Inside Fullerton Fall 2018 by Fullerton Publications

H A S I N K L O S T I T S S TI N K ? FALL ISSUE 2018

I NSIDE FULLERTO N - F ALL - 2018

W e l c o m e t o o u r m a g a zi n e W el c o m e t o I n si d e F ull e rt o n’ s F all 2 01 8 i s s u e. T h a n k y o u f o r pi c ki n g u p o u r m a g a zi n e! F ull e rt o n i s a cit y t h at a p p r e ci at e s a rt i n all of it s f o r m s - - a s s u c h w e st r o v e t o i m b u e t h at l o v e i nt o t h e p a g e s of t hi s m a g a zi n e. F r o m t att o o s, t o cl ot hi n g, t o i n n o v ati v e b u si n e s s p r a cti c e s, a m y ri a d of p e r s p e cti v e s of o u r b e a utif ul cit y a n d it s s u r r o u n di n g a r e a s a r e r e p r e s e nt e d h e r e. O v e r t h e F all s e m e st e r, w e h a v e w o r k e d ti r el e s sl y t o b ri n g y o u a m a g a zi n e w o rt h g etti n g e x cit e d o v e r. O n e t h at w e c a n all b e p r o u d of. A s y o u will h o p ef ull y s e e f o r y o u r s elf, w e h a v e a c hi e v e d t h at g o al. W e w o ul d li k e t o t h a n k o u r a d vi s o r, K y r a Ki r k w o o d, o u r d e si g n e r s, Fl o r F a rf a n a n d St e p h a ni e R e n, a n d o u r st aff w rit e r s a n d p h ot o g r a p h e r s.

W e p ut o u r h e a rt s a n d s o ul s i nt o t hi s s e m e st e r’ s i s s u e. W e h o p e y o u e nj o y r e a di n g a s m u c h a s w e e nj o y e d c r e ati n g it!

- T h e E dit o r s

Speci al t h a n ks to J ay Sei del, Fulle rto n College’s jou r n alis m depa rt me nt coo r di n ato r, fo r his assista nce.

E dito r-I n-C hief :

Staff W rite rs:

C re ati ve Di recto rs/ Desig ne rs :

Roxa n ne Reeves

Alexia Salazar A ma nda Go nzalez A ma nda Ma nriq uez A ma nda Morales C harles Lo CJ Sa nchez Dia na Jarra h Eri n McC urry Ia n Wi nsta nley Jos h ua Villafra nco J usti n Co nj urski Marjorie Mira nda Michael Galva n Roxa n ne Reeves Sa ndra Flores So fi a Milla

Flor N Farfa n Step ha nie Re n

Co-E dito rs: Madeli ne Gray Mark A nt ho ny Ward Jr.

Soci al Me di a E dito rs: C harles Lo So fi a Milla

We b E dito r: Dia na Jarra h

A dviso r : Kyra Kirk wood

P hotog r ap he rs : A ma nda Ma nriq uez C harles Lo Michael Galva n Eri n McC urry Er nie Go nzalez

I nside Fullerto n is prod uced every se mester by Magazi ne Prod uctio n, Jo ur nalis m 13 2, at Fullerto n College u nder t he g uida nce of st ude nt editors a nd t he advise me nt of Jay Seidel. Editorial a nd advertisi ng co nte nt herei n, i ncl udi ng a ny opi nio ns expressed, are t he sole respo nsibility of t he st ude nts i n t he prod uctio n class. I nfor matio n p ublis hed herei n does not represe nt t he positio n of t he Nort h Ora nge Co u nty Co m m u nity College District, Fullerto n College or a ny ot her of ficer or e mployee wit hi n.

C O NTACT US For editorial, ne ws, i nfor matio n & j ust to say hello: i nsidef ullerto n @f ullcoll.ed u For advertisi ng, spo nsors hip or b usi ness questio ns: jseidel @i nsidef ullerto n.co m Maili ng Address: I nside Fullerto n 3 21 E. C hap ma n Ave., Fullerto n, C A 9 2 8 3 2 Visit us o n: Web w w w.i nsidef ullerto n.co m T witter @i nsidef ullerto n

I NSIDE FULLERTO N - F ALL - 2018

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I NSIDE FULLERTO N - F ALL - 2018

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I NSIDE FULLERTO N - F ALL - 2018

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• A c k n o wle d ge t he e xiste n ce of vete r a ns. T h a n k a vete r a n f o r t hei r se r vi ce a n d s a c rifi ce.

D o n ot b e s c a r e d. H a v e n’ t y o u w a nt e d s o m e o n e t o b e t h e r e w h e n y o u f el t al o n e a n d a b a n d o n e d ?

• Fi n d a c re ati ve o utlet t h at helps wit h e m oti o n al e xp ressi o n.

I NSIDE FULLERTO N - F ALL - 2018

J os h u a Vill afr a n c o

W hat T h e Tra nsf er C e nt er R eally D o es F or St u d e nts

T h e Ca d e na C ult ural a n d Tra nsf er C e nt er at F ull ert o n C oll e g e is visit e d by t h o usa n ds of st u d e nts ev ery s e m est er w h o ar e l o o ki n g t o ta k e t h e n e xt st e p i n t h eir a ca d e mi c car e ers.

“ W e hi g hly e n c o ura g e st u d e nts t o b e o n t hat i nf or mati o n [t hat’s i n t h e n e wsl ett er]. ” s h e sai d. T his i nf or mati o n i n cl u d es i m p orta nt dat es c o n c er ni n g tra nsf er d ea dli n es, ti m es a n d l o cati o ns of f ut ur e ev e nts as w ell as i nf or mati o n o n u niv ersiti es t hat visit F ull ert o n C oll e g e.

B ut f or t his t o ha p p e n, st u d e nts n e e d t o s e e w hat t h e Ca d e na C ult ural & Tra nsf er C e nt er is off eri n g t h e m a n d h o w t his r es o ur c e h el ps t h e m f urt h er t h eir a ca d e mi c g oals.

St u d e nts ar e als o pr ovi d e d wit h ca m p us t o urs t o diff er e nt u niv ersiti es i n Calif or nia. “ T h e Ca d e na C ult ural & Tra nsf er C e nt er all o w e d m e t o g o o n ca m p us tri ps t hat I pr o ba bly w o ul d hav e n ot g o n e t o o utsi d e of s c h o ol, ” sai d B ovi e Lav o n g, a c urr e nt st u d e nt at F ull ert o n C oll e g e.

A c c or di n g t o F ull ert o n C oll e g e’s w e bsit e, t h e Ca d e na C ult ural & Tra nsf er C e nt er’s missi o n is “t o pr ovi d e s ervi c es t hat e n ha n c e a war e n ess of ca m p us div ersity, fa cilitat e tra nsf er t o f o ur-y ear c oll e g es / u niv ersiti es a n d pr o m ot e st u d e nt d ev el o p m e nt a n d lif el o n g l ear ni n g. ” C oll e g e st u d e nts still n e e d g ui da n c e f or t h eir n e xt st e p aft er c o m m u nity c oll e g e. T h e Ca d e na C ult ural & Tra nsf er C e nt er pr ovi d es it.

T h es e tri ps i n cl u d e d U C L A, U S C, L oy ola Mary m o u nt as w ell as ot h ers. Avila is als o t h e liais o n f or ma ny of t h e u niv ersity r e pr es e ntativ es w h o c o m e visit t h e ca m p us t o w or k wit h st u d e nts o n e- o n- o n e or s et u p i nf or mati o n ta bl es, s u c h as U C L A, U CI, C S U F, et c.

As t h e s p e cialist at t h e Ca d e na C ult ural a n d Tra nsf er C e nt er, Bra n di Avila is part of t h e staff pr o gra mi n g t h e tra nsf er ev e nts t hat g o o n a cr oss ca m p us t hr o u g h o ut t h e y ear, s u c h as t h e diff er e nt u niv ersity pa n els as w ell as t h e tra nsf er w e e k ev e nts t o h el p st u d e nts d e ci d e o n t h eir n e xt st e p aft er F ull ert o n C oll e g e.

Ov er t h e s u m m er of 2 0 1 8, Avila e x plai n e d t hat m or e t ha n 3 0 0 st u d e nts w er e s e e n t o h el p wit h t h eir a p pli cati o n pr o c ess t o ot h er c oll e g es, a n d d uri n g t h e fall a n d s pri n g s e m est ers ea c h y ear, t h o usa n ds of t h e c urr e nt 2 5, 0 5 1 F ull ert o n C oll e g e st u d e nts ﬂ o o d i nt o t h e Ca d e na C ult ural & Tra nsf er C e nt er s e e ki n g h el p.

Avila e x plai n e d t hat ma ny st u d e nts will c o m e i nt o t h e Ca d e na C ult ural & Tra nsf er C e nt er a n d as k “ H o w ca n I fi nis h my a p pli cati o ns ? Ar e t h er e a ny w or ks h o ps I ca n b e i nv olv e d i n ? ” B ot h of t h es e q u esti o ns c orr elat e e xa ctly t o a n ot h er part of Avila’s d uti es as a tra nsf er s p e cialist. A part fr o m pr o gra mmi n g ev e nts a cr oss ca m p us, Avila als o w or ks wit h st u d e nts o n e- o n- o n e a n d i n gr o u ps d uri n g w or ks h o ps t o h el p t h e m fi nis h a p pli cati o ns a n d t o g et a n u n d ersta n di n g of w h er e t h ey sta n d i n t h e tra nsf erri n g pr o c ess.

T his a m o u nt of traf fi c is v ery hi g h f or a staff c o nsisti n g of o nly fi v e f ull ti m e staff m e m b ers a n d s ev eral ot h er part-ti m e c o u ns el ors. Ev ery o n e o n t h e staff w or ks har d t o pr ovi d e all t h e assista n c e t h ey ca n t o st u d e nts t o h el p b ett er t h eir liv es a n d m ov e t h e m o n t o t h eir n e xt st e p i n t h eir a ca d e mi c pat hs.

C e cilia Ortiz, a f or m er st u d e nt at F ull ert o n C oll e g e a n d c urr e nt st u d e nt at Calif or nia Stat e U niv ersity F ull ert o n, f o u n d t h e Ca d e na C ult ural & Tra nsf er C e nt er e x p eri e n c e t o b e v ery b e n e fi cial.

“I a p pr e ciat e all t h e h el p I g ot fr o m t h e tra nsf er c e nt er, ” sai d Ortiz. “It was us ef ul b e ca us e b ei n g a fi rst g e n erati o n c oll e g e st u d e nt, I di d n’t hav e m u c h g ui da n c e, a n d ev e n w h e n I was a littl e l ost, t h e Ca d e na C ult ural & Tra nsf er C e nt er c o ul d h el p m e o ut. Pl us t h ey ar e all s o ni c e t h er e. ”

Ev e n t h o u g h s h ort staff e d, t h e Ca d e na C ult ural & Tra nsf er C e nt er h el ps as ma ny p e o pl e as t h ey ca n.

“I w e nt t o t h e Ca d e na C ult ural & Tra nsf er C e nt er w h e n it ca m e ti m e t o a p ply f or u niv ersiti es, ” s h e sai d. “ T h ey pr ovi d e d assista n c e wit h c o m pl eti n g t h e a p pli cati o ns w hi c h ma d e t h e pr o c ess m u c h easi er. ” Avila writ es t h e n e wsl ett er f or t h e Ca d e na C ult ural & Tra nsf er C e nt er t hat is s e nt o ut ev ery m o nt h.

T h e Ca d e na C ult ural & Tra nsf er C e nt er h el ps st u d e nts at F ull ert o n C oll e g e r ea c h t h e n e xt st e p a ca d e mi cally as w ell as s etti n g t h e m u p wit h t h e t o ols t o pr os p er i n t hat n e w e nvir o n m e nt. T h e q u esti o n n o w is, will y o u b e t h e n e xt st u d e nt t h ey h el p ?

i n F ull e rt o n

C r e ati n g a C o m m u nit y of E nt r e p r e n e u r s hi p

I NSIDE FULLERTO N - F ALL - 2018

C o- w o r ki n g: Co nsideri ng t here are over 6 0 co- worki ng spaces i n So ut her n Califor nia alo ne, o ne may wo nder w hat t his tre nd is all abo ut. Co- worki ng e nviro n me nts serve as h ubs for co mpa nies of all sizes o work i n o ne ce ntral space. T hese spaces are k no w n to e n ha nce prod uctivity, help professio nals net work effectively a nd also provide ed ucatio nal eve nts a nd a se nse of co m m u nity for me mbers. W hile providi ng necessary reso urces for e ntrepre ne urs i n Fullerto n, FL D Work (pro no u nced field work), is worki ng hard to do more for its co m m u nity w hile adva nci ng t he co m mo n good. FL D Work has helped gro w co mpa nies a nd no n-pro fits s uch as Mika h, Marriage 3 6 5, a nd Solidarity, w hich are all Ora nge Co u nty start- ups t hat have u niq ue missio ns to create a positive i mpact i n t he world. B usi ness o w ners a nd e mployees alike are more co nscio us today abo ut t heir work e nviro n me nts a nd are lear ni ng to val ue like- mi nded co m m u nities w hich provide e nco urage me nt a nd s upport. I n Califor nia, w here t he price of real-estate is hig h, taxes are hig her a nd b usi ness is hig hlyreg ulated, starti ng a b usi ness ca n be da u nti ng. T he rollercoaster t hat is e ntrepre ne urs hip, ca n be lo nely a nd w he n so m uch of a n i ndivid ual’s e nergy is po ured i nto t he s uccess of a b usi ness, it ca n co me at t he expe nse of o ne’s healt h. F L D W or k i s l oc at e d i n b ot h C o st a M e s a a n d F ull ert o n , a nd exists to g uide people i n mea ni ngf ul work. T he co- worki ng e nviro n me nt provides a n e nco uragi ng space a nd u nique start- up progra ms w hich work as a n i nc ubator process for ideas a nd helps tra nsfor m t he m i nto viable prod ucts or services. Alli s o n H o w ell, f o u n d er of R W El e p h a nt , a soft ware co mpa ny t hat helps party re ntal co mpa nies ma nage t heir i nve ntory, previo usly worked o ut of a neig hbor’s ho me a nd today leases a s mall space at FL D Work for her a nd her tea m of fo ur e mployees. H o w ell d e scri b e s h er ti m e b ef or e F L D W or k a s i s ol ati n g. “ W he n yo u o w n yo ur o w n b usi ness, yo u get to set yo ur o w n r ules... w hich see ms ro ma ntic a nd lovely u ntil yo u’re worki ng by yo urself all day, every day,” s he said.

A m a n d a G o n z al e z W he n asked abo ut t he t hi ng s he gai ned most fro m bei ng a me mber at FL D Work, Ho well me ntio ned t he s upport fro m t he co m m u nity. “It’s t he little t hi ngs,” s he said. “Fro m people j ust bei ng next door a nd co m me nti ng o n yo ur I nstagra m posts, to, j ust people i nterested i n my work, cari ng abo ut my s uccess a nd cheeri ng me o n. I love to do t hat for ot hers, a nd I a m so e nco uraged w he n t hat is do ne for me.” Me mbers of FL D Work co uld be see n bo u nci ng ideas off o ne a not her cas ually i n t he co m m u nal kitche n, over s nacks a nd coffee provided by t he workspace o n a n ho nors syste m. T his Nove mber, t he worki ng space provided l u nch for its me mbers i n celebratio n of its o ne year a n niversary. I n t he middle of work breaks, yo u co uld see me mbers pitchi ng t heir o w n b usi ness a nd s hari ng advice, a co m mo n a nd val uable mo me nt of e ngage me nt t hat is n’t available to e ntrepre ne urs worki ng at ho me. Jill Ar bi ni, t h e m ar k eti n g m a n a g er , explai ns t he FL D Work p hilosop hy, “FL D Work is a co m m u nity of doers w ho exist to adva nce co m mo n good. We believe i n t he world’s best f ut ure, a nd t he idea everyo ne has a part i n maki ng t hat happe n.” C urr e ntl y F L D W or k h a s 1 0 0 m e m b er s i n C o st a M e s a, w hil e F ull ert o n h a s 5 0 m e m b er s a n d h o p e s t o e x p a n d. Arbi ni, said t here are b usi nesses t hat do walk a way fro m FL D Work beca use t hey do not co n nect wit h t he sa me missio n, or si mply got w hat t hey needed fro m t he 7, 0 0 0 sq-ft of fice space a nd moved o n. T h e s e s p ac e s pr o vi d e r e m ot e w or k er s, st art u p s, fr e e l a nc er s, arti st s, a n d s m all b u si n e s s e s wit h m a n y b e ne fit s, b ut t hey also do a n e nor mo us a mo u nt of good for t he local b usi nesses s urro u ndi ng t he m, i ncl udi ng t he local eco no mies a nd t he eco no my as a w hole by helpi ng ge nerate reve n ue a nd create jobs wit hi n a co m m u nity.

I NSIDE FULLERTO N - F ALL - 2018

J u s ti n C o n j u r s ki P h o t o B y E r ni e G o n z a l e z

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H oll y w o o d w a s a mi d st a n ot h e r S A G st ri k e w h e n l e g e n d E d A s n e r of Di s n e y’ s " U P " a n d " T h e M a r y T yl e r M o o r e S h o w ", h a d t h e fl o o r at a m e eti n g b et w e e n S A G a n d a g e nt s i n t h e e nt e rt ai n m e nt i n d u st r y t o di s c u s s w h o h a d t h e ri g ht s t o b e a t r u e m e m b e r of t h e S c r e e n A ct o r s G uil d. A s A s n e r w e nt o n t o v oi c e hi s t h o u g ht s t o t h e m e m b e r s i n t h e r o o m, a v oi c e f r o m t h e b a c k s p o k e u p.

a h n s b C a

“ S o y o u’ r e t elli n g m e w h e n y o u w e r e b o r n y o u r d o ct o r r oll e d y o u o v e r a n d st a m p e d S A G o n y o u r a s s ? ” W h o w o ul d h a v e t h e g ut s t o s p e a k u p t o a H oll y w o o d l e g e n d ?

Al o n g wit h i n st r u cti n g a cl a s s a n d a n n o u n ci n g f o ot b all, P a vl o vi c h al s o h a s h el p e d m a n y F ull e rt o n C oll e g e f u n cti o n s wit h vi d e o, h o sti n g, M C, a n d m a n y ot h e r d uti e s t h at q uit e f r a n kl y, n o o n e el s e w a nt e d t o d o.

F ull e r t o n C oll e g e s p o r t s b r o a d c a st e r a n d i n st r u ct o r P a vl o vi c h di d.

M ar k

P a vl o vi c h h a s m a n y d uti e s at F ull e rt o n C oll e g e a n d h a s t h r o u g h o ut hi s 1 8 y e a r s at t h e s c h o ol . C u r r e ntl y h e h el p s t e a c h t h e s p o rt s b r o a d c a sti n g cl a s s, a n n o u n c e s v a ri o u s s p o rt s, r u n s T h e C o a c h e s S h o w w hi c h gi v e s a n i n d e pt h vi e w at F ull e rt o n C oll e g e c o a c h e s e v e r y w e e k, c o o r di n at e s v a ri o u s e v e nt s f o r F ull e rt o n C oll e g e, s u c h a s t h e C e nt e n ni al e v e nt h el d i n 2 0 1 3, a n d m a n y m o r e u n e x p e ct e d r ol e s i n t h e c o m m u nit y. B e si d e s b ei n g f ri e n dl y a n d p a s si o n at e a b o ut hi s m a n y r ol e s h e r e at F ull e rt o n C oll e g e, P a vl o vi c h i s a f ull-ti m e v ol u nt e e r . T h at’ s ri g ht, a v ol u nt e e r. H e g et s p ai d n ot hi n g. At l e a st, fi n a n ci all y. P a vl o vi c h s p e nt 3 0 y e a r s i n t h e e nt e rt ai n m e nt i n d u st r y a s a n a g e nt, a n a ct o r, a n d m a n y ot h e r r ol e s. O n c e hi s s o n g ot ol d e n o u g h t o f e n d f o r hi m s elf, P a vl o vi c h’ s j o b a s a si n gl e d a d w a s at a n e n d. B ei n g r eti r e d a s w ell, P a vl o vi c h n e e d e d s o m et hi n g t o o c c u p y hi s ti m e, a n d h e d e ci d e d t o p a rt a k e i n F ull e rt o n C oll e g e’ s r a di o p r o g r a m

n d r a di o st ati o n 9 0. 1 K B P K. Wit h el p f r o m f o r m e r i n st r u ct o r a n d o w E x e c uti v e M a n a g e r of p o rt s n et u s a. n et, E d F o r d, M a r k e g a n hi s c a r e e r a s F ull e rt o n oll e g e F o ot b all’ s pl a y- b y- pl a y n n o u n c e r.

P a vl o vi c h al s o h el p s o ut C o r e y N e yl a n d wit h F ull e rt o n C oll e g e’ s s p o rt s b r o a d c a sti n g cl a s s, h e h a s si n c e 2 0 0 0.

I n 2 0 1 3 F ull e rt o n C oll e g e h a d a g r a n d e v e nt t o c el e b r at e t h e s c h o ol’ s c e nt e n ni al, b ut wit h n o o n e t o h o st a n d fil m t h e e v e nt. P a vl o vi c h st e p p e d u p a n d v ol u nt e e r e d hi m s elf a n d g at h e r e d ot h e r willi n g v ol u nt e e r s t o h el p hi m h o st a n d fil m t h e e v e nt. M a n y p e o pl e a s k, “ W h y v ol u nt e e r, M a r k ? W h at’ s i n it f o r y o u ? ” P a vl o vi c h w o ul d r e s p o n d i n o n e of m a n y w a y s, b ut o v e r all it al w a y s c o m e s d o w n t o t h e st u d e nt s a n d t h e p e o pl e h e h el p e d g et t o w h e r e t h ei r d r e a m s h a v e t a k e n t h e m. H e h a s b e e n s u c c e s sf ul i n l o c al s c h o ol p oliti c s i n r e g a r d s t o M e a s u r e J. A c c o r di n g t o t h e N o rt h O r a n g e C o u nt y C o m m u nit y C oll e g e Di st ri ct w e b sit e, M e a s u r e J a c c o m pli s h e s 6 0 0 milli o n d oll a r s i n f u n di n g f o r e q ui p m e nt, f u r nit u r e, a n d s u p pli e s f o r F ull e rt o n a n d C y p r e s s C oll e g e s. P a vl o vi c h i s c u r r e ntl y a m e m b e r of t h e c o m mitt e e t o h el p d e ci d e h o w t o s p e n d t h e f u n d s t h at P r o p o siti o n J a c q ui r e d. I n cl u di n g t h o u s a n d s of d oll a r s’ w o rt h of e q ui p m e nt f o r t h e s p o rt s b r o a d c a sti n g cl a s s.

A si d e f r o m hi s m a n y c o nt ri b uti o n s t o F ull e rt o n C oll e g e, P a vl o vi c h al s o w o n a c o nt r a ct f o r b r o a d c a sti n g ri g ht s t o t h e A n a h ei m D u c k s l o c al hi g h s c h o ol l e a g u e. At t h e ti m e, t h e l e a g u e o nl y h a d t h r e e t e a m s, b ut wit h h el p of f e at u r e d c o v e r a g e of t h e l e a g u e, t h e r e a r e n o w a n a st o ni s hi n g 4 6 t e a m s . T hi s h a s h el p e d h o c k e y g r o w i n S o ut h e r n C alif o r ni a, n ot a t y pi c al e n vi r o n m e nt f o r a wi nt e r s p o rt, e s p e ci all y i c e h o c k e y. N ot o nl y d o e s P a vl o vi c h l o v e t o s e e hi s st u d e nt s g r o w a n d a c hi e v e, b ut t h e a c c o m pli s h m e nt s of t h e s o n h e r ai s e d b y hi m s elf s p e a k s l a r g e t o w h at M a r k d e di c at e d hi s lif e a n d m ai n f o c u s o n. “If y o u t al k a b o ut a c c o m pli s h m e nt s, I l o o k at m y s o n,” h e s ai d. A s P a vl o vi c h c o nti n u e s t o v ol u nt e e r hi s ti m e a n d eff o rt, st u d e nt s c o nti n u e t o p r o s p e r a n d a c hi e v e. Hi s e n c o u r a gi n g w o r d s a n d m oti v ati o n a r e w h at h el p hi s st u d e nt s t h ri v e . T h e p a st 1 8 y e a r s h a v e m a d e P a vl o vi c h t h e m a n h e i s t o d a y a n d t hi s w rit e r d o e s n’t s e e hi m c e a si n g t o e n c o u r a g e a n d i n s pi r e at F ull e rt o n C oll e g e a n yti m e s o o n. T o a d d a n ot h e r o ut st a n di n g q u alit y t o P a vl o vi c h, h u m bl e n e s s will l et hi m d e s c ri b e t h at h e d o e s n’t r e all y h el p t h e s e ki d s a c c o m pli s h a n yt hi n g. H e will t ell t h e m t h e y di d it o n t h ei r o w n. If t h e y di d n’t h a v e t h e a bilit y a n d t h e st r e n gt h t o a c hi e v e t h ei r g o al s, t h e y w o ul d n’t b e t h e r e. W h et h e r h e w a s t h e r e t o i n st r u ct a n d e n c o u r a g e o r n ot. Of c o u r s e, hi s st u d e nt s a n d hi s s u p p o rt e r s w o ul d di s a g r e e.

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a th l A n g el P o n c e “ C o o ki e s ” - S O C C E R

A s hl e y Sl o u k a - S O C C E R

P o siti o n – Fo r w a r d M aj o r - S p o rt s P s y c h ol o g y Hi g h S c h o ol – L a H a b r a Hi g h S c h o ol, L a H a b r a, C alif C a r e e r Ti d bit s – Pl a y e d si n c e f o u r y e a r s ol d. Pl a y e d f o r L a H a b r a Cit y F C. Pl a n s t o t r a n sf e r wit h h o p e s t o pl a y f o r a D1 s c h o ol. Pl a n s t o t r a n sf e r wit h h o p e s t o pl a y f o r a D1 s c h o ol. Fa v o rit e At hl et e – K o b e B r y a nt & C o n o r M c G r e g o r Fa v o rit e L o c al R e st a u r a nt – C a s a A d elit a ( E n c hil a d a s) Fa v o rit e F C I n st r u ct o r – B rit a n y I n g o r s oll ( P s y c h ol o g y) C u r r e nt N etfli x S h o w – "J o e R o g a n: St r a n g e Ti m e s" & " G ot h a m" Fa v o rit e M o vi e s – " T h e D a r k K ni g ht" & " T h e I r o n Gi a nt" C el e b rit y C r u s h – S o p hi a B u s h & B ri a n a E vi g a n

P o siti o n – Fo r w a r d M aj o r - S p e ci al E d u c ati o n Hi g h S c h o ol – S a nti a g o Hi g h S c h o ol, C o r o n a, C alif C a r e e r Ti d bit s – Pl a y e d si n c e fi v e y e a r s ol d. Pl a y e d f o r hi g h l e v el cl u b t e a m s t h r o u g h o ut hi g h s c h o ol. H o p e s t o t r a n sf e r a n d pl a y f o r a D1 s c h o ol. Fa v o rit e At hl et e – Al e x M o r g a n Fa v o rit e L o c al R e st a u r a nt – Te x a s R o a d h o u s e Fa v o rit e F C I n st r u ct o r – K a ri n Pa v el e k ( S p e ci al E d u c ati o n) C u r r e nt N etfli x S h o w – " Ri v e r d al e" Fa v o rit e M o vi e –" T h e B e st of M e" C el e b rit y C r u s h – D yl a n O’ B ri e n

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e te s A m a n d a H e n d ers o n - V OLL Y B ALL

L u c k y A vi n g e r - F O O T B A L L

P o siti o n – O ut si d e Hitt e r M aj o r - Bi ol o gi c al M e di ci n e Hi g h S c h o ol - L a k e w o o d Hi g h s c h o ol, L a k e w o o d, C alif C a r e e r Ti d bit s – H a s pl a y e d f o r s e v e n y e a r s. O nl y gi rl i n h e r cl a s s t o m a k e Va r sit y h e r f r e s h m a n y e a r at L a k e w o o d Hi g h S c h o ol. Pl a n s t o t r a n sf e r a n d pl a y D1 Voll e y b all Fa v o rit e At hl et e – S e r e n a Willi a m s & L o u G e h ri g Fa v o rit e L o c al R e st a u r a nt – C h e e s e c a k e Fa ct o r y Fa v o rit e I n st r u ct o r – M a r ci a Fo st e r ( S o ci ol o g y of S p o rt s) C u r r e nt N etfli x S h o w – " T h e Offi c e" ( U. S. V e r si o n) Fa v o rit e M o vi e – " T h e C u ri o u s C a s e of B e nj a mi n B utt o n" C el e b rit y C r u s h – J uJ u S mit h - S c h u st e r

P o siti o n – R u n ni n g B a c k M aj o r - U n d e ci d e d Hi g h S c h o ol – L a H a b r a Hi g h S c h o ol, L a H a b r a, C alif C a r e e r Ti d bit s – Pl a y e d si n c e ei g ht y e a r s ol d. Pl a n s t o t r a n sf e r a n d pl a y f o r a D1 s c h o ol. Fa v o rit e At hl et e s – M a r s h a w n L y n c h a n d E z e ki el Elli ott Fa v o rit e R e st a u r a nt s – C h e e s e c a k e Fa ct o r y a n d C hi c k - Fil - A Fa v o rit e F C I n st r u ct o r – L a u r a L o o n e y ( M at h) C u r r e nt N etfli x S h o w – " L a st C h a n c e U" Fa v o rit e M o vi e – " T h e A v e n g e r s" C el e b rit y C r u s h – C h a nt el J eff ri e s

P h ot o b y A m a n d a M a n ri q u e z

R O X A N NE REE VES

P h ot o Cr e dit: C h arl e s L o

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T h e c urr e nt st at u s of r o c k m u si c i s a p a s si o n at e o n e f or S c ott. Itʼ s n ot d e a d. “ N o. Itʼ s e v ol vi n g, ” h e s ai d. “ M u si c i s al w a y s c h a n gi n g. P e o pl e h a v e diff er e nt o pi ni o n s a b o ut r o c k m u si c. T h er eʼ s C h u c k B err y, t h e B e atl e s, El vi s Pr e sl e y, L e d Z e p p eli n, Ji mi H e n dri x, V a n H al e n … t h o s e ar e diff er e nt t y p e s of m u si c. T h e m u si c i s al w a y s c h a n gi n g. ”

M u si c. It s urr o u n d s u s all b y a b e at, a l yri c or j u st a si m pl e s o u n d. T h er e ar e all t y p e s of g e nr e s of m u si c, fr o m p o p, R & B, c o u ntr y, r o c k a n d m or e. R o c k m u si c e s p e ci all y h a s b e e n ar o u n d f or d e c a d e s. S o n g writ er a n d F ull ert o n C oll e g e al u m ni a n d m u si c pr of e s s or Mi c h a el S c ott k n o w s t h atʼ s a f a ct. S c ott t e a c h e s a n o nli n e cl a s s, “ T h e Hi st or y of R o c k M u si c ” at t h e s c h o ol f or f o ur y e ar s n o w. Fr o m p erf or mi n g wit h t h e l e g e n d ar y St e vi e W o n d er, t o s p e a ki n g a b o ut hi s l o v e f or m u si c a n d b e y o n d, S c ott bri n g s hi s v a st e x p erti s e t o t h e cl a s sr o o m.

E v e n t h o u g h S c ott d o e s nʼt e x p e ct t o wi n d u p o n st a g e p erf or mi n g wit h l e g e n d s l ar g er t h a n St e vi e W o n d er a g ai n, h e i s still b u sti n g o ut m u si c wit h ot h er t al e nt e d m u si ci a n s all t h e ti m e. H e i s e v e n f e at ur e d o n J a n e L y n c hʼ s, “ A S wi n gi n Littl e C hri st m a s ” al b u m. H e s p e n d s s o m e of hi s d a y s tr a v eli n g a n d h eʼ s l e ar n e d t h at.

“I w a nt st u d e nt s t o e x p eri e n c e all t h e t y p e s of m u si c a n d e x p erie n c e all t h at i s o ut t h er e, ” h e s ai d. Y e ar s a g o, S c ott pl a y e d g uit ar i n t h e or c h e str a b a c ki n g u p t h e l e g e n d ar y St e vi e W o n d er at t h e W alt Di s n e y C o n c ert H all i n L o s A n g el e s.

“ M u si c i s v er y u ni v er s al. It h a s it s o w n l a n g u a g e. P e o pl e ar o u n d t h e w orl d k n o w w h at m u si c i s …. Tr a v eli n g i ntr o d u c e d m e t o ot h er st yl e s of m u si c. F or e x a m pl e, cl a s si c al m u si c al pi e c e s, f ol k m u si c t h at I h a v e nʼt h e ar d b ef or e. ”

“It w a s j u st a v er y s urr e al m o m e nt, ” S c ott s ai d. T h e gr o u p pl a y e d “ M o o n Ri v er. ” “ F or m e, [ W o n d er] w a s t h e hi g hli g ht. ”

S c ott al s o h a p p e n s t o writ e a n d m a k e hi s o w n m u si c, b ut it t a k e s a vill a g e t o d o.

C o mi n g fr o m t h at e x p eri e n c e a n d n o w l o o ki n g b a c k o n t h at, S c ott s ai d, “ Y o u h a v e t o e nj o y t h o s e m o m e nt s w h e n t h e y c o m e ar o u n d b e c a u s e itʼ s s o m et hi n g t o b e gr at ef ul f or at t h e e n d of t h e d a y. ”

“Itʼ s v er y f ul ﬁlli n g t o t a k e a cr e ati v e s p ar k t o cr e at e t h e s o n g a n d r e c or d it wit h t h e b a n d, ” S c ott s ai d. “I l o v e t h e pr o c e s s, t h e cr e ati vit y of it...I l o v e r o c k m u si c. I t hi n k itʼ s gr e at. T h e m u si c c a n e x pr e s s e m oti o n s. Itʼ s b e e n a w a y of e x pr e s si n g m y s elf. ”

B ut S c ott di d nʼt j u st wi n d u p o n st a g e wit h St e vi e W o n d er or t e a c hi n g c oll e g e st u d e nt s. H e b e g a n hi s m u si c al j o ur n e y y e ar s a n d y e ar s a g o, b a c k i n hi g h s c h o ol w h e n h e w a s a fr e s h m a n.

M u si c is al w a y s c h a n gi n g...

“ O n e d a y m y p ar e nt s t o o k m e t o a l o c al m u si c st or e a n d r e nt e d m e a g uit ar a n d I st art e d t a ki n g l e s s o n s, ” s ai d S c ott. B ut it w a s nʼt u ntil hi s l at e 2 0 s w h er e h e f elt t h e c all t o m a k e t hi s hi s c ar e er. H e w e nt t hr o u g h diff er e nt p h a s e s of m u si c, cl a s si c r o c k a n d cl a s si c g uit ar. I n c oll e g e h e di s c o v er e d j a z z, w hi c h b e c a m e a bi g p a s si o n f or hi m. “Iʼ v e al w a y s f elt a d e e p c o n n e cti o n wit h g uit ar a n d m u si c, b ut a s y o u g et ol d er y o u q u e sti o n i n a w a y, ʻ c a n I s u p p ort m y s elf a s a m u si ci a n ?ʼ Itʼ s a pr a cti c al t hi n g t o t hi n k, ” h e s ai d. “ B ut t o d a y I a m v er y f ort u n at e a n d t h a n kf ul a s a m u si ci a n, b e c a u s e I g et t o t e a c h a n d p erf or m. ” S c ottʼ s m u si c cl a s s at F ull ert o n C oll e g e i s a p o p ul ar o n e. “Itʼ s a v er y i nt er e sti n g s u bj e ct, ” h e s ai d. “Itʼ s f u n t o s e e st u d e nt s l e ar n a b o ut t h e diff er e nt st yl e s of m u si c. ” T h e cl a s s i s t a u g ht i n er a s st arti n g fr o m t h e v er y b e gi n ni n g, t hr o u g h e arl y r o c k, t h e B e atl e s, M ot o w n, f ol k r o c k a n d m or e. “ W e li st e n t o a l ot of m u si c, ” h e s ai d wit h a l a u g h. “[I li k e] all g e nr e s of m u si c. I al s o l o v e t h e e n er g y a n d p a s si o n t h at t h e m u si c h a s fr o m it s p erf or m er s. ”

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A manda

M o r al e s

W he n tears make t he mselves prese nt we us ually co n nect t he m to t wo

all of yo ur mo nstro us creatio ns? Welco me to t he world of stress cryi ng, t he

extre mes: happy or sad. T hey’re eit her t here beca use we’re mo ur ni ng a deat h

go-to free medici ne for w he n life is bei ng a t hor n i n yo ur side. First we have to

or beca use we’re getti ng married. Maybe t he water works co me o ut beca use

u ndersta nd w hy we cry i n t he first place.

we fi nally met t hat frie nd of o urs w ho we nt g host o n us. Or maybe beca use waiti ng at t he trai n statio n re mi nded us of ho w Hachiko t he dog waited ni ne

“ H u ma ns prod uce t hree types of tears,” as stated i n Medical Ne ws Today, a n

lo ng years for a n o w ner t hat never ca me.

o nli ne database for medical professio nals a nd patie nts alike. T hese t hree types

B ut w hat happe ns w he n yo u feel like cryi ng beca use yo ur car broke do w n for

w hat coats o ur eyeballs to keep t he m fres h a nd moist. Re fiex, as yo u may

t he t hird ti me t his mo nt h? W he n yo u lost t hat i ndestr uctible pa n t hat wit hstood

G r a p hi c Ill u st r ati o n: Fl o r F a r f a n

go by t he na mes of basal, re fiex a nd e motio nal. Basal is al ways wit h us; it’s have already g uessed, is a respo nse to o utside sti m uli. Havi ng a fr uit fiy la nd

I NSIDE FULLERTO N - F ALL - 2018

directly o n yo ur cor nea or s melli ng o nio ns pretty m uch does t he trick. A nd

a talk wit h her mot her abo ut her co ncer ns. S he t he n we nt to all of her profes-

e motio nal tears are w he n we are e motio nal! T he title of t hat t hird category

sors w here s he expressed her str uggles a nd talked of sol utio ns.

leaves a lot to t he i magi natio n. W he n we release tears d ue to stress it also releases e ndorp hi ns, hor mo nal che micals t hat make us feel good. Basically a

“T he expressio n of stro ng feeli ngs is t herape utic; it is helpf ul” explai ned

little pat-o n-t he-back fro m o ur bodies sayi ng everyt hi ng is goi ng to be okay.

Fullerto n psychologist Dr. Sara h Mcl ntos h. “ W he n t he body is stressed o ut or over w hel med wit h st uff, like feeli ngs, it’s not al ways possible to express

A st udy do ne i n 2 010 by psychologist experts As mir Graca ni n, Dr. Ad

everyt hi ng t hat’s goi ng o n.”

Vi nger hoets a nd La ure n M. Byls ma revealed ho w cryi ng o ut of e motio n was o ur o w n special way of heali ng o urselves. “Cat harsis refers to t he experie nce

T he setti ng may not be appropriate w here yo u ca n allo w yo urself to feel

of relief res ulti ng fro m t he expressio n of stro ng e motio ns … [s uch as]

w hat yo u're feeli ng s he s u m marizes. “It’s like a press ure cooker a nd as t he

cryi ng”, t he st udy explai ned. “Cat harsis t h us by de fi nitio n i mplies self-soot h-

heat rises more st uff is happe ni ng. So met hi ng happe ns at work a nd t he n

i ng, beca use it bri ngs relief a nd di mi nis hes te nsio n a nd … negative feeli ngs.”

so met hi ng happe ns at ho me a nd t he n so met hi ng happe ns at school. It’s stacki ng a nd t hese feeli ngs … have n’t bee n ve nted, it has no w here to go.”

So we cry beca use it makes us feel better. W he n we’re stressed it’s o ur respo nse to o utside forces we ca n’t co ntrol. We sit. We weep. A nd t he n we go

So w hat does t he body do wit h all t his pe nt up e motio n yo u have n’t allo wed

o n wit h o ur day.

to r u n free? It escapes itself t hro ug h yo ur eyes w het her yo u wa nt it to or not. So me of t he u n healt hy ways o ur restrai ned e motio ns ma nifests itself i n t he

“Po wer cryi ng” is t he ne w ter m for j ust t hat. W he n t he to ug h gets goi ng a nd

real world is far a nd lo ng. I nter nally we get sick, b ut it also affects ot hers.

yo u have to grieve for yo ur circ u msta nces so yo u ca n overco me t he day. B ut w hat do we do w he n cryi ng is see n as a sig n of weak ness a nd v ul nerability,

W he n so meo ne, u n bek no w nst to t he m, asks yo u ho w yo ur d ay we nt a n d

t wo aspects people are n’t too kee n o n s hari ng wit h t he rest of t he world.

yo u l as h o ut at t he m, it h urts t he m. W he n yo u go o ut dri nki n g a n d yo u

Me n are told to be stro ng a nd reliable, t hi ngs yo u ca n’t be if yo u're too b usy

re gretf ully vo mit o n yo ur desi g n ate d driver. Yo u’re co nst a ntly irrit ate d to

feeli ng. Wo me n are told to to ug he n up, to stop feeli ng too m uch.

ever y wor d ever s ai d a n d yo u do n’t k no w w hy. Do yo urself a f avor a n d h ave a goo d cr y i nste a d.

As a result, when we feel like crying, we don’t. We keep those water gates tightly shut until the overfi o wing tsuna mi that’s about to bust through is hidden behind

If yo u’re not brave e no ug h to do it i n p ublic, go to a staircase. Do n’t go to

closed doors. When we talk about it we discuss it as if it happens to other people,

p ublic bat hroo ms t ho ug h. U nless yo u do n’t mi nd everyo ne heari ng yo ur

not us. We don’t want to be like the m. The criers of the world. When you search up

dyi ng wails bei ng echoed t hro ug ho ut t he e ntire b uildi ng, go for it.

ho w to de-stress on the internet or ask people for advice, they’ll give you various ans wers. An enthusiastic aunt who’s just gotten into physical fitness will proudly

T his is for yo u not for t he m.

proclai m yoga is the ans wer to all our questions. Enjoy sunlight so me will say. Stay positive. Kind of difficult when all you’re thinking about is ho w you royally

Mcl ntos h s u m marizes it best: “ Society’s not really big o n t he expressio n of

ruined the job intervie w you just had. Weep my child, weep. Crying truly does

e motio ns b ut it is getti ng better, getti ng ack no wledged. People are talki ng

help and we shouldn’t deny ourselves of it.

abo ut it more a nd t here’s eve n t his sla ng ter m called 'po wer cryi ng' t hat’s bei ng used to express stro ng e motio ns. T hat did n’t exist before!”

Cal State Fullerto n st ude nt Jessica Bode revealed ho w s he “po wer cried” after co nsideri ng droppi ng o ut of u niversity last year. “It was aro u nd

S o d o n ’t b e a s h a m e d a b o ut c r yi n g. Y o u ’ r e o nl y b ei n g h u m a n.

Hallo wee n ti me a nd I was str uggli ng wit h t hree class,” s he explai ned. “ I was t hi nki ng t hat I was a fail ure a nd was calli ng myself every negative na me i n t he book .” S he cried a nd cried, b ut after s he we nt t hro ug h her e motio ns it cleared her mi nd. S he got up, picked herself up fro m her tear-stai ned pillo w a nd had

I NSIDE FULLERTO N - F ALL - 2018

L ati n x Ri se s M a rj o ri e Mi r a n d a

I n t hi s n e w g e n er a fi o n w or d s ar e c o n st a ntl y b ei n g c h a n g e d a n d t ur n e d i nt o a b br e vi a fi o n s t o m a k e t h e m s o u n d m or e c o ol. I n t hi s c a s e â&#x20AC;&#x153; L a fi n xâ&#x20AC;? i s a w or d t h at h a s e v ol v e d t o b e m or e i n cl u si v e t o t h e L a fi n o / L a fi n a c o m m u nit y a s a w h ol e. W e ar e w a y o v er d u e f or a c h a n g e i n t h e L a fi n x c o m m u nit y w h er e w or d s st o p b e c o mi n g m al e d o mi n a nt a n d

P h o t o Cr e di t: Si m o n S hi m

T he w ay we n a me o u rselves a n d h o w w e i d e n ti f y i s s u c h a p e r s o n a l t hi n g.

m or e g e n d er i n cl u si v e. Wit hi n t h e l a st t w o y e ar s, wit h t h e r a pi d gr o wt h of L a ti n x o nli n e c o m m u ni ti e s, it h a s b e e n br o u g ht t o t h e a tt e n ti o n of m a n y t h at m o st of t h e S p a ni s h w or d s t h at ar e u s e d t o r ef er t o a w h ol e gr o u p of L a ti n x p e o pl e ar e m ai nl y m al e d o mi n a nt. E s p e ci all y i n t h e a g e of L G B T Q e m p o w er m e nt, p e o pl e ar e fi n all y s e ei n g t h e n e e d t o a d o pt t h e w or d.

I NSIDE FULLERTO N - F ALL - 2018

T o n o s ur pri s e t h e M erri a m- W e b st er di cti o n ar y

S o m e i n t h e L a fi n x c o m m u nit y w o ul d di s a gr e e wit h

o nli n e h a s a d d e d t h e t er m L ati n x a n d h a s

u si n g t h e n e w w or d b e c a u s e it w o ul d b e c o n si d er e d

d efi n e d it a s a m or e g e n d er n e utr al alt er n ati v e

a s u p h ol di n g t h e tr a di fi o n al S p a ni s h t h at i s t a u g ht

t o t h e w or d “ L ati n o s.” T h e R e al A c a d e mi a

a n d w h at m o st ar e u s e d t o. “ U s u all y t h e p e o pl e w h o

E s p a ñ ol a h a s n ot a d d e d it t o t h eir S p a ni s h

ar e u n c o mf ort a bl e [ u p h ol di n g tr a di fi o n] ar e n ot t h e

di cti o n ar y, h o w e v er, b e c a u s e t h e t er m i s u s e d

o n e s w h o f e el e x cl u d e d fr o m a m or e tr a di fi o n al u s e,”

m ai nl y i n t h e U nit e d St at e s, i n pl a c e s w h er e

s ai d G o n z al e z.

t h er e i s h e a v y L ati n x i nfl u e n c e. T hi s i s a t ur ni n g p oi nt i n t h e L a fi n x c ult ur e h er e i n H o w e v er, a c c or di n g t o C hi c a n o s / a s st u di e s

t h e U nit e d St at e s t h at m a n y h a v e b e e n w ai fi n g f or.

pr of e s s or Dr. A m b er G o n z al e z, L a ti n x h a s n ot

T o b e a p art of a c ult ur e t h at d o e s n ot d e ti n e w h o

b e e n a d d e d t o t h e R e al A c a d e mi a E s p a ñ ol a

y o u ar e j u st b e c a u s e of t h e u s a g e of t h e m al e

b e c a u s e t h e di c ti o n ar y i s E ur o c e ntri c a n d v er y

d o mi n a nt t er m s t o d e s cri b e a gr o u p of p e o pl e.

tr a di fi o n al C a s tili a n S p a ni s h, w hi c h i s t h e st a n d ar d S p a ni s h t h at i s u s e d i n S p ai n. It h a s

“ T h e w a y w e n a m e o ur s el v e s a n d h o w w e i d e n tif y

b e c o m e o n e of t h e m ai n r e a s o n s w h y “ L a ti n x”

i s s u c h a p er s o n al t hi n g,” G o n z al e z s ai d. “I t hi n k

b e c a m e s o p o p ul ar b e c a u s e of t h e bi n ar y

e v er y o n e s h o ul d i d e n ttf y i n a w a y t h at m a k e s u s

g e n d er e d n at ur e of b ot h S p a ni s h a n d E n gli s h t h at

f e el c o mf ort a bl e a n d i n cl u d e d.”

h a p p e n t o b e m al e d o mi n a nt.

I NSIDE FULLERTO N - F ALL - 2018

h as i n k

lost its sti n k?

P h ot o s & st or y b y Mi c h a el G al v a n

I NSIDE FULLERTO N - F ALL - 2018

I n rece nt years, tattoos o n people are easier to spot t ha n a nearby

more tattoos,” says vetera n tattoo artist C h uco More no fro m

Starb ucks. More a nd more people each year are getti ng tattooed

Classic Tattoo i n do w nto w n Fullerto n. “Pre mid- 19 9 0s, it was

a nd i n places t hat are visible to t he p ublic eye.

co nsidered real a narchy to have ope n visible tattoos, a nd no wadays, it’s not t hat big of a deal.”

Tattoos o n t he neck, ar ms, a nd face are beco mi ng a lot more co m mo n t ha n t hey wo uld have 2 0 years ago. W het her it be a barista, yo ur co usi n, or eve n yo ur professor, tattoos see m to overco me society’s stereotypical barriers to co me i nto t he mai nstrea m. Accordi ng to t he Pe w Research Ce nter, 3 6

More no is a classic C hica no-style tattoo artist w ho has bee n tattooi ng for over 2 0 years. He perfor med his first tattoo at t he age of 12 a nd co nti n ued to perfect his craft, w hich led hi m to his 17 pl us years i n t he professio nal tattoo b usi ness.

perce nt of yo u ng A merica ns ages 18- 2 5 have o ne or more tattoos. “I de fi nitely see t he yo u nger race of folks begi n to get

“...I w a s n o l o n g e r eli gi bl e f o r a ni n e-t o- fi v e j o b.” 19

I NSIDE FULLERTO N - F ALL - 2018

AT T HE TI ME T H AT WAS A HUGE NO NO IN SOCIETY.

He has bee n feat ured o n vario us media o utlets for his tattoo art s uch as VICE series “Pi ns a nd Needles” a nd o n t he cover of Traditio nal Tattoo Magazi ne. Origi nally fro m Lockeford, Calif, he has bee n tattooi ng at Classic Tattoo for abo ut five years no w a nd has see n a cha nge i n t he tattoo stereotype a nd de mograp hic. “I was strictly tattooi ng neig hbor hood people -- ga ng me mbers, parolees, bikers, ho megirls,” he said. A nd no w his clie ntele varies fro m 18 year olds getti ng t heir first tattoos, to older folks addi ng o n to t heir body art. J ust 2 0 years ago, tattoos were looked do w n upo n a nd co nsidered “cri mi nalistic” a nd ma ny people, i ncl udi ng More no, were heavily j udged for havi ng tattoos t hat were visible. At a yo u ng age More no got his neig hbor hood area code tattooed o n his neck. “At t hat ti me, t hat was a h uge no no i n society,” he said. “T hat mea nt I was no lo nger eligible for a ni ne-to- five job.” Visible tattoos before t he 2 0 0 0s hi ndered ma ny i ndivid uals fro m getti ng jobs a nd livi ng up to society’s sta ndards. “Ti mes were differe nt back t he n,” More no said. It was n’t u ntil t he early 2 0 0 0s w he n More no started seei ng t he tattoo i nd ustry have a boo m i n t he mai nstrea m. He started to notice “ ho use wives, professio nals a nd people fro m all walks of life” start e njoyi ng t he art of tattooi ng. People started to get tattooed i n places t hat are noticeable to

Photo Credit: Cle m Onojeghuo

t he p ublic, not so m uch as hidde n o n t heir chest or lo wer back. It was d uri ng t hat era i n w hich he started to see t he stereotypes of tattoos erode a nd t he p ublic mi ndset cha nge.

I NSIDE FULLERTO N - F ALL - 2018

IT’S YOU R LIFE AND E VE RYO NE M A KES T HEI R O WN DECISIO NS.

“I de fi nitely see t he yo u nger ge neratio n eager to get tattoos t hat are visible,” More no said. More neck, ha nd, face, a nd ar m tattoos are start i ng to beco me t he nor m as more a nd more people are getti ng t heir bodies tattooed. “I do n’t j udge,” said More no. “It’s yo ur life a nd everyo ne makes t heir o w n decisio ns.” Wit h a n i ncrease i n visible tattoos t hat t he average perso n nor mally wo uld n’t have gotte n a fe w decades ago, is it still co nsidered to be “real a narchy” or has t here bee n a loss of effect o n t hese visible tattoos? “ W he n I see kids today a nd t hey tattoo so met hi ng o n t heir neck or o n t heir face, I wo uld n’t use t he ter m watered do w n," said More no. " B ut t he i mpact of t hat has de fi nitely lost so me of its l uster.” More no has tattooed faces, necks, a nd ha nds i n t he past, b ut said it’s co nsidered to be a mate ur to get a tattoo placed t here as yo ur first. B ut if t hat’s w hat t he ne w ge neratio n is bri ngi ng, he is more t ha n happy to tattoo t heir bodies for t he m. O ne of More no’s sloga ns is “old school tats for a ne w ge neratio n,” a nd t hat is de fi nitely bei ng applied to wards his yo u nger clie ntele. “If I go b uy a W hopper rig ht no w aro u nd t he cor ner, I ca n al most g uara ntee yo u t hat cat is 18- 19 years old a nd he’s got a neck tattoo o n hi m,” said More no. “A nd I’ m not eve n goi ng to fii nch, yo u k no w. I’ m j ust goi ng to ask for a fe w more packets of ketch up a nd keep o n p us hi ng. It’s not t hat big of a deal.”

I NSIDE FULLERTO N - F ALL - 2018

P h ot o Cr e dit: C hri s G ol d b er g

L E IM IN S P A C E

A L O O K AT T H E A RT S C E N E I N T H E G R E AT E R L O S A N G EL E S A R E A

S A N D R A FL O R ES E nt eri n g L o s A n g el e s’ hi st ori c

n ei g h b or h o o d w hi c h attr a ct s

a n d I w er e c o n st a ntl y e x p o s e d t o

C hi n at o w n n ei g h b or h o o d,t h e str e et

p e o pl e fr o m all o v er S o ut h er n

art. It’s al w a y s b e e n a h u g e p art of

v e n d or s a n d o p e n air m ar k et s

C alif or ni a, e v e n p e o pl e fr o m

m y lif e. ”

ar e b u stli n g wit h w h at f e el s li k e

F ull ert o n.

h u n dr e d s of s h o p p er s s c att er e d

S h e al s o r e c all e d m o m e nt s i n h er

al o n g t h e ar e a. T h e s m ell of i n c e n s e

O n m o st d a y s, vi sit or s mi g ht r u n

a d ol e s c e n c e w h e n s h e di s c o v er e d

c o mi n g fr o m a t e m pl e a n d t h e si g ht

i nt o S c h el s e y M a h a m m a di e- S a b et

y o u n g arti st s o n L J, al s o k n o w n

of P e ki n g d u c k i n t h e wi n d o w of

i n t h e g all er y, t h e 2 8- y e ar- ol d o w n-

a s Li v e J o ur n al, a n d r e m e m b er s

a r e st a ur a nt ar e c o m m o n t hi n g s

er a n d c ur at or of L ei mi n s p a c e. S h e

g etti n g i n s pir ati o n fr o m w at c hi n g

t h at t a k e o v er y o u w hil e w al ki n g

mi g ht b e sitti n g at a t a bl e n e ar t h e

ot h er arti st s gr o w t hr o u g h t hi s

t hr o u g h t h e n ei g h b or h o o d. O n a

e ntr a n c e of t h e g all er y or w al ki n g

pl atf or m.

s m all str e et c all e d L ei Mi n W a y,

ar o u n d gr e eti n g ot h er att e n d e e s,

t h e c ol orf ul b uil di n g s ﬁ n d a w a y

u n afr ai d t o i ntr o d u c e h er s elf t o

“I r e m e m b er w h e n I w a s i n hi g h

t o m e s h t o g et h er a s o n e c o h e si v e

w a n d er er s i n t h e g all er y.

s c h o ol I st art e d g oi n g o n L J a n d

str e et n e ar C hi n e s e r e st a ur a nt s, a

b e g a n f oll o wi n g t h e s e y o u n g...

j a z z cl u b, s o u v e nir s h o p s a n d ot h er

“I’ v e b e e n i nt er e st e d i n art lit er all y

C hi n at o w n st a pl e s.

a s e arl y a s I c a n r e m e m b er, ” s ai d M a h a m m a di e- S a b et, w h o i s t h e

A p art of t hi s i s L ei mi n s p a c e, a n

d a u g ht er of Ni c ar a g u a n a n d Ir a ni a n

e x hi biti o n s p a c e a n d art v e n u e

i m mi gr a nt s. “ M y m o m st u di e d

l o c at e d at 4 4 3 L ei Mi n W a y, i n t hi s

d e si g n i n c oll e g e a n d h a s a h u g e

vi br a ntl y c ol or e d s e cti o n of t h e

a p pr e ci ati o n f or art, m y si bli n g s

I NSIDE FULLERTO N - F ALL - 2018

arti st s w h o w o ul d p o st t h eir s k et c h b o o k s, ” s ai d

“I li k e t h at t h e y h o st c o nt e m p or ar y, y o u n g arti st s, a n d

M a h a m m a di e- S a b et. “ O v er ti m e, a n d t hr o u g h

it s e e m s li k e S c h el s e y al w a y s tri e s t o bri n g

diff er e nt s o ci al m e di a, I w at c h e d t h e s e arti st s d e v el o p

m ar gi n ali z e d v oi c e s t o t h e f or efr o nt, ” s ai d P et er s o n.

t h eir pr a cti c e s. I f elt t h at, a s a n arti st, I g ai n e d a l ot

“It’s n ot li k e m o st g all eri e s i n t h e gr e at er L o s A n g el e s

fr o m w at c hi n g t h e m. ”

ar e a. Y o u s e e a l ot of t h e s a m e t y p e of art a n d arti st s ar o u n d h er e, b ut L ei mi n s p a c e gi v e s a n e w r efr e s hi n g

T hr o u g h t hi s lif el o n g i n s pir ati o n, L ei mi n s p a c e c a m e

p er s p e cti v e. ”

i nt o fr uiti o n. L ei mi n s p a c e w a s o p e n e d i n 2 0 1 5 b y M a h a m m a di e- S a b et a n d h er f a mil y i n h o p e s of cr e at-

M a h a m m a di e- S a b et gi v e s cr e dit t o t h e arti st s t h at h el d

i n g a n art g all er y t h at c o ul d gi v e a pl atf or m t o e m er g-

s h o w s at L ei mi n s p a c e f or cr e ati n g a s p a c e f or

i n g y o u n g arti st s. M a h a m m a di e- S a b et, still a y o u n g

m ar gi n ali z e d v oi c e s, s o m et hi n g t h at s h e s a y s t h e art

arti st h er s elf, r e ali z e d s h e w a nt e d t o p a y h o m a g e t o

w orl d i s l a c ki n g.

t h e arti st s t h at h a v e i n s pir e d h er t hr o u g h o ut h er lif e wit h t hi s s p a c e. “ Aft er I gr a d u at e d c oll e g e, m y m o m

“I n t er m s of t h e di s c o ur s e o n i d e ntit y, s o m a n y y o u n g

a n d I b e g a n s c h e mi n g a b o ut t ur ni n g a s m all pr o p ert y

arti st s I’ v e m et ar e s o u n b eli e v a bl y w ell- e q ui p p e d wit h

t h at m y f a mil y o w n s i nt o a g all er y. It’s al w a y s b e e n m y

t h e c o m p a s si o n, vi s u ali z ati o n s, a n d d e sir e t o t ell t h e s e

m o m’s dr e a m t o h a v e a g all er y, ” M a h a m m a di e- S a b et

st ori e s a n d m a k e t hi n g s b ett er t h a n t h e y ar e, ” s h e

e x pl ai n e d, “I f elt t h at I k n e w s o m a n y arti st s t h at I

s ai d, i n r ef er e n c e t o t h e i n cl u si v e c o m m u nit y L ei mi n-

w o ul d l o v e t o s h o w, b ut m or e i m p ort a ntl y, I w a nt e d t o

s p a c e h a s c ulti v at e d. “It i s v er y i m p ort a nt t h at t h e s e

r e a c h o ut t o t h o s e e m er gi n g arti st s w h o h a d h el p e d

st ori e s ar e t ol d, b y t h e a p pr o pri at e p e o pl e, a n d t h at

m e i n m y p er s o n al d e v el o p m e nt, a s a t h a n k y o u. ”

s af e s p a c e s ar e h el d. ”

Si n c e t h e n, L ei mi n s p a c e h a s h o st e d 2 7 s ol o s h o w s a n d

L ei mi n s p a c e h a s pr o vi d e d a v ari et y of diff er e nt arti sti c

m a n y p o p- u p s h o st e d b y ot h er art c oll e cti v e s a n d h a s

m otif s, r e c e ntl y r a n gi n g fr o m b e a utif ul s a c c h ari n e

b e c o m e a l o c al pl a c e f or c o nt e m p or ar y arti st s t o s h ar e

p ai nti n g s t o m y st eri o u s, g ot hi c- e s q u e s k et c h e s. T h e

t h eir art w or k wit h ot h er s i n L o s A n g el e s. It h a s al s o

arti sti c a e st h eti c s r a n g e j u st a s m u c h a s t h e c o m m u nit y

g ai n e d a l o c al f oll o wi n g, i n cl u di n g c oll e g e st u d e nt s

t h at c o m e s t hr o u g h t h e art s p a c e.

fr o m F ull ert o n. “ M y h o p e i s t h at t h e s p a c e c a n b e a s ort of s af e h a v e n “I f o u n d o ut a b o ut L ei mi n s p a c e t hr o u g h a n arti cl e

fr o m t h e w orl d of c o n cr et e d e m e a n or s t h at s urr o u n d

o nli n e a b o ut art g all eri e s i n t h e L A ar e a, a n d I w a nt e d

u s e v er y d a y, ” s h e s ai d. “I w a nt p e o pl e t o b e a bl e t o

t o st o p b y a n d s e e, ” s ai d St o n e P et er s o n, lif el o n g

c o m e h er e a n d f e el i n s pir e d a n d k n o w t h at t h e y c a n

F ull ert o n r e si d e nt. “I’ v e b e e n t o m o st of t h e art

l a u g h a s l o u d a s t h e y w a nt a n d t h e y w o n’t b e t ol d t o

g all eri e s i n F ull ert o n a n d I w a nt e d t o s e e w h at el s e w a s

k e e p it d o w n. ”

i n t h e gr e at er L. A. c o m m u nit y, I t hi n k it’s i nt er e sti n g t o

I wa nt people to be a ble to co me he re a n d feel i nspi re d a n d k no w t h at t hey c a n l aug h as lou d as t hey wa nt a n d t hey wo n’t be tol d to keep it do w n.

s e e t h e c h a n g e s g oi n g o n i n t h e art s c e n e. ” P et er s o n h a s b e e n g oi n g t o L ei mi n s p a c e f or a p pr o xi m at el y t w o y e ar s, dri vi n g or c o m m uti n g vi a tr ai n t o L o s A n g el e s’ C hi n at o w n o n hi s fr e e ti m e. Hi s l o v e of n e w art a n d arti st s h a s b e e n bri n gi n g hi m b a c k t o L ei mi n s p a c e, a n d h e sit e s L ei mi n s p a c e’s di v er s e a n d i n cl u si v e s p a c e a s a r e a s o n f or c o mi n g b a c k s o oft e n.

I NSIDE FULLERTO N - F ALL - 2018

I A N

S n e a k e rhe ad TELL ALL WI N S T A N L E Y

I NSIDE FULLERTO N - F ALL - 2018

A nt h o n y Sil v a s i s pr o p p e d u p o n t h e c o u c h of hi s

T h e i nj ur y w a s i n ﬂ u e nti al i n d e v el o pi n g a s p e ci ﬁ c t a st e

F ull ert o n c hil d h o o d h o m e wit h a v ari et y of s h o e b o x e s at

i n f o ot w e ar.

hi s si d e.

s h o e s o v er l o w t o p s t o pr o vi d e m or e c u s hi o ni n g f or m or e

H e h a s s et a si d e ti m e fr o m d oi n g vi d e o e diti n g

D o ct or s w o ul d oft e n r e c o m m e n d hi g h t o p

f or hi g h-l e v el Y o u T u b er s t o r a v e a b o ut o n e of hi s f a v orit e

v ul n er a bl e p art s of t h e a n kl e.

t o pi c s: hi s c oll e cti o n of o v er 3 0 0 p air s of s n e a k er s.

t h e N a v y e n di n g i n m e di c al di s c h ar g e, h e t o o k u p j o b s

“ J a m e s H ar d e n w or e t h e s e a n d I a ct u all y g ot t hi s p air

b a c k i n Or a n g e C o u nt y wit h F o ot L o c k er & Ni k e O utl et.

Aft er a t w o y e ar sti nt wit h

fr o m hi m p er s o n all y, ” h e s ai d. “ T h e yʼr e t h e A di d a s Cr a z yli g ht B o o st s. T hi s w a s b ef or e h e g ot hi s si g n at ur e

“ T h at w a s t h e w or st a n d b e st t hi n g t o h a p p e n t o m e, ”

s h o e.

M y c o u si n u s e d t o pl a y wit h hi m i n hi g h s c h o ol

h e s ai d. “I w a s fr e s h o ut of t h e N a v y wit h m or e m o n e y

s o I w a s i ntr o d u c e d t o H ar d e n t hr o u g h hi m at a Dr e w

t h a n a n 1 8- y e ar- ol d k n e w w h at t o d o wit h. ” Sil v a s p ut a

L e a g u e g a m e i n S o ut h C e ntr al.

r e a s o n a bl e a m o u nt i nt o hi s s a vi n g s alt h o u g h i n

H e w a s a bl e t o gift m e

a p air of t h e s e b ef or e t h e y e v e n hit s h el v e s. ”

r etr o s p e ct, h e b eli e v e s h e s h o ul dʼ v e u s e d t h e m o n e y t o w ar d s a c ar.

At F o ot L o c k er, hi s m a n a g er s w o ul d q ui z

T h e Dr e w L e a g u e t h at Sil v a s i s r ef erri n g t o i s a pr o m-

hi m t o m a k e s ur e t h at h e u n d er st o o d t h e pr a cti c alit y of

i n e nt s u m m erti m e pr o- a m at e ur l e a g u e fr e q u e nt e d b y

t h e d e si g n s of t h e s n e a k er s.

N B A st ar s s u c h a s K e vi n D ur a nt, K o b e Br y a nt, a n d L e Br o n J a m e s.

B a s k et b all i s oft e n c o n si d er e d t h e i nt er s e c-

A bit of a d vi c e t h at hi s m a n a g er s g a v e hi m st u c k wit h

ti o n of s n e a k er c ult ur e a n d w hil e it r e m ai n s a n i n ﬂ u e n c e

hi m: n o m att er h o w ni c e t h e s h o e s l o o k e d, if t h e y w er e

f or Sil v a s, hi s st arti n g p oi nt w a s c o n si d er a bl y diff er e nt.

b uilt p o orl y – t h e y w er e nʼt g oi n g t o s ell.

Wit h hi s

k n o wl e d g e a n d a h eft y e m pl o y e e di s c o u nt, h e w a s a bl e H e w a s nʼt al w a y s a c oll e ct or.

H e w a s o n c e a tr a c k st ar

t o t a k e h o m e a n a b s ur d a m o u nt of s h o e s o n a r e g ul ar

at hi s hi g h s c h o ol wit h pr o s p e cti v e s c h ol ar s hi p s i n pl a c e

b a si s.

w h e n hi s at hl eti c c o ur s e w a s d er ail e d b y a s e v er el y t or n

n u m er o u s c ol or p att er n s.

A c hill e s h e el.

w h er e I pl a y b a s k et b all b e g a n t o k n o w m e a s t h e g u y

T hi s i s e eril y si mil ar t o Ti n k er H at ﬁ el dʼ s

e arl y y e ar s, a m a n w h o s e tr a d e m ar k Air J or d a n s & Air

M ulti pl e of hi s f a v orit e s h o e s ar e o w n e d i n “ T h e g u y s at t h e r e c c e nt er

wit h a n e w p air of s n e a k er s e v er y w e e k, ” h e s ai d.

M a x e s m a d e hi m Ni k eʼ s m o st i n ﬂ u e nti al l e a d d e si g n er & Sil v a sʼ s s n e a k er i c o n a b o v e all ot h er s.

I NSIDE FULLERTO N - F ALL - 2018

A c oll e cti o n of o v er 3 0 0 s h o e s d o e s nʼt h a p p e n o v er ni g ht

Sil v a s w a s s ur pri s e d t o b e gr e et e d b y a b a b y f a c e d

b ut i n t h e c a s e of m a n y i n v ol v e d i n t h e s n e a k er tr a d e,

t e e n a g er wit h a S u pr e m e d uf ﬂ e b a g f ull of s h o e s. T h e t e e n

b u yi n g t h e s e r ariti e s

s a w t h e p ot e nti al i n t h e s h o e a n d off er e d t o tr a d e hi m a n

can

c o n si d er e d i n v e st m e nt s.

A m o n g t h e m o st v al u a bl e t o d a y ar e r etr o Air J or d a n s,

e x cl u si v e p air of Y e e z y B o o st Z e br a s. K a n y e

Off- W hit e

s h o e w a s i n cr e di bl y e x cl u si v e e v e n at t h e ti m e.

Ni k e s, a n d cr o s s- br a n d c oll a b or ati o n s.

M any

W e stʼ s i c o ni c O n t o p of

s h o e s t h at ar e e xtr e m el y h y p e d u p b ef or e t h eir r el e a s e

t hi s, t h er e w a s a n a d diti o n al $ 3 0 0 t hr o w n i n. T hi s

e nt er t h e m ar k et t hr o u g h r af ﬂ e s. T h e y s ell f or a n ori gi n al

tr a n s a cti o n t ur n e d Sil v a s a $ 7 0 0 pr o ﬁt.

r et ail pri c e d e p e n di n g o n t h e i niti al v al u e of t h e s h o e. Fr o m t h er e, d e m a n d s k yr o c k et s a s t h e s u p pl y i s i n t h e h a n d s of

T hi s t e e n a g er t ur n e d o ut t o b e a pr o mi n e nt ﬁ g ur e i n t h e

t h e f e w.

s n e a k er tr a d e, B e nj a mi n Ki c k z.

T h e y m a y d e ci d e t o k e e p t h e m st or e d a w a y a s

H e h a s t ur n e d a m a s si v e

t h e y g ai n v al u e t o s ell t h e m i m m e di at el y f or n e arl y d o u bl e

f ort u n e i n hi s a d ol e s c e n c e s elli n g s n e a k er s t o pr o mi n e nt

t h e pri c e t o t ur n a pr o ﬁt.

c el e briti e s s u c h a s DJ K h al e d & O d ell B e c k h a m Jr.

“ Ar e y o u r e a d y t o di v e d o w n t hi s r a b bit h ol e ? ” Sil v a s

W hil e Sil v a s h a s b e e n a bl e t o cl ai m s o m e vi ct ori e s i n t h e

a s k e d. “ F or o n e, y o u c a n c h e c k t h e m ar k et v al u e of t h e

s n e a k er tr a d e, h e i s w ar y a b o ut it a s it g ai n s tr a cti o n i nt o

s n e a k er s li k e st o c k s.

m ai n str e a m c ult ur e s.

St o c k X i s a n a p p t h at will s h o w y o u

i n st ati sti c s w h atʼ s s elli n g hi g h a n d w h atʼ s s elli n g l o w. Y o u c a n b u y a n d bi d o n s n e a k er s fr o m a ut h e nti c s ell er s.

And

“ T h e m o st e s s e nti al bit of a d vi c e I c a n l e a v e y o u wit h, ”

t h e n, y o u h a v e t o b e i n t h e k n o w a b o ut w h er e t o g o if

Sil v a s s ai d, “i s t h at y o u s h o ul d o nl y p ut d o w n a s m u c h

y o u w a nt t o g o t o a p h y si c al st or e.

m o n e y a s y o uʼr e willi n g t o l o s e. ”

F o ot L o c k er s or t h e Ni k e st or e s. t o pl a c e s i n L o s A n g el e s o n

Y o u c a nʼt c h e c k t h e

S p e ci ﬁ c all y, y o u c a n g o

M elr o s e.

T h er e i s a pl a c e

c all e d C o ol Ki c k s L A w hi c h i s s o m e w h at of li k e a p a w n s h o p f or s n e a k er s, r etr o attir e, a n d e x p e n si v e str e et w e ar. T h e y k n o w h o w t o s p ot f a k e s.

O n e t hi n g I l o v e t h at t h e y d o

i s t h at t h e y h a v e a ﬂ a g p ol e ri g ht o ut si d e of t h e st or e a n d t h e y t hr o w s h o e s & cl ot h e s u p t h er e. If y o u c a n gr a b t h e m, y o u c a n k e e p t h e m. ” P h ot o C r e di t: T h o m a s S e r e r

T h e b e st r e s ult s i n s n e a k er tr a di n g c a n ulti m at el y c o m e d o w n t o l u c k. Sil v a s p o st e d o nt o hi s s o ci al m e di a a c c o u nt s t h at h e w a s l o o ki n g t o s ell a r etr o p air of Air J or d a n 3 s.

H e c o n si d er e d t h e m m or e of a n o v elt y pi e c e

t h a n w e ar a bl e s h o e s a n d h e k n e w t h at s ell er s w o ul d li k el y s e e t h e m t h e s a m e a w a y.

H e w a s pr o m ptl y e- m ail e d b y a

h o ar d of p ot e nti al b u y er s.

O n e s ell er off er e d t o m e et hi m

at a s n e a k er c o n v e nti o n i n L o s A n g el e s.

I NSIDE FULLERTO N - F ALL - 2018

you s h o ul d o nl y p ut d o w n as

m uc h

m oney

a s y o u â&#x20AC;&#x2122; r e willi n g t o l o s e. 27

I NSIDE FULLERTO N - F ALL - 2018

G o o d will’ s ori gi n al mi s si o n w a s t o d o,

DI A N A J A R R A H

w ell, g o o d. O n c e pr o vi di n g s e c o n d - h a n d cl ot hi n g a n d h o u s e w ar e s at a di s c o u nt t o f a mili e s i n n e e d, G o o d will n o w st a n d s a s a M e c c a f or 2 1 st c e nt ur y hi p st er s. T h e st or e t h at o n c e c at er e d t o f a mili e s i n s e ar c h of a ff or d a bl e it e m s, n o w a ct s a s a s h o p pi n g s p ot f or hi p st er s. H o w e v er, G o o d will i s n’t t h e o nl y br e e di n g gr o u n d f or t h e u ni q u el y i n e pt s h o p p er. L o c al F ull ert o n t hrift st or e s a n d m ai n str e a m f a s hi o n r et ail er s ali k e, h a v e m a d e t h e s wit c h t o c at eri n g t o a n “i n di e ” cr o w d, a n d h a v e b e e n pr o fi ti n g o ff of t h e tr e n d t h at t hrift st or e s h a v e pr o vi d e d fr o m t h e b e gi n ni n g. T a k e Ur b a n O ut fi tt er s. T h e y o p e n e d t h eir d o or s a s a r u n - of -t h e - mill r et ail st or e i n 1 9 7 0. I n t h e e arl y 2 0 0 0 s, t h e st or e’ s i m a g e w a s r e br a n d e d t o l ur e i n t h e “ o n e - of - a - ki n d - cl ot hi n g ” o b s e s s e d c u st o m er. T h e o nl y d o w n si d e - - t h e hi g h pri c e. P at c h w or k d e ni m j e a n s a n d m u st ar d y ell o w s w e at er s ar e h ot ti c k et it e m s t h at m a n y will gi v e i nt o, e v e n wit h t h e st e e p pri c e. “ P e o pl e p a y t h e pri c e b e c a u s e it’ s e a s y a c c e s s t o a vi nt a g e -l o o k i n a c o mf ort a bl e s h o p pi n g m all, ” st at e d J o y P a at, a F ull ert o n C oll e g e f a s hi o n st u d e nt. “ E v e n w h e n t h er e’ s t hrift st or e s t h at h a v e t h e s a m e [ cl ot hi n g] f or a l o w er pri c e. ”

I NSIDE FULLERTO N - F ALL - 2018

B ut w h y d o t h e y p a y ? I n st a gr a m a n d ot h er s o ci al

cl ot hi n g. Str a y C at Vi nt a g e a n d C o st u m e s, a n d ot h er

m e di a pl atf or m s h a v e a ct e d a s a c at al y st i n

l o c al t hrift st or e s, pr o vi d e l ot s of v ari et y f or t h eir m a n y

e x c e s si v e s p e n di n g, j u st t o ﬁ t t h e st at u s q u o.

u ni q u e s h o p p er s. S o m e s h o p p er s ar e d e di c at e d t hrift er s,

S o ci al m e di a i n ﬂ u e n c e s t hi s b e c a u s e it’ s a

w hil e ot h er s m a y b e l o o ki n g f or a f e w vi nt a g e pi e c e s.

n et w or k w h er e p e o pl e ar e a bl e t o cr e at e a n d

H o w e v er, t h e a v er a g e m all s h o p p er m a y b e i nti mi d at e d

s h ar e t h e l at e st tr e n d s.

b y t h e vi s u al a ntit h e si s of a n A nt hr o p ol o gi e.

Wit h m ai n str e a m f a s hi o n r et ail er s g ai ni n g a c c e s s

C o n s u m er s m a y ﬁ n d t h e cr o w d e d r a c k s a n d li n g eri n g

t o t h e s e r e s o ur c e s, s u c h a s Ur b a n O ut ﬁ tt er s,

atti c -li k e s m ell t o b e o ﬀ - p utti n g, b ut s h o ul d still b e o p e n

t h e y’r e a bl e t o pr o m ot e s o ci al m e di a

t o t h e u ni q u e ﬁ n d s, a c c or di n g t o P a at.

i n ﬂ u e n c er s t h at h a v e a c ert ai n i m a g e t h at’ s pr o ﬁ t a bl e, a s n ot e d b y P a at. D e s pit e h eft y pri c e

“ R et ail s h o p p er s s h o ul d w at c h o ut f or w hi c h f a bri c s

t a g s, t h e m att er of w h at c o u nt s a s tr u e vi nt a g e i s

t h e y’r e b u yi n g, ” cl ai m e d P a at. Wit h f a st f a s hi o n pr o d u ct s

al s o i n q u e sti o n. P a at n ot e d h o w t h e m u si c vi d e o

b ei n g m a d e i n b ul k, it’ s i m p ort a nt t o m a k e s ur e t h e f a bri c

“ F a n c y, ” a 2 0 1 4 m u si c vi d e o b y I g g y A z al e a, a

i s i n li n e wit h t h e pri c e. T hi s i s n ot t h e c a s e wit h m o st

r a p p er a n d s o n g writ er, i n s pir e d b y C h er

vi nt a g e cl ot hi n g. “ W h e n y o u b u y s o m et hi n g fr o m F or e v er

H or o wit z fr o m “ Cl u el e s s, ” h el p e d b o o st t h e

2 1, y o u w a s h it t wi c e a n d y o u c a n’t w e ar it a g ai n, ” E v a n s

vi nt a g e m o v e m e nt i n mill e ni al s.

s ai d. “ W h e n y o u b u y vi nt a g e, [t h e cl ot hi n g h a s] l a st e d 6 0 t o 7 0 y e ar s alr e a d y, a n d it’ s n ot g oi n g t o f all a p art. ”

“[I g g y A z al e a] i s a n e x a m pl e of a si n g er or m ai n str e a m i n ﬂ u e n c er w h o h a s a d d e d t o t h e

R at h er t h a n r el yi n g o n p ol y e st er, t h e p air r e c o m m e n d

w h ol e 9 0 s a e st h eti c t h at w a s r e all y bi g, a n d i s

k e e pi n g a n e y e o ut f or c ott o n, d e ni m, r a y o n a n d l e at h er

still pr ett y p o p ul ar t o d a y, ” s ai d P a at. B ut vi nt a g e

m at eri al s. T h e s e pr o d u ct s w e ar l o n g er, a n d d o n’t l o s e

c ult ur e i s n’t al w a y s n e w - m a d e - ol d. A c c or di n g

t h eir s h a p e o v er ti m e.

t o A n n a E v a n s, o w n er of Str a y C at Vi nt a g e a n d C o st u m e s i n d o w nt o w n F ull ert o n, o n e - of - a - ki n d -

A s m ai n str e a m f a s hi o n r et ail er s c o nti n u e t o gr o w, a n d

vi nt a g e i s s o m et hi n g t h at’ s a ct u all y vi nt a g e. “I

cr e at e a n a s pir ati o n al i m a g e f or s h o p p er s, s m all o w n e d

c o n si d er vi nt a g e t o b e s o m et hi n g fr o m t h e 6 0 s or

b u si n e s s, li k e Str a y C at Vi nt a g e a n d C o st u m e s, c at er t o

b a c k, n ot t h e 9 0 s or 2 0 0 0 s, ” s h e s ai d.

e v er y s h o p p er. A s E v a n s p ut s it, “ p e o pl e w h o s h o p [ at Str a y C at Vi nt a g e a n d C o st u m e s] d o n’t w a nt t o l o o k li k e e v er y

Wit h Ur b a n O ut ﬁ tt er s st a ki n g t h eir 9 0 s cl ot hi n g

m a n n e q ui n i n m all s, t h e y w a nt t o l o o k li k e t h e m s el v e s. ”

a s ‘ vi nt a g e,’ it h a s g ai n e d b a c kl a s h fr o m l o c al t hrift s h o p s. “[ Str a y C at Vi nt a g e a n d C o st u m e s] d o e s R e n ai s s a n c e cl ot hi n g u p t o pr e s e nt d a y, ” s ai d E v a n s. “ W e ar e n’t j u st a vi nt a g e or c o st u m e st or e - - w e d o m a n y t hi n g s. ” U nli k e m ai n str e a m r et ail er s t h at o nl y st o c k o n e st yl e of

P h ot o Cr e dit: T o bi a s A. M üll er

P h ot o Cr e dit: C hri s B e n s o n

Al e xi a S al a z a r P h ot os b y E ri n M c C u r r y

A f as hi o n dis pl a y wi n d o w is f e at ur e d i n t h e s e c o n d fi o or h all w a y of t h e 7 0 0 b uil di n g at F ull ert o n C oll e g e. T w o b e a utif ul bl a c k dr ess es w er e dis pl a y e d o n m a n n e q ui ns a c c o m p a ni e d b y b ur g u n d y hi g h h e els. T h e cl assr o o m w as fill e d wit h s e wi n g m a c hi n es li n e d u p o n t h e d es ks. M a nn e q ui ns fi g ur es st o o d u pri g ht a g ai nst t h e w all. F a bri c s ciss ors a n d p e n cils w er e l ai d a cr oss t h e w or ki n g t a bl e. T h e F ull ert o n C oll e g e f as hi o n pr o gr a m w as a w ar d e d t h e br o n z e st ar fr o m t h e C alif or ni a C o m m u nit y C oll e g e C h a n c ell or’s O ﬃ c e i n 2 01 7. T h e pr o gr a m w as c h os e n as o n e of t h e t o p c ar e er e d u c ati o n pr o gr a ms wit h str o n g w or kf or c e o ut c o m es a n d i n cr e asi n g p o w er f or st u d e nts. R e n e e Yo u n g, pr of ess or a n d d e p art m e nt c h air, h as e xt e nsi v e e x p eri e n c e i n t h e f as hi o n i n d ustr y. S h e w as a p att er n m a k er i n t h e 8 0’s a n d w or k e d i n t h e Miss y a n d J u ni or m ar k et. Yo u n g b e c a m e a n assist a nt d esi g n er a n d w or k e d h er w a y u p t o b e c o m e a d esi g n er. T hr o u g h h er t e a c hi n g, s h e s h ar es h er k n o wl e d g e a n d e x p eri e n c e wit h h er st u d e nts. Yo u n g h as t a u g ht a v ari et y of f as hi o n cl ass es s u c h as s e wi n g, m er c h a n disi n g, f as hi o n d esi g n, a n d p att er n m a ki n g at F ull ert o n C oll e g e f or 1 2 y e ars. T h e f as hi o n cl ass es ar e h a n ds- o n a n d st u d e nts ar e a bl e t o h a v e a c c ess t o st at e- of-t h e art e q ui p m e nt s u c h as b o d y s c a n n ers a n d di giti z ers. S h e h as t a k e n s o m e of h er st u d e nts t o It al y, P aris, L o n d o n a n d H o n g K o n g t o e x pl or e t h e w orl d of f as hi o n. S h e s ai d it h as gi v e n st u d e nts t h e a bilit y t o s e e f as hi o n fr o m di fi er e nt p ers p e cti v es a n d a v ari et y of c ult ur es. T h er e w er e ni n e pr of ess ors t e a c hi n g f as hi o n cl ass es f or t h e f all s e m est er. M ost of t h e i nstr u ct ors h a v e s e v er al y e ars i n t h e dis ci pli n e a n d h a v e w or k e d i n t h e f as hi o n i n d ustr y. A m y B o n d, a c o nt est a nt fr o m “ Pr oj e ct R u n w a y,” is a m o n g o n e of t h e e x p eri e n c e d pr of ess ors o n c a m p us. “ T h e st a fi i n v ol v e d i n t h e F ull ert o n f as hi o n pr o gr a m ar e hi g hl y tr ai n e d a n d q u ali fi e d i nstr u ct ors,” Yo u n g s ai d. “ T h e y ar e c o nst a ntl y b ei n g tr ai n e d t o b e u p t o d at e wit h t h e n e w est e q ui p m e nt o n c a m p us.” S ar a h D a k k a k, a F ull ert o n C oll e g e f as hi o n st u d e nt, s ai d t h e pr o gr a m h as gi v e n h er a n i nsi g ht as t o h o w t h e f as hi o n i n d ustr y w or ks. “I h a v e l e ar n e d m a n y s kills s u c h as s e wi n g, dr a pi n g, a n d p att er n m a ki n g,” D a k k a k s ai d. “ Wit h t h e h el p of m y pr of ess ors, I h a v e b e e n a bl e t o i n cr e as e m y k n o wl e d g e a n d s kills r e g ar di n g t h e f as hi o n w orl d.” S h e t o o k p art i n d esi g ni n g a n arti cl e of cl ot hi n g i n t h e 2 01 8 F ull ert o n f as hi o n s h o w. D a k k a k is c urr e ntl y st u d yi n g f as hi o n d esi g n a n d w a nts t o w or k i n t h e f as hi o n i n d ustr y. E v er y s e m est er, s p e a k ers fr o m t h e f as hi o n i n d ustr y c o m e t o m a k e pr es e nt ati o ns i n t h e cl assr o o ms. A m a n d at or y ori e nt ati o n is o ti er e d f or i n c o mi n g f as hi o n st u d e nts b ef or e t h e st art of t h e s e m est er. S m all b usi n ess o w n er Ta m ar a St e ti a n, “ Pr oj e ct R u n w a y,” B o n d a n d f as hi o n st ylist K al e e H e wl ett s p o k e at t h e l ast ori e nt ati o n. St u d e nts ar e a bl e t o as k q u esti o ns a n d g et a n i nsi g ht of t h e f as hi o n w orl d. “ T h e s p e a k ers g a v e m e v al u a bl e i nf or m ati o n a b o ut t h e f as hi o n i n d ustr y,” s ai d D a k k a k.

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F ull ert o n C oll e g e h as a n a n n u al f as hi o n s h o w i n w hi c h st u d e nts h a v e t h e o p p ort u nit y t o c o ntri b ut e a n d g et i n v ol v e d i n. F as hi o n st u d e nts ar e a bl e t o d esi g n w e ar a bl e arti cl es of cl ot hi n g a n d h el p or g a ni z e t h e s h o w. St u d e nts w or k o n c o nstr u cti n g a n d s e wi n g g ar m e nts t o g et h er t h at r es e m bl e t h e t h e m e of t h e f as hi o n s h o w. E v er y y e ar t h er e is a disti n cti v e t h e m e i n w hi c h st u d e nts s p e n d a n e ntir e s e m est er pr e p ari n g f or. T h e f as hi o n cl u b m e ets e v er y w e e k a n d all o ws st u d e nts t o g et i n v ol v e d i n dis c ussi n g f as hi o n r el at e d i d e as. A cti viti es s u c h as DI Ys a n d e v e nt pl a n ni n g ar e o p e n f or st u d e nts t o p arti ci p at e i n t h e cl u b, w hi c h m e ets i n r o o m 7 3 5. T h e F ull ert o n C oll e g e f as hi o n pr o gr a m o fi ers st u d e nts t h e a bilit y t o r e c ei v e a d e gr e e or a c erti fi c at e at a n e ntr y l e v el. S o m e of t h e d e gr e es o fi er e d i n cl u d e f as hi o n d esi g n, m er c h a n disi n g a n d t e xtil es. St u d e nts h a v e t h e a bilit y t o c h o os e o v er a wi d e v ari et y of di fi er e nt o c c u p ati o ns t o st u d y s u c h as a n i m a g e c o ns ult a nt, f as hi o n ill ustr at or, f as hi o n m er c h a n dis er a n d p att er n m a k er. T h er e ar e i n d ustr y p art n ers i n v ol v e d i n t h e F ull ert o n f as hi o n pr o gr a m t h at gi v e q u ali fi e d st u d e nts t h e o p p ort u nit y t o c o m pl et e a n i nt er ns hi p. S o m e i n d ustr y p art n ers i n cl u d e Dr a g o n Cr o w d, H y bri d A p p ar el, Q ui c ksil v er a n d O b e y Cl ot hi n g. M a n y f or m er F ull ert o n C oll e g e f as hi o n st u d e nts h a v e h a d t h e a bilit y t o l a n d j o bs i n t h e f as hi o n i n d ustr y. S o m e of t h e j o bs i n cl u d e f as hi o n st ylists, w or ki n g i n e- c o m m er c e, a n d f as hi o n d esi g n. F or m er st u d e nts h a v e b e e n a bl e t o g et e m pl o y e d at s e v er al di fi er e nt l o c al hi g h- e n d f as hi o n st or es at t h e S o ut h C o ast Pl a z a s u c h as Bl o o mi n g d al es.

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T h e F ull e r t o n C oll e g e f a s hi o n p r o g r a m h a s gi v e n e k n o wl e d g e a n d h a n d s- o n p r a c ti c e t o p r e p a r e m e o r t h e f a s hi o n n d u s t r y, â&#x20AC;? D a k k a k s ai d.

I NSIDE FULLERTO N - F ALL - 2018

S o ci al R es p o nsi bilit y H o w L o c al B u si n e s s i s S etti n g t h e St a n d ar d

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I n t o d a y’s di visi v e e n vir o n m e nt, w e ar e s e ei n g a n i n cr e as e i n s o ci al r es p o nsi bilit y a n d a cti o ns b y m aj or br a n ds t h at w e h a v e n’t s e e n i n t h e p ast. S p e ci fi c all y, t h os e s a m e br a n ds ar e e ns uri n g t h at t h e y ar e p utti n g m or e e fi ort i nt o c a us es t h at c a n m a k e a p ositi v e i m p a ct, w h et h er it b e e n vir o n m e nt all y or s o ci all y. Ta k e P at a g o ni a, f or e x a m pl e. A n o ut d o ors cl ot hi n g c o m p a n y wit h a s elf- pr o cl ai m e d a cti vist b a c k gr o u n d b y its f o u n d ers, P at a g o ni a h as b e e n i n t h e n e ws i n t h e p ast y e ar f or e n g a gi n g wit h t h e Tr u m p a d mi nistr ati o n o v er e n vir o n m e nt al iss u es. L at e l ast y e ar, o n D e c. 4, Pr esi d e nt Tr u m p a n n o u n c e d t h e r ollb a c k of t w o n ati o n al p ar ks i n Ut a h, dr asti c all y r e d u ci n g t h e a m o u nt of l a n d t h e p ar ks c o ul d o p er at e o n. It w as b eli e v e d t h at t his a cti o n w as t a k e n b y t h e a d mi nistr ati o n t o o p e n pr e vi o usl y pr ot e ct e d l a n ds, a b u n d a nt i n n at ur al r es o ur c es, a n d all o w v ari o us c o m p a ni es fr o m t h e drilli n g a n d mi ni n g i n d ustr y t o o p er at e o n. F or e n vir o n m e nt alist a n d l a n d c o ns er v at ors, t his w as o n e of t h eir w orst f e ars r e c o g ni z e d: a n o p e n att a c k o n pr ot e ct e d l a n d f or t h e s a k e of m o n e y a n d r es o ur c es. A f e w h o urs aft er Tr u m p’s a n n o u n c e m e nt, P at a g o ni a bl a c k e d o ut t h eir e ntir e w e bsit e, a p art fr o m a titl e t h at r e a d: T h e Pr esi d e nt St ol e Yo ur L a n d. Aft er s cr olli n g d o w n t h e p a g e, it l e d t o a st at e m e nt b y P at a g o ni a, d e n o u n ci n g t h e a cti o ns t h e a d mi nistr ati o n h a d t a k e n a n d v o w e d t o fi g ht t h e m o n t his iss u e b e c a us e t h e y b eli e v e t h at t h e l a n d w as ess e nti al i n pr es er vi n g t h e wil dlif e a n d t h os e w h o w or k e d i n t h e o ut d o or i n d ustr y. T w o d a ys l at er, P at a g o ni a s u e d t h e Tr u m p a d mi nistr ati o n, cl ai mi n g it h a d br o k e n t h e U. S. A nti q uiti es A ct of 1 9 0 6, w hi c h st at es t h at t h e pr esi d e nt c a n cr e at e n ati o n al p ar k a n d m o n u m e nts b ut d o es n ot h a v e t o p o w er t o r e d u c e t h e m. P at a g o ni a’s fi g ht a g ai nst Tr u m p a n d his a d mi nistr ati o n t h at h as dr a w n n ati o n al att e nti o n m a y s e e m n e w t o m a n y. I n r e alit y, t his is w h at P at a g o ni a h as b e e n d oi n g f or y e ars o n a s m all er s c al e. Si n c e it w as f o u n d e d, P at a g o ni a h as b e e n d e di c at e d t o v ari o us as p e cts of s o ci al a n d e n vir o n m e nt al iss u es i n t h e c o u ntr y a n d ar o u n d t h e w orl d, fr o m d o n ati n g t h eir r e v e n u e t o f o o d b a n ks t o r e c y cli n g us e d o ut d o or w e ar t o utili zi n g cr u elt y-fr e e m at eri als. F or P at a g o ni a, t h eir gl o b al i niti ati v es dr a w r o ots fr o m ot h ers at t h e l o c al l e v el, s m all br a n ds t h at h a v e st e p p e d u p t o t a k e t h e r es p o nsi bilit y of h el pi n g t h os e i n t h eir c o m m u nit y.

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“I d o t h e s n’t k n o e w if t br pl a c e w a n d s a n h a t’s g h er e o t h e d b ei n g i n g t o y ar ha p e s u m or e p e n, c ppo r ti n o n s ci o b u t I w g m e a ni u s o f w a n t t o h ha e n gf u l c a t t h e y l p as m us es ar e a ny p t hr o u g u r c h a s p e o pl e i n g. hth as p ei r p u r c I w a n t o s si bl e, h as e my c c s. ” u st o o n n e ct in m e rs t o k g c u st o no w m t h at e r s t o t hi s a

“I st art e d m e eti n g gr o u ps w h o w er e all cr e ati n g r e all y w ell- m a d e pr o d u cts t h at h a d a st or y b e hi n d it”, s ai d Lill y T o k u y a m a, f o u n d er of S h ar e a n d D o G o o d i n F ull ert o n.

t o l o c al n o n- pr o fits h er e i n F ull ert o n, s u c h as r aisi n g m o n e y f or t h e W o m e n’s Tr a nsiti o n al Li vi n g C e nt er. T h e W T L C h el ps w o m e n w h o ar e vi cti ms of s u bst a n c e/ m e nt al iss u es a n d d o m esti c vi ol e n c e i n t h e O C ar e a b y pr o vi di n g s h elt er a n d s p e ci ali z e d c ar e.

F or T o k u y a m a, o n e of t h os e gr o u ps t h at s h e fi rst s u p p ort e d w er e c o m mitt e d t o hiri n g a n d gi vi n g s u p p ort t o w o m e n w h o w er e vi cti ms of s e x tr a ﬃ c ki n g i n I n di a. H er f or a y i nt o s u p p orti n g s o ci all y r es p o nsi bl e br a n ds st art e d at tr a d e s h o ws a cr oss C alif or ni a, w h er e s h e w as i ns pir e d b y c o m p a ni es t h at s ol d pr o d u cts t h at s u p p ort e d s o ci al a n d r e c o v er y c a us es ar o u n d t h e w orl d. Si n c e its f o u n di n g, S h ar e a n d D o G o o d h as e m b o di e d h er i ns pir ati o n t o s ell pr o d u cts t h at h a v e a n i ns piri n g st or y b e hi n d it.

Wit h S h ar e a n d D o G o o d, T o k u y a m a h as b e e n a bl e t o r ais e m o n e y t hr o u g h t h e st or e b y d o n ati n g a p orti o n of t h e r e v e n u e t o t h es e n o n- pr o fits, as w ell as r aisi n g m o n e y t hr o u g h t h e F ull ert o n Art Wal k, w h er e s h e will c oll a b or at e wit h artists b y s elli n g t h eir w or k t hr o u g h S h ar e a n d D o G o o d. “ M y dr e a m is t o h a v e 2 0 0 st or es”, s h e s ai d. “I d o n’t k n o w if t h at’s g oi n g t o h a p p e n, b ut I w a nt t o h el p as m a n y p e o pl e as p ossi bl e, c o n n e cti n g c ust o m ers t o t h es e br a n ds a n d b ei n g m or e c o ns ci o us of w h at t h e y ar e p ur c h asi n g. I w a nt m y c ust o m ers t o k n o w t h at t his a pl a c e w h er e t h e y ar e s u p p orti n g m e a ni n gf ul c a us es t hr o u g h t h eir p ur c h as es.”

T h at i ns pir ati o n is e vi d e nt w h e n p e o pl e w al k i nt o h er st or e, w h er e t h e y c a n s e e at l e ast 3 0 di fi er e nt pr o d u cts at a ti m e r a n gi n g fr o m h a n d m a d e b as k ets m a d e fr o m gr ass es b y l o c al G h a n ai a n vill a g es t o c ust o m pi e c es d esi g n e d b y P ur p os e J e w elr y, a br a n d t h at r es c u es y o u n g w o m e n fr o m h u m a n tr a ﬃ c ki n g a cr oss t h e w orl d a n d h el ps t h e m r ei nt e gr at e i nt o s o ci et y b y hiri n g t h e m t o cr e at e t h os e c ust o m pi e c es.

S h ar e a n d D o G o o d is l o c at e d o n 1 2 2 N H a r b o r Bl v d #1 0 9, F ull e rt o n, C A 9 2 83 2 .

B ut f or T o k u y a m a, h er s u p p ort f or br a n ds d o es n’t j ust r el y o n gl o b al c a us es. A n ot h er r e as o n w h y s h e s u p p orts br a n ds li k e P ur p os e is b e c a us e of t h eir w or k at t h e l o c al l e v el. Ori gi n all y,t h e br a n d st art e d h er e i n Or a n g e C o u nt y, w h er e t h e y s u p p ort t h e h o m el ess n ess i n t h e ar e a, es p e ci all y t h os e w h o h a v e b e e n vi cti ms of d o m esti c a n d s e x u al vi ol e n c e. T his l e d T o k u y a m a t o gi v e b a c k

M o n d a y t o S at u r d a y, 11 a m t o 7 p m S u n d a y, 1 2 p m t o 6 p m

D o y o u e v e r i n c o r p o r at e f a ci al f e at u r e s of p e o pl e y o u h a v e m et i nt o y o ur w or k ?

O n nig hts w he n he’s not servi ng tables at Do w nto w n Fullerto n’s T he Cellar resta ura nt, Adria n Marti nez ca n be fo u nd playi ng dr u ms i n a garage rock ba nd to a cro wd of m usic lovers s ho ut i ng t heir lyrics i n u niso n rig ht back at t he m.

A M:

As a college st ude nt wit h a job, it ca n be hard to fi nd ti me to p urs ue creative e ndeavors. B ut Marti nez fi nds t he ti me to prioritize t he t hi ngs he is most passio nate abo ut. Spe ndi ng his free ti me i n t he recordi ng st udio creati ng alb u m art work for his ba nd T he Red Leslies, or playi ng live s ho ws i n local coffee s hops aro u nd OC. Marti nez gre w up wit h a deep appreciatio n of art a nd m usic. T he Beatles played a for mative role i n t he creatio n of his ba nd a nd i n Marti nez’s creative process i n partic ular.

W h o a r e y o u r bi g g e st i d ol s i n t h e a rt w o rl d, a n d d o y o u r e m e m b e r t h e fi r st ti m e y o u e x p e ri e n c e d t h ei r w o r k ? A M: I love ma ny, ma ny artists. It co mes a nd goes

i n stages, a nd I’ve st udied ma ny of t he masters. I t hi nk t he i mpressio nists a nd t he abstract expressio nists have p ulled me t he most, as well as t he Ne w York school i n t he 19 8 0’s. I’d say my greatest idols are Va n Go h, Ma net, Picasso, Basquiat, Cy T wo mbly, A ndy War hol, Ceza n ne, Matisse. I t hi nk it’s pretty all over t he place wit h w he n I was exposed to t he m.

Marti nez a nd his ba nd mate L uis B ue nrostro met i n a m usic prod uctio n class at Fullerto n College i n 2 015 a nd bo nded over t heir love of m usic a nd T he Beatles. Soo n after meeti ng t heir ba nd T he Red Leslies was for med. As Marti nez co nti n ues to j uggle his priorities a nd as his ba nd gro ws, not hi ng has hi ndered his creative spirit. W hile t he ba nd takes a break fro m playi ng live s ho ws, his mi nd is n’t taki ng a break fro m t he creative process.

Y o u m e nti o n e d t h at t h e i m p r e s si o n i st s w e r e d e ni e d f o r s o l o n g. H a v e y o u e v e r d e alt wit h p e o pl e n ot t a ki n g y o u r g o al s wit h y o u r a rt a n d y o u r m u si c s e ri o u sl y ?

H a s it b e e n c h all e n gi n g t r yi n g t o b al a n c e w o r k, s c h o ol a n d m a ki n g ti m e f o r y o u r a rt ?

A M: I t hi nk so, b ut I have n’t co me across it very ofte n, w hich is probably beca use I’ m still not reachi ng a wide e no ug h a udie nce. B ut w he n t he day co mes t hat it really happe ns, I t hi nk I will be ready, beca use I’ m sort of good at e up he mis m. B ut mostly, I t hi nk people do n’t really k no w ho w hig h my a mbitio ns are a nd t hat’s w hy t hey are n’t la ug hi ng. T hey t hi nk I j ust wa nt to do t his beca use it’s f u n.

A d ri a n M a rti n e z: Not necessarily, I t hi nk art is at t he ce nter of a ny bala nce I’ m tryi ng to achieve. So so meti mes I a m b usy a nd t hi ngs are pili ng up a nd I’ m doi ng t hi ngs so me w hat re moved fro m my art a nd I’ m stressi ng abo ut t he m b ut it does n’t feel off bala nce, it feels like it’s for t he art - like I’ m s hoveli ng coal to keep t he trai n movi ng. A s of l at e, w o ul d y o u s a y y o u ’ r e d e v oti n g m o r e ti m e t o y o u r p ai nti n g o r y o u r m u si c ?

Act ually, I’ve bee n tryi ng to co mbi ne t he m more a nd more I love m ulti-art. My i nte ntio n is to develop a n artistic la ng uage t hat moves sea mlessly bet wee n m usic, pai nti ng, poetry, a udio /vis ual, fas hio n a nd all of t he spaces i n bet wee n. I do n’t wa nt to t hi nk of t he m as separate. It’s fr uitf ul for me to work o n t he m all at t he sa me ti me, as o ne co mbi ned e ndeavor. It develops t he la ng uage I wa nt to make.

A M:

H o w w o ul d y o u d e s c ri b e t h at l a n g u a g e y o u w a nt t o c r e at e y o u r a rt ?

wit h

A M: Well, I t hi nk a great la ng uage co m m u nicates

tr ut hs easily a nd is able to co nvey a wide ra nge of e motio ns a nd experie nces i nti mately. It is also i nsta ntly recognizable. I wo uld basically wa nt t hat to be t he case wit h t he breadt h of my work. Most of my idols made art u ntil t he e nd of t heir life. I pla n to do t he sa me. A nd hopef ully by t he e nd, my art will be i nsta ntly recog nizable. A nd co nvey u niq uely t he i neffable nat ure of experie nce.

Yea h, girls mostly.

A D RI A N M A R TI N E Z F ull ert o n l o c al arti st and m u si ci a n S O FI A

MI L L A

P h ot o s b y: C h a rl e s L o

W h at i s y o u r ulti m at e g o al r e g a r di n g y o u r a rt ? A M: I wo uld say to j ust p ublis h as m uch work as I ca n

i n my lifeti me a nd hope t hat t he majority of it is stro ng.

W h at d o y o u w a nt t o a c c o m pli s h i n t h e n e xt fi v e y e a r s ? A M: Next five years: I pict ure T he Red Leslies havi ng

a stro ng foot hold m usically i n t he L A sce ne, a nd I’d love to b uild a p ublis hi ng ho use aro u nd t hat a nd p ublis h all of my a nd ot her people’s art - m ulti-art. Across ma ny medi u ms.

P h ot o Cre dit: Br o o ke L ar k

I NSIDE FULLERTO N - F ALL - 2018

T H E V E G A N DI E T A M A N D A

M A N RI Q U E Z

Ma n y pe o ple t hese d a ys are gi vi n g u p o n t he “st a n d ar d A meric a n Diet” of e ati n g a n d are gi vi n g life b ac k t o t he m a n y a ni m als pe o ple c o ns u me d ail y, b ut w h y? D o n’t pe o ple nee d me at? D o n’t pe o ple nee d pr otei n? W h y s h o ul d pe o ple c are? C ollee n K vas k a, a F o o d a n d N utriti o n pr ofess or at F ullert o n C olle ge, h as bee n a ve get ari a n f or t he p ast 2 0 pl us ye ars, a n d h as bee n pr actici n g a f ull pl a nt- b ase d diet f or 5 ye ars. K vas k a s ai d “ fiere is a l ot of di ffere nt e n vir o n me nt al a n d he alt h s afet y iss ues t h at are all wr a p pe d i n t h at w h ole met h o d i n r aisi n g a ni m als f or f o o d.” S he als o me nti o ns t h at gr o u n d a n d ri ver w ater bec o me c o nt a mi n ate d bec a use of t he r u n o ff fr o m t hese f ar ms a n d sl a u g hter h o uses a n d resi de nts w h o li ve ar o u n d t hese are as are pr o ne t o getti n g sic k bec a use of t his. fiere is als o a l ot of met h a ne g as bei n g rele ase d i nt o t he are a fr o m t he c o ws w aste w hic h is belie ve d t o p ut o ut m ore p oll uti o n i nt o t he air. Besi des e n vir o n me nt al re as o ns pe o ple als o bec o me ve g a n f or he alt h be ne fits. Nic o Gr a y, a n e m pl o yee at Vit a mi n Cit y i n Sa n Di m as, bec a me ve g a n f or j ust t h at. Gr a y s ai d t h at after he bec a me ve g a n he felt a h u ge di ffere nce i n his p h ysic al he alt h a n d als o his me nt al he alt h. I n a n article c alle d Ve get ari a n F o o ds: P o werf ul f or He alt h b y P h ysici a ns C o m mittee f or Res p o nsi ble Me dici ne, t he y s ai d “ L ar ge st u dies i n E n gl a n d a n d Ger m a n y h a ve s h o w n t h at ve get ari a ns are a b o ut 4 0 perce nt less li kel y t o de vel o p c a ncer c o m p are d t o me at-e aters.” Als o t here w as a st u d y li n ki n g d air y pr o d ucts t o a n i ncre ase d ris k of o vari a n c a ncer. fie y st ate t h at me at is t he m ai n s o urce of s at ur ate d f at a n d t he o nl y s o urce of c h olester ol i n pe o ple's diets, t here are st u dies t h at h a ve de m o nstr ate d t h at a l o w-f at, hi g h- fi ber, ve get ari a n or ve g a n diet re verse at her oscler osis - h ar de ni n g of t he arteries. Ma n y pe o ple belie ve t h at li vi n g a ve g a n or ve get ari a n lifest yle c a n c a use m al n o uris h me nt d ue t o l ac k of pr otei n. Well t he a ns wer is si m ple: B E A N S!! Of c o urse t here are ot her o pti o ns as well, b ut be a ns are t he best s u bstit ute. Acc or di n g t o a n article p ut o ut b y Har var d Me dic al Sc h o ol, “ A 5- o u nce ste a k h as 3 0 0 c al ories, w hile a c u p of pi nt o be a ns h as 2 6 5. B ut t he ste a k c o mes wit h 4 4 gr a ms of pr otei n, 1 2 0 milli gr a ms of c h olester ol, a n d 1 2 gr a ms of f at, m uc h of it s at ur ate d. I n c o ntr ast, t he be a ns c o nt ai n 1 5 gr a ms of pr otei n, n o c h olester ol, a n d o nl y 1 gr a m of f at, w hic h is p ol y u ns at ur ate d.” fie be a n als o c o nt ai ns c o m ple x c ar b o h y dr ates a n d diet ar y fi ber a n d t he y h a ve less s o di u m t h a n ste a k. J ust bec a use t his lifest yle is t he he alt hiest d oes n’t me a n it’s t he e asiest. He at her C arl yle s ai d t h at w he n s he first bec a me ve g a n s he w as n’t getti n g t he ri g ht t hi n gs s he nee de d f or her b o d y a n d t his c a use d her t o feel l o w i n e ner g y. S he t he n be g a n t o st art e ati n g ri g ht a n d felt a l ot better better p h ysic all y. S he d oes a d mit t h o u g h t h at it w as h ar d t o c ut t he c he d d ar.

B 1 2 is a h uge c o ncer n a m o ng pe o ple w h o are c o nsi deri ng bei ng veg a n or are veg a n b ut acc or di ng t o K v as k a t here are m a ny w ays veg a ns c a n get t heir necess ary a m o u nt of B 1 2. S he st ates t h at a l ot of pl a nt/ n ut be ver ages n o w a d ays are f or difyi ng t he m t o h a ve m ore B 1 2 t h a n a ni m als mil k, a n d als o t here is a n utriti o n al ye ast t h at yo u c a n s pri n kle o n yo ur f o o d or mi x i n t h at c o nt ai ns 5 0 0 % of B 1 2 i n 3 t bls.

I NSIDE FULLERTO N - F ALL - 2018

U L TI M A T E

B A KI N G Al e xia Salazar

T h e s o u n d of e g gs b ei n g w his k e d i n a b o wl. B utt er a n d fi o ur ar e b ei n g s c o o p e d i nt o m e as uri n g c u ps. B a ki n g s h e ets a n d c o o ki e c utt ers l a y a cr oss t h e c o u nt er. Fr osti n g a n d s pri n kl es b e a utif ull y c o v er t h e p astri es. T h e s w e et s m ell of fr es hl y b a k e d c o o ki es fill t h e r o o m wit h a w ar m ar o m a. B a ki n g at h o m e c a n b e t e di o us a n d fr ustr ati n g at ti m es. Wit h o ut a p erf e ct c o nsist e n c y or a c c ur at e m e as ur e m e nts, t h e kit c h e n c a n t ur n i nt o a dis ast er. Mir a y a R a e, f o u n d er of H Ă¨rit a g e M a c ar o ns i n H o ust o n, s h ar e d s o m e of h er b est ti ps a n d tri c ks w h e n b a ki n g.

P h ot o Cr e dit: Al e x a n dr a G or n

I NSIDE FULLERTO N - F ALL - 2018

B e Pr e cis e t o M a k e t h e P ast ri es Ni c e

F a h r e n h eit K e e ps t h e R e ci p e Ri g ht

Wei g h all t h e i n gr e di e nts b ef or e b a ki n g. Us e a di git al s c al e a n d m e as ur e t h e i n gr e di e nts b y gr a ms t o r e c ei v e t h e b est b a ki n g r es ults. W h e n m e as uri n g fi o ur or s u g ar li g htl y s pri n kl e t h e m i nt o t h e c o nt ai n er t o a v oi d o v er p a c ki n g.

A v oi d c o nst a ntl y o p e ni n g t h e o v e n d o or t o c h e c k o n t h e p astri es t o pr e v e nt t h e h e at fr o m g etti n g o ut. H a vi n g a c o nst a nt t e m p er at ur e will all o w f or a n e v e n b a k e. Pl a c e a s e c o n d ar y t h er m o m et er i n t h e o v e n t o a c c ur at el y d et er mi n e t h e t e m p er at ur e. Utili z e t h e o v e n li g ht t o c h e c k u p o n t h e p astri es.

“ B a ki n g n e e ds a c c u r a c y.” R a e s ai d. “ A c o u pl e g r a ms o ﬀ of a n i n g r e di e nt c a n p r o d u c e a c o m pl et el y di ﬀ e r e nt m a c a r o n.”

H ot vs C ol d

Sl o w a n d St e a d y Wi ns t h e R a c e

T h e t e m p er at ur e of y o ur i n gr e di e nts ar e e xtr e m el y i m p ort a nt. B utt er c a n s o m eti m es b e t o o s oft f or a r e ci p e or d o u g h c a n b e t o o c ol d. M a k e s ur e t o c ar ef ull y r e vi e w t h e r e ci p e t o m a k e s ur e w h at ki n d of t e m p er at ur e is n e e d e d f or t h e i n gr e di e nts.

H a vi n g p ati e n c e i n b a ki n g is k e y w h e n w or ki n g t o p erf e cti o n. If a r e ci p e is n ot c o mi n g o ut as e x p e ct e d, b e p ersist e nt a n d k e e p tr yi n g. N e v er b a k e w h e n fr ustr at e d, w al k a w a y a n d t a k e a br e a k i nst e a d.

“ T e m p e r at u r e is a h u g e t hi n g i n b a ki n g.” s ai d R a e.

Q u alit y O v e r Q u a ntit y

B a ki n g Ess e nti als

Us e t h e b est q u alit y i n gr e di e nts w h e n b a ki n g. T his will i m pr o v e t h e fi a v or a n d o v er all t e xt ur e of t h e p astri es. Al m o n d fi o ur is a gr e at alt er n ati v e t o us e i nst e a d of r e g ul ar fi o ur, it gi v es p astri es a b ett er c o nsist e n c y.

M e as u ri n g S c al e: f or t h e b est a n d m ost a c c ur at e m e as ur e m e nts us e a s c al e a n d w ei g h i n gr e di e nts i n gr a ms. St a n d Mi x e r: c o m es wit h di fi er e nt att a c h m e nts t o e fi e cti v el y mi x i n gr e di e nts t o g et h er.

“ W e g o o ut of o u r w a y t o m a k e s u r e all of o u r

Sili c o n e M at: e v e nl y h e at t h e b ott o m of p astri es a n d all o ws f or a n e as y cl e a n u p.

i n g r e di e nts a r e f r es h.” s ai d R a e.

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rav eli n g t o diff er e nt citi es, stat es, or ev e n c o u ntri es ca n s o u n d a mazi n g, ev e n b ett er if it is wit h a gr o u p of y o ur cl os est fri e n ds. B ut t h er e ar e ti m es, may b e ev e n m ost of t h e ti m e, t hat y o u ca n’t fi n d a ny o n e t o g o wit h y o u. S ur e y o u may hav e h ear d t hat it is b ett er t o trav el wit h at l east o n e ot h er p ers o n, b ut if y o u ca n’t fi n d s o m e o n e els e, t hat s h o ul d n’t h ol d y o u ba c k fr o m trav eli n g t o s o m e w h er e n e w.

M arj ori e Mir a n d a

H o w t o Trav el o n Y o ur O w n

Oia, Gr e e c e

T h e t h o u g ht of g oi n g f ar a w a y fr o m h o m e b y y o urs elf d o es s o u n d a bit t errif yi n g, b ut b y t h e e n d of it y o u will, h o p ef ull y, g ai n t h e c o nfi d e n c e a n d r es p o nsi bilit y of d oi n g t hi n gs o n y o ur o w n n o w. N ot t o m e nti o n y o u w o n’t h a v e t o w orr y a b o ut e x pl ori n g y o ur c h os e n d esti n ati o n o n s o m e b o d y els e’s s c h e d ul e (s orr y n ot s orr y). H er e ar e s o m e b asi c ti ps t o pr e p ar e y o u t o tr a v el o n y o ur o w n a n d cr e at e o n e of t h e m ost a m a zi n g e x p eri e n c e i n y o ur lif e:

P h ot o Cr e dit: T o m Gri m b ert

I NSIDE FULLERTO N - F ALL - 2018

1. H ot els vs H ost els Stayi n g i n a h ot el ca n giv e y o u t h e p ea c e a n d q ui et t hat y o u wa nt, b ut if y o u ar e trav eli n g al o n e it m ust b e b e ca us e y o u ar e l o o ki n g f or s o m e s ort of a dv e nt ur e. H ost els ar e us ually w h er e s ol o or gr o u p trav el ers stay w h e n t h ey wa nt s o m et hi n g i n e x p e nsiv e or j ust wa nt t o m e et n e w p e o pl e. T h es e pla c es ar e li k e a b e d a n d br ea kfast, t h e o w n ers ar e us ually t h e p e o pl e t hat ma k e y o ur br ea kfast a n d ar e y o ur t o ur g ui d es. T h e i d ea of s hari n g a r o o m wit h m ulti pl e p e o pl e t hat y o u d o n’t k n o w is t otally t errifyi n g at first, b ut o n c e y o u g et t h er e t h ey ta k e r eally g o o d car e of y o u, a n d y o u'll b e a bl e t o ma k e fri e n ds fr o m all o v er t h e w orl d. I w o ul d d e ﬁnit el y r e c o m m e n d t o st a y i n H ost els, j ust b e c a us e y o u n e v er k n o w w h o y o u c o ul d m e et.

ca n b e e x p e nsiv e. W h e n i n R ussia I d e ci d e d t o us e my p h o n e carri er's i nt er nati o nal pla n, b ut it was n’t w or k i n g at all, s o o n e of t h e p e o pl e at t h e h ost el s u g g est e d g etti n g a SI M Car d. F or $ 2 2. 5 0 I g ot 2 0 G B of data f or o n e m o nt h, n ev er a gai n di d I hav e a pr o bl e m wit h i nt er n et f or my w h ol e stay .

p e o pl e a s u b way car d t hat l ets y o u g et u nli mit e d a m o u nt ri d es f or a w h ol e m o nt h! Als o t h er e’s s o ma ny p e o pl e t hat us e it ev ery day s o if y o u g et l ost, d o n’t w orry t h er e ar e ni c e p e o pl e o ut t h er e t hat ar e willi n g t o h el p.

3. Dayti m e Si g hts e ei n g

W h e n trav eli n g al o n e it is b ett er t o g o o ut i n t h e dayti m e. Y es y o u b uil d u p t h e c o n fi d e n c e t o trav el o n y o ur o w n i n t h e first pla c e, b ut r e m e m b er t hat y o u ar e

Taj Ma hal, A gra, I n dia

Ma c h u Pi c h u, P er u

5. G o o gl e Tra nslat e is Y o ur B est Fri e n d! Bali, I n d o n esia

2. SI M Car d Si n c e w e all liv e i n a n era w h er e w e ca n n ot liv e wit h o ut o ur p h o n es I s u g g est g etti n g a SI M Car d w h e n i n a n ot h er c o u ntry. W h et h er y o u n e e d t o ma k e a call or liv estr ea m y o ur e x p eri e n c es, t his littl e car d will h el p y o u d o it. T his als o c o m es i n ha n dy w h e n it c o m es t o G P S-- n o o n e us es ma ps a ny m or e. SI M Car ds ar e n o w availa bl e at ea c h air p ort of t h e pla c e y o u ar e trav eli n g t o. Y o u c o ul d als o g o o n a i nt er nati o nal pla n wit h y o ur p h o n e carri er, b ut t h os e s o m eti m es ar e n’t r elia bl e a n d

i n a diff er e nt c o u ntry a n d li k e ev ery w h er e els e it is still da n g er o us t o g o o ut at ni g ht. Pla n o ut all y o ur si g hts e e i n g f or w h e n t h e s u n is o ut, a n d if y o u d o n’t fi nis h, y o u hav e a n e x c us e t o c o m e ba c k. T h er e ar e s o m e pla c es i n E ur o p e, li k e R ussia, w h er e t h e s u n d o es n’t g o d o w n u ntil 1 0 o’ cl o c k at ni g ht, s o y o u ca n pla n a c c or di n gly.

B eli ev e it or n ot t h er e ar e pla c es i n t h e w orl d, li k e R ussia, t hat d o n ot s p ea k a ny E n glis h. It ca n b e r eally fr ustrati n g, b ut t hat is w h er e G o o gl e Tra nslat e c o m es i n ha n dy. T h e a p p l ets p e o pl e ty p e u p w hat t h ey wa nt t o say a n d it tra nslat es t o t h e la n g ua g e t hat t h e ot h er p ers o n w o ul d u n d ersta n d. Y o u ar e o bvi o usly si g ni n g u p t o r u n h ea d first i nt o a la n g ua g e barri er w h e n c h o osi n g t o trav el t o a f or ei g n c o u ntry, b ut G o o gl e Tra nslat e ca n s oft e n t h e bl o w.

4. Usi n g P u bli c Tra ns p ortati o n P u bli c tra ns p ortati o n is p o p ular i n t o uristy citi es a n d al ways us e it b e ca us e it is l ess e x p e nsiv e t ha n y o ur r e g ular u b er or ta xi. I n E ur o p e t o trav el diff er e nt citi es or ev e n c o u ntri es p e o pl e mai nly us e t h e trai n i nst ea d of a n air pla n e o nly b e ca us e t h e c ost is $ 1 5. U n d er gr o u n d S u b ways a n d b uss es ar e als o us e d w h e n wa nti n g t o g o t o n ear by pla c es. If y o u’r e l u c ky m ost pla c es off er

P h ot o Cr e dits: L eft- T h o mas Y o u n g C e nt er- Ra m da n A ut h e nti c Ri g ht- Willia n J ust e n d e Vas c o n c ell os

i n si d e f u l l e r t o n. c o m