Sense of Place

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Initial Research E

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The pre-schematic stage, is entered when the child produces his first representative symbols for objects in his environment. These symbols are formed with circles, squares, and lines. The symbols change frequently. The pictures have a “floating organization and the paper may be turned many times while drawing. Later, the symbols may be organized horizontally. The pre-schematic stage refers to that stage when the child is drawing his first symbols, but has not yet developed “schema”. Generally from 3 to 7 years of age.

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Development in children’s art through growing up

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Hannah Elliott Sense of Place Women’s Loungwear Spring/Summer 2017

The main characteristics of this stage are the repetition of symbols for familiar objects, and the use of the base-line. The term “schema” refers to the habitually repeated symbol for an object. Examples of such schema are the lollipop tree, the stiff scarecrow-type drawings of people, or a series of houses which are all drawn the same. The figures appear flat and stiff, and are changed only when there is strong motivation to do so. Later, multiple base-lines are the major organizational devices used by the child in this stage. The pictures become more complex; yet they still use schema. Single base-lines, multiple base-lines, and fold-up views are used. The fused or continuous contour line is also used to further define figures. In general, children reach this stage between 6 and 11 years of age.

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STAGE THE SC RIB BL ES TA H T The first stage occurs when the child manipulates a drawing tool and makes random marks, dots, and lines on the drawing surface. They will scribble and manipulate the drawing tool with little or no concern for the appearance of the marks he makes. There are three discernible stages during this stage: -random scribbling -controlled scribbling -naming of scribbling By definition, a child in the scribbling stage, usually 2 - 4 years of age, is not drawing symbols for objects. Children like to scribble because it gives them a chance to move their arms around freely. The act of scribbling is purely kinesthetic and imaginative.

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Sense of place through a child’s eye

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Research

Proportion

Bright colours

Repetitive print


Silhouette Development

It can take children a few years to understand how proportion works. Therefore I bought a variety of men’s and women’s clothing in the biggest sizes and styled them on a model to experiment with the proportion. After, I drew from the oversized clothing to create inspiration for my collection.


Fabric and Print Board


Colour Board


Final Collection

Technical flat drawings

1.

Knitted cape

Top

Knee high socks


2.

High neck sleeveless dress

3.

4.

High neck oversized jumper

Romper

Knee high socks

Hooded scarf

Elasticated waist leggings

Snood


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