Portfolio Fernando Franco 2018

Page 1



Fernando Franco architect

Address: Adolfo Prieto 1476, Col. Del Valle Sur, City of Mexico, Mexico

Contact:

Professional Experience

Architect Semi Senior 21fer.franco@gmail.com

Desarrollo Agroindustrial / CDMX, Sinaloa

+52 1 55 3481 6629

March 2014 - June 2018 Development of blueprints, presentations, executive projects, construction plans and supervision in-situ of works of industrial ships for the agroindustrial sector.

Skills:

One of the most outstanding challenges in this company was to solve various tasks that go beyond architecture, sometimes in a very short time, I consider myself fortunate to be able to carry them out, since they have taught me to solve many types of problems.

Architect junior AutoCad

3dsMAX

Microsoft Office

Photoshop

Illustrator

Projec Atlixco 34 / Mexico City January 2013 - January 2014 Development of blueprints, presentations for the client and renders for two apartment buildings in the Condesa neighborhood and a house in CoyoacĂĄn, the three projects in Mexico City. In this job, I was fortunate to prepare the projects and presentations with an architect with extensive experience from which I absorbed a lot of knowledge and learned architectural solutions and constructive details. Architect junior Grupo Punto Arquitectura / State of Mexico

InDesing

SketchUP

English

July 2009 - January 2010 Architectural draftsman, development of blueprints and executive projects. One of the most outstanding projects was the restaurant NOBU, located in the Arcos Bosques building, and at the same time others arrived, such as a Häagen Dazs ice cream shop and a clothing store Massimo Dutti.


Education

Bacherlor Universidad Nacional Autónoma de México, Faculty of Architecture, CU 2008 - 2014 Diploma in Bioclimatic and Sustainable Architecture Faculty of Architecture, U.N.A.M. 2013 - 2014 Architectural drawing technician High school No. 8, U.N.A.M. 2007 - 2008

Acknowledgments Honorable Mention Pavilion Arquine / Mextrópoli february 2018, CDMX International architecture competition for the most important architecture magazine in Mexico. Venice architecture Biennale may 2016, Venice, Italy Muestra internacional de arquitectura con el proyecto “Vivienda transitoria para migrantes” en la bienal “Reporting from the front” Costa Rica architecture Biennale february 2016, San José, Costa Rica First prize in the student category for the project “Transitory housing for migrants” Award for excellence in social service November 2015 / CDMX / UNAM Latin American Student Contest Red ALVAR 2012 Aknowledgment for the project “School of Urbanism UNAM” to be one of the most outstanding of the workshop.

Publicati Reporting from the front Page 26 http://arquitectura.unam.mx/uploads/8/1/1/0/8110907/09-repentina-sep2016.pdf Perspectivas sociales de la Bienal de Venecia 2016 / Social Perspectives of the Venice Biennale 2016 http://enlacearquitectura.com/perspectivas-sociales-en-la-bienal-de-venecia-2016/


Transitory Bamboo Housing Page 100 http://arquitectura.unam.mx/bitacora.html

Data of interest Enterperneurship

Collaboration in entrepreneurial projects in the field of architecture. Santa Estudio / +SUMA Estudio 2015 - To the date Co-founder of the architecture office in which some projects and competitions have been carried out. https://www.sumaestudio.mx/ Taller 21 January 2012 - To the date Elaboration of models at a professional level. Collaborator in Augmented Reality App for UNAM https://play.google.com/store/apps/details?id=com.unam.dvrv.ofrenda2015&hl=es Copyright for virtual reality lenses march 2015



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transitory migrant housing UNAM TAPACHULA / CHIAPAS / Mexico 2015 EXHIBITED IN THE VENICE BIENNIAL,

8 “REPORTING FROM THE FRONT” 2016

The Soconusco region in southern Chiapas is characterized by a migratory tradition of labor and commercial origin with Central America, particularly with Guatemala since the 19th century, mainly due to the cultivation and harvest of coffee in the area; since then there is an economic, social and cultural exchange that transcends regional boundaries. Currently, these ties have been affected by the increase in the flow of both labor and transit and the lack of legal infrastructure and services to accommodate this population that grows day by day.

Chiapas

División municipal

Finca Argovia Chiapas

Tuzantan Zona del Soconusco

0

25

50

Col. Nueva Alemania

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www.cuentame.inegi.org.mx FUENTE: INEGI. Marco Geoestadístico Municipal 2005

Kilómetros

Huehuetan Municipio de Tapachula de Cordoba y Ordoñez

Carrereta Juchitan de Zaragoza - Tapachula

Col. Viva México

Cd. de Tapachula

Av. Internacional

Alvaro Obregón

Av. 17 Avenida Ote.

4a avenida sur

Antorcha

Carrereta Tapachula - Juchitan de Zaragoza

Carretera Principal Carretera secundaria pavimentada Av. Libramiento Norte

Transitory Housing for Migrants, arises thanks to the sum of wills between the Max Cetto Workshop UNAM and the owner of Argovia farm; since he was interested in knowing about the program and was interested in the realization of the project, visualizing it as an opportunity to promote the development of the community. Due to its location and social context, it was decided that the project would focus on the housing sector despite the fact that various needs were recognized in terms of equipment due to the importance of the issue in a community composed of inhabitants of different nationalities who need an element that generate equity, sense of belonging and social cohesion; besides an adequate space that influences his personal and family development.

Carretera Tapachula - Puerto de San Bento

location

The structure was divided into two parts, the first corresponding to housing and the second to the service module with block walls. For the structure of the roofs, bamboo was used as a constructive alternative, as it is a material that is found in large quantities in this area and has great potential for construction. It is also a renewable and easily accessible resource, reducing costs for construction.


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overall view



nigth view


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back facade view

lateral vie


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virtual reality render


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isometric exploded view


plans

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master plan

first floor


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transversal section

main facade


model

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building

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building

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The architectural exhibition of the 2016 Venice Biennale was directed by the then award-winning Pritzker Prize, Arch. Alejandro Aravena, who chose the title “Reporting from the front”. Where it was possible to show the world the meaning of architecture in current times, in many countries the visibly unfavorable economies are sustained, which affect the daily life of a large part of the population and under these premises; In what way will we address the real and current problems in the subject of architecture. “Temporary Housing for Migrants” contributes its bit in this display of social architecture, presenting decent atmospheres for the most vulnerable groups.


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inoma /office pavilion +SUMA studio COYOACĂ N 2017

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architectural graphic description

Inoma is a company dedicated to the development of software for children in which they receive internships from different universities. For this company it is important that all of its workers have comfortable, tranquil and playful spaces. The existing space is a house that was adapted to office for the development of its activities. They only counted did not have enough spaces so they requested an office space in the yard, one of the conditions is that when they decided to move they could take the pavilion with them.

The proposal consists of an office pavilion with space for 15 people to work comfortably. The materials chosen for this project try to be warm and welcoming, also trying to melt the exterior with the interior by means of huge sliding windows along the entire main facade. The back wall is part bookseller and partly a large window that allows the entry of indirect light. the lateral facades are blind walls with doors on the sides and can be accessed by both or simply open to have air flow.


blueprints

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plant

section

main facade

transversal section


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d e r s 29

exterior, main facade

virtual reality render


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exterior


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interior


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CASA MAYA / culture center Fernando Franco + Mau Ramírez TIXCACALTUYUB, QUINTANA ROO, MEXICO 2017

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First floor


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isometric explode view


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s e c t i o n

A - A ’


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internal view second floor


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garden

overalll


v i r t u a l 38


r e a l i t y 39

garden 360° view

second floor 360° view


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pavilion mextropoli / pieza 19 SANTA ESTUDIO ARCHITECTURE COMPETITON “ARQUINE 20” / HONORIFIC MENTION ALAMEDA CENTRAL, CDMX, MEXICO 2018

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Calmness and thought are born between agony and uncertainty. From our perspective, the earthquake of September 19 (19-s) has marked a violent and sad pattern in the lives of the inhabitants of Mexico; feel how tiny we are in the face of natural events; not only collapses our physical appearance, but also our spirit; our dreams, our lives and thoughts. However, adversity also gives us the opportunity to face and raise a fist in defiance of the noise and chaos to close the silence and hear the tiny of a voice to avoid being lost in the magnitude of what surrounds it. Understanding ourselves as a silent and noisy material, stony and fragile, violent and serene - in continuous transformation - like nature itself, opens our eyes and helps us accept what we are and what we have always been a part of. It is to believe in their processes and their composition as the guiding axis of the lives of those who breathe and those who only transform, of everything and everyone. Therefore, pay attention to what makes up the things we dream, think, build and inhabit, is to focus on the task of understanding ourselves, is to deal with our own reason for what nature is normal and necessary. To build with earth is to revolve around the memory of our essence, to perceive ourselves as an accumulation of materials that have become in life and beauty their violent origin. Integrate the world without facing it, but to live it and enjoy it.


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</esquema_constructivo;

6. Pieza monolítica.

5. Retiro de encofrado.

4. Apisonado y compactación.

3. Vaciado de mezcla de materiales.

2. Colocación de encofrado.

1. Preparación de superficie / trazo


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boxers barbershop Santa Estudio MALL “LA ESTACIÓN / COYOACÁN, MEXICO

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The design we propose retakes the classic atmosphere of the “Barber Shop” of the 50’s and adds cutting-edge elements to the male image that reflects “Boxers Barber Shop”, such as woods and ceramics that do not just strengthen the nature of the franchise, but also contribute to the clarity of the concept and image of “Boxers”. The wooden elements and the clean walls neutralize the space and serve as an ideal frame of the protagonist color of the stations, at the same time as the most important space of the barbershop is highlighted; the barber’s chair the Apollo II.


planS B

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A’

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C’

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first floor

PLANT

section A-A’

SECCIÓN A - A’


plans

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CORT E DE PELO CORT E DE BARBA LAVADO DE PELO

$200 $180 $150

section B-B’

SECCIÓN B - B

section D-D’

SECCIÓN D -


BOXERS BARBER SHOP

CUBIERTA

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MURO A BASE DE TABLA CEMENTO DE 1.22 X 3.00

ACABADO A BASE DE PINTURA VINÍLICA COLOR GRIS OXFORD MATE

MURO A BASE DE TABLA CEMENTO DE 1.22 X 3.00 LOGO DE “BOXERS” EN NEÓN

RECUBRIMIENTO DE LAMBRÍN DE PINO ENTINTADO

ACABADO DE CERÁMICA BLANCA MATE DE 7.5 X 15 CM O FACHALETA

ACABADO A BASE DE PINTURA VINÍLICA COLOR GRIS OXFORD MATE

MURO A BASE DE TABLA CEMENTO DE 1.22 X 3.00

PISO DE CONCRETO APARENTE PULIDO

MURO A BASE DE TABLA CEMENTO DE 1.22 X 3.00

MUEBLE DE MADERA DE PINO ENTINTADO

SIILLAS TIPO “APOLLO II BARBER CHAIR”

ACABADO DE CERÁMICA BLANCA MATE DE 7.5 X 15 CM O FACHALETA

MURO A BASE DE TABLA CEMENTO DE 1.22 X 3.00

CORTINA CON LOGOTIPO “BOXERS” PISO DE LOSETA DE 30 X 30 CM TIPO AJEDREZ

PISO DE CONCRETO APARENTE PULIDO

diagram of materials

CANCELERÍA DE ALUMINIO Y CRISTAL TRANSPARENTE CON ANTIREFLEJANTE


renders

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interior view


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interior view


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virtual reality render

furniture design


bulding images & final results

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colocaciĂłn de fachaleta en muros


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limpieza profunda


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lights, shadows and finishes


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opening


thanks merci gracias danke grazie obrigado arigato

Architecture appears for the first time when the sunlight hits a wall. The sunlight did not know what it was before it hit a wall. Louis Kahn

21fer.franco@gmail.com 553481 6629


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