHI T E CT UR EP HOT OGR A P HY Gr a p h i cDe s i g n, I n t e r i o r De s i g n , F u r n i t u r eDe s i g n
2 0 1 8
AUTODESK REVI T
A E Ce d xK a r a mB a k i
2 0 1 8
ADOPEPHOTOSHOP
A E Ce d xS A I FS ME I R A T
2 0 1 7
MANUALRENDERI NG
J OUR YS P A CE
2 0 1 5
AUTOCAD
PORTFOLI O I S S UU I NS T A GR A M L I NK E DI N
LANGUAGES
i s s u u . c o m/ f a r a h a l s ma i r 9 7 F a r a h _ r e f a a e F a r a hA l R e f a a e
F l u e n t i nE n g l i s ha n dA r a b i c( Na t i v e)
CONTENT SCAR OFABSENCE
RENDERS DI AGRAMS RECOMMENDATI ON
SCAROFABSENCE
Memor i alPr oj ect-Gr aduat i onPr oj ect MODELED AND RENDERBYREVI T2020
201 9-2020
SCAR OFABSENCE Fi f t hYear-Spr i ngSemes t er2020 Appr oach:
Thi spr oj ectt el l sTheAr abs t or yandhi ghl i ght sCul t ur alChangesi nahi s t or i calf r amewor k. Fi ndst hecommon gr oundt hemi ddl eeas ts har esi nt er msofcul t ur als i mi l ar i t i est oemphas i zeuni t ys t r et chi ngf r om Nor t hAf r i ca, t heAr abi anGul ft ot heLevantThechangest hemi ddl eeas tr egi onwasexpos edt o, r eflect edheavi l yoni t s cur r entcul t ur als t at e. Fr om pr act i cesoft heot t omanst oPal es t i ni anl i t er at ur et owes t er nmedi a, t hi spr oj ect hi ghl i ght scul t ur alchangesi nahi s t or i calf r amewor k. Wear eonenat i onWear eoneLand. Locat i on TheSi t ei sl ocat edi nMadaba-J or danwi t ha30. 000m2Tot alAr ea. t hes i t ehaspanor ami cVi ewsTowar dsThe Pal es t i ni anl andwhi chcons i der edt hemai nAr abi cpol i t i cali s s ue, Bes i desbei ngcl os et ovar i oust our i s tpl aces i nMadabaandt heDeadSea.
SCAR OFABSENCE
Bel ongi ng
Uni t y
Di as por a
Di vi s i on
Al i enat i on
Par t s
I nt er i orShot , Phas e1 How WeSeeOurReflect i onI nOt herLanguages
I nt er i orShot , Phas e2 Pal es t i ni anExhi bi t i on
S SC CA AR ROF OFA AB BS SE ENC NCE E Speci alFur ni t ur eUsedI nal lExhi bi t i ons Model edI nRevi t2020
Gl assSt ands BI M -Fur ni t ur e
Thesi sBook Ful lThesi sBookDesi gnedByPhot oshop
KATARAMARI NALUSI AL ROOM VALUTS-FABRI CATI ON -1 30ROOMSRUM ATELIER DRAFYED /MODELED BYAUTOCAD AND RI HNO
3D PRINTING MODEL DONE IN RUM ATELIER
Dr awi ngs
BUI LDI NG FABRI CATI ON
I nt eri orDesi gn
DI AGRAMS
LANDSCAPEDESI GN SOFTWARE: REVI T
LANDSCAPEDESI GN
TEAM WORKWI THMAJ D ALDROUBI
T h ed e s i g ni si n s p i r e db yt h ea n e mo n efl o we r , wh i c hi so n eo f t h e mo s t p o p u l a rn a t i v efl o we r si nt h er e g i o n A si t e x p r e s s e st h ec l o s e d n e s st o wa r d st h eo u t s i d ea n dt h eo p e n n e s st o wa r d st h ei n s i d e , a n di t d o e sn o t l i v ea l o n e , a si t i sd e s c r i b e da sac o l l e c t i v eo f l i v i n ga n dr a i s i n g