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W E LCOME We are thrilled to bring ‘live’ music to our loyal Madison audience during these challenging times. The two programs feature artists familiar to you and draw on a combination of talents. David and Gavin, lead singers with Canadian-based Jeans ‘n Classics, return with a theme of celebration, resilience and of coming together. The music of the Beatles, the Who, Earth, Wind & Fire, U2, Tears for Fears, A-ha, Prince, Stevie Wonder, and Marvin Gaye, for a night of pre-pandemic nostalgia. Enduring tunes that everyone can sing and dance to. In this our 60th anniversary year, we welcome longtime Concerts on the Square guest artist Tracy Silverman. Along with Sousa, Ellington, and Tchaikovsky, we celebrate Tracy’s world premiere of For the Greater Groove, Le Danse from his 2010 work, Between the Kiss and the Chaos, and our ending theme music, Home to Madison. Thank you for joining us as we celebrate an adapted Madison summer tradition – Concerts on the Square at Breese Stevens.
Andrew Sewell Music Director
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W E LCOME 2020 will be a year we won’t forget. These have been challenging times, and they reaffirm how the arts play a unique role in human connection. The headwinds of social distancing and restrictions in large gatherings have put at risk what the arts provide to our community, and keeping art present in our lives is more important than ever before. The Wisconsin Chamber Orchestra is committed to innovation, collaboration, and education so that we not only remain a part of our community now, but re-invent ourselves as a more thoughtful, inclusive, and forward-looking arts organization in the future. We are thrilled to present to you this summer two live concerts at Breese Stevens Field, which will be simulcasted over the internet and to a drive-in format at the Mallards Stadium. Additionally, we are proud to partner with WORT 89.9 FM to air our performances over the radio. Concerts on the Square has been a free public event for 37 years, and the tradition continues in 2020. We invite you to come closer to the music of the WCO this summer.
Joe Loehnis CEO
B U I L D A L EG ACY W I T H T H E WC O ’ S B R AVO L E AG U E Your planned gift to the Wisconsin Chamber Orchestra will help make Concerts on the Square possible each year and to provide music education programs throughout our community. To explore ways you can create a legacy of impact through planned giving, contact Kathleen Callaghan, Chief Development Officer at 608.257.0638 x106 or kathleencallaghan@wcoconcerts.org. 6
HELP MAKE ALL OF THIS POSSIBLE BY JOINING FRIENDS OF THE WCO
JO I N TH E F RI E N DS OF THE WCO, STA RTING AT $ 3 0 A Y E A R The WCO’s new membership program is your opportunity to connect with the orchestra in new ways. Join the Friends of the WCO to directly support WCO musicians and receive special perks throughout the year for a full year after making your donation! Your membership makes it possible for the WCO’s amazing musicians to do what they do best: make our community a better place through music. Your membership begins with a one-time donation of $30. Begin a sustaining donation of $8 per month for even more membership perks. One-time donation Gifts Raffles
#friendsofwco
Monthly Donation Gifts Even more raffles Ticket discounts
EACH NEW FRIENDS OF THE WCO MEMBERSHIP UNLOCKS A $100 MATCHING DONATION FROM AMERICAN FAMILY INSURANCE!
Join today! wcoconcerts.org/donate7
2020 Concerts on the Square Poster
Available for $30, make this truly unique 60th Anniversary 2020 Concerts on the Square Poster part of your personal art collection! Visit wcoconcerts.org/merchandise to purchase. This poster shares the story of the WCO’s perseverance during one of the most uncertain times in our history, while sharing the new brand and visual identity of the WCO in 2020. This was the summer the WCO kept the music going in whatever way possible. This is a limited edition of 250 hand-pulled, original screen prints by renowned illustrator Brent Schoonover. Each 18� x 24� poster is hand-crafted on premium paper and has been signed by Music Director Andrew Sewell.
Available online, visit: 8 wcoconcerts.org/merchandise
Young Artist Concerto Competition
2020 WINNER
The Young Artist Concerto Competition (YACC) is a highly regarded competition in which Wisconsin’s young musicians in piano, string, woodwind, brass, and percussion, grades 9–12, compete for scholarships and the opportunity to perform as a soloist with the WCO at Concerts on the Square. Auditions are adjudicated by a small panel composed of the WCO Music Director and musicians, providing valuable Antonio Wu professional development for aspiring musicians.
Antonio Wu, 2020 YACC winner, received his award and David Lewis Crosby Scholarship of $1,000 from Music Director Andrew Sewell in July.
EDUCATION PROGRAMS FAMILY SERIES The WCO’s Family Series is a free community program that offers an engaging exploration of music for families with children of all ages. The format is purposefully different from typical concert settings, so moving around or making noise during the show is welcomed and encouraged. The WCO’s goal for the Family Series is to create inclusive and accessible programming, performed in community centers across Madison on a fall and spring season rotation. SIDE BY SIDE PROGRAM Since 2006, the WCO has partnered with the Wisconsin Youth Symphony Orchestras (WYSO) to perform a free admission concert at the Overture Center. The Side By Side program matches the emerging musicians from WYSO with the professional musicians of the WCO. Together, these musicians prepare a full orchestral program, develop mentoring relationships, and provide a free-of-charge performance for the community. CONCERTO COMPETITION Each year, the WCO conducts a concerto competition for top youth musicians across the state. The competition takes place in January, with the winner given the chance to play with 9 the WCO during their acclaimed summer Concerts on the Square series.
M U S ICI AN S RO STER VI O LI N I Suzanne Beia, Concertmaster Hillary Hempel, Asst CM Paran Amirinazari Elspeth Stalter-Clouse Clayton Tillotson Neil Gopal Katherine Floriano VI O LI N II Gerald Loughney, Principal Mary Theodore Tim Kamps Wes Luke Anna Carlson VI O LA Nora Frisk, Principal Diedre Buckley Janse Vincent Christopher Dozoryst C E LLO Karl Lavine, Principal Timothy Archbold Lindsey Crabb BASS Charles Block, Principal Kris Saebo
F LU T E Elizabeth Marshall, Principal Dawn Lawler Scott Metlicka
HOR N Linda Kimball, Principal Michael Szczys William Muir Mary Buscanics-Jones
P I CCO LO Linda Nielsen Korducki
TR UM PET Robert Rohlfing, Principal David Cooper Matthew Onstad Don Sipe
OBOE Laura Medisky, Principal Lindsay Flowers Andrea Gross Hixon ENGLISH HORN Lindsay Flowers C L AR I N E T JJ Koh, Principal Bernard Parish B AS S C L AR I N E T Bethany Schultz ALTO & T E N O R SAXO P H O N E Matthew Sintchak B AS S O O N Amanda Szczys, Principal Midori Samson
R A I N DAT E R E B ROA D CA ST P L A N If the WCO does not live-stream on 8/25 or 9/1, the back-up rebroadcasted Concerts on the Square performances from PBS Wisconsin will be: • 2014’s James Taylor Tribute, Jeans ‘n Classics • 2018’s Slavic Dances with Miriam K. Smith, 11-yr-old cellist 10
COR N ET Robert Rohlfing David Cooper TROM BON E Michael Dugan, Principal Eric Larsen BASS TROM BON E Brian Whitty TUBA Tom Curry, Principal TI M PAN I Kent Barnhart, Principal Joseph Bernstein PERCUSSI ON Lana Wordel, Principal Keith Lienert Cindy Terhune Andrew Cierny Todd Hammes HAR P Johanna Wienholts, Principal GUI TAR Doug Brown, Principal
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MU SI C D IREC TO R Andrew Sewell STAFF Joe Loehnis, CEO Kathleen Callaghan, CDO Elliott Valentine, Development Manager Sam Pavel, Production Manager Clayton Tillotson, Librarian & Personnel Manager Janet Anderson, Office & Ticketing Manager Laura Miller, Design & Communications Coordinator
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8 / 2 5 G R AC E N OT E S , C O M E TO G E T H E R By Norman Gilliland
In 1978, using a chord progression supplied by Earth, Wind & Fire guitarist Al McKay, vocalist Maurice White and songwriter Allee Willis wrote September. When Willis balked at the song’s gibberish refrain “ba-deeya, ”White convinced him that lyrics should never get in the way of “the groove.” Similarly, White chose the date September 21 because it sounded good when sung. A clash between Berkeley anti-war protesters and police in 1969 prompted Renaldo Benson of the Four Tops to write What’s Going On. He offered the song to Marvin Gaye, who did an extensive rewrite inspired by his brother’s letters from Vietnam and the social ills sweeping across the U.S. The song Crazy by soul duo Gnarls Barkley was inspired by the spaghetti western filmscores of the late Ennio Morricone. The lyrics emerged from a whimsical conversation between Danger Mouse and CeeLo about how how artists aren’t taken seriously unsless they’re thought to be insane. The Beatles’ Abbey Road album begins with Come Together, John Lennon’s attempt to write a campaign song for Timothy Leary’s abortive gubernatorial run agaist Ronald Reagan. The album also includes George Harrison’s Something. Harrison cited various sources of inspiration for the muchcovered song, which was his breakout song as a composer. The album also has Paul McCartney’s Oh! Darling. The main impetus for the Sgt. Pepper album’s 1967 Lennon-McCartney song A Day in the Life came from newspaper articles from the year of its composition. Norwegian synth-pop band A-ha designed their 1984 song Take On Me to show off singer Morten Harket’s 16
vocal range. Prince composed, wrote, and produced Kiss, which became a No. 1 hit worldwide in 1986. The backup singers of the 1974 Elton John-Bernie Taupin song Don’t Let the Sun Go Down on Me included Beach Boys Carl Wilson and Bruce Johnston and Toni Tennille. A repeating guitar arpeggio using a delay effect frames the 1987 U2 song Where the Streets Have No Name. The lyrics by lead vocalist Bono suggest that in Belfast a person’s religion and income can be told by the street on which they live. Of his song Won’t Get Fooled Again Pete Townsend of the Who said that revolutions can be unpredictable, and when one breaks out, “Don’t expect to see what you expect to see.” His song Baba O’Riley takes its name from Indian spiritualist Meher Baba and musical innovator Terry Riley. Townsend wrote Love, Reign o’er Me for the main character in the Who’s 1973 rock opera Quadrophenia. The English pop rock band Tears for Fears released the new wave song Everybody Wants to Rule the World in 1985. The song’s jaunty beat underlies a serious message about the desire for power and the misery that comes from war. Earth, Wind & Fire’s 1978 release Fantasy was described by a Rolling Stone reviewer as “as close to elegance as any funk song has come.” Written and produced by Stevie Wonder, A Wish from 1976 expresses Wonder’s desire to relive his 1950s and ’60s Detroit childhood. One of the more memorable covers of the 1964 Burt Bacharach-Hal David song A House Is Not a Home was recorded in 1981 by R&B/Soul artist Luther Vandross.
COME TOGETHER Jeans ‘n Classics have performed with the Wisconsin Chamber Orchestra over seven times in the past ten years. Their orchestral programs of over fifty popular artists have endeared them to audiences around the globe. We appreciate their commitment to making this program available during these uncertain times to lift the human spirit. REPERTOIRE EARTH, WIND & FIRE MARVIN GAYE GNARLS BARKLEY THE BEATLES THE BEATLES THE BEATLES A-HA PRINCE ELTON JOHN U2
September What’s Going On Crazy Come Together Something Oh! Darling Take on Me Kiss Don’t Let the Sun Go Down on Me Where the Streets Have No Name
INTERMISSION THE WHO THE WHO THE WHO TEARS FOR FEARS EARTH, WIND & FIRE STEVIE WONDER LUTHER VANDROSS THE BEATLES THE BEATLES
Won’t Get Fooled Again Baba O’Riley Love, Reign o’er Me Everybody Wants to Rule the World Fantasy I Wish A House Is Not a Home A Day in the Life Hey Jude
This project is funded in part by a grant from the Madison Arts Commission, with additional funds from the Wisconsin Arts Board.
This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the National Endowment for the Arts.
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9 / 1 G R AC E N OT E S , FO R T H E G R E AT E R G R O OV E By Norman Gilliland
Jacques Offenbach’s reputation rests on the 98 operettas he wrote from the 1850s to the 1870s and his unfinished opera The Tales of Hoffmann. His waltzes and patter songs exerted a strong influence on later operetta composers, most notably Johann Strauss, Jr. and Sir Arthur Sullivan. His first big success came in 1858 with Orpheus in the Underworld, which whipped up a controversy with its thinly-veiled satire of Napoleon III and his government. Another ingredient to the operetta’s success was the inclusion of the racy can-can. The ongoing popularity of the Germanborn French composer’s operettas overshadowed his earlier works, and, in fact, much of what he wrote during the 1840s was light music intended for the genteel salons of Paris. But those dances and bagatelles helped the witty, debonair young cellist to make a name for himself. Among his more serious efforts of those early years was his Overture to a Grand Orchestra of 1843. It was in that same year that the 24-year-old Offenbach shared a concert with the famous Franz Liszt. And the following year, during a visit to London, he was summoned to Windsor Castle to perform for Queen Victoria. Although his only previous ballet, Swan Lake, had not been a great success, Peter Tchaikovsky didn’t hesitate to accept a commission to write a second ballet based on Charles Perrault’s story The Sleeping Beauty. The ballet’s 1890 St. Petersburg debut received better reviews from the critics, but Tchaikovsky never lived to see The Sleeping Beauty succeed outside of Russia. Within 15 years it was the second most popular ballet in the repertory of the Imperial Ballet—second only to the now forgotten ballet The Pharaoh’s 20
Daughter by Cesare Pugni and Marius Petipa. And a 1921 London performance won The Sleeping Beauty a secure place in the international repertory. Among the most imaginative adaptations of Tchaikovsky’s music is Duke Ellington-Billy Strayhorn 1960 jazz interpretation of The Nutcracker. Ellington became famous for his inventive use of the orchestra during the big band era. Strayhorn’s first love was classical music, but his effort to become a classical composer went nowhere at a time when classical music was almost entirely white. He met Ellington in 1938, by which time he had already gravitated toward jazz. During their long association, Strayhorn composed some of Ellington’s bestknown hits and helped him to complete and flesh out many of his musical ideas. Their arrangement of The Nutcracker Suite includes “Overture,” “Toot Toot Tootie Toot “(Dance of the Reed Pipes), “Dance of the Floreadores” (Waltz of the Flowers), “Sugar Rum Cherry” (Dance of the Sugar Plum Fairy), and “Peanut Brittle Brigade” (March). John Philip Sousa wrote his march The Washington Post for an award ceremony for a school children’s essay contest sponsored by the newspaper for which it’s named. The event took place in 1889 on the Smithsonian grounds and the march was an instant success, in part because its rhythm was a perfect fit for a dance that was becoming all the rage—the two-step. For what became one of the most popular marches of all time Sousa was paid $35.
FOR THE GREATER GROOVE Tracy Silverman has forged a new genre with his six string electric violin, fusing classical and popular styles with an array of sounds using strum bowing and looping techniques. His versatility defies any labels as he continues to compose and perform bringing two new works, For the Greater Groove and Chorinho Bassoonho to the stage this evening. Tchaikovsky and Ellington prove to be captivating bedfellows in a program celebrating the old and new, Sleeping Beauty and the Nutcracker. REPERTOIRE OFFENBACH
Overture to a Grand Orchestra
SILVERMAN
Anthem 25
SILVERMAN
For the Greater Groove (World Premiere)
TCHAIKOVSKY
Waltz from Sleeping Beauty
INTERMISSION SOUSA
Washington Post March
SILVERMAN
Chorinho Bassoonho
SILVERMAN
Matisse: La Danse
TCHAIKOVSKY/ELLINGTON Nutcracker Suite (arr. Tyzik) Overture Toot Toot Tootie Toot (Dance of the Reed Pipes) Dance of the Floreadores (Waltz of the Flowers) Sugar Rum Cherry (Dance of the Sugar Plum Fairy) Peanut Brittle Brigade (March) SILVERMAN
Home To Madison
This project is funded in part by a grant from the Madison Arts Commission, with additional funds from the Wisconsin Arts Board.
This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the National Endowment for the Arts.
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There is still time to subscribe to our Masterworks Concert Series for the upcoming 2021 Season! First-time subscribers receive 10% off the subscription rate. View the complete schedule, guest soloists, peruse our season brochure, & subscribe for the series at: wcoconcerts.org/masterworks.
* Concerned about how COVID-19 public health concerns will affect your 2020/21 subscription? Please be assured that we will refund all tickets for canceled shows. We care about you and remain committed to your safety. 24
wcoconcerts.org/masterworks
CO R NERSTO N E SO CI ETY With deep gratitude, the WCO thanks Cornerstone Society members who make annual gifts of $1,000 or more to support the WCO’s mission to advance Wisconsin communities through the transformative power of music. Join us in thanking them for their support. (*WCO Board Member) $10 0,0 0 0 + Jun* & Sandy Lee $2 5,0 0 0 - $ 99, 999 W. Jerome Frautschi Linda I. Garrity Trust Tom* Neujahr & Julie Underwood $10,0 0 0 - $ 2 4 , 999 Diane Ballweg Steve & Laurel Brown Foundation Walter A. & Dorothy J. Frautschi Charitable Unitrust Ron & Deborah Krantz Beth & Rich Lepping Susan* & Jonathan Lipp Monona Bank Pleasant T. Rowland Foundation Steinhauer Charitable Trust UW Provision $5 ,0 0 0 - $9, 999 David & Sally Allen Family Foundation The Connor Family John Foss* Mary & Terry Kelly Meester Family Foundation Maurice & Arlene Reese Foundation Jack & Sarah Salzwedel Kenneth* & Virginia Yuska $2 ,50 0 - $4 , 999 Jon* & Lori Anderson Steve Bablitch & Elaine Kelch Jim & Sue Bakke Nate* & Sarah Boebel John J. Frautschi Family Foundation Ei Terasawa Grilley Larry Hands & Karen Kendrick-Hands Lynch Family Maximum Giving Fund of the MCF Paul & Lisa Muench Mary & Gus Paras Dean & Orange Schroeder Mary Stoffel & Rich Novotney Thomas E. Terry Steve Weber Amy & John Wong Brian* Yahn & Darlene Murphy
$ 1,0 0 0 - $ 2 , 499 Anonymous Sue & Ellis Bauman Keith & Juli Baumgartner Diane Bless Bruce & Nancy Braun Bryan & Tess* Brooks Ellen L. Brothers Charitable Fund Catherine Buege Lau & Bea Christensen Lynn & Denny Christensen Philippa Claude & Antony Stretton George* & Mary Cullen Mark & Carol Cullen Family Cummings Christensen Family Foundation Corkey & Betty Custer Andy* & Rita Davis Joseph* Diedrich Steve & Joyce* Dieter William & Alexandra Dove Melissa* & Jeremy Endres Jerry Ensign Edward & Rosanne Ehrlich Tim & Renee Farley Marty & Amy* Fields Alan* Fish & Susan Goodwin Deirdre W. Garton Tom* & Cindy Godar Adrian Grimes & Holly Gefroh-Grimes Scott & Natalie Hagen Charles & Tammy Hodulik Linda & John Hughes Lee & Rosemary Jones Kristin Kirkconnell George & Susan Krug Dr. Joseph Lachica Kenneth Lau Paul* Lenhart & Maria Fabrega John & Susan McCoy Regina Millner Christine & Jeff Molzahn Bob & Chris Newcomb Frank & Laurie Peregrine Harry* & Sylvia Peterson Tom Popp Don & Roz Rahn Jill Ramsfield & Gene Vricella Gordon & Susan Ridley Bela & Ruth Sandor Randy Satterfield & Beth Angell Rodney Schreiner & Mark Blank Jay & Katie Sekelsky Andrew & Mary Sewell Beverly Simone
Lauri & George Sperfslage Pam* & John Stampen Ray & Harriet Statz Wayne Schwalen & Barbara Fleeman John W. Thompson & Jane A. Bartell Charitable Foundation Judith & Nicholas Topitzes Foundation Thomas Tsea Lawrence Zanoni & Cathy Cram We also thank donors for their generous contributions of $1 to $999! G R A N T S & FO U N DAT I O N S American Girl Fund for Children Ann and Gordon Getty Foundation Dane Arts The Evjue Foundation Inc., the charitable arm of The Capital Times Madison Arts Commission Madison Community Foundation through Evjue Foundation’s “Great Performance Endowment” Veridian Foundation We Energies Foundation Wisconsin Arts Board S E A S O N PA RT N E R S G&I Technologies Madison Club The Madison Concourse Hotel & Governor’s Club Numbers4Nonprofits GIFTS IN-KIND Blackhawk Church Terry Kelly Metcalfe’s Market Meuer Art & Picture Frame Co. PBS Wisconsin Wisconsin Public Radio M E D I A PA RT N E R S Norman Gilliland Madison Magazine Magic98 Marcus Promotions PBS Wisconsin Wisconsin Public Radio WKOW TV
*WCO Board Member
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Bravo! We’re proud to support the Wisconsin Chamber Orchestra. The Burish Group UBS Financial Services Inc. 8020 Excelsior Drive, Suite 400 Madison, WI 53717 608-831-4282 burishgroup@ubs.com
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PROUD TO SUPPORT THE ARTS 6-10AM: Lanette Hansen 3-7PM: Jillene Khan 7-Midnight: Delilah
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KATHERINE
JOHN
BOB
MAX
FIRST WITH
T H A N K YO U 2020 SPONSORS
Concerts on the Square simply would not be possible without the foundational support of this year’s amazing sponsors. Thank you for your leadership that amid these unprecedented times fills our homes and hearts with uplifting, transformative music. PRESENTING SPONSORS
LEAD SPONSORS Steinhauer Charitable Trust
SPONSORS
E V E N T PA RT N E R S