Science & Technology Support-independent production and objections to it
Optimized workflow in digital printing – part 1 Whether printing is offset or digital, data processing for the different procedures is the same. With one important difference, because digital printing has no standard, not even standardized reproduction. However, even digital printing can give optimal results through workflow independent of the support. While in the context of PSO (Process Standard Offset – ISO 12647 http://www.pso,insider.de) there is a description of a standardized, industry-oriented method of offset printing, digital printing totally lacks a corresponding set of standards. FOGRA and ISO are working towards standardization in the digital field, too. For offset printing, the fundamental requisites for getting PSO certification are, on the one hand, creation of pre-print data and, on the other, printing itself. The difference between offset and digital printing lies only in the printing process proper, where you have to compare the most disparate colors and supports and it’s impossible to limit oneself to five classes of paper, as in offset printing. What both processes have in common is data processing. However, in digital printing you have to process data that’s independent of the support, while in offset, instead (and depending on the standards available for classes of paper), you can create unlimited support-based data. Due to the multiplicity of supports and the lack of standards, for digital printing it is inadvisable to process data based on the support. You would have to limit reproduction possibilities and forgo some of the extraordinary advantages digital printing offers! The following analysis compares individual concepts, taking in-depth looks at the pros and cons of support-independent production where digital printing is concerned. Before talking about optimized workflow for processing digital printing data, let’s first try to clear the field of doubts about output not dependent on the support, since experts in the creation and production department always have ready excuses. The concepts. When talking about support-independent printing products you run into various concepts. Here we provide a definition: Data not dependent on the support: this means data memorized in a generic RGB or Lab colorimetric space. Data specific to the support: the data is memorized in the specific colorimetric space of the input or output unit. Color management: a procedure linked to the system in which images, graphics and text can be converted at any time from an original colorimetric space to one of destination. PDF: a universal data format able to combine in a container both support-independent and support-specific data, which can be completely incorporated or referred to
externally. PDF/X: a set of ISO standards used in data exchange between the data creator and the data processor during the printing process, and which supplies technically accurate PDF data. It is impossible to exclude errors in data content and structure! Formats PDF/X-3 and PDF/X-4 in particular are nominated in relation to PDF production, whatever the support. Actual production conditions. Whether you are producing catalogues or ads, for example on textile panels, the approach is the same. In every case we are dealing with images (photos, photomontages or logos in black and white), graphics (illustrations, commercial graphics or logos, all in vector form) and texts. All these elements have to be grouped in a layout and you have to analyze the resolution suitable for output into the colorimetric space specific to the support. Images are generally opened in Adobe Photoshop, processed from the color and content standpoints and converted into the colorimetric space specific to the support. For example: ISOCoated_v2 (known to be the largest colorimetric space for offset printing and therefore ideal for digital). If the image has already been archived in CMYK, it is used as is. Here there is no conversion of the image into the colorimetric space specific to the support and suitable for production because you can decide to use the image as is (even when using another specific colorimetric space). To preserve the original image, it is saved with a new name in TIFF or JPEG format. However, if you want to create photomontages, these are saved under another name, usually in PSD format. Graphics are created almost exclusively in CMYK using vector programs like Adobe Illustrator, FreeHand and CorelDraw and are saved as EPS, PDF or AI files. Texts are written with the text editor and input into the layout program mostly in black, sometimes also in color. The text is “colored” almost exclusively using one of the CMYK colors created in the layout program. In most cases, black texts are input with a loaded black (0|0|0|100). To get an optimal print, certain format titles are input in “deep black” (50|50|0|100). This classic production works fine for offset printing, when everything is done right. However, the same production shows a first essential limitation for digital printing in regard to the possible colorimetric space. Ask yourself the following questions. -
Do you know which support-specific colorimetric
process - Durst news for screen and digital printers - Issue 68 - January 2011
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