WHO’S IN FASHION
WE ARE HANDSOME
STOCKED IN
Chariot
ED’S LETTER
O
ur Fashion Design Students are currently working towards their final collections embodying the idea of bravery. This year is a celebration of the courage to take a chance. Hats off to all the Students who have made that first significant step - styling their own photoshoots, registering their businesses, producing their first range. Who’s In Fashion is ever-growing. This issue we have not one but three inspiring Editorials styled by talented students. FBI Graduate Indhra Chagoury made a splash at MBFWA where her label We Are Handsome made its Fashion Week debut, watched on by a record 150 FBI Volunteers. This year we have also embraced the online trend, launching our Retail Store Chariot online and expanding to stock the We Are Handsome runway collection and menswear from Needle and Shred. Turn to our back cover to see behind the scenes on a photoshoot shot at FBI – designed, modelled, styled and produced entirely by FBI Students. I hope Who’s In Fashion will be your definitive guide to current trends and upcoming faces. Who better to be the voice of the industry than FBI Students? These are the next generation of Designers, Stylists, Journalists, Publicists and Forecasters.
Alexandra WHO’S IN FASHION
A magazine produced, styled, edited and designed entirely by FBI Students.
WHO’S WHO OWNER Selena Mazuran EDITOR Alexandra Hine SUB EDITOR Kate Hunter CONTRIBUTORS Bernadette Martin, Hayley Cooper, Sarah Anne Long, Cheryl Tan, Luke Carter, Daniel Njegich, Stephen Kearney, Holly Kagis, Basilia Dulawan, Catriona Golledge, Madeline Lewis, Isobel Badin, Shannon Lawrence DESIGN Jessica Bartholomew
181 Glebe Point Road Glebe NSW 2037 Ph: (02) 9566 2020 www.fbifashioncollege.com.au Facebook: FBI Fashion College Twitter: http://twitter.com/FBIFashionColl Blog: fbifashioncollege.tumblr.com ABN: 53 117 217 517 Who’s in Fashion is registered in Australia. No part of this publication may be reproduced in whole or part without written permission. © 2010 Who’s in Fashion disclaims any liability for costs, damages and loss due to this publication.
CONTENTS
ISSUE 51 ON THE COVER Photography: Shannon Lawrence Model: Rachel Dillon Styling: Isobel Badin Designs: Isobel Badin available at isobelbadin.com
INSPIRE
Page 5 – FBI Staff give their picks of who and what is in Fashion
IN FASHION
Page 6 – MBFWA coverage
IN DEMAND
Page 9 – Model of the moment
IN STYLE
Page 10 – Romance makes a comeback
INDUSTRY
Page 14 – Vogue takes a stand
IN FASHION
Page 16 – Editorials Styled and Modelled by FBI Students
IN CLASS
Page 36 – What’s happening at FBI
INSIGHT
Page 42 – Go behind the scenes of our Fashion Editorial
IN PLACE
Page 44 – What’s happening in the FBI Careers Department
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INSPIRE Concept and Styling of Aje’s Shipwrecked Ball MBFWA 2012.
New look Capital L Boutique Paddington.
Chrome nails.
Appointment of Christine Centenera at Vogue.
Fashionable fitness in neon nikes.
HOTTEST
TOP 10 Pastel on Pastel. Label that just keeps getting better – Friend of Mine.
Tribal inspired Chevron jewellery.
A Pair and a Spare – the perfect fusion of Fashion Business and Fashion Design in a blog. Paradise Punch Prints.
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IN FASHION
MBFWA 2012
W
ith Mercedes Benz Fashion Week Australia well and truly over for 2012, it has left us with aweinspiring collections that have us wishing summer would spring into step. This year’s collections saw the rise of pastels, metallic, symmetrical digital prints and a whole lot of boyishly cool sportswear. In the lead up to Fashion Week, things may have seemed dark when Australia’s most anticipated designers Josh Goot and Dion Lee announced that they had pulled out of the fashion week circuit. But for younger designers like Christopher Esber and Michael Lo Sordo, it left more room in the spotlight for their collections to shine a very bright light. Both designers delivered collections that impressed. There were feminine pieces in rich reds, metallic blues and digitally printed fabrics at Michael Lo Sordo. Christopher Esber played on white with a variety of sheer, beaded and shiny textures in crisply cut collared shirts and tailored trousers that stamped his place as a Fashion Week highlight. On the same thread, Bec and Bridge, WatsonxWatson and Ellery also delivered whiteon-white monochromatic looks in peplum
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Blogger Susie Lau.
IN FASHION
Cartoon Heroes Anna Plunkett and Luke Sales at Romance Was Born.
“DIGITALLY PRINTED PATTERNS ARE HAPPENING AND THEY’RE HERE TO STAY.”
Mirrored Graphics from Michael Lo Sordo.
blouses, cropped anorak jackets, and stiff pencil skirts. These trends were confirmed by the impeccable street style captured by photographer heavy weights Tommy Ton, Phil Oh, Candice Lake and Mr Newton, who were all in town to cover the streets for international publications Grazia Italia, Style.com, and Harper’s Bazaar US. Alongside White, digital prints topped the trends making an appearance on almost every runway throughout the week. The masters of print Anna Plunkett and Luke Sales of Romance was Born had the honor of opening the week with a show that exceeded expectations. Their collection moved beyond the usual mirrored print into something slightly vintage – comic books. This saw a collaboration with Comic book moguls Marvel, a collection that takes note from Marvel’s heroes and villains and a set-design that opened up to reveal a largerthan-life comic book production. Other designers who favoured pattern and print were Alice McCall with her babushka inspired dresses, exaggerated puff sleeves and embroidery, Dylan Cooper with his debut collection channeling an array of print on print separates, and Zimmermann’s revival of pastels in their signature summer floral prints with enlarged-laser-cut circles. No matter where you looked, you couldn’t escape it, digitally printed patterns are happening and they’re here to stay. According to the runway it is a summer essential seen on blazers, bikinis, shorts, skirts, vests and maxi dresses – this modern print is key to keeping your Spring/Summer looks fresh. Bomber jackets, baseball caps, tennis skirts and trainers were all the craze both on and off the catwalk. International fashion blogger Susie Lau of Style Bubble opted for comfort (not over style) on the first day of the fashion olympics, sporting Nike’s to offset her floral Magdelena Velveska dress, topped off with a cap and all-important bomber jacket. On the runway, it seemed they took note of Ms Lau as sports-luxe had its moment at
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IN FASHION
Babushka inspired beauty at Alice McCall.
Ksubi with chambray caps, oversized anoraks and leather paneling. Emerging designer Tovah went all out with an overall athletic feel, accessorizing each look with metallic visors and showcasing silk shorts, coordinated tracksuit jackets and pleated tennis skirts. Off the runway, international guests Natalie Joos from Tales of Endearment, Rumi Neely, Bryan Boy, Elin Kling and Tim Blanks all graced the front row with their fashionable presence. It was a highlight to see these reputable names supporting Australian designers. Artistic Director at Moda Operandi Taylor Tomasi-Hill picked up Manning Cartell and Ellery’s collections straight from the runway. On the streets it was exciting to see the same fashionable bunch working new and inspiring outfits each day – possibly the best part of Fashion week. Now the photo-snapping, trend-spotting, fashion show watching chaos that was Mercedes Benz Fashion Week Australia 2012 is over the inspiration (and the blisters) remain. By the time Fashion Week rolls around next year, my mind and my feet will be ready to do it all again. Words by Basilia Dulawan.
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Sports luxe at Tovah.
“BOMBER JACKETS, BASEBALL CAPS, TENNIS SKIRTS AND TRAINERS WERE ALL THE CRAZE BOTH ON AND OFF THE CATWALK. “
IN DEMAND
WHAT’S IN A NAME?
B
orn in Tucson, Arizona and muse to the new breed of Fashion Designers, Arizona Muse is one of the biggest names in the modern modelling world. Enjoying a meteroric rise to fame, Muse has appeared on the cover of Vogue Italia , been shot by Karl Lagerfeld for Numero and graced not one but three different covers for Vogue Australia in October of 2011. When Miuccia Prada exclusively booked the then unknown for the Fall 2010 show, she cemented Arizona’s career in high fashion for the foreseeable future. Muse has since walked for nearly every influential fashion house including Marc Jacobs, Herve Leger, Chanel, Louis Vuitton, Chloe, Yves Saint Laurent and Christian Dior. Fashion luminary and hard-to-impress US Vogue Editor Anna Wintour has given her the stamp of approval – “When I look at Arizona, I see shadows of Linda Evangelista and Natalia Vodianova, but most of all I see her - a gorgeous, smart, grown up. And how could anyone resist someone with that name?” Arizona was named for the arid desert landscape where she was born – a vista that made a powerful impression on her English born mother. Nicknamed Zoe as a child, Arizona says she grew into her name “I like it now but I used to hate it.” Although striking, with her strong eyebrows and olive skin, Muse is a chameleon of the desert. Her global appeal transcends boundaries. She is able to work in the selective European market yet possesses that All-American charm that attracts more commercial clients such as retail giant Next. You would be foolish to forget her face and you certainly won’t forget her name. Words by Alexandra Hine.
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IN STYLE
THE NEW ROMANTICS
T
he fashion industry - like art, photography or any creative niche - is always attempting to create new frontiers with a vision of delivering something the world has never seen before. In our visually saturated and culturally jaded climate, this can prove to be a challenge for designers and industry heavyweights alike. This drive to reach unchartered sartorial territory can be blamed for the introduction of the rise in the recent trend of ‘masculine chic’. Essentially, this movement is epitomised by ill-fitting shirts, oversized blazers and trousers, pared back with brogues that are more reminiscient of clown than couture. (Think Dries Van Noten Winter 12/13). Not only is it nearly impossible to discern the women’s collection from its male counterpart, the collection neither inveigles nor inspires.
Louis Vuitton Spring Summer 2012.
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IN STYLE
J’Aton Couture.
There’s something to be said for the artistry and opulence of Marc Jacobs for Louis Vuitton fashion show. Not only was the show a collaboration of fashion powerhouse and designer du jour, the theatrics of the production alone caused a ripple in fashion journalism that is still filtering through the pages of international fashion magazines – and is destined to be one of the most referenced collections on the high street. The collection was a modern twist on luxe lace based on a palette of gelatoflavoured pastels. In place of a catwalk, Jacobs insisted the entire production was to be modelled on a giant carousel (yes, the shoes were glued to the models’ feet) and styling was an ethereal nod to childhood innocence and beauty. In much the same way, Australian designers such as Jacob Luppino and Anthony Pittorino (of J’aton) and Alex Perry become renowned as creators of the ultimate in feminine couture. Their dramatic juxtaposition of immaculately boned bodices and voluminous layers illustrates the convergence of classic and modern fashion. The return of truly romantic tailoring seems a welcome shift from the androgynous and
structured trends filling the pages of The Sartorialist. While I’ll admit I am constantly in awe of the androgynous bohemians that seemingly flood the streets of NYC, Paris or Milan looking unattainably chic, the trends of undone, unstructured and understated can get - quite frankly - underwhelming. Surely I’m not the only one whose heart skips a beat at the sight of Marchesa’s immaculate textures and drapery, or Elie Saab’s mastery of the thigh-high split. These designers are the “new romantics”, pushing the envelope of modern couture with timeless undertones of femininity and fantasy. It is these pieces that embody tangible beauty in the form of expert design and craftsmanship, but, most importantly, are created by the designers that have the insight to deliver an escape. While fashion will always remain subjective, it can be argued that the elemental power of exceptional and romantic design arises from its ability to transcend the ordinary. My wardrobe may never feature an intricately beaded Elie Saab couture gown, but a girl can dream.... and isn’t that just the point? Words by Catriona Golledge.
Elie Saab Spring Summer 2012.
“THESE DESIGNERS ARE THE NEW ROMANTICS, PUSHING THE ENVELOPE OF MODERN COUTURE WITH TIMELESS UNDERTONES OF FEMININITY AND FANTASY.”
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IN STYLE Loulou De La Falaise, Yves Saint Laurent and Betty Catroux.
T
hey were once passive captivators, staying in the shadows of fashion, nameless and at times faceless inspirations to a designer but in time they have grown and become powerful collaborators whose face is instantly recognisable as the inspiration. The muse has been around for as long as fashion has existed, but times have changed and along with it the role of muse has shifted from a defined position of mysterious silence to a limitless involvement and association. The influence of the muse to a designer is unquantifiable. Perhaps one of the most productive relationships can be seen in couturier Hubert de Givenchy and movie star Audrey Hepburn. That unforgettable black dress Audrey wore in Breakfast at Tiffany’s was of course Givenchy. Hubert de Givenchy, a brilliant designer was instantly transfixed with Audrey Hepburn. She was the very symbol of glamour and style and for four decades she held the title of his Muse. Givenchy credits Audrey for endowing each piece of clothing with a little bit of herself,
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IN STYLE and over time she became almost as intrinsic to the brand as the designer himself. Much like Givenchy, Yves Saint Laurent enlisted the help of French aristocrat Loulou de la Falaise. Although Loulou admits she felt that a typical muse was someone who lived a life of leisure and luxury, her role was quite different. She worked so closely with the coveted designer that she believes a little piece of her soul remains in the clothes that were designed in the thirty years she served as muse. A more personal relationship can be seen between Coco Chanel and late 50’s supermodel Suzy Parker, who at the height of her career was named “The most photographed women in the world.” Her carrot red hair, pale-green eyes and freckles gave her a beauty that roused interest and attention. Coco Chanel became a great mentor and it was a relationship that saw the student become the ultimate inspiration for countless collections. Moving forward in fashion to possibly one of the most diverse relationships. Karl Lagerfeld goes a step further enlisting a revolving carousel of youth and beauty as his inspiration. The Creative Director and Head Designer of Chanel has been seen with a variety of celebrities on his arms such as Alexa Chung, Lily Allen and Blake Lively. With such innovation and a pioneering nature it is no surprise Karl is able to create a vision from a variety of people who network and circulate for him. From many muses to the absence of an external muse entirely - celebrities such as Kate Moss, Nicole Richie and Mary Kate and Ashley Olsen reverse the notion completely as they use their own style, their own lifestyles and their own celebrity persona to create clothing turning the notion of muse into their own, embodying and cashing in on their own image. If image is power, who can we look to in the future? We interact with countless people everyday, but what if one of these people could help us unlock a creativity we never knew was there? The Muse is certainly a timeless notion, but as fashion advances so to does the relationship of designer and muse. We have the chance to make it our own and follow in the footsteps of great designers who have relied on the qualities of others to inspire. Words by Bernadette Martin.
Modern day muses the Olsen twins.
Hubert de Givenchy and Audrey Hepburn.
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INDUSTRY
THIN NO LONGER IN VOGUE
S
ome of the world’s most powerful dictators of fashion have come together to take a stand on model health and wellbeing.
It seems thin may no longer be in vogue. The fashion magazine of the same name has launched a global Health Initiative - a pact between 19 international Vogue editors and Condé Nast International, aiming to encourage the use of healthy models to promote positive body image within the fashion industry. Operating as such a prominent voice within the industry provides a unique opportunity to engage with Vogue readers and fashion lovers on an international scale in an attempt to make a difference. Fashion models simultaneously act as role models for women and it is imperative that they are well cared for and portray a healthy image to readers. Fashion is an inspiring and creative force, so the program ultimately aims to address the issue in a realistic manner. Alexandra Shulman, editor of UK Vogue explains in her editor’s letter that the Initiative will “build on the successful work that the Council of Fashion Designers of America with the support of American Vogue in the US and the British Fashion Council in the UK have already begun to encourage a healthier approach to body image within the industry”. Shulman is known for her previous efforts in this area, reprimanding designers for making samples so unreasonably small they fit only a few of the tiniest models. Vogue hopes that the Initiative will promote their belief that good health is beautiful and the six guidelines outlined
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Healthy model poster girl Robyn Lawley for Vogue Australia.
INDUSTRY “WHEN THE BIGGEST, MOST POWERFUL VOICES IN FASHION UNITE, FASHION WILL CHANGE.” Doutzen Kroes for US Vogue, photographed by Annie Leibovitz.
in the June issue, document that Vogue “will be vocal ambassadors for the message of healthy body image, both within the magazine and outside” as well as “work with models who, in our view, are healthy and help to promote a healthy body image”. Celebrity endorsement is encouraging and has greatly supported the Initiative, including former supermodel Tyra Banks. “Vogue has the power to make and break — whether it’s fashion trends, designers, models, and yes, even industry practices. Their bold stance means that others will follow.” The efforts of Vogue are not alone in the objective to promote healthy bodies within the fashion industry. BELLA Model Management shares the same passion and advocacy for the use of healthy models. BELLA is a fashion model agency representing healthy, realistically sized models. Owner Chelsea Bonner is an extremely driven innovator and commented on her hopes for the agency. “My hope is that by introducing the fashion world to the idea of using models who are still extraordinarily beautiful, in proportion and, most importantly, healthy, that no woman
will ever feel that she would rather be dead than not look like the majority of the models in our magazines, who represent at best one percent of the population in dress size and who, for the most part, struggle desperately to stay that size themselves.” Bonner’s objective parallels the attempts of the Vogue Initiative to adopt a healthier approach towards model criterion. Supermodel, Carre Otis comments on her personal experiences in a Vogue opinion piece “the pressure was constant and not being able to control every one aspect of my life was daunting.” Pressure that the industry places on models can lead to serious disease including anorexia and bulimia. It is important to know what is ‘natural’ and what is ‘unhealthy’. Vogue will endeavor to determine and differentiate between the two as part of their Health Initiative. Online forums have shown positive feedback about the Initiative with the hope that other magazines will follow in Vogue’s footsteps. Bonner sums it up best - “when the biggest, most powerful voices in fashion unite, fashion will change.” Words by Madeline Lewis.
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SEA ME UNKNOWN Photography: Luke Carter Styling: Hayley Cooper Model: Anais Bstieler
SU R B U R B A Photography: Daniel Njegich Styling: Sarah Anne Long Models: Alice Laas and Stacey Monaghan @ Chadwicks Hair and Make Up: Cindy Mather
SURBURBIA
HOLL
Photography: Stephen Kearney Styling: Cheryl Tan Model: Holly Kagis @ Viviens Hair: Koh Tanyawanichapong Makeup: Kristyan Low
IN CLASS
JOSH GOOT
E
arlier this year FBI welcomed guest speaker Josh Goot to the classroom. With over twelve years experience in the industry Josh boasts 16 collections that have been praised for their minimalist aesthetic, clean, crisp lines, and explorative use of colour.The master of silhouette and print gave students a remarkable and honest insight into his time in the fashion industry, detailing both his failures and successes.
With a relaxed and genuine nature, Josh had us absolutely absorbed. He described fashion design as “another way to communicate with people”. It was this belief that motivated him to make his mark on the fashion world and distinguish himself as one of Australia’s most exciting and promising designers. Although best known for his self titled label it was a surprise to hear that his career in fashion started with a street wear label. In his early twenties Josh partnered with a good friend to produce and distribute cotton jersey printed tees. With no experience or knowledge in construction or design, he took an idea and made it happen, developing his skills and expertise over time. Enjoying early success, the demand soon surpassed the team’s capabilities. Josh however, spoke fondly of the young pioneering brand and the lesson he learnt from its downfall. He wouldn’t be the success is he is today without the lessons he learnt early on.
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Vogue Fashion Editor Christine Centenera in Josh Goot.
IN CLASS
“HIS HONESTY AND TALENT TELLS THE STORY OF A YOUNG DESIGNER MAKING BOTH A PERSONAL AND PROFESSIONAL JOURNEY IN THE FASHION INDUSTRY”
Presenter of the 2011 Parade and Graduation Josh Goot with FBI Staff.
Josh Goot and models.
In April 2005, Josh launched his first collection at Australian Fashion Week. The collection pioneered the idea of tailored comfort with garments made from 100% cotton jersey. Enter a cool, modern attitude of ease and simplicity. In the same year, this debut collection won him the Tiffany & Co. Young designer of the Year award. The concept, aesthetic and modern ideology impressed the judges and soon international interest followed, with the label making its first appearance at New York Fashion Week. He had conquered the Australian market and was moving onto an International platform. Josh garnered praise for setting the pace for simultaneously toning down and cleaning up the face of modern fashion. Nothing emphasises this accolade more than the garments themselves. Josh may have been absolutely fascinated with the classroom’s new smartboard, but it was the visual narrative of the evolution of his designs that had students enthralled. From the debut collection in 2005 to his most recent collection, it was interesting to
see both the staple pieces that have featured throughout his career and the innovations he has created over the years. It is clear the reason behind Josh’s success is that the collections are a manifestation of everything he has learnt. The journey he has taken can be seen in each individual piece. Although each design was just as impressive as the one that preceded it, Josh was not afraid to openly and honestly criticise his work. He truly learns from his mistakes and translates these lessons into something amazing. His honesty and talent tells the story of a young designer making both a personal and professional journey in the fashion industry. Josh was once described as “modernisms new messiah” by Jamie Huckbody, former Editor of Harper’s Bazaar. His work is the epitome of modern fashion. This talented Designer is a pioneer in both the Australian and international fashion industry. Hinting at exciting plans for the future, Josh left us eager to see what he’ll add next to that slideshow of collections. Words by Bernadette Martin.
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IN CLASS
ISOBEL BADIN
T
he colourful Creative, Stylist and Designer behind our fabulous cover image talks to us about her self-titled label.
How did you start out making jewellery and accessories? Ever since I was a tiny child I have always enjoyed using my hands to create. All of my pieces are completely hand-made, from hand painted and dyed silks and fringing, handcrafted fabrics and brilliantly coloured tassels to hand painted flowers. There are so many possibilities to create something treasureable and sentimental when working with accessories. As a Designer, how important is it to know the business side of things? You could have the most revolutionary ideas in the world, but unless you have the knowledge and skills to develop, market and essentially sell these products, your ideas could be worthless. After I began developing my label I soon realised I had so much to learn on the business side which is why I began studying at FBI.
Behind the Scenes on the Pink Fanta Collection Photoshoot.
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Describe the Isobel Badin aesthetic. Experimental, energetic, culturally inspired, vibrant, unconventional and above all fun! Isobel Badin is not always executed in a way that is considered conventional – I enjoy pushing boundaries. We can say so much about ourselves through Fashion. It can be such a powerful tool so why not make the most of it!
An Isobel Badin design.
Isobel at MBFWA 2012.
Who would be your dream stockist? Here in Australia it would definitely be Belinda, in particular The Corner Shop. They have developed such an iconic shopping experience and I really admire the Belinda vision and aesthetic. Who would you really love to style? Anna Della Russo! I love that fact that she does exactly what she wants with Fashion. She is experimental, daring and outrageously cool. Anna is a canvas and how she dresses an art form. I would also love to dress Anna Plunkett of Romance Was Born. I love the RWB vision and the impact they have made on Australian Fashion. There is something about those Annas! Where do you draw inspiration from? My primary source of inspiration is from art. I am most inspired by contemporary, pop and conceptual artists and how forward thinking and innovative they are.
What do you envision next for the label? Isobel Badin the label is still very new and the potential for growth is so exciting. I have a huge vision for where I would like to take my label and am looking forward to approaching clothing for Summer 13/14. I aim to eventually expand into textiles, homewares and dĂŠcor, developing my brand in a similar respect to Karen Walker. Where can we buy your label? My website will be live early September (www.isobelbadin.com) and all of the current collection will be available to purchase there. Over summer you will also be able to find my pieces at Mr&Mrs Smith and McLean & Page in Manly, Maple in Adelaide, Alterior Motif on the Sunshine Coast and online at Molten Store.
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IN CLASS
STUDENT STYLE BRIA MASTROIANNI What are you studying? Certificate IV in Fashion Business. Who or what inspires you? Magazines, Blogs, Street Style. What is your dream job? Stylist but eventually I’d love to own my own boutique. Who’s in Fashion? Abbey-Lee Kershaw.
HOLLY PAYKEL What are you studying? Certificate IV in Fashion Business and also planning to complete the Diploma in the future! Who or what inspires you? Sydney’s beautiful beaches – the warmth, sun and vibrant culture that gathers there. Who’s in Fashion? Alexander Wang will always be in fashion for me. His designs are effortlessly cool and he is the first place I turn when I’m shopping for a new handbag or dress.
TYLER STEIN What are you studying? Certificate IV Fashion Design. What is your dream job? I would love to be a part of the design team of an internationally recognised label. Who’s in Fashion? I see Fashion as an art form and an expression of ideas told by a visual storyteller. So in that sense I’d have to say Bowie Wong.
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INSTORE Leontyne Desirae Heels $74.95
We Are Handsome The King Scoop One Piece $239.95
Lotus Mendes Goddess Rings $59
OUR TOP PICKS FROM FBI’S RETAIL STORE CHARIOT.
Millie Loves Min Kimono Maxi $109.95
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INSIGHT
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BEHIND THE SCENES
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hen searching for inspiration for a photoshoot, most people look to clothing, catwalks and culture.
Suburbia was inspired by Stylist and FBI Student Sarah Long’s best friend’s house. Found in Sarah’s native Perth, the house is an eclectic address, home to a family of artists and creatives. The environment is a constant inspiration to those who visit. The house was not only the inspiration behind, but also the set of the shoot. A relaxed and playful setting; there was a constant background track of music mingled with laughter throughout the day. Sarah sourced all of the featured clothing from local Perth Boutiques. Bright clothing, sun and fast cars scream loudly of summer, friends, and good times. Words by Alexandra Hine.
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IN PLACE FBI CAREERS DEPARTMENT Congratulations to the following Students who have recently gained Positions in the Fashion Industry through the FBI Careers Department. Brodie Murdock Eleni Vourakis
WILLOW
PA to Kit Willow
E L L E R Y
Office Manager
Nicole Hansen
COSMO MAGAZINE EXTENSIONS
Fashion Assisant
Jana Kalogeropoulos
CHANNEL 9
Wardrobe Stylist
Carli Gavin
TORSTAR COMMUNICATIONS
Account Manager
Adriana Bandur
DALE MCKIE
Stylist Assistant
Romy Craven McLean
COLLETTE ACCESSORIES
Junior Buyers Assistant
The following Students have gained invaluable Workplace Training at the below listed amazing companies in 2012. Dominica Barabas
EMG MODELS
Head Office Assistant
Mariah Andronis
LUCETTE
Graphic & Marketing Assistant
Alexandra Neville
VOGUE
Fashion Assistant
Stella Goodman
STYLESTALKER
Head Office Assistant
Katrina Chan
ROMANCE WAS BORN
Production & Design Assistant
Tahneal Tantos
SHOP TIL YOU DROP
Editorial Coordinator
Editors Note: Tahneal organised Workplace Training with STYD herself.
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‘The Matriarch’ Now Available in
Chariot. As seen at MBFWA 2012