FJORDE MAGAZINE ISSUE 26

ISSN 2203-9678

HAND CRAFTED ISSUE XXVI

INDI / AXOLOTL / SUSAN EWINGTON / JACKSON THOMAS

EXCLUSIVE FASHION DEALS www.cityblis.com

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CONTENTS

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MARRAKESH BATIK BY INDI

AXOLOTL

THE HILLS CIDER

SUSAN EWINGTON JEWELLERY

BEST ARTISAN GALLERIES

SHOOTING FOXES

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78 LADY IN WAITING

70’s AFTER DARK

EDITOR’S DESK

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HOW TO: SPRING CLEAN STYLE

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HEALTH & WELLBEING

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FJORDE STYLE: WOMEN

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FJORDE STYLE: MEN

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BEAUTY: SPRING BEAUTY

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106 SELF-MADE MAN

COVER

Photography Dean Raphael Stylist Madelene Kadziela Hairstylist & Makeup Artist Elle Buruma Model Dallas Jayz

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CO N T R I B U TO R S

EDITORS

CREATIVE DIRECTOR

Patrick Price

Ben Anderson

CONTRIBUTORS

PHOTOGRAPHY

MAKE-UP & HAIR

Anna Gilfillan Goerge Seraphim Lauren Raffa Lauren Roberts Natash Pitra Ramzy Nawzar

Dean Raphael Nicky Gunawan Reza Seedin Robert Anthony

Elle Buruma Maria Irving Mishel V Bratsos Shanty Hoed Veronica Moore

STYLING ART

YDNA CREATIVE Madelene Kadziela Styled By Ramzy Syeren Wijaya

YDNA CREATIVE

CONTACT US

EDITOR-IN-CHIEF Patrick Price pa.price@fjordemagazine.com

CREATIVE DIRECTOR Ben Anderson enquiries@fjordemagazine.com

GENERAL ENQUIRIES enquiries@fjordemagazine.com

ADVERTISING

MARKETING

Lachlan Taylor ltaylor@fjordemagazine.com

Lachlan Taylor ltaylor@fjordemagazine.com

SUBMISSIONS FJORDE accepts submissions from freelance artists, photographers, designers and journalists, however, we cannot reply to every submission.

Please see www.fjordemagazine.com for submission guidelines.

ISSN 2203-9678 FJORDE Magazine will assume no responsibility for consequences that may result in the use of, or reliance on, the published information. No responsibility is taken for the content, images or advertisements. No part of FJORDE magazine may be reproduced without the written permission of the publisher. Copies of this publication may not be sold. The opinions expressed herein are not necessarily those of the publishing staff.

Reproduction in whole or part is prohibited without the permission of the publishers. Articles received with no name, address and phone number(s) will not be published. Articles received will only be published by approval of the editorial team. FJORDE Magazine reserves the right to shorten and or edit received articles and letters. FJORDE Magazine does not accept responsibility on articles written by various columnists and writers.

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WICK STUDIOS RECORD IN AUSTRALIA’S LARGEST SINGLE SPACE RECORDING STUDIO SINGLE | EP | LP

25 Leslie Street, Brunswick, Victoria 3056. Australia Tel: 03 9387 7044 | Email: info@thewick.com.au

WWW.THEWICK.COM.AU

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E D I TO R ’ S D E S K

CRAFTMANSHIP

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In many ways we have moved away from the mass production of consumer products and venutred towards the unique and ultimately more creative side of ourselves.

In this issue we look at those artisans and give our readers a little instight into the world of the artisan. From fashion to design and even the hand crafted cider.

What does this mean, it means we want something different from the everyday and are searching for the artisans of the world who are celebrating the one-off and hand crafted nature of creativity and design.

We celebrate the raw nature of their craft and tip our hats to the time and effort they put into their art. Something I can only describe as true... Craftmanship!

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Patrick

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HAND CRAFTED

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BRIDE BRIDE NOW

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SUBSCRIBE

Welcome FJORDE’s newest venture FJORDE Bride by staying up to date with the latest bridal news and fashions.

Simply subscribe for free here: www.fjordebride.com

FJORDE Bride brings you wedding fashion, accessories, advice on the greatest areas in Australia to take those memorable snaps, tips and tricks, and of course the greatest bridal dress designers Australia has to offer! All encased in the FJORDE style you’ve become familiar with – class, elegance and sophistication.

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H OW TO : J O I N T H E A R T I SA N M OV E M E N T

HOW TO:

JOIN THE ARTISAN MOVEMENT BY: LAUREN ROBERTS

OF ALL THE CITIES IN ALL THE WORLD, OUR BEAUTIFUL MELBOURNE CATERS FOR THE ARTISAN MOVEMENT. ARTISANS USE LEARNED SKILLS, CREATIVITY, PASSION AND THEIR BARE HANDS TO MAKE SOMETHING WONDERFUL OUT OF SOMETHING WITH POTENTIAL. AS THE MOVEMENT GAINS A FOOTHOLD IN THIS FINE CITY, THERE IS A LOT OF DIFFERENT WAYS THAT ONE CAN JOIN IN. HERE ARE EIGHT.

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CHOCOLATE MAKING – A complicated craft with a delicious outcome. Combining water, cocoa power, butter, sugar and milk together is just the first step. For a truly delicious outcome, one must master the skill of piping unset chocolate into swirls or setting it in a personalised mould. Lessons are available in an online capacity and are ran through various chocolate shops. Inspiration lies at marketplaces and it won’t be long until you are piping your delicious creations with dark or light chocolate for detail or scattering coconut flakes for texture.

ORIGAMI – An Artisan craft which allows even those with little creativity or patience to make something simple. Involving many, many folds of a tiny square of paper, this ancient skill was first documented in 105AD in China. The soft, easily foldable paper is integral to fold up brightly coloured swans, turtles, swans and stars. Formal lessons and online videos will help the student become the master.

PYROGRAPHY – The art of using heat and burn marks to create art on wood. Using a pyrography pen, it is easy to trace pencil marks that you, the artist, has pre-sketched on a wooden canvas. This initial investment is the only one you will have to make, with recycled wood as the ideal medium to use.

The wooden art you create will not just make great decoration but burning the names of loved ones on wood is a gift appropriate for any and all of your friends.

CHEESE MAKING – Be careful with this one, this risk of food poisoning is real. The ingredients are minimal – just hot boiling water, milk and vinegar. The steps are pretty basic; boil, separate the curds and whey in a handkerchief, pressing moisture out of the curds mixture before salting and setting said mixture. The beautiful world of cheese making is now open to you, but lessons from a craftsman and a thorough read of trade risks BEE KEEPING – As the rooftops of Melbourne fill with beehives, it is time to will benefit the maker of cheese. ask yourself – will you be keeping up with this sweet current trend? Aussie Apiarists CALLIGRAPHY – A small pot of ink, a suitable pen and many hours of free time with Online has a list of courses where one can sign on to learn the basics. Registering as a thick white piece of card will reward you with basic calligraphy skills. The best results a keeper of bees with the Department of Primary Industries is a must as is stocking come with a few lessons and a wide variety up on adequate protection and a registered of nibs to swap and change with your pen of Beekeeper whilst you master the necessary choice. The beautiful world of YouTube has skills will be of great benefit. a plethora of videos which shows the keen leaner the alphabet and beginners classes are PAPER MAKING – Making paper is not run in most capital cities. just a unique way to personalise the letters you write and wrapping that you gift with. It LACE MAKING – A skill that is not easy is also a great way to save the environment to learn without a competent teacher and – one sheet of paper at a time. Blending rather expensive equipment. In Victoria, the unwanted paper, boiling water and food Embroiders Guild and the Australian Lace dye together will give you pump, straining Guild both run classes and answer questions and drying this mix will create paper. You that the eager student might have about equipment and basic logistics. Before making determine how thick or thin this paper is for whatever purpose you have. Messy, simple, the expensive and complicated foray into the world of lace-making, a few classes are vital. environmentally friendly creativity at its finest.

In addition to providing information, both these delightful guilds will be able to provide advice and sample patterns to work through.

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BE IN THE MOMENT

FIND OUR OWN PATH BY: GEORGE SERAPHIM

WE ARE OUR OWN TEACHERS, WE ARE EVERYONE’S PERCEPTION AND ALL OF US NOMINATE WHAT WE CHOOSE TO BE IN THE MOMENT, FOR ALL OF US HAVE CHOICE AND THEREFORE NO ONE IS TO BLAME FOR ANYTHING THAT SURMOUNTS IN OUR LIVES BUT OURSELVES.

Where does life come from? Where does it go to? How many people have strived to answer these most baffling of questions and how many have failed to realise the truth. Such is life, for it is what it is, an act of expression of billions of souls living on this earth, trying to survive and understand its meaning.

We are witness to so many expressions in today’s society, we are bounded by its rules and its ways, so many of us doubt ourselves because we are told that we must do certain things in order for us to respond to what society says it needs from us to continue, yet many of us are beginning to see through deception and lies and the wayward path that temporary things can be stall upon us.

To live a conscious life means that you become aware of truth, that you as a clear agent of peace try to absolve lies and deceit around you, becoming a rested soul living a purpose filled life, helping others instead of reaping rewards which at the end of the day really mean nothing in the bigger picture. The soul is an eternal living thing, and all of us who realise this in its entirety can finally see that to become connected from within and to begin living a higher purpose far out weighs temporary gain for selfish fruition.

To live in conscious connection with your higher purpose means that you are finding ways to improve yourself and in doing so you improve the lives of others associated with you, you become a bridge to unity and a deliverer of righteousness.

What is being said here is a test and it is a test of courage and strength, to all those who

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contain the seed of truth and want to live by it. Life for many reasons parades itself in front of all of us and bestills aspects onto all of us to try to trick us into believing so many things and lead us into a direction of pure greed and wanting things to benefit the few. Life is a gyration of endless arts and philosophies devised to confuse and surround us daily, we are endlessly receiving such images and this can have many underlying effects on all of us, to this day, millions of people are suffering from illnesses and poverty and nothing is really being done to repair this human downfall.

A country that can spend billions of dollars arming itself with weapons of mass destruction and continue to allow its poor to sleep on the streets can never become truly great in the image of its people because it wages war and eventually it will implode based on the law of karma. Such are our own lives, we are driven to succeed and to climb mountains we believe will benefit us, however how can we really be in integrity if others around us are suffering, our success in effect is not, it will remain temporary as long as others suffer in silence.

To be truly successful means you rate everyone equally and through this insight everyone wins, establishing this purity of heart means you have become wise, and in doing so your soul is lifted because others around you are not missing out on the energy.

Truly contemplate these words because they verily leave no one out of the equation, everything is connected and we in truth are all one.

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FJ O R D E S T Y L E : A U T U M N / W I N T E R 1 5

WOMENS STYLE RAMZY NAWZAR [STYLED BY RAMZY]

How much attention would you pay to look worthy when its comes to fashion and trends?

Have you got all the trends covered? Well we wouldn’t say there is anything totally ground breaking in women wear but there are lots of new things happening out there in fashion land when it come to TRENDS for this season A/W15.

Every so often whether it’s change in the weather or a little monotony settling in, we effortlessly want to renew our wardrobe this season. As it kick-starts we are taking you back to the 70’s with a twist. From structured jackets to Bohemian influence done luxuriously. Being trendsetter’s this season we can see classing prints and textures and winter floral prints. Graphic prints will also be dominating throughout this season.

Soft colour pallets with leather details, monochrome and bold colours too as for this season trend. Which woman doesn’t love GOLD? Well even gold is making its way back with great silhouettes and is on the trend.

Designers have kept the black colour palate as fashion customs. The sports luxe has been in the trend in every corner of the fashion land.

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FJ O R D E S T Y L E : A U T U M N / W I N T E R 2 0 1 5

MENS STYLE RAMZY NAWZAR [STYLED BY RAMZY]

As we close the door to summer from vibrant colour polo’s to suits with details, 2015 has been a year for breaking new ground in menswear trends. As we wrapped up A/W 2015, VMFFA had it all. More than ever this season, men are paying more interests to look worthy. This autumn-winter is the season for check, polka dots, and printed shirts.

Layering is key and essential for this season with graphic print knits to geometric prints.

Having classic cut bomber jackets to biker jackets which have unique styles for a variety of occasions to dress them up or down to avoid setback.

This season’s trend is a well tailor-made three-piece suit in navy, charcoal and black.

Once again, this is a smart option for a sharp dresser adding a pop of colour by way of accessorising and layering. Check suits are back and this means an old school vintage look is reaching a new level.

This season it’s all about check, spot, prints and layers. Sports luxe too has become much more trendy in the men’s style department.

Done right, it’s elegance with a modern edgy touch. Done wrong, it looks like you raided your grandfather’s closet.

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FJ O R D E B E A U T Y : A U T U M N S H I N E

AUTUMN SHINE TRY A TINT! NOT COMFORTABLE GOING ENTIRELY NUDE? I SUGGEST SWAPPING FOUNDATION FOR TINTED MOISTURIZERS THAT EVEN OUT THE SKIN TONE, ADD RADIANCE, AND DON’T FEEL HEAVY IN THE HEAT. FOR A SHEER GLOW, LOOK FOR AN ILLUMINATING FORMULA THIS IS MY FAVOURITE PRODUCT:

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AUTUMN 2015

DERMALOGICA SHEER TINT Lightly-tinted SPF moisturizer.

Natural, light-diffusing Iron Oxides provide translucent colour for radiant skin, while Broad Spectrum sunscreens shield against damaging UV rays. Available in light, medium and dark skin tone shades.

FINISH WITH A PINCH OF PEACH! Light Coral Peachy Pink Lip Recipe: Ravishing M.A.C. Lip Stick mixed with Lancôme’s Juicy Tube Peach Nectar and Lips Gloss

BRONZED UP! I love applying a bronzer with a slight shimmer and peach or pink undertones, I use *mac loose bronzing powder* over the apples of your cheeks, across the bridge of your nose, and on your temples to mimic where the sun naturally hits your face.

NO MORE RACCOON EYES!

NO MORE RACCOON EYES!

Water-resistant mascaras like *Great lash maybelline* are the easiest way to avoid dreaded raccoon eyes. There is no need to go all fancy and be talked into buying ridiculously expensive mascara.

This is reasonably priced and I recommend it to all my clients.

Water-resistant mascaras like *Great lash maybelline* are the easiest way to avoid dreaded raccoon eyes. There is no need to go all fancy and be talked into buying ridiculously expensive mascara.

This is reasonably priced and I recommend it to all my clients.

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MARRAKESH BATIK

by INDI

BY RAMZY NAWZAR

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M A R R A K E S H B AT I K B Y I N D I

FASHION, IF YOU WANT TO BE THE NEXT COCO CHANEL OR KARL LAGERFELD THEN WHEN IT COMES TO FASHION IT IS ALL ABOUT THINKING OUTSIDE THE BOX AND LET YOUR CREATIVITY SPEAKS FOR ITS SELF

INDI the Fashion Designer the signature label by fashion studio that strives to create wearable forward thinking fashion and is one of Sri Lanka’s nationally and internationally well-known fashion designer. INDI her namesake label has garnered national attention from other fashion designers, celebrities and the media for her impressive designs and mind-blowing creativity in bridals and gowns of all kind. Her strong attention to detail and practicality for the modern woman has made INDI a favourite among critics and her exclusive clientele. Having Covered Colombo Fashion week – Sri Lanka, Graduate fashion Week in London, I love Runway, Truman Brewery Exhibition, Alternative Fashion Week, all in UK, Asian fashion week and all the other part of Asian Continents.

The New collection MARRAKESH BATIK

by INDI the fashion designer paired clean, urban styles with traditional batiks and designs inspired by ancient Srilankan History and 70’s silhouette, femineity and elegance.

Keeping the hard/soft contrast as the signature of INDI, This collection consists of brass/ Metal pieces (Locally manufactured) as trims.

With wonderful artisanal workmanship of local talent in Srilanka it also consists of a hereditary combination of batik, woodcraft and embroidery weavings designed by INDI. Prominent use of Polka dots of all shapes & sizes with Batik prints to create a sense

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of mystery, femininity appeal to the entire collection. In construction of the garments has plenty of sheerness with a good balance in keeping the femininity and the edginess.

Also Glossy pure silks are adding the feel of ancient era. Adding more details in to her creativity, designer kept her true likeness on the garment by adding Metal/Brass embellishments, Metal/Brass belts. Also Necklines with Metal/Brass collar pieces.

Her collection colour palate based on Black, ivory, marine Blue & olive green to represent 70’s flavours inspired traditional srilankan designs. Main key focus and key elements on this designs are to give modern women 70-‘s silhouette with lots of drapes to show the side of srilankan custom, embroidered/ weaved dresses to bring out chic and elegance to show fresh new look with a touch of 70’s era. Skirts into uneven panels, Polka-dotted wraps, pencil skirts, crop tops and silk long dresses are also some other key pieces on Marrakesh batik collection to show modern silhouette.

INDI will be showcasing her Next collection Spring /Summer/ Beachwear in near future.

Also INDI has eyes set on New York Fashion Week and Mercedes Fashion Week Sri Lanka.

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M A R R A K E S H B AT I K B Y I N D I

Photographer - Reza Seedin Stylist - Styled by Ramzy Hairstylist & Makeup Artist - Mishel V Bratsos Models - Cinema Models & George El-Hajj

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AXOLOTL

BY NATASA PITRA

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WHEN IT COMES TO HANDCRAFT, THERE IS NO BETTER EXAMPLE THAN AXOLOTL – AN INNOVATIVE BUSINESS THAT CREATES AND DEVELOPS SEMI PRECIOUS METALS SUCH AS BRONZE AND COPPER INTO LIGHTWEIGHT, CHEAPER, AND MORE CREATIVE SURFACES THAN WHAT IS POSSIBLE WHEN WORKING WITH SOLID METALS. HITTING IT’S TWENTIETH YEAR IN BUSINESS THIS YEAR, MANAGING DIRECTOR KRIS TORMA WAS MORE THEN HAPPY TO HAVE A CHAT ABOUT THE CREATIVITY AND DIRECTION OF THE BUSINESS…

WHAT’S FIVE WORDS TO DESCRIBE YOUR COMPANY? Innovative, creative, unique, bold, inspiring.

WHERE DID IT ALL START FOR YOU? Axolotl was founded in 1995 and was successfully run by myself and my brother Kim; from our small premises in Surry Hills.

By 2005 we had developed the metal range further, moved to a larger premises with far more staff, and introduced the bespoke architectural glass range.

In 2011 we invented Axolotl Concrete, evolving the original concept to bond incredibly thin (.5mm thick) concrete finishes to almost any substrate. This process has subsequently won numerous Australian and international design awards, as the product allows thin concrete veneers to be applied without it cracking, something which has never before been possible and has opened up a huge range of design possibilities.

We work closely with artists, architects and designers to create bespoke creations to their specifications, ranging from large public art projects in glass and rust, to custom bronze front entrance doors. One of the best aspects of our product range is that the five materials on offer can be used individually or combined in a multitude of ways to offer infinite possibilities in design. Our processes allow us to inlay metal designs into concrete, or to apply a concrete or metal into glass. An example of how individualised our effects can become is showcased in the new Tiffany& Co’s flagship store in Melbourne, where five very different decorative glass types were used.

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We’ve been in business 20 years and after all this time I still get excited by the work we produce and the possibilities.

WHY METAL, TIMBER AND GLASS PRODUCTS? I have always had a strong interest in materials – particularly natural and building, so developing them in new ways has always held great appeal. My background was studying cinematography however I ended up working as an art director in film for eight years where we always had to work on finding innovative ways of producing a certain look within budgetry constraints.

Our initial focus when starting the business was metal, however the glass, concrete, timber and terracotta ranges were a natural progression, and provided new opportunities to use these materials in fresh and exciting ways.

As the products we use are all natural elements, it is unpredictable and can react in completely different ways from one day to the next. I think that the idea that no two Axolotl finishes are ever completely identical is where the beauty lies in our work.

WHAT IS YOUR AVERAGE DAY LIKE? Each day is different to the next. We start at work 6.45am and the day could encompass anything from site meetings, client and subcontractor liaison, development of new materials and products, and working on creative ways to market our product. We do not outsource any of our creative work, including graphics and have designed everything in house from our logo, to brochures, to the website.

Our team works together to solve all types of design issues, from construction methods of sculptural pieces, to creating new products

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by combining two or three of our processes together - metal, glass and concrete. Every job we produce is custom so every job requires new and innovative design input.

WHAT ARE YOU CURRENTLY WORKING ON? Our range of projects is quite diverse, both in scale and type. Later this month we unveil a 33 metre glass light art installation, with a video display of a woman swimming continuous laps as part of the Art & About festival. It is being placed in an old water reservoir and will be a temporary artwork on display for three weeks. Other projects include a 22m bronze feature wall for a private residence, a range of installations in the new Barangaroo development in Sydney, a number of hospitality projects for the Westin and Blue Hotels, and large food courts in Sydney, Perth and Brisbane.

We work on approximately 100 projects at any given time.

WHAT IS YOUR FUTURE PLANS WITH THE BUSINESS? We spend a vast amount of time working on R + D and have at least six new projects underway. A few have been in the pipeline for more than two years now, of which we plan to bring to market later this year. The new products are always exploring new materials that are unique to the market. We take a fresh approach by either using common materials in a new way, or by taking materials that are normally used in a micro level to the macro scale, and then adding our twist.

Our particular brand of alchemy is unique and the global market provides a golden opportunity to spread Axolotl even further.

You can find out more about AXOLOTL at www.axolotl.com.au

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THE HILLS CIDER

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THE HILLS CIDER

BY ANNA GILFILLAN

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THE HILLS CIDER

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AUTUMN 2015

AS A WINEMAKER BY TRADE, STEVE DORMAN WAS ATTRACTED TO THE SIMILARITIES BETWEEN WINE AND TRADITIONAL CIDER PRODUCTION. ONE NIGHT IN 2010 HE HAD A DRINK BEFORE DINNER WITH TOBY KLINE AND THEY REALISED THERE WAS NOTHING ON THE MARKET BETWEEN WINE AND BEER. SOMETHING THAT WASNT TOO FILLING BEFORE A MEAL, LIKE BEER, OR TOO ALCOHOLIC, LIKE WINE.

The pair decided to craft a traditional, artisan cider from 100% fresh local fruit- five years later Kline and Dorman are co-owners of award-winning The Hills Cider Company and have perfected the before-dinner drink. I had a chat to Dorman about their journey and the strong connection his brand has the the Adelaide Hills, and what makes Hills Cider taste so good.

HOW IMPORTANT IS SUPPORTING THE LOCAL AREA TO YOUR BRAND?

Supporting Australian farmers, communities and businesses is the foundation on which The Hills Cider Company is built. It was important to us from the outset to produce Hills Cider in a way that celebrated and supported local Australian farmers. In a sea of TELL US WHAT IS SO SPECIAL ciders made from imported juice concentrate, ABOUT THE ADELAIDE HILLS artificial flavours and colours, we wanted to REGION TO YOU? craft a cider that celebrated only 100% fresh, Australian grown fruit, sourced exclusively Before launching The Hills Cider Company, from the renowned, cool climate Adelaide we travelled Australia searching for the Hills, with absolutely nothing added. This highest quality apples and pears. This dedication to supporting Australian farmers passionate search led us to our own backyard, means the success of our company has the Adelaide Hills, and its generations of apple significant benefits for the local economy, its and pear growers. After experimenting with farmers, businesses and communities. fruit varietals, blends and styles, it became apparent that this renowned cool climate really Our commitment to using only 100% does produce the highest quality fruit, showing fresh, locally grown fruit has completely unique and delicate aromatics, exquisite rejuvenated apple and pear orchards in flavour profiles and an amazing balance of the Adelaide Hills. The high fruit quality sweetness and acidity. demanded by supermarkets had seen many growers walk away from their farms, unable to survive amidst the pressure of declining prices, growing expenses and crop rejection.

We accept fruit below these supermarket grades, giving growers and their families the confidence to come back to their farms, secure in the knowledge that this B grade stock no longer needs to be discarded or used for stock feed.

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THE HILLS CIDER

HOW IMPORTANT IS BRANDING IN THE CIDER INDUSTRY? WHAT DIRECTION DID YOU TAKE IN THIS SENSE? We believe all Hills Cider branding should tell the story of who we are and what drives us – making real cider from 100% fresh Australian grown fruit, thereby supporting Australian farmers. We believe consumers respect and respond to traceability and integrity, and this should be forefront of marketing and branding in the cider industry.

DESCRIBE WHAT IT IS ABOUT HILLS CIDER THAT SETS IT APART FROM THE REST? We believe the success of Hills Cider is due to quality. From the quality of our raw product and the relationship we have with our growers, to the land to hand control we have over every stage of production, all Hills Ciders our hand crafted with a passion to create the best real Australian cider, with absolutely nothing added. Combined with our passion to support Aussie farmers and communities, when our fans drink Hills Cider we know they appreciate the traceability of our company and the integrity of our product.

And finally, what would he would recommend as the best thing to accompany a glass of cold Hills Cider? Another glass of Hills Cider! Of course!

To find out more head to http:// thehillscidercompany.com.au or down to your local bottle shop and selected pubs for a taste!

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S U S A N E W I N GTO N JEWELLERY

BY LAUREN RAFFA

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NESTLED IN HER ECLECTIC COLLINGWOOD STUDIO, SUSAN EWINGTON CAREFULLY FORGES JEWELLERY FIT FOR THE MOST GLAMOUROUS OF EGYPTIAN GODDESSES OR BYZANTINE EMPRESSES, CREATING MODERNISED PIECES THAT TRANSCEND TRADITIONAL, SIMPLISTIC BEAUTY. WE WERE LUCKY ENOUGH TO GAIN INSIGHT INTO THE INCREDIBLY PASSIONATE, AWE-INSPIRING MIND BEHIND SUSAN EWINGTON JEWELLERY.

WHERE DID YOUR LOVE OF DESIGN COME FROM, SPECIFICALLY JEWELLERY DESIGN? When I was growing up I was always fascinated with my mother’s jewellery collection, and always cherished anything that was given to me. My love for the arts, craft, and anything I could make or do with my hands was evident from an early age. I am an observer, and I think my love for design just stems from that curiosity. There is such a tangible physicality to making jewellery which for me is completely addictive.

WHERE DID YOU SEEK TRAINING? I completed my formal training at NMIT (now Melbourne Polytechnic) in 2007, where I did an Advanced Diploma in Jewellery Manufacture. From there I continued my training working with local trade jeweller’s and then for a number of years under Robyn Wernicke from Small Space Jewellery in North Fitzroy.

HOW WOULD YOU DESCRIBE YOUR DESIGN AESTHETIC? I would say my overall aesthetic is contemporary classic. I like the idea that something may become a future heirloom, therefore the piece requires some element of timelessness, with wearability and comfort always in mind. I do like to do things with a twist or the unexpected though, and to combine an ancient or antique element with a modern edge. Trying not to follow trends, I love to incorporate fine textural details, unconventional colour combinations, or surprising materials into my pieces.

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WHAT MATERIALS DO YOU TYPICALLY WORK WITH? I love working with the precious metals such as gold (in all its colours), platinum and silver.

These are the traditional metals to use in jewellery, and there is reason for that - they are incredibly forgiving to fabricate with, not toxic, wear and age beautifully, and are easy to recycle and reuse in small quantities. When it comes to gemstones, I am absolutely in love with the coloured stones such as sapphires, rubies, garnets, the list just goes on.

DO YOU HAVE A FAVOURITE PIECE OF JEWELLERY TO DESIGN? My mind is in a constant state of polarity. I am either craving making a new engagement or wedding ring, precious in its materials and finely detailed; or yearning to let loose and create a new range of exhibition pieces, bold and contemporary with found objects, bordering on art and sculpture more than jewellery.

DO YOU TAKE PRIDE IN YOUR BRAND BEING LOCALLY MANUFACTURED? I take pride in the fact that all of my pieces are made by my hands, with the help of other local experts in their field such as my diamond setters or hand engravers. These are all such important trades to nourish and maintain, and I hope that one day in the future I will be able to employ younger artisans to pass down the skills that I have been lucky enough to be taught.

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DO YOU THINK IT’S IMPORTANT FOR PEOPLE TO SUPPORT LOCAL TRADE? I believe it is essential for people to support local trade where ever possible, without which there will inevitably be a future of reduced employment and loss of unique skill and knowledge.

WHAT INSPIRES YOU IN YOUR DESIGNING? I draw inspiration from loads of different things. I am particularly interested in the aesthetic of ancient jewellery such as Egyptian, Byzantine or Etruscan.

WHAT’S THE MOST REWARDING PART ABOUT YOUR CAREER? Making something that the owner will cherish and potentially hand down to future generations is one of the most rewarding aspects. I also love that I am contributing to and helping to continue an ancient trade, and serving the inherent need for human adornment.

CAN YOU DESCRIBE A PARTICULAR STAND-OUT PIECE YOU’VE CUSTOM-MADE FOR A CLIENT? One of the more memorable pieces was a pendant using a piece of glass that the client had made to include her mother’s ashes. She had seen my beach glass pieces and had organised a local glass artist to create a pebble shaped piece with the ashes suspended in the middle. I then made the glass into a pendant with an 18ct gold frame. It’s these pieces that really indicate the resonance an object like jewellery can have. It is often a purely emotional connection between it and the wearer.

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THE BEST ARTISAN GALLERIES FROM AROUND AUSTRALIA

THE BEST ARTISAN GALLERIES FROM AROUND AU S T R A LIA

BY LAUREN ROBERTS

THE UNIQUE OFFERINGS OF TALENTED CRAFTSPEOPLE HAVE KEPT GALLERIES FILLED SINCE THE ARTISAN PERIOD. NOW WE CAN APPRECIATE THE SKILL OF A WOOD CARVING AND ADMIRE THE BEAUTY OF A CERAMIC BOWL IN ANY CAPITAL CITY OF AUSTRALIA. WE CAN SEE BURNT CARVINGS, ADMIRE BLOWN GLASS, FALL IN LOVE WITH SCULPTURES AND SEE JEWELLERY MADE IN A WAY WHICH WE NEVER THOUGHT POSSIBLE. IN EACH CAPITAL CITY OF AUSTRALIA, THERE IS A GALLERY WHICH PROUDLY DISPLAYS ARTISAN WORK. THERE ISN’T JUST ONE IN EACH CITY, MIND YOU. THERE IS ONE THAT FOR DIFFERENT AND VARIOUS REASONS, STANDS OUT AS BEST AMONG ALL THE WONDERFUL GALLERIES THAT AUSTRALIA HAS TO OFFER.

THE ARTISAN GALLERY; 381 BRUNSWICK STREET, FORTITUDE VALLEY [BRISBANE] Displaying works from both domestic and international artists and a vision to support emerging talent, the Artisan Gallery showcases skilfully hand-made art throughout the year.

From jewellery to ceramic bones; textile furniture to marketplaces and from artists’ talks to venue hire; the Artisan has something to appeal to any gallery visitor.

CRAFTSWOOD ARTISAN GALLERY; 57 HIGH STREET, FREMANTLE [PERTH] Artisan craftspeople transforming native Western Australian wood into art showcase their masterpieces at the Craftswood Artisan Gallery. Conveniently located in creative suburb of Fremantle, a backdrop of coffee, buskers, the beach and tanned long-haired locals will pave the way to a gallery of furniture, art and sculpture.

FRAMED; 55 STUART HIGHWAY, DARWIN [DARWIN] Framed has galleries overspilling with jewellery, glass, textiles, ceramics, bronze, wood, ceramics, leather and a wide collection of hand-crafted Aboriginal art. The Darwin Gallery, with an established connection with local artists and the community, showcases exhibitions that are not like anything in Australia.

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JAM FACTORY; 19 MORPHETT STREET, ADELAIDE

CRAFT VICTORIA; 31 FLINDERS LANE, MELBOURNE

[ADELAIDE]

[MELBOURNE]

The Jam Factory has studio to learn how to manipulate ceramics, furniture, glass and metal; galleries which support emerging artists from around the world and a shop to purchase wares. Exhibition space proudly displays blown glass, contemporary design, jewellery, ceramic creations and an assortment of Artisan craftsmanship sure to appeal to anyone walking through the doors.

For 45 years, Craft Victoria has had an open call for all craftspeople, of any disciple, to display their wares inside their walls. The gallery supports both emerging and established artists; offers workshops and allows members of the public to walk admire the art on display for free. A glass window shows any who walk past the shopfront a teaser of what lies inside.

ARTS AND CRAFTS NSW; 104 GEORGE STREET, THE ROCKS [SYDNEY] The handmade creations on display at Arts and Crafts NSW are a lot of things – but generic is not one of them. From ceramic bowls to woven lace designs to glass treated in kilns to woven felt baskets – this massive display of handcrafted original pieces have something to appeal to all who visit.

TASMANIAN MUSEUM AND ART GALLERY; 19 DAVEY STREET, HOBART [HOBART] Hobart has a thriving market culture that Artisans utilise to display their handcrafted masterpieces. One established gallery that impresses the local demand for art is the Tasmanian Museum and Art Gallery. Although the main gallery mostly showcases paintings, there is a solid rotation of design which floats through the gallery doors.

CRAFT ACT; 180 LONDON CIRCUIT, CANBERRA [CANBERRA] Every year, Craft ACT supports over 150 artists with an established network, guidance and space to display their creativity. With a non-exclusive “craft” gallery banner, displays include textile works, design offerings, jewellery showcases and sculptures comprised of mixed media.

When the galleries are exhausted, local universities and markets are great place to see local artisan crafts. Behind the stalls and displays are often the artists themselves, keen to talk about their inspiration and the techniques they use.

If you are a local – join an art class. If you are a tourist – listen to a presentation or join in a workshop. If you are interested in something off the beaten track – talk to street artists or send emails to craftspeople who you have seen the work of online or heard about through a friend.

The best thing about Artisan work is that it can be found in a traditional gallery – but it isn’t limited to them. Explore. Seek. Find.

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LADY IN WAITING PHOTOGRAPHY NICKY GUNAWAN STYLIST SYEREN WIJAYA LOCATION H GOURMET, JAKARTA, INDONESIA

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7 0 ’ s AFTER DARK PHOTOGRAPHY DEAN RAPHAEL STYLIST MADELENE KADZIELA

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SELF-MAD MAN

BY RAMZY NAWZAR

JACKSON THOMAS, A SELFTAUGHT MUSICIAN, SOPRANO IN AUSTRALIAN OPERA WHO TRANSFORMED HIMSELF FROM PLAYING MUSICALS IN SMALLTOWNS TO AN AUSTRALIA WIDE RECOGNIZED MUSICIAN WHO CAME FIRST RUNNER UP IN THE VOICE AUSTRALIA SEASON 3.

AUSTRALIA HAS SEEN MANY ARTISTS OVER THE YEARS BUT JACKSON THOMAS’, GIFT TO MOVE PEOPLE WITH HIS MUSICAL TALENT IS TRULY SOMETHING SPECIAL. FJORDE SAT DOWN WITH THE INCREDIBLY TALENTED JACKSON THOMAS FOR AN EXCLUSIVE INTERVIEW.

SO TELL US LITTLE BIT ABOUT YOU JACKSON THOMAS? WHERE ARE YOU FROM? Well I grew up in Geelong, can’t really say it is a small town but really enjoyed my time in that beautiful place. Have lot of memories, played a lot of sport and music. How ever with music being a big part of my life, but never really consider about pursuing it as a career.

WHAT INSPIRED YOU TO PURSUE A CAREER IN SINGING? Since singing was such a big part of my life and I have always loved music. Being able to tell stories through my music and to get my message across has inspired me a lot. Also the rush of performing is like no other.

HOW OLD WERE YOU WHEN YOU STARTED SINGING? I have so many memories of singing from when I was young, especially those singing with my sister from childhood are special are the best times I have to say. I started singing when I was about 7 and my sister was 5. We had great time growing up. Especially since we had music in common.

WHO HAS BEEN YOUR BIGGEST MENTORS IN YOUR CAREER?

DEFINE WHAT SUCCESS MEANS TO YOU? Success can have many definitions but I always have this quote in my mind, “In order to succeed, we must first believe that we can”.

Saying that Success to me isn’t what you achieve in your life. It’s your legacy you leave behind to inspire others.

TELL US ABOUT YOUR EXPERIENCE OF BEING PART OF THE VOICE AUSTRALIA? Being part of one of the global franchise production The Voice Australia was crazy.

It was very full on. I had my up and down moments. The whole TV thing was hard to get used to at the start but, luckily I eased into it pretty well. As we all know nothing comes easy, right.

HOW’S YOUR LIFE CHANGED SINCE BEING 1ST RUNNER UP IN THE VOICE AUSTRALIA, SEASON 3?

Words can’t express my feelings after being 1st runner up and my life has changed 360.

It’s opened up a lot of doors and opportunity. I have met so many great people through out the competition and after being runner up. Also supporting Robbie Williams was definitely a big one to remember in my journey.

Growing up I had many people that I can think of but the one that stands out is Tim McCallum, a family friend growing up who I definitely idolised and I want to be just like him.

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WHAT DO YOU CONSIDER GOOD MUSIC?

WHAT ARE YOUR FAVOURITE CLOTHING LABELS?

These days we can hear many artists come and go and much of music as well, but what I consider good music is something that moves me emotionally, Good Lyrics and good Melody is a must. Well also I’m attracted to good singers

I believe that style has more to do with it than labels. I love to have my own signature style or look.

TELL US SOMETHING THAT NOBODY KNOWS ABOUT YOU? This makes me laugh. Nobody knows.

Hahaha. Well now everyone will know I recently got my first pedicure … and I loved it.

WHAT WOULD YOU BE DOING IF YOU WEREN’T INVOLVED WITH THE ENTERTAINMENT/MUSIC INDUSTRY? As I mentioned before I always loved music and always will. Music is my life. I have also being doing a bit of photography. I love to capture moments. Whether its in mother nature or in my life. Saying that if I’m not in the music or entertainment industry I would either be working as an electrician or pursuing my passion for Photography.

WE KNOW THIS WOULD BE INTERESTING TO TALK ABOUT AND ALL YOUR FANS ARE DYING TO KNOW, LOVE IS? Love??? I put it this way. I’m in the process of writing a new song. And in it are the lyrics;

I find a lot of inspiring looks on social media.

Such as Instagram. I don’t really follow many Love is simple, labels, I just pick out pieces that are unknown But in the hands of people, and suits me. Some labels I do like are NIQUE, Represent and Topman.

Its confused.

SO WE HEARD YOU’RE GOING BE PART OF RICKEY MARTIN’S AUSTRALIAN TOUR, IS IT TRUE? IF SO HOW’S THE PREPARATION GOING? Yeah I will be performing with Ricky Martin who has been very supportive. It’s going to be a big show touring around Australia.

The preparation is good and I’m definitely looking forward to it.

WHAT HAVE YOU GOT PLANNED FOR THE NEXT FEW MONTHS?

WHAT DO YOU HOPE TO ACHIEVE IN 5 YEARS TIME? I have many things on my plate. But I hope to be still moving people with my music. Playing gigs and being able to hear a pin drop. You have to wait and see. Also be fit and healthy with a great support network around me.

THANK YOU SO MUCH FOR YOUR TIME. THE FINAL QUESTION WE WOULD LOVE TO ASK YOU, WHAT WOULD YOU SAY TO YOUR FANS THAT WANT TO PERUSE A CAREER LIKE YOURS?

I been working on my own music for the last Rules are simple and set standard. Work month or so and now I set that on hold as I will be travelling with Ricky Martin’s Tour but harder than the person next to you. But make it authentic. Don’t just settle.

TELL US BIT ABOUT YOUR FASHION as soon as I’m back I will be working on my music again and releasing some new music for AND YOUR STYLE? everyone to hear. Can’t wait!

I would say I’m a mix between Kanye and WHO IS YOUR CELEBRITY CRUSH? Johnny Depp. I don’t think I stick to one specific style, instead I enjoy playing around Ohhh!! Celebrity Crush??? Let me think... with different looks making them my own.

Don’t really have one. Well Charlie Hunnam I’ve recently become a bit of a sneaker freaker may be?? HAHAHAH and starting to put together a good little collection. Now I just need some Yeezys!

WHAT IS YOUR THE BIGGEST ACHIEVEMENT SO FAR? AND WHY? The obvious answer would be coming runner up on The Voice. But honestly, I think my biggest achievement is shaping myself into someone that people look up to and get inspiration from. I really want to make a difference I feel like I’m on the right path to do this.

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