OCTOBER 4 & 5 Saturday at 7:00pm / Sunday at 2:00pm
MARCH 22 & 23
Alice
Saturday at 7:30pm / Sunday at 2:00pm
& MIXED REPERTOIRE
Greeting from the Artistic Director Welcome to Festival Ballet Theatre’s 2014-2015 season opener at the beautiful Irvine Barclay Theatre! This year marks the 26th Anniversary of our ballet company, and as we celebrate our journey, we reflect on many happy years of sharing the passion for the art of ballet with Orange County audiences. We are very fortunate to share the choreographic talents of Robert Sund and Josie Walsh and the beauty of two George Balanchine ballets. Robert originally staged Alice in Wonderland for us in 2009, and we are happy to bring back this treasure for your enjoyment. Josie has created “Convergence” – a world of colliding opposites using a fusion of modern movement with a strong classical base. Zippora Karz staged Balanchine’s Valse-Fantaisie and Serenade and the dancers have had a wonderful time embracing the technique and style. I know that you will enjoy this performance and remember it for years to come. Our season continues with everyone’s favorite production of The Nutcracker in December, the cherished romantic ballet, Swan Lake, in March, and culminates in August with our highly acclaimed, annual Gala of the Stars. While building a loyal audience base and presenting many new world premiere contemporary works and cherished classical repertoire, we carry out our mission of providing world-class ballet performances in Orange County. During the past few years we have been blessed with marvelous audiences, selling out many of our performances. Thank you for your patronage and support. Thank you for keeping FBT a place for the arts to flourish, and we look forward to seeing you throughout the season.
Salwa Rizkalla
Festival Ballet Theatre Under the direction of Salwa Rizkalla, since its opening in 1988, Festival Ballet Theatre has become one of the west coast’s most vibrant and accomplished professional ballet companies. Celebrating over 26 years of artistic service, FBT strives to enrich the experience of Orange County’s dance audiences by presenting the highest level of professional classical productions and highlighting the works of world-renowned choreographers. With reverence to masterpieces of the past and a clear focus on developing future tours de force, FBT presents a varied repertoire of full-length classical ballets, including The Nutcracker, Coppelia, Don Quixote, Giselle, Sleeping Beauty and Swan Lake, as well as contemporary works by some of the nation’s most sought-after choreographers. Boasting a roster of impressive, up-and-coming talent, the company’s productions feature internationally acclaimed guest artists from prestigious companies, such as American Ballet Theatre, Boston Ballet, Joffrey Ballet, the Kirov Ballet, New York City Ballet, Pacific Northwest Ballet, and the San Francisco Ballet. Aspiring to the heights of artistic excellence, Festival Ballet Theatre simultaneously attracts the best in professional dance to its home base while sending its own dancers out as artistic ambassadors to the nation. FBT’s significant work has been recognized with a 2001 Arts Orange County Award for Outstanding Arts Organization of the Year.
Southland Ballet Academy Founded in 1983 by Salwa Rizkalla and since opening its doors, the school has acquired a national and international reputation, and has played a prominent role in grooming world-class dancers while nurturing the love of dance in its Orange County home.
Presents
Alice in wonderland & Mixed Repertoire
Saturday, October 4 at 7pm Sunday, October 5 at 2pm Irvine Barclay Theatre â—? Cheng Hall Artistic Director: Salwa Rizkalla
Lighting Designer & Stage Manager Don Guy
Company Photographer Dave Friedman
Artistic Assistant Elizabeth Farmen
Marketing & Communications Connie Jankowski Courtney Zollinger
Repetiteur Elizabeth Farmen Salwa Rizkalla Skye Schmidt Costume Coordinator Willa Bouwens-Killeen
Graphic Designer Marianne Hales Program Designer Marilyn Wiederin
Casting subject to change. The taking of photographs or use of recording devices is strictly prohibited.
Alice in wonderland
Synopsis
Since Alice’s Adventures in Wonderland was first published in 1866, children and adults have delighted in the astonishingly absurd and imaginative world Lewis Carroll created for Alice Liddell and her young playmates. Son of a clergyman and a Reader in Mathematics at Christ College Oxford, England, Charles Lutwidge Dodgson published Alice’s Adventures in Wonderland and Through the Looking Glass under the pseudonym Lewis Carroll. In bringing this literary classic to the ballet stage, Robert Sund has choreographed Alice’s childhood journey of self-discovery and brought all the characters of Wonderland vividly to life. We find Alice, her older sister and their Nanny, together with Lewis Carroll himself enjoying a summer picnic on a “golden afternoon” outside Carroll’s home in Oxford, England. A gifted photographer, Carroll is keen to take pictures of Alice and the party. Suddenly the White Rabbit appears and entices Alice to follow him, and begin her adventure to Wonderland. Sund’s ballet recreates Carroll’s story as we follow Alice down the rabbit hole. Too big to continue, Alice drinks the offered potion and is soon able to enter the door that will bring her into the world of fantasy. Remember, things are never what they appear to be. The Caterpillar becomes a Butterfly and the Cheshire Cat, warning Alice that she has entered a world that doesn’t make sense, vanishes. The White Knight, an artist who is both strong and gallant, introduces himself to Alice. Their idle is interrupted by the White Rabbit and again, Alice sets off in pursuit of him. In her wanderings, Alice finds the comic brothers Tweedledee and Tweedledum. Their dancing and drinking leave Alice sleepy. Alice is then invited by Tiger Lily and her Lily Maidens to join in their celebration. Awake, Alice grows more curious. Despite the Cheshire Cat’s warning, our heroine insists on more adventures, stumbling on the Mad Hatter’s Tea Party. All the guests have arrived; the March Hare and the Dormouse as well as the Mad Hatter himself. Leaving the Tea Party, Alice heads off to the seashore with Tweedledee and Tweedledum. Once there she meets the tearful Mock Turtle and the Frog Footman. Alice learns that the Queen of Hearts is hosting a croquet party and all the characters of Wonderland have been invited. Anxious to attend, Alice persuades the Frog Footman to give her an invitation and together they join the Queen and her party. More frightening than foolish, the Queen of Hearts, enraged that Alice has joined her garden fete, orders the Frog Footman executed for his kindness to Alice. Our heroine’s protests are met with the familiar “Off with her head!” When all seems lost, and Alice’s own fate sealed, the White Knight appears and rescues her from the clutches of the Queen and her Court. Alice’s Adventures in Wonderland are coming to an end as the White Knight leads her back to the world of Childhood, her family and to Lewis Carroll himself.
Mixed Repertoire Valse-Fantaisie* Choreography: George Balanchine Staged by: Zippora Karz Music: Mikhail Glinka
Megan Yamashita and AJ Abrams (10/4), Renee Kester and AJ Abrams (10/5) Mariana Carrillo, Katie Miltimore, Skye Schmidt, Tiffany Yamasaki
Serenade* Choreography: George Balanchine Staged by: Zippora Karz Music: Pyotr Ilyich Tchaikovsky
Clara Mason Jessica Arnold, Alice Danci, Sydney Danci, Rachel Deng, Megan Ely, Olivia Harrigan, Anya Lydon, Elise Newen, Bianca Wajack, Nicole Weber, Dayna Wiederin, Makaela Wiederin, Kaeli Wilson Lauren Bogel, Sarah Grant, Bella Hoy, Mia Philippon (10/4) Renee Castonguay, Allison Langston, Alysa Reinhardt, Krystina Wilson (10/5)
It Will Rain Choreography: Michelle Lemburg Music: Bruno Mars/Nostromo Pilots
Michelle Lemburg
“Convergence” – a world of colliding opposites Choreography: Josie Walsh Music: Jealous Angel remix of Zoe Keating
AJ Abrams, Mariana Carrillo, Andrea Guite, Olivia Harrigan, Renee Kester, Clara Mason, Natalie Matsuura, Katie Miltimore, Megan Yamashita *The performance of Valse-Fantaisie and Serenade, Balanchine® Ballets, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust.
INTERMISSION
Alice in wonderland Choreography: Robert Sund Music: Jean Sibelius Costumes: Mary Etta Lang Set Design: Daniel Nyiri
Lewis Carroll, the author of “Alice in Wonderland”
AJ Abrams
Alice
Michelle Lemburg
Alice’s Sister
Bella Hoy
Nanny
Jessica Arnold
White Rabbit
Tiffany Yamasaki
Caterpillar
Tara Gusman
Butterfly
Anya Lydon
Cheshire Cat
Katie Miltimore (10/4), Skye Schmidt (10/5)
White Knight
AJ Abrams
Tweedledee
Megan Ely
Tweedledum
Olvia Harrigan
Tiger Lily
Clara Mason
Lillies
Lauren Bogel, Sarah Grant, Bella Hoy, Allison Langston, Ashley Lew, Marbella Marlo, Athena Skiathitis, Rachel Soltesz, Lily Turner, Bianca Wajack, Sammy Werle, Rachel Zafra
Mad Hatter
AJ Abrams
March Hare
Natalie Matsuura
Dormouse
Sarah Grant (10/4), Elise Newen (10/5)
Frog Footman
Guzman Rosado
Mock Turtle
Bianca Wajack
Queen of Hearts
Tara Gusman
Executioner
Katie Miltimore
Cards
Jessica Arnold, Bella Hoy, Clara Mason, Alysa Reinhardt, Skye Schmidt, Nicole Weber, Dayna Wiederin
Choreographers Born in St. Petersburg, Russia, George Balanchine (19041983) is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in late 1933, at the age of 29, accepting the invitation of the young American arts patron Lincoln Kirstein (1907-96), whose great passions included the dream of creating a ballet company and school in America. The School of American Ballet, founded in 1934, was the first product of the Balanchine-Kirstein collaboration. With a performance on October 11, 1948, the New York City Ballet was born. Balanchine served as its ballet master and principal choreographer from 1948 until his death in 1983. Balanchine’s more than 400 dance works include Serenade (1934), Concerto Barocco (1941), Le Palais de Cristal, later renamed Symphony in C (1947), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981). His final ballet, a new version of Stravinsky’s Variations for Orchestra, was created in 1982. He also choreographed for films, operas, revues, and musicals. Among his best-known dances for the stage is Slaughter on Tenth Avenue, originally created for Broadway’s On Your Toes (1936). The musical was later made into a movie. A major artistic figure of the twentieth century, Balanchine revolutionized the look of classical ballet. Taking classicism as his base, he heightened, quickened, expanded, streamlined, and even inverted the fundamentals of the 400-year-old language of academic dance. Zippora Karz is a former soloist ballerina with the New York City Ballet where she performed for 16 years on stage and in televised performances. She was featured in a variety of roles choreographed by George Balanchine and Jerome Robbins (The Sugar Plum Fairy in the Nutcracker being one of her favorites) as well as works choreographed for her by such choreographers as Peter Martins and Lynne Taylor Corbett. Today Miss Karz stages Balanchine ballets all over the world coaching and teaching dance. Miss Karz was diagnosed with juvenile diabetes at the age of 21 and is passionate today about motivating others to take care of themselves and live their dreams. She is a passionate speaker and motivator, sharing her story as well as her love of movement to all ages from kids to adults. Her memoir, the Sugarless Plum was published November 2009.
Robert Sund began his career as a principal dancer with Pacific Northwest Ballet. Moving on to dance with San Francisco Ballet, he performed soloist and principal roles under the tenure of Michael Smuin, and later Helgi Tomasson. Upon retirement from dancing, Mr. Sund began his career as a choreographer and guest teacher of international acclaim. As a child of deaf parents, he found an innate ability to tell stories through movement. His first full length ballet A Midsummer Nights Dream created for the Norwegian National Ballet, received critical acclaim from critics and audiences alike. Since then, he has created five full length story ballets, two Emmy award winning ballets for television, numerous contemporary works, and gold medal winning works for both national and international competitions and gala evenings. Traveling throughout Europe, Japan, and Central America, Mr. Sund has been invited to guest teach and create original works for companies such as Netherlands Dance Theater, Frankfurt Ballet, Nacional Ballet de Cuba, Stuttgart Ballet, as well as numerous companies around the United States. Most recently, Mr. Sund returned from Japan where he created the pas de deux Firebird for the opening ceremonies of the World EXPO and a new ballet for American Ballet Theatre Studio Company. A native of Los Angeles, Josie Walsh has danced professionally with the Joffrey Ballet, Zurich Ballet and Oregon Ballet Theatre. Josie’s choreographic career began with the Zurich Opera and moved on to several freelance projects throughout Europe. Upon her return to Los Angeles she integrated this vast background into the commercial and concert dance world. Josie was named 25 to watch by Dance Magazine. Contemporary Ballet commissions include: “Secret Garden” (full length) State Street Ballet and Festival Ballet Theatre, “Bach to Rock” State Street Ballet, “Transmutation“ Los Angeles Ballet’s New Wave LA, “Sirens” Los Angeles Ballet Next Wave LA, “Luminate” Luminario Ballet, “Deconstructed” Harvard Ballet, “Taming of the Shrew” Aeolian Ballet, “Found” & “Internal Affairs” Celebrate Dance, “Artemis” Santa Monica College, MyoKyo™ full length Renegade Rock Ballet productions: Intersection, Urban Angels, Garden of Reason, Image-Nation, Gone with the Whim, Avalon and Carnivinyl. Commercial credits include: UTV international logo Identity, A&E “The Cleaner”, Walt Disney’s feature of “Tinker Bell“, Starz “Torchwood”, “Inappropriate Comedy” feature film, “YAHOO” national commercial, “GET UR BALLET ON” music video, MGM movie premiere "Bullet Proof Monk", CBS sitcom “That’s Life”, Red Bull "Formula One" Industrial, Pilgrim Rock Opera, Asia Entertainment, LA Music Awards, Paul Mitchell Industrial, Queen Mary Live, Focus Fish Flying Circus, Project Angel Food, and Zurich Opera.
Company Dancers AJ Abrams is a native of Long Beach, California. AJ has trained throughout the United States at such schools as Pacific Northwest Ballet, Pennsylvania Ballet and School of American Ballet. At age 19, he was discovered by Mark Bush and began his professional career at Ballet Austin under the direction of Stephen Mills. His credits with Ballet Austin include original works by Stephen Mills such as Hamlet, a featured role in the ballet Touch, and The Taming of the Shrew. He performed a solo role in Septime Webers’ Fluctuating Hemlines and principal roles as the Sugar Plum Cavalier in The Nutcracker, Albrecht in Giselle, and the principal male in Balanchine’s Who Cares? He is currently a member of the Luminario Ballet of Los Angeles and Festival Ballet Theatre. Freelance credits include Aurora’s Wedding Pas De Deux and The Bluebird Pas De Deux in The Sleeping Beauty, the principal male in George Balanchine’s Valse Fantasie, and original works by choreographers Josie Walsh and Jamal Story. Mr. Abrams has performed in musicals, videos and movies. Most recently, he performed in a music video for Florence and the Machine directed by David LaChapelle. Mariana Carrillo was born in Eagle Pass, Texas in 1995. She was raised in San Jose del Cabo, BCS and started her basic dance training at age four in, "Estudio del Angel" with Luciano Gomez. In 2006, she joined "Danza Tellez" and trained ballet and jazz with Lourdes Téllez. Ms. Carrillo has trained at several summer intensive programs including, Pirouetteando, Royal Winnipeg Ballet and Southland Ballet Academy. Since 2011, Mariana takes seminaries with Christina Lyon who has choreographed some pieces for her. In August 2012 she moved to Austin Texas to continue her training at Ballet Austin. Today she continues her training in California at Southland Ballet Academy under the direction of Salwa Rizkalla and Christina Lyon. Tara Gusman has achieved many honors, titles and awards throughout her 10 years of training: finalist at Youth Grand Prix Nationals, Teen Miss Dance of America 2004, Dance Masters of America; and National Training Scholar for ABT. At age 16, Tara was offered a full scholarship to ABT and an apprenticeship with Washington Ballet. She has performed as a lead ballet dancer in the popular film Step Up; and has danced in Le Corsaire with ABT and various other ballets. She has worked with Florence and the Machine and performed on the hit TV show, Dancing with the Stars, as part of an ensemble feature dance. Renee Kester was born and raised in Seal Beach, California. She began her classical training at the age of 14 at Southland Ballet Academy. In the year 2012 she competed in World Ballet Competition in Florida where she was asked to be a trainee with The Washington Ballet. She spent the year 2013 at The Washington Ballet and then went on to be an apprentice with Houston Ballet in the year 2014. Renee has performed several ballets from Balanchine's 'Stars and Stripes' with The Washington Ballet, to Stanton Welch's 'Swan Lake' with Houston Ballet. In 2014, she toured with Houston Ballet performing David Bintley's 'Aladdin' in Chicago and Welch's 'Marie' in Montreal, Canada. Aside from ballet, Renee has had a lot of experience in other styles of dance including hip hop, break-dancing, modern, and contemporary. She has worked with and performed for choreographers such as Sonya Tayeh, Lillian Barbeito, Billy Bell, and Jessie Hartley. When Renee was just 15 she performed with Quest Crew, the winners of America's Best Dance Crew season 3, at Harvest Moon Festival. She has won several awards from 2nd place Youth America Grand Prix, San Francisco to Music Center Spotlight Awards, Honorable Mention. Renee has also done some commercial work including an episode of Dancing with the Stars and a Florence and the Machine music video. Natalie Matsuura is a third year BFA candidate in Dance Performance and Choreography at UCI. She trained with Southland Ballet Academy and Festival Ballet Theatre from the age of six and furthered her studies with summer programs at the Kirov Academy of Washington DC, ABT Orange County, the Rock School for Dance Education, and as a member of Lisa Naugle’s September 2013 DTM2 Dance Ensemble performing in collaboration with the University of Rome Tor Vegata’s Masters program in Sonic Arts. Natalie has worked with choreographers and master teachers such as Yury Fateyev, Viktor Plotnikov, and Jodie Gates and her achievements include the William J. Gillespie Scholarship in Ballet Studies at the University of California, Irvine (Fall 2013), the YoungArts Merit Award (2011), LA Music Center Spotlight Awards Semi-Finals (2010, 2011), and Top 12 in Classical and Contemporary regional categories of Youth America Grand Prix (2009-2011). Katie Miltimore is currently a member of Festival Ballet Theatre in Fountain Valley, California. She was previously a trainee with the Ballet West Academy (on scholarship), and has trained with Salwa Rizkalla at Southland Ballet Academy for eight years. She has placed in the top 12 in both contemporary and classical categories at YAGP (2009 – 2012), placed 3rd in both categories at the regional competition (2012), and participated as a finalist at YAGP in New York City from 2010-2012. She has been a recipient of scholarships to summer intensives such as Jose Manuel Carreno, Orlando Ballet, and Ballet West, attended Houston Ballet’s summer intensive program in 2011 and Ballet West’s summer intensive in 2012 and 2013 on full scholarship. Katie was also invited to perform as a soloist at the International Ballet Festival in Miami, Florida, in 2011, and participated in the YAGP tour that same year. In 2013, she was invited to guest star as Lead Arabian in the Nutcracker for Ava Ballet Theater in Reno, Nevada.
Company Dancers Guzman Rosado attended the International School of Dance, Scaena, (Spain) under the direction of Carmen Roche, and the School of American Ballet (SAB) in New York, where he learned men’s Balanchine technique, partnering and choreography. He has won several competitions, including the International Competition of Dance in Coruna, Spain and in Torrelavega, Spain. He is a freelance dancer, appearing as a principal dancer with prestigious companies in the United States and Europe, including BodyTraffic in Los Angeles. He has appeared with Companhia Portuguesa de Bailado Contemporáneo (CPBC) in Portugal, The Miami City Ballet, among others. He teaches classical and contemporary ballet at private studios and at Loyola Marymount University. Skye Schmidt has trained at SBA since the age of four and joined FBT in 2012. She has performed as a soloist and corps member in numerous Festival Ballet Theatre productions including The Nutcracker, Don Quixote, Coppelia, Sleeping Beauty, The Secret Garden, Alice in Wonderland, and Firebird. In 2011 she performed in the award-winning piece Oops in Youth America Grand Prix's inaugural tour. Skye placed in the top 12 in both classical and contemporary categories at Youth America Grand Prix regional 2012. She has furthered her dance training by attending summer intensives, including Houston Ballet's. Skye is currently attending the University of California, Irvine. Tiffany Yamasaki started her training at Southland Ballet Academy since the age of six. She became a member of FBTII back in 2007 and a FBT company member since 2010. Tiffany has participated in many competitions and has performed with Festival Ballet Theatre as a soloist and in corps roles in The Nutcracker, Don Quixote, Sleeping Beauty, and Coppelia. Tiffany currently attends CSU Long Beach, and is on her second year working towards a dance major and a major in kinesiology. Megan Yamashita attends Orange Coast College. She has been at Southland Ballet Academy, under the direction of Salwa Rizkalla, since the age of three. Some of her accomplishments include garnering Second Place in the Junior Division at the 2007 Youth America Grand Prix International Competition in Faenza, Italy; Semifinalist in classical as well as non-classical dance at the 2008 Los Angeles Music Center Spotlight Awards, with honorable mention in classical dance. Yamashita is also a grand-prize winner of 2008 Orange County Performing Arts Center’s “Tomorrow’s Stars at the Center” in classical dance discipline.
2014-2015 FBT Trainees Festival Ballet Theatre is proud to present the members of FBT Trainees, a junior company of student dancers with outstanding potential. Through FBT Trainees, Festival Ballet Theatre secures a talented base of dancers, offers performance opportunities “at home” and nurtures the stars of the future to a professional career in dance. Front line (left to right): Michelle Lemburg, Sydney Danci, Clara Mason, Andrea Guite Back line (left to right): Megan Ely, Kaeli Wilson Not pictured: Olivia Harrigan, Makaela Wiederin
2014-2015 FBT Junior Studio Company Front line (left to right): Alice Danci, Renee Castonguay, Sarah Grant, Mia Philippon, Bianca Wajack Middle line (left to right): Bella Hoy, Lauren Bogel, Kathleen De Nicola, Pallas Ziebarth, Allison Langston Back line (left to right): Sage Bolar, Dayna Wiederin, Nicole Weber, Anya Lydon, Alysa Reinhardt, Krystina Wilson, Rachel Deng Not pictured: Elise Newen
A Special Thanks to Our Volunteers Festival Ballet Theatre thanks all of the parents and volunteers who are integral to the success of this presentation of Alice in Wonderland & Mixed Repertoire. We appreciate all the time and energy you have put into fundraising, costumes, donations, marketing and development. Your efforts are truly priceless in allowing Festival Ballet Theatre to provide this holiday tradition.
A Special Thanks to Our Donors Festival Ballet Theatre gratefully acknowledges the generosity of individuals, businesses and foundations for their contributions to our programs. DIRECTOR’S CIRCLE $10,000+ Anonymous Salwa & Sabri Rizkalla
PRINCIPAL (cont’d) Shey & Dennis Castonguay Bobbi Cox Ike Properties, Inc. The Image Center Rosanna & Patrick Minns
UNDERWRITER $5,000 – $9,999 Anonymous Lisa Ann & Tom Lydon
SOLOIST $500 – $999 Anonymous AireRite Airconditioning & Refrigeration Monica Braakman Cathleen & Philip Hunter Mother’s Market & Kitchen Pulmonary Care & Sleep Associates Lydia Ringwald Teri & Chris Schmidt Tina & Alex Wilson
CHOREOGRAPHER $2,500 – $4,999 Anonymous Nikki & Dennis Repp PRINCIPAL $1,000 – $2,499 Anonymous Briggs Electric, Inc.
ARTIST $250 – $499 Anonymous Becky Lew Photography Vicky & Mark Blake Willa Bouwens-Killeen Mary Ellen Bowman MaryAnn & Matthew Carroll Diana Casey Ann Drew Kelly Given Wendy & Daniel Harrigan Karen & Thomas Hersh David & Teri Neumann Pueblo Trading Company, Inc. Joanna Weiss APPRENTICE $100 – $249 In Memory of Janann Strand
Festival Ballet Theatre Board of Directors
Guild Chairs
Advisory Board
Salwa Rizkalla Lisa Yamashita Willa Bouwens-Killeen Cathleen Hunter Doris Bailey
Christine De Nicola, President Teri Schmidt, Grants Kathryn Weber, Boutique Chair Alisa Ziebarth, Volunteer Chair Sandy Mason, Hospitality Chair
Tom Lydon Katherine Ahn, DDS Curtis Holdsworth Mike Lemburg
Festival Ballet Theatre festivalballet.org 714.962.5440
Southland Ballet Academy southlandballet.com 714.962.5440
Fountain Valley Studio - 9527 Garfield Ave., Fountain Valley, CA 92708 Irvine Studio - 710 Roosevelt, Irvine, CA 92620
DEC 12 • 24
The Sugar Plum Fairy sweetly requests your presence for our dazzling production of The Nutcracker.
SwanLake SATURDAY, MARCH 21, 2015 • 7PM SUNDAY, MARCH 22, 2015 • 2PM
Tickets online 24/7:
thebarclay.org | festivalballet.org | 949.854.4646
AUGUST 2015