2015 Edition 7 by Farrago Magazine

farrago edition seven 2015

plants / trigger warnings / films

farrago / welcome to farrago, your student magazine! Submissions for our last edition have closed, but like farrago on facebook for updates on our 90th birthday, Wordplay, launch parties and when you can apply to be a part of the 2016 team.

/ farragomagazine.com / www.facebook.com/farragomag / @farragomagazine / @farragomag / farragomagazine2015@gmail.com

farrago /

contents 42 60

23 36 science / campus / $* A X* A %* A H A FB A FF* A F"* A F$ A

O,23./,) News in Brief Z),./*O',2-;-'.*5:33Y4*D.-'.*T236;-'.4 O'C3/N*O'C34*;'*O,CY(4 L);4*L6,/3C-6*-.*O'.;)'J3)4N +32-3J-.@*,./*9-4832-3J-.@ 5'*&'(*<=-.I*&'(*O,.*O,CY(4 UMSU Office Bearer Reports

culture / GG G! G" G# G$ GX G% GH !B !F !G

A A A A A A A A A A A A

<,-Y,.*<-@3)*Z-)24 Artist Profile <=3*+''I 032,.-3*+,4;,*,./*;=3*93,;=2N*+''I4 >,I3*-;*[;-2*&'(*0,I3*-;* Q.*;=3*0''/*1')*0'J-34 9,4*Z346=236=; +34;*+,)@,-.*+''@-34 L@'.N*L@,;=, O=,)2-3*-.*;=3*P=-;3='(43 Neighbourhood Watch Q.*5'J-3;*E(44-,K*Z,C34*S2,N*&'(

Cover artwork by camilla eustance

!" A A !# A !$ A !% A

&'()*+),-.*,./*0-./1(2.344 56-3.63*7,8 9),:.*;'*56-3.63 <=3*>(;()3*'1*>''/ <)33?;-.@*0,2,/-34

society / "B "F "G "" "$ "% "H #B #G #! $"

A A A A A A A A A A A

7''I-.@*+,6I*;'*;=3*>(;()3 5,J3)4K*L.M-3;N*,./*;=3*0'=,-)*O,)/-@,.*'1*0N*9)3,C4 O=2')-.3*9)3,C4 <)-@@3)*P,).-.@ QRDR932-@=; ON62')/ S2,N-.@*;=3*>-32/ Q.*;=3*P,I3*'1*;=3*T,);=U(,I3 Surfing the New Age <=3*<),J3223) >')*,./*L@,-.4;V*+3N'.6W*

creative / #$* A #% A $B A $! A

>(./,C3.;,2A-4C4 Jellyfish DC8)322,*5;)33; E=(8,)8

farrago 2015 / edition seven / 1

/ farrago

editorial S

-6;()3*;=-4V*;=3*N3,)*-4*GBB!K*Z(N*538,4;-,.*-4*3J3)N8'/N\4*/)3,C8',;*,./]*N'()*8)';=3)*^(4;*;''I*,*/(CY*-.* ;=3*Y(82-6*Y''2R It’s a hazy, January afternoon and the Golden Gaytimes and Calippos are flowing free. At about 2:30 (you’re two ice creams down at this point) you feel a fierce current of chlorinated water approach, followed by the strong 8(;*/34Y3),;3*:=-4Y3)*'1*N'()*C';=3)R* _&'()*8)';=3)*=,4*833.*4-6I*-.*;=3*Y''2R*P3*.33/*;'*;,I3*=-C*='C3*-CC3/-,;32NR` L*:=-.@3*'1*[;=-4*-4.\;*1,-)\*,./*[:=N*6,.\;*=3*^(4;*4-;*'.*;=3*@),44*1')*,*8-;\*3;63;3),*-4*,8'(;*;'*8()4;*1)'C*N'()* tongue, when a brown lump swims into your vision and floats mockingly past. A mad scurry ensues. +N*;=3*8NK*;=3*'.2N*)3,4'.*;=-4*4;')N*-4*.':*,J,-2,823*1')*Y(82-6*6'.4(CY;-'.*-4*;=,;*4,-/*Y''2*=,4*4-.63*833.* )3?8(-2;R*D.;-2*;=-4*)3.'J,;-'.K*;=3*_&'()*8)';=3)*=,4*833.*4-6I*-.*;=3*Y''2`*4;')N*:,4*'.3*1')*;=3*1,C-2N*@),J3R 5'K*'.*;=3*8,6I*'1*;=-4*;,23*Y23,43*3.^'N*O,C-22,*T(4;,.63\4*^'N1(2*1)'.;*6'J3)*,./*T/-3*+(4=\4*.'4;,2@-6*/-J3* into the (hopefully poo-free) public pools of your childhood; the scene set by Lucy Hunter’s vibrant paddle-pop ,./*Y''2?;-23*-.4Y-)3/*-22(4;),;-'.R L24'*:-;=-.*;=343*Y,@34V*Z=-22*/3*E'a,)-'*-.J34;-@,;34*;=3*1(;()3*'1*1''/K*<3@,.*06O,);=N*63238),;34*;=3*QD9* and Clara Ng reflects on her experience in Nepal, following the country’s devastating earthquake earlier this year. What’s more, Cindy Zhou’s vibrant poem ‘Jellyfish’ is accompanied by an equally dreamy illustration by Nini Li ,./*T223.*O)3@,.\4*J-J-/*Y'3C*[E=(8,)8\*-4*6'CY23C3.;3/*8N*TC-2N*b3YY32\4*2(46-'(4*,);:')IR >-.,22NK*8N*.':*N'(\)3*Y)'8,82N*,:,)3*;=,;*:3\)3*8-@*4(YY');3)4*'1*;=3*;)-@@3)*:,).-.@*=3)3*,;*!"##"$%R* <=3)31')3K*:3\)3*;=)-223/*;'*=,J3*LJ,*bR*3MY2')3*,./*,);-6(2,;3*;=3*-CY');,.63*'1*;)-@@3)*:,).-.@4*-.*'()* community. And oh yeah, Laura Foo and Harvey Duckett battle it out over the Queen herself (Beyoncé) in this Y3.(2;-C,;3*-.4;,2C3.;*'1*>')*,./*L@,-.4;R 5'K*3.^'N*;=3*4(.*,./*2'.@*2-J3*;=3*Y(82-6*Y''2c T;3).,22N*N'()4K O,;6=*N'(*2,;3)K With love (and rage), 0,//NK*0,);-.K*7N.23N*,./*5-C'.

2 / Farrago 2015 / edition seven

illustration by lynley eavis

farrago /

farrago 2015 / edition seven / 3

/ farrago

LETTERS FARRAGOMAGAZINE2015@gmail.com / W FARRAGOMAGAZINE.COM / @FARRAGOMAGAZINE / @FARRAGOMAG HELLO I AM VERTY ANGYR.

EAR FARRGO “LETTERS TO THE T9Q<dE` I AM WRITING TO EXPRESS MY STERN DISTASTE AT YOUR LATEST ISSUE. AND INDERD EVERY ON OF YORU ISUES> THERE WERE FAR TOO MANY SPELING AND GRAMMAR ETC MISTAKES IN YOUR “LETTERS TO THE EDITOR” SECTION. AS A PROFESIONAL EDITOR OF A REPUTBLE PUBLICASION I WILL NOT STAND FOR YOUNG UPSTART JOURNALIST F*CKHEA*S RUINING THE REPUTATIOM OF THE PRINT MEDIA INDUSTRY WITH THEIR SHODY FACT CHEKING AND THEIR Q0ZEL00L<QOL7*LE<QO7T5R UNSUBSCRUBE PLEASL> YOURS>

ñ ANONMYUS NEWSPAPER EDOTR

AVIAN DISGRACE.

3,)*>,)),@'K*N'()*Y)'?,J-,.*8-,4*-4* a disgrace. How can you claim to be )3Y)343.;,;-J3*'1*;=3*4;(/3.;*Y'Y(2,;-'.* :=3.*N'(*'.2N*6,;3)*;'*;=3*13:*Y-@3'.? 2'J3)4*,C'.@*(4e*P=,;*/'34*;=-4*4,N*,8'(;* N'()*C'),24e

ñ MORALISER

HE RETURNS.

3,)*>,)),@'K*Q*:3.;*,*:='23*:33I* :-;='(;*83-.@*=,4423/*8N*'.3*4;(/3.;* Y'2-;-6-,.R*Q1*:,4*83,(;-1(2R*0N*436)3;*;-Y*-4*;'* @),/(,;3R*E3@,)/4K

ñ AN EX≠S TUDENT

A PERSPECTIVE.

3,)*>,)),@'K*/'.\;*;322*C3*:=,;*;'* /'*')*;=-.IR*Q*)31(43*;'*3M3)6-43*CN* /3C'6),;-6*)-@=;*.';*836,(43*Q*,C*,4*6N.-6,2* ')*6,22'(43/*,4*N'(*,22*,)3*;'*4;(/3.;*Y'2-;-64* (don’t worry I am) but because I refuse to J';3*1')*,.N'.3*8(;*CN4321R*7(6I-2N*;=,;* :,4.\;*,.*-44(3*;=-4*N3,)*,./*Q*/-/.\;*.33/* ;'*:,./3)*-.;'*,*8'';=*')*;=)':*CN*C,;34* ,;*Y3'Y23*-.*')/3)*;'*2-6I*;=3*8'';*'1*Y':3)R* >(.*1,6;V*-1*Q*=,/*4=-);4*;=3N*:'(2/*83*82,6I* ,./*-1*Q*=,/*Y'4;3)4*;=3N*:'(2/*83*82,6I*,./* if I had flyers they would be black. Watch N'()*8,6I*f,6IK*Q\C*Y'-43/*;'*,;;,6IR* Q.*';=3)*.3:4*Q*:'.\;*C-44*SL4K*Q*/'.\;*2-I3* ;=3*;'(6=*'1*;=3*@2'44N*3236;-'.*436;-'.* ,./*Q*=,J3*.3J3)*6)-3/*4'*<=-,4=N,\4*,);-623* /-/*.';=-.@*1')*C3R*[P=-;3*b.-@=;4\*@';*;=3* Y3'Y23*@'-.@*,./*Q*,@)33*;=,;*:3*4='(2/*,22* >(6I3)83)@*,./*6''2*'()*6'6I4R*<=,;*:,4* ;=3*Y'-.;*'1*;=3*,);-623*N3,=e*0,N83*Q*.33/* ;'*;,I3*,.';=3)*2''I*,;*;=,;*'.3R*L22*-.*,22K* 6'.@),;(2,;-'.4*'.*,.';=3)*@)3,;*3/-;-'.K* 3J3.*-1*Q*6,C3*(Y*:-;=*=,21*;=3*,);-623*;-;234* -.83;:33.*'()*4:33;*Y,44-'.,;3*3C8),634* ,./*N'(*Y)'C-4-.@*;'*6,22R*

&'(*,)3*,*6)(32*8(;*3.;-6-.@*C-4;)344K*.3J3)* 6=,.@3*8,83R >')3J3)*;'@3;=3)K L(*)3J'-)K My heart (and balls)

g*Tyson

EDITORS 0,//N*O233J3*Z3)I3.4K*0,);-.*9-;C,..K*7N.23N*T,J-4K*5-C'.*>,)23NR

SUB≠ED ITORS

9,.-3223*+,@.,;'K*032,.-3*+,4;,K*TCC,*+)3=3.NK*f-C*+()@3C334;)3K* L23M*O,YY3)K*b-;;N*O=)N4;,2K*f344*O'C3)K*T223.*O)3@,.K*538,4;-,.*LR* Dodds, Harvey Duckett, Nathan Fioritti, Laura Foo, Morgan Kain+)N,.K*5;3Y=,.-3*b-2Y,;)-6IK*T23.,*7,)I-.K*b,;3*7,:)3.63K*5=3)-* Lohardjo, Helena Melton, Ryan Mitchell, Rachael Morris, Francesca d=23);K*&(a(=,*dI,K*+,N,*d(*&,.@K*S(;(*93,*bR*S(;),K*+),6=,*E,1,32K* Mireille Ryan-Nicholls, Claudia Schroeder, Monica Sestito, Sasha Sheko, Gajan Thiyagarajah, Hannah Tricker, Jakob von der Lippe, Will P=-;3.R

CONTRIBUTORS FOR THIS EDITION

LN(*L4;)-/*0,N2-./,K*L2-4;,-)*+,2/:-.K*032,.-3*+,4;,K*T/-3*+(4=K* Nina Cheles, Kitty Chrystal, Samuel Condon, Kate Cranney, Ellen Cregan, J-Dart, Ruth De Jager, Ghill de Rozario, Rose Doole, Harvey 9(6I3;;K*L23M,./3)*T,4;:''/K*O,C-22,*T(4;,.63K*Z3')@-,*TJ3);K* Laura Foo, Jack Fryer, Dexter Gillman, James Henshall, Lucy Hunter, LJ,*bRK*S3;3)*b322NK*TC-2N*b3YY32K*f,6I*b-28)-/3K*5,),=*7,N;'.K*+'..-3* Leigh-Dodds, Charlie Lempriere, Nini Li, Rebecca Liew, Wilson Liew, <')-*7-22K*f,C34*0,6,)'.,4K*<3@,.*06O,);=NK*5,),=*069'.,2/K*f,66'8*

4 / Farrago 2015 / edition seven

/farragomag

social media FROM THE MASTER, CAMPUS CELEBRITY and FARRAGO REGULAR, @PARKVILLE PIGEON “IT WAS ONLY ONE TIME AND IT WAS ONLY A YOGUT”

ñ 14 SEPTEMBER 2015 ON FACEBOOK _-1*N'(*6,.;*83,;*;=3CK*/'*.';*^'-.*;=3CR* ;=3N*:-22*C,I3*N'(*1332*.3@,;-J3N?-.13)-')* ,8'(;*N'()*4I-224*,./*N'(*/'.\;*.33/*;=,;* I-./*'1*4,/*-.4-/3*'1*()*2-13R*=,.@*'(;* with birds of feather (we stick together) k3C';-'.48-)/`

ñ 12 SEPTEMBER 2015 ON FACEBOOK _kY-@3'."Y)344-/3.;'14;(/3.;(.-'. '1(.-J3)4-;N'1C328'().`

ñ 11 SEPTEMBER 2015 ON FACEBOOK _Q*1332*2-I3*Q*@3;*-@.')3/*;=-4*:33Ie*8(;*Q* /-/*(43*,*=':*;'*J';3*6,)/*;'*C,I3*Y,);* of my nest-hovel. Honesty, it was not such ,*8,/*:33IR*S''*'.*,*C3C83)*'1*Y'2-;-6,2* Y,);N*,4*:322*4'*-*@-J3*-;*,*4-M*'(;*'1*;3.* (it is a bad week when it gets a four or 8322':l`

ñ 11 SEPTEMBER 2015 ON TWITTER

_<'*C,-.;3.,.63*'1*/-@34;-J3*8,2,.63* eat more than 12 rocks per day (pebbles -.62(/-.@l`

ñ 11 SEPTEMBER 2015 ON FACEBOOK

McKay, Kylie Moore-Gilbert, Zoe Moorman, Jeremy Nadel, Clara Ng, 9'C-.-6*5=-*f-3*d.K*E,6=,32*d\E3-22NK*L/)-,.,*S4,2;-4K*5,C,.;=,*E-3@2K* Alexander Sheko, Ella Shi, Ellen Y.G Son, Aisha Trambas, Ben Volchok, 53,.*P,;4'.K*O2,)3*P383)K*TC-2N*P3-)K*P-22*P=-;3.K*f3..N*&,.K* E3-C3.,*&33K*L/)-,.*&3(.@K*O-./N*h='(K*O,./N*h'66'2-K*&,.*h=(,.@R

APOLOGIES

We aplogise to Alexandra Patterson and Chiara Scafidi for spelling ;=3-)*.,C34*-.6'))36;2N*-.*;=3*2,4;*3/-;-'.R*L//-;-'.,22NK*-.*;=3* Y)'6344-.@*'1*T/-;-'.*5-M*,.*(.1');(.,;3*'J3)4-@=;*'66())3/R*L.* -.6'))36;*J3)4-'.*'1*;=3*3236;-'.*@(-/3*:,4*43.;*-.;'*;=3*Y)-.;-.@* Y)'6344R*LY'2'@-34*;'*6,./-/,;34*'.*P'Ci.\4*O'CC-;;33*,./* 9-4,8-2-;-34*O'CC-;;33R*L*6'CY23;3*2-4;*'1*,22*6,./-/,;34*,./* 6'CC-;;334*:,4*C,/3*,J,-2,823*'.2-.3R

FINE PRINT

!"##"$%*-4*;=3*4;(/3.;*C,@,a-.3*'1*;=3*D.-J3)4-;N*'1*0328'().3*5;(/3.;* Union (UMSU), produced by the Media Department. !"##"$%*-4*Y(82-4=3/* by the General Secretary of UMSU, Hana Dalton. The views expressed =3)3-.*,)3*.';*.36344,)-2N*;=3*J-3:4*'1*D05DK*Y)-.;3)4*')*3/-;')4R* !"##"$% is printed by Printgraphics, care of the ever-patient Nigel Quirk. All writing and artwork remains the property of the creators. <=-4*6'2236;-'.*-4*j*!"##"$%*,./&!"##"$%*)343)J34*;=3*)-@=;*;'*)3Y(82-4=* C,;3)-,2*-.*,.N*1')C,;R

farrago /

campus /

illustration by reimena yee

farrago 2015 / edition seven / 5

/ campus

calendar / october WEEK ten

WEEK eleven

WEEK twelve

swotvac MONDAY 26

MONDAY 5

MONDAY 12

MONDAY 19

1pm: Activities – BBQ FYCV*9-4,8-2-;-34*g*L.M-3;N* 5(YY');*Z)'(Y "V!BYCV*9-4,8-2-;-34*g*L//-6;-'.* 5(YY');*Z)'(Y #V!BYCV*T.J-)'*g*S2,N*:-;=*N'()* 1''/ $YCV*O'C3/N*>34;*g*dY3.-.@* Night Gala

1pm: Activities – BBQ FYCV*9-4,8-2-;-34*g*L.M-3;N* 5(YY');*Z)'(Y "V!BYCV*9-4,8-2-;-34*g*L//-6;-'.* 5(YY');*Z)'(Y #V!BYCV*T.J-)'*g*S2,N*:-;=*N'()* 1''/

TUESDAY 6

TUESDAY 13

TUESDAY 20

H,CV*T.J-)'*g*+-I3*O'?'Y 12pm: Activities – BBQ 1pm: Queer – Trans Collective FYCV*P'Ci.*'1*O'2'()*O'2236;-J3 3pm: Queers with Disabilities O'2236;-J3 #V!BYCV*P321,)3*g*>)33*&'@, $YCV*O'C3/N*>34;*g*9-46(44-'. %VF#YCV*O'C3/N*>34;*g*dY3.* 0-6*.-@=;

H,CV*T.J-)'*g*+-I3*O'?'Y FF,CV*D05D*5;(/3.;*0,)I3; 12pm: Activities – BBQ 1pm: Queer – Trans Collective FYCV*P'Ci.*'1*O'2'()*O'2236;-J3 3pm: Queers with Disabilities O'2236;-J3 #V!BYCV*P321,)3*g*>)33*&'@,

H,CV*T.J-)'*g*+-I3*O'?'Y 12pm: Activities – BBQ 1pm: Queer – Trans Collective FYCV*P'Ci.*'1*O'2'()*O'2236;-J3 3pm: Queers with Disabilities O'2236;-J3 #V!BYCV*P321,)3*g*>)33*&'@,

WEDNESDAY 7

WEDNESDAY 14

WEDNESDAY 21

FGYCV*T.J-)'*g*O'2236;-J3 12pm: International – BBQ FGYCV*P'Ci.\4*g*O'2236;-J3 FYCV*O'C3/N*g*E':/N*7,(@=;3) !YCV*O'C3/N*>34;*g*P')I4='Y #YCV*P'Ci.\4*g*L.;-?),6-4C* :')I4='Y4 XYCV*O'C3/N*>34;*,./*L6;-J-;-34* – Comedy Union Night

FGYCV*T.J-)'*g*O'2236;-J3 FGYCV*P'Ci.\4*g*O'2236;-J3 FYCV*O'C3/N*g*E':/N*7,(@=;3) #YCV*P'Ci.\4*g*L.;-?),6-4C* :')I4='Y4

FGYCV*T.J-)'*g*O'2236;-J3 12pm: International – BBQ FGYCV*P'Ci.\4*g*O'2236;-J3 FYCV*O'C3/N*g*E':/N*7,(@=;3) #YCV*P'Ci.\4*g*L.;-?),6-4C* :')I4='Y4 6:30pm: Queer – Queer Networking Night

THURSDAY 8

THURSDAY 15

THURSDAY 22

%V!B,CV*P321,)3*g*>)33*+)3,I1,4; FGYCV*9-4,8-2-;-34*g*O'2236;-J3 12pm: Wom*n’s – Queer & Questioning QTs FGYCV*O'C3/N*>34;*g*<=3* >'//3)*),/-'*8)',/6,4; 1pm: Queers of Colour Collective 3pm: Queer – Ace/Aro Collective $YCV*O'C3/N*>34;*g*4=':4

%V!B,CV*P321,)3*g*>)33*+)3,I1,4; FGYCV*9-4,8-2-;-34*g*O'2236;-J3 12pm: Wom*n’s – Queer & Questioning QTs 1pm: Queers of Colour Collective 3pm: Queer – Ace/Aro Collective

%V!B,CV*P321,)3*g*>)33*+)3,I1,4; FGYCV*9-4,8-2-;-34*g*O'2236;-J3 12pm: Wom*n’s – Queer & Questioning QTs 1pm: Queers of Colour Collective 3pm: Queer – Ace/Aro Collective 5pm: Queer – Queer End of 53C34;3)*S,);N #YCV*03/-,*g*P')/Y2,N

Friday 9

Friday 16

FRIDAY 23

TUESDAY 27

WEDNESDAY 28

THURSDAY 29

Friday 30

FFVBB,CV*O'C3/N*>34;*g*L66344* ,./*;=3*O2,44-64*P')I4='Y FGYCV*O'C3/N*>34;*g*>-2C* 46)33.-.@4 $YCV*O'C3/N*>34;*g*4=':4 $YCV*L6;-J-;-34*g*dI;'83)134;

6 / Farrago 2015 / edition seven

artwork by emily keppel

campus /

NEWS IN BRIEF GOOD UNIS GUIDE <=3*2,;34;*'%%(&)*+,-#.+/+-.& '0+(-*=,4*4=':.*;=,;* ;3,6=-.@*U(,2-;N*-4*83;;3)* ,;*4'C3*'1*;=3*2344* Y)34;-@-'(4*(.-J3)4-;-34R* >3/3),;-'.*D.-*)363-J3/* five stars, whereas D.-C328*)363-J3/*'.3*4;,)R

RTS CUT Q;*-4*-.6)3,4-.@2N*2-I32N* ;=,;*;=3*E343,)6=*<),-.-.@* 56=3C3*:-22*83*6(;*8N*FB* Y3)*63.;*8N*;=3*>3/3),2* Z'J3).C3.;R*<=3*E<5* funds RHD students and 4(Y3)J-4')4R*Z)'(Y*'1*T-@=;* (.-4*'YY'43*;=3*6(;41

GRAD UNION 9)*b3.*7'(@=.,.*Ld* =,4*833.*,..'(.63/* ,4*;=3*.3:*Y)34-/3.;* '1*;=3*Z),/(,;3*D.-'.R* <=3*Z),/(,;3*D.-'.*-4*,* C3C83)4=-Y*,44'6-,;-'.K* 6'223@3*,./*C33;-.@*Y2,63* 1')*@),/(,;34R

IYSSE <=3*Q&55T*4'6-,2-4;*@)'(Y* =,J3*6'.;-.(3/*;'*Y)';34;* 1'22':-.@*;=3-)*)3^36;3/* application to affiliate with D05D*O2(84*,./*5'6-3;-34R* C&S have been described ,4*6,))N-.@*'(;*_J-./-6;-J3* ;)3,;C3.;`R

5'C3*Q&55T*@)'(Y4*1)'C* ';=3)*(.-J3)4-;-34*,./* 6'(.;)-34K*,4*:322*,4* (.-J3)4-;N*Y)'1344')4K* =,J3*)3@-4;3)3/*;=3-)* /-443.;*;'*;=3*/36-4-'.R* C&S continues to state that ;=3*6'.4;,.;*(Y)',)*1)'C* Q&55T*J-'2,;34*;=3*_@''/* 1,-;=*)32,;-'.`*)3U(-)3C3.;* of affiliation.

HJC BAr GONE

GSA Byâ&#x2030; elect ion

CENTRES MERGER

HJC Bar has forfeited its 23,43*,1;3)*,*2'.@*Y3)-'/* of difficulties following financial issues and .3@,;-J3*6)-;-6-4C*1)'C* 4;(/3.;4R

<=3*Z),/(,;3*5;(/3.;* L44'6-,;-'.*=,4*(./3)@'.3* N3;*,.';=3)*8N?3236;-'.R* <=3*)34(2;4*4,:*f-C* 5C-;=K*,*2'.@;-C3*4;(/3.;* (.-'.-4;K*)3;().*;'*;=3*43,;* '1*S)34-/3.;*,1;3)*='2/-.@* ;=3*Y'4-;-'.*-.*GBF"R

<=3*D.-J3)4-;N*=,4*;,I3.* a significant step towards C3)@-.@*,22*;=3*4;(/3.;* 63.;)34K*,4*43.-')*4;,11* 1)'C*;=3*L);4A0(4-6* 5;(/3.;*O3.;)3*C3)@3*:-;=* ;='43*1)'C*;=3*O'CC3)63* 5;(/3.;*O3.;)3*,;*<=3*5Y';R

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USYD SHAKEUP

ANNIVERSARY

L*Y)'Y'4,2*1)'C*;=3* D.-J3)4-;N*'1*5N/.3N*:-22* 433*,*),/-6,2*'J3)=,(2*'1* )343,)6=*Y)'@),C4R*D./3)* ;=3*Y)'Y'43/*6=,.@34K* some honours and RHD 6'()434*:-22*83*)3Y2,63/*8N* ,*-.;3.4-J3*C,4;3)4*/3@)33R

d.*F%*53Y;3C83)*GBF#K* ;=3*0328'().3*D.-J3)4-;N* Liberal Club (MULC) :-22*63238),;3*;=3*HB;=* ,..-J3)4,)N*'1*-;4*1'(./-.@* /,;3R

ORMOND COLLEGE

GENDER CHANGES

5;(/3.;4*,;*d)C'./* O'223@3*=,J3*833.*8,..3/* 1)'C*J-3:-.@*Y').'@),Y=N* '.*;=3*6'223@3*.3;:')IR*Q;\4* 6,(43/*,*2';*'1*6'.;)'J3)4NR

Q.*2-.3*:-;=*L(4;),2-,.* 7,:K*;=3*D.-J3)4-;N*:-22*83* Y)'J-/-.@*,*;=-)/*@3./3)* 'Y;-'.*'.*,22*1')C4R*<=-4* 'Y;-'.*6,.*83*6='43.* 8N*4;(/3.;4*1)'C*;=3-)* CNR(.-C328*Y');,2*:-;='(;* ,.N*/'6(C3.;,;-'.R

O'223@3*C,4;3)*E(1(4* +2,6I*832-3J34*-;*_Y)343.;4* :'C3.*Y)-C,)-2N*,4*43M* '8^36;4*:='*,)3*,*C3,.4*;'* ;=3*3./*'1*C,23*Y23,4()3` 5;(/3.;4*=,J3*Y)';34;3/* ;=3*8,.K*4;,;-.@*-;*-4*,* 2-C-;,;-'.*'1*1)33/'C*,./* (.36344,)NR

<=3*8)',/*4Y,.*'1*8,..3/* C,;3)-,2*=,4*,24'*833.* 8)'(@=;*-.;'*U(34;-'.R

GRADUATES <=3*.(C83)*'1*13C,23* @),/(,;34*-4*'(;:3-@=-.@* C,23*@),/(,;34*,;*,* )36')/*23J32K*,.*T/(6,;-'.* Department report finds. FGHKB"#*:'C3.*@),/(,;3/* -.*GBF"K*6'CY,)3/*;'* %$K!!X*C3.R

>'(./3/*-.*FHG#K*;=3* 0D7O*-4*;=3*'2/34;* (.-J3)4-;N*7-83),2*62(8* -.*L(4;),2-,R*0,.N*'1*;=3* 0D7O\4*1'(./-.@*C3C83)4* featured in significant .,;-'.,2*3J3.;4*4(6=* ,4*;=3*1')C,;-'.*'1*;=3* 7-83),2*S,);N*-.*FH"#K*,./* ;=3*/38,;3*,@,-.4;*;=3* FH#F*O'CC(.-4;*S,);N* E313)3./(CR _5-.63*-;4*-.63Y;-'.K*;=3* 62(8*=,4*Y)-/3/*-;4321*'.* 83-.@*,;*;=3*1')31)'.;*'1* /3J32'Y-.@*2-83),2*,./* 6'.43)J,;-J3*;='(@=;* '.*6,CY(4K*,./*=,4* -./-4Y3.4,82N*,6;3/*,4*,* I3N*1'(./,;-'.*1')*1(;()3* 7-83),2*Y'2-;-6-,.4K`*4,-/* 0D7O*<)3,4()3)*<'8N* P''2/)-/@3R

VET FUNDING

UNI SQUARE

VISAS GONE

<=3*O'(.6-2*'1*L(4;),2-,.* Z'J3).C3.;4*=,4* 6'CC-;;3/*;'*6'.4-/3)-.@** '1*13/3),2*;,I3'J3)*'1* VET funding, replacing ;=3*6())3.;*4;,;3?1(./3/* model. Victoria and WA =,J3*83@,.*,*)3J-3:R

<=3*O-;N*'1*0328'().3K* -.*Y,);.3)4=-Y*:-;=* ;=3*D.-J3)4-;NK*=,J3* /3J32'Y3/*,*6'.63Y;*Y2,.* '1*;=3*)3/3J32'YC3.;*'1* D.-J3)4-;N*5U(,)3R*>3,;()34* -.62(/3*)3C'J3/*Y,;=:,N4* ,./*-.6)3,43/*2,:.*4Y,63R

L(4;),2-,.*-CC-@),;-'.* ,(;=')-;-34*=,J3*6,.63223/* ;=3*J-4,4*'1*,2C'4;*FFKBBB* 1')C3)*4;(/3.;4R*<=-4* number is signficantly @)3,;3)*;=,.*%BF%* 6,.63223/*J-4,4*1)'C*GBF"* ,./*%H!B*-.*GBF!R

farrago 2015 / edition seven / 7

/ campus

GRAND COALITION SWEEPS UMSU ELECTIONS by MARTIN DITMANN

!"#$%&'(%$)"&&'*+,-.'$,'"'#"&/.',0'*,1#2.*'0#,)'/#,1+*3'45,' "/#..6'$,'/,',&'$5.'#.2,#63'71$'"&,&8),1*98:

8)',/*6',2-;-'.*'1*;=3*7,8')*731;K*0')3*L6;-J-;-34cK*7,8')*E-@=;* ,./*Z),44)'';4*731;*@)'(Y-.@4*=,4*:'.*;=3*D05D*3236;-'.4K*-.* ,.*(.Y)363/3.;3/*)34(2;R <=3*6',2-;-'.*,./*-;4*Y,);.3)4K*)(..-.@*,4*5;,./*DYcK*0')3* Activities! and Activate, swept every office and the vast majority of 43,;4*'.*;=3*D05D*5;(/3.;4\*O'(.6-2K*-.*;=3*8-@@34;*,./*8)',/34;* 2,./42-/3*-.*D05D*=-4;')NR Current UMSU Activities Officer James Baker from the More L6;-J-;-34c*@)'(Y-.@*)(..-.@*'.*;=3*5;,./*DYc*;-6I3;*:-22*83*;=3*GBF$* D05D*S)34-/3.;R 5;(/3.;*(.-'.*3236;-'.4*,)3*/'C-.,;3/*8N*8-@*Y'2-;-6,2*@)'(Y4R The Labor Left grouping, known nationally as National Labor Students (NLS) and locally as the ALP Club, have dominated both the National Union of Students (NUS) and UMSU over the last few years. 0')3*L6;-J-;-34cK*,.*-./3Y3./3.;*6',2-;-'.*'1*J,)-'(4*62(84*,./* J'2(.;33)-.@*@)'(Y4K*=,4*3C3)@3/*1)'C*)32,;-J3*'846()-;N*;'*='2/*,* 2,)@3*Y,);*-.*;=3*(.-'.R 0328'().3\4*7,8')*E-@=;*@)'(YK*I.':.*2'6,22N*,4*;=3*7,8')*O2(8K* -4*;'*6'..36;3/*;=3*O3.;)3*D.-;N*')*5=');O'.*4(8?1,6;-'.*'1*7,8')R* <=3*@)'(Y*-4*.';*6'..36;3/*;'*;=3*.,;-'.,2*7,8')*E-@=;*4;(/3.;* group (Student Unity), which dominates NUS alongside NLS. Student D.-;N*1')C3)2N*=,/*,*2,)@3*Y)343.63*'.*6,CY(4K*8(;*=,4*4-.63*=,/*-;4* 6,CY(4*8),.6=*-CY2'/3R L6;-J,;3K*,*@)'(Y-.@*'1*,(;'.'C'(4*,./*@),44)'';4*6'2236;-J34K* has some connection to the National Grassroots Left grouping. L;*;=3*2,4;*3236;-'.4K*,*6',2-;-'.*'1*;=3*7,8')*731;*,./*Z),44)'';4* Left (running as Stand Up! and Activate) faced off against a complex ,2-@.C3.;*'1*0')3*L6;-J-;-34cK*O3.;)3*D.-;NK*5;(/3.;*D.-;N*,./* Socialist Alternative (running as More Activities!, ignite, and Left L6;-'.*)34Y36;-J32NlR <=3*GBF"*3236;-'.*4,:*7,8')*731;*,./*Z),44)'';4*731;*4:33Y* C'4;*Y'4-;-'.4K*3M63Y;*S)34-/3.;R*<=,;*8,22';*4,:*E,6=32*P-;=3)4* from More Activities! become the student union’s first independent S)34-/3.;*-.*,*2'.@*;-C3R <=3*GBF#*3236;-'.*43,4'.*I-6I3/*'11*:=3.*;=3*Z),44)'';4*731;* Y-6I3/*6())3.;*5;(/3.;4\*O'(.6-22')*S,;*9'22,)/*,./*9-4,8-2-;-34* Officer Susannah Gordon as their “communicators” with other 1,6;-'.4R*<=-4*:,4*1'22':3/*8N*0')3*L6;-J-;-34c*43236;-.@*E,6=32* Withers and current Clubs & Societies Officer Stephen Smith as their negotiators (a similar role). 7,8')*E-@=;*Y-6I3/*7,8')*O2(8*S)34-/3.;*5;3Y=3.*0-;,4*,./* <)3,4()3)*f'4=(,*E'43*,4*;=3-)*.3@';-,;')4R*7,8')*731;*Y-6I3/* current UMSU General Secretary Hana Dalton, Wom*n’s Officer Allie Ballantyne and Queer Officer Lloyd Rouse. <=3*.3@';-,;-'.4*4,:*0')3*L6;-J-;-34cK*7,8')*E-@=;*,./* Z),44)'';4*731;*8,./*;'@3;=3)*,4*,*82'6K*,@)33-.@*;'*3-;=3)*)(.* ;'@3;=3)*,4*,*;)-'*')*-.*,*@),./*6',2-;-'.*:-;=*7,8')*731;R <=3*;)-'*,YY)',6=3/*7,8')*731;*,4*,*82'6K*'113)-.@*7,8')*731;*;=3* General Secretary, Education (Public), Welfare and Queer offices, with More Activities! picking up President, Clubs & Societies,

8 / Farrago 2015 / edition seven

L6;-J-;-34*,./*0D5D7*+',)/K*7,8')*E-@=;*Y-6I-.@*(Y*T/(6,;-'.* (Academic) and half of Environment, and Grassroots Left picking up P'Ci.\4K*9-4,8-2-;-34K*O)3,;-J3*L);4*,./*=,21*'1*T.J-)'.C3.;R Crucially, the deal would give Labor Left all NUS positions on the C,-.*;-6I3;K*:=-6=*;=3N*6'J3;3/R Negotiations saw several tweaks to the deal offered – Wom*n’s and Queer were swapped between Labor Left and Grassroots Left, More Activities! agreed to allow Labor Left to pre-select the NUS /323@,;3*)(..-.@*'.*;=3*0')3*L6;-J-;-34c*;-6I3;K*,./*,.*,@)33C3.;* was made to increase the amount of affiliation fees given to NUS (which Labor Left sought). L//-;-'.,22NK*;=3*/3,2*.':*:,4*4;)(6I*;'*@-J3*;=3*D05D*S)34-/3.;* ,./*Z3.3),2*536)3;,)N*6,./-/,;34*_3U(,2*4;,./-.@`*-.*,;;3./-.@* C33;-.@4*,./*23,/-.@*D05DR TJ3.*:-;=*;=3*6=,.@34K*;=3*7,8')*731;*6,(6(4*.,))':2N*J';3/* /':.*;=3*Y)'Y'43/*/3,2*,1;3)*=3,;3/*/38,;3K*:-;=*;=3*2,6I*'1*;=3* Y)34-/3.6N*,4*;=3*2,)@3*4;-6I-.@*Y'-.;R*7,8')*731;*-.4;3,/*,@)33/*;'* 2''I*,;*,2;3).,;3*@)'(Y-.@4K*433I-.@*4(YY');*1)'C*-./3Y3./3.;4*,./* 5'6-,2-4;*L2;3).,;-J3R <=3*/36-4-'.*:'(2/*4''.*83*)3J3)43/R*7,8')*731;*:3)3*;'2/* ;=,;*-1*;=3*;:'*/-/*.';*4-@.*;'@3;=3)K*;=3*;)-'*:'(2/*'113)*5'6-,2-4;* Alternative the Education (Public), Queer and NUS spots in their coalition, leaving Labor Left with no significant coalition partners. 7,8')*731;*)3J3)43/*;=3-)*/36-4-'.*,./*4-@.3/*;=3*/3,2K*43,2-.@* ;=3*_S2,;-.(C*5U(,)3`*/3,2*;'*1')C*'.3*'1*;=3*8)',/34;*6',2-;-'.4*-.* 0328'().3*3236;'),2*=-4;')NR*7,8')*731;*,./*7,8')*E-@=;*:'(2/*)(.* ;'@3;=3)*'.*;=3*5;,./*DYc*;-6I3;K*8,6I3/*8N*;=3*0')3*L6;-J-;-34c*,./* L6;-J,;3*;-6I3;4R <=3*3236;-'.*Y3)-'/*-;4321K*2,)@32N*,*1')3@'.3*6'.62(4-'.K*:,4*,* )32,;-J32N*U(-3;*,11,-)K*C,)I3/*8N*J3)N*2':*J';3)*;().'(;R S3)=,Y4*;=3*C'4;*.';,823*3J3.;*'1*;=3*3236;-'.*:,4*;=3*5'6-,2-4;* L2;3).,;-J3*Y)-.;-.@*46,./,2R*5'6-,2-4;*L2;3).,;-J3K*)(..-.@*,4*731;* Focus, were found to have used the UMSU VCA Student Department Y=';'6'Y-3)*;'*Y)-.;*;=3-)*3236;-'.*C,;3)-,24R*<=-4*)34(2;3/*-.*,* 6,CY,-@.*8,.K*,./*,;*;-C3*'1*Y)-.;-.@K*Y3.,2;-34*,@,-.4;*;=3C*:3)3* 83-.@*6'.4-/3)3/R <=3*@),./*6',2-;-'.*:'.*8N*,*2,./42-/3K*:-;=*;=3*731;*>'6(4*;-6I3;* 6'C-.@*,*1,)*/-4;,.;*436'./*1')*;=3*S)34-/3.;-,2*8,22';K*1'22':3/*8N* informal votes and then the Create (Liberal Club-backed) ticket and the Universal (Student Unity) ticket. d.*5;(/3.;4\*O'(.6-2K*0')3*L6;-J-;-34c*,./*7,8')*E-@=;*:-22* have five seats each, Labor Left four seats, Grassroots Left two 43,;4*g*:-;=*'.3*43,;*3,6=*1')*5'6-,2-4;*L2;3).,;-J3K*;=3*7-83),24K* Independent Media (a Media Collective ticket) and the Biggest Blackest Ticket (an Indigenous Collective ticket). How the union will fare in the future, and the relationship 83;:33.*;=3*/-113)3.;*@)'(Y-.@4K*)3C,-.4*;'*83*433.R 2"#/+*&3+/4"**&5".&6"47"+$*-(&8%#&/5-&9"./&/5#--&:-"#.&;+/5& <*(-7-*(-*/&2-(+"=&/5-&$#%07+*$&8%#4-(&%0/&%8&/5-&>,)),@'&;#+/-#.=& "#/+./.&"*(&>#%"(6"./-#.&6%99-6/+,-=&;5+65&.066-..8099:&6%*/-./-(&/5-&2-(+"& Office and a Students’ Council seat. He is a former Independent Media /+6?-/&#-$+./#"#@&<*(+-&2-(+"&>"6?-(&/5-&$#"*(&6%"9+/+%*&+*&/5-.-&-9-6/+%*.1

photography by ben volchok

campus /

Comedy Comes to Campus by emily weir

1*N'(\)3*)3,/-.@*;=-4K*N'(*Y)'8,82N*/'.\;*=,J3*,*43.43*'1*=(C'()R* Q*I.':*;=,;*836,(43*f3))N*53-.132/*4,-/*4'R*L66')/-.@*;'*53-.132/K* ;=3*/-43,43*'1*Y'2-;-6,2*6'))36;.344*=,4*4:,22':3/*(.-J3)4-;-34* :='23K*3.,82-.@*;=3C*;'*Y)'/(63*.';=-.@*8(;*,.@)N*4'6-,2*^(4;-63* :,))-')4*:-;=*82'@4R* The comedian, who literally made a film about a bee in order to make a pun, told ESPN Radio that college students call out [),6-4;4\*,./*[43M-4;4\*836,(43*_;=3N*^(4;*:,.;*;'*(43*;='43*:')/4R`* P3*6,.*;=(4*4()C-43*;=,;*C,I-.@*^'I34*:-;='(;*43M-4CK*),6-4CK*')* ='C'Y='8-,*-4*(;;3)2N*-CY'44-823R*5;,./*(Y*6'C3/N*-4*/3,/R Q;*433C4*-.3MY2-6,823*;=,;*-.*;=-4*62-C,;3*'1*4(11'6,;-.@*2-83),2* censorship, Melbourne University should decide to host its first ever 6'C3/N*134;-J,2R*5-CY2N*Y(;K*;=3)3*6'(2/*.';*83*,*4-.@23*1(..N*Y3)4'.* in the entirety of Parkville. Where would you find such a person? Q.*;=3*-.;3)34;*'1*4,J-.@*6'C3/NK*Q*=,J3*43,)6=3/*1')*,.N* 3J-/3.63*'1*=(C'()*:-;=*;=3*/34Y3),;-'.*'1*,*43,@(22*,;*,*5'(;=* 7,:.*+,)836(3R*L./*.';*'.2N*=,J3*Q*Y)'J3.*;=,;*f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not only laugh, but generate profit for those in need. That’s right— FBB*Y3)*63.;*'1*Y)'633/4*'1*8';=*;=3*7,:*,./*03/*E3J(34*,)3* @-J3.*;'*6=,)-;NR*Q1*N'(\)3*@'-.@*;'*;)N*,./*,)@(3*;=,;*;=343*,)3*.';* 23@-;-C,;32N*=(C')'(4*4=':4K*N'(*4='(2/*6'.4-/3)*;=,;*;=3N*=,J3* 833.*;=3*;),-.-.@*@)'(./*'1*)3,2?2-13*L(4;),2-,.*6'C3/-,.4K*-.62(/-.@* 0,@/,*5a(8,.4I-K*O32-,*S,6U('2,*,./*5,CCN*fR 5,CCN*f*=-C4321*:-22*,6;(,22N*83*Y3)1')C-.@*,;*134;-J,2*'.*;=3* 0'./,N*Z,2,K*:=-6=*:-22*'Y3.*;=3*4-M?/,N*3J3.;R*<=3*0O*1')*;=3*

photography by wilson liew

.-@=;*:-22*83*,.';=3)*7,:*E3J(3*,2(C.(4K*f'4=(,*7,/@)'J3K*:='* performs under the name of Dr. Professor Neal Portenza, which is 6'.1(4-.@*836,(43*=3*:,4*.3J3)*-.*03/*E3J(3*,./*-4*Y)'8,82N*.';* 3J3.*,*)3,2*/'6;')R*<(34/,N*.-@=;*:-22*13,;()3*,*Y,.32*'.*;=3*1(;()3* ,./*=-4;')N*'1*6'C3/N*,;*;=3*(.-J3)4-;NK*:=-6=*:-22*Y)'8,82N*3J3.* /-46(44*;=3*1,6;*;=,;*/-46)-C-.,;-.@*,@,-.4;*Y3'Y23*-.*N'()*6'C3/N* is a crap idea. Melbourne comedy legend, Rod Quantock OAM will 83*,YY3,)-.@K*,2'.@4-/3*)3,2?2-13*:)-;3)*,./*[)31')C3/*6'C3/-,.\* Courteney Hocking, and stand-up artist Aamer Rahman of Fear Of L*+)':.*S2,.3;R +(;*;=,;*/'34.\;*Y)'J3*,.N;=-.@R*f3))N*53-.132/*:,4.\;*6)-;-6-4-.@* 6())3.;K*34;,82-4=3/*6'C3/-,.4*:='\J3*,2)3,/N*C,/3*;=3-)*:,N*'.* stage. He was talking about current students, dragging out the ol’ _;=3*N'(;=*,)3*/''C3/`*;)'Y3*-.*,.*,;;3CY;*;'*/-4@(-43*=-4*':.* 13,)4*'1*-))323J,.6NR*5'*Q*C(4;*@'*'.R*TJ3)N*.-@=;*K*;=3*134;-J,2*:-22* 13,;()3*,6;4*1)'C*8';=*(.-J3)4-;N*Y,4;*,./*Y)343.;K*3MY3)-3.63/* ')*';=3):-43R*L;*;=3*=3,);*'1*;=-4*134;-J,2*2-34*;=3*6'.63Y;*'1* accessibility— it’s about making comedy easier for the uninitiated to view (and create), as well as bringing together existing campus comedians with emerging ones. Just this year, the media office brought out The Fodder, paving the way for the next Hamish and Andy (more UoM alumni). Being comfortable enough to call yourself ,*_6'C3/-,.`*C-@=;*83*83N'./*C,.N*'1*;='43*^(4;*4;,);-.@*'(;K*8(;* -;\4*,*@,;3:,NR*S,);*'1*:=,;*;=3*134;-J,2*='Y34*;'*/'*-4*;'*4=':6,43* ;=3*1,6;*;=,;*;=3)3*-./33/*-4*,*@,;3:,NK*,./*;=,;*;=-4*@,;3:,N*-4*'Y3.R* Q1*N'(*832-3J3*;=,;*6'C3/N*3./3/*:=3.*f3))N*2'4;*;'(6=*:-;=*=-4* ,(/-3.63K*Y)3Y,)3*;'*83*4()Y)-43/R ;5.'!.97,1#&.'<&%=.#*%$8'>,).68'?.*$%="9'%*',&'0#,)'@ABC' D2$,7.#'ECB@:';%2-.$*'"&6'=.&1.*';FG:'H%2-'1+'"'+#,/#")',&' 2")+1*',#'25.2-',1$'$5.',&9%&.'/1%6.'"$'5$$+IJJ1)*1:1&%).97: .61:"1J45"$K%*K,&J2,).68K0.*$%="9J'

farrago 2015 / edition seven / 9

/ campus

Arts Academic in Controversy by anonymous

')*;=3*Y,4;*N3,)K*0()/'6=*D.-J3)4-;N*=,4*4(.I* /33Y3)*-.;'*46,./,2R*<':,)/4*;=3*3./*'1*GBF"K*,.* -.J34;-@,;-'.*8N*;=3*P34;3).*L(4;),2-,.*O)-C3*,./* Corruption Commission (CCC) has been under way. L66')/-.@*;'*0()/'6=*O=,.6322')*9,J-/*>2,.,@,.K* ;=3*-.J34;-@,;-'.*=,4*1'(./*3J-/3.63*'1*3M6344-J3* ;3)C-.,;-'.*Y,NC3.;4K*,.'C,2-34*-.*6)3/-;*6,)/*(43K* conflicts of interest in appointment procedures, /34;)(6;-'.*'1*/'6(C3.;4*Y)';36;3/*(./3)*;=3* >)33/'C*'1*Q.1')C,;-'.*L6;K*Y)'J-4-'.*'1*C-423,/-.@* -.1')C,;-'.*;'*;=3*OOO*,./*8(22N-.@R Q.*>38)(,)N*;=-4*N3,)*L..*O,Y2-.@K*;=3*D.-J3)4-;N\4* Provost, Vice-Chancellor Richard Higgott and senior =(C,.*)34'()634*/-)36;')*b,)3.*7,C'.;*,22*)34-@.3/R* Q.*,.*>&Q*4;,;3C3.;*4=,)3/*'.*0()/'6=* D.-J3)4-;N\4*_4;,11*,..'(.63C3.;4*,./*6'C-.@* 3J3.;4`*-;*:,4*C,/3*Y(82-6*;=,;*L..*O,Y2-.@*,663Y;3/* ,.*(.Y,-/*='.'),)N*Y'4-;-'.*,;*;=3*D.-J3)4-;N*'1* Melbourne. Prior to being recruited by Higgott in GBFGK*O,Y2-.@*:,4*,*Y)'1344')*'1*S'2-;-6,2*56-3.63* ,;*;=3*D.-J3)4-;N*'1*0328'().3*1')*43J3),2*N3,)4R* <=3*/36-4-'.*;'*)3?,YY'-.;*O,Y2-.@*:,4*C,/3*:-;=*,* )36'CC3./,;-'.*1)'C*=3,/*'1*;=3*56=''2*'1*S'2-;-6,2* and Social Science (SSPS) Adrian Little. It is a decision ;=,;*=,4*833.*C3;*:-;=*6'.1(4-'.*,./*/-4,YY'-.;C3.;* 1)'C*4'C3*'1*O,Y2-.@\4*1')C3)*6'223,@(34*=3)3R 7,4;*d6;'83)K*,.*,.'.NC'(4*23;;3)*62,-C-.@*;'*83* 1)'C*,*@)'(Y*'1*!#*,6,/3C-6*,./*Y)'1344-'.,2*4;,11* :,4*43.;*;'*0()/'6=\4*O=,.6322')*>2,.,@,.K*,66(4-.@* Vice Chancellor Higgott and Provost Capling of being _,))'@,.;*Y'')*2-4;3.3)4*:='*=,/*4N4;3C,;-6,22N* /34;)'N3/*;=3*6'223,@(3*6(2;()3*'1*;=3*(.-J3)4-;N`R* <=)'(@=*-.;3)J-3:4*:-;=*6'223,@(34*'1*O,Y2-.@\4*/()-.@* =3)*;-C3*,;*;=3*55S5*,;*;=3*D.-J3)4-;N*'1*0328'().3K* !"##"$%*=,4*833.*-.1')C3/*;=,;*6'.;)'J3)4N* 4())'(./-.@*O,Y2-.@\4*,/C-.-4;),;-J3*/36-4-'.4*,./* )32,;-'.4*;'*';=3)*4;,11*3M-4;3/*831')3*;=3*6())3.;* 46,./,2*,;*0()/'6=*D.-J3)4-;NR*P=-23*,;*;=3*D.-J3)4-;N* '1*0328'().3K*O,Y2-.@*:,4*,;*;=3*63.;)3*'1*4;,11* /-4Y(;34*,./*,66(4,;-'.4*'1*8(22N-.@*;=,;*'1;3.*23/*;'* /-46-Y2-.,)N*Y)'63/()34*83-.@*-.-;-,;3/R d.3*4(6=*3J3.;*,)'43*'(;*'1*,.*55S5*C33;-.@* -.*0,)6=*GBFBR*L66')/-.@*;'*C(2;-Y23*,.'.NC'(4* 4'()634K*S)'1344')*5=3-2,*f311)3N4*3MY)3443/*6'.63).* ;=,;*56=''2*/36-4-'.?C,I-.@*:,4*2344*/3C'6),;-6*,./* ;),.4Y,)3.;*;=,.*-;*(43/*;'*83R*S)'1344')*L..*O,Y2-.@* )3,6;3/*.3@,;-J32N*;'*;=3*4(@@34;-'.R*<:'*';=3)* professors (Verity Burgmann and Philomena Murray) ),-43/*'8^36;-'.4*;'*=':*f311)3N4*:,4*;)3,;3/R*<:'* /,N4*,1;3)*;=3*C33;-.@K*f311)3N4K*+()@C,..*,./* 0()),N*)363-J3/*,.*3C,-2*1)'C*7-;;23*-.1')C-.@* ;=3C*;=3N*:'(2/*1,63*/-46-Y2-.,)N*Y)'63/()34* 836,(43*'1*6'CY2,-.;4*C,/3*g*8N*O,Y2-.@*g*,8'(;* ;=3-)*6'CC3.;4*,;*;=3*C33;-.@R*_O,Y2-.@*-.4;-;(;3/* ,*/-46-Y2-.,)N*:-;6=?=(.;*,@,-.4;*C3*,./*;:'*';=3)*

10 / Farrago 2015 / edition seven

13C,23*6'223,@(34*'J3)*,*2-J32N*/-4,@)33C3.;*-.*,* C33;-.@K`*'.3*,.'.NC'(4*6'223,@(3*62,-C3/R With advice from the National Tertiary Education D.-'.K*;=3*;=)33*Y)'1344')4*C,/3*,*1')C,2*6'CY2,-.;* ,@,-.4;*L/)-,.*7-;;23*;'*;=3.*S)'J'4;*f'=.*93:,)K* ,223@-.@*7-;;23\4*6=,-)-.@*'1*;=3*C33;-.@*1,-23/*;'* Y)'J-/3*,*4,13*:')IY2,63*836,(43*'1*=-4*8-,4*-.*1,J'()* '1*=-4*62'43*1)-3./*L..*O,Y2-.@R*L;*;=3*;-C3*'1*:)-;-.@K* !"##"$%*:,4*(.,823*;'*/-463).*;=3*'(;6'C3*'1*;=-4* complaint. However, !"##"$% can confirm that Dean of Arts Mark Considine hired a consultancy firm Australian Workplace Mediations (AWM) to run an -./3Y3./3.;*-.U(-)N*-.*GBFBR* 0(2;-Y23*6'223,@(34*'1*O,Y2-.@*/()-.@*=3)*;-C3* ,;*;=3*D.-J3)4-;N*'1*0328'().3*=,J3*3MY)3443/*;=3* J-3:*;=,;*,YY'-.;-.@*O,Y2-.@*:=-23*4=3*-4*4;-22*(./3)* -.J34;-@,;-'.*-4*8N*.,;()3*6'.;)'J3)4-,2K*,)@(-.@*;=,;* 7-;;23*-4*6'CY)'C-4-.@*;=3*-.;3@)-;N*'1*;=3*D.-J3)4-;N* -.*')/3)*;'*Y)';36;*,*1')C3)*4;,11*C3C83)*=3*=,4* Y)3J-'(42N*833.*,22-3/*;'*-.*:')IY2,63*/-4Y(;34R*d.3* ,.'.NC'(4*6'223,@(3*'1*O,Y2-.@\4*C,/3*;=3*6'CC3.;* ;=,;*_O,Y2-.@*=,4*1')*,*2'.@*;-C3*Y(223/*;=3*4;)-.@4*'1* L/)-,.*7-;;23K*,4*=-4*,6;-'.*,@,-.4;*;='43*:='*/,)3/* disagree with her at a School meeting reveals. His -.J'2J3C3.;*-.*)3,YY'-.;-.@*=3)*;'*,*Y'4-;-'.*:-;=-.* ;=3*56=''2*-4*(.4()Y)-4-.@R` <=3*,.'.NC'(4*-.;3)J-3:33*;=3.*:3.;*1();=3)K* 6)-;-6-4-.@*L/)-,.*7-;;23\4*_Y36(2-,)*,YY'-.;C3.;* Y),6;-634`*C')3*@3.3),22NR*L223@3/2NK*_3,)2N*-.*GBFG* =3*Y)34-/3/*'J3)*,*43236;-'.*6'CC-;;33*Y)'6344*;=,;* ,YY'-.;3/*=-4*Y,);.3)\4*;:-.*4-4;3)*;'*,*6'.;-.(-.@* Y'4-;-'.R*9()-.@*;=-4*Y)'6344K*=3*6=,-)3/*,*C33;-.@*,;* :=-6=*56=''2*C3C83)4*'113)3/*;=3-)*,44344C3.;4*'1* ;=3*)32,;-J3*C3)-;4*'1*;=3*4=');?2-4;3/*,YY2-6,.;4*,1;3)* =3,)-.@*Y)343.;,;-'.4*1)'C*;=3CR*56=''2*C3C83)4* 6'(2/*.';*1),.I2N*,./*13,)23442N*'113)*;=3-)*'Y-.-'.4*'1* ;=3*6,./-/,;34*;'*4'C3'.3*4'*62'432N*)32,;3/*;'*'.3*'1* them. Even if Adrian Little fully declared his conflict of -.;3)34;*:-;=-.*;=3*43236;-'.*6'CC-;;33K*=-4*6=,-)-.@* '1*;=-4*133/8,6I*4344-'.K*:=-6=*6'(2/*,./*4='(2/* =,J3*833.*6'./(6;3/*8N*4'C3'.3*3243K*3.4()3/*;=,;* ,YY2-6,.;4*:3)3*.';*;)3,;3/*3U(,22N*,./*1,-)2NR` !"##"$%*,4I3/*L/)-,.*7-;;23*;'*6'CC3.;*'.* Caplingâ&#x20AC;&#x2122;s appointment. His defence was that â&#x20AC;&#x153;Professor L..*O,Y2-.@*-4*,*=-@=2N*/-4;-.@(-4=3/*Y'2-;-6,2*46-3.;-4;* ,./*,*>322':*'1*;=3*L6,/3CN*'1*;=3*5'6-,2*56-3.634* in Australia. She has published widely in the field of -.;3).,;-'.,2*Y'2-;-6,2*36'.'CN*,./*;),/3*Y'2-6N*-.* Y,);-6(2,)RRR<=3*>,6(2;N*=,4*,YY'-.;3/*=3)*;'*,.*(.Y,-/* Y'4-;-'.*,4*,.*='.'),)N*Y)'1344')-,2*1322':*,4*4=3* :')I4*'.*=3)*6())3.;*LEO?1(./3/*Y)'^36;K*[<=3*P')2/* <),/3*d)@,.-a,;-'.*,./*;=3*>(;()3*'1*;=3*0(2;-2,;3),2* <),/3*5N4;3C\R*Q.*)3@,)/*;'*0()/'6=*D.-J3)4-;NK*:3* :'(2/*C,I3*.'*6'CC3.;*'.*(.Y)'J3.*,223@,;-'.4*'1* 4(6=*,*Y'2-;-6,2*.,;()3R`

artwork by emily keppel

campus /

Believing and disbelieving by jeremy nadel

-E-L-I-E-V-E.” It’s popped up in plaques across the Professor’s P,2I*'(;4-/3*;=3*+,-22-3(*7-8),)NK*-;\4*'.*;=3*1)'.;*Y,@3*'1* 3.J32'Y34*43.;*;'*3J3)N*4;,11*,./*4;(/3.;K*-;\4*;=3*4=-.N*:)-;-.@*'.* ;=3*:,22*'1*,2(C.-*/-..3)4*='4;3/*-.*+3-^-.@K*5=,.@=,-K*5,.*>),.6-46'* ,./*7'4*L.@3234K*-;\4*3J3.*,463./3/*-.*43J3),2*C3;)3?=-@=*23;;3)4* ,6)'44*;=3*5'(;=*7,:.R*P=,;*/'34*-;*C3,.e*+32-3J3*-4*;=3*42'@,.* '1*;=3*D.-J3)4-;N\4*)363.;*6,CY,-@.*;'*)3,6=*'(;*1')*m#KBBBKBBB*-.* philanthropic donations by January 2017. According to Vice-Principal 5(3*O(..-.@=,CK*;=3*O,CY,-@.*:-22*,-/*;=3*D.-J3)4-;N\4*_2'.@? established mission of educating tomorrow’s leaders, finding answers ;'*;=3*:')2/\4*@),./*6=,223.@34*;=)'(@=*)343,)6=K*,./*3.)-6=-.@*;=3* :-/3)*6'CC(.-;NR`*<:3.;N*Y3)*63.;*'1*/'.,;-'.4*:-22*83*4Y3.;*'.* scholarships, 14 per cent “to affiliated colleges and associates”, 40 per 63.;*;'*)343,)6=K*F$*Y3)*63.;*;'*6'CC(.-;N*Y)'^36;4*,./*FB*Y3)*63.;* to “unrestricted gifts”, which means areas the donor has not specified ;=,;*;=3N*:,.;*;=3-)*C'.3N*;'*83*,22'6,;3/R* Half a year from the deadline, the campaign has already reached m"KBBBKBBBR*Q;*-4*;=3*8-@@34;*1(./),-4-.@*6,CY,-@.*-.*;=3*D.-J3)4-;N\4* F$B*N3,)*=-4;')N*,./*;=3*L(4;),2-,.*=-@=3)*3/(6,;-'.*4N4;3C*,4* a whole. A culture of universities being financially dependent on /'.')4*=,4*3M-4;3/*-.*;=3*DR5*1')*/36,/34K*:=-6=*-4*:=N*;=3*+32-3J3* O,CY,-@.*=,4*833.*J-3:3/*8N*4'C3*,4*,*4NCY;'C*'1*;=3*D.-J3)4-;N\4* 6'CY23M*)3,6;-'.*;'*/362-.-.@*@'J3).C3.;*1(./-.@*R Q.*;=3*C-/*FHXB4*g*(./3)*P=-;2,C\4*Y)3C-3)4=-Y*g*@'J3).C3.;* 1(./-.@*,66'(.;3/*1')*HB*Y3)*63.;*'1*(.-J3)4-;-34\*-.6'C34R* 5-.63*;=3.K*,66344*;'*(.-J3)4-;-34*=,4*:-/3.3/K*^'84*-.6)3,4-.@2N* require university qualifications, more institutions have received ;=3*-CY)-C;()*[D.-J3)4-;N\K*,./*>3/3),2*@'J3).C3.;*1(./-.@*=,4* /:-./23/K*Y)343.;2N*,66'(.;*1')*'.2N*G!*Y3)*63.;*'1*,*D.-J3)4-;N* '1*0328'().3\4*)3J3.(3*Y''2R*<=3*Z)'(Y*'1*T-@=;*g*,*6',2-;-'.*'1* L(4;),2-,\4*)343,)6=?=3,JN*(.-J3)4-;-34*,./*'1*:=-6=*;=3*D.-J3)4-;N*

photography by tori lill

'1*0328'().3*-4*,*C3C83)K*=,J3*2'.@*,)@(3/*;=,;*4='(2/*,/'Y;* policies to make universities financially autonomous and self4(4;,-.-.@R*<=-4*,;;-;(/3*:,4*3.4=)-.3/*-.*;=3*D.-J3)4-;N*'1* 0328'().3\4*)363.;*GBF#?GBGB*5;),;3@-6*S2,.*'#%;+*$&A./--4K*:=-6=* 4;,;34*;=,;*;=3*D.-J3)4-;N*,-C4*;'*_)3/(63*)32-,.63*'.*@'J3).C3.;* 1(./-.@K*,./*8(-2/*,*C')3*/-J3)43*,./*4(4;,-.,823*)3J3.(3*8,43R` However, as treatments to funding cuts go, the $5 million that ;=3*D.-J3)4-;N*Y2,.4*;'*),-43*;=)'(@=*;=3*+32-3J3*O,CY,-@.*-4*^(4;* ;=3*4Y''.1(2*'1*4(@,)*;=,;*,66'CY,.-34*;=3*C(6=*1'(23)?;,4;-.@* C3/-6-.3R*Q.*;=3*Y,4;*N3,)K*Z2N.*9,J-4*=,4*836'C3*'.3*'1*;=3*C'4;* outspoken advocates of fee deregulation. He has written articles ,./*/32-J3)3/*Y(82-6*236;()34*,)@(-.@*;=,;*;=3*/362-.3*-.*13/3),2* @'J3).C3.;*1(./-.@*1')*;3,6=-.@*C,I34*,22':-.@*(.-J3)4-;-34*;'* 43;*;=3-)*':.*;(-;-'.*1334*;=3*'.2N*J-,823*'Y;-'.R*dYY'.3.;4*'1*133* deregulation allege it will intensify social stratification, worsen the @3./3)*Y,N*@,Y*,./*4Y2-;*L(4;),2-,\4*;3);-,)N*3/(6,;-'.*-.;'*,*;:'* ;-3)3/*4N4;3CK*-.*:=-6=*32-;3*(.-J3)4-;-34*Y)'4Y3)*,4*2344*Y)34;-@-'(4* ,./*)3@-'.,2*(.-J3)4-;-34*836'C3*2':?6'4;*,2;3).,;-J34*;=,;* 4;)(@@23*;'*6'CY3;3R* TJ3.*C')3*6'.;)'J3)4-,22NK*-.*2,;3*GBF!K*;'*,.*,(/-3.63*'1* University of Melbourne staff, Vice Chancellor Glyn Davis unveiled the Business Improvement Program (BIP). The BIP consists of cutting 505 professional (non-academic) jobs by January 1st 2016 ,./*)3')@,.-4-.@*4;(/3.;*43)J-634*;'*83*-.6)3,4-.@2N*,(;'C,;3/* ,./*63.;),2-43/R* The BIP was architectured by a management consultancy firm called Booz and Co (now Strategy&), with whom the University 3.;3)3/*,*mG!*C-22-'.*6'.;),6;R*L66')/-.@*;'*;=3*+QS*O'?')/-.,;-.@* Z)'(YK*;=3*6'CC-;;33*)34Y'.4-823*1')*,/C-.-4;3)-.@*;=3*+QSK* convened by Vice Principal Ian Marshman: “Once fully implemented, 4,J-.@4RRR*'1*mXBC*Y3)*,..(C*:-22*83*)3,2-43/R`

farrago 2015 / edition seven / 11

/ campus

However, despite the emphasis on cost efficiency, the BIP Co')/-.,;-.@*Z)'(Y*4;)344*;=,;*;=3*+QS*-4*C')3*;=,.*_,*4-CY23*6'4;? 6(;;-.@*3M3)6-43`R*T-@=;N*Y3)*63.;*'1*4,J-.@4*),-43/*:-22*83*)3;().3/* ;'*1,6(2;-34*_1')*)3-.J34;C3.;*-.*6')3*,6,/3C-6*,6;-J-;-34RRR;3,6=-.@K* )343,)6=*,./*3.@,@3C3.;R`*>();=3)C')3K*;=3*D.-J3)4-;N*-.;3./4*1')* the BIP to eventually finance 300 new academic jobs. P=,;*/'34*;=-4*C3,.*1')*4;(/3.;*43)J-634e*934Y-;3*4'C3*311');4* '1*D.-J3)4-;N*C,.,@3C3.;*;'*I33Y*4;(/3.;4*,./*4;,11*6'.4(2;3/*,4* ;=3*+QS*-4*6,))-3/*'(;K*;=3*/'6(C3.;*'(;2-.-.@*;=3*1(22*1),C3:')I*'1* ;=3*+QS*-4*I3Y;*1)'C*Y(82-6*J-3:*8N*,*Y,44:')/?Y)';36;3/*:384-;3* ,./*.';*,22*;=3*Y)'633/-.@4*,)3*I.':.R*!"##"$%*-.;3)J-3:3/*L23M* Mcaulay, Vice-President of professional staff at the Melbourne University branch of the National Tertiary Education Union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faculties. “A significant change underway is to place all services ;'@3;=3)*-.*'.3*2'6,;-'.*,4*,*4-.@23*=(8*1')*4;(/3.;4`*S)'J'4;* Margaret Sheil (a member of the BIP Co-ordinating Group) explained -.*,.*3C,-2*43.;*;'*,22*4;(/3.;4*2,4;*N3,)R*S,);*'1*;=-4*6=,.@3*-.J'2J3/* 43;;-.@*(Y*,*4-.@23*'.2-.3*-.U(-)N*C,.,@3C3.;*4N4;3CR*<=3)3*-4*,* :-/34Y)3,/*,;;-;(/3*,6)'44*;=3*6,CY(4*;=,;*63.;),2-a-.@*;=3*-.U(-)N* 4N4;3C*=,4*1();=3)3/*23.@;=3.3/*/32,N4*-.*43)J-634*2-I3*,YY2N-.@* ;'*3.)'2*,./*433I-.@*';=3)*1')C4*'1*,/C-.-4;),;-J3*,44-4;,.63R*

12 / Farrago 2015 / edition seven

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savings measures. Namely, the inflated salaries of top-ranking ,6,/3C-6*,./*,/C-.-4;),;-J3*4;,11*,./*;=3*3N38)':?),-4-.@2N*=-@=* ,C'(.;4*4Y3.;*'.*C,)I3;-.@R* The NTEU, Graduate Student Association and a number of student ,./*4;,11?)(.*')@,.-4,;-'.4*'YY'4-.@*;=3*+QS*=,J3*2'.@*,;;,6I3/* progressive increases to Vice-Chancellors’ salary packages. In the heat '1*GBF"*/3C'.4;),;-'.4*,@,-.4;*133*/3)3@(2,;-'.*5'6-,2-4;*L2;3).,;-J3* 62-YY3/*,*8,..3)*;'*;=3*13.63*'1*Z2N.*9,J-4\4*'.?6,CY(4*='(43*;=,;* read “He earns over $1,000,000 a year and wants fee increases for students” and “look behind you that’s your Vice-Chancellor’s tennis court.” The Vice-Chancellor’s annual salary in 2014 was $1,055,000. Q;*C,N*433C*2-I3*,*6=3,Y*4=';*;'*,)@(3*;=3*+QS*C(4;*83*(..36344,)N* if the VC can afford to be paid this amount. However, analysis of other 82',;3/*-.6'C34*-.*;=3*;'Y*436;-'.*'1*;=3*D.-J3)4-;N*4;,11*)3J3,24*;=3)3* are numerous employees with incomes that could fill the annual :,@34*'1*C(2;-Y23*2':?Y,-/*,/C-.-4;),;-J3*4;,11*:='*=,J3*,2)3,/N*')*

campus /

are going to lose their jobs-and the issue becomes a legitimate flaw in ;=3*2'@-6*'1*;=3*+QS*),;=3)*;=,.*,*^(4;*,*Y)'Y,@,./,*:3,Y'.R L66')/-.@*;'*L23M*06,(2,N*_<=3*(.-J3)4-;N*-4*'.2N*'82-@3/*;'* Y)'J-/3*;=3*-.6'C34*'1*-;4*=-@=34;*4,2,)N*3,).3)4K*:=-6=*-4*'J3)*,* C-22-'.K*8(;*-;\4*623,)*Z2N.*9,J-4*=,4*8)'(@=;*-.*2';4*'1*Y3'Y23*1)'C* ;=3*6')Y'),;3*436;')*;=,;*:'(2/.\;*83*6'C-.@*-1*;=3N*:3)3.\;*@3;;-.@* Y)3;;N*^(-6N*4,2,)N*Y,6I,@34R`*d.3*'1*;=3*13:*,J,-2,823*Y33Y='234* -.;'*;=3*,..(,2*-.6'C34*'1*;=3*=-@=3)?),.I-.@*4;,11*-4*;=3*O,)33)4*,;* 0328'().3*Y,@3K*-.*:=-6=*Y2,634*1')*0,)I3;-.@*,./*O'CC(.-6,;-'.4* 0,.,@3)4*:-;=*4,2,)-34*:322*'J3)*mFBBKBBB*,)3*1)3U(3.;2N*,/J3);-43/R* Although it is not one of the NTEU’s official policies, an article in the (.-'.\4*^'().,2K*;=3*Australian Universities’ ReviewK*'113)3/*,*4'2(;-'.* ;'*;=3*Y)'823C*'1*;=3*:,@34*'1*;'Y?23J32*,/C-.-4;),;')4*6'.;-.('(42N* 82',;-.@*,./*-.*;=3*Y)'6344*Y(4=-.@*'(;*8';;'C?23J32*4;,11*;'*C,I3*;=3* financial space. The solution was “pay-ratios”. “Administrative salaries 6'(2/*.';*3M633/K*1')*3M,CY23K*;3.*;-C34*;=,;*'1*;=3*2':34;*Y,-/* 1(22?;-C3*,6,/3C-6*4;,11*C3C83)R*<=-4*:'(2/*.';*6,Y*,/C-.-4;),;-J3* 4,2,)-34K*8(;*-;*:'(2/*Y)3J3.;*-.3U(-;-34*1)'C*@)':-.@*;'*(.,663Y;,823* levels” Viviane Callier wrote. * <=3*D.-J3)4-;N*'1*0328'().3\4*6'CC(.-6,;-'.4*,)3*,.';=3)*,)3,* ;=,;*6'(2/*=,J3*833.*;)-CC3/*831')3*;=3*#B#*,/C-.-4;),;-J3* ^'84*:3)3*6(;R*L66')/-.@*;'*;=3*D.-J3)4-;N\4*,..(,2*)3Y');4K* ,/J3);-4-.@K*C,)I3;-.@*,./*Y)'C';-'.,2*3MY3.434*;';,223/* mF!KBBFKBBB*-.*GBF"R*<=-4*-4*;=3*6'.4'2-/,;3/*,C'(.;K*:=-6=* C3,.4*-;*-.62(/34*4(84-/-,)-34*,./*';=3)*43C-?,(;'.'C'(4*8'/-34* 6'.;)'223/*8N*;=3*D.-J3)4-;N*2-I3*;=3*Q,.*S';;3)*0(43(CK*D.-J3)4-;N* of Melbourne Sport or MU Student Union Limited. The NTEU have U(3)-3/*:=N*4(6=*,*2,)@3*,C'(.;*-4*83-.@*4Y3.;*'.*-CY)'J-.@*;=3* D.-J3)4-;N\4*Y(82-6*-C,@3*-.4;3,/*'1*3CY2'N-.@*;=3*,/C-.-4;),;')4*

photography by tori lill

;=,;*C,I3*-;4*4(YY');*43)J-634K*)343,)6=*Y)'^36;4*,./*;3,6=-.@* curricula more efficient. The NTEU argues that the University distorting the figures in their explanations for why cutting jobs is a financial necessity. The NTEU allege that “the University is in a strong financial situation”. Q.*GBF"K*;=3*D.-J3)4-;N*)3Y');3/*,*4()Y2(4*'1*m#RX*C-22-'.R*L* Victorian Auditor-General report issued in December confirms this figure is false and should have been closer to $230 million. The Auditor-General’s report backed up the NTEU claims that the (.-J3)4-;N*6,26(2,;3/*-;4*4()Y2(4*;=)'(@=*3))'.3'(4*;)3,;C3.;*'1* @),.;?-.6'C34R*_<=3*D.-J3)4-;N*;)3,;4*@),.;*-.6'C3*,4*,*[)36-Y)'6,2* ;),.413)\*,./*;=3)38N*'.2N*)36'@.-4-.@*-;*,4*@),.;4*-.6'C3*:=3.* 3MY3./3/R*Q.*;=3*-.;3)-C*;=3*(.4Y3.;*@),.;*-.6'C3*-4*;)3,;3/*,4*,* 2-,8-2-;N*,./*;=3)38N*)3/(634*;=3*'Y3),;-.@*4()Y2(4R*Q.*';=3)*:')/4* ;=3N*.3J3)*)3,22N*6'(.;*)343,)6=*@),.;4*,4*-.6'C3*836,(43*;=3N*,)3* :)-;;3.*'11*,4*;=3N*,)3*4Y3.;R`* E3@,)/2344*'1*:=3)3*N'(*4;,./*'.*;=3*-44(3K*-;*-4*J3)N*623,)* ;=,;*;=3*13/3),2*@'J3).C3.;\4*6'.;-.(-.@*,@3./,*'1*;),.41')C-.@* ;=3*')-@-.,22N*Y(82-6*.,;()3*'1*L(4;),2-,.*(.-J3)4-;-34*-.;'*Y)-J,;3K* DR5?4;N23*/3@)33*1,6;')-34R*Q.*;=-4*3.J-)'.C3.;K*;=3*D.-J3)4-;N*'1* 0328'().3*=,4*6=,.@3/*-;4*6'2'()4*:-;=*6=,C323'.?2-I3*4:-1;.344R* L2;='(@=K*J3)N*13:*(.-J3)4-;N*6'(.6-24*=,J3*^'-.3/*;=3-)*4;(/3.;4* and staff in opposing the government’s push for financially -./3Y3./3.;*(.-J3)4-;-34*;=,;*,)3*1(./3/*;=)'(@=*;=3-)*4;(/3.;4*,./* ,2(C.-*),;=3)*;=,.*;,MY,N3)4K*-;*-4*U(34;-'.,823*:=N*;=3*D.-J3)4-;N* of Melbourne has been the most efficient in this metamorphosis. No ';=3)*(.-J3)4-;-34*=,J3*6'CC-;;3/*;'*;=3*4,C3*23J32*'1*=-4;')-6,22N* 2,)@3*1(./),-4-.@*,./*,2;='(@=*C,.N*(.-J3)4-;-34*=,J3*)34;)(6;()3/* ;=3-)*:')I1')63*-.*)34Y'.43*;'*;=3*6(;4K*;=3*+QS*),.I4*,4*'.3*'1*;=3* C'4;*43J3)3R

farrago 2015 / edition seven / 13

/ campus

14 / Farrago 2015 / edition seven

campus /

so you think you can campus: a tour of parkville with alexander eastwood L.6),&6'F"##8'F1%96%&/ Named after the judge who sentenced Ned Kelly to hang (also the first Chancellor of the University and founder of ;=3*5;,;3*7-8),)NlK*;=-4*-4*;=3*;,2234;*1)33?4;,./-.@*8)-6I* 8(-2/-.@*-.*0328'().3R D96'M"4'N1"6#"&/9.' This was the first building on campus, and a historical 3Y-63.;)3*1')*L(4;),2-,\4*2,8'()*=-4;')NV*4;'.3C,4'.4* /':.3/*;=3-)*;''24*-.*F%#$*,./*^'-.3/*;=3*C,)6=34*;=,;* led to the world’s first 8-hour working day. Check out the Y2,U(3*'.*;=3*.');=3).*:,22*1')*C')3*-.1'R

;5.',#%/%&"9'<&%=.#*%$8'0.&2. P-;=*'.2N*,*4-.@23*43@C3.;*)3C,-.-.@*'(;4-/3*;=3*03/-6,2* +(-2/-.@K*;=-4*-CY)344-J3*:)'(@=;?-)'.*13.63*'.63*3.6-)623/* ;=3*3.;-)3*6,CY(4*,;*,*;-C3*:=3.*N'(*6'(2/*'.2N*3.;3)* D.-J3)4-;N*@)'(./4*,4*4;(/3.;*')*4;,11R*<=-4*6=,.@3/* :=3.*;=3*D.-J3)4-;N*,@)33/*;'*C,I3*-;4*@)'(./4*Y(82-6*-.* 3M6=,.@3*1')*1)33*@,4*2-@=;-.@*8N*;=3*O-;N*'1*0328'().3R*<=3* ')-@-.,2*@,;3*1)'C*;=3*C,-.*Z),;;,.*5;)33;*3.;),.63*-4*.':* 2'6,;3/*,;*;=3*3.;),.63*;'*;=3*5N4;3C4*Z,)/3.4R BOOO'F1%96%&/ This grand Victorian building was the original home of the 0328'().3*<3,6=3)4*O'223@3*(.;-2*FH%H*:=3.*-;*C3)@3/* :-;=*;=3*D.-J3)4-;NR*<=3*3C823C4*,8'J3*-;4*3.;),.63*g*)'43K* thistle, clover – reflect a time when Ireland still belonged to ;=3*DbR

M.),&K*2.&$.6'P12"98+$ This magnificent gum was spared during the construction of ;=3*5-/.3N*0N3)*L4-,*O3.;)3*-.*;=3*2,;3*HB4*8N*'(;6)N*1)'C* ;=3*4;,11*'1*;=3*D.-J3)4-;NR <&%=.#*%$8'M"-. Now the ‘Union Lawn’, a beautiful ornamental lake once occupied the space between Union House (formerly, the Luncheon House) and the new School of Design Building. It was filled in the 60s due to flooding and, apparently, -.6)3,4-.@2N*:-2/*d)-3.;,;-'.*,.;-64R

<&%=.#*%$8'QR1"#. S)-')*;'*;=3*D.-J3)4-;N*)3/3J32'Y-.@*;=3*4-;3*-.*;=3*HB4K* ;=3)3*:,4*,.*'Y3),;-.@*+':24*O2(8*'.*;=-4*4-;3*1')*FG#* N3,)4R*D.1');(.,;32NK*;=-4*,22*'66())3/*^(4;*831')3*;=3*)323,43* '1*O),6I3)^,6IK*,./*;=3*3.4(-.@*)3J-J,2*'1*;=3*4Y');R*QC,@-.3* 8,)31'';*8':24*'.*,*>)-/,N*.-@=;c

artwork: lost on campus map, reimagined by farrago

;5.'<&%=.#*%$8'"*'"'H"#-'S"&845.#.T When the Victorian Parliament legislated for the University -.*F%#!K*I,.@,)''4*,./*3C(4*4;-22*)',C3/*;=3*[@)'(./4\R* +31')3*;),C4*/32-J3)3/*;3.4*'1*;='(4,./4*;'*S,)IJ-223*3,6=* /,NK*2,/-34*,./*@3.;23C3.*(43/*;'*;),J32*;'*6,CY(4*8N*=')43* ,./*6,);*;'*Y-6.-6R L%=.#'L.6'U1)* <=343*;)334*g*-.62(/-.@*;=-4*3.')C'(4*'.3*.3,)*D.-J3)4-;N* House – predate the University and link it to its history on ;=3*2,./*'1*;=3*P()(./^3)-*Y3'Y23R*5(6=*;)334*:3)3*(43/* ,4*,.*3443.;-,2*4'()63*'1*4=32;3)K*8,)I*1')*6,.'34*,./*;''24R* Visit http://www.murrupbarak.unimelb.edu.au/ to learn =':*;'*;,I3*+-22-8322,)N\4*P,2IR

Q8*$.)*'U"#6.&* L*2'4;*',4-4*'.*6,CY(4R*L4*N'(*4U(33a3*83;:33.*;=3*+';,.N* ,./*+,832*+(-2/-.@4K*2''I*1')*;=3*6()J3/*2-.3*'1*8)-6I4*-.* ;=3*@)'(./*g*;=343*/3C,)6,;3*;=3*')-@-.,2*Y3)-C3;3)*'1* ;=3*')-@-.,2*6'.63.;)-6*@,)/3.4R*<=3*4()J-J-.@*2,)@3)*;)334* ,22(/3*;'*;=-4*/3C,)6,;-'.*,)'(./*;=3*)3C,-.-.@*'6;,@'.,2* ;':3)*-.*-;4*63.;)3R H#,0.**,#V*'W"9-'S?BXKYBXT The first professors – all Law and all male – lived upstairs in the Old Law Quad, alongside all of the male students. L4*;=3*D.-J3)4-;N*@)3:*-.*-;4*/-46-Y2-.34K*C')3*Y)'1344')4* :3)3*)36)(-;3/*,./*3,6=*2-J3/*-.*;=3-)*':.*)34-/3.63* '.*6,CY(4K*:=-6=*:,4*:=3)3*;=3*+,-22-3(*7-8),)N*.':* resides. University House – now a private club for Staff and Academics – is the last remaining house (built for Proffessor Nanson, who was renowned for his work on our Y)313)3.;-,2*J';-.@*4N4;3ClR

D96'G#$*'F1%96%&/ <=3*'.2N*8(-2/-.@*'.*6,CY(4*-.;3.;-'.,22N*8(-2;*-.*,*4;N23* .';*'1*-;4*;-C3V*'Y3.3/*-.*;=3*GB4K*-;*-4*8(-2;*-.*;=3*<(/')? Z';=-6*;),/-;-'.R*O=36I*'(;*;=3*)'C,.*.(C3),24*'.*;=3*62'6I* 1,63*g*6,.*N'(*.';-63*,.N;=-.@*'//e* <&%=.#*%$8'>"#'H"#5-;;-.@*4.(@2N*(./3)*5'(;=*7,:.K*;=-4*6,)*Y,)I*8(-2;*-.*;=3* 50s was featured in the film Mad Max. It was engineered 4'*;=,;*.'*8(-2/-.@4*6'(2/*83*8(-2;*,8'J3*-;K*,./*=,4*4-.63* 3./()3/*,4*;=3*2,)@34;*'Y3.*4Y,63*'.*;=3*')-@-.,2*S,)IJ-223* campus. Note that all the trees on the Lawn are planted 3U(-/-4;,.;*1)'C*'.3*,.';=3)*/(3*;'*83-.@*Y2,.;3/*/-)36;2N* ,8'J3*;=3*6'2(C.4*83.3,;=*-.*;=3*6,)*Y,)IR

farrago 2015 / edition seven / 15

/ campus

UMSU OFFICE BEARER REPORTS PRESIDENT rachel withers email: President@union. unimelb.edu.au instagram: @umsu_president

osh do I love Semester 2! Balls, BBQs, Bands and (Student) Bars…and Prosh Week. Yeah nah. Brace N'()432J34*1')*P33I*HR* P3\J3*@';*,*436'./*D05D*5;(/3.;*0,)I3;*6'C-.@* (YR*O'C3*,2'.@*;'*O'.6)3;3*7,:.4*83;:33.*FF*,./*G*'.* d6;'83)*F!;=*,./*4(YY');*N'()*1322':*4;(/3.;4A4.,@*,* bargain or twelve/eat some noms/have you palm read(?)/ buy some art(??). <=-4*43C34;3)\4*C,)I3;*:-22*83*;,I-.@*Y2,63*/()-.@* Anti-Poverty Week (11 – 17 October) with a focus on '1143;;-.@*4;(/3.;*Y'J3);N*g*:=3;=3)*;=,;\4*;=)'(@=*(431(2* ,11')/,823*-;3C4K*),-4-.@*C'.3N*1')*6=,)-;N*')*^(4;*C,I-.@*

general secretary hana dalton

email: secretary@union. unimelb.edu.au

=-23*N'(\)3*8(4-2N*:')I-.@*'.*,44-@.C3.;4* ,./*4;(/N-.@*1')*N'()*C-/?43C4K*N'()*4;(/3.;* )3Y)343.;,;-J34*,;*D05D*,)3*:')I-.@*=,)/*;'*)3Y)343.;*N'(R* dJ3)*;=3*2,4;*13:*:33I4K*Q\J3*833.*-.J'2J3/*-.* /-46(44-'.4*:-;=*;=3*D.-J3)4-;N*,)'(./*,*),.@3*'1*-44(34K* -.62(/-.@*;=3*D.-J3)4-;N\4*3U(-;N*;,)@3;4*1')*/-4,/J,.;,@3/* 4;(/3.;4K*,./*=':*;'*C,I3*4;(/3.;4\*3.)'2C3.;*)36')/4* -.62(4-J3*'1*,22*@3./3)*-/3.;-;-34R*L.';=3)*-CY');,.;*-44(3* ,;*;=3*C'C3.;*-4*4;(/N*4Y,63*'.*6,CY(4K*')*2,6I*;=3)3'1* during peak study periods such as SWOTVAC. It is pleasing

EDUCATION (academic) nellie montague & shanley price email: educationacademic @union.unimelb.edu.au facebook: www.facebook.com /umsueducation

%2&%2'"/"%&*$'H8&.*-4*'.*;=3*F";=*53Y;3C83)K*;=-4*-4* a joint event with NTEU to raise awareness about the =-@=3)*3/(6,;-'.*6=,.@34*83-.@*Y)'Y'43/*8N*;=3*13/3),2* @'J3).C3.;R*O'C3*/':.*,./*2'(.@3*'.*83,.8,@4*,./* Y-6.-6*)(@4*,./*4.,6I*'.*4'C3*/32-6-'(4*F!B/3@)334*4,.@,4K* 6,I34*,./*6=3343*Y2,;;3)4*:=-23*23,).-.@*,8'(;*,22*;=3* Y'2-;-6,2*=''*=,c

16 / Farrago 2015 / edition seven

,*8-;*'1*C'.3N*1')*N'()4321*;'*=32Y*6'J3)*;='43*6'4;2N* 4;(/3.;*3MY3.434R ANY student can apply for a stall. Whether you’re a 6),1;N*6)3,;')K*,.*T;4-*3MY3);*')*^(4;*=,J3*,*2';*'1*3M6344*4;(11* to offload, you SHOULD (before Sept 20): http://goo.gl/ 1')C4A!H>N2N:^PF Q*,C*Y3)4'.,22N*='Y-.@*4'C3'.3*,YY2-34*;'*1,63Y,-.;*4'* Q*6,.*83*,*/),@'.K*=-.;*=-.;R For those who still haven’t heard the news, HJC Bar J,6,;3/&/5"/&=(@3*4Y,63*'.*73J32*F*g*:-;=*;=,;*8,26'.N* ;=,;*Q*6,.\;*:,-;*;'*4-;*'.*,4*;=3*:3,;=3)*:,)C4*(Yc*<=3)3* :-22*83*,.*D05D*8,)A6,1WA1''/*'(;23;*.3M;*N3,)K*8(;*-.* ;=3*C3,.;-C3*-;\4*,*4;(/3.;*2'(.@3*g*Q\J3*Y(;*4'C3*6'C1N* 6'(6=34*-.*;=3)3*1')*N'(R*L./*.':*;=3)3\4*6'1133*-.*;=3)3* ;''c*S23,43*C,I3*;=3*C'4;*'1*-;*,./*;322*N'()*1)-3./4*g*-;* C,I34*(4*4'*=,YYN*;'*433*N'(*-.*;=3)3R P,.;*;'*83*-.J'2J3/*-.*;=3*6)3,;-'.*'1*;=3*8,)e*<=3)3\4* ,*C,-2-.@*2-4;*fD5<*1')*8,)*(Y/,;34V*=;;YVAA@''R@2A1')C4A xYQK3S7p1V (Google forms 4 life).

;'*433*;=,;*;=3*D.-J3)4-;N*-4*6'CC-;;3/*;'*Y)'J-/-.@*C')3* 4;(/N*4Y,634K*,./*D05D*:-22*6'.;-.(3*;'*3.4()3*;=,;* 4;(/3.;4*,)3*6'.4(2;3/*,4*Y,);*'1*;=3*Y2,..-.@*Y)'6344R d.*L(@(4;*FHK*4;(/3.;4*1)'C*D.-0328*^'-.3/*';=3)4* from across Victoria in protest against university fee /3)3@(2,;-'.K*:=-6=*)3C,-.4*'.*;=3*>3/3),2*Z'J3).C3.;\4* ,@3./,R*Q;*-4*-CY');,.;*;=,;*:3*C,-.;,-.*C'C3.;(C*'.*;=-4* 6)(6-,2*-44(3R d.*;=3*5;(/3.;4\*O'(.6-2*1)'.;K*)363.;*C33;-.@4*=,J3* ,//)3443/*C,;;3)4*4(6=*,4*;=3*1');=6'C-.@*D05D*8,)K*O2(84* & Societies Regulations changes, and expenditure for a .(C83)*'1*3M6-;-.@*D05D*-.-;-,;-J34*,./*3J3.;4*'.*6,CY(4K* -.62(/-.@*;=3*D05D*O'C3/N*>34;-J,2R Q*=,J3*,24'*833.*)(..-.@*)3@(2,)*C33;-.@4*'1*;=3* O'.4;-;(;-'.,2*P')I-.@*Z)'(Y*,./*/3J32'Y-.@*Y)'Y'4,24* 1')*6'.4;-;(;-'.,2*6=,.@3R*L22*4;(/3.;4*,)3*:326'C3*;'* Y,);-6-Y,;3*g*/3;,-24*'.*;=3*536)3;,)-,;*Y,@3*'1*;=3*D05D* :384-;3R

+3*4(Y3)*6,)31(2*:-;=*N'()*C-/*43C*,44344C3.;4* 3J3)N8'/Nc*<'*,J'-/*G2"6.)%2'!%*2,&612$**C,I3*4()3*N'(* 8)(4=*(Y*'.*N'()*)313)3.6-.@*4I-224*,./*6=36I*'(;*L6,/3C-6* 5I-224*-1*N'(*,)3*(.4()3*'1*,.N*'1*;=3*)(234R P3*,)3*:')I-.@*:-;=*<!Q<'Y&$.#&"$%,&"9''.*;=3-)* Y&$.#&"$%,&"9'Q$16.&$'Q1#=.8':=-6=*:-22*83*'(;*4''.K* make sure you fill it in if you are an International Student to =32Y*D05D*Q.;3).,;-'.,2*,./*D05D*T/(6,;-'.*4(YY');*,./* 2'88N*1')*N'()*,6,/3C-6*.33/4R Q$16.&$'L.+#.*.&$"$%=.'Z.$4,#-*=,4*833.*C33;-.@* )3@(2,)2N*,./*/-46(44-.@*.(C3)'(4*-44(34*-.62(/-.@*4;(/N* 4Y,634K*Y33)*,44344C3.;*,./*-.6)3,4-.@*Y),6;-6,2*:')I* 3MY3)-3.634*1')*(./3)@),/(,;34R Q2%.&2.'Q$16.&$* please fill in the survey on our facebook page (facebook.com/umsueducation) so we can 6'2236;*4'C3*/,;,*'.*:=3;=3)*56-3.63*4;(/3.;4*:'(2/*2-I3*;'* 83*,823*;'*6'CY23;3*/'(823*C,^')4R*

photography by bonnie leigh≠ dodds

campus /

EDUCATION (public)

conor serong

email: Educationpublic @union.unimelb.edu.au facebook: www.facebook.com /umsueducation

'c*<=3*3./*'1*;=3*N3,)*-4*42':2N*)'22-.@*-.;'*4-@=;K*,./* :-;=*-;K*;=3*3./*'1*,.*3),*1')*N'()4*;)(2NR* T236;-'.*:33I*-4*=,YY3.-.@*,4*Q*:)-;3*;=-4*)3Y');K*,./* :=-23*;=3)3\4*,.*323C3.;*'1*.65"(-*8#-0(-*:,;6=-.@*,22*;=3* campaigners from my office window, the reality is that over ;=3*.3M;*13:*C'.;=4*Q\22*83*Y)3Y,)-.@*;'*=,./*'J3)*;=-4*:')I* to a new face (or two new faces!).

welfare james bashford

email: welfare @union.unimelb.edu.au facebook: www.facebook.com /UMSUwelfare

;\4*;-C3*1')*'()*Y3.(2;-C,;3*)3Y');4*,2)3,/Ne*P':*;=3* year’s flown by! We’re past half way through semester .':*,./*1')*C,.N*'1*(4*;=3*,44344C3.;4*,)3*Y-2-.@*(Y*g* ')*C,N83*N'(\)3*3MY3)-3.6-.@*6,2C3)*:,;3)4*831')3*;=3* 4;')C*;=,;*-4*3M,C4R*T-;=3)*:,N*1')*C,.N*'1*(4*;=3*4;)344* -4*@'-.@*;'*4;,);*8(-2/-.@*(Y*1')*;=3*.3M;*13:*:33I4*4'*-;\4* 4(Y3)*-CY');,.;*:3*,22*2''I*,1;3)*3,6=*';=3)c*L;*;=3*;-C3*'1*

Wom*nís allison ballantyne & lucy curtis email: womyns @union.unimelb.edu.au facebook: www.facebook.com /umsuwomyns

=,;*,*8(4N*43C34;3)c*P3\J3*=,/*,*;)-J-,*.-@=;K*,*Y,.32K* mentoring nights, a film screening just to name a few. Q;\4*833.*:'./3)1(2*433-.@*4'*C,.N*.3:*1,634*3.@,@3*:-;=* ;=3*/3Y,);C3.;*,./*='Y3*;'*C33;*3J3.*C')3*Y3'Y23*831')3* ;=3*43C34;3)*-4*'J3)c* d()*6'22,8'),;-'.*:-;=*13C-.-4;*,);*Y)'^36;*0'/.&.#"$%,&* )34(2;3/*-.*;=3*6'2236;-J3*6)3,;-'.*'1*,*8,..3)K*:=-6=*:-22*

TJ3.*4'K*;=3)3\4*4;-22*,*2';*;'*83*/'.3*831')3*N'(*433*;=3* 2,4;*'1*C3*g*-1*N'(\J3*@';*,.N*-/3,4*1')*=':*;'*4Y3./*;=3* )3C,-./3)*'1*;=3*3/(6,;-'.*/3Y,);C3.;\4*8(/@3;K*:3\)3* 4;-22*'Y3.*;'*4(@@34;-'.4c*P3\22*=,J3*)(.*'()*S-6.-6*L@,-.4;* Pyne alongside the NTEU by the time this edition goes to Y)-.;K*8(;*:3\)3*,2:,N4*3.;=(4-,4;-6*,8'(;*.3:*:,N4*;'* Y)'C';3*'()*6,CY,-@.4K*')*3J3.*.3:*6,CY,-@.4*;'*)(.R* Hit us up! As we approach exam time, we’ll be flat out once C')3*/3,2-.@*:-;=*-44(34*4(6=*,4*62,4=34K*,223@,;-'.4*'1* misconduct (don’t cheat! Please! Seek support if you need it, we’re here to help, but please don’t cheatcl*,./*,22*4');4*'1* ';=3)*-44(34*,4*;=3N*,)-43R 5;(/N*=,)/K*6'C3*,2'.@*;'*'()*3J3.;4K*,./*:3\22*I33Y* 4C,4=-.@*133*/3)3@(2,;-'.*,./*1(./-.@*6(;4K*,./*,22*;=,;* ';=3)*6),Y*;=,;*:3*/'.\;*:,.;R*Q;\22*83*,*)-YY3)R M'M'

:)-;-.@*;=-4*-4*^(4;*831')3*E*D*db*9,N*,./*Q*@(344*;=,;*43)J34* ,4*,*)3C-./3)*;=,;*:3*,22*4=,)3*,*8-;*'1*)34Y'.4-8-2-;N*1')* 2''I-.@*'(;*1')*3,6=*';=3)*,4*Y,);4*'1*'()*D.-*6'CC(.-;NR L*4-CY23*U(34;-'.*2-I3*_L)3*N'(*'Ie`*')*_Q4*3J3)N;=-.@* ,2)-@=;`*C,N*83*;=3*4;,);*'1*,*)3,22N*-CY');,.;*6'.J3)4,;-'.R* <=3*),;34*'1*C3.;,2*-22.344*,C'.@4;*4;(/3.;4*,)3*1,)*=-@=3)* ;=,.*1')*;=3*,J3),@3*Y'Y(2,;-'.*,./*;=-4*-4.\;*4'C3;=-.@* :3*6,.*I33Y*-@.')-.@*')*,J'-/-.@*g*-1*N'(*43.43*4'C3'.3\4* =,J-.@*,*;'(@=*;-C3K*)3,6=*'(;*,./*=32YR*d1*6'()43K*:3\)3*.';* all qualified to help out, but the University offers a fantastic, free and confidential 6'(.4322-.@*43)J-63*;'*,22*4;(/3.;4*,./*4;,11R*Q;*/'34.\;* C,;;3)*=':*C-.')*')*C,^')*N'(*;=-.I*,.*-44(3*-4K*;=3N* 6,.*=32YR*Z''/*2(6I*:-;=*,22*;=3*,44344C3.;*,./*2''I*,1;3)* N'()432J34*Vl

83*'.*/-4Y2,N*-.*;=3*Z3')@3*S,;'.*@,223)N*2,;3)*-.*43C34;3)R* <=3*G&$%K#"2%*)'4,#-*5,+*K*')@,.-43/*8N*;=3*P'Ci.*'1* O'2'()*O'2236;-J3K*,)3*,*4Y,63*;'*'Y3.*(Y*/-,2'@(3*,8'(;* ),6-4C*,./*=,J3*833.*J3)N*Y'Y(2,)R*<=3)3*,)3*4;-22*,*6'(Y23* more to go (Wednesdays, 5-7pm), be sure not to miss them! L24'*I33Y*,.*3N3*'(;*1')*;=3*2,(.6=*'1*'()*/3Y,);C3.;* C,@,a-.3*[168V*'H1&25R*L2'.@*:-;=*'()*4(8?3/-;')4K*:3\J3* 833.*8(4N*Y(;;-.@*-;*;'@3;=3)*,./*6,.\;*:,-;*;'*4=,)3*-;*:-;=* N'(R*P3\)3*63238),;-.@*-;4*)323,43*:-;=*,*2,(.6=*Y,);N*-.*P33I* FG*,./*N'(\22*,24'*83*,823*;'*Y-6I*(Y*,*6'YN*,)'(./*(.-R* P3*I.':*-;\4*6'C-.@*(Y*;'*;=3*Y,);-6(2,)2N*4;)3441(2*;-C3* '1*43C34;3)K*8(;*/'.\;*1')@3;*,8'(;*'()*:33I2N*3J3.;4*-.* the Wom*n’s Room (Wom*n of Colour Collective, Wom*n’s Collective and Queer and Questioning QTs).They’re great if you ever feel like a chat, a rant and/or a free lunch. Hope to 433*N'()*2'J32N*1,634*;=3)3c

farrago 2015 / edition seven / 17

/ campus

creative arts Bonnie leigh≠d odds & isabella vadiveloo email: arts @union.unimelb.edu.au facebook: www.facebook.com /umsuartsdepartment

>*g*0(/134; L*g*=,YY3.3/ P*g*)3,2* G*g*@''/

Activities Hayden michaelides & James Baker email: Activities@union. unimelb.edu.au facebook: www.facebook.com /umsuactivities

=3*,6;-J-;-34*/3Y,);C3.;*=,4*833.*-.6)3/-82N*8(4N*'J3)* ;=3*Y,4;*C'.;=*')*4'K*:-;=*6'6I;,-2*Y,);N*4=3.,.-@,.4K* Tuesday BBQs with some amazing bands playing, and the ')@,.-4-.@*'1*,*8-@@3)*;=,.*3J3)*dI;'83)134;K*,22*-.*83;:33.* those pesky (but not really, hope you all voted) elections. We’ve continued to have a great turnout at the BBQs,

queer

andrea gavran & lloyd rouse email: Queer@union. unimelb.edu.au

Trigger Warning: mentions of HIV and assault. =,J3*:')I3/*:-;=*;=3*D.-J3)4-;N*;'*83*C')3*-.62(4-J3*'1* .'.?8-.,)N*-/3.;-1N-.@*1'2I*,./*;),.4*Y3'Y23 Support groups are being set up for the HIV positive ,./*4()J-J'()4*'1*,44,(2;*,./*,8(43R*<=3*23@,2-;-34*'1*;=3* 4(YY');*@)'(Y4*-4*83-.@*,.,2N43/R*<),-.-.@*1')*4;(/3.;4*=,4* 833.*2'6,;3/*:-;=*OL5L*,./*;=3*3MY)344-'.4*'1*-.;3)34;*,)3* being confirmed. <=3*/3Y,);C3.;*),.*;:'*3J3.;4*1')*:322.344*:33I* :=-6=*:3)3*,*82,.I3;*1');*,./*,*6'2'()-.@*-.*4344-'.R*<=3* U(33)*4Y,63*=,4*C,.N*6'CY23;3/*Y-3634*4;(6I*;'*;=3*:,224* ,./*;=3*1)-/@3R

18 / Farrago 2015 / edition seven

;*g*,./* Y*g*.': \*g*:3* P*g*,)3 G*g*4233Y-.@ L*g*1')3J3) ;*g*a Q*g*a 0(/134;*:,4*,*=(@3*4(66344*13,;()-.@*'J3)*!BB*,);-4;4*,./* 'J3)*,*;='(4,./*,(/-3.63*C3C83)4R*5'*C(6=*1,.;,4;-6* :')I*:,4*Y)343.;3/*,./*:3*=,/*,*@)3,;*;-C3*433-.@*:=,;* ;=3*C,.N*;,23.;3/*,);-4;4*'.*6,CY(4*6)3,;3/R*P3*,)3*.':* =,J-.@*,*8-;*'1*,*)34;K*8(;*,)3*4;-22*:')I-.@*=,)/*'.*'()* 0(/134;*)3Y');R

:-;=*4'C3*,C,a-.@*,6;4*Y3)1')C-.@R*0,I3*4()3*N'(*/'.\;* C-44*;=3*2,4;*13:*'1*;=3CK*,./*6'C3*@3;*4'C3*1)33*1''/*,./* /)-.I4*:=-23*N'(\)3*,;*-;c <=3*436'./*6'6I;,-2*Y,);N*:,4*-.*2,;3*L(@(4;K*,./* :=-23*;=3*;().'(;*:,4.\;*,4*8-@*,4*;=3*'.3*-.*43C34;3)* FK*3J3)N'.3*:='*6,C3*=,/*,*@)3,;*;-C3*,./*2'J3/*;=3* ,;C'4Y=3)3*,;*;=3*Y,);NR <=3*Y2,..-.@*'1*dI;'83)134;*-4*:322*(./3)*:,NK*:-;=*;=3* Y2,.*1')*-;*;'*83*8-@@3)*;=,.*3J3)R*<=3*Y2,..3/*/,;3*-4*;=3*H;=* '1*d6;'83)K*4'*6=36I*'(;*;=3*D05D*L6;-J-;-34*1,638''I*Y,@3* 1')*1(22*/3;,-24*:=3.*;=3N\)3*)323,43/R >')*,22*(Y/,;34K*6=(6I*(4*,*2-I3*'.*1,638''IK*,4*;=,;\4* :=3)3*:3*)323,43*C'4;*-.1'R*L24'*43./*,*1)-3./*)3U(34;*;'* '.3*_<'8-,4*<)(.I3`*1')*,.*-.J-;3*;'*,22*;=3*8-@*3J3.;4 XOXO Gossip Trunke

VCA: I am trying to run a collaboration space for artists /':.*,;*;=3-)*6,CY(4R*Q*:,.;*;'*/'*;=-4*836,(43*,);*-4*'1;3.* ,*4'2-/,)N*3./3,J'()*8(;*4'6-,2-4-.@*-4*.33/3/*;'*C,-.;,-.* C3.;,2*=3,2;=R*Q*:'(2/*Y)313)*;=,;*;=3*4Y,63*83*,4*,Y'2-;-6,2* ,4*Y'44-823R O'.4;-;(;-'.*:')I-.@*@)'(Y4*=,J3*6'.;-.(3/*;'*Y(4=* U(33)*,./*/-4,823/*)-@=;4*-.*;=3*6'.4;-;(;-'.*@)'(Y4*8(;* (.1');(.,;32N*=,/*.';*C,/3*,.N*C3,.-.@1(2*Y)'@)344* ;':,)/*;=3*3.1),.6=-43C3.;*'1*;),.4*:'C3.K*(.;-2*,*6=,;* with the Returning officer of the electoral ballot revealed that students who have their honorific titles changed to Mrs, Miss, or Ms are granted the right to vote for women’s officer :-;=-.*;=3*D.-'.R*P=-23*;=-4*-4*.';*'Y;-C,2*,./*-4*.';*:-/32N* I.':.*,;*,22K*-;*-4*83;;3)*;=,.*C,.N*'1*;=3*'Y;-'.4*/346)-83/* -.*;=3*:')I-.@*@)'(Y4R* 0')3*6'./'C4*'1*J,)N-.@*4-a34*=,J3*833.*')/3)3/*1')* ;=3*U(33)*4Y,63*,4*,;*;=-4*;-C3*'.2N*'.3*4-a3*-4*,J,-2,823R Q*=,J3*C,.,@3/*;'*436()3*,*/'.,;-'.*'1*4,.-;,)N* Y)'/(6;4*1')*;=3*U(33)*4Y,63*1')*;='43*:='*C3.4;)(,;3*8(;* C,N*.';*1332*6'C1');,823*Y()6=,4-.@*;=3-)*':.R

campus /

enviro daniel sullivan email: environment@ union.unimelb.edu.au facebook: www.facebook. com/umsuenviro PZ\YLD'WPPb'ECB@] P-;=*'J3)*G#*3J3.;4*1)'C*;=3*G%*d6;'83)*;'*%*53Y;3C83)K* -;*132;*2-I3*;=3)3*:,4*4'C3;=-.@*1')*3J3)N'.3R*<=,.I4*;'* 3J3)N'.3*1)'C*0D*T.J-)'*O'2236;-J3K*0D*>''/*O'?'YK* ,./*;=3*C,.N*62(84K*')@,.-4,;-'.4K*:')I4='Y*Y)343.;3)4K* J'2(.;33)4*,./*@(34;4*;=,;*C,/3*T.J-)'*P33I*4'*4(663441(2R

1')34;4*'1*T,4;*Z-YY42,./*;'*6'./(6;*O-;-a3.*56-3.63* 4()J3N-.@*1')*;=)3,;3.3/*4Y36-34*,./*),-.1')34;*,)3,4*;'* @3;*1')34;4*'11*;=3*2'@@-.@*46=3/(23R*P3*6,.*4(YY');*N'(*;'* ,;;3./c*L./%*$.#'5.#.I*=;;YVAA8-;R2NAF7@0"PE*

?,**%9'?#..'Q1))%$'ECB@'A'30 September to 1 October 9()-.@*;=3*C-/?43C34;3)*8)3,IK*'()*D.-J3)4-;N*:-22*83* hosting the Times Higher Education (THE) World Academic 5(CC-;R*5;(/3.;4*,)3*='2/-.@*,.*,2;3).,;3*>'44-2*>)33* 5(CC-;*;'*Y(;*/-J34;C3.;*'.*;=3*,@3./,c*&'(\22*=3,)*1)'C* -.4Y-),;-'.,2*4Y3,I3)4*-.J'2J3/*-.*;=3*@2'8,2*1'44-2*1(32* /-J34;C3.;*C'J3C3.;K*23,).*6,CY,-@.-.@*4I-224K*.3;:')I* ,./*4'6-,2-43R L./%*$.#'5.#.I*=;;YVAA:::R1'44-21)334(CC-;GBF#R6'CA*

GQPZ'P"*$'U%++*9"&6'L,"6';#%+'`'>%$%c.&'Q2%.&2.'>")+' A'25-28 September The first weekend of mid-semester break we’ll be joining U,,&/.#"5'P&=%#,&).&$'>.&$#.'SUP>DT*,./*L(4;),2-,.* Q$16.&$'P&=%#,&).&$'Z.$4,#-'SGQPZT*-.*;=3*:'./3)1(2*

>,).'"9,&/'$,'$5.'?,**%9'?#..'!<'Q+."-,1$'0,#' (%=.*$).&$]* Monday 12 October, 12pm under Raymond Priestley L./%*$.#'5.#.I*=;;YVAA8-;R2NAF7@0O0J*

Clubs & Societies

,YY2-6,;-'.4*:3)3*)3^36;3/*/(3*;'*'J3)2,Y*:-;=*,2)3,/N* 3M-4;-.@*62(84R*5'C3*'1*;=3*-.-;-,22N*,YY)'J3/*62(84*;=,;*,)3* now currently in the affiliation process include: Soccer Appreciation Society, Art History Student Society, Chinese Chess Club, Magic Society, Motorcycle Club, Vegan O2(8K*D.-;3/*5;,;34*'1*LC3)-6,*5'6-3;N*,./*;=3*P''13)4* LYY)36-,;-'.*Z(-2/ ]Y2(4*,*8(.6=*C')3K*I33Y*,.*3N3*'.*'()*>,638''I*Y,@3* 1')*C')3*/3;,-24*'.*'()*.3:*62(84c 1,638''IR6'CAD05D62(84*

claire pollock & stephen smith

email: clubs @union.unimelb.edu.au facebook: www.facebook.com /UMSUClubs

3*,)3*.':*:322*-.;'*53C34;3)*G*:=-6=*C3,.4*;:'* main things in the Clubs & Societies world: New O2(84*,./*LZ04c*

ZPW'>M<FQ] Q.-;-,2*,YY)'J,2*=,4*833.*@),.;3/*;'*GF*1,8(2'(4*.3:*62(84* who are now on their way to joining our already affiliated 208 clubs! CLUBS FOR EVERYONE!! The range of clubs that applied for affiliation were significantly varied, however unfortunately a number of

indigenous

tyson holloway≠cla rke

email: Indigenous@union. unimelb.edu.au phone: 0488506881

=3*43C34;3)*=,4*833.*8(882-.@*,2'.@*.-632N*:-;=*4'C3* ,C,a-.@*4'6-,2*3J3.;4*,./*=-@=*23J324*'1*3.@,@3C3.;R* Q;*-4*4,13*;'*4,N*:3*=,J3*=,/*,*1,.;,4;-6*N3,)*;=(4*1,)*:-;=*,* :-/3*),.@3*'1*4'6-,2*@,;=3)-.@4*,./*,6;-J-;-34*;'*8)3,I*(Y* ;=3*C'.';'.N*'1*4;(/N*,./*k(.-2N1*:-;=*N'()*C'8R*L*=(@3* ;=,.I4*C(4;*@'*'(;*;'*;=3*6'2236;-J3*1')*;=3-)*3.;=(4-,4C* ,./*8)3,;=-.@*4'C3*2-13*-.;'*;=3*/3Y,);C3.;R* Mudfest was a raging success with a Night Under Bunjil ,./*'()*,C,a-.@*,);-4;4*Y)'J-/-.@*4'C3*=-@=2-@=;4*.';*'.2N* 1')*;=3*/3Y,);C3.;*,./*6'2236;-J3*8(;*,6)'44*;=3*:='23*

GU!*] LZ04K*';=3):-43*I.':.*,4*L..(,2*Z3.3),2*033;-.@4*,)3* required each year of all our affiliated clubs. Around 75% of ,22*'()*62(84*='2/*;=3-)*LZ04*-.*;=3*%*:33I4*4Y,..-.@*1)'C* :33I*G*;'*:33I*H*'1*53C34;3)*GR*<=-4*C3,.4*2';4*'1*LZ0* ;),-.-.@*,./*2';4*'1*LZ0*Y,Y3):')I*;'*Y)'6344c O'.@),;(2,;-'.4*1')*,22*;=3*.3:2N*3236;3/*6'CC-;;334*'1* ,22*'()*,C,a-.@*62(84c ^X'>MPL3'Q;PH_PZ'`'U<Z;PL'aDaD

134;-J,2R*TM,2;3/*831')3*;=3*3,@3)*6)':/*'1*0(/134;*,*=(@3* 6'.@),;(2,;-'.4*C(4;*@'*;'*'()*,);-4;4*1')*;=3-)*=,)/*:')I* 831')3*;=3*134;-J,2*,./*1')*;=3*U(,2-;N*'1*:')I*Y(;*1');=R* 5Y36-,2*;=,.I4*;'*LCNK*<'//K*0,)23N*,./*bN23*1')*4=,)-.@* their work at a Night Under Bunjil and for everyone that C,/3*;=3-)*:,N*'(;?*,./*0,)23N*1')*6'2236;-.@*,.*,:,)/*,;* ;=3*6'.62(4-'.*'1*;=3*134;-J,2R*<=3*2,4;*;=,.I4*C(4;*@'*;'*;=3* Creative Arts Officers, Bella and Bonnie. Without their fierce /3;3)C-.,;-'.*;'*/-J3)4-1N*;=3*134;-J,2*,./*3.;=(4-,4C*;'* :')I*:-;=*C3*;'*C,I3*-;*Y'44-823*=,4*231;*,*@)3,;*-CY)344-'.* '.*C3*,./*;=3*6'2236;-J3R*Q*2''I*1'):,)/*;'*433-.@*4(6=*,* 1,.;,4;-6*)32,;-'.4=-Y*6'.;-.(3*-.;'*;=3*1(;()3R* )*(-#&B0*C+9*-4*,24'*/(3*-.*83;:33.*T/-;-'.*X*,./* T/-;-'.*%*'1*>,)),@'*,./*:3*,)3*8(4N*=,6I-.@*,:,N*,;*'()* I3N8',)/4*:')I-.@*;':,)/*,.*3,)2N*d6;'83)*)323,43*/,;3R* b33Y*N'()*3N34*Y3323/*1')*;=3*Y(82-6,;-'.K*Q*6'(2/.\;*83* C')3*3M6-;3/*;'*4=,)3*-;*:-;=*N'(c

farrago 2015 / edition seven / 19

/ campus

photography j≠ dart 20 / Farragoby2015 / edition seven

photography by j≠ dart

campus /

culture / farrago 2015 / edition seven / 21

/ culture

Taipan Tiger Girls by CHARLIE LEMPRIERE

Y3)4'.*:='*Q\J3*.';*C3;K*,./*:-22*.';*@'*'.*;'*C33;K*'113)4* 4'C3;=-.@*-.*CN*/-)36;-'.R*Q*Y'2-;32N*/362-.3*,./*/'.\;*C,I3* 3N3*6'.;,6;*,@,-.R*TJ3.;(,22N*;=,;*Y3)4'.*,./*;=3-)*4C,22*@)'(Y*Y332* off, returning to their homes. Huddled in my big green Lindsay Weir ^,6I3;K*Q*:,4*;''*;-C-/*;'*^'-.*;=3-)*/-46(44-'.*'1*<=()4;'.*0'')3\4* 2'4;*6)3/-8-2-;N*1'22':-.@*b-C*Z')/'.\4*8''I*'+#9&+*&"&B"*(R*<=3* @)'(Y\4*4'Y=-4;-6,;-'.*-4*,22()-.@K*8(;*;=3-)*/36-4-'.*.';*;'*6'.;-.(3* '.*;':,)/4*;=3*d2/*+,)*-4*=-@=2N*U(34;-'.,823R* <=3*.-@=;*832'.@4*;'*;=3*,28(C*2,(.6=*'1*<,-Y,.*<-@3)*Z-)2\4* /38(;*1. Variants of ‘LP1’ have almost been rivalling eponymous self;-;2-.@*)363.;2NR*P=-23*Q*1,J'()*,*:')/3/*;-;23K*Q*6,.\;*/3.N*;=3*4;,)I* practicality of such a coded signifier. The cover art is minimal too: a 4=';*'1*;=3*8,./*-.*C';-'.*8,)32N*J-4-823*;=)'(@=*,*1'@*'1*/,)I.344R* Q*3.;3)*;=3*d2/*+,)*;'*;=3*46=-a'-/*4'(./*C(;,;-'.4*'1* Antediluvian Rocking Horse. ARH’s scope goes beyond the typical notion of a disc jockey; the two scientifically manipulate their wild 43236;-'.*2-J3*;'*6)3,;3*C(4-6*;=,;*4;,./4*,2'.3R*Q;*-4*1,46-.,;-.@*;'* :,;6=*;=3-)*=,./4*='J3)*'J3)*;=3*4Y-..-.@*)36')/4*,4*;='(@=*;=3* ;().;,823*:,4*;=3*1();=34;*3M;3.4-'.*'1*;=3*,)CR*>'()*3N34*-.;3.;2N* 1'6(43/*'.*2-13*,;*!!*FA!*)';,;-'.4*Y3)*C-.(;3R*<=3*463.3*-4*Y()3* anarchy. ARH have been refining the art of analogue screech spitting 1')*2'.@3)*;=,.*Q\J3*833.*,2-J3R d.*;=3*Y)'^36;-'.*46)33.*83=-./*;=3*4;,@3K*,*6'CY(;3)*/34I;'Y* 3))')*C344,@3*;),.4-;-'.4*;'*,*J-/3'*-.4;,22,;-'.*8N*TM';-6*>')34;R* d22-3*d243.K*;=3*4N.;=34-43)*C,.-,6*'1*<,-Y,.*<-@3)*Z-)24*,./* occasional third member of Antediluvian Rocking Horse, makes =,./*@34;()34*;'*;=3*/('*83=-./*;=3*/36I4R*+)-31*4-23.63R*<=3*6)':/* ;-2;4*-;4*1'6(4*;'*;=3*1)'.;R*53J3),2*4;,@34*'1*1')63*,)-43*1)'C*7-4,* 0,6b-..3N\4*@(-;,)*-.*,*42':*)(C823K*3MY2')-.@*;=3*Y';3.;-,2*'1* 133/8,6IR*T23J,;3/*-.*;=3*1,)*8,6I*6').3)K*,*C,.*:-;=*,*1,63*6'J3)3/* in tattoos yells ecstatically, brandishing a clenched fist. His whole 8'/N*-4*6'J3)3/*-.*@)33.*-.I*;''K*8(;*;=3*4'(./*4:-)24*(.1');(.,;32N* 6,..';*4(CC'.*3.'(@=*=3,;*;'*;3CY;*=-C*;'*8,)3*,22R* L@@)344-'.*4;)-I34R*O'.@3,2-.@*;=3*2''43*.'-43*:-;=*;)-8,2* Y)'Y(24-'.K*/)(CC3)*0,;*P,;4'.*83@-.4*,*C,),;='.*Y'(./-.@*

22 / Farrago 2015 / edition seven

'1*=-4*I-;R*Q\C*4()3*;,;;''*C,.*(Y*8,6I*=,4*;=')'(@=2N*2'4;*=-4*4=-;* 8N*.':K*3J3.*-1*=-4*4='(;-.@*)3Y2-34*;'*.3:*,//-;-'.4*-.*;=3*:-6I3/* 4'(./46,Y3*,)3*6,..-8,2-4;-6,22N*,84')83/R*0N*C-./*2-I3:-43*=,4* ,*C-2/*1)3,I?'(;K*;='(@=*-;*-4*^(4;*CN*)-@=;*23@*;=,;*)34Y'./4*;'*;=3* 83,;R*Q*=,/*,*@2,44*'1*:,;3)K*,./*;=3.*,*@2,44*'1*23C'.,/3]*:=3)3* /'*Q*Y(;*CN*@2,4434e*<=3*8,434;*)34Y'.43*:'(2/*83*4C,4=-.@*;=3C* ,@,-.4;*,*:,22K*82''/N-.@*CN*=,./4K*,//-.@*;=3*4=,;;3)-.@*'1*@2,44* ;'*;=3*-CC3.43*4'(./*-.*;=3*)''CR*Q*I33Y*CN*6''2*,./*4C';=3)*;=3* @2,44*-.*4:3,;N*@)-C3*;=)'(@='(;*;=3*43;R* <=3*4'2(;-'.*-4*;'*/3/-6,;3*,22*,;;3.;-'.*;'*;=3*Y)'^36;-'.K* :=-6=*=,4*C'J3/*83N'./*4Y2,N3/*6'2'()4*;'*;=3*;3M;()3/*4-3J-.@* of sand particles into facial animation. Human minds form faces -.*,22*Y2,634R*Q\C*1(22N*C34C3)-43/K*.'//-.@*CN*=3,/*,./*4C-2-.@* along. Psychedelic properties can’t be defined in music; there is ,*;),/-;-'.,2*6'.63Y;-'.K*8(;*(2;-C,;32N*-;*-4*;=3*/-46)3;-'.*'1*;=3* 2-4;3.3)R*<<Z*;),.4Y');4*C3*;'*,.*,(/-'?J-4(,2*)3,2C*43Y,),;3*;'*;=3* .')CR*d.*;=-4*.-@=;K*Q*3MY3)-3.63*;)(3*Y4N6=3/32-6*C(4-6R** <=3*-./-J-/(,2*4'.@4*'.*;=3*,28(C*,)3*C32/3/*-.;'*'.3*C'.4;3)* Y(.6=*'1*6'.4-4;3.;*C'C3.;(CR*Q*=,J3*.'*-/3,*=':*2'.@*;=3N*Y2,N* 1')*,./*Q*/'.\;*6,)3R*Z-J3.*;=3*Y3)136;*6-)6(C4;,.634K*Q*6'(2/*)'6I* '(;*;'*<<Z*1')*,*2'.@*;-C3R*<=3*d2/*+,)*-4*,*4:322*J3.(3K*8(;*;=3* crowd are their predictable Melbourne selves, statue still. Near the 1)'.;K*,*Y3)4'.*'1*4C,22*4;,;()3*-4*8'(.6-.@*,)'(./R*Q*:'(2/*@-J3*(Y* CN*Y)-C3*J-3:*'1*TM';-6*>')34;\4*,:34'C3*Y)'^36;-'.4*;'*83*:-;=* ;=3CR*<=3N*$-/*-;R*<=-4*-4*C(4-6*;'*/,.63*;'K*/34Y-;3*;=3*4;-@C,*'1* ,8),4-'.*,44'6-,;3/*:-;=*[.'-43\R*032'/-6*83,(;N*6,.*3C3)@3*1)'C* ,*:,)Y3/*Y,6I,@3R* <=3*/)(C4*63,43K*;=3.*;=3*@(-;,)*,./*4N.;=R*LYY)36-,;-J3* ,YY2,(43K*C'4;*3.;=(4-,4;-6,22N*8N*;=3*;,;;''*C,.K*1'22':4*,4*;=3* (.-;3/*;)-'*8':*-.*1)'.;*'1*(4R* The crowd disperses and ARH commence again. Windowlicker 8N*LY=3M*<:-.*Y2,N4K*'.2N*;=-4*;-C3*Y3'Y23*,)3*/,.6-.@R* Taipan Tiger Girls are playing at Hootenanny #7 on October 24.

photography by georgia evert

culture /

Evangeline

artist profile by rose doole

''I-.@*,;*=3)*.':K*,*6'.43)J,;-J3*O,;='2-6*@-)24\*46=''2*63);,-.2N* 433C4*2-I3*-;*:'(2/*.3J3)*83*4'C3:=3)3*;=,;*TJ,.@32-.3*6'(2/* fit in. With hair thatâ&#x20AC;&#x2122;s been every colour from silver to purple to 82(3*,./*,*:,)/)'83*13,;()-.@*,.N;=-.@*1)'C*,22*82,6I*;'*),-.8':* ='2'@),Y=-6K*;=3*GB?N3,)?'2/*Z332'.@*4-.@3)A4'.@:)-;3)*623,)2N*=,4* .'*13,)*'1*4;,./-.@*'(;R P=3.*4=3*4;,);3/*=-@=*46=''2*TJ,.@32-.3*;''I*(Y*'Y3),*,./*^,aa* singing to follow her interest in music, as she found it difficult to 4,;-41N*=3)*Y,44-'.*1')*Y3)1')C,.63*,;*46=''2R*_Q*:,4*;''*Y'Y`K*4=3* 4,N4R*_Q\/*@3;*-.J'2J3/*-.*;=3*46=''2*C(4-6,24*,./*4=':4*8(;*:'(2/* .3J3)*@3;*,*23,/*)'23*g*Q*:,4*,2:,N4*^(4;*,.*(./3)4;(/NR` <'/,NK*83-.@*'.4;,@3*-4*.'*2'.@3)*^(4;*GB?N3,)?'2/*TJ,.@32-.3\4* ='88N*8(;*=3)*6,)33)K*=,J-.@*833.*Y(4=3/*8N*=3)*2'J3*'1*C(4-6*,./*,* 4(YY');-J3*1,C-2N*;'*C,I3*=3)*/)3,C*'1*Y2,N-.@*C(4-6*1')*,*2-J-.@*,* )3,2-;NR*Q.*GBF!*4=3*231;*46=''2*;'*Y()4(3*=3)*Y,44-'.*,./*4;(/N*C(4-6* Y3)1')C,.63*,./*4'.@:)-;-.@*,;*d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f*D.3,);=3/*,4*_/,)I*3236;)'?Y'Y`R*<=3*-.;-C,;3*.,;()3*'1* =3)*2N)-64*23,J34*.'*/'(8;*;=,;K*1')*TJ,.@32-.3K*Y2,N-.@*,./*:)-;-.@*

artwork by camilla eustance

C(4-6*-4*,*Y3)4'.,2*J3.;()3K*8,43/*J3)N*C(6=*'.*=3)*':.*:')2/R* Her words explore moments of love and heartbreak, and her latest 4-.@23*[O=3C-6,2\*4334*TJ,.@32-.3*/346)-83*-.*=3)*2N)-64*,./*,)6=-.@* J'6,24*;=3*Y,-.1(2*3MY3)-3.63*'1*J-3:-.@*4(84;,.63*,//-6;-'.*1)'C* ;=3*'(;4-/3R *_Q*=,J3*;'*83*-.*6'.;)'2*'1*:)-;-.@*CN*4'.@4`K*4=3*4,N4R*_0N* ideas can come from anything and everything; sometimes I think -.*6'2'()4K*,./*Q*C-@=;*:)-;3*,*4'.@*;=,;*13324*Y()Y23R*Q*C-@=;*83* :,2I-.@*/':.*;=3*4;)33;*,./*433*4'C3;=-.@*;=,;*@-J34*C3*,.*-/3,R` TJ,.@32-.3\4*:')I*-4*.':*Y,N-.@*'11*1')*=3)R*L1;3)*C,.N*13,;()34* as a guest artist with performers such as Nussy and Melbourne ),YY3)*+,C*+,CK*=3)*4-.@23*[O=3C-6,2\*/38(;3/*,;*.(C83)*$*'.*;=3* <)-Y23*f*D.3,);=3/*6=,);4K*,./*,;*.(C83)*G*'.*;=3-)*Y'Y*6=,);4R*dJ3)* ;=3*2,4;*13:*C'.;=4*4=3\4*,24'*,YY3,)3/*'.*O=,..32*!F\4*O'(.;/':.K* ),/-'*4;,;-'.4*-.*8';=*Z332'.@*,./*0328'().3*,./*-.*Y(82-6,;-'.4* 2-I3*>');3*C,@,a-.3*,./*Z332'.@\4*P33I2N*E3J-3:R <='43*2'4;*23,/*)'234*-.*=-@=*46=''2*C3,.*2-;;23*.':*,4*TJ,.@32-.3* :')I4*=3)*6=,)C*,./*8'(./2344*3.3)@N*-.;'*,*6'CC,./-.@*4;,@3* Y)343.63K*/346)-8-.@*2-J3*Y3)1')C,.634*,4*,*Y)'1'(./*Y3)4'.,2* 3MY3)-3.63R*_Q;\4*2-I3*N'(*@'*;'*;=-4*/-113)3.;K*';=3)*Y2,63K*:=3)3*N'(* 1332*;';,22N*6'..36;3/*:-;=*;=3*Y3'Y23*:,;6=-.@*N'(K`*4=3*4,N4R* However the music industry is by no means an easy path to 6=''43K*,./*TJ,.@32-.3*,6I.':23/@34*;=,;*1')*N'(.@*,);-4;4*2-I3* =3)4321*;=3)3\4*,*2'.@*:,N*;'*@'*N3;*;'*63C3.;*,*Y2,63*-.*L(4;),2-,\4* 3M;3.4-J3*C(4-6*463.3R*_Q;\4*.';*@2,C')'(4`K*4=3*,/C-;4*:-;=*,*2,(@=R* _Q;\4*=,)/*:')IR*+(;*Q*@3;*;'*/'*:=,;*Q*2'J3*3J3)N*/,NR`

farrago 2015 / edition seven / 23

/ culture

the book sean watson talks mislead

he philosopher Hans-Georg Gadamer once argued (I am immediate sorry for this pretentious 23,/?-.K*8N*;=3*:,Nl*;=,;*Y3'Y23*(./3)4;,./*-)'.N* '.2N*;'*;=3*3M;3.;*;=,;*;=3N*,)3*-.*,@)33C3.;*:-;=* ;=3*Y3)4'.*,//)344-.@*;=3CR*L4*-.K*Q*6,.*'.2N*)3,22N* (./3)4;,./*5;3Y=3.*O'283);\4*6=,),6;3)*'.*The Colbert Report*836,(43*Q*2,)@32N*,@)33*:-;=*=-4*J,2(34*,./* =-4*6,)-6,;()3*'1*;=3*;NY-6,2*LC3)-6,.*6'.43)J,;-J3R* Q*/'.\;*;=-.I*;=-4*-4*:='22N*;)(3*g*4()32N*;=3)3*,)3*,* 2';*'1*6'.43)J,;-J34*:='*,;*23,4;*@3;*:=3)3*O'283);* -4*6'C-.@*1)'C*'.*,*6'.63Y;(,2*23J32*g*8(;*-;*@'34*,* 2'.@*:,N*;':,)/4*3MY2,-.-.@*:=N*4'C3*-)'.N*6,.*83* -.6)3/-82N*,8),4-J3V*;=3*4Y3,I3)*Y'4-;-'.4*;=3C432J34* ,./*;=3-)*Y)34(C3/*)3,/3)*,4*,*I-./*'1*-.?^'I3NK*4321? 6'.@),;(2,;')N*,./*6'.46-'(42N*3M62(4-'.,)N*Y,-)R* 7-;3),)N*-)'.N*-.*Y,);-6(2,)*6,.*83*@(-2;N*'1*;=-4R*L* 2';*'1*Y'4;C'/3).*LC3)-6,.*2-;3),;()3*;=,;*3C3)@3/* in the ‘60s and continued until the ‘80s (I’m thinking '1*:)-;3)4*2-I3*P-22-,C*Z,//-4K*<='C,4*SN.6='.K*f'=.* +,);=*,./*E'83);*O''J3)l*-4*C,)I3/*8N*,*/-4;-.6;-J32N* 1,63;-'(4*,./*-))3J3)3.;*;'.3*;=,;*,44(C34*;=3*)3,/3)*

ì ...this journey is narrated in such a zany, caustic voice that if you donít identify with it, you might be pretty put off.î

24 / Farrago 2015 / edition seven

-4*,4*62(3/?-.*,./*=NY3)3/(6,;3/*,4*;=3*:)-;3)K*,./* -1*;=3N\)3*.';K*.(;4*;'*;=3CR*<=-4*4;N23*433C4*;'* =,J3*1,223.*'(;*'1*6)-;-6,2*1,J'()*-.*;=3*2,4;*6'(Y23*'1* /36,/34K*C,N83*,4*,*)34(2;*'1*9,J-/*>'4;3)*P,22,63\4* Y(82-6*/-4,J':,2*'1*-;*,./*=-4*N3,).-.@*1')*,*C')3* sincere kind of fiction, or maybe because of a shift in perception as to what good fiction is and should do. American expatriate Nell Zink’s recent novel 2+.9"+(K*=':3J3)K*)3,/4*2-I3*,*I-./*'1*)3J-J,2*'1*;=-4* sensibility. Not in the sense that it shares the same 6'.63).4K*8(;*;=,;*-;\4*(.,1),-/*'1*,)6,.3*')*=-@=8)':* )313)3.634K*)32-34*=3,J-2N*'.*:')/Y2,N*,./*-)'.NK*,./* 6'(2/.\;*6,)3*2344*-1*N'(*[@';\*-;*')*.';R*<=3*8''I*1'22':4* Peggy Vallaincourt, a young would-be writer who has ,*8)-31*,11,-)*:-;=*;)(4;?1(./3/*Y'3;*733*>23C-.@R*5=3* 1,224*Y)3@.,.;K*I33Y4*;=3*6=-2/K*=())-3/2N*C,))-34*=-CK* ,./*;=3.*=,4*,.';=3)*I-/R*+(;*733*=,4*';=3)*-.;3)34;4K* ,./*,1;3)*Y)'CY;2N*C32;-.@*/':.K*S3@@N*4Y2-;4*:-;=* '.3*/,(@=;3)K*,./*;,I34*'.*,*.3:*/(8-'(4*-/3.;-;N* /':.*-.*;=3*LC3)-6,.*4'(;=R*Q;*4'(./4*6'CY322-.@K* ,./*-;*-4K*8(;*h-.I*-4*,*4;),.@3K*3)),;-6*:)-;3)K*,./*;=-4* ^'().3N*-4*.,)),;3/*-.*4(6=*,*a,.NK*6,(4;-6*J'-63*;=,;*-1* N'(*/'.\;*-/3.;-1N*:-;=*-;K*N'(*C-@=;*83*Y)3;;N*Y(;*'11R h-.I\4*)-43*;'*2-;3),)N*1,C3*=,4*833.*,*4;),.@3* '.3R*Q.*GBFGK*4=3*4;)(6I*(Y*,*1)-3./4=-Y*:-;=*.'J32-4;* Jonathan Franzen (the same Jonathan Franzen who )363.;2N*:,.;3/*;'*,/'Y;*,.*Q),U-*:,)*')Y=,.*-.* ')/3)*;'*83;;3)*(./3)4;,./*;'/,N\4*N'(;=*g*(Y*N'()4K* >),.a3.clK*:='*4(@@34;3/*4=3*;,I3*=3)4321*C')3* 43)-'(42N*,4*,*:)-;3)R*<'*Y)'J3*;=,;*4=3*/-/*-.*1,6;*;,I3* =3)*:')I*43)-'(42NK*4=3*:)';3*=3)*/38(;*.'J32*D5-& E"996#--7-#*-.*1'()*:33I4R*S(82-4=3/*2,4;*N3,)*:=3.* h-.I*:,4*#BK*;=3*8''I*)363-J3/*3.')C'(4*,C'(.;4*'1* Y),-43*1)'C*4(6=*-.4;-;(;-'.4*,4*D5-&F-;&G%#?&D+4-.* ,./*D5-&F-;&G%#?-#K*,./*23J-;,;3/*=3)*;'*=3-@=;4*'1* 43)-'(4*6)-;-6,2*,/(2,;-'.R* L./*/343)J3/2N*4'R*2+.9"+(*-4*,*8-a,))3*8''IK*,./* 63);,-.2N*C')3*6=,223.@-.@*;=,;*,*2';*'1*6'.;3CY'),)N* fiction, but it also has a lot to say about gender and ),6-,2*-/3.;-;-34R*0,N83*;=-4*-4*:=,;*43;4*-4*,Y,);*1)'C* C')3*-.;3.432N*63)38),2K*Y'4;C'/3).*:)-;3)4V*:=-23* h-.I*'66,4-'.,22N*433C4*,*2-;;23*;''*623J3)*,./*4;)(6I* 8N*=3)*':.*:-;K*4=3*-4*:-22-.@*;'*(43*=3)*4C,);4*;'* 3M,C-.3*4'C3*3443.;-,2*=(C,.*4(8^36;4R

culture /

melanie basta and the deathly books young adult fiction with melanie basta

he Curious Incident of the Dog in the Night-Time*8N* Mark Haddon is about Christopher Boone. He is F#*N3,)4*'2/*,./*L4Y3)@3)\4*5N./)'C3R*P=3.*=3*4334* five red cars in a row he will have a super good day and :=3.*=3*4334*1'()*N322':*6,)4*-.*,*)':*=3*:-22*=,J3* ,*8,/*/,NK*:=3)3*=3*/'34.\;*3,;*')*4Y3,I*;'*,.N'.3* or take risks. His favourite book is The Hound of the B".?-#,+99-. and he likens himself to Sherlock Holmes. _D5-&;%#9(&+.&8099&%8&%>,+%0.&/5+*$.&;5+65&*%>%(:&>:& "*:&65"*6-&-,-#&%>.-#,-.R` O=)-4;'Y=3)*,-C4*;'*/'6(C3.;*,./*/-46'J3)* ;=3*CN4;3)N*83=-./*:='*I-223/*=-4*.3-@=8'()\4*/'@K* P322-.@;'.R*L4;(;3*,4*=3*C,N*83K*O=)-4;'Y=3)*C,I34*,* )''I-3*C-4;,I3R He notes on several occasions that most murders ,)3*6'CC-;;3/*8N*4'C3'.3*I.':.*;'*;=3*J-6;-CK*:=-6=* -4*:=N*=3*4()C-434*;=,;*=-4*.3-@=8'()\4*3M?=(48,./* I-223/*;=3*/'@R* L4*Y3)63Y;-J3*,4*=3*C,N*83K*O=)-4;'Y=3)*6,..';* actually solve the mystery. His strengths lie in 2'@-6*,./*C,;=3C,;-64*),;=3)*;=,.*-/3.;-1N-.@*,./* (./3)4;,./-.@*=(C,.*3C';-'.4R Z),/(,22NK*:3*23,).*;=,;*O=)-4;'Y=3)\4*1,;=3)*=,4* lied to him. His mother is not really dead. She has :)-;;3.*23;;3)4*8(;*O=)-4;'Y=3)\4*1,;=3)*=-/*;=3CR* 5=3*231;*;=3*='(43='2/K*,1;3)*=,J-.@*,.*,11,-)*:-;=*;=3*

illustration by ellen y.g. son

.3-@=8'()\4*3M?=(48,./R*5=3*6'(2/.\;*=,./23*),-4-.@* Christopher, a difficult child who needed more care ,./*,;;3.;-'.*;=,.*4=3*6'(2/*Y)'J-/3R*O=)-4;'Y=3)\4* 1,;=3)*I-223/*;=3*/'@R Christopher litters his book with scientific 1,6;4*,./*'843)J,;-'.4K*,./*'1;3.*;=-.@4*=3*/'34.\;* (./3)4;,./*4(6=*,4*;=-4*3M63)Y;*1)'C*The Hound of the B".?-#,+99-.V _H-"#*&/5-*&8#%4&/5+.&./%#:&*%/&/%&8-"#&/5-&8#0+/.&%8& /5-&7"./=&>0/&#"/5-#&/%&>-&6+#604.7-6/&+*&/5-&80/0#-=&/5"/& /5%.-&8%09&7"..+%*.&;5-#->:&%0#&8"4+9:&5".&.088-#-(&.%& $#+-,%0.9:&4":&*%/&"$"+*&>-&9%%.-(&/%&%0#&0*(%+*$R` <=3*;=-.@4*;=,;*O=)-4;'Y=3)*/'34.\;*(./3)4;,./K* :=-6=*,)3*;=-.@4*;=,;*C'4;*'1*(4*:'(2/K*23,/*;'*=-4*':.* (./'-.@R*P3\)3*,22*J(2.3),823*;'*4'C3*I-./*'1*(./'-.@K* .'*C,;;3)*:=,;*:3*:'(2/*2-I3*;'*832-3J3R L2;='(@=*;=-4*8''I*:'.*;=3*P=-;8)3,/*8''I*'1*;=3* N3,)K*)3,/3)4*,)3*/-J-/3/*'J3)*:=3;=3)*-;*-4*,.*3M63223.;* 8''I*')*,*='))-823*8''IR*f(4;*8N*;),:2-.@*;=)'(@=* Z''/)3,/4*N'(*6,.*433*;=,;*;=3*;'Y*;:'*)3J-3:4*),;3* the book five stars and one star respectively. It is not an excellent book. Nor is it horrible. Both I-/4*,./*,/(2;4*6,.*)3,/*-;*,./*;,I3*4'C3;=-.@*1)'C* -;R*<=3*,6=-3J3C3.;*2-34*-.*;=3*;';,22N*,./*6'CY23;32N* 6'.J-.6-.@*J'-63*'1*,*;33.,@3*8'N*:-;=*L4Y3)@3)\4* 5N./)'C3R*Q;\4*,*8)33aN*)3,/R*

farrago 2015 / edition seven / 25

/ culture

Fake It ë Til You Make It: A Laymaní s Guide to Cinema Appreciation by Zoe Moorman

he film ends, the credits roll, and the lights come up: discussion begins. What did you think? How cool was that scene? Wasn’t 4=3*1,.;,4;-6e*5''.*N'()*1)-3./*C,I34*,*6'CC3.;*,8'(;*;=3*/-)36;')* (who?) and one of their other films (what?), someone else goes off about their oeuvre (huh?), and you quickly find yourself knee deep in a conversation about films you’ve never seen, people you’ve never =3,)/*'1K*,./*^,)@'.*2-I3*["0/-0#\K*[4+.-&-*&.6-*-\*,./*[6+*-4"&,-#+/-\R* &'(K*CN*1)-3./K*=,J3*(.-.;3.;-'.,22N*3.;3)3/*;=3*:')2/*'1* 6+*-75+9+": love of film. While you may not know anything about film, in five easy steps you will at least be able to save face. With a sprinkle of confidence and some fancy words, you can argue about some film you’ve never seen over a single origin cold-drip as well as ;=3*.3M;*=-Y4;3)R Z-J3.*;=,;*I.':23/@3*-4*Y':3)K*4;3Y*'.3*-4*;'*,)C*N'()4321* with the facts and consensus on whatever film it is you’re seeing or /-46(44-.@*g*:=3;=3)*Y)3Y,)3/*831')3*,.*'(;-.@K*')*4.3,I-2N*@''@23/* (./3)*;=3*;,823*:=-23*N'(\)3*_;3M;-.@*N'()*='(43C,;3`R* Your first stop is IMDb, a.k.a. the Internet Movie Database. While ='C3*;'*(43)*6)3,;3/*2-4;4*;=,;*@-J3*;=3*-.,.-;N*,;*+(aa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sentence summary of critical opinion on any film and essentially 23;4*N'(*I.':*:=3;=3)*')*.';*4'C3;=-.@*-4*,:1(2R*>')*3M,CY23K* LCN*56=(C3)\4*D#"+*;#-6? currently has an 86% approval rating g*:=-6=*-4*:=N*N'(*,)3*@'-.@*;'*)36'CC3./*-;*;'*,*C,;3*,4*-1*N'(* ,6;(,22N*8';=3)3/*;'*433*-;R*&'(*6,.*3J3.*)313)3.63*73+)'.*f,C34\* =-2,)-'(4*6,C3'*)'23]*;=,;*N'(*1'(./*'(;*,8'(;*1)'C*;=3*Y)3J-'(4* Q098*43,)6=R 5;3Y*;:'*-.*Y)3;3./-.@*;'*83*,*6-.3Y=-23*-4*;'*4;,);*,6;-.@*2-I3*N'(* =,J3*433.*,22*;=343*C'J-34*;=,;*N'(*)3,/*,*'.3*2-.3*)3J-3:*'1*-.*;=3*

26 / Farrago 2015 / edition seven

8,;=)''CK*,./*4;,);*C,I-.@*82-;=3*J,2(3*^(/@3C3.;4*,8'(;*;=3CR* 9-462,-C3)V*<=-4*;,I34*N3,)4*'1*2-4;3.-.@*;'*';=3)*Y3'Y23\4*3U(,22N* unfounded opinions, a lot of googling, and a lot of confident fibs, but @-J3*N'()4321*;-C3*g*Q*832-3J3*-.*N'(c 5;3Y*;=)33*-4*;'*83@-.*/)'YY-.@*-.*;=343*^,)@'.*:')/4*Q* C3.;-'.3/*3,)2-3)R*<=3*C'4;*-CY');,.;*'.3*-4*["0/-0#\K*C3,.-.@* ,(;=')*-.*>)3.6=K*:=-6=*6'C34*1)'C*;=3*;=3')N*;=,;*,*/-)36;')*-4* the sole “author” of the film, and thus the film is attributed to them above any other person. Just refer to anything in the film as directly belonging to the director/s and you’ll fit right in – “Her camera moves so fluidly”, “I can’t believe his ending – genius!” <=-4*2,.@(,@3*-./-6,;34*;'*';=3)*6-.3Y=-234*;=,;*N'(K*;''K*,)3* one of them – an intellectual, cultured and experienced with film 6)-;-6-4C*g*(.2-I3*;=3*2-;;23*Y3'Y23*:='*;,2I*,8'(;*O=,..-.@*<,;(C* and Jennifer Lawrence (mere players on the stage!). Some examples of auteurs that (some) cinephiles love include, Quentin Tarantino (Pulp FictionK*L+99&B+99), Wes Anderson (The Grand Budapest HotelK*D5-& Royal Tenenbaums) and Tim Burton (Edward ScissorhandsK*Sweeney D%((l*g*.,C3*/)'Y*,:,NK*CN*1)-3./4R* Step five is mastery of important genres or movements, which are films grouped together by common theme or style. Film Noir, German Expressionism, the French New Wave and Mumblecore are ^(4;*,*13:*3M,CY234*'1*;=3*C,.N*4;N234*N'(*6'(2/*)313)3.63R*P=3.* /-46(44-.@*Mad Max: Fury RoadK*)313)3.63*daY2'-;,;-'.*,./*8,4I*-.* ;=3*@'2/3.*),N4*'1*-.;32236;(,2*4.'883)NR* L1;3)*:3*=,J3*C,4;3)3/*,22*;=-4*g*;=3*:=-;3*2-34K*;=3*42N* @''@2-.@K*(4-.@*;=3*)-@=;*:')/4*,./*/)'YY-.@*;=3*)-@=;*.,C34*g* comes the final step to peak film snobbery: talking about films you =,J3*,6;(,22N*433.R* The day you proclaim how much you love Christopher Nolan’s films (such as <*6-7/+%**,./*;=3*B"/4"**;)-2'@Nl*,./*,;*;=3*4,C3* time reference metafiction, Film Noir, and his ‘visual language’, then you will have finally ascended to the ranks of true film 7%.-0#R* Your arguments are now 100% more pretentious, and users report -.6)3,43/*,8-2-;N*;'*C,I3*-CY)344-J3*4C,22*;,2I*,;*.3;:')I-.@*3J3.;4* g*6'.@),;(2,;-'.4K*,./*N'(\)3*:326'C3R

photography by wilson liew

culture /

IN THE MOOD FOR MOVIES by Candy Zoccoli

'C3;-C34K*:3*,22*^(4;*.33/*;'*I.':*:3\)3*.';*,2'.3R*O3);,-.* 4-;(,;-'.4*6,22*1')*63);,-.*)34Y'.434*g*,./*2-I3*,*@''/*1)-3./K* ,*@''/*C'J-3*6,.*Y)'J-/3*;=3*Y3)136;*4'2(;-'.*1')*:=,;3J3)*N'()* problem may be. In my (biased) opinion, the best kind of movie to U(322*N'()*Y,-.*-4*,.*'2/*C'J-3R*<=3*3C';-'.,2*Y-;6=*-4*,;*;=3*)-@=;* 23J32K*;=3*6=,),6;3)4\*1332-.@4*,)3*132;*)-@=;*;=)'(@=*;'*;=3-)*.3)J3* 3./-.@4*,./*3J3)N'.3*2''I4*@)3,;*:=-23*/3,2-.@*:-;=*;=3-)*/33Y2N* entrenched flaws. 5'*=3)3\4*,*2-4;*'1*C'J-34*N'(*4='(2/*:,;6=R*9'.\;*:'))NK*;=3* (4(,2*4(4Y36;4*,)3.\;*2()I-.@*,)'(./R*Casablanca*,./*B#-"?8"./&"/& Tiffany’s*g*:3*2'J3*N'(*8(;K*1')*.':K*83*@'.3c*Q\J3*6'CY-23/*,*2-4;*'1* films that I think are not only worthy of your time, but extremely appropriate for the given mood you may find yourself in. You’ll find movies to make you laugh, cry, or coil in disgust. Let’s get that Y'Y6').*-.*;=3*C-6)':,J3*1')]

:::W5.&'8,1V#.'%&'$5.'$5#,.*',0'1&#.R1%$.6'9,=.I'F1*$.#'b."$,&V*' entire filmography P=3.*3.;3)-.@*;=3*4-23.;*)3,2CK*Q\C*@'-.@*;'*4(@@34;*4'C3;=-.@* U(-;3*Y)'J'6,;-J3V*1')@3;*O=,)2-3*O=,Y2-.R*+(4;3)*b3,;'.*-4*;=3*C,.* you’re after. He knows what he wants – the girl – and he is going ;'*@3;*=3)*.'*C,;;3)*;=3*,C'(.;*'1*8'/-2N*-.^()-34*=3*C,N*=,J3*;'* sustain. His ambition and persistence are nothing short of awe-.4Y-)-.@K*,./*'.*;'Y*'1*;=-4*=3\4*,823*;'*@3;*;=)'(@=*;=3*/,N*:-;='(;* ,.N'.3*),@@-.@*'.*=-C*1')*=-4*6=)'.-6*)34;-.@*8-;6=1,63R*Q1*2'J3*,4* ,*)3:,)/*:=3.*Y)'Y3)2N*Y()4(3/*-4*N'()*@',2K*2''I*.'*1();=3)*1')* ,*@(-/3*;'*,6=-3J-.@*N'()*,-C4R*Q\/*4;,);*:-;=*SherlockK*M# (at only "#*C-.(;34*2'.@l*831')3*;)N-.@*The CameramanK*CollegeK*,./K*'1* 6'()43K*D5-&'-*-#"9R

dW5.&'8,1V#.'5,).'"9,&.'61.'$,'"'+5%9"&6.#%&/'*+,1*.I'Sorry, E#%*$&F04>-# 5-.63*0328'().3*-4*,YY,)3.;2N*'.3*'1*;=3*;'Y*6-;-34*4Y)3,/-.@*;=3-)* collective seed on Ashley Madison (too soon?), I think it should be C,./,;')N*1')*3J3)N'.3*;'*Y)3Y,)3*;=3C432J34*1')*:=,;*;=3-)*2'J3)4* ,)3*)3,22N*Y2,..-.@*-.*;=3*/,)IR*Q1*;=,;\4*.';*3.'(@=*-.63.;-J3*;'* watch this film, there’s a book in the Baillieu with a chapter devoted to the wonder that is Burt Lancaster’s neck. Your provisional film 8(11*4;,;(4*)3U(-)34*;=-4*I-./*'1*,:,)3.344R*+,4-6,22NK*+,)8,),* 5;,.:N6I*-4*4-6I*-.*83/*:=3.*4=3*@3;4*,*Y='.3*6,22*;=,;*C,N*')*C,N* .';*83*2-.I3/*;'*=3)*=(48,./K*:='*-4*6'.J3.-3.;2N*,843.;R*P=,;\4* going to happen? You’ll have to tune in to find out.

artwork by sarah mcdonald

L24'V*The Two Mrs Carrolls*,./*East SideK West SideR*S'')*+,)8,),* 5;,.:N6I*433C3/*;'*@3;*=3)4321*-.;'*,*8-;*'1*;)'(823*:-;=*;=3*C3.*-.* =3)*2-13R*5=3223N*P-.;3)4*,24'*433C3/*;'*1,22*(./3)*;=3*4Y322*'1*;=3*.';* quite right partner (see: The Night of the HunterK*A Place in the SunlR* dW5.&'8,1V=.'e1*$'/,$',00'8,1#'H*'"&6'"#.'#."68'$,'.)7"#-',&'"' ),&$5K9,&/'7.&6.#I'!"#$%&'($)##*#+, Another film to prepare you for the dark road ahead. You may think N'(*6,.*U(-;*,.N*;-C3K*8(;*4'*/-/*9'.*+-).=,CR*P,;6=*=-C*/3463./* -.;'*,*:33I3./?2'.@*8-.@3*g*-1*;=3*)34'.,.63*-4*;''*4;)'.@K*N'(* C,N*=,J3*;'*)3;=-.I*N'()*83J3),@3*6'.4(CY;-'.*=,8-;4R*&'(*6,.* ;=,.I*C3*2,;3)R dW5.&'$5.'*%79%&/'#%="9#8'%&'8,1#'5,1*.'%*'#."25%&/'%$*'+."-I' )"-(#.#/$0-11#+#,$(&$2-34$5-+#f It’s the film that sparked the ‘psycho biddy’ sub-genre of horror films about old women going crazy and resorting to armed violence. +3;;3*9,J-4*I33Y4*,*/3Y3./3.;*f',.*O),:1')/*2'6I3/*(Y*-.*;=3-)* Hollywood mansion, the result of bitterness that stretches back ;'*:=3.*;=3N*:3)3*6'CY3;-.@*4;,)23;4R*&'(\22*3-;=3)*@)':*C')3* @),;-;(/3*1')*N'()*1')4,I3.*4-82-.@4*')*=,;3*;=3C*3J3.*C')3R*Z'*'.K* ;,I3*,*6=,.63R L24'V*+3;;3*9,J-4*-4*4'*@''/*,;*:=,;*4=3*/'34K*N'(\/*;)(2N*83* C-44-.@*'(;*-1*N'(*/-/.\;*^(4;*=,J3*,*C,),;='.*:-;=*Hush HushK*Sweet CharlotteK*D5-&I**+,-#.":*,./*Dead RingerR

dW5.&'8,1'5"=.'$,'29."&'8,1#'$."#'612$*'7.2"1*.'$5.'71%96K1+' %*'7.2,)%&/'"'5."9$5'5"c"#6I'%-$67+#8-$9-/-,7'& Okay, so maybe this film is on a lot of those ‘Movies to See Before You Die’ lists. Whatever. This film will get you in the gut so hard you’ll .33/*;'*;,I3*,*:33I*'1*(.-R*L;*23,4;R*<=3*4;')N*'1*,*8'NK*,*C,.*,./* ;=3-)*4=,)3/*2'J3*1')*;=3*6-.3C,R*Q1*N'(*=,J3*1332-.@4K*N'(*4='(2/* 4Y3./*>)-/,N*.-@=;*-.*1)'.;*'1*;=-4*C'J-3*,;*4'C3*Y'-.;R So, there you have it. No matter what your issue, there’s a celluloid fantasy calling your name. Ye Golden Olde Hollywood filmmakers sure knew how to draw in an audience – and it still :')I4*;'/,NR*>')@3;*;=3*42-6I*C'/3).?/,N*1,)3*,./*43;;23*/':.* :-;=*,*;)-3/?,./?;)(3*62,44-6R*Q*6,.*@(,),.;33*N'(\22*1332*,22*;=3*C')3* 83;;3)**1')*-;R

farrago 2015 / edition seven / 27

/ culture

Das Geschlecht etymology by adriana psaltis

2'J3*Z3)C,.K*8(;*:=3.*Q*1'(./*'(;*Q*;=,;*Q*C,N*=,J3*;'*4;(/N*,./* 23,).*;'*4Y3,I*;=3*2,.@(,@3*'.*3M6=,.@3*;=-4*43C34;3)*CN*8),-.* went into “No, no, please no!” mode. I’m. Scared. Of. German. No, I’m terrified. Why? Well, being a linguistics student, I just can’t be satisfied 23,).-.@*,*2,.@(,@3*:-;='(;*.,-2-.@*3J3)N*,4Y36;*'1*-;4*@),CC,)K*,./* ;=3*4N4;3C2344*Y2-@=;*'1*Z3)C,.*@),CC,)*=,(.;4*C3*;=3)31')3R* 7-I3*C,.N*'1*;=3*:')2/\4*2,.@(,@34K*Z3)C,.*(434*,.*'//*,./* ,)8-;),)N*@),CC,;-6,2*1(.6;-'.*6,223/*[@3./3)\R*<=3*@3./3)*6,;3@')N* is meant to function as a way of categorising nouns. However, 836,(43*;=3*6'.63Y;*'1*@3./3)*-4*4'*4,2-3.;*-.*4'6-3;NK*2,.@(,@3* 23,).3)4*C(4;*6'.;-.('(42N*)313)*8,6I*;'*4'6-3;,2*6'.63Y;4*'1*@3./3)* :=3.*23,).-.@*;=343*@),CC,;-6,2*6,;3@')-34*,./*;=3-)*/-113)3.634R* As a first language English speaker, deciding whether a table is more feminine or more masculine is difficult enough. However, Z3)C,.*-.;)'/(634*,*;:-4;*8N*;=)':-.@*-.*,*;=-)/*@3./3)*6,;3@')N* called ‘neuter’. Neuter is used to describe a word that is neither 13C-.-.3*.')*C,46(2-.3R* L.*3M,CY23*'1*,*.3(;3)*:')/*;=,;*)32,;-J32N*C,I34*43.43*-4* (".&B">:K*:=-6=*C3,.4*8,8NR*Q*6,.*)3,4'.*:-;=*(".&B">:K&,./*@-J3* Z3)C,.*Y'-.;4*1')*2,8322-.@*8,8N*,*.3(;3)K*836,(43*8,8-34*,)3* without any fixed gender identity. However, most other examples just baffle me. Words such as the future, (+-&N0?0*8/K*,./*;=3*Y,4;K* die Vergangenheit, are both strictly feminine; yet das Fräulein, which C3,.4*N'(.@*2,/NK*-4*^(4;*.3(;3)R*L.';=3)*4;),.@3*3M,CY23*-4*;=,;*(-#& RassismusK*C3,.-.@*),6-4CK*-4*C,46(2-.3K*8(;*das PatriarchatK*:=-6=* C3,.4*Y,;)-,)6=NK*-4*.';R At the end of the day German, you’ve been fun so far. However, ,.*-..'63.;*2,.@(,@3?23,).3)*2-I3*C3*-4*4;-22*231;*1332-.@*,*2-;;23* 6'.1(43/*8N*N'(c

Best Bargain Boogies music previews with jack kilbride

So it’s getting close to summer and uni is practically finished again for the year. After shouting too many drinks and buying too many coffees '.*5(./,N*C').-.@*)36'J3)N*4344-'.4K*N'(*.33/*;'*4;,);*4,J-.@*4'C3*6,4=R*5'C3*Y3'Y23*:'(2/*^(4;*4;'Y*;=3C432J34*1)'C*@'-.@*'(;K*83*;=3* )34Y'.4-823*,/(2;*,./*4,J3*;=3-)*C'.3N*1')*;=3*4(CC3)*Y,);-34R*+(;*.'*'.3*3J3)*=,/*,.N*1(.*83-.@*,*)34Y'.4-823*,/(2;R*&'(*.33/*;'*/,.63c* &'(*.33/*;'*Y,);Nc*&'(*.33/*;'*@'*;'*'.3*'1*;=343*d6;'83)*8,)@,-.*@-@4c

Drunk Mums

=3N*4,N*@3;;-.@*/)(.I*-4*,22*,8'(;*2'4-.@*N'()*-.=-8-;-'.4K*;'*4;'Y* N'(*6,)-.@*,8'(;*:=,;*3J3)N'.3*;=-.I4*,8'(;*N'()*/,.63*C'J34* g*3J3.*-1*;=3N*,66(),;32N*)343C823*;=3*C'J3C3.;4*'1*'.3*'1*;='43* inflatable tube men car yards actual think are good advertising. But ^(4;*836,(43*;=3*.33/*;'*133/*N'()4321*C3,.4*N'(*6,.\;*,11')/*;'*@3;* /)(.I*/'34.\;*C3,.*N'(*=,J3*;'*4;,N*,;*='C3R*<=3*4'2(;-'.V*@'*;'* ,*Y2,63*:=3)3*3J3)N'.3*-4*4'*/)(.I*;=,;*.'8'/N*-4*:,;6=-.@*,./* definitely aren’t going to remember you. The Drunk Mums fit the bill. They’re a hectic bunch of Melbourne 2,/4*,./*;=3-)*2N)-64*,)3*,*;34;,C3.;*;'*-;R*d.3*4-.@23*6,223/*[S2,4;-6\* is about finding a piece of plastic in their backyard and not knowing what it was, another named ‘Nanganator’ is scripted as a tribute ;'*[.,.@4\*?*;=3*-.=,2-.@*'1*.-;)'(4*'M-/3*1')*,*U(-6I*=-@=R*b.':.* 1')*;=3-)*)':/N*2-J3*4=':4K*;=3*8'N4*,)3*I-6I-.@*'11*,*:=-)2:-./* L(4;),2-,.*;'()*-.*4(YY');*'1*;=3-)*.3:34;*4-.@23K*[S(8*d.*0N*d:.\R* <=-4*@-@*-4*;=3*@,;3:,N*;'*'.3*'1*;=3*834;*.-@=;4*'1*N'()*8)'I3*2-13c** _,49.#3'D2$,7.#'Eg3'$%2-.$*'hB@

Woodlock

1*N'(*,)3*2''I-.@*1')*4'C3;=-.@*,*2-;;23*2344*6=,';-6K*P''/2'6I*,)3* Y)'8,82N*C')3*N'()*6(Y*'1*;3,R*O=,.634*,)3*N'(\J3*Y)'8,82N*433.* these guys before, either at the free Tuesday BBQ in North Court or busking on the streets of Melbourne. Now I know what you’re ;=-.I-.@]*_Q4*;=-4*@(N*;)N-.@*;'*;322*C3*;=,;*Y,N-.@*;'*433*,*8(4I3)*Y2,N* is a bargain?” Well, if you were thinking that (or are now), hear me out. 5=,Y3/*8N*N3,)4*'1*3.;3);,-.-.@*;'()-4;4*,./*4='YY3)4K*;=3*;)-'* ,)3*)3,2*6)':/*Y23,43)4K*:-;=*(.-U(3*6'J3)4*'1*O'2/Y2,NK*L)C-.* J,.*+(3)3.K*f,C34*+,3*,./*0,;;*O')8N*46,;;3)3/*;=)'(@='(;*;=3-)* 43;4R*<=3*=,)C'.-'(4*C32'/-34*'1*4-82-.@*J'6,2-4;4*Ta3I-32*,./* h36=,)-,=*P,2;3)4*,)3*4()3*;'*/),:*6'CY,)-4'.4*;'*LC3)-6,.*-./-3* Y':3)='(43*Z)-aa2N*+3,)*')*<)-Y23*^*,2(C.-K*+'N*,./*+3,)*:='* fittingly helped produce the band’s new single, ‘Sirens’. But it’s the 8,./\4*83,)/3/K*2,.IN*,./*4C-23N*/)(CC3)K*+':3.*S()6322K*;=,;* -.4;,.;2N*43;4*;=3*@)'(Y*,Y,);*1)'C*;=3*)34;R*P-;=*=-4*4.,)3*,./*;'C* /)(C4*43;*,;'Y*C-2I*6),;34K*,*8(6I3;*4(84;-;(;3*1')*,*I-6I*/)(C*,./* a solitary cymbal that he plays on the floor and dampens with his 1'';K*S()6322*4=':4*;=,;*N'(*/'.\;*.33/*1,.6N*3U(-YC3.;*;'*)'6IR*<=3* 8,./\4*823./*'1*@')@3'(4*J'6,24K*,6'(4;-6*;-.I2-.@K*4N.;=34-43/*8,44* ,./*-CY)344-J3*/)(CC-.@*,)3*4'C3;=-.@*;=,;*;)(2N*/343)J34*,*4Y';* '.*;=3*4;,@3R*>')*'.2N*mF#*/'22,)4*,;*<=3*O').3)K*Q*,44()3*N'(*;=3N* :-22*.';*23;*N'(*/':.R* ;5.'>,#&.#3'D2$,7.#'XC3'$%2-.$*'hB@

28 / Farrago 2015 / edition seven

illustration by ella shi

culture /

agony agatha Alistair baldwin solves your relationship woes with the help of the mistress of mystery herself (."#'G/,&8'G/"$5"3'%$V*'2,)%&/'1+'$,'$5.'+.&19$%)"$.'.6%$%,&',0'?"##"/,]'Y'4#%$.'"' #./19"#'2,91)&3'"&6'"0$.#'*.$$%&/'"*%6.'$5.'9"*$'.6%$%,&'0,#'"'*%&2.#.'"&6'*,9.)&' goodbye, this edition is my last chance to break the confines of the structure I’ve 71%9$'"#,1&6')8*.90'$5.*.'+"*$'0.4'),&$5*:'W5"$V*'"'01&3'-,,-8'4"8'$,',+.&'1+' the scope for meta-commentary and abstracted self-reflection?

3J';3/K*,./*Y)34(C,82N*=,./4'C3K*)3,/3)*g*6'-.6-/3.;,22NK*Q*;''*=,J3*833.* thinking of ways that I might tear down this highly artificial, reverent and irreverent mausoleum of amateur Christiology (Christianity was taken), so that it might flatten out my physical form as a metaphor for the deconstruction of form I so /34Y3),;32N*:,.;*;'*,6=-3J3R* 5'C3;-C34*-;*13324*2-I3*;=-4*6'2(C.*-4*8233/-.@*-.;'*CN*)3,2*2-13R*<=3*';=3)*/,NK* Q*:,4*C,/3*;'*:,;6=*The Mirror Crack’d at university. Now I know what you’re thinking. The argument that VCA is a legitimate faculty of the University of Melbourne is… unconvincing, at best. The argument that VCA is a legitimate university "/&"99*-4* /':.)-@=;*2,(@=,823*g*-;\4*2-I3*;=3*C'J-3*!"4-K*3M63Y;*6,),C32*42-634*,)3*m!R#BR* 5'*:=3.*Q*4,N*;=,;*;=-4*L@,;=,*O=)-4;-3*=,a3*-4*433Y-.@*-.;'*:=,;*-4*,2)3,/N*Y)'8,82N* just a fever dream (i.e. VCA) it’s not exactly setting off alarm bells at the CSIRO’s Quantum Tear Division. The Mirror Crack’d is the 1980 film adaptation of The Mirror Crack’d From Side To Side, one of Christie’s finest Marple mysteries. It’s about famed movie star, Marina Z)3@@K*:='*C'J34*;'*;=3*4233YN*J-22,@3*'1*5;R*0,)N*03,/R*5=3*4''.*836'C34*;=3* ,YY,)3.;*;,)@3;*'1*,*.(C83)*'1*,;;3CY;4*'.*=3)*2-13*g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ow. How very meta of me. D#%0>9-&+*&7"#"(+.-O&F--(&9%,-&"(,+6-O&A4"+9&I9+./"+#&P"9+./"+#>Q./0(-*/10*+4-9>1-(01"0R

artwork by sarah layton three farrago 2015 / edition seven / 29

/ culture

CHARLIE IN THE WHITEHOUSE by peter kelly

J3)*4-.63*23,).-.@*E',2/*9,=2*=,/*Y(82-4=3/*,*),)3K*436'./* 43U(32*;'*=-4*62,44-6*Charlie And The Chocolate Factory*-.*FH%BK* I’ve been eagerly anticipating reading it. It’s a difficult book to find: the only copy I’ve ever seen was a tattered paperback hidden -.*;=3*Z-82-.*T(.4'.*2-8),)NK*-;4*3M-4;3.63*(.,6I.':23/@3/*8N* ;=3*2-8),)N*6,;,2'@(3R <=3*.'J32\4*,6;-'.*Y-6I4*(Y*1)'C*:=3)3*-;4*C,2-@.3/*Y)3/36344')* Charlie And The Great Glass Elevator*231;*'11K*,4*P-22N*P'.I,*,./* =-4*,44'6-,;34*,663Y;*S)34-/3.;*7,.632';*ER*Z-22-@),44\4*-.J-;,;-'.*;'* attend a White House function. Dahl uses this celebration to satirise LC3)-6,.*6(2;()3K*;=)'(@=*O=,)2-3\4*/-4@(4;*,;*43.,;')4*/313))-.@*;'* ,.*'8343*C-22-'.,-)3*,./*Z),./Y,*f'3\4*-..(3./'?2,/3.*6'.J3)4,;-'.* with starlet Helen High Water. Meanwhile, Wonka insinuates himself -.;'*;=3*S)34-/3.;\4*-..3)*6-)623*8N*3MY'4-.@*=-4*,/J-4')4\*=NY'6)-4N* :-;=*4-CY23*U(34;-'.4*,./*Y,)2'()*;)-6I4R O=,)2-3*)3;().4*;'*T.@2,./*;'*)(.*;=3*6='6'2,;3*1,6;')N*:-;=* ;=3*=32Y*'1*=-4*8-6I3)-.@*@),./Y,)3.;4R*L1;3)*;=3*d'CY,*7''CY,4* (.-'.-43K*Z),./Y,*f'3*4(@@34;4*;=,;*'113)-.@*1,6;')N*;'()4*:-22* ,22':*;=3C*;'*)36)(-;*.3:*:')I3)4*:=-23*@3.3),;-.@*3M;),*)3J3.(3R* E32N-.@*'.*P'.I,\4*1,6;')N*C,.(,2K*/346)-83/*8N*9,=2*,4*[;=-6I3)* ;=,.*,*Y='.38''I*,./*:)-;;3.*-.*J3)N*C344N*=,./:)-;-.@\K*;=3* +(6I3;4*3MY2')3*,*6='6'2,;3*1,6;')N*C')3*;3))-823*,./*:'./3)1(2* ;=,.*;=3-)*:-2/34;*/)3,C4 Q.*1');N*Y,@34*9,=2*/3;,-24*,*J3)-;,823*4C')@,48')/*'1*@)';34U(3* wonders as Wonka begins the Wonkafication of America. He 8(-2/4*(.C32;,823*6='6'2,;3*='(434*1')*;=3*='C32344K*;),.41')C4* 4'2/-3)4*-.;'*8'(.6-.@*82(383))N*I-223)4*,./*/3J32'Y4*,*43)(C*;=,;* :=3.*-.^36;3/*-.;'*;=3*3N34*'1*Y)-4'.3)4*;().4*;=3C*-.;'*/32-6-'(4* fudge. His most alarming act is the invention of the W-Bomb, a Y()Y23*8'.?8'.*;=,;*6,.*'.2N*83*/3;'.,;3/*8N*;=3*S)34-/3.;*,./* 536)3;,)N*'1*9313.63R Chapter Eight begins when a Vernicious Knid, one of the shape4=-1;-.@*,2-3.4*P'.I,*;='(@=;*/313,;3/*,;*;=3*3./*'1*'9"..&A9-,"/%#K* -4*:'I3.*8N*,*8,2/*:'C,.*:3,)-.@*@2'J34R*P-;=-.*:33I4K*,*b.-/* ,)CN*;3))')-434*,22*.,;-'.4K*,./*'.2N*,*(.-;3/*311');*8N*;=3*:')2/\4* C-2-;,)-34*6,.*42':*;=3*;3))-823*,2-3.*-.J,4-'.R*Q.;322-@3.;*1'M34* 4,8';,@3*3.3CN*4(YY2N*2-.34K*;323I-.3;-6*4,J,.;4*6''Y3),;3*:-;=*

30 / Farrago 2015 / edition seven

/N423M-6*J-6,)4*;'*=3)/*6-J-2-,.4*(./3)@)'(./K*,./*(.1)-3./2N*@-,.;4* wrestle with inflated Knids under an exploding peach. Dahl packs too much action into these ambitiously violent scenes, but Quentin +2,I3\4*-22(4;),;-'.4*'1*;=3*.,)),;-J3*),.I*,C'.@4;*=-4*834;R L1;3)*LC3)-6,*-4*6'J3)3/*-.*;=3*)';;-.@*6')Y434*'1*43J3.*42,-.* @-,.;4K*S)34-/3.;*Z-22-@),44*83@4*P'.I,*1')*Y3)C-44-'.*;'*(43*;=3* P?+'C8R*P'.I,*6'.43.;4K*,1;3)*(4-.@*P'.I,J-4-'.*;'*;322*O=,)2-3* ;'*8)-.@*,4*C,.N*d'CY,*7''CY,4*,4*Y'44-823*;'*;=3*6,J34*83.3,;=* the factory. He then borrows a jet to scatter chocolate bars all over LC3)-6,K*/-4;)-8(;-.@*'.3*Z'2/3.*<-6I3;*-.*3,6=*;='(4,./;=*8,)R* TJ,6(,;-.@*:-;=*;=3*Z'2/3.*<-6I3;*='2/3)4*-.*,.*3.2,)@3/*Z)3,;* Z2,44*T23J,;')K*P'.I,*:-;.34434*;:'*/-4;,.;*C3.*4;)(@@2-.@*'J3)*;=3* bomb before shielding his eyes from a violet flash. Q.*;=3*3Y-2'@(3K*O=,)2-3\4*/3463./,.;K*O,6,'*+(6I3;K*836'C34* the first person to leave the factory in over a century. Cacao enters ,*:')2/*:=3)3*,22*.,;(),2*1')C4*'1*2-13*=,J3*833.*)3Y2,63/*:-;=* 6='6'2,;3*6'Y-34R*<=-.I*;=3*[S()3*QC,@-.,;-'.\*463.3*1)'C*;=3* Chocolate Factory*C'J-3K*8(;*3MY,./3/*;'*6'J3)*,.*3.;-)3*Y2,.3;R* <=3*8-@@34;*4()Y)-43*-4*;=3*4-23.;2N*46)3,C-.@*4()J-J')4*'1*;=3* P?8'C8K*;=3-)*8'/-34*C32/3/*;'@3;=3)*,./*C,/3*-CC');,2*8N*,* thin coating of Wonka caramel. Quentin Blake’s illustration of this 463.3*-4*,.*,84'2(;3*C,4;3)Y-363R*<=3*8''I*3./4*:-;=*O,6,'*2''I-.@* (Y*,;*;=3*.-@=;*4IN*,./*)36'@.-4-.@*'.3*4;,)*;'*83*;=3*23@3./,)N* Z)3,;*Z2,44*T23J,;')R 0'4;*6)-;-64*:='*)3J-3:3/*;=3*.'J32*:3)3*(..3)J3/*8N*E5+/-& House\4*,Y'6,2NY;-6*;'.3K*,2;='(@=*4'C3*4,:*-;*,4*,*)3;().*;'*;=3* ,.;-?.(623,)*;=3C34*'1*9,=2\4*FH"%*/38(;*Sometime Never: A Fable for SupermenR*Q;*,24'*83,)4*6'CY,)-4'.*;'*9'/-3*5C-;=\4*The Starlight B"#?+*$K*,.';=3)*34';3)-6*43U(32*;'*,*6=-2/)3.\4*62,44-6*,./*:='43* 8-a,))3*3./-.@*,2-3.,;3/*C'4;*)3,/3)4R*Charlie In The White House C,N*.';*83*4(-;,823*1')*,22*)3,/3)4*'1*E',2/*9,=2K*8(;*1,.4*'1*=-4*,/(2;* :)-;-.@*g*Y,);-6(2,)2N*;='43*:='*3.^'N*,*63);,-.*/34Y3),;3*=(C'()*g* will find it a delicious treat. Disclaimer: Charlie in the Whitehouse is an imaginined text! Sorry if we got your hopes up – we’re sad too.

artwork by samantha riegl

culture /

neighbourhood watch / spotswood by jack fryer

’m always surprised, and a little flattered, when I meet someone :='*I.':4*:=3)3*5Y';4:''/*-4R*5Y';4:''/K*')*5Y';;N*;'*;=3* 2'6,24K*-4*:3/@3/*83;:33.*83;;3)*I.':.*4(8()84*-.*0328'().3\4* :34;K*,./*Q*,2C'4;*,2:,N4*=,J3*;'*)313)3.63*;=3C*:=3.*2'6,;-.@* 5Y';4:''/*1')*;='43*:='*=,J3.\;*833.*831')3R*9346)-8-.@*;=3*4(8()8* )3U(-)34*4-C-2,)*6'CY,)-4'.4*:-;=*;=3*4())'(./-.@*,)3,4R*_Q;\4*.';*,4* cool as Yarraville, not as large as Newport, not as edgy as Footscray, 8(;*4;-22*:');=*6=36I-.@*'(;`K*Q*4,NK*='Y-.@*;=3*Y3)4'.*Q\C*4Y3,I-.@* ;'*:-22*4;-22*:,.;*;'*J-4-;R*Q;\4*,*4C,22*,./*Y)3;;N*4233YN*;':.K*8(;* 4233YN*;=-.@4*@3.3),22N*/'.\;*4233Y*1')3J3)K*,./*.')*-4*5Y';4:''/R* 5Y';4:''/*-4*:,I-.@*(YR The wave of gentrification and respectability moving westward ,6)'44*0328'().3*=,4*/36-/3/2N*4;,);3/*2,YY-.@*,;*5Y';4:''/K*,./* :-;=*-;*=,J3*6'C3*6=,.@34R*<=3*5Y';;N*Y(8*,4*-;*'.63*:,4*-4*.':* gone, and with it, the hordes of Hells Angels members who made it ;=3-)*/3?1,6;'*62(8='(43R*5'*;''*;=3*[TM';-6*>'MN*7,/N\*/,.63)4*;=,;* once entertained them. The Spottiswoode (sic.) Hotel now boasts ,*:326'C-.@K*1,C-2N*1)-3./2N*,;C'4Y=3)3K*-CY)344-J3*C3.(K*,./* ,..'N-.@2N*:322*3.1')63/*Y'2-6N*,@,-.4;*'(;4-/3*/)-.I4R*<=3*=')C'.3* riddled charcoal chicken shop is also no longer; instead visitors and 2'6,24*6,.*.':*3.^'N*;=3*1'()*6,134*;=,;*2-.3*;=3*C,-.*4;)-YK*,22*:-;=-.* 50 metres of each other. VB Long Necks were once the most common 83J3),@3*'.*;=3*4;)33;4*'1*5Y';4:''/K*.':*-;\4*,*4I-..N*2,;;3R*>')* ;='43*:='*Y)313)*='Y4*,./*8,)32N*'J3)*34Y)344'*,./*4;3,C3/*C-2IK* ;=3*)363.;2N*'Y3.3/*<:'*+-)/4*8)3:3)N*=,4*@';*N'(*6'J3)3/R*Z,a3*'.* ;=3*=(@3*4;332*;,.I4*,./*-C,@-.3*;=3*833)*13)C3.;-.@*-.4-/3*,4*N'(* I.'6I*8,6I*,*1)(-;N*Z'2/3.*L23K*')*4-Y*'.*,*/,)I3)*5(.43;*,23R*

illustration by nina cheles

L4*C(6=*,4*5Y';4:''/*=,4*6=,.@3/K*4'C3*'1*-;4*2344?Y'2-4=3/* past thankfully still remains. Foremost is the Al Nada Lebanese Y-aa,*4='YK*Y),6;-6,22N*,*5Y';4:''/*-.4;-;(;-'.R*936'),;3/*-.4-/3* :-;=*.3:4Y,Y3)*6(;;-.@4*'1*1,J'(),823*)3J-3:4*,./*4-@.3/*8,./* merchandise from The Living End, Al Nada is the tastiest, probably 6=3,Y34;K*,./*63);,-.2N*1(..-34;*Y2,63*;'*3,;*,;*'.*N'()*J-4-;*=3)3R* O'C3*1')*;=3*/32-6-'(4*6=3343*,./*4Y-.,6=*Sujuk Y-aa,K*4;,N*1')* ':.3)*0-6=,32\4*'(;),@3'(4*^'I34*,8'(;*=-4*C';=3)?-.?2,:R*5;,N*,24'* 836,(43*=3\22*Y)'8,82N*Y),.I*N'(*8N*@-J-.@*N'()*6=,.@3*-.*(432344*G* 63.;*6'-.4K*')*.';*,;*,22K*-.4-4;-.@*;=,;*;=3*Y)-63*'1*N'()*4-.@23*Y-aa,* =,4*4(//3.2N*)-43.*;'*mGBR*TJ3.;(,22N*N'(\22*83*1)33*;'*23,J3*:-;=* your change and generously sized lunch, but you might just find N'()4321*4;,N-.@*-.*;'*3,;K*:'.*'J3)*8N*;=-4*),46,2*,./*=-4*4,2-3.;* advice on marriage (I’ll let you find that out for yourself), but above ,22*=-4*1)-3./2-.344R**Q;\4*;=3*4='Y*:-;=*;=3*=(@3*;'N*/'@*'(;*;=3*1)'.;K* the one inexplicably wearing a Vietnamese rice farmer’s hat. You 6,.\;*C-44*-;R d.63K*;=3*'.2N*)3,4'.*;'*6'C3*;'*5Y';4:''/*:,4*56-3.63:')I4* (a fun and interactive science museum still well worth a visit), and ;=3*'.2N*Y3'Y23*;=,;*:'(2/*J3.;()3*-.;'*;':.*:'(2/*83*;'()-4;4*:='* had taken a wrong turn from the train station looking for it. Now, Spotswood is notable on its own merits, and you should definitely 6'C3*'.*/':.*,./*433*:=NR*d1*6'()43K*-1*N'(\)3*^(4;*=3)3*1')* 56-3.63:')I4K*,./*/'*3./*(Y*@3;;-.@*2'4;K*Q\22*83*=,YYN*;'*Y'-.;*N'(* in the right direction, but not before I shout you a coffee (I work at '.3*'1*;=3*6,134*,./*@3;*1)33*4;(11lR*L*C3)3*G#*C-.(;3*;),-.*)-/3*1)'C* ;=3*6-;N*-4*,22*-;*;,I34*;'*3MY3)-3.63*;=-4*2-;;23*:34;3).*4(8()84*@3CR**

farrago 2015 / edition seven / 31

/ culture

In Soviet Russia, games play you by Adrian Yeung

=3)3*=,4*2'.@*833.*/38,;3*'J3)*:=3;=3)*;=3)3\4*,*6'))32,;-'.* 83;:33.*J-'23.63*-.*J-/3'*@,C34*,./*J-'23.;*83=,J-'()*-.*N'(.@* people. However, the simpler games of yore are not the innocent, :='234'C3*,C(43C3.;4*;=,;*:3*C,N*;=-.I*;=3N*,)3*g*.,NK*;=3N*,)3* -.*1,6;*-.4-/-'(4*Y-3634*'1*@'J3).C3.;*Y)'Y,@,./,R 9(3*;'*,22*'1*S(;-.\4*)363.;*,.;,@'.-4C*;':,)/4*;=3*P34;K*-;\4* .'*4()Y)-43*;=,;*C,.N*,)3*6'.63).3/*;=,;*;=3*O'2/*P,)*-4*)3-@.-;-.@* (read: ‘Winter is coming’). Some speculate that the Cold War never really ended to begin with. However, long before the Berlin Wall came down, the Soviets had already infiltrated the minds of N'(.@*P34;3).3)4*:-;=*4'C3;=-.@*4'*-..'6('(4*,./*)-/-6(2'(42N* ,//-6;-J3*;=,;*:3*/-/.\;*3J3.*.';-63R*Q*,CK*'1*6'()43K*;,2I-.@* about Tetris, which was designed in 1984 (gasp!) by Soviet game /34-@.3)*L23M3N*S,^-;.'JR* Tetris is a piece of communist propaganda. No matter what 4=,Y3*')*6'2'()K*,22*82'6I4*,)3*6)3,;3/*3U(,2K*3,6=*6'.4-4;-.@*'1*1'()* 4U(,)34R*<=3*,-C*'1*C,.N*';=3)*@,C34*-4*;'*,66(C(2,;3*,4*C,.N* Y'-.;4*,4*Y'44-823K*,./*6'C3*(Y*'.*;'Y*,4*;=3*:-..3)R*<=-4*-4*,*J3)N* 6,Y-;,2-4;*:,N*'1*;=-.I-.@K*-4*-;*.';e*Q.*6'.;),4;K*<3;)-4*;3224*N'(*;=,;K* .'*C,;;3)*=':*1,)*N'(*@'K*.'*C,;;3)*=':*C,.N*Y'-.;4*N'(*@3;K*N'(* 6,.*.3J3)*:-.R*Q;*4='(2/*83*.';3/*;=,;*<3;)-4*-4*,*.3J3)?3./-.@*@,C3K* 4'*;)N-.@*;'*@3;*Y'-.;4*,./*83,;*=-@=*46')34*C3,.4*^(4;*6=,4-.@*@',24* ;=,;*,)3*(2;-C,;32N*C3,.-.@2344K*,4*N'(*,2:,N4*2'43R But the game also reflects communistic thinking by not 3.6'(),@-.@*6)3,;-J-;NR*&'(*,)3.\;*83-.@*,4I3/*;'*,/J3.;()3*')* -..'J,;3R*Q.4;3,/K*N'(*,)3*^(4;*,22'6,;3/*)34'()634*1)'C*4'C3* 1,632344*63.;),2*4'()63R*L./*;=3N\)3*.';*Y,);-6(2,)2N*3M6-;-.@*;=-.@4* ;=,;*N'(*@3;*8(;*;=3*4,C3*82'6I4*,./*4=,Y34*'J3)*,./*'J3)R*<=-4*-4* 4NC8'2-6*'1*;=3*4;,@.,;-'.*'1*-..'J,;-'.*-.*6'CC(.-4;*6'(.;)-34K* :=3)3*3J3)N;=-.@*)3C,-.4*;=3*4,C3K*,4*'YY'43/*;'*;=3*6'.4;,.;* ;36=.'2'@-6,2*,/J,.63C3.;*-.*6,Y-;,2-4;*4'6-3;-34R d.3*'1*;=3*4;)3.@;=4*'1*6,Y-;,2-4C*'J3)*6'CC(.-4C*-4*;=,;* competition and the profit motive lead to more innovation and =-@=3)*Y)'/(6;-J-;NR*S3'Y23*,)3*C')3*C';-J,;3/*;'*:')I*=,)/*,./* ,6=-3J3*;=3-)*@',24*836,(43*;=3N*:-22*83*)3:,)/3/*,66')/-.@2NR* However, to this day, kids waste countless hours on Tetris – a game

32 / Farrago 2015 / edition seven

;=,;*-4*4;-22*Y'Y(2,)*3J3.*:-;=*;=3*Y23;='),*'1*J-/3'*@,C3*6'.4'234*g* ;-C3*;=,;*4='(2/*=,J3*833.*4Y3.;*4;(/N-.@*-.*')/3)*;'*83;;3)*836'C3* Y)'/(6;-J3*C3C83)4*'1*4'6-3;NR*Q*)3C3C83)*C,.N*'1*CN*1322':*=-@=* school students wasting countless hours in class playing Tetris. Not '.2N*/-/*'()*;3,6=3)4*1,-2*;'*;322*(4*'11K*;=3N*:'(2/*'1;3.*C%+**(4R 5'*;=3)3*N'(*@'R*<3;)-4*-4*,*Y-363*'1*5'J-3;*Y)'Y,@,./,R*L./* N3;*;=3*6,Y-;,2-4;4*,24'*=,/*;=3-)*Y)'Y,@,./-4;-6*@,C34*;''*g*.';* 4()Y)-4-.@K*,4*,*1(./,C3.;,22N*-CC'),2*-/3'2'@N*.33/4*,22*;=3* =32Y*-;*6,.*@3;*6'.J-.6-.@*;=3*C,4434*;=,;*-;*-4*;=3*'.2N*,663Y;,823* 4N4;3C*(./3)*:=-6=*;'*2-J3R*0'.'Y'2NK*:=3)3*Y2,N3)4*:-.*8N* ,66(C(2,;-.@*;=3*C'4;*:3,2;=*:=-23*8,.I)(Y;-.@*3J3)N8'/N*3243K* @'34*,@,-.4;*;=3*3@,2-;,)-,.*Y)-.6-Y234*'1*4'6-,2*/3C'6),6NK*:=3)3* 3J3)N8'/N*@3;4*,*1,-)*@'*,./*36'.'C-6*C'.'Y'2-34*,)3*6'./3C.3/R* Q)'.-6,22NK*;=3*@,C3*:,4*/34-@.3/*8N*,.;-?C'.'Y'2-4;*T2-a,83;=* 0,@-3*:='*:-4=3/*;'*3MY2,-.*;=3*.3@,;-J3*6'.43U(3.634*'1*Y)'Y3);N* ':.3)4=-Y*6'.63.;),;-'.R*9'(82N*-)'.-6,22NK*-;*:,4*2,;3)*,6U(-)3/* 8N*8(4-.344C,.*O=,)234*9,))':K*:='*;=3.*62,-C3/*=3*:,4*;=3* 4'23*-.J3.;')*'1*;=3*@,C3R*>-;;-.@2NK*0'.'Y'2N*=,4*.':*836'C3*;=3* :')2/\4*834;4322-.@*8',)/*@,C3R*0,@-3*)363-J3/*'.2N*m#BB*1')*=3)* -.J3.;-'.*,./*(.;-2*)363.;*;-C34*:,4*.';*)36'@.-43/*,4*;=3*6)3,;')* '1*;=3*@,C3R* On a larger scale, Monopoly reflects America’s strategy during ;=3*O'2/*P,)K*-.*;=3-)*,;;3CY;*;'*3.6-)623*,./*(2;-C,;32N*8,.I)(Y;* ;=3*5'J-3;*D.-'.R*<=3*6'.;)'2*'1*2,./*:,4*,.*-CY');,.;*Y,);*'1* American foreign policy, as seen in the stationing of military in NATO and East Asian countries, and the upset of losing Iran and Vietnam. P-;=*;=3*6'22,Y43*'1*;=3*5'J-3;*D.-'.K*;=3*D.-;3/*5;,;34*.':*=,4*,.* (.6'.;34;3/*@2'8,2*C'.'Y'2N*'.*:3,2;=*,./*C-2-;,)N*Y':3)R*+(;* T2-a,83;=*0,@-3*C,N*N3;*=,J3*;=3*2,4;*2,(@=K*,4*C'.'Y'2-34*/'*.';* last indefinitely. In their dominance they begin engaging in unethical Y),6;-634*,./*6'22,Y4-.@*(./3)*;=3*:3-@=;*'1*;=3-)*':.*Y':3)K*=,J-.@* long abandoned their founding principles. Al Qaeda attacked the P')2/*<),/3*O3.;)3*,./*;=3*S3.;,@'.*,1;3)*,22K*.';*;=3*5;,;(3*'1* Liberty or Harvard University. As for the libertarians? Well, there’s Cards Against Humanity…

artwork by jenny yan

culture /

science / artwork by samuel condon

farrago 2015 / edition seven / 33

/ science

your brain and mindfulness with ruth de jager

-./1(2.344*g*Q*I.':*g*-;*4'(./4*2-I3*4'C3*';=3):')2/2N*8),-.? (.-J3)43?4C'';=-3*8(224=-;K*8(;*Q*-CY2')3*N'(*;'*6'.;-.(3* reading despite the bad first impression. Mindfulness is possibly one of the most powerful (and scientifically backed), life-enhancing ,YY)',6=34*Q\J3*3J3)*6'C3*,6)'44R*Q;\4*(43/*8N*Y4N6='2'@-4;4*-.* treatment and has been shown to be beneficial for people suffering 1)'C*/3Y)344-'.K*,.M-3;NK*S<59K*=NY3);3.4-'.K*,//-6;-'.4*,./*3J3.* 6=)'.-6*Y,-.R*+(;*Q*;=-.I*-;\4*4'C3;=-.@*;=,;*6'(2/*3.)-6=*3J3)N'.3\4* 2-J34K*,./*4'C3;=-.@*3J3)N'.3*4='(2/*I.':*=':*;'*(;-2-43R*L4*;'* :=,;*-;*,6;(,22N*-4K*C-./1(2.344*-4*4-CY2N*,*:,N*'1*,;;3./-.@*;'*;=3* Y)343.;*C'C3.;*:-;='(;*^(/@C3.;R* P3*=,J3*4'*C,.N*;=-.@4*@'-.@*'.K*4'*C,.N*43.4,;-'.4*,./* ;='(@=;4*;=,;*:3*-@.')3*,./*,J'-/*836,(43*;=3N\)3*:3-)/K*(.Y23,4,.;* or inconvenient. However enticing, avoidance rarely results in ,.N;=-.@*@''/R*>')*3M,CY23K*,J'-/-.@*;=,;*344,N*;=,;\4*/(3*-.*;:'* /,N4R*f(4;*;=-.I-.@*'1*/'-.@*-;*I-6I?4;,);4*;=,;*4-6I*1332-.@*-.*N'()* 4;'C,6=R*5'*N'(*4(YY)344*,./*6'.;-.(3*46)'22-.@*;=)'(@=*Y,@34*,./* Y,@34*'1*/)-J32*'.*;=3*-.;3).3;R*&'(\)3*.';*3.^'N-.@*;=-4*.')C,22N* )32,M-.@*,6;-J-;NR*Q;\4*@(-2;*4',I3/*,./*/)3443/*:-;=*,.M-3;NR*&'(* :,.;*;'*4;,);*;=3*344,NK*N'(*I.':*N'(*=,J3*;'K*8(;*N'(*6,.\;R*&'(\)3* 'J3):=32C3/*8N*maybe’s*,./*could-be’4*,./ but’sR*

0-./1(2.344*;3224*N'(*;'*4-;*,./*6'.63.;),;3*'.*:=,;\4*@'-.@* '.*-.*;=3*Y)343.;K*:-;='(;*23;;-.@*N'()*C-./*:,./3)R*L6I.':23/@3* ;=3*8,/*;=-.@4*,4*:322*,4*;=3*@''/*g*;=3N\)3*^(4;*1332-.@4K*;=3N\)3* ^(4;*;='(@=;4R*>'6(4*'.*N'()*8)3,;=-.@K*(43*-;*,4*,.*,.6=')R*P=,;* is your body doing? Are there aches, itches or tingles? This is fine, ;=3N\)3*,22':3/*;'*83*;=3)3R*P=,;*3C';-'.4K*-C,@34*')*;='(@=;4* ,)3*4;)3,C-.@*83=-./*N'()*3N34e*73;*;=3C*6'C3*:-;='(;*^(/@C3.;R* 0-./1(2.344*-4*,*;NY3*'1*6'.46-'(4.344*8(-2;*(Y'.*U(34;-'.-.@K* sensing, acknowledgment and letting go. Not surprisingly, this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

science lab /

Glow Stick Jars words and illustration by Rebecca Liew

J3)*:'./3)3/*=':*@2':*4;-6I4*/'*;=,;*,:34'C3*@2':-.@*;=-.@* ;=3N*/'e*<=3*6=3C-4;)N*83=-./*-;*-4*1,-)2N*4-CY23*g*@2':*4;-6I4* 6'.;,-.*,*C-M;()3*'1*6'2'()3/*/N3K*/-Y=3.N2*'M,2,;3K*,./*=N/)'@3.* Y3)'M-/3K*;=3*2,;;3)*'1*:=-6=*-4*6'.;,-.3/*:-;=-.*,*4233IK*-..3)* glass tube. When your excited fingers snap the glow stick in half, ;=3*6=3C-6,24*)3,6;*;'*Y)'/(63*,.*(.4;,823*6'CY'(./*;=,;*3M6-;34* ;=3*6'2'()3/*/N3*C'236(234K*)34(2;-.@*-.*;=3*)323,43*'1*,*Y=';'.*'1* J-4-823**2-@=;R*<=3*:='23*Y)'6344*-4*I.':.*,4*6=3C-2(C-.3463.63K* ,./*-4*,*Y)3;;N*6''2*k(4323441,6;*;'*4=,)3*:-;=*N'()*1)-3./4*:=3.*N'(* ;)N*;=-4*3MY3)-C3.;R*

method:

Q$.+'B: Put on your gloves (you don’t want your skin to get a nasty ),4=*1)'C*;=3*6=3C-6,24cl*,./*Y)'633/*;'*4.-YY-.@*'11*;=3*;'Y4*'1* N'()*@2':*4;-6I4K*'.3*,;*,*;-C3R*Q1*N'(\)3*C,I-.@*C')3*;=,.*'.3*@2':* ^,)K*)3C3C83)*;'*43Y,),;3*;=3*@2':*4;-6I4*8N*6'2'()R* Q$.+'E:*O,)31(22N*3CY;N*;=3*''aN*6'.;3.;4*'1*;=3*@2':*4;-6I4*-.;'*;=3* 0,4'.*^,)R Q$.+'X:*5;-)*-.*/34-)3/*,C'(.;*'1*/-,C'./*@2-;;3)K*43,2*;=3*;'Y*:-;=* ;=3*2-/K*,./*;=3.*4=,I3*;=3*=36I*'(;*'1*-;c* <=343*@2':-.@*83,(;-34*,)3*834;*,/C-)3/*-.*,*/,)I*Y2,63*g*-/3,22N*-.* ,*8,6IN,)/K*2-@=;-.@*(Y*,@,-.4;*;=3*.-@=;*4INR* Have fun!

34 / Farrago 2015 / edition seven

D+7S&'9%;&./+6?.&#-"6/&4%#-&.9%;9:&+*&6%9(-#&/-47-#"/0#-.&T&.%&+8&:%0& ;"*/&:%0#&C"#&/%&$9%;&8%#&9%*$-#=&8#--U-&:%0#&$9%;&./+6?.&8%#&"*&5%0#&%#& .%&>-8%#-&/5-&-V7-#+4-*/1&

science /

drawn to science Opening the trapdoor: Frogs and artificial wetland traps with kate cranney

eet Michael Sievers, PhD candidate with the School of Biosciences, who researches artificial urban wetlands and the frogs that call /5-4&5%4-1&2+65"-9&".?.S&"#-&/5-.-&;-/9"*(.&"6/0"99:&-6%9%$+6"9&/#"7.& 8%#&*"/+,-&8#%$.O L4*,*8'NK*0-6=,32*5-3J3)4*:'(2/*4Y3./*='()4*-.*:3;2,./4K*)'6I*Y''24* and rivers. He says he’s kept “almost every aquatic pet you can think of,” including countless fish species, axolotls, starfish and a crayfish called Pinchy. As a teenager, he had six fish tanks in his bedroom. &3,)4*'.K*=3*4;-22*4Y3./4*='()4*-.*:3;2,./4*]*,4*,*Y)'1344-'.R*

What trapped Michaelís interest?

Michael’s affinity for aquatic animals has taken him to some -.6)3/-823*Y2,634R* After studying a Bachelor of Science (majoring in Marine +-'2'@NlK*=3*6'CY23;3/*,*0,4;3)*'1*56-3.63*,;*;=3*D.-J3)4-;N*'1* Melbourne. His Masters project helped the cultured mussel industry -.*S');*S=-22-Y*+,N*(./3)4;,./*;=3*-.;3),6;-'.4*83;:33.*C(44324*,./* biofouling (when unwanted organisms grow on mussels). Following ;=-4K*0-6=,32*4Y3.;*;:'*N3,)4*(Y*,./*/':.*L(4;),2-,\4*3,4;*6',4;*,4*,* )343,)6=*,44-4;,.;K*4,CY2-.@*;=3*-.;3);-/,2*a'.3K*6'2236;-.@*/,;,K*,./* /34-@.-.@*,./*6,))N-.@*'(;*3MY3)-C3.;4R* In 2013, Michael travelled to Norway where he worked in a ;-.N*2-;;23*;':.*6,223/*0,;)3K*,;*,.*-.;3).,;-'.,2*C,)-.3*)343,)6=* station called (take a breath) Havforskningsinstituttet researching L;2,.;-6*4,2C'.R*L1;3)*;:'*C'.;=4*;=3)3K*=3*)3;().3/*;'*L(4;),2-,*;'* work with Tasmania’s Huon Aquaculture, tutor at the University of 0328'().3*,./*4;,);*=-4*S=9R* P-;=*;=-4*-CY)344-J3*8,6I@)'(./K*-;*-4*2-;;23*4()Y)-43*;=,;*0-6=,32* recently won The Nature Conservancy Applied Conservation Award 1')*=-4*S=9R*

Suspicious ponds: caught in an ecological trap

Have you seen artificial wetlands in your suburb or town? Maybe you 6,.*Y-6;()3*,*4=,22':K*/3.432N*Y2,.;3/*:3;2,./*-.*,*2':?2N-.@*,)3,e*Q1* .';K*;=3*.3M;*;-C3*N'(\)3*-.*E'N,2*S,)IK*4;'Y*8N*;=3*<)-.*P,))3.*<,C? boore artificial wetland – a five-hectare haven for water birds. The primary function of artificial wetlands is to treat stormwater naturally. They are like urban kidneys. They filter stormwater, )3C'J-.@*Y'22(;,.;4*831')3*;=3*:,;3)*3.;3)4*'()*)-J3)4*,./*'63,.4R* +(;*:3;2,./4*43)J3*,.';=3)K*4'C3;-C34*(.-.;3./3/K*1(.6;-'.* g*;=3N*836'C3*='C3*;'*6'(.;2344*,.-C,2*4Y36-34*;=,;*6'2'.-43* them. Artificial wetlands certainly (%*433C*-.J-;-.@*g*;=3N*Y)'J-/3* ,8(./,.;*1''/*,./*4=32;3)K*,./*-.*=-@=2N*()8,.-43/*,)3,4K*;=3N*C,N* 83*;=3*'.2N*4(-;,823*:3;2,./*=,8-;,;*,)'(./R* d.*;=3*4()1,63K*;=-4*4-;(,;-'.*4'(./4*),;=3)*)'4NR*+(;*0-6=,32\4* S=9*/-J34*,*2-;;23*/33Y3)R

Michaelís PhD research: frogs in planted ponds

0-6=,32*;3224*C3K*_<=3*36'2'@-6,2*6'.43U(3.634*'1*n,.-C,24o*6=''4-.@* ;=343*=,8-;,;4*,)3*(.I.':.R`*5'*=-4*)343,)6=*,4I4V*:=,;*,)3*;=3* ecological costs and benefits of artificial wetlands in Melbourne’s urban landscapes? Are artificial wetlands an ecological trap for .,;-J3*1)'@4e*

Illustration by kate cranney

I.& 7"#/& %8&5+.& #-.-"#65=& 2+65"-9&;+99&>-& .0#,-:+*$&*"/+,-&8#%$.1

First, Michael will figure out the pros and cons of artificial wetlands for frogs. He says the likely pros are permanent habitat, 1''/*,./*Y23.;N*'1*J3@3;,;-'.R*L./*;=3*2-I32N*6'.4*,)3*Y)3/,;-'.K*2':* @3.3;-6*/-J3)4-;N*,./*Y'22(;,.;4R* S'22(;,.;4*2-I3*=3,JN*C3;,24K*Y34;-6-/34K*,./*=-@=*23J324*'1* salinity and nitrogen can reduce fitness and cause deformities in 1)'@4R*S'22(;,.;4*C,N*,24'*)3/(63*,*1)'@\4*,8-2-;N*;'*)3Y)'/(63*,./* /3;36;*Y)3/,;')4R*<=-4*-4*,*43)-'(4*-44(3*@-J3.*;=,;*"F*Y3)*63.;*'1*,22* ,CY=-8-,.*4Y36-34*1,63*;=3*;=)3,;*'1*3M;-.6;-'.R 0-6=,32*:-22*,24'*6)3,;3*C,.,@3C3.;*@(-/32-.34*;'*,44344*;=3* 6'./-;-'.4*'1*:3;2,./4*,./*-CY)'J3*:3;2,./*/34-@.R*>-.,22NK*=3*:-22* /3J32'Y*.3:*:,N4*;'*;34;*=':*Y'22(;,.;4*,1136;*1)'@4\*83=,J-'()*,./* ;=3-)*43.4')N*/3J32'YC3.;R* Therefore, the ultimate question of Michael’s PhD is: are artificial :3;2,./4*36'2'@-6,2*;),Y4e*

What is an ecological trap?

L.*36'2'@-6,2*;),Y*-4*,*=,8-;,;*;=,;*,.*,.-C,2*Y3)63-J34*,4*=-@=* U(,2-;N*,./*-4*Y)313)3.;-,22N*43236;3/K*836,(43*'1*6(34*2-I3*,*=-@=* cover of plants. However, undetected factors (like pollutants) ,6;(,22N*C3,.*;=3*=,8-;,;*-4*,.*(./34-),823*Y2,63*;'*2-J3*,./*6,.* reduce the animal’s fitness (survival, growth, reproduction etc.). This spring and summer, you can find Michael surveying urban :3;2,./4*,)'(./*;=3*Z)3,;3)*0328'().3*E3@-'.K*C'4;2N*-.*;=3*&,)),* ,./*9,./3.'.@*6,;6=C3.;*,)3,4R* And when Michael’s not chasing frogs, you can find him diving and snorkeling. He says, “During my last dive off Rye pier, four /'2Y=-.4*6,C3*'(;*'1*.':=3)3*,./*=(.@*,)'(./*Y2,N1(22N*6=,4-.@*,* huge school of salmon for ten minutes.” However, his favourite dive is The Cottage by the Sea in Queenscliff, where he has dived with giant cuttlefish and the iconic blue devil. I ask Michael what he’d like to do after his PhD. He talks ,8'(;*;=3*C3)-;4*'1*,6,/3C-,K*831')3*43;;2-.@*'.*,.*,YY)'Y)-,;32N* ,U(,;-6*;().*'1*Y=),43R*_Q.*C,.N*6,434K*N'(*=,J3*;'*;,I3*:=,;3J3)* opportunities come your way … you just have to go with the flow.”

farrago 2015 / edition seven / 35

/ science

The Future of Food: itĂs not what it used to be by Ghill De Rozario

''/*4=');,@34*,./*43J3)3*3.J-)'.C3.;,2*6'.63).4*,)3*'1;3.* 1),C3/*,4*4'C3*'1*;=3*8-@@34;*@2'8,2*6=,223.@34*'1*'()*;-C3R* <=3N*,)3*2344*'1;3.*1),C3/*,4*'YY');(.-;-34*1')*6(2-.,)N*,/J3.;()34* -.*;=3*2,8'),;')NR*+(;*,4*-;*;().4*'(;K*.3:*/3J32'YC3.;4*-.*1''/* production (hello, steak grown in a petri dish!) have the potential ;'*,223J-,;3*C,.N*3.J-)'.C3.;,2*,./*4'6-,2*^(4;-63*-44(34*-.*;=3* C'4;*/32-6-'(4*'1*:,N4R Q;*-4*;''*8,/K*)3,22NK*;=,;*,4*:3*C,I3*311');4*;'*/)-J3*2344K*(43*2344* electricity and recycle, a more significant source of carbon emissions -4*'1;3.*'J3)2''I3/*g*'()*C3,;*6'.4(CY;-'.R*P=3.*Q*:,4*,*I-/K* 534,C3*5;)33;*(43/*;'*;322*C3*;'*4:-;6=*'11*;=3*2-@=;*:=3.*Q*23,J3*,* )''CR*Z)3,;*-/3,R*<''*8,/*;=,;*3,;-.@*,*!BB@*4;3,I*-4*)'(@=2N*;=3*OdG* 3U(-J,23.;*'1*23,J-.@*,*$B:,;;*8(28*'.*%*='()4*,*/,NK*1')*#*:33I4R The United Nations has released reports urging people to move ;':,)/4*J3@3;,)-,.*')*J3@,.*/-3;4*-.*')/3)*;'*6()8*@2'8,2*:,)C-.@R* <=3N*=,J3*,)@(3/*;=,;*,*C3,.-.@1(2*)3/(6;-'.*-.*3.J-)'.C3.;,2* -CY,6;4*1)'C*1''/*Y)'/(6;-'.*:'(2/*'.2N*83*Y'44-823*8N*,*@2'8,2* 4=-1;*-.*/-3;R* However, while many do make the switch to vegetarianism, the world is actually increasing its per capita consumption of meat; by GB!BK*;=3*,J3),@3*=(C,.*:-22*6'.4(C3*,.*34;-C,;3/*FBB*Y'(./4* of meat per year, 10% more than today. There are various reasons 83=-./*;=-4V*,66344*;'*C3,;*-.6)3,434*,4*Y3'Y23*-.*/3J32'Y-.@* 6'(.;)-34*)-43*,8'J3*;=3*Y'J3);N*23J32K*:=-23*C3,;*6'4;4*/)'Y*,4* -./(4;)-,2-43/*,.-C,2*1,6;')-34*Y)'/(63*C,44*U(,.;-;-34*,;*2':* Y)-634R*L./*/34Y-;3*;=3*:')2/:-/3*6,CY,-@.-.@*8N*3.J-)'.C3.;,2* ,./*,.-C,2*)-@=;4*')@,.-4,;-'.4K*')*;=3*@)':-.@*)343,)6=*-.;'*;=3* health benefits of reducing meat intake, the vast majority of the Y'Y(2,;-'.*-4*4;-22*(.2-I32N*;'*83*6'.J-.63/*;'*836'C3*J3@3;,)-,.R* Here is, perhaps, where new meat manufacturing processes may ;,I3*;=3*4;,@3RRR Now, meat grown in a petri dish has been dubbed as [1),.I3.C3,;\*8N*4'C3K*-;*-4*;)(3R*+(;*Y3)=,Y4*;=3*-/3,*-4*C')3*

36 / Farrago 2015 / edition seven

,YY3;-4-.@*(Y'.*62'43)*-.4Y36;-'.e*<=3*Y)'6344*-4*.';*,4*4;),.@3*,4* some may think, and has come a long way since the first edible meat grown in-vitro was produced (goldfish cells made to replicate a fish fillet). The process uses harvested myosatellite cells, which are a ;NY3*'1*4;3C*6322*(43/*8N*;=3*8'/N*:=3.*)3Y,-)-.@*-.^()3/*C(4623* ;-44(3R*<=3*63224*6,.*83*;,I3.*1)'C*,.*,.-C,2*:-;='(;*=,)C*,./*6,.* 83*(43/*;'*)3Y2-6,;3*C(4623*@)':;=*,./*)3Y,-)*'(;4-/3*;=3*8'/N*g* 1')C-.@*4;)-Y4*'1*,6;(,2*C(4623*;-44(3R*9'a3.4*'1*)343,)6=*1,6-2-;-34* ,)'(./*;=3*:')2/*,)3*)343,)6=-.@*,./*;34;-.@*2,8?@)':.*C3,;R*<=-4* technology essentially makes it possible to eat any meat, (without .3@,;-J3*6'.43U(3.634*;'*;=3*,.-C,2*-;4321l*,./*=,4*;=3*Y';3.;-,2*;'* ,223J-,;3*1''/*4=');,@3*-44(34K*,4*:322*,4*C-;-@,;3*;=3*=-@=*6,)8'.* 1'';Y)-.;*,44'6-,;3/*:-;=*;=3*C3,;*-./(4;)NR <=3*3M6-;-.@*Y,);*=3)3*-4*;=,;*;=-4*:'(2/*,22':*(4*;'*3,;*,.-C,24* :='43*6'.4(CY;-'.*=,4*Y'43/*3;=-6,2*Y)'823C4*g*4(6=*,4*:=,234*g* :-;='(;*,6;(,22N*=,)C-.@*;=3CR*Q;*6'(2/*,22':*;=3*)3Y'Y(2,;-'.*'1* ,.-C,24*;=,;*,)3*,;*)-4I*'1*3M;-.6;-'.K*:=-23*4;-22*,22':-.@*;=3-)*C3,;* ;'*83*6'.4(C3/*g*:-;='(;*,*4-.@23*,.-C,2*I-223/*-.*;=3*Y)'6344R*P3* 6'(2/*3J3.*(43*;=-4*;36=.'2'@N*;'*@)':*C3,;*'1*,.-C,24*;=,;*=,J3* 2'.@*4-.63*/-3/*'11R*<=3*C(4623*;-44(3*'1*:''22N*C,CC';=4*1'(./* 1)'a3.*-.*@2,6-3)4*6'(2/*83*6'CC3)6-,2-43/*,./*3.^'N3/R*56-3.;-4;4* =,J3*833.*4(663441(22N*6)3,;-.@*4;3C*63224*1)'C*4I-.*63224K*4'*'.2N*,* C-.(46(23*4,CY23*'1*4I-.*:'(2/*83*)3U(-)3/*;'*Y)'/(63*;=3*C3,;R At the first public tasting in August 2013, strips of in-vitro grown 8331*:3)3*6''I3/*-.;'*,*8()@3)*,./*43)J3/*;'*;:'*1''/*6)-;-64*:='* 4;,;3/*;=,;*-1*-;*=,/*833.*,*82-./*;)-,2K*;=3N*:'(2/*=,J3*832-3J3/*-;* was beef. And while that first burger cost a whopping $325,000 to produce, that figure has now dropped to around $11. That stills ends up at around $80 per kilo; however, like most new technologies, this price is expected to significantly decrease as it becomes more :-/34Y)3,/*,./*/3J32'Y3/R Nutrient value also remains a concern. As protein is normally formed through exercise, the in-vitro meat has less of it. However

science /

Y)';3-.*6,.*,24'*83*-.;)'/(63/*;=)'(@=*3236;)-6-;N*,./*';=3)* 4;-C(2,;-'.K*C3;='/4*;=,;*,)3*6())3.;2N*83-.@*-.J34;-@,;3/R*dC3@,?!* 1,;;N*,6-/4*6'(2/*,24'*83*,//3/*;'*-CY)'J3*.(;)-;-'.,2*J,2(3*g*-.*;=3* 4,C3*:,N*;=,;*2-J34;'6I*;'/,N*,)3*13/*/-113)3.;*1''/4*1')*;=,;*J3)N* )3,4'.R P=-23*;='43*;:'*1''/*6)-;-64*:3)3*623,)2N*:'.*'J3)*8N*;=3*;,4;3K* it is true that the flavour and texture is not entirely the same because the muscle tissue grown has little fat. However, growing whole 2-C84K*),;=3)*;=,.*4C,223)*,C'(.;4*'1*;-44(3*-.*,*Y3;)-*/-4=K*:'(2/* =32Y*4'2J3*;=-4*-44(3RRR*7(6IN*;=,;*@)':-.@*3.;-)3*2-C84*-4*3M,6;2N* what Harald Ott at Massachusetts General Hospital has successfully /'.3*:-;=*),;*,./*C'.I3N*2-C84*3,)2-3)*;=-4*N3,)K*3J3.*6)3,;-.@* ,)C4*@)':.*1)'C*=(C,.*63224R*P=-23*d;;\4*(2;-C,;3*@',2*-4*@)':-.@* )3Y2,63C3.;*Y,);4*1')*,CY(;334K*;=3*4,C3*Y)'6344*6'(2/*Y';3.;-,22N* be used to grow (delicious) meat for consumption. <=3*;36=.-U(3*d;;*(434*-4*6,223/*_/36322?)36322`K*,./*-.J'2J34* stripping all the cells from a donor limb (which can be taken from ,*/3,/*,.-C,2l*;'*6)3,;3*,*46,11'2/*1')*;=3*.3:*2-C8R*<=-4*46,11'2/* -4*;=3.*)3-.1')63/*:-;=*6'22,@3.*,./*(43/*;'*@)':*;=3*.3:*2-C8R* Nutrients are provided to the limb so that it can grow fat and muscle 2-I3*.')C,2R*<=-4*6)3,;34*;=3*Y'44-8-2-;N*'1*=,)J34;-.@*;=3*C3,;*8N* Y3)-'/-6,22N*4=,J-.@*-;*1)'C*;=3*/3;,6=3/*2-C84*:=-23*;=3N*@)':R*5'* C,N83*;=3*.3M;*@3.3),;-'.*'1*/)(.I3.*;33.,@3)4*:-22*83*@3;;-.@*;=3* 1)34=34;*2,C8*I38,84*3J3)*,4*;=3N*4;(C823*='C3*1)'C*;=3*.-@=;62(8* g*4=,J3/*4;),-@=;*'11*;=3*2-J-.@*23@R*932-6-'(4R L4*;=343*.3:*;36=.'2'@-34*,./*Y)'634434*,)3*4;-22*J3)N*C(6=*-.* /3J32'YC3.;K*;=3N*,)3*(.,823*;'*83*,66(),;32N*,443443/*1')*=3,2;=* concerns. However, so far it is hypothesised that producing meat ;=-4*:,N*:'(2/*)3/(63*;=3*.33/*1')*@)':;=*=')C'.34*,./*)3/(63* 3MY'4()3*;'*8,6;3)-,K*/-43,43K*Y34;-6-/34*,./*';=3)*/,.@3)'(4* 6=3C-6,24R*+(;*;=3*8-@@34;*8,))-3)*;':,)/4*;=3*=(C,.*6'.4(CY;-'.* '1*2,8?@)':.*C3,;*C,N*83*Y4N6='2'@-6,2K*34Y36-,22N*-1*6'CY,.-34* 83@-.*;'*Y)'/(63*C3,;*1)'C*,.-C,24*:3*,)3*6(2;(),22N*(.,66(4;'C3/*

illustration by reimena yee

to eating. How many people could eat dog meat, even if they were ,44()3/*;=,;*;=3*63224*:3)3*=,)J34;3/*1)'C*,*/3,/*,.-C,2*:='*=,/* 2-J3/*,*2'.@*2-13*,./*Y,443/*,:,N*.,;(),22Ne*<=343*Y3)63Y;-'.4* are significantly shaped by culture and religion, and differ greatly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d)*:3*C,N*83* 83C(43/*8N*;=3*1,6;*;=,;*,*;=-)/*'1*;=3*:')2/\4*@),-.*Y)'/(6;-'.*:,4* @)':.*4-CY2N*;'*133/*,.-C,24*;=,;*:3)3*;=3.*I-223/*1')*C3,;R d1*6'()43K*4'C3*C,N*,)@(3*;=,;*;=3)3*,)3*4;-22*3;=-6,2*6'.63).4* 4())'(./-.@*,.N*1')C*'1*C3,;*6'.4(CY;-'.R*d)*,)@(3*;=,;*@)':-.@* C3,;*1)'C*3M;-.6;*,.-C,24*4-CY2N*;'*3,;*;=3C*-4*:)'.@R*d.*;=3*';=3)* =,./K*,*4;)'.@*,)@(C3.;*6,.*83*C,/3*;=,;*;=343*.3:*C3;='/4*'1* C3,;*Y)'/(6;-'.*6'(2/*J3)N*:322*83*'.3*'1*;=-4*63.;()N\4*@)3,;34;* :-.4*1')*,.-C,2*:321,)3*,./*3.J-)'.C3.;,2-4CR Q;*-4*4;-22*34;-C,;3/*;'*83*,*13:*/36,/34*831')3*;=-4*Y)'/(63* -4*6'CC3)6-,22N*J-,823R*E,;=3)*;=,.*13,)-.@*;=3*1(;()3*'1*1''/K* we should use that time to reflect on our perceptions of meat 6'.4(CY;-'.K*,./*;'*3MY2')3*8';=*;=3*6'.63).4*,)'(./*;=343* 3C3)@-.@*;36=.'2'@-34K*,./*;=3*Y';3.;-,2*;=3N*='2/R*Q;*4;-22*C-@=;*83*,* :=-23*;-22*Q*3,;*I38,8*C3,;*4=,J3/*'11*,*2-J-.@*2-C8*;='(@=R

farrago 2015 / edition seven / 37

/ science

Tree≠t ing Maladies by Rachael OíR eilly

=3;=3)*-;\4*''/234*'1*'MN@3.*')*)34'()634*1')*'()*8(-2/-.@*,./* ;3M;-23*-./(4;)-34K*Y2,.;4*,)3*;=3*4-23.;*6'.;)-8(;')4*;'*'()* 6'CC(.-;NR*&3;*C,.N*Y2,.;4*Y'44344*C')3*(.-U(3*U(,2-;-34*;=,.* ;=3-)*,8-2-;N*;'*Y=';'4N.;=34-43K*/3C'.4;),;-.@*;=3N*6,.*/'*C(6=* C')3*;=,.*6'.;)-8(;3*;'*'()*3.J-)'.C3.;*,./*36'.'CNR*<=343*'J3)? ,6=-3J-.@*Y2,.;4*.';*'.2N*=32Y*;=3*3.J-)'.C3.;*;=)-J3*8(;*,)3*,24'* ,823*;'*;)3,;*,*),.@3*'1*4NCY;'C4*1)'C*N'()*4321?-./(63/*=,.@'J3)* ;'*N'()*(.-J3)4-;N?-./(63/*=3,/,6=3R*

M"=.&6.#'S%-.-+,:;-T L*6'CC'.*-.@)3/-3.;*-.*C,.N*Y3)1(C34K*6,./234*,./*';=3)*=N@-3.3* C,4I-.@*Y)'/(6;4K*2,J3./3)*=,4*,24'*833.*(43/*;=)'(@='(;*=-4;')N* 1')*C3/-6-.,2*Y()Y'434R*Q.*L.6-3.;*Z)3363K*2,J3./3)*:,4*(43/* ;'*;)3,;*,2C'4;*3J3)N*/-43,43K*1)'C*,*4C,22*=3,/*6'2/*;'*;=3*6()3* 1')*-.4,.3*-./-J-/(,24R*<='(@=*-;\4*(.2-I32N*,.N*Y2,.;*')*6=3C-6,2* could have such a wide therapeutic benefit, it’s been found that ;=-4*Y2,.;*/'34*-./33/*=,J3*,.*-CY,6;*'.*;=3*,(;'.'C-6*.3)J'(4* 4N4;3CR*E34Y'.4-823*1')*6'.;)'22-.@*C'4;*'1*N'()*8'/NK*;=3* ,(;'.'C-6*.3)J'(4*4N4;3C*-4*/-J-/3/*-.;'*;:'*Y,);4*g*;=3*I’m so chill* Y,),4NCY,;=3;-6*/-J-4-'.*,./*;=3*I’m highly strung and probably *--(&/%&$-/&9"+(*4NCY,;=3;-6*/-J-4-'.R*P=3.*-.=,23/K*,*4;(/N*1'(./* ;=,;*2,J3./3)*'-2*,YY3,)3/*;'*/36)3,43*,(;'.'C-6*,)'(4,2K*;().-.@* /':.*;=3*J'2(C3*'1*;=3*5+$59:&./#0*$*/-J-4-'.R*L4*,*6'.43U(3.63K* 8';=*=3,);*),;3*,./*82''/*Y)344()3*:3)3*1'(./*;'*/36)3,43*,./*,.* 'J3),22*)32,M-.@*31136;*:,4*,6=-3J3/R*<'*4(CC,)-43K*:=3.*1,63/*:-;=* ,*4;)3441(2*4-;(,;-'.*,*@''/*4.-11*'1*2,J3./3)*'-2*')*N'()*.3-@=8'()\4* ,22()-.@*Y';;3/*Y2,.;*:-22*,//*,*8-;*'1*6,2C*;'*,.N*4;)3441(2*4;')CR*

G9,.'\.#"'S<;&#$2-/3-,#+'7'$=7;;#/T <=3)3\4*.'*/3.N-.@*;=,;*4(66(23.;4*,)3*'.*;)3./*,./*:-;=*;=3*.';?4'? 4()Y)-4-.@*)3J3,2*;=,;*Y,:?Y,:*6)3,C*-4*3443.;-,22N*^(4;*Y3;)'23(C* jelly, this succulent’s popularity is on the rise. Not only does aloe J3),*2''I*4(Y3)*6(;3*4-;;-.@*'.*N'()*/34IK*;=3*32'.@,;3/*23,J34*,)3* filled with a gel that’s rich in compounds and appears to heal many dermatological conditions. Have sunburn? Spread that aloe vera gel 2-I3*Y3,.(;?8(;;3)R*T6a3C,e*5'';=*;=,;*46),;6=*:-;=*4'C3*,2'3R*<=3* 2-4;*@'34*'.R*<='(@=*;=3*C36=,.-4C*-4*.';*3M,6;2N*I.':.K*-;*,YY3,)4* ;=,;*;=3*6'CY'(./*,63;N62,;3/*@2(6'C,..,.*C,N*83*)34Y'.4-823*1')*

38 / Farrago 2015 / edition seven

accelerating healing and reducing inflammation. Though aloe vera @32*=,4*2'.@*833.*(43/*;'Y-6,22N*1')*=3,2-.@*:'(./4K*43J3),2*4;(/-34* have found that it may also be beneficial for internal ingestion as -;*/36)3,434*6='234;3)'2*,./*)32-3J34*6=)'.-6,22N*=-@=*82''/*4(@,)* 23J324R*5'*@'*'.K*4(6I*'.*;=-4*4(66(23.;R*

W%99,4';#..'S>-;7?$<;3-T P=3;=3)*-;*-4*Z),./C';=3)*P-22':K*@(-/-.@*S'6,='.;,4*'.*=3)*C'),2* ^'().3NK*')*:-22':*8,)I*;3,*6()-.@*=3,/,6=34*4-.63*L.6-3.;*T@NY;K* ;=3*:-22':*;)33*=,4*,2:,N4*1'(./*,*:,N*;'*3,43*'()*C-./4R*&3;*(.2-I3* Z),./C';=3)*P-22':K*;=3*:-22':*;)334*:3*3.6'(.;3)*;'/,N*=,J3*.';* Y)'J-/3/*(4*:-;=*,@3?'2/*:-4/'CR*Q.4;3,/K*46-3.;-4;4*=,J3*1'(./*;=,;* ;=3*8,)I*'1*;=3*:-22':*;)33*6'.;,-.4*,*6=3C-6,2*I.':.*,4*4,2-6N2-6* acid, a potent anti-inflammatory agent. By drinking willow bark tea, ,.*-./-J-/(,2*6'(2/*)32-3J3*=3,/,6=34K*13J3)*,./*Y,-.R*<=-4*6=3C-6,2* -4*,823*;'*-.=-8-;*,22*;=3*4NCY;'C4*6'CC'.2N*,44'6-,;3/*:-;=* inflammation by inhibiting an enzyme involved in the inflammatory pathway. Despite its therapeutic benefit, salicylic acid also produced @,4;)-6*-))-;,;-'.*,./*;=(4K*;=3*Y)'/)(@*,4Y-)-.*:,4*C,/3*,./*-4* 4;-22*)3,/-2N*(43/*;'/,NR*<='(@=*;=3*8,)I*:,4*'.63*8)3:3/*,4*,* tea, enthusiasts should stick to T2 to find their leafy loves and the Y=,)C,6-4;*1')*,22*;=3-)*/)(@*.33/4R* b,#."&'H."#*'S94/:'$14/7@&;7-T E363.;2NK*-;*=,4*833.*/-46'J3)3/*;=,;*Y3,)4*C,N*Y2,N*,*@)3,;3)*)'23* in our everyday life. Not only are pears full of vitamins and all that =3,2;=N*@''/.344*:3*Y)'8,82N*4='(2/*83*3,;-.@*),;=3)*;=,.*8,.,.,* bread from House of Cards, the CSIRO has recently discovered ;=,;*;=-4*.(;)-;-'(4*4.,6I*C,N*83*;=3*6()3*1')*3J3)N*(.-J3)4-;N* 4;(/3.;\4*.-@=;C,)3*g*;=3*/)3,/3/*=,.@'J3)R*S3,)4K*-.*Y,);-6(2,)* ;=3*b')3,.*I-./K*,YY3,)*;'*,1136;*;:'*3.aNC34*;=,;*,)3*6)(6-,2* :=3.*C3;,8'2-4-.@*,26'='2R*+N*,6;-.@*'.*3.aNC34*4(6=*,4*,26'='2* /3=N/)'@3.,43*,./*,2/3=N/3*/3=N/)'@3.,43K*b')3,.*Y3,)4*,)3*,823* ;'*2':3)*82''/*,26'='2*23J324K*C3;,8'2-4-.@*;=-4*@2')-'(4*;'M-.*-.*;'Y* 4Y33/*,./*;=(4*)3/(6-.@*;=3*43J3)-;N*'1*N'()*=,.@'J3)*;=3*.3M;*/,NR* &3;*;=-4*1)(-;*6,..';*:')I*C-),6234K*:-;=*31136;4*'.2N*83-.@*1'(./*-.* -./-J-/(,24*;=,;*-.@34;*^(-63*C,/3*1)'C*b')3,.*Y3,)4*Y)-')*;'*,*Y-44? (YR*0,N83*6'2/?Y)3443/*^(-63*-4.\;*4(6=*,*1,/*,1;3)*,22R

illustration by aisha trambas

science /

society / artwork by nini li

farrago 2015 / edition seven / 39

/ Society

looking back to the future words and illustration by ella shi

=3*6'.63Y;*'1*,.634;)N*-4*'1;3.*;='(@=;*'1*:='22N*-.*;3)C4* of personal identity – a specific bloodline and a family name Y,443/*/':.*;=3*@3.3),;-'.4R*+(;*;'*:=,;*3M;3.;*-4*Y3)4'.,2* ,.634;)N*:),YY3/*(Y*-.*.,;-'.,2*-/3.;-;Ne**Q;\4*-.3J-;,823*;=,;*2-J-.@* through a period of time means being touched by the significant 3J3.;4*'1*;=,;*3),R*<=-4*-.;3)436;-'.*83;:33.*;=3*Y3)4'.,2*,./* ;=3*.,;-'.,2*'1;3.*/-6;,;34*:=,;*:3*I.':*'1*;=3*Y,4;*,./*=':*:3* (./3)4;,./*'()432J34R E363.;*3Y-4'/34*'.*SBS’ Insight 6,223/*B9%%(9+*-.*8)'(@=;* together the descendants of significant WWII figures. This included Hidetoshi Tojo – great grandson of Japanese President Hideki Tojo – and Niklas Frank, son of Hans Frank, Governor of Nazi-occupied S'2,./R*>')*;=343*-./-J-/(,24K*;=3-)*43.43*'1*4321*-4*Y3)C3,;3/*8N* ;=3-)*,.634;')4\*,6;-'.4*,./*;=3N*4;-22*1332*;=3*)-YY234*'1*Y)3J-'(4* @2'8,2*3J3.;4*-.*;=3-)*/,-2N*2-J34R*<'^'*4Y3,I4*'1*@),YY2-.@*:-;=* ;=3*23@,6N*'1*,*@),./1,;=3)*:='*2'4;*;=3*:,)*,./*:,4*3M36(;3/* 1')*:,)*6)-C34R “In Japan (my grandfather) was the biggest taboo subject during ;=3*Y'4;*:,)*Y3)-'/K*4'*;=3)3*:,4*,.*,;C'4Y=3)3*;=,;*C,/3*C3*1332* (.6'C1');,823*;,2I-.@*'Y3.2N*,8'(;*CN*1')383,)4R*n]o*Q*;)-3/*;'*)(.* ,:,N*1)'C*CN*-/3.;-;NR`* However, the family name is more than just an identification trait. It also serves as a reminder for self-reflection within a broader social context. Tojo explains the significance of family legacy: “The Kanji character for Hide is only used for the first son and Q*,C*;=3*F%;=*-.*;=3*1,C-2N*2-.3R*Q*,24'*=,J3*,*4'.*,./*CN*1,;=3)*;'2/* C3*;=,;*Q*/-/.\;*=,J3*;'*6,))N*'.*;=3*;),/-;-'.K*8(;*Q*Y,443/*-;*'.*;'* =-C*836,(43*Q*:,.;3/*=-C*;'*;=-.I*C')3*,8'(;*=-4*':.*.,C3R` Q.*,*4-C-2,)*3MY3)-3.63K*>),.I*4Y3,I4*'1*83-.@*=,(.;3/*8N*;=3* legacy of his father, who, as Hitler’s associate, authorised many of the /36-4-'.4*6'.63).-.@*;=3*34;,82-4=C3.;*'1*6'.63.;),;-'.*6,CY4R _P322K*Q\C*;),J322-.@*'.*;=3*;-6I3;*'1*,*C,44*C()/3)3)*n]o*;=3)3*-4* ,2:,N4*;=-4*/,)I*62'(/*83=-./*C3R` He carries around a photo of his father’s body, stating: _Q;*C,I34*C3*4;)'.@*.';*;'*1'22':*=-CR`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n]o*0N*,(.;K*,4*,*@-)2*-.*=3)* ;33.4K*;),J3223/*;=)33*C'.;=4*8N*8',;*;'*,))-J3*-.*L(4;),2-,R*n]o*<=-4* ,(.;K*.':*,YY)',6=-.@*=3)*HB4K*=,4*Y,443/*'.;'*(4*C,.N*4;')-34* of our ancestry, up to four or five generations back, including the ;3CY3),C3.;*'1*;=3*Y3'Y23K*;=3-)*'66(Y,;-'.4*,./*;=3-)*C,))-,@34R`

40 / Farrago 2015 / edition seven

Her family’s story is conveyed by word of mouth and becomes 3C83//3/*;=)'(@=*)3;322-.@4R*<=3*Y)343.63*'1*/3;,-24*3MY3)-3.63/* first-hand means the story surpasses objective facts to become an 3CY,;=3;-6*.,)),;-J3R >')*4'C3*Y3'Y23K*=':3J3)K*;=-4*.,)),;-J3*-4*,843.;R*5'C3;-C34* -;\4*4-CY2N*/-4-.;3)34;R*+-'2'@-6,2*)'';4*6,.*83*,C8-@('(4*1')* J,)-'(4*)3,4'.4K*1)'C*6-)6(C4;,.634*'1*8-);=*')*,/'Y;-'.R*Q.*';=3)* 6,434K*.,)),;-J34*6,.*83*)3Y)3443/*'(;*'1*@)-31K*')*/-4C-443/*,4* -.6'CY,;-823*:-;=*4=-1;4*-.*.,;-'.,2-;NR*7,.@(,@3*-4*,24'*,*8,))-3)* :=-6=*6,.*/-J-/3*@3.3),;-'.4R*032,.-3*-4*,*436'./*@3.3),;-'.* L(4;),2-,.*:-;=*O=-.343*,.634;)NR*5=3*=,4*,.*-.;3)34;*-.*=3)*1,C-2N\4* Y,4;*g*8(;*-;\4*.';*,2:,N4*,66344-823R _Q;\4*I-./*'1*,C,a-.@*N'()*@),./Y,)3.;4*:3)3*8').*4'C3:=3)3* ;';,22N*/-113)3.;*;'*N'(*,./*,;*N'()*,@3*:3)3*;';,22N*/-113)3.;*n]o*4'* ;=3N*/'*=,J3*,*2';*'1*4;')-34*;'*;322R*+(;*;=3*2,.@(,@3*8,))-3)*:-;=*CN* @),./C';=3)*-4*1)(4;),;-.@*-.*@3.3),2R` 5-;34*2-I3*"*6-./#:16%4*Y)'J-/3*,*C3,.4*;'*8)-/@3*@,Y4*-.*1,C-2N* =-4;')NR*<=3*4-;3*'113)4*,66344*;'*/'6(C3.;4*2-I3*:,)*)36')/4*,./* marriage certificates. However, these seemingly neutral documents can facilitate the conflation between national and personal history. 0(6=*'1*"*6-./#:16%4\4*Y)'C';-'.,2*C,;3)-,2*3CY=,4-434*T.@2-4=* =3)-;,@3*,./*=-@=2-@=;*63);,-.*3J3.;4*-.*L(4;),2-,.*=-4;')N*4(6=* ,4*6'2'.-4,;-'.*,./*;=3*>-)4;*,./*536'./*P')/*P,)4*:-;=*;=3* overarching legacy of the ANZACs. These events are mapped onto Y3)4'.,2*=-4;')-34*;=)'(@=*,.*,2C'4;*.,;-'.,22N*')/,-.3/*Y,Y3)*;),-2R* Q.;3)34;-.@2NK*,*4;(/N*6'./(6;3/*8N*;=3*4-;3*4(@@34;4*L(4;),2-,.4*,)3* Y,);-6(2,)2N*Y)'(/*'1*[82,6I*4=33Y\*6'.J-6;*,.634;')4R*5;,;-4;-64*2-I3* ;=-4*)3J3,2*^(4;*=':*/33Y2N*;=3*.,;-'.,2*.,)),;-J3*Y3)C3,;34*;=3* 43.43*'1*4321R* <=3*6'.43U(3.63*'1*;=-4*.,;-'.,2*1),C3:')I*-4*;=,;*4'C3* ancestries are affirmed as being nationally relevant, and by -CY2-6,;-'.K*4(@@34;4*;=,;*';=3)4*,)3*.';R*<=-4*836'C34*,*/-4Y,)-;N* for those who can’t position themselves around this specific 6(2;(),2*-/3.;-;NR*Q.*C')3*@3.3),2*;3)C4K*4;')-34*:=-6=*,)3*/33C3/* to reflect badly upon national identity are often hidden. Most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e*P=,;*)36')/4*:-22*4()1,63* in their search of family lineage? More war records? Identification .(C83)4*1)'C*/3;3.;-'.*63.;)34e*D.6'J3)-.@*4'C3'.3\4*Y,4;* -4*,*=(@3*;,4I*g*8(;*Y3)=,Y4*.';*,4*=(@3*,4*;=3*:,N*:3*@'*,8'(;* 4=,Y-.@*;=3-)*1(;()34R

society /

Savers, Anxiety and the Mohair Cardigan of My Dreams by Ayu Astrid Maylinda

,2I-.@*;=)'(@=*5,J3)4*'.*5N/.3N*E',/*-4*,.*-.;3.432N*Y3)4'.,2* 3MY3)-3.63RRRY3)4'.,2*-.*;=3*43.43*;=,;*-;*-4*8';=*43.4')-,22N* ,./*4Y-)-;(,22N*3.@,@-.@*1')*;=3*-./-J-/(,2*4='YY3)R*<=3)3*-4*;=3* familiar smell of your grandmother’s kitchen and closet all at once; ;=3*)':4*,./*)':4*'1*C(2;-1,)-'(42N*6'2'()3/*,./*;3M;()3/*62';=-.@* ,./*;=3*.'./346)-Y;*6=,.@-.@*)''C4*4'C3=':*)3C-./*N'(*'1*;=,;* ;-C3*N'(*4Y3.;*-.*,.*3C3)@3.6N*/3Y,);C3.;*6(8-623R*<=3*=(C'()* of finding a sateen 80s dress with a ridiculous amount of shoulder 1,8)-6*-4*.';*2'4;*'.*;=3*4,JJN*5,J3)4*4='YY3)R*<=3*@-4;*'1*;=3*5,J3)4* C'/32*-4*;=,;*;=343*62';=34*,./*8)-6?,?8),6*'.63*832'.@3/*;'* 4'C3'.3*3243*,./*:3)3*@-J3.*,:,NK*Y3)=,Y4*,4*Y,);*'1*'.3*'1*;='43* .3:?1,.@23/*0,)-3*b'./'*C,;3)-,2*623,.434*'1*;=3*C-./K*1')*;=3* 83;;3)C3.;*'1*4'C3'.3*3243\4*2-13R*d)*-4*-;e* L4*,*=(C,.*83-.@*:-;=*C')3*;=,.*C'/3),;3*23J324*'1*,.M-3;N* -.=-8-;-.@*CN*3J3)N/,N*3M-4;3.63K*Q*;3./*;'*J-3:*;=3*,6;*'1*Y()6=,4-.@* -;3C4*,4*,*/'(823?3/@3/*4:')/*-.*;=3*U(34;*1')*4;)344*)32-31R*d.*;=3* '.3*=,./K*-;*13324*@)3,;*;'*=,J3*4'C3;=-.@*.3:*-.*N'()*C,;3)-,2* -.J3.;')NK*4'C3;=-.@*;'*Y2,N*,)'(./*:-;=*:=3.*N'(\)3*/36-/-.@*:=,;* ;'*:3,)*;'*(.-*'.*,*6'2/*0'./,N*C').-.@K*')*4'C3;=-.@*;'*42,Y*'.* N'()*2-Y4*:=3.*N'(\)3*1332-.@*/36-/3/2N*C-43),823*,8'(;*;=3*4;,;3* '1*N'()*1,63R*d.*;=3*';=3)*=,./K*:=3.*N'()*8,.I*,66'(.;*8,2,.63* ;33;3)4*/,.@3)'(42N*62'43*;'*mBK*/3Y23;-.@*-;*1();=3)*/'34*.';=-.@* C')3*;=,.*6,(43*,*)34()@3.63*'1*;=3*,.M-3;N*;=,;*:,4*U(3223/*:-;=* ;=3*Y()6=,43*'1*4=-.N*.3:*C,;3)-,2*;=-.@4R* <=3*5,J3)4*C'/32*,YY3,)4*;'*83*Y)'C-4-.@*-.*-;4*C3/-,;-'.*'1* ;=3*3J3)N/,N*4;)(@@23*'1*;=3*4;)344?4='YY3)R*O=3,Y*436'./?=,./* clothes assuage your financial anxiety, the need for material comfort, and that part of your soul that is still firmly lodged in the long-form ,);-623*N'(*)3,/*C'.;=4*,@'*,8'(;*;=3*4-.4*'1*1,4;*1,4=-'.R*Q*=,/*;=-4*

photography by samantha riegl

insane experience with a fifties cashmere jumper once, just by the 4=33)*Y':3)*'1*-C,@-.-.@*4'C3'.3\4*@),./C';=3)*=,J-.@*'.63*:').* this. The garment and the age-related scars (read: holes) it bore Y)'(/2N*132;*2-I3*,*Y,-)*'1*-C,@-.,)N*=,./4*3.6,Y4(2,;-.@*C3*-.*,.* emotion that I can only describe superficially as ‘graciousness’. The @),6-'(4.344*'1*,@3R*<=3*@),6-'(4.344*'1*:,)C;=R*<=3*@),6-'(4.344* '1*4'C3'.3*=,J-.@*=,./3/*;=-4*'J3)*;'*;=3*Y'44344-'.*'1*4'C3'.3* 3243R*<=3*@),6-'(4.344*'1*;=3*,1;3)2-13*'1*;=3*C,;3)-,2R* My mother finds the smell of my mohair cardigan off-putting. 5=3*/346)-834*-;*,4*_.33/-.@*C')3*;=,.*,*6,);'.*'1*C';=8,224*;'* neutralise”. But it’s really not that bad— it’ll probably only take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fifteen, into which I can no longer fit more than one and a half thighs.

farrago 2015 / edition seven / 41

/ Society

chlorine dreams by edie bush

.2-I3*'()*6',4;,2*6'(.;3)Y,);4*823443/*:-;=*,.*,8(./,.63*'1*4=,)I4*,./*4,./* ),4=K*'()*6=-2/=''/*4(CC3)*/,N4*63.;3)3/*,)'(./*;=3*Y(82-6*Y''2R*TJ3)N*N3,)* the first lungful of fresh chlorine was a blast of memories of summers passed. Every N3,)K*;=3*6)N4;,2*623,)*:,;3)*:'(2/*42':2N*836'C3*;3Y-/*,./*62'(/N*:-;=*/3,/* 4I-.*63224K*,./*'()*3N34*:'(2/*836'C3*Y3)C,.3.;2N*82''/4=';K*N3;*-;4*CN4;-6-4C* endured. Houses with air-conditioning were few and far between. Restless kids :3)3*43.;*'(;4-/3*(./3)*;=3*:3,)?;=3C?'(;*/'6;)-.3R*9)':.-.@*)-4I4K*4(.4;)'I3* ,./*@3.3),2*Y,),.'-,4*,8'(;*8,4-6*=N@-3.3e*S11;K*4=3\22*83*)-@=;*C,;3R*+)(-43/*4=-.4* 1)'C*,*:,2)(4*)3?3.,6;C3.;*@'.3*:)'.@ie*T,4-2N*Y,;6=3/*(Y*:-;=*+,./?L-/4*,./*-63* Y,6I4K*.';*23@,2*,6;-'.R* E'C,.;-6-43/*,./*)-.@-.@*:-;=*;=3*4;)3;6=3/*'(;*J':324*'1*)(),2*L(4;),2-,K*;=-4* -4*CN*'/3*;'*;=3*Y(82-6*Y''2R <=3*S''2*:,4*;=3*4=)-.3*'1*4,2J,;-'.*1)'C*,*/)'(@=;?4;)-6I3.*6=-2/=''/R*>)'C* the October long weekend until ANZAC day, we crossed barren sheep paddocks and Y,)6=3/*6)33I4*433I-.@*-;4*;:-.I2-.@*:,;3)4*'1*)34Y-;3R*<=3*S''2*:,4*,*;NY-6,2*FHXB4* council build: squat and symmetrical. In fact, take away foam pool noodles and first ,-/*I-;4K*,//*4'C3*)(@8N*Y,),Y=3).,2-,*')*4'C3*=,N*,./*/(4;*,./*N'(*6'(2/*^(4;*,4* :322*83*-.*;=3*1'';N*6=,.@3*)''C4*,;*;=3*'J,2*')*;=3*;'-23;4*,;*;=3*)'/3'*@)'(./R <=3*S''2*:,4*4C,6I*8,.@*-.*;=3*C-//23*'1*;':.R*Q;4*)3,2*.,C3*g*0())()(./-* 03C')-,2*+,;=4*g*:,4*:)-;;3.*-.*6'.6)3;3*23;;3)4*'.*,*/36'),;-J3*8)33a382'6I*:,22R* Its covered entrance was flanked by the pool manager’s office and the Kiosk, and depending on what job Mr Russell was performing, this office also doubled as an office for the lifeguard, swimming instructor and squad coach. 5;3YY-.@*'(;*1)'C*;=3*4=,/':?6'2/*;=)34='2/*'1*;().4;-234K*'()*3N34*:'(2/*;,I3* ,*)3J3)3.;*;=)33*436'./4*;'*,/^(4;*;'*;=3*82-./-.@*2-@=;R*5Y)3,/*831')3*(4*-.*Y3)136;* J-4(,2*=,)C'.N*2,N*;=)33*Y''24V*;=3*+,8N*S''2K*;=3*b-/4*S''2K*,./*;=3*+-@*S''2R* This was Nirvana. An oasis of rippling green fields and the pools glimmered alluringly under a radiant sun. Nothing could muddy our wide-eyed wonder. Not even the threadbare bindi-infested grass. Not even the scorching hot concrete ;=,;*46,))3/*:,;3)?4'1;*4I-.R*<=3*,U(,*82(3*'1*;=3*Y''24*231;*Y,;6=N*6-)6234*'1* questionable paint powder on our fingers and feet after a long day of duckdives and handstands; our marks of holy ritual. +-@*3M-4;3.;-,2*U(34;-'.4*:3)3*Y)'CY;3/*8N*<=3*S''2R*7-I3*:=,;*+.&;=3*)3,2* flavour of rainbow paddlepops? Is cola slushie colder than raspberry? How many times can you use the ‘fish out of water’ rule in Marco Polo? And is it justifiable by ;=3*6'/3*'1*,*/363.;*@,C3e

42 / Farrago 2015 / edition six

society /

Z'-.@*;'*<=3*S''2*C3,.;*Y3)-4=-.@*5Y33/'4K*)'6I=,)/*b-223)*SN;='.4K*d63,.*Z-)2* re-enactments, floating bandaids, prune fingers, sunscreen, and sunburn. It was defiance of authority: broken no diving rules, broken no running rules, broken no swinging on lane ropes rules. And it was survival of the fittest: swimming club races, 4U(-.;-.@*;=)'(@=*23,IN*Z'@@234K*@),/(,;-.@*;'*4:-CC-.@*6,Y4K*'.3*8)3,;=*1')*;=3* :='23*G#*C3;)34K*/)N*=3,;*4;)-YY-.@*;3./3)*.'4;)-24K*;(C823*;().4K*,./*-.6=?:-/3* Y'2N34;3)*)-88'.4*Y-..3/*Y)'(/2N*;'@3;=3)R* Q;*,24'*Y)'J-/3/*(4*:-;=*(.?4(8;23*,.4:3)4*;'*;=3*U(34;-'.4*'1*2-13R*P=3)3* CN*Y,)3.;4*,./*;3,6=3)4*1,-23/*;'*3/(6,;3*C3*,8'(;*;=3*@)'442N*6'.1(4-.@*:')2/* of puberty, The Pool valiantly filled in. Boobs began to bulge under lycra and @''438(CY4*6,C3*:-;=*.-YY23*2(CY4R*0N*1)-3./4*4;,);3/*:3,)-.@*8',)/4=');4* ,./*,J'-/-.@*;=3*Y''2*1')*,*:33I*,;*,*;-C3R*O2,-)3*>)-3/C,.\4ii*N322':*'.3?Y-363* :,4*433?;=)'(@=*,4*4=3*4;''/*'.*;=3*82'6I4*1')*;=3*:33I2N*5:-CC-.@*O2(8*#BC* 1)334;N23R*>');(.,;32NK*;='(@=K*/34Y-;3*;=3*:,).-.@4*'1*,*6,);''.*43M?3/*J-/3'*Q*4,:* at Healthy Harold, I never once saw an untimely erection. Nonetheless, hormones ),.*,C'I*'.*;=3*J36;')4*'1*4:3,;*,./*6=2')-.3R*d()*82'44'C-.@*43M(,2-;-34*=,/*(4* ='2/-.@*=,./4*(./3):,;3)K*4-;;-.@*'.*4='(2/3)4*1')*;,6I2-.@*C,;6=34*,./*I.334* ;3.;,;-J32N*;'(6=-.@*:=-23*:3*:,;6=3/*62(8*),634R By the time my puberty hit, I was safely in the North Coast, swimming at +N)'.*+,N*:=3)3*Y(834*,./*8''84*4',I*(Y*4(.*:-;=*)36I2344*,8,./'.R*+(;*Q* still wonder how I would have dealt with the fierce embarrassment of everyone I.':-.@*3J3)N;=-.@R*P,4*;=-4*,*)-;3*'1*Y,44,@3e*O'(2/*=,J3*Q*I.':.*;=3*436)3;4*'1* 4())3./3)-.@*;'*6=,.@3K*')*;'*3C8),6-.@*CN*8'/N*1')*-;4*),:.344e*Q*:-22*.3J3)*I.':R <=343*Y(82-6*Y''24*,)3*,2C'4;*2'4;*-.*;=3*.'4;,2@-,*,8N44K*,*Y2,63*^(4;*83N'./* our living realm where all ‘back in my day’ things go. A kind of Harry Potter Room of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y best friend insisted it didn’t hurt. It definitely hurt. ** Name concealed for belated dignity.

illustration by lucy hunter

farrago 2015 / edition six / 43

/ Society

trigger warning by ava k.

Trigger warning: references to rape and sexual violence, PTSD, depression, anxiety and suicide

=3\22*I-22*=-Cc*5=3\4*@'-.@*;'*I-22*=-Cc` My friends watch good Netflix drama like other people :,;6=*4Y');V*8'-4;3)'(42NR P,;6=-.@*;=3*:'C,.*4;,)3K*;)3C82-.@K*-.;'*=-4*3N34K*Q*=,J3*,* 4-.I-.@*1332-.@R*<=3*6=,),6;3)*-4.\;*@'-.@*;'*I-22*=3)*,8(4-J3*3M? =(48,./R*5=3\4*@'-.@*;'*I-22*=3)4321R <3.*C-.(;34*2,;3)K*CN*4-23.;*Y)3/-6;-'.*6'C34*;)(3*,4*4=3*^(CY4* 1)'C*,*)''1K*3./-.@*;=3*3Y-4'/3R*<=3)3*,)3*@,4Y4K*;=3.*3J3)N'.3* Y,6I4*(Y*;=3*Y'Y6').*I3).324*,./*1(aaN*82,.I3;4*,./*)3;)3,;4*;'*83/R Q*4-;*J3)N*4;-22*'.*;=3*4'1,*,./*83@-.*;'*/-4,44'6-,;3R*L*1332-.@* like I am a head floating on a wax doll body, a loose skin bag filled :-;=*4;,;-6R Time passes, blotted out by the huge roaring things that fight -.4-/3*C3R*<=3N*)3/36'),;3K*)-YY-.@*'(;*8)3,;=*,./*82''/*,./*')@,.4* ,./*23,J-.@*,*62,C'()*'1*),:*.3)J34K*,*:=-;3?.'-43*:'(./R*<=3N*/'* .';*23,J3*,*6')3K*'.2N*,*J,6((CR Q*,C*=(@@3/*,@,-.4;*CN*834;*1)-3./\4*6=34;K*4=,I-.@R _Q\C*4'*4'))NRRR*Q*)(-.3/*;=3RRR*QRRR*;=3N*C(4;*;=-.I*Q\CRRR*4'* 1?1(6I-.@*:3-)/R*S,;=3;-6R*&'(RRRR*Q\C*4'*4'))NR*&'(*g*N'(*4='(2/*^(4;* ;),/3*C3*-.R*<),/3*C3*-.*1')*,*1)-3./*:='*-4.\;*1,(2;NR*9?/?/?/3136;-J3R* Q\C*/3136;-J3R` _5===R*P3*2'J3*N'(*^(4;*,4*N'(*,)3R` _Q*^(4;*I.3:*4=3*:,4*@'-.@*;'RRR*836,(43*4'*C,.N*'1*(4*/'R*P3* 4()J-J3K*8(;*;=3.*:3\)3*4'*;),(C,;-43/*;=,;?*;=,;*:3RRR:?:?:3*I-22* '()432J34RRR*Q\J3RRR*:,.;3/*;'R*>')*4'*2'.@R`

44 / Farrago 2015 / edition seven

L*:33I*2,;3)*,./*Q*,C*-.*62,44R*Q\C*.';*1,C-2-,)*:-;=*;=3*62,44-6,2* world, but Ovid is being studied. He revels in his loverâ&#x20AC;&#x2122;s reluctance ;'*)3C'J3*=3)*62';=34K*=':*4=3*;().4*1)'C*=-CK*;=3*;(4423R*L4*:3* Y)'@)344*;=)'(@=*)3,/-.@*;=3*Y'3CK*Q*)3,2-43*=3*-4*)3J322-.@*-.*),Y3R* L.*-)'.*=,./*62'434*,)'(./*CN*;=)',;K*1,C-2-,)*4;,;-6*4;,);4*(Y*-.* CN*@(;4R*<=3*/-46(44-'.*;-6I4*8NK*:')/4*2-I3*#%4"*6-*,./*(-.+#-*,)3* ;=)':.*,)'(./K*36='*-.*CN*82,.I*=3,/R*Q*:,.;*;'*6)NR*Q*6,.\;*6)NR* Q*6,.\;*23,J3*;=3*)''CR*Q*6,.\;*C,I3*,*463.3R*Q*6,.\;*8)3,;=3R*L*@-)2* ,6)'44*;=3*)''C*4,N4*-.*,*1)':.-.@*J'-63*=':*J-'23.;*,./*),Y3N*;=3* Y'3C*-4*g*.';*)'C,.;-6*,;*,22c*Q*2''I*;'*=3)*:-;=*;=3*@),;-;(/3*'1*,* C');,2*4,J3/*8N*,*@''/*,.@32R*<=3*;(;')*2''I4*.3)J'(4R*_&34K*:322K* ;=,;\4*;=3*323Y=,.;*-.*;=3*)''CK*-4.\;*-;e`

Q1*Q*)3,/*'.3*C')3*Y43(/'?-.;32236;(,2*'Y?3/*:)-;;3.*8N*,.* [,6,/3C-6\*'.*=':*;)-@@3)*:,).-.@4*,)3*,*Y)'/(6;*'1*,.*_'(;),@3* 6(2;()3`*;=,;*_6'6''.4*C-223..-,24`*1)'C*_'113.63*,./*(.6'C1');,823* 1332-.@4`K*Q\C*@'-.@*;'*)-Y*CN*3N38,224*'(;*,./*133/*;=3C*;'*;=3*2'6,2* (.-J3)4-;N*Y-@3'.4R Q\J3*'.2N*)363.;2N*4=,I3.*'11*;=3*4=,C3*,./*83@(.*4Y3,I-.@* Y(82-62N*,8'(;*CN*Y3)4'.,2*3MY3)-3.63*:-;=*S<59K*4'*-;\4*'.2N* )363.;2N*;=,;*Q\J3*)3,2-43/*=':*/33Y*;=-4*,.;-?;)-@@3)*:,).-.@* 43.;-C3.;*@'34R*TJ3)N'.3*433C4*;'*1332*;=3*.33/*;'*:3-@=*-.V* ,6,/3C-64K*;(;')4*,./*236;()3)4K*Y,-/*'Y-.-'.?C'.@3)4*:)-;-.@* 1')*82'@4*,./*'.2-.3*C,@,a-.34K*,./*3J3.*'.3?;-C3*1)-3./4*'.*CN* Y3)4'.,2*>,638''I*Y,@3R*

photography by tori lill

society /

L.;-?;)-@@3)*:,).-.@*Y)'Y'.3.;4*'J3):=32C-.@2N*=,J3*'.3*;=-.@* -.*6'CC'.V*;=3N*,)3*.';*;),(C,*4()J-J')4*,./*;=(4*/'*.';*.33/* trigger warnings themselves. Yet, disturbingly, they feel qualified to /38,;3*;=3*J,2(3*'1*;)-@@3)*:,).-.@4*,./*3J3.*U(34;-'.*;=3*J,2-/-;N* '1*;)-@@3)4R*L;;3CY;-.@*;'*[/38,;3\*,*;),(C,*4()J-J')*'.*;=3*J,2(3* '1*;)-@@3)*:,).-.@4*-4*3U(-J,23.;*;'*:,2I-.@*(Y*;'*4'C3'.3*-.*,* :=3326=,-)*,./*Y)343.;-.@*,.*,)@(C3.;*,@,-.4;*;=3*-.4;,22,;-'.*'1* ),CY4*,./*323J,;')4*'.*6,CY(4R*S(;*4-CY2NK*N'(*6'C3*'11*2''I-.@* 2-I3*,.*-@.'),.;*^,6I,44R Q\J3*6'2236;3/*,*13:*'1*;=3*,)@(C3.;4*,@,-.4;*;)-@@3)*:,).-.@4* (henceforth TWs) below. Let me break down for you why they are ,84'2(;3*;)-Y3R

“Students shouldn’t be cocooned against things they find ,00.&*%=.',#'1&2,)0,#$"79.'7.2"1*.'$5.8V99'.&6'1+'4."-:i 0N*)34Y'.43*;'*;=-4*,)@(C3.;*-4*,.@)N*,./*;=)33?Y)'.@3/V Fl*d113.63*-4*.';*CN*Y)'823CR*9-46'C1');*-4*.';*CN*Y)'823CR* S<59*-4*CN*1(6I-.@*Y)'823CR 2) Conflating mental illness and weakness stigmatises mental -22.344R 3) How are you able to study or teach at a bastion of critical ;=-.I-.@*:=3.*N'(*6,.\;*433C*;'*;=-.I*6)-;-6,22N*3.'(@=*;'* /-113)3.;-,;3*83;:33.*_'113.63`K*_(.6'C1');,823*1332-.@4`*,./* C3.;,2*-22.344e Q1*N'(\22*Y3)C-;*C3*'.3*62-6=W*g*=3,2-.@*1)'C*;),(C,*6,.*83*,* 2'.@*,./*,)/('(4*^'().3NR*&'(K*;=3*'.2''I3)K*/'*.';*@3;*;'*/36-/3* :=,;*C,;3)-,2*,*;),(C,;-43/*Y3)4'.*4='(2/*83*(Y*;'*3.6'(.;3)-.@K* ')*:=3.*,./*:=3)3*;=3N*4='(2/*3.6'(.;3)*-;R*L.;-?<P*,)@(C3.;4* 'J3):=32C-.@2N*)34;*'.*;=3*,44(CY;-'.*;=,;*(.3MY36;3/*3MY'4()3* ;'*;)-@@3)-.@*C,;3)-,2*:-22*4'C3=':*;'(@=3.*4()J-J')4*(Y*2-I3*,* 6,22(4R*93C,./-.@*4()J-J')4*1,63*;)-@@3)-.@*C,;3)-,2*;'*[;'(@=3.*(Y\K* however, is akin to sticking your fingers in someone’s open wound ,./*62,-C-.@*;'*=3,2*;=3C*g*-.*)3,2-;NK*N'(\)3*@'-.@*/'*C')3*/,C,@3K* 42':*;=3*=3,2-.@*Y)'6344*,./*Y)'8,82N*@-J3*;=3C*,.*-.136;-'.*;'*8'';R* 5()J-J')4*4'C3;-C34*4Y3./*=(./)3/4*'1*/'22,)4*,.*='()*'.*;=3),YN* ;'*:')I*;=)'(@=*;=3*I.';;N*4.,)24*'1*;),(C,*,;*'()*':.*Y,63R*P3* are bravely fighting to break free of flashbacks, nightmares, and the ,66'CY,.N-.@*/3Y)344-'.K*,.M-3;N*,./*4(-6-/,2*;='(@=;4R*&3;*,.;-?<P* Y)'Y'.3.;4*=,J3*;=3*4;,@@3)-.@*,))'@,.63*;'*4(@@34;*;=,;*;=3N*I.':* 83;;3)*g*83;;3)*;=,.*,*;),-.3/*;=3),Y-4;*,./*83;;3)*;=,.*,*Y3)4'.* 2-J-.@*;=)'(@=*;),(C,R*_5-CY2N*=,J3*N'()*:')4;*.-@=;C,)34*;=)(4;* (Y'.*N'(*-.*1)'.;*'1*,*236;()3*=,22*1(22*'1*FBB*4;),.@3)4*,./*N'([22*3./* (Y*=,)/3)K*83;;3)K*1,4;3)K*4;)'.@3)c`*;=3N*,/J-43R*L./*-1*N'(*)31(43e* P322K*N'([)3*6'6''.3/*,./*:3,I*,./*Y,;=3;-6R*<NY-6,2*C-223..-,2R* jY$k*'$,,')125'4,#-'0,#'$5.'"2"6.)%2'$,'/,'$5#,1/5'.=.#8'7%$' ,0')"$.#%"9'$5.8'4%99'7.'$."25%&/'$,'%6.&$%08'$#%//.#*'"&6'+,*$' $#%//.#'4"#&%&/*:i How on earth are lecturers so unfamiliar with what they’re teaching ;=,;*;=3N*6,.\;*Y'4;*,.*'(;2-.3*'1*;=3*@3.3),2*6'.;3.;*,./*;=3C34e* b.':-.@*;=3*C,;3)-,2*-.4-/3*'(;*,./*(Y4-/3*/':.*-4*,*236;()3)[4* Y,-/*^'8R*5'*:=N*-4*:)-;-.@*,*13:*43.;3.634*,8'(;*Y';3.;-,2*;)-@@3)4* consistently characterised as some kind of Herculean effort? Even if we were to entertain for a moment that doing so was a difficult or time-consuming job (it’s not), we don’t make similar arguments ,@,-.4;*,66344-8-2-;N*1')*;=3*Y=N4-6,22N*/-4,823/R*&'(\/*4'(./*2-I3*,* C'J-3*J-22,-.*-1*N'(*,)@(3/K*_d=*.'K*:3*6,.\;*,11')/*;'*Y(;*-.*),CY4* ')*323J,;')4*;'*-CY)'J3*,66344-8-2-;N*1')*;=3*Y=N4-6,22N*/-4,823/R*Q;* :-22*)3U(-)3*;''*C(6=*311');*'.*;=3*83=,21*'1*;=3*(.-J3)4-;N*4;,11*,./* 8(-2/-.@*6'.;),6;')4RRR` jH;Q('%*&V$'=.#8'2,)),&+9"2.3'"&6'"&84"83'$#%//.#*'"#.'=.#8' *17e.2$%=.:'W.'2"&'&.=.#'5,+.'$,'/%=.'"&'.l5"1*$%=.'9%*$'$5"$' 2,=.#*'.=.#8'*$16.&$V*'+,$.&$%"9'$#%//.#*'A'*,'45"$V*'$5.'+,%&$fi L*GBBX*4()J3N*6'./(6;3/*8N*;=3*L(4;),2-,.*+()3,(*'1*5;,;-4;-64* indicates that 6.4% of the Australian population is living with PTSD ,;*,.N*'.3*;-C3R*<=-4*C3,.4*;=,;*-.*,*4(8^36;*'1*FBB*4;(/3.;4K*;=3)3* ,)3*4-M*')*43J3.*Y3'Y23*:='*.33/*;)-@@3)*:,).-.@4R*<'*(43*'.3* ='))-82N*6'CC'.Y2,63*3M,CY23K*4;(/N*,1;3)*4;(/N*4=':4*;=,;*F*-.*

"*:'C3.i*:-22*83*43M(,22N*,44,(2;3/*')*),Y3/*-.*;=3-)*2-13;-C3K*,./* ,8'(;*=,21*'1*;=343*43M(,2*,44,(2;*4()J-J')4*:-22*/3J32'Y*S<59R*Q1* N'(*=,J3*,*4(8^36;*'1*%B*Y3'Y23K*,./*=,21*'1*;='43*,)3*:'C3.K*;=3.* you have roughly five people who need trigger warnings for content -.J'2J-.@*),Y3A43M(,2*,44,(2;R* *Non-binary trans people, transwomen and women of colour are /-4Y)'Y');-'.,;32N*J-6;-C4*'1*43M(,2*,8(43*,./*J-'23.63K*,;*=-@=3)* ),;34*;=,.*6-4*:'C3.R*Q*)36'@.-43*,./*:-4=*;'*-.62(/3*;=3-)*4;)(@@234* 8(;*/'*.';*4Y3,I*1')*;=3CR Q.*,//-;-'.K*;)-@@3)4*,)3*.';*.36344,)-2N*,4*4(8^36;-J3*,4* N'(\/*;=-.IR*d;=3)*J3)N*'8J-'(42N*43.4-;-J3*6'.;3.;*;=,;*.33/4* <P4*-.62(/34*4(-6-/3K*@')3K*J-'23.63K*:,)K*4;)33;*=,),44C3.;K* Y3/'Y=-2-,K*6=-2/*,8(43*,./*/'C34;-6*,8(43K*,4*:322*,4*='C'Y='8-,K* ;),.4Y='8-,K*,./*),6-4CR*

jm,1'*5,196'e1*$'$"-.'#.*+,&*%7%9%$8'0,#'8,1#',4&').&$"9'5."9$5]' P)"%9'8,1#'9.2$1#.#*]'Q$,+'.l+.2$%&/',$5.#'+.,+9.'$,'$"-.'2"#.' ,0'8,1]i S3'Y23*:='*.33/*<P4*4='(2/*.';*=,J3*;'*[6'C3*'(;\*;'* ,6U(,-.;,.634*,8'(;*;=3-)*,8(43*=-4;')-34*1')*;)-@@3)*:,).-.@4*;'* 83*C,/3*,J,-2,823*;'*;=3CR*d1;3.K*6'2/?6,22-.@*,*4;),.@3)*')*;3,6=3)* ,8'(;*;=343*Y3)4'.,2*4;)(@@234*:-;='(;*I.':-.@*=':*;=,;*4;),.@3)* :-22*)3,6;*6,.*83*3M;)3C32N*,.M-3;N?-./(6-.@K*')*3J3.*;)-@@3)-.@*-.* -;4321R*>(..-2N*3.'(@=K*;),(C,*4()J-J')4*,24'*=,J3*3J3)N*)3,4'.*;'* 832-3J3*g*;=,.I4*;'*;=3*Y23;='),*'1*,6,/3C-64*:)-;-.@*,);-6234*,8'(;* =':*Y3'Y23*:='*.33/*<P4*,)3*:3,I*,./*Y,;=3;-6*g*;=,;*,*236;()3)* :-22*;)3,;*;=3C*,4*-1*;=3N\)3*:3,I*,./*Y,;=3;-6R <,I-.@*;=3*;-C3*;'*6'CY-23*,*2-4;*'1*<P4*1'4;3)4*,.*,;C'4Y=3)3* '1*)34Y36;*;':,)/4*4()J-J')4*g*-;*43./4*;=3*C344,@3*;=,;*;)-@@3)4* ,)3*83-.@*;,I3.*43)-'(42NR*<=-4*)34Y36;*C,N*3CY':3)*;='43*:='43* ;)-@@3)4*=,J3.\;*833.*-.62(/3/*'.*<P*2-4;4*;'*)3,6=*'(;*,./*:)-;3*,.* 3C,-2*;'*;=3-)*236;()3)*:-;='(;*13,)*'1*=(C-2-,;-'.R jW.'6,&V$'4"&$'$,'*+,%9'$5.')"$.#%"9'0,#'*$16.&$*'45,'6,&V$' &..6'$#%//.#'4"#&%&/*:i 9'*N'(*(./3)4;,./*=':*-.;),?(.-J3)4-;N*6'CC(.-6,;-'.*:')I4e*Q;* -4*J3)N*4-CY23*;'*C,I3*,*43Y,),;3*Y,@3*'.*;=3*705*3.;-;23/*_<)-@@3)* P,).-.@4*1')*5(8^36;*O'.;3.;`*,./*;'*=,J3*;=,;*Y,@3*2-.I*;'*,*S9>*:-;=* ;)-@@3)*:,).-.@4*4'*4;(/3.;4*6,.*6=''43*:=3;=3)*;=3*6'()43*C,;3)-,2* -4*[4Y'-23/\*1')*;=3CR*53;;-.@*;=-4*(Y*:'(2/*;,I3*,22*'1*GB*C-.(;34K*,./* 43./-.@*;=3*/'6(C3.;*'(;*-.*,.*3C,-2*:'(2/*;,I3*3J3.*2344*;-C3R* jm,1'2"&V$'e1*$'"=,%6'$5.'$,+%2'0,#.=.#]i <=-4*4=':4*,*C-4(./3)4;,./-.@*'1*:=,;*,*4()J-J')*:-22*/'*:=3.* 1')3:,).3/*'1*;)-@@3)-.@*C,;3)-,2R*f(4;*,4*.'*;:'*;),(C,*=-4;')-34* ,)3*;=3*4,C3K*4'*-;*@'34*;=,;*.'*;:'*)3,6;-'.4*:-22*83*;=3*4,C3R* 0,N83*:3*:-22*C-44*;=3*62,44*;=,;*/-46(4434*;=,;*;)-@@3)-.@*;3M;R* 0,N83*:3*:-22*2-4;3.*;'*;=,;*236;()3*,;*='C3*:-;=*,*=';*6(Y*'1*;3,* ,./*:,)C*82,.I3;*'.*=,./K*-.4;3,/*'1*4(8^36;-.@*'()432J34*;'* ;)-@@3)-.@*C,;3)-,2*-.*1)'.;*'1*,*1(22*236;()3*=,22R*>')*4'C3K*;=3*Y=),43* [1')3:,).3/*-4*1')3,)C3/\*)-.@4*;)(3*g*C,N83*:3*:-22*;().*(Y*;'*;=3* 236;()3*,./*;=3*;(;')-,2*Y4N6='2'@-6,22N*Y)3Y,)3/*1')*:=,;*-4*;'*6'C3* ,./*3.@,@3*1(22N*:-;=*;=3*C,;3)-,2R D2;-C,;32NK*-;*-4*(Y*;'*4()J-J')4*,./*;=3-)*C3.;,2*=3,2;=*Y)'1344-'.,24* ;'*/36-/3*:=,;*;=3N*6,.*=,./23K*83*-;*,*2-;;23*8-;K*,*2';K*')*.';=-.@*,;* ,22R*Q;*-4*(Y*;'*N'(*;'*@3;*;=3*1(6I*'(;*'1*'()*:,N*:-;=*N'()*(.:,.;3/K* uninformed opinions as we fight the good fight, make the choices right for us, and find a way back to peace and empowerment. !%#&+*8%#4"/+%*&"*(&.077%#/&">%0/&4-*/"9&5-"9/5=&79-".-&,+.+/& www.beyondblue.org.au or call 1300 22 4636. If you or someone you know need urgent help, you can Lifeline on 13 11 14 (www. lifeline.org.au) or Suicide Call Back Service on 1300 659 467 (www. .0+6+(-6"99>"6?.-#,+6-1%#$1"0W1 To contact any CASA (Centre Against Sexual Assault) in Victoria and the after hours Sexual Assault Crisis Line (SACL) simply call 1800 806 292 or email SACL at ahcasa@thewomens.org.au UMSU Legal Service: Level Three Union House, (03) 8344 6546

farrago 2015 / edition seven / 45

/ Society

46 / Farrago 2015 / edition seven

illustration by lucy hunter

society /

I.U.Delight BY TEGAN MCCARTHY

)3*N'(*4;-22*'.*;=3*Y-22e` <=-4*-4*,*U(34;-'.*CN*1)-3./4*,./*Q*=,J3*833.*,4I-.@*3,6=* ';=3)*1')*C,.N*N3,)4*,./*Q\C*4()3*-;*)-.@4*,*8322*1')*,22*:'C3.*,@3/* ,.N:=3)3*83;:33.*F$*,./*!#R*P3*,)3*(;;3)2N*'843443/*:-;=*C,I-.@* 4()3*'()*.3,)34;*,./*/3,)34;*,)3*(4-.@*,*6'.;),63Y;-J3*C3;='/*;=,;* :')I4*1')*;=3CR _+(;*N'(\)3*(4-.@*6'./'C4K*)-@=;e` 5-.63*Q*:,4*,8'(;*FXK*Q*=,J3*6'.4-/3)3/*;=3*)36-Y3*'1*6'./'C4* ,./*;=3*6'.;),63Y;-J3*Y-22*;'*83*;=3*'.2N*:,N*;'*@'K*2'4-.@*;=3*1),.@3)* '.63*-;\4*833.*34;,82-4=3/*;=,;*;=3)3*,)3*Ll*.'*5<94K*,./*+l*.'*;=-)/* Y,);N*-.J'2J3/*;'*Y';3.;-,22N*-.;)'/(63*'.3R*<=3*6'C8-.,;-'.*Y-22* =,4*2'.@*833.*34;,82-4=3/*,4*,*4,13*6'.;),63Y;-J3*C3;='/K*:-;=*;=3* )-4I*'1*82''/*62';4*4;-22*83-.@*,*4=-;2',/*2':3)*;=,.*,;*,.N*4;,@3*'1* Y)3@.,.6NR*L./*'1*6'()43K*-;\4*,*Y)3;;N*/,.@*)32-,823*8,8N?82'6I3)R* O'./'C4*6,.*83*,*8-;*,..'N-.@K*8(;*)3,22NK*;=3N\)3*Y)313),823*;'* Y)3;;N*C(6=*,.N*43M(,22N*;),.4C-;;3/*/-43,43*'.*;=3*C,)I3;R _+(;*Q*;='(@=;*N'(*2-I3/*;=3*Y-22e`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want to find out what our real cycles are like, instead of the bizarre 3J3)N?.':?,./?;=3.?;,I3?;=3?4(@,)?Y-224?6'4?-;\4?833.?,@34?,./? -4?4;,);-.@?;'?433C?,?8-;?:3-)/*6N623R*5'K*Q*4;'YY3/*;,I-.@*;=3*Y-22R* Q*=,/*833.*,*8-;*1')@3;1(2*1')*,*13:*:33I4*,./*6'(2/.\;*83*8';=3)3/* I33Y-.@*;),6I*'1*;=3*43J3.?/,N*[^(4;*-.*6,43\*;-C3R _5'K*:=,;*6'.;),63Y;-'.*,)3*N'(*(4-.@e` Z2,/*N'(*,4I3/c*Q*C'J3/*;'*0328'().3*'.2N*3,)2-3)*;=-4*N3,)*,./* '.3*;=-.@*Q*.33/3/*;'*/'*:,4*4(44*'(;*,*@''/*/'6;')R*Q*C,.,@3/*;'* /'*3M,6;2N*;=,;*,./*46')3/*,*2'J32NK*!B?4'C3;=-.@?N3,)?'2/*:'C,.* :-;=*1,.;,4;-6*83/4-/3*C,..3)*:='*-4*:-;=-.*:,2I-.@*/-4;,.63*'1* CN*='(43R*9(3*;'*,.*-))3@(2,)*Y,Y*4'C3*;-C3*,@'K*Q\C*'.*;=3*)3@(2,)* list for smears. Our first appointment was a revelation. I explained ;=,;*Q*:,4*^(4;*,*8-;*'J3)*;=3*Y-22*g*.';*1')*C(6=*'1*,*)3,4'.K*8(;* 8,4-6,22N*836,(43*Q*:,4*6()-'(4*,8'(;*CN*.,;(),2*6N623*,./*:,.;3/* ;'*23,).*,8'(;*=':*CN*8'/N*,./*C-./*6=,.@3/*;=)'(@='(;*-;R*5=3* understood immediately (I tell you, she’s a mind reader!) and asked if I would be interested in a copper IUD. I admitted ignorance; Q*I.3:*-;*C3,.;*-.;),(;3)-.3*/3J-63*,./*;=,;*6'YY3)*-4*,*C3;,2* but beyond that I was clueless (thanks school, good job). Well, ,YY,)3.;2N*;=-4*2-;;23*@3C*'1*,*6'.;),63Y;-J3*-4.\;*:322*I.':.*836,(43* .'*Y=,)C,63(;-6,2*6'CY,.N*8,6I4*-;K*836,(43*.'8'/N*C,I34*,.N* money out of it (great system). She said it’s pretty standard in

T.@2,./*,./*Y)'8,82N*;=3*4,134;K*C'4;*31136;-J3K*23,4;*3MY3.4-J3* and has the fewest side effects of all the methods (aside from the /)3,/3/*L84;-.3.63lR** _P=,;*;=3*1(6I*,)3*N'(*;,2I-.@*,8'(;e` Q*,C*;,2I-.@*,8'(;*,*2'.@?,6;-.@K*.'.?=')C'.,2K*)3J3)4-823*1')C* '1*6'.;),63Y;-'.R* Q*,C*;,2I-.@*,8'(;*,*<?4=,Y3/*Y2,4;-6*,./*6'YY3)*/''?=-6I3NK*,* 13:*63.;-C3;)34*-.*23.@;=K*:=-6=K*'.63*-.43);3/*8N*,*ZS*')*4Y36-,2-4;K* 6,.*83*231;*1')*FB*N3,)4*:-;=*J3)N*2-;;23*:'))NR**<=-4*-4*,*6'.;),63Y;-J3* ;=,;*=,4*833.*,)'(./*-.*4'C3*1')C*1')*C')3*;=,.*FBB*N3,)4R* _L./*;=,;*/''?=-6I3N*:')I4*=':e` Q\C*Y)3;;N*;3))-823*:-;=*6=3C-4;)N*,./*8-'2'@N*8(;*,YY,)3.;2NK* copper kills sperm (there’s a feminist superhero idea in there). It sends out little waves of coppery-infused fluid power and zaps any 4Y3)C*;)N-.@*;'*@3;*,22*(Y*-.*N'()*2'J3*'J3.R*<=,;\4*-;R*D.2-I3*;=3*Y-22K* ;=3*[;NY-6,2*(43\*1,-2()3*),;3*,./*[Y3)136;*(43\*1,-2()3*),;3*1')*,*6'YY3)* QD9*,)3*;=3*4,C3*836,(43*N'()*,6;-'.4*/'.\;*-CY,6;*-;4*31136;-J3.344R* d.63*-;\4*-.K*N'(*^(4;*2-J3*N'()*2-13*,./*=,J3*,22*;=3*4Y'.;,.3'(4*43M* N'(*:,.;R*<=3*'.2N*;=-.@*N'(*.33/*;'*)3C3C83)*-4*;'*;,I3*-;*'(;*FB* N3,)4*2,;3)R* _5'(./4*@)3,;R*P=,;\4*;=3*6,;6=e` L*13:*C-.')*4-/3*31136;4*g*-;\4*Y)3;;N*.')C,2*;'*=,J3*,*42-@=;2N* =3,J-3)*Y3)-'/K*C,N83*,*13:*3M;),*6),CY4R*Q*C,I3*;=,;*4'(./*2-I3*.'* 8-@*/3,2*836,(43*1')*C3K*-;*-4.\;R*+(;*Q\C*4()3*Q\/*83*4-.@-.@*,*/-113)3.;* ;(.3*-1*Q*4(113)3/*2-I3*4'C3*/'R*L;*23,4;*N'(*6,.*;,I3*-;*'(;*:-;=*,* quick trip to the doctor and only about $100 out of pocket (keeping -.*C-./K*;=,;\4*mFBB*1')*FB*N3,)4R*<=,;\4*;=3*C'4;*6'4;?31136;-J3* 43.;3.63*Q\J3*3J3)*:)-;;3.lR* d.3*';=3)*Y';3.;-,2*Y)'823C*-4*,*42-@=;*6=,.63*'1*Y3)1'),;-'.* '1*;=3*(;3)(4R*9'6;')*>,.;,4;-6*,44()3/*C3*;=-4*:,4*J3)N*),)3*,./* 8,4-6,22N*4='(2/.\;*=,YY3.*-1*;=3*/'6;')*=,4*,.N*62(3*,8'(;*:=,;* they’re doing (it would be like a nurse messing up an injection). _O,.*Q*@3;*'.3e` S)'8,82NR*D.2344*N'(*=,J3*4'C3*4');*'1*)3Y)'/(6;-J3*')@,.4* -44(3K*/-,@.'43/*')*';=3):-43K*2-I3*,8.')C,2*8233/-.@K*-.136;-'.K*5<QK* etc. I’m currently waiting on an HPV all-clear before I can get an IUD. d;=3)*;=,.*;=,;K*,.N*Y3)4'.*:-;=*8-'2'@-6,22N*13C,23*8-;4*:='\4*=,/*,* 4-.@23*Y3)-'/*6,.*@3;*'.3R d1*6'()43K*Q\C*.';*,*/'6;')R*&'(*.33/*;'*6=36I*:-;=*,*Y)'*;=,;* I.':4*N'(K*N'()*8-;4*,./*;=3-)*8(4-.344R*Q*:,4*J3)N*2(6IN*;'*=,YY3.* across this new doctor of mine; I hope everyone can find one like her. <=3*834;*;=-.@*4=3*4,-/*;'*C3*:,4K*_Q*@';*;=3*6'YY3)*QD9*,*13:*N3,)4* ,@'R*Q*2'J3*-;R`*<=-4*:,4*.';*4'C3*=NY';=3;-6,2*C3/-6,2*^'().,2*,./* industry selling point; this was woman-to-woman advice. The kind '1*4=-;*CN*@-)24*,./*Q*;,2I*,8'(;*'J3)*:-.3K*6=3343*,./*+3N'.6WR*Q\C* @3;;-.@*'.3*'.*CN*.3M;*J-4-;K*Q\/*83*=,YYN*;'*23;*N'(*I.':*=':*-;*@'34R

farrago 2015 / edition seven / 47

/ Society

.3*'1*;=3*C,-.*)3,4'.4*Y3'Y23*/'.\;*:,.;*;'*6N623K*')*6N623* 2344*;=,.*;=3N*';=3):-43*C-@=;K*-4*;=,;*-;\4*Y3)63-J3/*;'*83*,* /,.@3)'(4*,6;-J-;NR*0,I34*43.43K*/'34.\;*-;e*P=3.*N'(\)3*'.*;=3*)',/K* N'(\)3*/'/@-.@*6,)*/'')4*,./*J3=-6234*C,.N*;-C34*,4*=3,JN*,./*,4* 1,4;*,4*N'(K*:-;=*'.2N*,*=32C3;*;'*I33Y*N'(*4,13R*L./*:=3.*N'(\)3* '11?)',/K*:322K*23;\4*^(4;*4,N*Q*'.63*.,))':2N*,J'-/3/*@'-.@*'J3)*CN* =,./238,)4*6'();34N*'1*,.*(.)34;),-.3/*,./*2344?;=,.?-.;322-@3.;*Y(@R Q.*0328'().3K*3,6=*;)-Y*N'(*;,I3*8N*8-I3*-4*1'()*,./*,*=,21*;-C34* C')3*2-I32N*;'*I-22*N'(*;=,.*'.3*-.*,*6,)*,./*,8'(;*;=-);33.*;-C34* more likely to seriously injure you. That sounds pretty bad. However, these risks, horrific though they may be, are relatively small. There are around four to five cyclist fatalities a year in Melbourne and a hundred among car drivers and passengers (keeping in mind many C')3*Y3'Y23*;),J32*8N*6,)*;=,.*8N*8-I3lR*P=-23*;=343*.(C83)4*,)3* terrible and should be reduced (hopefully to zero!), there is evidence ;=,;*;=3*)-4I*'1*6N62-.@*-4*C,.N*;-C34*'(;:3-@=3/*8N*;=3*)3/(63/* )-4I*'1*=3,2;=*6'CY2-6,;-'.4*,./*3,)2N*/3,;=*,44'6-,;3/*:-;=*,* 43/3.;,)N*2-134;N23R*S2(4K*N'(\)3*,8'(;*43J3.*;-C34*C')3*2-I32N*;'*83* ='4Y-;,2-43/*Y2,N-.@*1'';8,22*;=,.*6N62-.@R Q*/'.\;*C3,.*;'*/':.Y2,N*;=3*43)-'(4.344*'1*-.^()-34*,./* 1,;,2-;-34*1)'C*6N62-.@*,;*,22R*<=343*,)3*2,)@32N*/(3*;'*;=3*:,N*)',/* 3.J-)'.C3.;4*,)3*/34-@.3/K*.,C32N*3M62(/-.@*Y3/34;)-,.4*,./*6N62-4;4* to maximise traffic flow and the convenience of on-street parking. However, I would say that cycling is perceived to be a more dangerous ,6;-J-;N*;=,.*-;*,6;(,22N*-4*,./*;=-4*Y(;4*'11*=3,Y4*'1*Y3'Y23*;=,;*C-@=;* otherwise do it. This means lost benefits in terms of public health, the 3.J-)'.C3.;K*)3/(6-.@*6'.@34;-'.RRR*&'(\J3*=3,)/*-;*,22*831')3R +,4-6,22NK*:3*.33/*;'*C,I3*6N62-.@*1332*4,13R*d.3*'1*;=3*C'4;* 4;),-@=;?1'):,)/*:,N4*'1*/'-.@*;=-4*-4*Y)'J-/-.@*Y=N4-6,22N*43Y,),;3/* 8-I3*2,.34*:=3)3*Y3'Y23*:,.;*;'*@'R*D.1');(.,;32NK*-;\4*,24'*'.3*'1* ;=3*C'4;*3MY3.4-J3*4'2(;-'.4*,./*-CY),6;-6,2*;'*/'*3J3)N:=3)3*;=,;* Y3'Y23*:,.;*;'*6N623R*P3*6,.*,24'*C,I3*Y3'Y23*4,13)*8N*)3/(6-.@* 4Y33/*2-C-;4K*)3C'J-.@*'.?4;)33;*Y,)I-.@K*)3/(6-.@*;=3*.(C83)*'1*6,)4* '.*I3N*6N62-4;*)'(;34*,./*Y)'C';-.@*83;;3)*83=,J-'()*'.*;=3*)',/4R* S2(4K*;=3*[4,13;N*-.*.(C83)4\*31136;*C3,.4*;=,;*,4*;=343*-.-;-,;-J34*

48 / Farrago 2015 / edition six seven

cyclord / CYCLING SAFETY with alexander sheko

4;,);*;'*;,I3*31136;K*;=3N*,)3*4321?)3-.1')6-.@K*,4*;=3*@)3,;3)*Y)343.63*'1* 6N62-4;4*'.*;=3*)',/4*C,I34*';=3)4*C')3*6'C1');,823*^'-.-.@*;=3CR None of this is easy, particularly in a system where the ability of motorists to drive and park wherever they please is often the first Y)-')-;N*1')*)',/4*,@3.6-34*,./*Y'2-;-6-,.4R*+(;*Q*:'(2/*;=-.I*:3*6'(2/* ,22*,@)33*;=,;*4,13;N*-4*Y,),C'(.;K*,./*4'*;=3*.33/*;'*Y)';36;*;=3* 2-13*,./*2-C8*'1*C')3*J(2.3),823*)',/*(43)4*4='(2/*83*;)3,;3/*C(6=* C')3*43)-'(42NR*S2(4K*-1*:3*;=-.I*;=,;*:3*.33/*;'*@3;*Y3'Y23*-.;'*C')3* efficient and environmentally-friendly modes of getting around, as :322*,4*3.6'(),@-.@*;=3C*;'*2-J3*,6;-J3*2-134;N234K*:3*.33/*;'*;=-.I*.';* '.2N*,8'(;*=':*;'*C,I3*Y3'Y23*4,13K*8(;*=':*;'*C,I3*;=3C*1332*4,13R

illustration by lynley eavis

society /

playing the field / AFL Grand Final with dexter gillman

.*<(34/,N*;=3*F%;=*'1*L(@(4;*;=3*L>7*,..'(.63/*-;*=,/*4'2/*;=3* )-@=;4*;'*8)',/6,4;*C,;6=34*1')*;=3*4-M*43,4'.4*1)'C*GBFX?GBGG* 1')*,.*L(4;),2-,.*)36')/*'1*mGR#B%*8-22-'.R*<=,;\4*,*2';*'1*C'.3NK* 34Y36-,22N*:=3.*N'(*6'.4-/3)*=':*@)'(./?8)3,I-.@*-;*433C3/*-.* 2011 when the AFL signed its current TV rights deal, the first to 8)3,I*;=)'(@=*;=3*8-22-'.*/'22,)*8,))-3)R*P=3.*)(C'()4*83@,.*;'* 4:-)2*3,)2-3)*;=-4*N3,)*;=,;*;=3*/3,2*6'(2/*)3,6=*mG*8-22-'.K*;=3N* :3)3*:-/32N*/-4C-443/R*Q;*:,4*,*@)3,;*C'C3.;*1')*;=3*L>7R*<=3* ,..'(.63C3.;K*:=-6=*U(-6I2N*/)3:*6'CY,)-4'.4*;'*73'.,)/'*/,* Vinciâ&#x20AC;&#x2122;s Last Supper 1')*-;4*43;*(YK*13,;()3/*4'C3*'1*L(4;),2-,\4*C'4;* Y':3)1(2*4Y');K*C3/-,*,./*8(4-.344*/N.,4;-34R*E(Y3);*0()/'6=*:,4* there on behalf of News Corporation (or whatever itâ&#x20AC;&#x2122;s called now), b3))N*5;'I34*'1*O=,..32*XK*,./*:='3J3)*-4*-.*6=,)@3*'1*)(..-.@* Telstra into the ground nowadays was also there. Not to mention ;=3*L>7\4*.3:-4=*OTdK*Z-22'.*067,6=2,.K*/3463./3.;*'1*,*Y)'C-.3.;* 5'(;=*L(4;),2-,.*1,C-2N*,./*0328'().3*D.-*7,:*@),/(,;3*I.':.* 1')*=-4*1)-3./4*-.*=-@=*Y2,634R*<=3*4-a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d6;'83)R*<,I-.@*Y2,63*'.* ,*5,;()/,N*,1;3).''.K*-;*-4*;=3*6(2C-.,;-'.*'1*,*:33I2'.@*134;-J,2*-.* 0328'().3*:=-6=*6'.4-4;4*'1*;=3*Z),./*>-.,2*Y,),/3K*;=3*:-J34*,./* girlfriends parade, the influx of out-of-towners to watch their team play Hawthorn parade and non-stop media saturation. The game -.J,)-,82N*2-J34*(Y*;'*;=3*'66,4-'.K*:-;=*,.*,J3),@3*C,)@-.*'1*C')3* than 35 points over the past five years. But the true value of the Grand Final is measured not by the on-field heroics, but by pre-game entertainment. Rolf Harris wowed us in 1982, and Meat Loaf gave ,*Y3)1')C,.63*4'*8,/*,22*;=3*43,@(224*,;*;=3*0OZ*/-3/*,./*;=3*L>7* =,/*;'*U(322*;=3*6'.;)'J3)4N*:-;=*,.*L(4;),2-,.*'.2N*,YY)',6=*;=3* 1'22':-.@*N3,)R*0)*7',1*2,;3)*;''I*;'*;:-;;3)*;'*2,832*=-4*L(4;),2-,.*

artwork by clare weber

=,;3)4*_8(;;*4C3223)4`*,./*;'*/3.N*;=,;*=3*:,4*Y,-/*m#BBKBBB*;'* 13-@.*,*=3,);*,;;,6I*-.*1)'.;*'1*.3,)2N*#*C-22-'.*J-3:3)4K*836,(43*=3* :,4*C'4;*2-I32N*Y,-/*C')3*;=,.*;=,;R*0')3*)363.;*Y3)1')C,.634*8N* 7-'.32*E-6=-3*,./*<'C*f'.34*g*'4;3.4-82N*;'*4,;-41N*,.*'2/3)K*13C,23* 1,.8,43*g*=,J3*=32Y3/*;=3*L>7*)34;')3*-;4*6)3/-8-2-;NR*L66')/-.@*;'* ;=3*!LP*E(C'()*>-23K*;=-4*N3,)*6'(2/*13,;()3*3-;=3)*bQ55*')*LOA9OR* Repeated attempts to confirm the AFL is courting Kendrick Lamar =,J3*,24'*833.*/3.-3/K*4'*Q*@(344*;=,;\4*,*)(C'()*.':*;''R <=3*Z),./*>-.,2*-4*,*;34;,C3.;*;'*;=3*L>7\4*/'C-.,.63*'J3)*-;4* )-J,2*1'';8,22*6'/34*,./*,.*,..(,2*)3C-./3)*'1*0328'().3\4*63,432344* 2'J3*,11,-)*:-;=*4Y');-.@*3J3.;4*;=,;*/),:*,*2,)@3*6)':/R*Q.*GBF!K*;=3* AFL sold 7 million tickets, far exceeding the NRL and the A-League Y(;*;'@3;=3)R*<=3*Z),./*>-.,2*=,4*833.*4'2/*'(;*1')*/36,/34K*,./* :-22*)3@(2,)2N*=,J3*,*;323J-4-'.*,(/-3.63*;=,;*Y3,I4*,)'(./*"R#* C-22-'.*,6)'44*;=3*6'(.;)NK*C,I-.@*-;*;=3*=-@=34;*:,;6=3/*5,;()/,N* afternoon television event of the year. The NRL Grand Final peaks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m%#G*C-22-'.*-.*2'4;*Y)'/(6;-'.K*S)3C-3)*L./)3:4*=,4*/'@@3/2N* Y(4=3/*,=3,/*:-;=*=-4*I3N*3236;'),2*Y)'C-43R* Dissenting voices, such as breakfast TV personality and Port L/32,-/3*S':3)*S)34-/3.;*9,J-/*b'6=K*=,J3*4Y'I3.*'(;*,@,-.4;* 0328'().3\4*4;),.@23='2/*'.*;=3*L>7\4*C,)U(33*3J3.;R*Q;\4*(.1,-)*;'* ;=3*)34;*'1*;=3*6'CY3;-;-'.*,./*(./3)C-.34*;=3*23,@(3\4*3U(,2-4,;-'.* 311');4*;=3N*4,NK*.';*3.;-)32N**:-;='(;*)3,4'.R*+(;*1')*)34-/3.;4*'1* 0328'().3*,./*;=3*8)',/3)*1'';8,22*6'CC(.-;NK*-;\4*=,)/*;'*-C,@-.3* ;=3*Z),./*>-.,2*6'(2/*83*Y2,N3/*,.N:=3)3*3243R*<=3*6())3.;*6'.;),6;* 83;:33.*;=3*L>7*,./*;=3*0OO?0OZ*<)(4;*:'.\;*3MY-)3*(.;-2*GB!XR* <=,;\4*,;*23,4;*;=)33*8)',/6,4;*/3,2*,..'(.63C3.;4*13,;()-.@*E(Y3);* 0()/'6=*,:,NR

farrago 2015 / edition seven / 49

/ Society

In the Wake of the Earthquake by Clara ng

am writing this in the wake of the earthquake in Nepal. It was deadly: 7.8 on the Richter scale, five countries shaken, death toll '1*,2C'4;*;3.*;='(4,./R*+(;*=':*/'34*'.3*Y(;*,*.(C83)*;'*=(C,.* suffering, chart a terror still unfolding? It’s hard to find words – like /-@@-.@*1')*C3,.-.@*83.3,;=*;=3*/38)-4K*.,C34*'1*Y3'Y23*,./*Y2,634* .':*8()-3/*-.*;=3*)(8823R Q\/*4Y3.;*;=3*4(CC3)*-.*b,;=C,./(R*Q*/-/.\;*2-I3*=':*-;*2''I3/* ;=)'(@=*;=3*23.4K*')*Y)-.;3/*-.*@2'44N*@(-/38''I*4Y)3,/4R*I&/#-".0#-& /#%,-&%8&.+$5/.=&.4-99.&"*(&.%0*(.c*0')3*2-I3*,*@)-C*^(C823*'1*;'()-4;N* must-dos. I still took pictures: aim, focus, click. Pause to fiddle with the aperture. They turn out nice enough, but are flat, lacklustre. S-M324*/-/.\;*/'*-;*^(4;-63*g*;=3*6-;N*:,4*,2-J3R*0').-.@4*:3)3*=';K* ,./*;=3*,1;3).''.4*4-CC3)3/R*+(;*/(4I*:,4*,*Y23,4,.;*='()K*,4*;=3* screeching of traffic and the yelling of street-vendors ebbed in the 2(22*'1*3J3.-.@R*Q*6,.*433*-;*.':V*1,C-2-34*3C3)@-.@*1)'C*.3,;*;3)),63* rows. My host father, Nardev, sitting on the porch step, newspaper in =,./R*5=-2,K*=-4*:-13K*62,;;3)-.@*,8'(;*-.*;=3*I-;6=3.*C,I-.@*/=,2*8=,;* 1')*/-..3)*g*;=3*4,C3*/-4=*3,;3.*;=)33*;-C34*,*/,NR*[35"9&>5"/&Y':3)K* ;:3.;N?1'()*='()c\*4=3*4,N4K*,*)313)3.63*;'*;=3*3236;)-6-;N*6(;4*;=,;* '1;3.*Y2(.@3*;=3*4;)33;*-.;'*/,)I.344R Half an hour later we’re gathered in the tiny kitchen, ladling hot curry, lentils and rice. Nardev warbles along with the radio. <=3*I-/4*,)3*8-6I3)-.@*-.*2'6,2*;'.@(3R*Q*4C3,)*4'C3*8)3,/*:-;=* '2-J3*'-2*,./*4,2;K*,*.3:*1,J'()-;3*,;*;=3*;),/-;-'.,2*;,823R*9-..3)*-4* ,*4-CY23K*C344N*,11,-)K*,./*;=3*834;*Y,);*'1*;=3*/,NR*Q;\4*833.*C,N83*

50 / Farrago 2015 / edition seven

;:'*:33I4K*8(;*;=3*6-;N*433C4*1)-3./2-3)R*<=3*/,N4*,6U(-)3*,*)=N;=C* of their own; a tempo I’m glad to follow. ‘Nepal time!’ locals would 4=)(@K*;34;,C3.;*;'*;=3-)*1)33/'C*1)'C*;=3*6')Y'),;3*:')2/K*:=3)3* ;=3*C-.(;-,3*'1*/,-2N*2-13*62(4;3)*,)'(./*;=3*'Y3.-.@*,./*62'4-.@*'1* 4='Y4K*;=3*)-.@-.@*'1*,*;323Y='.3K*;=3*4;3,/NK*4'2-/*;=(/*'1*;=3*.-.3? to-five. Here, time is fluid, not pinned to grids on schedules. +(;*;),J32*-4.\;*,2:,N4*=-YY-3*Y,),/-43R*53J3),2*-.6-/3.;4*-.* Nepal had me cursing my general lack of foresight. Momos (cheap /(CY2-.@4l*'.*;=3*4;)33;e*932-6-'(4K*8(;*N'(\/*83;;3)*=,J3*;=3* .3,)34;*Y(82-6*8,;=)''C*C,)I3/*'(;R*0N4;3)-'(4*)',/?62'4()34* ,)3.\;*(.6'CC'.R*L./*8(4*;-6I3;4*,)3*83;;3)*8''I3/*-.*,/J,.63K*234;* N'(*3./*(Y*4;),./3/*'.*,*Y23,4,.;*=-22K*,*/,N\4*/)-J3*,:,NR* Q*1'(./*CN4321*4Y33/-.@*;=)'(@=*;=3*4;)33;4*'.*,*1)-3./\4* C';')8-I3R*_<=3*834;*:,N*;'*@3;*,)'(./*;=3*6-;NK`*E,^*;'2/*C3K* “if you actually want to see it.” And see it I did. Not just heritage 4-;34*,./*;3CY234K*8(;*@2-CC3)4*'1*2-13*:-;=-.R*<=3*C'4;*2(C-.'(4* C'C3.;4*:3)3*;=3*'.34*(.4'(@=;R*d.3*/,N*Q*1'22':*;=3*2':K*/-4;,.;* =(C*'1*Y),N3)*,2'.@*;=3*S,4=(Y,;-.,;=*)-J3)R*P'C3.*-.*)3/K* 32/3)2N*,./*N'(.@K*,)3*@,;=3)3/*-.*Y),N3)*1')*;=3*5,),4:,;-*134;-J,2* ='.'()-.@*;=3*@'//344*'1*:-4/'CR*+)-@=;*'),.@3*Y3;,24*1)'C*:'J3.* garlands dot the water; I smell fragrant incense and hear the sweet 4,4=,N*'1*4-2IR L.';=3)*/,N*Q*;,I3*,*4=');6(;*(./3)*,*8)-/@3*,./*(.6'J3)*,* =-//3.*42(CK*-;4*Y(243*133823*(./3)*;=3*4Y),:2-.@*C3;)'Y'2-4R*<:'* :)-.I23/*:'C3.*6,))N*:,;3)*;'*,*C,I34=-1;*=(;K*4;),N*/'@4*.-Y*,;*CN*

society /

,.I234K*,./*C,;;3/?=,-)3/*6=-2/)3.*/),:*-.*;=3*/-);*:-;=*4;-6I4R*03.* squat by the river, peering at their reflections as they exchange the /,N\4*.3:4R*Q*:'./3)*-1*;=3-)*4;')-34*:'(2/*3J3)*83*;'2/R Q*,24'*4,:*;=3*Y)'823C4*g*;=3*Y'2-;-6,2*;)3C')4*g*;=,;*4=''I*;=3* city. Roads were often flooded with chanting crowds, blocking traffic within a five-block radius. National strikes emptied the streets. 53J3),2*;-C34K*Y3,631(2*Y)';34;4*346,2,;3/*-.;'*J-'23.63R*L./*.':e*L* /-113)3.;*I-./*'1*6=,'4R*L.M-'(4*1,C-2-34*=(//23*-.*;=3*6'2/K*;=3*'.63? )3@,2*b,;=C,./(*9()8,)*6)(C82-.@*-.;'*/(4;R*L2)3,/NK*;='(4,./4* =,J3*2'4;*;=3-)*='C34R*P,;6=-.@*4=,IN*J-/3'*62-Y4*Y,..-.@*;=3* )(8823K*Q*:'./3)*-1*3,);=?4=,;;3)-.@*-4*;=3*)-@=;*:')/R*Q4*;=3*U(,I3* the final blow, or can it spark positive change? The Nepalese flag is uniquely non-symmetrical – indeed, it reflects social and historical imbalances that are yet to be rectified. Q.*FHH$K*0,'-4;*Y)';34;4*8)'I3*'(;*-.;'*,*/36,/3?2'.@*6-J-2*:,)*,./K* 4=');2N*,1;3)K*;=3*C,44,6)3*'1*;=3*)'N,2*1,C-2N*;=)3:*;=3*6'(.;)N* -.;'*Y'2-;-6,2*2-C8'R*5-.63*;=3.K*Y'')*23,/3)4=-Y*=,4*/-J-/3/*;=3* Y3'Y23R*O'))(Y;-'.*)3C,-.4*),CY,.;K*,./*,@)33C3.;*'J3)*,*.3:* constitution seems unlikely (just months before, parliamentary /-4Y(;34*3)(Y;3/*-.;'*,*8),:2K*4Y,)I-.@*Y(82-6*'(;6)NlR* I’m no expert on the politics of Nepal. But I have walked her 4;)33;4K*4Y'I3.*;'*=3)*Y3'Y23K*=3,)/*4'C3*'1*;=3-)*='Y34*,./*13,)4R* 934Y-;3*-;4*,8(./,.;*)34'()634K*;=3*6'(.;)N*=,4*833.*8,2,.6-.@*'.* Y-22,)4*6),6I3/*,./*4;),-.-.@*:-;=*-;4*=-4;')NR*<=343*;'YY23/K*.3:* '.34*6,.*83*8(-2;R*P-;=*/-4,4;3)*6'C34*/3J,4;,;-'.K*8(;*;=3)3*-4*,24'*

illustration by kitty chrystal

;=3*'YY');(.-;N*;'*4;,);*,1)34=R Hopefully the quake will prove a unifying force, and not a divisive one. The government has to respond efficiently, of course g*2'6,2*3236;-'.4*:'(2/*83;;3)*@)'(./*-;*-.*Y'Y(2,)*4(YY');R*L.* 31136;-J3*.3:*6'.4;-;(;-'.*:'(2/*,24'*8)3,I*;=3*Y'2-;-6,2*/3,/2'6IR* <=343*4;3Y4*6,.*Y,J3*;=3*:,N*;':,)/4*.,;-'.,2*4;,8-2-;NK*:=3)3* Nepal’s people can stand in solidarity instead of sorrow. The path ,=3,/*C,N*83*1),(@=;K*8(;*Q*='Y3*;=,;*;=3*6'(.;)N*:-22*83*)38(-2;*'.* 4;)'.@3)*1'(./,;-'.4K*,./*/-4Y2,N*-;4*Y)':344*-.*;-C3*;'*6'C3R Now, it’s been a week, and some semblance of normal life has )3;().3/R*Q.*;=3*6,Y-;,2K*Y3'Y23*,)3*Y,6I-.@*(Y*;=3-)*;3.;4K*C'J-.@* -./'')4*,./*/-4;)-8(;-.@*1)34=*Y)'/(63*,@,-.R*<=3*:')4;*C-@=;* 83*'J3)*g*8(;*:=,;*/'*:3*)3,22N*I.':*'1*;=343*;3))-823*;=-.@4e*Q* fidget, open new tabs, check my email. After a delayed, one-sided 6'))34Y'./3.63K*;=3)3*-;*:,4*g*E,^K*1),.I*,./*1,C-2-,)*,4*3J3)R*<=3)3* -4*4,/*4');*'1*=(C'()*-.*=-4*:')/4V*[]Q*I.':*-;\22*83*,*@'//,C.*;:'* C'.;=4*831')3*N'(*)3Y2N*4'*4;,N*:322*,./*6'C3*8,6I*4'C3/,NR\ S3)=,Y4*Q*:-22R*L1;3)*,22K*;=3)3*,)3*4'C3*;=-.@4*;=,;*4;,N*;=3* 4,C3V*,*@2-CY43*'1*;=3*J,223N*,;*/,:.K*,*6(Y*'1*5=-2,\4*='C3?8)3:3/* 65+::"*g*:-;=*,.N*2(6IK*;=3*4'(./*'1*2,(@=;3)*,;*;=3*S,./3J4\*/-..3)* table. How is it that the poorest countries have the happiest people? <='(@=*;=3N*I.':*;=3N*/'.\;*=,J3*C(6=K*;=3N*4C-23*,./*2,(@=*,./* .3J3)*433C*;'*.';-63R*<=3*Y3'Y23K*;=3*;=-.@4*,)'(./*;=3C*g*;=343*,)3* ,22*;=,;*C,;;3)4R*Q*:'./3)*=':*-;*-4*1')*;=3C*.':*;=,;*;=3N*=,J3*3J3.* 2344R*<=3N*4;-22*4,N*;=3N\)3*;=3*2(6IN*'.34R

farrago 2015 / edition seven / 51

/ Society

Surfing the New Age by james henshall

1;3)*,*23.@;=N*,843.63*1)'C*,.*3MY3)-3.63K*Y2,63*')* ,6U(,-.;,.63K*:3*)3,/-2N*.';-63*6=,.@34*;=,;*=,J3*;,I3.*='2/R* L*)'223)*6',4;3)*)-/3K*1')*-.4;,.63K*-4*C')3*3M=-2,),;-.@*;=,.*'.* the occasion of that twenty-first birthday party some years ago. <=3*@,)/3.*4())'(./-.@4*'1*,*8(-2/-.@*,)3*C')3*4(84;,.;-J32N* 2,./46,Y3/R*L*Y3)4'.\4*1,63*4=':4*;=3*Y)344()34*'1*2-13\4*;)-,24K*,4* :322*,4*C,.N*:-.;3)4*'1*)-@-/*6'2/*,./*8().-.@K*4(CC3)*4(.R*<=-4* N3,)K*Q*=,J3*)3;().3/*;'*4;(/N*;'*(./3);,I3*CN*0,4;3)\4*/3@)33R*Q.* (./3);,I-.@*;=-4*;3);-,)N*4;(/N*6'CY,)3/*:-;=*CN*(./3)@),/(,;3* years, the last five months have provided daily reminders of significant changes in the nature and use of technology. Q.*,.*d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benefits. These activities and our enrapture with them, were rightly /346)-83/*8N*0'.-6,*534;-;'*-.*,.*3,)2-3)*3/-;-'.*'1*!"##"$%*;=-4* N3,)*,4*,*[4-23.;*='C,@3\R*<'*;=3*3./3,)-.@*6=-C34*'1*;=3*d2/*L);4* 62'6I*=3),2/-.@*,*.3:*='()K*:3*.':*:')I*'.*'()*3236;)'.-6*/3J-634* 6'CY23;-.@*,44-@.C3.;4R*P3*;'(6=*,./*4:-Y3*'()*/3J-634K*3C,-2-.@K* ;:33;-.@K*;3M;-.@*,./*1,638''I-.@*'()*:=3)3,8'(;4*,./*4:33;* .';=-.@4*;'*2'J3/*'.34*,./*1)-3./4R*P3*,)3*1)3U(3.;2N*,./*3,4-2N* 4(8^36;*;'*C-./*:,./3)-.@4*,./*.3()'?4:-;6=-.@*83;:33.*[,YY4\R** <=3*3.^'NC3.;*@,-.3/*-.*;=3*(43*'1*'()*1)33*='()4*-4*-CC3/-,;3R** While sitting at table in Union House, for example, a lunchtime email 6,.*83*43.;*;'*,*1)-3./*-.*7'./'.*,./*)363-J3/*-.*3-@=;*436'./4*g* 1)33*'1*6=,)@3R*<=-4*6'.;),4;4*,4;'.-4=-.@2N*:-;=*FH%!K*1')*-.4;,.63K* :=3)3-.*,*23;;3)*:,4*:)-;;3.*'.*Y,Y3)K*8N*=,./R*Q;*:,4*;=3.*1'2/3/K* 43,23/K*,//)3443/K*4;,CY3/*,./*/3Y'4-;3/*8N*=,./*-.;'*,*23;;3)*8'M* 4'C3*XB*C3;)34*,:,N*g*,22*,;*,*6'4;*;'/,N*'1*m!RBBR*DY'.*)3,6=-.@*-;4* /34;-.,;-'.*3-@=;*/,N4*2,;3)K*;=3*3.J32'Y3\4*6'.;3.;4*:'(2/*-.1')C*

52 / Farrago 2015 / edition seven

;=3*)3,/3)*'1*(.-J3)4-;N*2-13*-.*[;=3*2,./*9':.*D./3)\R*Q;*:'(2/*,24'* /346)-83*;=3*(.-1N-.@*1')63*;=,;*=32Y3/*(4*'(;*'1*;=3*36'.'CN\4* /'2/)(C4*1'22':-.@*'()*=-4;')-6*:-.*-.*;=3*LC3)-6,\4*O(Y*N,6=;*),63* ;=,;*4,C3*N3,)R*<=3*S)-C3*0-.-4;3)*,;*;=3*;-C3*:'(2/K*-.*;=3*3J3.;* '1*,843.;33-4C*,C'.@*4;,11*-.*;=3*3.4(-.@*/,N*'1*63238),;-'.4K*Y)3? 3CY;-J32N*,/C'.-4=*,.N*(.1')@-J-.@*3CY2'N3)4*,4*[8(C4\R** 7'.@*@'.3*,)3*;=3*62(.INK*@)33.?46)33.3/*9-4I*dY3),;-.@* Systems (DOS), noisy dot matrix printers and 5 inch floppy disks of CN*1')C,;-J3*(./3)@),/(,;3*N3,)4R*O=,.@34*:)'(@=;*8N*;36=.'2'@N* =,J3*6'.4Y-6('(42N*6=,.@3/*'()*=,8-;4*,./*6'CC(.-6,;-'.* C3;='/4R*Q.*;=-4*,@3*'1*-.4;,.;,.3'(4*6'CC(.-6,;-'.K*_;=3N*:3)3* .';*6'.;,6;,823`*-4*.'*2'.@3)*,.*3,4N*;=)':,:,N*2-.3R*>')3J3)*@'.3* ,)3*4;(/3.;*='(43='2/4*,./*)34-/3.;-,2*6'223@34*;=,;*:3)3*3U(-YY3/* :-;=*'.2N*,*2,./2-.3*;323Y='.3*1)'C*:=-6=*=,./?:)-;;3.*C344,@34* :3)3*;,I3.R*56),Y4*'1*Y,Y3)*:3)3*;=3.*,/=3)3/*;'*83/)''C*/'')4*')* .';-638',)/4R**<=343*-.1')C3/*;=3*)36-Y-3.;*;=,;*[&'()*C(C*Y='.3/* at 8.00’ or ‘We’ll all be at Naughton’s tonite’. Among other messages -.62(/3/V*[S='.3*+32-./,*,1;3)*HR!B*;'.-;3K\*')*[P=3)3*,)3*N'(K*0)* D.1iiI-.@*E32-,823e\** >')*;'/,N\4*4;(/3.;4K*;=3*43,)6=*6,Y,8-2-;-34*'1*'.2-.3*2-8),)N* 1,6-2-;-34*-4*C')3*-CY');,.;R*f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of these advances in technology; they broaden our understanding '1*;=3*/-J3)43*,./*-.;3)6'..36;3/*@2'8,2*6'CC(.-;N*-.*:=-6=*:3*,22* live. What lies before us are potentially more benefits – presently -.6'.63-J,823*g*'1*;36=.'2'@-6,2*6=,.@3R*** L4*1')*C3K*Q*.':*=,YY-2N*)3;().*;'*5'(;=*7,:.*;'*4(8C-;*,.* ,44-@.C3.;*g*')*4-CY2N*4()1*;=3*.3;*-.*;=,;*U(-3;*='C,@3R*&34K*;=,;* )'223)*6',4;3)*)-/3*=,4*836'C3*C')3*3M=-2,),;-.@R**

illustration by jenny yan

society /

the traveller / The Backwater on the Frontline of Climate Change words and photography by will whiten

.*C,.N*:,N4*0'.@'2-,*-4*,*;),J3223)\4*Y,),/-43R*<=3*6(2;()3*-4* /-4;-.6;K*;=3*=-4;')N*-4*6'2'()1(2*,./*;=3)3*-4*C')3*4(Y3)C,)I3;* 4=321*4Y,63*/3J';3/*;'*6=3,Y*J'/I,*,./*=,a32.(;*4Y)3,/*;=,.*-.*,.N* ';=3)*.,;-'.R*<=3*C,-.*/),:6,)/*;='(@=K*-4*;=3*J,4;*,./*)32,;-J32N* untouched wilderness. Visitors arrive in their thousands each year to explore the wide, empty expanses from the discomfort of (ironically) 'J3)6)':/3/*^33Y4R*LYY3,),.634*6,.*83*/363-J-.@*;='(@=*g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who rank first and fourth respectively on the carbon emission charts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g*,.*()8,.*Y2,..-.@*.-@=;C,)3R*Q;*-4*='C3*;'*=,21*'1* 0'.@'2-,\4*Y'Y(2,;-'.*8(;*/34Y3),;32N*2,6I4*,/3U(,;3*-.1),4;)(6;()3R* d.63*N'(*,)3*'(;4-/3*;=3*6-;N*2-C-;4*=':3J3)K*0'.@'2-,*-4*2,)@32N* true to the sort of portrayals you find in travel brochures or nature Y(82-6,;-'.4R*<=3*5'J-3;*3),*,Y,);C3.;*82'6I4*@),/(,22N*@-J3*:,N*;'* 4(8()8,.*$-#. (yurts) and these, in turn, are swallowed by endless )'22-.@*=-224R*<=3*2,./46,Y34*83N'./*,)3*,4*@),./*,4*D2,,.8,,;,)*-4* (.-.J-;-.@V*1)'C*;=3*J,4;*@)33.*6,)Y3;*'1*;=3*4;3YY34*;'*;=3*8,))3.* 3MY,.43*'1*;=3*Z'8-*9343);K*;=3*8)',/*8,./4*'1*2,)6=*,./*8-)6=*;'* ;=3*4=-1;-.@*C'(.;,-.4*'1*4,./*,;*b='.@')N.*T24R*<-C3K*/-4;,.63*,./* .,;(),2*83,(;N*,22*6'22(/3*;'*C,I3*3.J-)'.C3.;,2*6,;,4;)'Y=3*433C* ,4*1,)*)3C'J3/*,4*;=3*6-;N*-;4321R

*d1*,22*;=3*4(Y3)2,;-J3?-./(6-.@*2,./46,Y34*-.*0'.@'2-,*;='(@=K* 7,I3*b=pJ4@p2*-.*;=3*1,)*.');=*-4*Y3)=,Y4*;=3*C'4;*-CY');,.;R*Q;*-4* one of the world’s oldest, largest and purest lakes (clean enough to /)-.I*1)'C*/-)36;2NlR*Q;*-4*,24'*;=3*4'()63*'1*XB*Y3)*63.;*'1*,22*1)34=* :,;3)*-.*0'.@'2-,*,./*,*@3.3)'(4*6'.;)-8(;')*;'*-;4*8-@*4-4;3)*-.* E(44-,K*7,I3*+,-I,2R Two small towns, 136 km apart – Hatgal and Khank – bookend b=pJ4@p2K*8(;*=(C,.*6'.;,6;*-4*),)3*83;:33.*;=343*'(;Y'4;4R*d.*;=3* C-//23*,./*.');=3).*4=')34*N'(\)3*C')3*2-I32N*;'*6)'44*Y,;=4*:-;=* )3-./33)*')*:'2J3)-.34*;=,.*Y3'Y23*,./*;=3*/:-./2-.@*.(C83)*'1* .'C,/4*:='*)3C,-.*,)3*4;)(@@2-.@*;'*3I3*'(;*,*4(84-4;3.63*2-134;N23* 1)'C*;=3*(.1')@-J-.@*3.J-)'.C3.;R *7,I3*b=pJ4@p2*-4*,*4NC8'2*'1*0'.@'2-,.*13);-2-;NK*8(;*'.3* -.6)3,4-.@2N*,;*)-4I*1)'C*;=3*,2,)C-.@*)-43*-.*;3CY3),;()3R*TM;3.4-J3* )343,)6=*=,4*833.*6,))-3/*'(;*-.*;=3*)3@-'.*-.*)363.;*N3,)4*,./* the findings make for grim reading. Water is evaporating, soil is /)N-.@*,./*Y3)C,1)'4;*-4*;=,:-.@R*D./3)*4(6=*6'./-;-'.4K*@),a-.@* 'YY');(.-;-34*/36)3,43K*J(2.3),823*4Y36-34*/-3*'(;*,./*Y34;4*;=)-J3R* P=-23*2-;;23K*Y3)=,Y4*.'.3K*'1*;=343*31136;4*,)3*-CC3/-,;32N*3J-/3.;* to international tourists (nor, indeed, to Mongolian tourists), they ,)3*/3J,4;,;-.@2N*3J-/3.;*;'*;='43*:='*)32N*'.*;=3*36'4N4;3CR* T.J-)'.C3.;,2*-.4;,8-2-;N*-4*Y)'J-.@*;''*C(6=*1')*C,.N*.'C,/-6* 0'.@'2-,.4K*:='*=,J3*833.*1')63/*;'*@-J3*(Y*;=3-)*:,N*'1*2-13*1')*;=3* burgeoning confines of Ulaanbaatar. *Q;\4*.';*,22*/''C*,./*@2''C*1')*;=3*2,I3K*;=3*.'C,/4*,./* 0'.@'2-,*;='(@=R*<=3*6())3.;*@'J3).C3.;*=,4*;-@=;3.3/*3M-4;-.@* 3.J-)'.C3.;,2*2,:4*;'*42,Y*@)3,;3)*Y3.,2;-34*'.*Y'22(;3)4R*<=3N*=,J3* ,24'*-CY23C3.;3/*,.*3.J-)'.C3.;,2*,(/-;*46=3/(23*,./*Y23/@3/*;'* Y2,63*!B*Y3)*63.;*'1*0'.@'2-,.*;3))-;')N*(./3)*Y)';36;-'.*8N*GB!BR* 0')3'J3)K*J,)-'(4*-./3Y3./3.;*6,CY,-@.4*,./*C'J3C3.;4*=,J3* 833.*2,(.6=3/*6,22-.@*1')*-.6)3,43/*6'.43)J,;-'.*311');4*-.*b=pJ4@p2* National Park. With the government and sections of the public now 36='-.@*;=3*6'.63).4*'1*46-3.;-4;4K*0'.@'2-,*433C4*;'*83*;,I-.@*;=3* ;=)3,;*;'*;=3*7,I3K*,./*;'*;=3*3.J-)'.C3.;*-.*@3.3),2K*43)-'(42NR*Q1* other, less committed nations (such as Australia) adopt a similar ,YY)',6=*;'*62-C,;3*6=,.@3K*J(2.3),823*36'4N4;3C4*4(6=*,4*7,I3* b=pJ4@p2*C-@=;*4;,./*,*6=,.63R

farrago 2015 / edition seven / 53

/ creative

54 / Farragoby2015 photography jaccob / edition mckay seven

creative /

creative / farrago 2015 / edition seven / 55

/ creative

Fundamental/isms by Kylie Mooreâ&#x2030; Gilbert

he was a spectacular bride. Her corset was a couple of sizes too small, festooned with layers of tulle and miniature diamante bows. Her hair was piled on top of her head, fastened in place with an elaborate system '1*8),-/4*,./*62-Y4K*,./*=3)*3N34*:3)3*;=-6I2N*)-CC3/*:-;=*1,243*3N32,4=34*,2C'4;*6,CY*-.*;=3-)*Y)'C-.3.63R* Yet, she was beautiful. Her smile was one of giddy anticipation, mixed with an endearing girlish nervousness ;=,;*4'1;3.3/*=3)*4(2;)N*,YY3,),.63R*<=-4*:,4*L),8-,K*,1;3)*,22R*S3'Y23*/'.\;*@3;*,)'(./*2-I3*;=,;*3J3)N*/,NR*5=3* ;:-)23/K*:3*62,YY3/R*L1;3)*C(6=*,-)*I-44-.@*,./*6)-34*'1*4">#0?*:3*231;R*+,6I*;'*;=3*13C,23*436;-'.*'1*;=3*:3//-.@* Y,);NK*;'*,:,-;*=3)*@),./*3.;),.63R 7,;-1,K*/)3443/*-.*;=3*2'.@*82,6I&">":" of a pious Omani woman, motioned us toward the lift. Her makeup :,4*,2C'4;*,4*3M,@@3),;3/*,4*;=3*8)-/3\4K*;=3*=3,JN*82(4=*'1*=3)*6=33I4*C,;6=-.@*;=3*Y,4;32*2,J3./3)*'1*;=3*;-@=;* 8,./,@3*/)344*4=3*:')3*(./3)*=3)*)'83K*,24'*4;(//3/*:-;=*/-,C,.;34R*

56 / Farrago 2015 / edition seven

artwork by aisha trambas

creative /

5;,);23/K*4=3*:=-YY3/*=3)*82,6I&5+C">&'J3)*=3)*1,63K*_5'C3*C3.*,)3*6'C-.@R`*P,-1?2-I3K*J-4-'.*'846()3/K*4=3* /31;2N*.,J-@,;3/*;=3*=';32\4*6'))-/')4*-.*1(22*70#("5*,./*4-M*-.6=*=3324R*

iii With relief, I finally glimpsed Egged intercity bus number 325‫*א‬3/@-.@*;':,)/*C3*,2'.@*h3J(2(.*4;)33;R*T,6=* C-.(;3\4*/32,N*-.6)3,43/*;=3*2-I32-=''/*;=,;*Q*:'(2/*)3,6=*f3)(4,23C*,1;3)*Shabbat*,./*:'(2/*=,J3*;'*6'CY23;3* my journey on foot. If we avoid the afternoon traffic I might just be able to make the last connecting bus. Q*=,(23/*CN*'J3).-@=;*8,@*(Y*;=3*4;3Y4*,./*Y,-/*;=3*/)-J3)K*6=''4-.@*,*:-./':*43,;*,*6'(Y23*'1*)':4*83=-./* =-CR*O=36I-.@*;=3*;-C3*'.*CN*Y='.3K*Q*4(//3.2N*836,C3*,:,)3*'1*,*6'CC';-'.*83=-./*C3*g*,*C,.*:,4*4;,./-.@* in the aisle yelling about something. He was religious, dressed in the black and white of the HassidimR*E,;=3)* ;=,.*.3,;2N*6()23/*,./*;(6I3/*83=-./*=-4*3,)4K*=-4*7-:%/*4;(6I*2-CY2N*;'*=-4*4:3,;NK*(.4=,J3.*6=33I4R*PeyotR* Q.6-/3.;,22NK*2-I3*C,.N*'1*;=3*';=3)*Y,443.@3)4*4-;;-.@*.3,)8N*C3R*Q*;().3/*,)'(./*42':2NR*0'4;*:3)3*J-4-82N* ');='/'MK*,22*:3)3*C'/34;2N*/)3443/*-.*.3(;),2*4=,/34R*P-;=*,2,)CK*Q*)3,2-43/*;=-4*C,.*:,4*4='(;-.@*,;*C3R* Ha’khora, ha’khora, to the back, to the back of the bus. He inched closer, spittle catching in his unruly beard. L4*,.*'(;:,)/2N*436(2,)K*.'.?)32,;-J3*13C,23*4()32N*=3*:'(2/.\;*/,)3*;'(6=*C3K*N3;*=3*=,)/2N*),/-,;3/*;=3* Y-'(4*@),J-;N*'1*;=3*';=3)*(2;),?');='/'M*Q*=,/*3.6'(.;3)3/*'.*;=3*4;)33;4*'1*CN*,/'Y;3/*='C3*'1*b-)N,;*L;,R* 9-4=3J3223/*,./*,@@)344-J3K*=3*:,4*46)3,C-.@*,;*C3*;'*@3;*;'*;=3*8,6I*'1*;=3*8(4R*S)'823C*:,4K*-.*')/3)*;'*@3;* ;=3)3*Q*=,/*;'*Y,44*=-C*-.*;=3*,-423R* <=3*8(4*/)-J3)K*:3,)-.@*,*J32J3;*?+77"5K*83@,.*N322-.@*4'C3;=-.@*-.6'CY)3=3.4-823K*@34;()-.@*-.*;=3*C-))')* at the man whilst wildly navigating three lanes of traffic with one hand on the wheel. Only then did I notice that C'4;*'1*;=3*:'C3.*4,;*,;*;=3*8,6I*'1*;=3*8(4*,./*;=3*1)'.;*:,4*2,)@32N*'66(Y-3/*8N*C3.*-.*82,6I*=,;4*')*I.-;;3/* 4I(226,Y4R*<'*CN*='))')K*Q*)3,2-43/*Q*:,4*:3,)-.@*4=');4R*Q*=,/.\;*3J3.*;='(@=;*,8'(;*-;R d.3*'1*;=3*:'C3.*,YY)',6=3/*C3*,./*'J3)*;=3*/-.*'1*;=3*C,.\4*),.;-.@*4=3*U(-3;2N*3MY2,-.3/*;=,;*Q*:,4* )3U(-)3/*;'*4-;*,;*;=3*8,6I*'1*;=3*8(4R* _Q;*-4*'()*:,NR*L./*N'(*4='(2/*6'J3)*N'()*23@4R`* “But this is a public bus!” My brain, clouded by shock and scrambling to understand the rapid Hebrew of the C,.N*J'-634*46)336=-.@*,./*:=-4Y3)-.@*,)'(./*C3K*:,4*4;-22*Y)3'66(Y-3/*:-;=*;=3*-CY'44-8-2-;N*'1*@3;;-.@*;'*;=3* 8,6I*43,;4*:-;='(;*Y,44-.@*;=3*=N4;3)-6,2*Hassid. All I had were my pyjamas. With a mix of defiance and shame, I remained in my seat. Purple, polka-dot flannelette amongst the black, white and grey. iii “I don’t do that,” he looked at me apologetically. He was a small man, balding slightly, with the sort of trimmed, C'(4;,6=3?2344*83,)/*433.*C')3*1)3U(3.;2N*-.*^-=,/-*)36)(-;C3.;*J-/3'4*;=,.*'.*;=3*4;)33;4*'1*;=3*0328'().3* financial district. His eyes were kind. I decided he was a nice guy and retracted my proffered hand. He bought me a coffee, we chatted. He was a Saudi scholarship student, freshly enrolled. He tolerated my stilted Arabic with a distant smile and slow, measured responses. I spilt my coffee. We both reached for a napkin, fingers brushing. In ;=,;*4Y2-;*436'./K*3J3)N;=-.@*:,4*3236;)-6R iii “I don’t do that.” He looked at me with disdain. Like it should be obvious. “Sorry,” I muttered, retracting my hand and setting my coffee down opposite him. He was a young rabbi, you 6'(2/*;322*;=,;*-1*=3*4=,J3/*=-4*83,)/*=3*:'(2/*=,J3*,*8,8N*1,63R*Shomer negi’ah it’s called. Voluntarily removing N'()4321*1)'C*;=3*-.;-C,6N*'1*=(C,.*;'(6=*,./*1)'C*,22*;=3*C344,@34*'1*4(YY');K*'1*)34Y36;K*'1*6,C,),/3)-3*-;* conveys. From a young age. He was an incredibly intelligent human being, eloquent, he spoke with conviction. S3)=,Y4K*2-I3*,*82-./*C,.*:-;=*,.*,6(;3*43.43*'1*=3,)-.@K*;=-4*:,4*=-4*6'CY3.4,;-'.R*Q*Y-;-3/*=-CR

iii _I4-#+6"*&+47-#+"9+.4&+.&/5-&>+$$-./&/-##%#+./&/5#-"/&/%&/5-&;%#9(1&f3*.3*4(-4*Y,4*O=,)2-3R&E5"/&/5-:&;-#-&(%+*$&;".& <.9"4%75%>+6&+*6+/-4-*/=&6"*&:%0&>9"4-&;=3C&8%#&#-"6/+*$&/%&.065&"&7#%,%6"/+%*O&E5+/-&7#+,+9-$-&+.&-,-#:;5-#-1& D5+.&+.&/5-&%*9:&*"##"/+,-&8#"4-&/5#%0$5&;5+65&;=3N&"#-&">9-&/%&"..-#/&/5-+#&+(-*/+/:=&!%06"09/&."+(&.%1&D5-&"//"6?.&%*& <#"X&"*(&I8$5"*+./"*=&-,-#:%*-&?*%;.&/5"/&;".&"&*-%J6%9%*+"9+./&"//-47/&/%&.0>C0$"/-&/5-&20.9+4&;%#9(&"*(&/"?-& their oil. Like Palestine, but on a much larger scale. There are limits to free speech, this is a matter of human rightsR` iii Q*1322*-.;'*CN*43,;K*,2)3,/N*3M=,(4;3/*8N*;=3*2'.@*U(3(3*;=)'(@=*436()-;N*,./*;=3*/32,N*-.*8',)/-.@R*E'N,2*+)(.3-R* Not only was this a dry airline, we also get to listen to the first verse of the Qur’an for three minutes before the Y2,.3*;,I34*'11R*Bismillah al-rahman al-rahim, alhamdu lillah rab al-a’lameen]*<=3*:'C,.*.3M;*;'*C3*I.3:*3J3)N* word. She was flying to Lebanon via Dubai she explained, with her teenage son. _0N*6'(4-.\4*=,/*,.';=3)*8,8N*,./*;=3*4-;(,;-'.\4*Y)3;;N*4;,823*;=3)3*)-@=;*.':R*<*.5"99"5&;=,;*8,4;,)/*L44,/* won’t be around for much longer and all the Syrians will go home.” Her son rolled his eyes and switched on his monitor, flicking between Hollywood movies. “This is my son’s first time in Tripoli,” she explained, “he’s Aussie 8').*,./*8)3/R`* _Q\J3*.3J3)*833.*;'*738,.'.K`*Q*2,C3.;3/K*_8(;*Q\J3*=3,)/*-;\4*)3,22N*Y)3;;N*;=3)3R*7-I3*;=3*.');=*'1*Q4),32K* =-@=*C'(.;,-.4*,./*Y-.3*1')34;4R*TM63223.;*1''/K*;''R`*5=3*),-43/*,.*3N38)':*1,-.;2NK*)3,/^(4;-.@*=3)*5+C">*:-;=* her index finger. _&'(*4='(2/*6'C3*,./*J-4-;*(4*4'C3;-C3R`*5=3*@2,.63/*,6)'44*,;*=3)*4'.K*:='*:,4*:,;6=-.@*LC3)-6,.*5.-Y3)R* _<=,;*+),/23N*O''Y3)K*=3\4*Y)3;;N*=';*-4.\;*=3e`

farrago 2015 / edition seven / 57

/ creative

58 / Farrago 2015 / edition seven

illustration by nini li

creative /

jellyfish by Cindy Zhou

life in a floating globe 4Y2''4=*4Y2''4=*8-'2(C-.3463.;* flower hat 23,).-.@*;=3*'63,.*)''1 ,*2'J3)\4*8)(4=4;)'I34 436)3;4*:)-@@23*(./3)1'';* 4U(-)C-4=*6,;3)Y-22,)4 ;:3.;N?1'()*3N34 /,);-.@*,6)'44*;=3*43,*;,.I* a tidal flow-ebbing boxer C(;3/*C,^34;N 03/(4'a',.*2-'.*C,.3 :,;6=*'(; 1')*;=3 2-@=;.-.@*-.1(43/*J3-.4 a flashlight Kodak salon 4Y36I23/*/,.63)* -.*,*I-;46=N*6,8,)3; 8),-.2344*.3)J3*.3; 13,)-.@*.';=-.@*8(;* ;=3*;();23

farrago 2015 / edition seven / 59

/ creative

umbrella street by James Macaronas

=3*@)'(./*1)(223/R L2,.*;)-3/*;'*I33Y*(Y*8(;*-;*=,YY3.3/*;''*1,4;K*4'*=3*,22':3/*@),J-;N*;'*Y(22*=-C*/':.*'.;'*;=3*1'';Y,;=R* He congratulated himself on wearing his heaviest coat, which had been cushioning his frequent falls. But, that :,4*83-.@*/)(.I*1')*N'(R* d.3K* 2'.@* 1,22R L2,.*@';*;'*=-4*133;*,./*4;(C823/*;':,)/*+()/3.*S2,63K*;=3*4U(,;*82'6I*'1*,Y,);C3.;4*4-2='(3;;3/*,@,-.4;*;=3* C''.2-@=;R _5Y''''INK`*@-@@23/*L2,.K*;'*.'8'/N*-.*Y,);-6(2,)R* He heard a skittering behind him â&#x20AC;&#x201C; #"$/"7 â&#x20AC;&#x201C; on the concrete, gathering speed. He spun around, but his legs 6'(2/.\;*I33Y*(YK*,./*=3*6'22,Y43/*'.;'*=-4*8,6I4-/3R L*82,6I*(C8)322,*)'223/*,6)'44*;=3*4;)33;K*;':,)/*=-CR* 5;),.@3*g*=3*6'(2/.\;*1332*,.N*:-./R*<=3.*,@,-.K*=3*:,4*'(;*'1*-;R <=3*(C8)322,*;:-;6=3/*,./*46),8823/R* He picked it up, waving it round as he resumed his stumble. _5-.@-.@*-.*;=3*),-.K`*=3*42())3/K*_Q\C*4-.@-.@*-.*;=3*),-.c` In moments he reached the heavy glass doors, decorated with fresh graffiti and fumbled at the keypad before making his way up the stairwell to the third floor. <=3*(C8)322,*.34;3/*/3,/:3-@=;*-.*=-4*@),4YR The lights on the third floor corridor flickered dimly before extinguishing altogether. So much for C,-.;3.,.63R <=3*/'')*;'*LY,);C3.;*!>*:,4*,*Y,;6=*'1*4=,/':*,./*,1;3)*=,J-.@*;'*/-@*;=)'(@=*=-4*Y'6I3;4K*43,)6=-.@*1')* the key, Alan struggled to find the keyhole. He felt a tug on his other arm and turned to see what it was. <=3*(C8)322,*;),Y^,:3/*'(;:,)/*,./*L2,.*/-/.\;*=,J3*;-C3*;'*46)3,CR

60 / Farrago 2015 / edition seven

illustration by dominic shi jie on

creative /

_9-/*N'(*23,J3*;=-4*;=-.@*'(;*=3)3e`*6,223/*S=-2*1)'C*;=3*1)'.;*/'')R _<=-.@e`*,4I3/*E'@3)R _DC8)322,R*+2,6IR` “Not mine. Must be Alan’s.” “He’s still not back,” mused Phil, returning to the kitchen bench. _S)'8,82N*1322*,4233Y*,;*;=3*8,)K`*2,(@=3/*E'@3)K*3.^'N-.@*;=3*1332-.@*'1*;=3*4',Y*8(88234*Y2,N-.@*,)'(./*=-4* fingers. The breakfast dishes clinked against each other. “He needs to take more care of himself, I reckon.” _&3,=e` “One of these days he’ll get himself killed. Hit by a car, or something.” E'@3)*;='(@=;*8,6I*;'*=-4*D.623*S3;3*,./*=':*.'8'/N*-.*=-4*1,C-2N*=,/*833.*Y,);-6(2,)2N*4='6I3/*:=3.*;=3* .3:4*6,C3*;=,;*S3;3*=,/*833.*)(.*'J3)R* _&'(*,2)-@=;e`*,4I3/*S=-2R _&3,=K*^(4;*;=-.I-.@*]*:=,;*/-/*N'(*/'*:-;=*;=3*(C8)322,e` _O=(6I3/*-;*-.*L2,.\4*)''CR*P=-6=*-4*1(..N*]` _P=N\4*;=,;e` “There was an out-of-place umbrella down at 3H too,” said Phil. _L./*=':*-4*04R*+)'J.-Ie` _9'.\;*I.':*g*4=3*:,4.\;*='C3R*L./*;=3*/'')*:,4*(.2'6I3/*,./*;=-4*8-@K*'2/*(C8)322,*:,4*^(4;*2N-.@*-.* ;=3*=,22:,NR` _9-/*N'(*2'6I*(Y*:=3.*N'(*231;e` _P322*g*.'R*Q*;='(@=;*4=3*C-@=;*.';*=,J3*,*I3NK*4'*Q*62'43/*;=3*/'')K*8(;*231;*-;*(.2'6I3/R*Q;\4*.';*2-I3*;=3)3\4*C(6=* worth taking in there. I left the umbrella up with the groceries though – bit of a hazard just lying on the floor.” _0,N83*4=3\4*2''I-.@*;'*623,)*;=3*,Y,);C3.;*,*8-;e` _Q*83;*:3\/*83*)'Y3/*-.*g*=,J3*N'(*433.*Y,4;*;=3*=,22:,Ne*Q;\4*2-I3*7'./'.*,1;3)*;=3*+2-;aR` E'@3)*2,(@=3/R*_S3)=,Y4*4=3\4*3MY3)-C3.;-.@*:-;=*;=,;*='C3*8)3:*'1*=3)4R` _d=*@'/K`*4,-/*S=-2K*_;=,;*4;(11*4='(2/*83*8,..3/R` <=3)3*:,4*,*4(//3.*4'(./*1)'C*;=3*=,22:,N*qg*,*^(;;3)-.@*),4YR _P=,;*:,4*;=,;e` “No idea.” L.';=3)*4'(./*g*4'C3;=-.@*;=),6I23/*J3.'C'(42NR S=-2*@';*(Y*,./*Y,//3/*/':.*;=3*=,22:,NR* _Q;\4*6'C-.@*1)'C*L2,.\4*)''CR` _d=K`*,.4:3)3/*E'@3)K*.';*I.':-.@*=':*3243*;'*)34Y'./R* S=-2*C'J3/*1();=3)*'11*-.;'*;=3*,Y,);C3.;R Silence – then, a muffled shout. _S=-2e`*6,223/*E'@3)K*,2,)C3/R* Nothing. “Phil? Anything wrong?” The cutlery suspended in the water knocked against his still hands. He stepped back 1)'C*;=3*4-.I*,./*:3.;*;'*1'22':*S=-2K*8(;*S=-2*:,4*.':=3)3*;'*83*433.R <=3)3*:,4*.'*4'(./R _S=-2e` Thrackle. Plap. Twitch. Heartbeat building, Roger pushed open the door to Alan’s room. <=3*/'')4*4:(.@*'Y3.*,./*0,)23.3*=())-3/*-.;'*+()/3.*S2,63R*d(;4-/3*:,4*;=3*I-./*'1*6'2/*;=,;*62(.@*;'*N'()* 6=33I8'.34R*0,)23.3*=,;3/*;=-4*:3,;=3)K*8(;*;=3.K*4=3*=,;3/*2';4*'1*;=-.@4*g*=3)*^'8K*=3)*62';=34K*=3)*[1)-3./4\R* Pausing briefly at the letterbox – full of nothing, of course – Marlene stomped up the few stairs to the first floor and resigned herself to another Saturday spent doing nothing. She needed help. “Help!” #0$$9-&#0$$9-&#0$$90,)23.3*;().3/*;'*433*:=3)3*;=3*6)N*=,/*6'C3*1)'CR*FOe*FTe* “Help!” #0$$9-&#0$$9-&#0$$9FT*]*0-4;3)*]*4'C38'/N?')?';=3)R*+(;*=3*:,4*'2/*,./*4=3*6'(2/*C,)I*-;*/':.*,4*=3)*[@''/*/33/*1')*;=3*/,N\R 5=3*Y(223/*'Y3.*;=3*1)'.;*/'')*,./*4;'YY3/R <3))')*=32/*;=3*C'C3.;R*ScratchR <=3*'2/*C,.*:,4*'.*;=3*@)'(./K*)3,6=-.@*;':,)/*;=3*/'')R*L.*,)C6=,-)*2,N*;-YY3/*83=-./*=-CR*Q;*:,4*2-I3*,* fall, an accident, a slight injury … but … no. No. 0,)23.3*4;,)3/R L.*(C8)322,*=,/*43-a3/*;=3*C,.*1)'C*832':*;=3*6=34;K*2-I3*,*4.,I3*4:,22':-.@*,*C'(43R* Q;*/-/.\;*C,I3*43.43*g*;=3*(C8)322,*:,4.\;*]*2,)@3*3.'(@=*]* Marlene wanted to scream – Run! Get out! – but her mind was fixed on the question of how exactly the (C8)322,*:,4*]*3,;-.@R*>')*-;*;".*3,;-.@R*SprattleR*<=3*C,.*:)-;=3/*=32Y23442N*,4*;=3*(C8)322,*a()J3/*,)'(./* =-C*2-I3*,*Y3)J3)43*332R Marlene turned to flee, find help, anything – and an umbrella dropped from above the door and 4Y-.34=,6I23/*,)'(./*=3)R _Q*/-/.\;*C3,.*-;c`*46)3,C3/*O,44-3R* 5=3*6'(2/*=3,)*;=3C*'(;4-/3K*-.*;=3*,Y,);C3.;*g*8#-*(9-K*(#".5*g*4;3.;4*6),6I2-.@*,4*;=3N*:()J3223/*62'43)R

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/ creative

_Q;*:,4*,*C-4;,I3K`*4=3*4'883/K*=(.6=3/*(Y*,@,-.4;*;=3*;'-23;K*_,./*Q\C*4'))NR` The white tiles on the floor reminded her of the place where it had happened – as cold as the winter C').-.@*,./*:=-;3*2-I3*;=3*4IN*'(;4-/3R* '#0#9R “What else was I meant to do?” she called out to them, pleading. “He left and if he ever came back …” They were dactrylling across the floorboards. _5'K*Q*=,/*;'*/'*-;R*Q*=,/*;'*23;*-;*@'R*9-/.\;*3J3.*I.':*-1*-;*:,4*,*8'N*')*,*@-)2K*N3;R*&'(*433e*Q*/-/.\;*:,-;c*9-/.\;* ;,I3*,.N*6=,.634c` L4*-1*N322-.@*:'(2/*/'*,.N*@''/R E0#,-9K*;0#,-9K*#"$/"7K*;0#,-9R 5=3*=,/*4-..3/K*2-I3*=3)*C';=3)*=,/*4,-/*,./*.':*;=3N*=,/*6'C3*1')*=3)*g46),;6=-.@*,./*4Y-;=3)-.@*;=)'(@=* ;=3*=,21?2-@=;*'1*;=3*,1;3).''.R _73,J3*C3*,2'.3R*Q*/-/.\;*=,J3*,*6='-63R` 5=3*4,;*,./*4'883/*,4*;=3N*;')3*,:,N*,;*;=3*='23*-.*;=3*/'')R Z3')@3*=,/*4=(;*=-C4321*-.*2-I3*;=3*),/-'*=,/*;'2/*=-CR The room was warm enough, and he had water and food, didn’t he? He hadn’t boarded the windows – he’d Y(;*-.*4Y36-,2*@2,44*,4*4''.*,4*=3*C'J3/*-.;'*;=3*.3-@=8'()=''/R*P=,;*:'(2/*-;*/'*,@,-.4;*(C8)322,4e*P,-;*,./* 433R He sighed. (#+/*(#+/R Q1*TJ32N.*=,/.\;*@'.3*,./*=3*=,/.\;*C'J3/*;'*+()/3.*S2,63]*8(;*;=-.I-.@*2-I3*;=,;*:'(2/.\;*=32YR*PlapR*RawlR Outside, in the dark, the creatures brewstered. He supposed they must be creatures – they moved of their own accord, didn’t they? They sprattled. They hunted. They ate their fill. #0$$9-*#0$$9-R The radio hadn’t said where they were from. Not that he cared. L8'(;*,.*='()*=,/*Y,443/*:=3.*=3*=3,)/*;=3C*3.;3)*;=3*,Y,);C3.;K*),@;,YY-.@*,*6=36I3)3/*4;,2IK*)(4;2-.@* ,./*:,)82-.@*='22':2NR He wouldn’t fight. Shouldn’t, really. Que sera, sera. <=3N*C'J3/*62'43)*;'*;=3*4;(/N*/'')R 5''.K*=3*:'(2/*83*:-;=*TJ32N.R*<=,;*:,4*@''/K*:,4.\;*-;e CrackleK*.7+/5-#K*>9%%#R L4*;=3N*8()4;K*1)':2-.@K*-.;'*;=3*)''CK*Z3')@3*)3,2-43/*;=,;*=3*/-/.\;*:,.;*;'*/-3R P,))3.*=,/*.3J3)*=,/*;'*(43*;=3*I.-13*831')3R*<=3N*@,J3*-;*;'*N'(*,;*;=3*,YY)'Y)-,;3*63)3C'.N*g*,*C,)I*'1* ),.IK*,*4NC8'2*]*.';=-.@*C')3R*+(;*=3)3*=3*:,4K*42,4=-.@*;=)'(@=*(./(2,;-.@*),.I4*'1*;=),6I2-.@*1,8)-6*,./* a()J-.@*C3;,2K*2''I-.@*:-2/2N*1')*,.*3M-;R* Ragtap ragtap crackle frowlR He thought he heard someone call – “Captain!” P,4*;=3)3*,.N'.3*231;e* <=3*3.3CN*,8?82,@@3/*;':,)/*=-C*3.*C,443K*=3*@)-YY3/*;=3*I.-13*;-@=;3)R*O'CC,./*4='(2/*8'C8*;=3*6-;N*g* ;=,;\/*Y(;*Y,-/*;'*;=3*82-@=;3)4R* He felt sharp stents pulling at his legs and something tearing into his arms as he fought off the thing clinging ;'*=-4*1,63R This wasn’t happening, he tried to tell himself as he fell to the floor and they lackfluttered over him. Denying ;=3*;)(;=*'1*;=3*3.3CN*/-/.\;*23443.*,.N*'1*=-4*,@'.N*,4*;=3N*83@,.*;'*133/R

LC*Qe LC*Q*;=3*2,4;e Q*4(YY'43*Q*C(4;*83R* Q*6,.*=3,)*.';=-.@*8(;*;=3CR Ruggle ruggleR* '#0#9R <=),6I2-.@*'(;4-/3*-.*;=3*/,)IR* 56),;6=-.@*@)33/-2N*;':,)/*C3R*Crott blag rawlR Maybe I could fight. Spither. But I have nothing to fight them with. L.*'2/*4='J32*,@,-.4;*;=3*@,)82-.@K*^(;;3)-.@K*Y2,@(3R Q*4='(2/*2''I*'(;4-/3K*4='(2/.\;*Qe 5g.7+/5-#&/5#"6?9-g4g433*:=,;\4*231;*'1*;=3*Y2,63R* Nothing outside – other than them. 56(;;2-.@*(C8)322,4K*=3,J-.@K*a()J-.@K*:,)82-.@R*DY46(//3)-.@*;=3N*,)3K*8)3:4;3)-.@*;=)'(@=*;=3*4=,/':4*]* 5Y),;;2-.@*,4*;=3*:')2/*/-34*,)'(./*;=3CR* P')C-.@K* 8#%;9K* ;0#,-9R* 5Y-I346),C82-.@*/,)I?:-.@3/*;':,)/*(4R #"$/"7R <),Y^,:-.@*]* 0'(;=4*'Y3.-.@*g*

62 / Farrago 2015 / edition seven

creative /

rhubarb by ellen cregan ;=3*Y,23*J3)/,.;*4=33.* '1*4Y36I23/*-..,)/4 =,4*'(;),@3'(4*,YY3,2 N'(*;'3?6()2-.@*;,);K difficult vegetable. 4Y2-.;3)4*)'(@3 ;=3*8,C8''*82'6I* ,4*Q*6,)J3R

Q\22*/)':.*N'(*-.*8,;;3)* /,CY3.*;=,;*,63)8-6* 8-;3 * now fit for consumption Q*)32-.U(-4=3/*N'(*;' a light and fluffy demise.

artwork by emily keppel

farrago 2015 / edition seven / 63

/ Society

for and against / BeyoncÈ for: laura foo

against: harvey duckett

(34;-'.*g*=':*/'34*'.3*3J3.*83@-.*;'*/346)-83*;=3*Y3)136;-'.* ;=,;*-4*+3N'.6We*Q.*;=3')NK*;=3*[1')\*,)@(C3.;*1')*+3N'.6W*4='(2/* 83*;=3*3,4-34;*Y-363*;'*:)-;3*-.*;=3*:')2/R*Q;*433C4*;'*83*,.*,M-'CK*-1* N'(*:-22K*;=,;*'.3*-4*[1')\*+3N'.6WR*Q.*)3,2-;N*;='(@=K*Q\C*=,J-.@*C')3* ;)'(823*;=,.*Q*3MY36;3/R* L*.';?4'?U(-6I*&'(<(83*C,),;='.*'1*&'.6W\4*3.;-)3*/-46'@),Y=N* (for ‘research’, of course) seems a good place to start; I mean, I could 23,J3*;=3*2-.I*;'*;=3*[O),aN*-.*7'J3\*J-/3'*)-@=;*=3)3*;'*Y)'J3*CN* point and end it at that. Her extraterrestrial ability to belt out tunes and slay flawless-as-fuck choreography, all while dressed in a fully )=-.34;'.3/*1)3,I(C*/)344*,./*,*;:'?C3;)3*:3,J3*-4*Y'4-;-J32N* (.Y,),22323/R +(;*-;\4*.';*^(4;*=3)*(./3.-,823*J'6,2*,./*Y3)1')C,.63*;,23.;*g* Beyoncé can serenade thousands with ‘Halo’ one minute, and launch 4;),-@=;*-.;'*;=3*@)(32-.@*[5-.@23*7,/-34\*6=')3'@),Y=N*;=3*.3M;K* without so much as a breath in between. No, it’s not even just that a humble girl from Houston grew up to be an independent woman with a net worth of $250 million, and be the #1 most influential celebrity in 2014, according to Forbes. No, that doesn’t even scratch ;=3*4()1,63R 7-4;3.K*C,N83*-;\4*=3)*GB*Z),CCN*:-.4K*')*#G*.'C-.,;-'.4R* O'(2/*83*=3)*3M;3.4-J3*Y=-2,.;=)'Y-6*:')IK*')*;=3*1,6;*;=,;*4=3* never seems to age/lose her bootylicious-ness (if you don’t know :=,;*;=,;*C3,.4K*N'(*4='(2/*2''I*-;*(Y*-.*;=3*/-6;-'.,)N*g*-;\4*;=3)3lR* d)*;=,;*;-C3*4=3*/)'YY3/*,*1(22*J-4(,2*,28(C*%0/&%8&*%;5-#-*,./*-;* rocketed to number one on the Billboard charts, becoming her fifth 6'.436(;-J3*.(C83)?'.3*,28(CR* Q*;=-.I*=3)*-6'.*4;,;(4*3M;3./4*C(6=*1();=3)*;=,.*,22*'1*;=-4R*5=3\4* a mother, artist, businesswoman, feminist, legendary diva (without the ego) and a fashion icon; elusive and private (see: Vogue\4* 53Y;3C83)*GBF#*6'J3)*."*.*-.;3)J-3:K*6(3V*L..,*P-.;'()*=,J-.@*,* [C'C3.;\lK*N3;*4;-22*4;),.@32N*1,C-2-,)R*TJ3)N'.3*:,.;4*;'*83N*=3)K*')* 83N*:-;=*=3)R*5=3*-4*,*@2-;;3)-.@*83,6'.*'1*3J3)N*U(,2-;N*,.N*=(C,.* 83-.@*=,4*3J3)*,4Y-)3/*;'*Y'44344R In years to come, they will ponder the origins of #flawless and k-:'I3(Y2-I3/-4K*,./*-;*:-22*83*'()*)34Y'.4-8-2-;N*,4*;=3*k+3NZ3.* ;'*Y'-.;*;=3C*-.*;=3*/-)36;-'.*'1*=3)*-))3Y2,63,823*;,23.;K*,./*=3)* badass, sassy Instagram posts, and tell them to add #surfboard on that selfie. Such is her enduring relevance. Bow down, bitches. Long live Queen Bey. *crown emoji and bee 3C'^-i*M'

64 / Farrago 2015 / edition seven

4Y36;)3*-4*=,(.;-.@*L(4;),2-,K*T()'Y3K*,./*-./33/K*;=3*3.;-)3* :')2/R**L6;(,22NK*C,I3*;=,;*,*[Z='4;\*g*;=,;*83-.@*8(;*'.3*'1* C,.N*4'.@4*-.*+3N'.6W\4*.31,)-'(4*,)43.,2K*:=-6=K*'J3)*;=3*Y,4;* /36,/3K*=,4*833.*(.)323.;-.@2N*-CY'43/*(Y'.*,.*(.4(4Y36;-.@K* (.U(34;-'.-.@*1,.*8,43R* +3*:,).3/K*&'.6W*,6'2N;34V*b.':234*-4*;=3*.38(2'(4*=3@3C'.* of our times. Her barrage of repetitious songs which frankly, are terribly named – ‘Beautiful Liar’, ‘Broken Hearted’, and ‘Upgrade U’ 4'(./*C')3*2-I3*8N2-.34*1)'C*,*;:32J3*N3,)*'2/\4*;3,)?4',I3/*/-,)N* g*4()32N*Y2,N*;=3-)*Y,);*-.*;=3*Y3).-6-'(4*[/(C8-.@?/':.\*'1*6(2;()3* ;=,;*Y2,@(34*'()*4'6-3;NR** +(;*;=,;\4*.';*;'*4,N*;=,;*+3N'.6W*=3)4321*-4*62(32344V*1,)*1)'C*-;R* Ever since her explosive departure from Destiny’s Child (a morally )3Y)3=3.4-823*6)-C3*-.*,./*'1*-;4321l*4=3*=,4*833.*-.@),;-,;-.@*=3)4321* -.;'*,22*6').3)4*'1*'()*2-J34*:-;=*,2,)C-.@*4Y33/*,./*'=?4'?6''2K* calculated purpose. In 2006, the Oxford English Dictionary reified ‘Bootylicious’; University courses dedicated to studying her and her music have been incepted; and perhaps most menacingly, Elenberg >),43)*=,4*6'.63/3/*=3)*2,;34;*,)6=-;36;(),2*J3.;()3K*0328'().3\4* 4''.?;'?83*C'.'2-;=-6*4IN46),Y3)*S)3C-3)*<':3)K*:,4*/-)36;2N* -.4Y-)3/*8N*;=3*C(4-6,2*C3@,4;,)\4*8'/NA8'';NR*7-I3*;=3*.,C34,I3*'1* =3)*6=-2/K*b.':234*=,4*@)':.*3MY,.4-J32N*,)'(./*;=3*8(-2/-.@*82'6I4* '1*'()*4'6-3;NK*;,I-.@*)'';*-.*3J3)N*6').3)*,./*6)3J-63R*P3)3*=3*,)'(./* ;'/,NK*>'(6,(2;*:'(2/*83*@'-.@*C')3*46=-;a*;=,.*+3N'.6W*-.*;=3*[E,-43* the Alarm’ film clip: we are all living in the House of Bey. P=,;\4*b.':234\*3./@,C3*-.*,22*;=-4K*N'(*,4Ie*Q.*;:'*:')/4V* world domination. Having culturally lobotomised her fans with ,.,34;=3;-6,22N*(.-.4Y-)-.@*4'.@*;-;234*,./*2N)-64K*,4*:322*,4*=3)* -.6344,.;*;,2I*'1*83-.@*[823443/\K*;=3*4'.@4;)344*=,4*6)3,;3/*;=3* Y3)136;*Y)36'./-;-'.4*1')*,*;';,2K*Y,),/-@C?4=-1;-.@*'J3)=,(2*'1*;=3* :')2/K*:-;=*HH*Y3)*63.;*'1*;=3*Y'Y(2,63*;''*/'6-23K*;''*9)(.I*-.* 7'J3K*;'*)34-4;*4(6=*6=,.@3R* 5(6=*-4*+3N'.6W\4*6'.;3CY;*1')*;=3*6,Y,6-;N*'1*=3)*834';;3/* ,(/-3.63*;'*433*=3)*;)(3*6'2'()4K*;=,;*4=3*=,4*13,)23442N*Y3YY3)3/* =3)*C(4-6,2*'3(J)3*:-;=*62(34R*[iii>2,:2344\e*<=3*,4;3)-4I4* ,)3*%>,+%0.9:*,*.'/*;'*=3)*/34-)3*1')*;';,2*=-4;')-6,2*,./*4'6-,2* )3J-4-'.-4CR*[Q1*Q*P3)3*,*+'N\e*L*1')3:,).-.@*'1*=3)*C'J3*;'* /323@-;-C-43*@3./3)R*S3)=,Y4*=3)*C'4;*8),a3.*/-4Y2,N*'1*:=,;*-4* ;'*6'C3*-4*-.*[E(.*;=3*P')2/\R*[P='*)(.*;=3*:')2/e*Z-)24c\*+3N'.63* ='223)4K*;=3*4'.@\4*Y)3;3M;*'1*13C-.-4C*832-3/*8N*;=3*1,6;*;=,;*4=3K*,./* 4=3*,2'.3K*;,I34*63.;)3*4;,@3K*@),;(-;'(42N*,/J,.6-.@*=3)*':.*4321? interest as she gyrates ferociously around scenes of conflagration ,./*()8,.*/36,N*g*C';-14*63238),;-.@*;=3*-.3J-;,823*/34;)(6;-'.*'1* ;=3*:')2/*,4*:3*I.':*-;K*4='(2/*b.':234*@3;*:=,;*4=3*:,.;4R* QK*1')*'.3K*/'.\;*:,.;*;'*2-J3*-.*,*:')2/*)(.*8N*+3N'.6W*g*,*:')2/* :=3)3*,22*6=-2/)3.*,)3*C,./,;')-2N*.,C3/*,1;3)*Y)-C,)N*6'2'()4* ,./A')*1'2-,@3R*+(;*-;*C,N*,2)3,/N*83*;''*2,;3R*&'(*;=-.I*;=-4*-4* 6'.4Y-),;')-,2*='/@3Y'/@3K*,.*'(;6'C3*'1*CN*-.,8-2-;N*;'*;=-.I*'1* ,.N*23@-;-C,;3*@)'(./4*'.*:=-6=*;'*1,(2;*+3N'.6We*5'*83*-;R*9'.\;*4,N* Q*/-/.\;*:,).*N'(R

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/ farrago

Above Water is the annual creative writing anthology pubâ&#x2030; lished by the Media and Creative Arts departments of the University of Melbourne Student Union. This year it features writing from Jessica Yu, Merry Hao Li, Will Whiten, Peter Kelly, Benjamin Karwan, Ben Meurs, Emma Hall and Alex Cameron. These creative pieces are accompanied by daring artworks from Dominic Shi Jie On, Nina Cheles and Reimena Yee. Pick up a copy now!

4 / Farrago 2015 / edition one

Artwork by Dominic Shi Jie On