WIRED September 2021

Page 10

Conversations and the art of fencing Ross Lewis took part in his first agricultural fieldays at Mystery Creek in June. The Britishborn internationally-acclaimed painter and mural artist was part of Stockade’s site.

There he began constructing his first

This arrangement suited the artistic

one of Stockade’s cordless stapler tools,

result – a top wire and a parallel shadow

ever post-and-batten fence. Rather than Ross’s fence came to life from beneath

his brush strokes on a large 2.8m x 1.2m wooden frame.

Landscape painting is one of Ross’s

loves. He has developed his own style

that fits New Zealand’s unique landscape and light. His commissioned works

include paintings for the likes of actor/ director Alan Rickman, Formula One

Race driver Damen Hill and reality show personality Simon Cowell; as well as recreating the murals of Pompei.

CAPTURING THE ART OF FENCING The activity of fencing is rarely captured in the art world so Ross’s project drew

curiousity from visitors and competitors. Ross welcomes conversation and says everyone was pretty complimentary,

every now and then a few shared a bit of

advice. Much of the feedback came from families and children, and many people

returned later to see the vista unfolding. The art-in-progress also piqued the

interest of fencing competitors. They

were intrigued whether the end result

would capture an authentic fencing scene and reflect what they really do. Past

fencing competitors and Stockade North Island territory manager Mike Billinghurst Ross Lewis getting down to work

Ross creates beautiful vast landscapes which are admired and treasured; fencers work in and on these landscapes, crafting their own marks with fences to last a lifetime – which in turn become part of a scene which is authentically rural New Zealand

were on site to provide some handy

technical advice. Mike ran Ross through a fast-tracked lesson on how and why

to space 9 and 6-wire fences, then the

painter took Mike’s practical know-how back to the canvas.

Veteran fencer, triple Golden Pliers™ winner and competition judge Owen

Petersen heard there was something

going on back at the Stockade site. “I was pretty impressed.”

Ross and Owen got to talking, discussing battens. “I suggested the guys in the

painting were only in the early stages.

Only a couple of wires might be up – one

along the bottom to get the line and then another further up to get the posts nice and plumb.”

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ISSUE 62 / SEPTEMBER 2021

composition Ross had in his mind. The

draw the eye along the painting, and the incomplete fence tells a visual story of

work in progress. Both Ross and Owen

agree: with the skeleton fence, the eyes are drawn up and away into the hills. In

doing so, the observer takes a moment

to draw in the vista of the fencing world. Another day’s painting and Ross says

he would have softened those hills, then catches himself “That wouldn’t have made the story about the fencing, it

would have been about the landscape. So it was good that I didn’t have any more time!”

CHANGING LANDSCAPES

Owen reflects on fencing’s role in

creating and forming New Zealand’s landscape. “Farming for example is

only made possible with fencing, and

obviously fencing of waterways is now

changing the landscape too by protecting and enhancing our streams and rivers,

and riparian land. While any waterway was seen as an important source for stock in the past, better technology has allowed more reticulated systems. Whether on

purpose or not, Ross has captured part of this in his painting.”

“I think he finished off very well. I stopped

off on the Saturday to see how he’d gone. It looked very good.”

COLLABORATION

Christie Stanton, Stockade Market

Manager says the team has enjoyed

working alongside Ross and the feedback has been awesome.

“Ross creates beautiful vast landscapes

which are admired and treasured; fencers

work in and on these landscapes, crafting their own marks with fences to last a lifetime – which in turn become part

of a scene which is authentically rural New Zealand. We are also delighted

that the fencing community has helped us shape this landscape and we are

excited to announce that the artwork will be auctioned later in the year to raise

WIRED MAGAZINE


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