Marina Mikhaiel Portfolio

P O R T F O L I O M a r i n a

M i k h a i e l

Affordable Housing, Miami, FL

Decode-Develop Little Haiti, FL

6

NMB Bridges, Miami,FL

18

30

Kleido Pavilion, Miami, FL

The Artist House, Savannah, GA

36

PathsThrough Genoa,

Genoa, Italy

44

50

S e l e c t e d Wo r k

Affordable Housing

The design aims to develop a space for the community with an environmentally friendly approach. But it also provides the necessary private spaces for the residences.

Prof. Arnaldo Sanchez Comprehensive, Summer 2018

The project is located in Liberty City, Miami.

Grid Deconstruction is used as a concept to create spaces for apartments and green public spaces in the voids. The courtyards can be seen from the street and they invite the public into the main courtyard in the center of the building.

Site & Process Diagrams

G

32' - 0"

F

32' - 0"

E

D 32' - TERRACE 0" 32' - 0" 62nd

18' - 0"

B

24' - 1 1/64"

DN

1 32' - 0"

C

2

32' - 0"

3

DN

20' - 0"

4 DN

DN

32' - 0"

5

32' - 0"

6 7 8 1

8

Roof 1/32" = 1'-0"

DN

32' - 0"

32' - 0"

32' - 0"

62nd Street

32' - 0"

18' - 0"

DN

24' - 1 1/64"

A

G

F 32' - 0"

E 62nd TERRACE 32' - 0"

32' - 0"

D

C

B

32' - 0"

18' - 0"

AA

CC

A-113

A-110

A 24' - 1 1/64"

Electrical

2

Retail

Retail

Retail

463 SF

316 SF

233 SF

91 SF

Trash Room 178 SF

3

5

2

3

10' - 4 3/4"

4

10' - 4 3/4"

3

5

10' - 4 3/4"

2

6

10' - 4 3/4"

1

7

10' - 4 3/4"

MEP

8

10' - 4 3/4"

119 SF

10' - 4 3/4"

7' - 0"

7' - 2"

8' - 10"

17' - 0"

10' - 4 3/4"

4

8' - 3"

1

6

8' - 3"

18' - 0"

32' - 0"

14' - 0"

1

Retail

18' - 0"

18' - 0"

9' - 0"

11

13

3' - 10"

18' - 0"

10

12

18' - 0"

4 BB

24' - 0"

20' - 0"

17TH AVE

18' - 0"

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11

9' - 0"

10

9' - 0"

8

9' - 0"

7

9

9' - 0"

32' - 0"

750 SF

A-111

18' - 0"

18' - 0"

32' - 0"

18' - 0"

15

18' - 0" 13

9' - 0"

14

14

9' - 0"

15

9' - 0"

9' - 0"

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16

12

9' - 0"

18' - 0"

3' - 10"

5 17

18

Retail

17' - 0"

505 SF

18' - 0"

22

19

10' - 4 3/4"

10' - 4 3/4"

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20

10' - 4 3/4"

20

21

22

10' - 4 3/4"

7' - 0"

10' - 4 3/4"

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18

23

24

25

7' - 2"

8' - 10"

17

8' - 3"

10' - 4 3/4"

8' - 3"

10' - 4 3/4"

17' - 0"

10' - 4 3/4"

6

26

32' - 0"

MEP 119 SF

7

Retail

Lobby

614 SF

14' - 0"

739 SF

Retail

Retail

462 SF

233 SF

Trash Room Electrical

DD A-112

178 SF

91 SF

8

1

Level 1 1" = 20'-0"

32' - 0"

32' - 0"

32' - 0"

32' - 0"

18' - 0"

24' - 1 1/64"

62nd Street

9

G

F 32' - 0"

32' - 0"

E 62nd TERRACE 32' - 0"

D

C

B

32' - 0"

18' - 0"

AA

CC

A-113

A-110

A 24' - 1 1/64"

1 Trash Room

32' - 0"

102 SF

2 Office 1074 SF

Office 1075 SF

Office 1074 SF

MEP 59 SF

4 20' - 0"

17TH AVE

32' - 0"

3

BB

Long Span 3408 SF

A-111

32' - 0"

5

6

Retail 2000 SF

MEP

32' - 0"

59 SF

7 Office

Office

1051 SF

1051 SF

DD Trash Room

A-112

102 SF

8

1

10

Level 3 1" = 20'-0"

32' - 0"

32' - 0"

32' - 0"

62nd Street

32' - 0"

18' - 0"

24' - 1 1/64"

G

F 32' - 0"

32' - 0"

E 62nd TERRACE 32' - 0"

D

C

B

32' - 0"

18' - 0"

AA

CC

A-113

A-110

A 24' - 1 1/64"

1 Trash Room

32' - 0"

102 SF

2

MEP

3

4 20' - 0"

17TH AVE

32' - 0"

59 SF

BB A-111

32' - 0"

5

6 MEP

32' - 0"

59 SF

7 DD A-112

Trash Room 102 SF

8

1

Level 6 1" = 20'-0"

32' - 0"

32' - 0"

32' - 0"

32' - 0"

18' - 0"

24' - 1 1/64"

62nd Street

11

32' - 0"

18' - 0"

Level 10 100' - 6" Roof 92' - 6"

32' - 0"

32' - 0"

20' - 0"

32' - 0"

32' - 0"

8' - 0"

32' - 0"

15' - 0"

Level 6 77' - 6"

15' - 0"

15' - 0"

Level 6 77' - 6"

Level 5 62' - 6"

15' - 0"

15' - 0"

Level 5 62' - 6"

Level 4 47' - 6"

15' - 0"

15' - 0"

Level 4 47' - 6"

Level 3 32' - 6"

15' - 0"

15' - 0"

Level 3 32' - 6"

15' - 0"

15' - 0"

Level 2 17' - 6"

Ground 0' - 0"

Ground 0' - 0" 2

West Elevation 1" = 20'-0"

BB

CC

F

E 32' - 0"

D 32' - 0"

C 32' - 0"

A-110

B

1

A

18' - 0"

2 32' - 0"

Level 10 100' - 6" Roof 92' - 6"

15' - 0"

8' - 0"

32' - 0"

3

4 32' - 0"

A-111 20' - 0"

DD

5

6 32' - 0"

7

A-112

8

32' - 0"

8' - 0"

A-113

Level 6 77' - 6"

15' - 0"

15' - 0"

Level 6 77' - 6"

Level 5 62' - 6"

15' - 0"

15' - 0"

Level 5 62' - 6"

Level 4 47' - 6"

15' - 0"

15' - 0"

Level 4 47' - 6"

Level 3 32' - 6" Level 2 17' - 6"

2' - 6"

15' - 0"

Level 2 17' - 6" Level 1 2' - 6"

2' - 6"

15' - 0"

15' - 0"

15' - 0"

Level 3 32' - 6"

Ground 0' - 0" 3

12

Section DD 1" = 20'-0"

Level 10 100' - 6" Roof 92' - 6"

15' - 0"

AA

G

Level 2 17' - 6" Level 1 2' - 6"

2' - 6"

2' - 6"

Level 1 2' - 6"

South Elevation 1" = 20'-0"

1

Level 10 100' - 6" Roof 92' - 6"

15' - 0"

32' - 0"

8' - 0"

32' - 0"

4

Section AA 1" = 20'-0"

Level 1 2' - 6" Ground 0' - 0" Foundation -1' - 6"

G

F 32' - 0"

D 32' - 0"

C 32' - 0"

BB

B

1

A

18' - 0"

Level 10 100' - 6" Roof 92' - 6"

2

3

32' - 0"

4 32' - 0"

A-111

DD

5

20' - 0"

6 32' - 0"

7

A-112

8

32' - 0"

15' - 0"

8' - 0"

32' - 0"

E

8' - 0"

CC A-110

Level 6 77' - 6"

15' - 0"

15' - 0"

Level 6 77' - 6"

Level 5 62' - 6"

15' - 0"

15' - 0"

Level 5 62' - 6"

Level 4 47' - 6"

15' - 0"

15' - 0"

Level 4 47' - 6"

Level 3 32' - 6"

15' - 0"

15' - 0"

Level 3 32' - 6"

15' - 0"

Ground 0' - 0" 2

West Elevation 1" = 20'-0"

BB

CC

1

A

32' - 0"

3

4 32' - 0"

A-111 20' - 0"

DD

5

6 32' - 0"

7

A-112

8

32' - 0"

Level 10 100' - 6" Roof 92' - 6"

15' - 0"

8' - 0"

Level 10 100' - 6" Roof 92' - 6"

2

Level 6 77' - 6" 15' - 0"

Level 6 77' - 6"

Level 5 62' - 6" 15' - 0"

Level 5 62' - 6"

Level 4 47' - 6"

Level 4 47' - 6" 15' - 0"

B

18' - 0"

Level 3 32' - 6"

Level 3 32' - 6" 15' - 0"

A-110

15' - 0"

C 32' - 0"

15' - 0"

D 32' - 0"

15' - 0"

E 32' - 0"

15' - 0"

F 32' - 0"

15' - 0"

A-113

15' - 0"

AA

G

Level 2 17' - 6" Level 1 2' - 6"

2' - 6"

Ground 0' - 0"

South Elevation 1" = 20'-0"

8' - 0"

2' - 6"

Level 1 2' - 6"

Level 2 17' - 6" Level 1 2' - 6"

Level 2 17' - 6" 15' - 0"

15' - 0"

Level 2 17' - 6"

1

Level 10 100' - 6" Roof 92' - 6"

15' - 0"

AA A-113

Level 1 2' - 6"

13

Structural System

S t r u c t u r a l , H VA C , Plumbing and Electrical systems were all developed throughout the project.

Plans, Sections, Detail Drawings in addition to axos for each system were also produced.

14

Foundation

Typical Floor Structure

Roof Plan Structure

G r o u n d F l o o r H VA C

T y p i c a l F l o o r H VA C

R o o f P l a n H VA C

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16

17

Collaboration with Lauren Grzenda

Decode-Develop

With the consideration of the existing culture, local business, public green courtyards, and zoning requirements Decode-Develop re-activates the site.

Prof. Jordan Trachtenberg Design 10, Fall 2018

The adaptive re-use design of a stadium brought through the Decode-Develop Little Haiti project. Through the use of microhousing and modular design, a stadium, housing and commercial spaces combined allow Little Haiti to develop.

20

Site Makeup

Connection Points on site

New Site Breakup

Districts created

Modular Spaces

Intersection creates new spaces

Intersection Instance A

Intersection Instance B

21

Phase A: Mass

22

Site Massing

P h a s e B : S e l e c t i o n t o “ P I X I L AT E �

Pixilation based on nodes & S t a d i u m

Project design follows a “pixilation” concept to create open spaces for public use and courtyards.

Phase A was creating the modular massing for each district.

A typical building section has commercial space on the first level, and 4/3 floors for residential use depending on the codes of the district.

Phase B was creating nodes (the intersections) and creating a ripple effect to start “pixilating” or eliminating certain modules.

Phase C the final design is interactive buildings with green shared spaces and courtyards.

Phase C: Final Design

Massing is “Pixilated”

23

The stadium design follows the same concept of modular pixilation. Programs combine residential and commercial to create a dynamic live-work-entertain atmosphere.

Stadium structure stays in use even after major seasonal games.

S t a d i u m Av a i l a b l e S p a c e

Commercial/Public Use

Living Spaces/Private Use

24

30' - 0"

15' - 0"

30' - 0" 30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0" 30' - 0"

200' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

E

F

372' - 0"

351' - 0"

MEP MEP G

H

I

J

K

L

M

N

O

P

Q

MEP MEP R

S

T

25

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

30' - 0"

Retail

Restaurant

Office

848 SF

835 SF

586 SF

6 30' - 0"

30' - 0"

6

5 835 SF

Retail

Retail

410 SF

410 SF

30' - 0"

30' - 0"

Restaurant

5

4

4

Retail

30' - 0"

30' - 0"

403 SF

Retail 417 SF

3

12' - 0"

Restaurant

Retail

835 SF

848 SF

3 30' - 0"

8' - 0"

Retail 835 SF

23' - 0"

Office 842 SF

8' - 0"

30' - 0"

9' - 0" 12' - 0"

Office

Office

Office

862 SF

835 SF

848 SF

2 30' - 0"

30' - 0"

2

1 G

F

E

D

C

B

A

Typical Commercial Floor

Intersecting modules removed

26

1 G

F

E

D

C

B

A

Typical Residential Floor

Ve r t i c a l c i r c u l a t i o n c o r e s c r e a t e d

Outdoor corridors created

Typical circulation in a building

27

Glass Fiber Reinforced Concrete Panels 2" LW Concrete over 4" Metal Deck 1" Soundproof Insulation

Roof 90' - 0"

W12x26 Fireproof Coated Beam and Girder Horizontal Facade to Building Connection Vertical Facade to Building Connection Glass Fiber Reinforced Concrete Louvers 2" Spandrel Support Piles 2' x 2' Compound Drop Ceiling ACT System W16x26 Fireproof Coated Beam and Girder Interior Ceiling Light

Glass Fiber Reinforced Concrete Panels 2" LW Concrete over 4" Metal Deck 1" Soundproof Insulation

Level 5 75' - 0"

W12x26 Fireproof Coated Beam and Girder Horizontal Facade to Building Connection Vertical Facade to Building Connection Glass Fiber Reinforced Concrete Louvers 2" Spandrel Support Piles 2' x 2' Compound Drop Ceiling ACT System W16x26 Fireproof Coated Beam and Girder Interior Ceiling Light

Glass Fiber Reinforced Concrete Panels 2" LW Concrete over 4" Metal Deck

nels

1" Soundproof Insulation

L Level 4 60' - 0"

W12x26 Fireproof Coated Beam and Girder Horizontal Facade to Building Connection Vertical Facade to Building Connection Glass Fiber Reinforced Concrete Louvers 2" Spandrel Support Piles 2' x 2' Compound Drop Ceiling ACT System W16x26 Fireproof Coated Beam and Girder Interior Ceiling Light

d Girder

ction Glass Fiber Reinforced Concrete Panels

on

2" LW Concrete over 4" Metal Deck 1" Soundproof Insulation

uvers

Level 3 45' - 0"

W12x26 Fireproof Coated Beam and Girder Horizontal Facade to Building Connection Vertical Facade to Building Connection Glass Fiber Reinforced Concrete Louvers 2" Spandrel Support Piles

2' x 2' Compound Drop Ceiling ACT System W16x26 Fireproof Coated Beam and Girder Interior Ceiling Light

System

d Girder Glass Fiber Reinforced Concrete Panels 2" LW Concrete over 4" Metal Deck 1" Soundproof Insulation

Level 1 15' - 0"

W12x26 Fireproof Coated Beam and Girder Horizontal Facade to Building Connection Vertical Facade to Building Connection Glass Fiber Reinforced Concrete Louvers 2" Spandrel Support Piles 2' x 2' Compound Drop Ceiling ACT System W16x26 Fireproof Coated Beam and Girder Inerior Ceiling Light

28 Level 0 0' - 0"

The facade system is a d a p t a b l e f o r t h e u s e r.

The GFRC material used allows for durability, cost effectiveness, weather resistance, and low maintenance.

N M B B r i d g e s

The bridge serves as a hub, and a destination not just an object for transportation or use for cars. The pedestrian experience was the main objective of the proposal. The bridge gives a different view from every angle that c a n b e s e e n b y t h e u s e r.

P r o f . S h a h i n Va s s i g h , P r o j . L e a d e r 2018

This design proposal is a suspension bridge with curvilinear and wrapping motion. The bridge was inspired by the movement of a ribbon, which is the two main steel structural elements holding the bridge with suspension cables.

The proposal uses time tested structural systems of trusses and suspension cables. The pedestrian walkway is shielded from the vehicular roadway with a partial cover and a barrier of lush landscape throughout. The bridge becomes a festive and engaging element of the city at night with the use of LED Lights.

32

33

10’

34

11’

11’

11’

11’

10’

Utilization of biomimcry, parametric design, and conceptualization was the main focus behind the designs.

Collaboration with Lauren Grzenda

Solid Boundary

Point Cloud

Voronoi Cells

Cell Subtraction

Jo ints

G rou nd Co nne ction

G lass Pan els

W o o d Fram es

Cell Framing

The Kleido Pavilion

Using parametric design scripts, multiple variations was created to be integrated throughout the city for Art Basel. The structure is temporarily.

Prof. Sarah Pezeshk Design 8, Fall 2017

The Kleido Pavilion follows the logic of crystal atom formation. Using an abnormal a g g r e g a t i o n c a l l e d T h e Vo r o n o i S y s t e m , t h e pavilion forms shapes suitable to fit within the long and narrow alleys in Miami.

The assigned site for the Biomimetic Pavilions is Miami Beach, Ocean Court, fifteen blocks long.

O cean Court is a service Alley, hidden in the back and rarely has pedestrian circulation, so it has become unused.

The aim of the pavilions is to attract people from the busy streets, to enter the pavilion and exit into the other side, the a lleyway.

Such a process would bring attention to the alleyway and start a development, that can later on spread to the rest of the unused alleys .

1. Starting with a pt on2.a Another pt is added plane on the plane. The pts are connected

3. At the midpt, a perpendicular extende to the plane edges .

4. The plane splts along 5. Another pt is added, 6. With repetition a the line . and the process is plane is divided usin repeated.

Voronoi system .

38

A g rass h oppe r scr ipt wa s de veloped toapply vor o noi ce llsn ia certai n geom etri c sha pe. In th is case the Ge o metric sha pe wo uld b ecom e oursite an d theVoronoi Cells be come the enclosed spa ce for thepavilion.

The shap e ofthe Icosahedron ha s deve loped fro m a egular r Ico sahed ron to an irre g ular ico sahed ron unita fterusin g the vor o noi scrip t.

Quartz Crystal

D isorde red Quartz m olecu les have a ra nd o m p a cked orga niz a ti o n. They fo rm ina vo ron o istr u cture.

Q uartz Re g ular Ico sahed ron

Turnicated

oo sahed R e g u l a rIc Ic s a h eron dron

Biomimicry

Ir regula r Turnicated c I osahedron

Design 8

Free Rotating Joint

Fixed Joint

Design 8

Form Tes t in g

Icosahedron cI osahedron

In t h e center of r o tation of a string o f SiO m ult iple inte rsection of a tom s occur a nd form an c I osa he dro n g eo m etric shap e .

Professor Sara Pezeshk

Crystal Growth Pavilion

Joining a nd rota ti on

Marina Mikhaiel & Lauren Grzenda

C on fi g urati on s

The Ico sa hed ron ge o me tri c sha p e w as reinterpreted with 3D Pri n ted m o de ls w ith m ag nets attache d to the ed g es. Mult ip le con figurations an d p o tenti a lde signs w ere t e sted ou t.

Turnicated Ico sahed ron

Ir regula r

Tur ed Tu r n i c a t enica d I cto sahedron

Joining

Irregular Icosahedron

39 Ir regu Turnic c I osah

Residential

Hotels

Mixed Use Land

Commercials

a ds Diagram

Zoning D iagra m

Land Use Diag ram

Miami Beach, Ocean Court is the assigned site for the pavilion.

The city grid is viewed through a voronoi system to locate the heavily populated areas.

Which are then considered as potential micro sites.

sis

or Roads

Major Roads

Hotels

Pedestrian Routes

Commercials

Pedestrian Routes

Pedestrian Routes

Residential Hotels

Hotels

ResidentialHotels

Commercials

Commercials

Commercials

estr ian and Ma in Roa ds Commercials Diagram Ped estr ian and Ma in Land Roa ds Us Di eagram Diag ram

nd Ma inPed Roa estr dsian Diagram and Ma in Ro Ped a dsestr Diagram ian and Ma in Roa ds Diagram

Residential

Hotels

Residential

Residential

Major Roads Hotels

Major Roads

estrian Routes

Land Use Diag ram

Land Use Diag ram

Hotels

5

Residential

Residential

Land Use Diag ram

1 it e Ana M lysi acs ro Sit e Ana1 lysi Msac ro Sit e Ana lysis

5

M ac ro Sit e Ana lysis

5

Land Use Diag ram

Land Use Diag ram

C ityFabric

5

Mixed Use Land

Mixed Land MixedUse Use Land Mixed Use Land Voronoi Diagrams created for each block Zoningareas D iagra m on each block’s Zoning Dfabric. iagra m shows denser Zoning D iagr a amm the Zoning D iagr Zoning D iagra m Zoning D iagra m The more compacted cells define potential s site Zoning D iagr am for the artist’s pavilion.

Mixed Use Land

Land Use Diag ram

ac ro Sit e Ana lysis 1

C ityFabricMixed Use Land

Mixed Use Land

Commercials

Commercials

C ityFabric

5

C ityFabric

C for ityeach Fabri c created for C ity Fabri c each block 5 Voronoi 5block Voronoi Diagrams created Diagrams block Voronoi each Diagrams created for the denser areas shows on each theblock’s denser fabric. areas on shows each the denser fabric. areasDiagrams on each block’s Voronoi Diagrams created forblock’s each Voronoi block created fabric. for each block The more compacted cells The define more compacted potential s cells site define The more potential compacted s site cells define potential s each site block’s fabric. shows the denser areas on each block’s shows fabric. the denser areas on Voronoi Diagrams each block for the created artist’s for pavilion. for the artist’s pavilion. for the artist’s pavilion. shows C ityFabri c

more fabric. compacted cells define potential The more s site compacted cells define potential s site shows the denser areas on each The block’s the artist’s pavilion. for the artist’s pavilion.

The more compacted cells definefor potential s site for the artist’s pavilion.

4

g on the program f o ssociated with more l have a higher number of

uster2

Point Cluster

2

5

Point Cluster

laced depending Pointsonare theplaced program f depending o Points on the are program placed f o depending on the program f o

g, nt buildings each associated building,with buildings more associated eachnt building, with more buildings associated with more oi Clust er Poi Clust er 2 population pedestrian/ will have a population higher number will pedestrian/ ofhave a higher population number will of have a higher number of r. point point nts are placed depending on the Points program f cluster. are o placed depending on the program f o es 1-2 pt scluster. h building, buildings associatedeach withbuilding, more buildings associated with more y o 3 pt s population will have Key a: pedestrian/ higher number population of mestrian/ lacement Key : Point Placement Point Placement Key :will have a higher number point1-2 cluster. ent cluster.

4-5 pt s 1-2 pts Residences Residences pt s Residences 1-2 pt s more Community 3 pts Community 3 pts Community 3 pts number of pt al 6-7 Mixed Use s 4-5 pt s Mixed Use 4-5 pt s Mixed Use 4-5 pt s

created was used as a new grid system created applied was used as a new grid system applied

Point Cluster

City Fabric

Points are placed depending on the program 3o p G ri d3 ApVpor lied onoiG ri d Ap ora onoi p li f Vlied e c hG ri bduAp ild ied ng. Buildings rams are based Voronoi on point Diagrams clusters. are basedVoronoi clusters. a sBecause sonopoint cDiagrams iand a tpopulation eare d based w i ont hpointmclusters. ore s with moreBecause activities areasand with population more activities areas with more activities and population ns have more of points pedestrians than residential have more points have more points than residential p eof dpedestrians ethan s oft residential rvoronoi ia /Apbp oied p uofl a tion will 4 3cells/ voronoi cells/ areas, cluster of e cells will areas, bcluster more e cells cells/ e cells will b or onoi G ri dmoreApvoronoi pl ied V or onoi G ri dnwill p cluster l l i ed ing a potential there,site locating for the a potential artist . ha there, pavilion for ai.g potential . r pavilion vsite e locating a thehartist hpavilion e r site n uformthebartist e of onoi Diagrams are based on point Voronoi clusters.

Diagrams are based on point clusters. with clusters. more activities with pBecause oandi npopulation tareas clu s tmore e r.activities and population dause onareas point

pedestrians have more points than of pedestrians residential have more points than residential ctivities and population as, of e cells morewill voronoi b cells/ cluster of e cells will b ers.more voronoi cells/ clusterareas, re, locating a potential site for there, the locating artist . pavilion a potential site for the artist . pavilion points than residential pulation 1st - 2nd

3rd -1st 5th- 2nd

For site location, the voronoi grid that was created was used as a new grid system applied to the block plan. The difference between prospect C ityFabric sites and the voronoi grid becomes the new site Voronoi Diagrams created for each block geometry for the pavilion.

4 Site Loca 4 Site Loca tions tions 4 Si te Loca tions shows the denser areas the onFor each block’s fabric.

For site location, voronoi site grid location, that was the voronoi For site gridlocation, that was the voronoi grid that was created was used as a new grid was system usedapplied as a new created grid system was used as a new grid system applied 4 created 4 applied Sithe t e block Loca tions Si te Loca tions between prospect The more compacted cells define potential sto site to the block plan.

The to difference between plan.

The prospect difference the block between plan. prospect The difference For becomes site location, the voronoi grid that site location, sites and pavilion. the voronoi grid sites and the the voronoi new site gridsites becomes and the theFor new voronoi sitewas grid becomesthe the voronoi new site grid that was for the artist’s 4 Si te Loca tions for the pavilion. geometry geometry for the pavilion.geometry for the pavilion.

to the block between the block prospect plan. The difference between prospect For site location, the voronoi grid that wasplan. The difference to sites and the voronoi grid becomessites the new and site the voronoi grid becomes the new site created was used as a new grid system applied geometry the pavilion. geometry for the pavilion. to the block plan. The difference betweenforprospect sites and the voronoi grid becomes the new site 1st - 2nd geometry for the pavilion.

1st - 2nd 3rd -1st 5th- 2nd 6th - 3rd 8th - 5th 1st 9th - 2nd -6th 11th - 8th3rd 12th - 5th9th - 15- 11th 6th - 8th 12th - 15 9th - 11th

of

Point Placement Key Key : Commercial 6-7 pt s: Commercial Point 6-7 pt s Placement Commercial 6-7 pt s Residences 1-2 pt s Residences 1-2 pt s Community 3 pts Community 3 pts Mixed Use 4-5 pt s Mixed Use 4-5 pt s Commercial 6-7 pt s Commercial 6-7 pt s

/dential cluster of e cells will b ls will b al for the artist . pavilion artist . site pavilion

Site Loca tions

1st - 2nd

3rd - 5th

1st 6th -- 2nd 8th

3rd 9th -- 5th 11th

Vo r o n o i D i a g r a m s c r e a t e d f o r

V ari a tion Pro g ramVsari a tion Pro g ram- s2nd V ari a tion3rdPro am s 1st -g r 5th 8ths t h e9thd-e11th eother aincluded cprograms h in b lthat o cwill k bes6th h o- w n s e r 12th - 15 The other programs thatThewill other be included programs in thatthewill The be the included in the Art a r e a s o e a c hwillbsbel o cKaleidescope k ’ s Artf a b r i cKaleidescope . other iterations of theother pavilion, iterations will sbe of program the pavilion, other iterations will sbe program of n the pavilion, program derived from Arts usingderived Light, from whether Artsprojection using Light, derived whether from Arts projection using Light, whether projection Light Sculptures Light Light Sculptures V ari a tion Pro g ram s V ari a tion Pro gr amSculptures s lights or natural. lightlights or natural. light lights or natural. light Projection Photography Projection Photography

Projection Photography

lights or natural geometry for the. light pavilion.

- 5th9th 6th - 3rd 8th - 5th 1st 9th - 2nd -6th 11th - 8th3rd 12th - 15th - 11th 6th - 8th 12th - 15th 9th - 11th

Projection Art

Light Illusion

Projection Art

1st - 2nd

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9th - 11th

12th - 15

Kaleidescope Art

Projection Photography

Projection Photography

Kaleidescope Art

Light Illusion Projection Photography

6th - 8th

Projection Photography

V ari a tion Pro g ram s The other programs Site Loca tions The other programs that will be included The oother in programs the included The m re c o mthat p awill c tbeethat d c will einl l the s be included in the other iterations of thewas pavilion, other sbe iterations program be program ari a tion Pro g ramthe s voronoi other will sbe program For V site location, grid that d e f i nwill e p o titerations e noft ithe a l pavilion, s iof t e the swill f ospavilion, r the derived from Light, whether derived projection from Arts using Light, whether projection Light Sculptures The other thatawill included in Arts the using created wasprograms used as newbe grid system applied Kaleidescope Art a r t i s tlights ’derived s poranatural v ifrom l i.o nArts . Light Sculptures using Light, whether projection lights or natural . light light otherblock iterations of the pavilion, will sbe program to the plan.

The difference between prospect lights or natural. light derived using Light, projection sites and from the Arts voronoi gridwhether becomes the new site Light Sculptures

Kaleidescope Art

Light Illusion

Light Sculptures

Projection Art

12th - 15th

Light Illusion

Light Illusion

Light Illusion

Light Illusion Projection Art

1st - 2nd

6th 12th - 8th - 15

3rd - 5th

12th - 15

3rd - 5th

1st 6th -- 2nd 8th

3rd 9th -- 5th 11th

6th 12th - 8th - 15th

9th - 11th

Projection Art

12th - 15th Projection Art

3rd - 5th

6th - 8th

1st - 2nd

9th - 11th

3rd - 5th

12th - 15th

6th - 8th

9th - 11th

12th - 15th

1st - 2nd

3rd - 5th

6th - 8th

9th - 11th

12th - 15 Projection Art

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Solid Boundary

Point Cloud

Voronoi Cells

Cell Subtraction

Jo ints

G rou nd Co nne ction

G lass Pan els

W o o d Fram es

Pa vilio n

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Cell Framing

The Artist House

The most public of the programs (Kitchen) is located on the ground floor and opens up to the backyard. While the more private p r o g r a m s a r e p l a c e d o n t h e s e c o n d f l o o r, with the Artist’s inspiration space located on the roof.

Prof. Cynthia Ottchen Design 6, Spring 2017

The Artist House is located in Savannah, GA. The Architecture and design adapted to the narrow and long site with consideration of sunlight access, public and private circulation throughout.

Shifting horizontal and vertical planes allowed the design to have fluid and continuous circulation.

1

2

Ground FloorPlan

3

4

Process Diagrams

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Second FloorPlan

Sectio nA

Sectio nB

Sectio nC

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Landscape Collaboration with John Roque

PathsThrough Genoa

The project aim is to provide a flexible structural system that can adapt to the shifting cultural and social conditions of its time.

It provides a socially interactive space for the Genovese, and the tourists coming through the cruise terminal. The blending of interior and exterior space allows architecture and landscape to merge.

Prof. Eric Peterson Thesis Project, Spring 2019

Paths-Through Genoa Redevelopment concept is based on a grid with a scaffold system that can be enclosed to create interior space, or dissolve to allow for a public space.

LEGEND PIAZZA METRO MAIN ROADS HIGHWAY BLUE LINE SITE

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Edge Condition

Green/Blue Infrastructure

Elevated Pedestrian Circulation

Site Program

Ground Pedestrian Circulation

U n d e r g r o u n d Ve h i c u l a r C i r c u l a t i o n

The concept derived from Genoa is the concept of Paths. The historical district where the site is situated, is made up of intricate pedestrian paths. Each path has a different width and experience, and they all connect different main piazzas and public spaces.

In conclusion, because there are many paths that link the different piazzas, pedestrians are not limited by a defined main circulation paths in contrast to other cities. The experience differs from a local Genovese, to a visitor and how they choose to experience the city through the different paths.

Therefore, on the given site, there is only one main linear paths that cuts through the project. It encourages the users to break out into the site and explore for themselves where their paths might lead to.

Wa t e r f e a t u r e s , v e r t i c a l c o u r t y a r d s , a n d p u b l i c p i a z z a s a r e d i s p e r s e d t h r o u g h o u t t h e s i t e t o b e e x p l o r e d a n d f o u n d .

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Public Piazza-1

Public Piazza-2

Public Piazza-3

Public Piazza-4

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T h e C r u i s e S h i p Te r m i n a l d e s i g n r e v o l v e s a r o u n d a systematic circulation that leads the occupants through narrow corridors with views to the outside, into bigger open spaces with a fluid circulation.

The narrow corridors allow for views from different sides giving a unique experience to the user every-time they turn to go on to the next part.

The terminal follows the same design concepts u s e d i n t h e m a s t e r p l a n n i n g o f t h e s i t e . Ve r t i c a l green courtyards puncture through to allow sunlight and ventilation.

The design also includes a Flex Space to be for the public use allowng the terminal to become a meeting point between Genovese and tourists.

When it is not used as a terminal, the space can become an exhibition space, museum, per formance space, etc.

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Embark

Debark

Program Floor 1

Views & Courtyards

S u n l i g h t & Ve n t i l a t i o n

Program Floor 2

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Ground Floor Plan

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First Floor Plan

Second Floor Plan

Roof Plan

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