DePaul - Intimate Apparel

Dexter Bullard, Artistic Director presents

by Lynn Nottage Director – Phyllis E. Griffin Dramaturg – Tiffany Wilson Voice and Dialect Coach – Phil Timberlake Movement Coach – Patrice Egleston Scenic Designer – Jack Magaw Costume Designer – Kara Dent Lighting Designer – Ellie Humphrys Sound Designer – Scott Leigh Nielsen Stage Manager – Liz Fiala September 30, 2011-October 9, 2011

DePaul’s Merle Reskin Theatre 60 E. Balbo Drive, Chicago, IL 60605 Email: theatreboxoffice@depaul.edu http://theatreschool.depaul.edu (312) 922-1999

DePaul University 1

CAST (in

or der of appe ar ance)

Esther........................................................................................................................... Krenee Alisha Mrs. Dickson......................................................................................................Celeste M. Cooper Mrs. Van Buren........................................................................................................ Annie Prichard Mr. Marks................................................................................................................. Alexander Koch Mayme...................................................................................................................... Kelly Erin Sloan George........................................................................................................................... Dan Cobbler Place: Lower Manhattan Time: 1905

There will be one 10-minute intermission.

Intimate Apparel is presented by special arrangement with Dramatists Play Service, Inc., New York.

P R O D U C T I O N S TA F F Assistant Director......................................................................................................... Dana Coffey Assistant Stage Managers.......................Jean E. Compton, Caroline D’Angelo, Amy Fisk Assistant Costume Designer....................................................................................Chloe Patten Draper/Cutter...............................................................................................................Elise Petrucci Stitchers.................................................................................... Hannah Tricamo, Megan Turner Assistant Lighting Designer.......................................................................................Chris Barker Assistant Sound Designer........................................................................................ Jack Hawkins Production Coordinator......................................................................................Jeanne Williams Technical Director..........................................................................................................Shane Kelly Assistant Technical Director......................................................................................Anders Wahl Scene Shop Technical Director................................................................................... Tim Combs Reskin Technical Director................................................................................................Jen Leahy Reskin Assistant Technical Director......................................................................Max Raynolds Technical Assistant............................................................................................ Aaron Pijanowski Scene Shop Foreman............................................................................................ Gerry Reynolds Master Carpenter............................................................................................. Andrew McCarthy Carpenter................................................................................................................Wil Deleguardia Scenic Artist.....................................................................................................................Joanna Sim Property Master.....................................................................................................Wayne W. Smith Costumiere.......................................................................................................... Dawn G. McKesey Stitcher......................................................................................................................... So Hui Chong Make-up Supervisor................................................................................................. Nan Zabriskie Make-Up Assistants................................................................... Todd Boger, Jessica Burgwald Master Electrician.......................................................................................................... Sam Hillyer Scenery and Property Crew........................................................Noah Laufer, Elias Pearlstein, Jack Schultz, Lakeidrick Wimberly Costume Crew..................................................Lucy Blehar, Cristian Esparza, Erika Miranda, Jessica Vodnik, Genevieve Zoufal Make-up Crew...................................................Erinn Fredin, Asia Martin, Stephanie Tomey Lighting Crew............................................................................ Victoria Allen, James Chappell, Molly Dannenberg, Lindsay Rosenfeld, Lindsey Tindall Sound Technician................................................................................................... Quentin Brown Sound Crew..................................................................................Mark Mocarski, Rachel Regan Sign Language Interpreter Coordinator.................................................................David Jones Sign Language Interpreters.................................................... Colleen Grier, Shiela Kettering Director of Marketing and Public Relations............................................................Anna Ables Manager of PR and Special Events.........................................................................Andrea Tichy Publicity/Production Photos................................................... Anna Ables, Michael Brosilow Publicity and House Crew..................................................Colleen Debelius, Juwan Lockett, Deborah Shuman, Nathan Simpson Box Office Manager........................................................................................................ Julia Curns House Manager................................................................................................................ Alicia Graf Theatre Manager.........................................................................................................Leslie Shook 2 DePaul University

D I R E C TO R ’ S N O T E I am a fan of Lynn Nottage. Her plays are a great vehicle for learning about the world around us and our unique history as a country. Complex situations together with richly woven language challenge directors, dramaturgs, designers, and actors to stretch their artistic imaginations and skills. It is the mark of great playwrights when a complex life can be described in fluid and powerful terms. This play has intersecting lives and boundaries. It is the idea of intersecting lives and boundaries that I have used as our theme for exploring Ms. Nottage’s work. We hope you enjoy and come to love this work as much as we have loved working on it.

- Phyllis E. Griffin D R A M AT U R G Y N O T E Me and Esther Mills I’ve spent the last six months digging through documents and recordings of America’s past in search of Lynn Nottage’s characters from Intimate Apparel. As I collected information, I began connecting their lives to mine. While researching Esther’s journey to New York from North Carolina, I first pictured my great-great-great grandfather making the journey from Valdosta, Georgia. I then reflected on my own journey from Orlando, Florida, to Chicago. Esther and my ancestors saw a promising future in New York City.

What exactly do I see in Chicago now? This answer may sound like a cliché, but life in Chicago means freedom. Three years ago nobody in Chicago knew me; the city offered me a chance to become a new woman—one who is smart, independent, and charming. I may not have achieved any of those qualities, but I always have the chance to start anew here. When Esther left North Carolina, she was the same age as I when I left Orlando and wanted that same beginning. Every now and then I like to indulge the fantasy that Esther Mills is a part of my history—maybe even a part of my family.

Through Intimate Apparel Lynn Nottage presents a woman whose journey is universal.

I, like Esther, started my life in one place and over time became dissatisfied. The neighborhood watch associations, mini-mansions, and artificial suburban life repulsed me. I didn’t live in a neighborhood with an ornamental English title like Windermere or Westminster Abbey, so the kids I went to grade school with treated me as an outsider.

I flew to Chicago hoping the city would love me in the same way I loved it. I traveled with Esther through books and articles on the reconstruction and turn of the century.

As I continued to read, I began noticing the differences between our journeys. The Federal Government never enforced laws restricting me to one county. I’ve never been bound to a chain gang, nor have I witnessed the public execution of someone close to me. So, even though our stories are similar, I found comparing the woes of suburban life to the torment inflicted on Blacks by post-Civil War society unsettling. I felt guilty. I should be grateful that I was allowed to attend the high-ranking schools in the suburbs. In the 1880s my father would have hanged from a tree for impregnating my mother, a White woman.

I looked to Lynn Nottage to comfort my conscience. Intimate Apparel reassured me that no matter where I am in history, pain is pain, and love is love. History tells me a story of cruelty and unbearable suffering. A pattern of war, enslavement, and torture emerges from the pages of history books. The lives of fugitive slaves seem distant, and the stories of Harriet Tubman and Frederick Douglas read as legends. And yet I feel that the anger I feel is their anger. Esther’s yearning for love and companionship reflects my own feelings of longing. History can’t limit the amount I’m allowed to feel. Some theatregoers may view Intimate Apparel as a period piece, but the ways in which the characters feel and connect to one another leap outside of their historical context.

--Tiffany Wilson, 3rd year BFA Dramaturgy/Criticism DePaul University 3

BIOGR APHIES KRENEE ALISHA (Esther), 4th year BFA/ Acting. Krenee was born and raised in Baltimore city, where she attended Baltimore School for the Arts. She recently appeared in The Theatre School production of Cabaret, directed by Barry Brunetti.

DAN COBBLER (George), 2nd year MFA/ Acting. Dan is a New Jersey native, though he has called Indiana home for ten years. He graduated as a Christ College Scholar with a BA in Drama and Humanities from Valparaiso University. Most recently, Dan was seen with his MFA class in a production of Harold Pinter’s Celebration, directed by Dado.

CELESTE M. COOPER (Mrs. Dickson), 3rd MFA/Acting. Celeste received her BA in Theatre from Tennessee State University, where she was the recipient of the Most Multi-Talented Award and Best Actress Award from The Thomas Edward Poag Players’ Guild in 2009. Some of her credits include The American In Me as Jeannie, The Complete Works of William Shakespeare (Abridged) as Adam, The Bluest Eye as Pecola, Romeo and Juliet as Juliet, The Matchmaker as Mrs. Levi. Her Theatre School credits include Blood Pudding as Shango, Much Ado About Nothing as Ursula/Sexton, and Medea as a chorus member.

ALEXANDER KOCH (Mr. Marks), 4th year BFA/Acting. Alexander is from Grosse Pointe, Michigan. He studied film at Western Michigan University before transferring to The Theatre School, and performed as Claude in Hair, Lee Harvey Oswald in Assassins, and Ralph in Reefer Madness at the Whole Art Theatre. He was also a member of the improv comedy group Crawlspace Eviction. Some of his Theatre School credits include Randy/ Jimmy in Almost, Maine, Jack/Ernest in The Importance of Being Earnest, Justus in Normal, and Victor in Cabaret. He recently starred in a short film entitled The Ghosts, which premiered at the Brooklyn International Film Festival.

ANNIE PRICHARD (Mrs. Van Buren), 3rd year MFA/Acting. Annie received her BA from San Diego State University. Previous Theatre School credits include The American In Me, The Painted Lady, Objects Lie On a Table, and Shipwrecked!

KELLY ERIN SLOAN (Mayme), 4th year BFA/ Acting. Kelly is from Southfield, Michigan.

Her past Theatre School credits include Story 4 DePaul University

Theatre, The Importance of Being Earnest (Cecily), Gem of the Ocean (Aunt Esther), Cabaret (Frenchie), Objects Lie on a Table (Constance), and Pinkalicious (Pinkalicious).

PHYLLIS E. GRIFFIN (Director), Associate Professor of Voice and Speech. Phyllis E. Griffin is a Certified Feldenkrais Practioner® and Certified Lessac Teacher. In addition, she has studied with Richard Armstrong of the Roy Hart Theatre Method, Patsy Rodenburg, Catherine Fitzmaurice, Dudley Knight and Kristin Linklater. She has served as vocal coach for The Goodman Theatre, assisting on Gem Of The Ocean, Drowning Crow, King Hedley II, Blues For An Alabama Sky, and I Am A Man. She has also been the vocal coach for the Chicago Shakespeare Theater, working with Barbara Gaines on Henry IV, Part I&II, Cymbeline, and Othello. She has previously worked for Disney Productions as the vocal coach to prospective actors for The Lion King. She was also dialect coach for Joan Plowright on the feature film Dennis The Menace and has provided vocal instruction to several private business leaders and narrated documentaries for PBS and NPR. She most recently directed for ETA, where the two one-acts became Jeff-Recommended. In addition to her work as a voice and speech professor, Phyllis has directed several plays for The Theatre School including A Raisin In The Sun, Bud, Not Buddy, Einstein Is A Dummy, Two Trains Running, Insurrection: Holding History, Flyin’ West, Stamping, Shouting And Singing Home, Sleep Deprivation Chamber, for colored girls who have considered suicide/when the rainbow is enuf, and Curse of the Starving Class.

PHIL TIMBERLAKE (Vocal Coach) Professor of Voice and Speech, Performance. Phil is an Associate Teacher of Fitzmaurice Voicework and was the 1996 Annette Kade Fulbright Fellow to France, studying “extended voice” work at the Roy Hart International Arts Centre. He previously taught at Northern Illinois University and Virginia Commonwealth University. He also taught at The Actor’s Gymnasium and The Actors Center in Chicago, and has led “extended voice” workshops with Lookingglass Theatre, Roosevelt University, Purdue University, Barat College, and the Modjeska Youth Theatre. Phil is an ensemble member of Lifeline Theatre where he received a Jeff Citation Nomination for Best Supporting Actor – Musical for his work in Queen Lucia.

Other Chicago acting credits include First Folio Shakespeare (The Tempest), Lifeline (The

BIOGR APHIES Island of Dr. Moreau [Non-Equity Jeff Award – Best Production], The Two Towers), Apple Tree (Violet), Powertap (The Beaux’ Stratagem), Shaw Chicago (Misalliance), City Lit (Playboy Stories), and Shakespeare’s Motley Crew (Twelfth Night, Midsummer Night’s Dream, King Lear). He is the resident Voice and Speech Coach at First Folio Shakespeare, and is a member of VASTA (Voice and Speech Trainers Association), SAG (Screen Actors Guild), and the Society of American Fight Directors.

DANA COFFEY (Assistant Director) 4th year BFA/Theatre Arts. Dana is from Homewood, IL. She is double majoring in Theatre Arts and Peace, Conflict and Justice Studies.

Over her tenure at DePaul, she has worked on Workshop 5 and Haroun and the Sea of Stories. She recently returned from studying and conducting theatre for development workshops in Mombasa, Kenya.

TIFFANY WILSON (Dramaturg), 3rd year BFA/Dramaturgy/Criticism. Upon graduating from Dr. Phillips High School in Orlando, FL, Tiffany enrolled at DePaul to study English. After a year, she joined The Theatre School where she majors in Dramaturgy. She has served as dramaturg for such shows as Inky, Much Ado About Nothing, and The Monster Under the Bed. JACK MAGAW (Scenic Designer), Faculty.

Jack has designed numerous productions for The Theatre School including The Secret Garden, The Civic and Life is a Dream. Other Chicago and regional theatre design credits include Gee’s Bend (Cincinnati Playhouse), Samuel J&K (Steppenwolf Theatre Co.), Sizwe Banzi Is Dead and Home (Court Theatre), A Life and Eclipsed (Northlight Theatre), A Few Good Men and The Importance of Being Earnest (Peninsula Players Theatre), Mauritius (TheatreSquared), She Loves Me, The Old Settler and Picnic (Writers Theatre), Radio Golf (Pittsburgh Public Theatre), Cabaret, A Flea In Her Ear and Winesburg, Ohio (Kansas City Repertory) and Bug (Redtwist Theatre) which he co-directed and designed with Kimberly Senior. He received Joseph Jefferson Award nominations for Picnic and Bus Stop (Writers’ Theatre), Fences (Court Theatre) and Seven Guitars (Congo Square).

Upcoming projects include Circle Mirror Transformation (Repertory Theatre of St Louis) and The Caretaker (Writers’ Theatre).

Jack lives in Evanston with director Kimberly Senior and teaches design at

both DePaul and Northwestern universities. www.jackmagaw.com SHANE KELLY (Technical Director) Head of Theatre Technology. Shane has worked in a variety of technical and design positions around the country including The Second City, Chicago Spotlight, Caffeine Theatre (where he is an artistic associate), Chicago Scenic Studios, University of Northern Colorado, American Repertory Theatre, the Guthrie Theatre, Colorado Shakespeare Festival, Surflight Theatre in New Jersey, Little Theatre of the Rockies, and for Vee Corporation at the NBA All-Star Jam Session. He has an M.F.A. in Theatre Technical Production from the Professional Theatre Training Program (P.T.T.P.) at the University of Delaware. Shane is a member of USITT, the Vice-Chair for Programming of the USITT Midwest Regional Section, and an ETCP Certified Rigger-Arena and Theatre.

ANDERS WAHL (Assistant Technical Director), 3rd year BFA/Theatre Technology.

Anders is from Rochester, NY. Recent Theatre School credits include: The Secret Garden (Master Carpenter), Much Ado About Nothing (Props Artisan), and Mayday Mayday Tuesday (Master Carpenter).

KARA DENT (Costume Designer), 3rd year BFA/Costume Design. Kara has assisted with costume design on Cabaret, The Monster Under the Bed, and Pinkalicious, as well as working on 1001 and Haroun and the Sea of Stories.

ELISE PETRUCCI (Draper/Cutter), 3rd year BFA/Costume Technology.

ELLIE HUMPHRYS (Lighting Designer), 4th year BFA/Lighting Design. Originally from Dayton, Ohio. Some Theatre School credits include Lighting Designer for Blood Wedding, Assistant Lighting Designer for Cabaret, and Master Electrician for Much Ado About Nothing and The Pillowman.

CHRIS BARKER (Assistant Lighting Designer), 3rd year BFA/Lighting Design.

Chris has designed the lighting for The Theatre School’s productions of Shipwrecked! and Celebration and assisted on A View From The Bridge. In Chicago, he was recently the assistant lighting designer for Marisol at The Artistic Home and the lighting advisor for The Four Twins at The Agency. In his hometown of Lynchburg, Virginia, Chris has designed for Forest DePaul University 5

BIOGR APHIES Dance Academy, Glass Theatre, and Virginia School of the Arts.

SAM HILLYER (Master Electrician), 3rd year BFA/Theatre Technology. Sam was raised in Connecticut and since moving to Chicago has worked with Lookingglass Theatre Company, Chicago Shakespeare Theater, Next Theatre, and many others. He serves as Technical Director for the newly formed DePaul Theatre Union. He spent this past summer working on theatrical automation systems for Fisher Technical Services in Las Vegas, Nevada.

SCOTT LEIGH NIELSEN (Sound Designer).

Scott is a musician and sound designer based in Chicago, Illinois. Scott has designed sound and composed original music for productions including The Master Builder (Yale Repertory Theatre), Waiting For Lefty (UCSD), The Robbers and Hamlet (Yale School of Drama), The People’s Four Seasons and Enter Love (Quest Theatre), Rantoul and Die and RIPPED: The Living Newspaper Project (American Blues Theater) and Be Aggressive (Yale Cabaret).

LIZ FIALA (Stage Manager), 3rd year BFA/ Stage Management. Liz Fiala is from St. Louis, Missouri. Her past credits at The Theatre School include Loose Knit (Stage Manager), A Raisin in the Sun (Asst. Stage Manager), Haroun and the Sea of Stories (Asst. Stage Manager), Hedda Gabler (Stage Manager), and Medea (Asst. Stage Manager). Community credits include St. Louis Dance Festival (Asst.

Stage Manager), Avalon Theatre Summer Cabaret Series (Stage Manager), Evanston Theatre Festival (Asst. Stage Manager), and Franz Fest (Floor Manager).

AMY FISK (Assistant Stage Manager), 3rd year BFA/Theatre Arts. Amy is from Kailua, Hawaii, where she has stage managed for the Hawaii Shakespeare Festival and the Hawaii Young Actors’ Ensemble. Amy is currently the stage manager for the Mile Walkers at DePaul University and was also assistant stage manager for Collaboraction Theatre Company and the Evanston Art Council. Theatre School credits include Much Ado About Nothing, The Skriker, and Romeo and Juliet.

DEXTER BULLARD (Director/Showcase Artistic Director/Head of Graduate Acting) Recent directing credits include Circle Mirror Transformation at Victory Gardens, The Big Meal at American Theatre Company, 6 DePaul University

Odradek at HOUSE Theatre, Mistakes Were Made Off-Broadway and at A Red Orchid Theatre, Reverie with Second City at The Just For Laughs Festival in Montreal, Lady at Rattlestick Playwrights Theatre OffBroadway, Gas for Less at the Goodman Theatre. In 2004, Dexter was awarded the Lucille Lortel Award for Outstanding Direction Off-Broadway for Tracy Letts’ Bug, as well as a Drama Desk Nomination for Outstanding Director. In 1995 Dexter co–founded Plasticene, whose critically– acclaimed experimental works have been featured in Chicago, Europe and New York City. With Plasticene, he has directed and collaboratively created over fourteen original works including The Palmer Raids (2003) and From A Fading Light (2010).

Since 1996, Dexter has directed and taught with The Second City, developing revues at both Chicago and Detroit. Back in 1990, Dexter founded The Next Lab at The Next Theatre where he directed Bouncers, for which he received a Jefferson Citation and an After Dark Award. He received his undergraduate degree in acting from Northwestern University and his MFA in Performance from The School of the Art Institute of Chicago.

JOHN CULBERT (Dean). In Chicago, John has designed scenery and/or lighting for the Buckingham Fountain, Lyric Opera of Chicago, Garfield Conservatory, Chicago Park District, Field Museum of Natural History, Goodman Theatre, Northlight Theatre, Lookingglass Theatre, Drury Lane Theatre, Chicago Children’s Theatre, Chicago Opera Theatre and more than thirty productions at Court Theatre. At the Court Theatre, he received several Joseph Jefferson nominations and a Jeff Award for The Triumph Of Love and will be designing lighting for Invisible Man and scenery for Angels in America. Other Chicago productions include Regina for the Lyric Opera of Chicago and A Year With Frog And Toad for Chicago Children’s Theatre. John has designed scenery and/or lighting for the Boston Lyric Opera, St. Louis Opera, Baton Rouge Opera, Southern Repertory, Cleveland Orchestra, McCarter Theatre and Bristol Riverside Theatre. At The Theatre School he has designed productions of The Misanthrope, Streetcar Named Desire, The Rose Tattoo, The Women, The Snow Queen, Rip Van Winkle and Stage Door.

The Theatre School’s 2011-2012 Season THE THEATRE SCHOOL SHOWCASE Intimate Apparel

by Lynn Nottage directed by Phyllis E. Griffin September 30 – October 9, 2011 (previews 9/28 & 9/29) A Lie of the Mind

by Sam Shepard directed by Carlos Murillo February 3 - 12, 2012 (previews 2/1 & 2/2) The Rivals

by Richard Brinsley Sheridan directed by Catherine Weidner April 13 - 22, 2012 (previews 4/11 & 4/12) MFA12, TBA

by Sarah Gubbins directed by Geoff Button An ensemble piece to be performed by MFA III actors.

May 11 - 20, 2012 (previews 5/9 & 5/10)

CHICAGO PLAYWORKS FOR FAMILIES AND YOUNG AUDIENCES The Witches

by Roald Dahl, adapted by David Wood directed by Ernie Nolan October 25 – December 3, 2011 Nancy Drew and the Sign of the Twisted Candles based on the book by Carolyn Keene adapted and directed by Damon Kiely January 14 – February 28, 2012 Barrio Grrrl! A Musical book and lyrics by Quiara Alegría Hudes music by Bill Sherman, directed by Lisa Portes musical direction by Mark Elliott March 27 – May 19, 2012

NEW DIRECTORS SERIES Faustus

by Christopher Marlowe, adapted by Rupert Goold and Ben Power directed by Krissy Vanderwarker November 4 – 13, 2011 (previews 11/2 & 11/3) Venus

by Suzan-Lori Parks directed by Reshmi Hazra February 10 – 19, 2012 (previews 2/8 & 2/9) NEW PLAYWRIGHTS SERIES The Death of Gaia Divine

by Jacob Shuler directed by John Jenkins May 4 – 13, 2012 (previews 5/2 & 5/3) DePaul University 7

T H E AT R E S C H O O L FAC U LT Y / S TA F F John Culbert – Dean Dean Corrin – Associate Dean Linda Buchanan – Associate Dean for Curricular Development Christine BInder – Chair, Design and Technical Theatre Barry Brunetti – Chair, Theatre Studies Trudie Kessler – Chair, Performance Department ADMINISTRATION Anna Ables — Director of Marketing and Public Relations Jason Beck — Director of Admissions Mitsu Beck – Executive Assistant John Bridges — Assistant Dean, Director of Administration, Alumni Relations Tessa Craib-Cox – Director of Development Anastasia Gonzalez – Budget Manager Joshua Mangilia - Technical Operations Manager Andrea Tichy — Manager of PR and Special Events Melissa Tropp – Admissions Assistant Jeanne Williams – Coordinator of Academic Services Dexter Zollicoffer – Diversity Advisor ACTING & DIRECTING Dexter Bullard – Head of Graduate Acting, Artistic Director/The Theatre School Showcase John Jenkins – Head of Undergraduate Acting Lisa Portes – Head of Directing, Artistic Director/Chicago Playworks Greg Allen Susan Messing Jane Drake Brody Matt Miller Linda Gillum Joseph Slowik, Noah Gregoropolous emeritus Nick Johne Ann Wakefield Damon Kiely Catherine Weidner MOVEMENT Patrice Egleston – Head of Movement Laura Dixon Julia Neary Gabriel Halpern Nick Sandys Pullin Natasha Julius Clifton Robinson Alie McManus Mary Schmich Kimosha Murphy Natalie Turner-Jones VOICE AND SPEECH Claudia Anderson – Head of Voice and Speech Eva Breneman Kathy Keyes Mark Elliott Jason Martin Phyllis E. Griffin Diane Robinson Trudie Kessler Phil Timberlake

Jeff Bauer John Boesche Rachel Healy Jason Knox

Jack K. Magaw Joe Nieminski Birgit RattenborgWise

TECHNICAL THEATRE Shane Kelly – Head of Theatre Technology Janet C. Messmer – Head of Costume Technology Narda E. Alcorn – Head of Stage Management Claude Binder Russell Poole Jason Brown Michael Rourke Richard Bynum Jim Savage David Castellanos Alden Vasquez Kevin Depinet Laura Whitlock David Naunton THEATRE STUDIES Barry Brunetti – Head of Theatre Arts Marcie McVay – Interim Head of Theatre Management Carlos Murillo – Head of Playwriting Alan Salzenstein – Head of Arts Leadership Rachel Shteir – Head of Dramaturgy Sharon Bridgeforth – Visiting Multicultural Faculty Memeber Suzanne Bizer Ernie Nolan Alan Donahue Bill O’Connor Criss Henderson Coya Paz-Brownrigg Jim Jensen Roche Schulfer Chris Jones Sandy Shinner Jan Kallish LIBERAL STUDIES Bea Bosco Lou Contey Shanesia Davis Jen Goode Carolyn Hoerdemann

Reggie Lawrence Dan Moser Chris Peak James Sherman Rachel Slavick

TECHNICAL STAFF So Hui Chong – Stitcher Tim Combs – Technical Director Chris Hofmann – Director of Production Jen Leahy – Reskin Technical Director Dawn G. McKesey – Assistant Costume Shop Manager Max Raynolds– Reskin Assistant Technical Director Aaron Pijanowski – Technical Assistant Gerry Reynolds – Scene Shop Foreman Ron Seeley – Master Electrician Wayne W. Smith – Property Master, Safety Officer Joanna White – Scenic Artist

DESIGN Christine Binder – Head of Lighting Design Linda Buchanan – Head of Scene Design Nan Cibula-Jenkins – Head of Costume Design Victoria DeIorio– Head of Sound Design Nan Zabriskie- Head of Make Up

For more information visit our website: http://theatreschool.depaul.

8 DePaul University

M E R L E R E S K I N T H E AT R E S TA F F Dean ....................................................................................................................................... John Culbert Theatre Manager ................................................................................................................ Leslie Shook Director of Marketing and Public Relations .................................................................Anna Ables Manager of Public Relations and Special Events ................................................... Andrea Tichy Marketing Assistants ............................................................... Meredith Matthews, Jenna Moran Webmaster .....................................................................................................................Joshua Maniglia Box Office Manager ...............................................................................................................Julia Curns Assistant Box Office Manager .................................................................................Stefanie Rahaim Ticket Agents ....................................................Brent Beavers, Michael Herring, Brandon Mack, Meghan Owen, Anastasia Schriber, Group Sales Representative ..................................................................................... Linda RM Jones Group Sales Assistants ................................................... Christopher Knoerzer, Shane Sweeney Administrative Assistant .......................................................................................................Liz Calvert Office Assistants ......................................................................... Meghan McDonald, Jourdi Waller Chicago Playworks House Manager ..................................................................... LaKisha Jackson Theatre School Showcase House Manager .................................................................... Alicia Graf Reskin Technical Director ......................................................................................................Jen Leahy Reskin Assistant Technical Director ...........................................................................Max Raynolds Technical Assistant ....................................................................................................Aaron Pijanowski Master Electrician .................................................................................................................. Ron Seeley

T H E T H E AT R E S C H O O L S T U D E N T WO R K E R S Faculty Assistants .......................................................... Brent Beavers, Belinda Bing, Todd Boger, Celeste Cooper, John Crosthwaite, Devon Doherty, Liz Fiala, Joseph Flynn, Reshmi Hazra, Emily Hitmar, Garvin Jellison, Toni Kendrick, Constance Lee, Jillian Rothman, Brae Singleton, Kelly Sloan, Krenee Tolson, Krissy Vanderwarker, Olivia Wallace Admissions Assistants ................................................. Nick Belley, Karly Bergmann, Taylor Blim, Anna Bosy, Dan Johnson, and Morgan Madison Administration Assistants ....................................Jacob Abbas, Olga Aguilar, Cameron Benoit, Meredith Boe, Mark Bonham, Bella Coelho, Brian Crawford, Pamela Davis, Caroline Donnelly, Rhiannon Falzone, Holly Haupert, Jerry Kurian, Mark Lancaster, Ariel Rubin, Brittany Squier, Suneel Tripuraneni, Jess Troy, Sean Wiberg Costume Shop .................................................................. Olivia Ball, Jessica Burgwald, Kara Dent, Constance Lee, Adrienne Littlefield, Chloe Patten, Taylor Payne, Elise Petrucci, Megan Turner Door Monitors ..........................................................Jacob Abbas, Lauren Genta, Lorena Gomez, Lauren Lundy, Morgan Madison, Ceci Settles Make Up Shop.................................................... Carmen Briwa, Jessica Burgwald, Dan Dvorkin, Kelsey Jorissen, Taylor Payne, Colin Sphar, Kristy Staky, Rose Streit, Megan Truscott, Williams Wever, Sarah Jo White Mat Cleaners ........................................Jared Green, Patricia Lavery, Manuel Ortiz, Sean Parris Prop Shop ......................................................................... Michael David, Toni Kenrick, Tierra Novy, Jillian Rothman, Megan Truscott, Rachel Watson Merle Reskin Theatre Crew ....................................... Chris Barker, Nicolas Belley, Belinda Bing, Rachel Claxton, Jean Compton, Maggy Grossbart, Sam Hillyer, Garvin Jellison, Rebecca Rowlett, Brae Singleton, Elizabeth Smith, Joe Watrach, Shawn Watson Scene Shop.............................................................. Ian Blinstrup, Quentin Brown, Kelly Claussen, William Deleguardia, Nicholas Fleming, Toni Kendrick, Alex Long, Andrew McCarthy, Claudia Peterson, Seth Randall-Tapply, Kyle Vanover, Anders Wahl, Shawn Watson, Jon Wolfer Studio Coordinators ...................................................................Matthew Baca, Elizabeth Thomas DePaul University 9

G E N E R A L I N F O R M AT I O N BOX OFFICE TELEPHONE (312) 922-1999 REGULAR BOX OFFICE HOURS Tuesday - Friday: 9 a.m. - 3 p.m.

PERFORMANCE BOX OFFICE HOURS Evening performance days: Open until 8 p.m.

Saturday matinee days: 10 a.m. - 2:30 p.m.

Sunday matinee days: 12 - 2:30 p.m.

NO SMOKING In compliance with the City of Chicago Clean Air Ordinance, smoking is prohibited in the Merle Reskin Theatre. We appreciate your cooperation.

EMERGENCY EXITS Please note the location of emergency exits in the theatre.

NO CELLULAR PHONES, TEXT MESSAGING, RECORDING DEVICES, PHOTOGRAPHY, PAGERS, FOOD AND BEVERAGES Please do not use the above listed items in the theatre. Patrons with electronic pagers or cellular telephones are asked to either turn off their equipment in the theatre or check them with the House Manager prior to curtain. We discourage text messaging during the performance. The light from the screen can bother other patrons. We allow photographs to be taken before and after but never during the performance. You may also check cameras and recording equipment with the House Manager who will secure them until final curtain.

As a special favor, we ask that young people do not chew gum. Water fountains are located in the lower lobby and in the lobbies of the mezzanine and balcony.

RESTROOMS Restrooms are located in the lower lobby, the mezzanine, and balcony. An accessible restroom is located on the main floor inside of the theatre.

LOST AND FOUND If you find an item or have lost an item, please contact the House Manager. You may also call (773) 325-7968 the next day to determine if an item has been found.

EMERGENCY TELEPHONE CALLS Patrons with electronic pagers are requested to either turn off their pagers in the theatre or check them with the House Manager prior to showtime. Should you need to give an emergency telephone number where you can be reached during a performance, please alert the House Manager of your seat location and give the Box Office telephone number for emergencies, (312) 922-1999. After Box Office hours, use (773) 325-7968 as an emergency number.

PARKING ARRANGEMENTS We have arrangements with two parking lots: Multi-Park, 635 S. Wabash at Balbo, and LAZ Parking, One East 8th Street at State. Please ask the Box Office for details about rates and payment.

SENNHEISER INFRA-RED LISTENING SYSTEM FOR OUR HEARING-IMPAIRED PATRONS We require the security deposit of a driver’s license or other identification during the performance. The I.D. will be returned when you return the headset.

LARGE PRINT PROGRAMS You may request a large print program from the ticket taker or the House Manager.

SIGN LANGUAGE INTERPRETING Selected performances at the Merle Reskin Theatre will be interpreted in American Sign Language. Call the Box Office or see the website for the schedule.

OTHER ACCOMMODATIONS Please alert us to anything you may require when you attend performances. We will do our best to assist you.

10 DePaul University

T H E T H E AT R E S C H O O L AT D E PAU L U N I V E R S I T Y Mission Statement The Theatre School at DePaul University educates, trains, and inspires students of theatre in a conservatory setting that is rigorous, disciplined, culturally diverse, and that strives for the highest level of professional skill and artistry.

A commitment to diversity and equality in education is central to our mission. As an integral part of the training, The Theatre School produces public programs and performances from a wide repertoire of classic, contemporary, and original plays that challenge, entertain, and stimulate the imagination. We seek to enhance the intellectual and cultural life of our university community, our city, and the profession. For admissions information, telephone (773) 325-7999 or 1-800-4-DEPAUL. Chicago Playworks for Families and Young Audiences Chicago Playworks offers a live theatre experience to students, teachers and parents in the Chicago metropolitan area. It is our mission to provide theatre for children that reflects their experiences in a contemporary, multi-ethnic, urban environment.

Founded as the Goodman Children’s Theatre in 1925, Chicago Playworks is the city’s oldest continuously operating children’s theatre. It has been the first theatre experience for audiences of Chicago’s young people for more than eight decades and was one of the first major theatres for children in the United States. In 1997 and again in 2003, Chicago Playworks was honored by the Illinois Theatre Association with the Children’s Theatre Division Award, for its outstanding long-term contribution to children’s theatre. In 1980, Chicago Playworks was awarded the prestigious Sara Spencer Award by the Children’s Theatre Association of America (now the American Alliance for Theatre and Education).

Chicago Playworks is a vital aspect of the training at The Theatre School at DePaul University. Students gain pre-professional experience in an extended run before a most demanding and appreciative audience. Chicago Playworks presents three unique productions to more than 30,000 young people each season and has entertained more than 1 million schoolchildren and families since 1925.

The Theatre School Showcase Contemporary Plays and Classics Presenting diverse and exciting productions, The Theatre School Showcase blends imagination and cultural impact with three plays, and rounds-out the season with a fourth production featuring the graduating MFA in Acting candidates. The Theatre School Showcase offers a unique opportunity to see tomorrow’s industry leaders today, by introducing the raw creativity and dedicated collaborations of artists at the beginning of their careers. Their work is powerful, imaginative, and new.

Merle Reskin Theatre DePaul’s Historic Merle Reskin Theatre, built as the Blackstone Theatre in 1910, was designed by Chicago architects Marshall & Fox. The stone façade and mansard roof of the Beaux-Arts style building have been modified only slightly over the years. The interior finish of French walnut and gold was designed by Plamondon & Tetze to give the appearance of a European opera house. Prior to DePaul’s purchase of the theatre in 1988, it had been home to vaudeville, the Federal Theatre Project and the touring productions of the Shubert Organization. The Theatre School brings an audience of more than 35,000 people to the theatre each season.

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T H E T H E AT R E S C H O O L B OA R D Sustaining Members Patricia Costello Slovak, Chair Sondra Healy, Chair Emeritus Joseph Antunovich Kathleen M. Bette Mary Spalding Burns Kyle DeSantis David Dunning James Fitzpatrick John M. Lenckos Catherine McBreen Don McLean Irene Michaels

Carol Morse Penny Obenshain Vonita Reescer Merle Reskin John Samolis Msgr. Kenneth Velo

Paula Lisbe Amy K. Pietz John C. Reilly Bernard Sahlins Charlayne Woodard Dennis Zacek

Professional Associates Scott L. Ellis, Hon. CoChair Samantha Falbe Scott Falbe Zach Helm Criss Henderson Paul Konrad

Honorary Board Dr. John Ransford Watts, Dean Emeritus Dr. Bella Itkin-Konrath, Faculty Emeritus (dec.)

Joseph Slowik, Faculty Emeritus Lord Piers Wedgwood

D E PAU L U N I V E R S I T Y A L U M N I The Office of Alumni Relations provides many opportunities to help graduates maintain a lifelong connection to classmates and the university. Alumni can connect with current students, participate in volunteer opportunities and attend a variety of events and programs throughout the year and across the country. For more information about the alumni community, please visit alumni.depaul.edu or call (800) 437-1898.

DONORS Listings in the honor roll reflect contributions and pledge payments made to The Theatre School between July 1, 2010 and June 30, 2011.

Gifts of $1,000 and above annually qualify for membership in the President’s Club, DePaul’s honor society of donors. The President’s Club comprises giving circles named for former university presidents. *$1,000,000 lifetime giving + Donor has made a special philanthropic pledge to DePaul University between July 1, 2010 and June 30, 2011 ~ Denotes President’s Club membership, Vincentian Circle, for cumulative giving to DePaul between July 1, 2010 and June 30, 2011 $25,000-$49,999 Fr. Levan Circle Gerhard Bette & Kathleen Bette Lawrence Bundschu *Richard H. Driehaus Charitable Lead Trust *Richard Driehaus (Life Trustee), COM ‘65; MBA ‘70; DHL ‘02 & Inese Romanovska *PNC Bancorp, Inc. Michael Sacks & Cari Sacks 12 DePaul University

$10,000-$24,999 Fr. Corcoran Circle Anonymous (3) Antunovich & Associates Joseph Antunovich & Leslie Antunovich Bob Arthur +~Joseph Burns & Mary Burns ComEd - an Exelon Company *Philip H. Corboy Foundation

*Mary Dempsey (Trustee), JD ‘82 & Philip Corboy Sr. Scott Ellis, GSD ‘78 Exelon Corporation Geico *Sondra Healy, GSD ‘64 (Life Trustee) & Denis Healy Rev. Dennis Holtschneider, C.M., EdD (Trustee) MBIA Foundation, Inc. PNC Foundation

DONORS RCN Telecom Services of Illinois, LLC *Merle Reskin Trisha Rooney-Alden Claire Rosen & Samuel Edes Foundation John Samolis Jeanne Scoby *Rev. Charles Shelby, C.M., MS ‘72 $5,000-$9,999 Fr. O’Connell Circle Bank of America Bulley & Andrews, LLC Chicago Drama League Julie Danis Samantha Falbe, THE ‘98 & Scott Falbe Jennifer Faron, COM ‘94; MBA ‘05 & Michael Faron Fifth Third Bank Illinois Tool Works, Inc. +Robert Janis, SNL ‘82; MS ‘86 & Nancy Rick-Janis, MBA ‘93 John Lenckos Carol Morse +Northern Trust Corporation ~William Obenshain & Penny Obenshain Andrea Saccone Sarah Siddons Society, Inc. Stephen Sever, LAS ‘73 ~Patricia Slovak Staples, Inc. W. E. O’Neil Construction Co. $2,500-$4,999 Fr. O’Malley Circle Emma Byrne Patricia Cox Kitty Culbert, MED ‘04 & John Culbert Shawn Donnelley ~David Dunning & Toni Dunning Mark Evans *Fidelity Charitable Gift Fund

Hackberry Endowment Partners Bob & Linda Kozoman Jay Krehbiel Judd Malkin National Restoration Systems, Inc. Northern Trust Charitable Giving Program Schiff Hardin, LLP Robert Shook, GSD ‘72 & Leslie Shook Richard Sieracki & Linda Sieracki John Simon (Trustee), JD ‘67 & Millie Simon Thornton-Tomasetti Group, Inc. Ted Wass, GSD ‘75 $1,000-$2,499 Vincentian Circle Anonymous (2) Teresa Aguilera, THE ‘98 Ariel Investments, LLC Mr. & Mrs. Norman Bobins Steven Boulukos Deborah Bricker Richard Bull, GSD ‘49 & Barbara Bull, GSD Paul J. Byrne, MFA ‘99 & Jaime Byrne Cannon Design Chapman and Cutler, LLP Joyce Chelberg *Robert Clifford (Life Trustee), COM ‘73; JD ‘76; LLD ‘03 & Joan Clifford, EDU ‘72 Nora Conroy Tessa Craib-Cox Carole Doris, JD ‘76 & Dr. Peter Doris Edgewater Management, Inc. William Farley & Shelley Farley Stanley Freehling & Joan Freehling (dec.)

Jim Gordon Sheldon Holzman, CPA, COM ‘72 William Ibe, LAS ‘80 J. C. Anderson, Inc.

Anthony Johnson, THE ‘95 & Candace Johnson Whitney Lasky Bruce Lee Liam Ventures, Inc. Robin Loewenberg Berger James Loewenberg & Nancy Loewenberg James Luebchow Magellan Development Group, LLC Don McLean Mary Pritzker PSEG The Robert Thomas Bobins Foundation Rosemary Schnell Segal Family Foundation Gordon Segal & Carole Segal Charles Smith Susan Vargo, THE ‘98 Monsignor Kenneth Velo Dia Weil (Trustee) & Edward Weil Jr. $500-$999 Anonymous (1) James Botana, JD ‘92 ~Russell Bruzek, GSD ‘64 Mayor Richard Daley, LAS ‘65; JD ‘68; LLD ‘90 & Margaret Daley Mr. & Mrs. Nick Etten David Fares, JD ‘79 Herbert Felsenfeld, GSD ‘63; GSD ‘65 Ruth Ann Gillis ~Howard Goss (Life Trustee), COM ‘56; DHL ‘05 & Roberta Goss Arny Granat Josh Grossman ~Mark L. Hawkins, COM ‘01; MBA ‘06 Denis Healy Jr. Jewish Community Endowment Fund Rick Kash, LAS ‘68 & Jane Gardner, MS ‘83 K-Five Construction Corp.

Rachel Kraft Virginia Larson Don Livesay DePaul University 13

DONORS Margaret Lombardo Gadi Maier & Marlene Maier Dawn McKesey ~Gerald McLaughlin Irene Michaels ~Elizabeth Soete & Ray Narducy Terry Newman, JD ‘77 Grant and Margi Palmer The Peoples Gas Light & Coke, Inc. Prof. Decorating & Painting, Inc. John & Naomi Reese Gregory Reger, COM ‘73 Bernard Sahlins & Jane Sahlins Schuler & Shook, Inc. Roche Schulfer Maureen Huntley, GSD ‘82 & Paul Sheahen ~Samuel Skinner, JD ‘66; LLD ‘90; DHL ‘06 Dean Taucher, GSD ‘76 Weiss & Company, LLP ~Phil Varchetta, COM ‘49 Dennis Zacek, LAS ‘63 & Marcie McVay $250-$499 Anonymous (1) Thomas Amandes, GSD ‘81 Bank of America Charitable Gift Fund Rebecca Borczon, GSD ‘78 Gisela Brodin-Brosnan Linda Buchanan Robert Buddig & Mary Ryan Buddig Dean Corrin Benjamin Cox & Tricia Cox ~Felicia Filbin, LAS ‘81 James Fitzpatrick John Hart & Carol Prins Edward Horner Jr. Charles Huebner & Caroline Huebner Rodney Hunter, THE ‘97 & John Molesky James Jensen The Jessica Fund Paul P. Klug, Inc. Paul Klug 14 DePaul University

~Kellen Krause, THE ‘10 +~Dr. Richard Meister & Joan Meister Janet Messmer David Mold, MFA ‘97 Dan O’Donnell & Kathy O’Donnell Homi Patel Benjamin Rose & Ellen Rose Richard Samuels ~Gary Schreiber, MBA ‘92 & Huguette Schreiber Catherine Weidner $100-$249 Anonymous (1) A.G.Z., Inc. Patrizia Acerra Matthew Andresen & Teresa Andresen Jason Beck, THE ‘98 & Jennifer Gee, MED ‘07 John Bridges Mark & Linda Burns Rob Chambers, MFA ‘93 John Chenault, GSD Corrigan Moving Systems Nancy Costikyan, GSD ‘78 Michael Dry & Joan Dry Eric & Rita Fridman Charles Gerace, GSD ‘66 & Brigid Gerace, GSD ‘65 Joe & Robyn Chew-Gibbs Gilbert Gonzalez & Anastasia Gonzalez Nancy Greer Joanna Haerle, SNL ‘97 Sara Hays & John Mitchell Paul Hellermann Todd Hensley William Hollis, GSD ‘76 & Coleen Maloney-Hollis, GSD ‘76 Dr. Donald Ilko Jam Theatricals, Ltd. Jim Jankowski John Jenkins & Nan Cibula-Jenkins David Keeling Shane Kelly ~Tracy Krauchun, SNL ‘05; MS ‘10 Charles Letts, GSD ‘73 Susan O’Brien Lyons

Denise McCauley, GSD ‘83 William McKenna & Marilyn McKenna Cynthia McWilliams, THE ‘03 Jack Million, GSD ‘61 & Sarah Million, GSD Carlos Murillo & Elizabeth Portes Ernest Nolan, MFA ‘04 Matthew Nygaard Richard Pierrelouis, THE ‘03 June Podagrasi Lindy Russell-Heymann, THE ‘00 Alan Salzenstein Barbara Schaffer James Sieracki & Linda Sieracki Steven Sieracki & Mary Sieracki Kevin Slaughter, GSD ‘79 Joseph Slowik, GSD ‘53 & Patricia Slowik Keith Smith, THE ‘89 Dr. Ann Stanford Karen Thurston, THE ‘89 Tolucan Times Steven Traxler Jackie VanZant Kevin White, THE ‘86; CMN ‘88 Jann Wilson, THE ‘02 Bonnie Zimmer Adrian Zmed, GSD ‘76 Matching Gifts MBIA Foundation, Inc. PSEG The Peoples Gas Light & Coke, Inc.

S C H O L A R S H I P I N F O R M AT I O N A priority at The Theatre School is to make sure any student who has the talent to be admitted to our conservatory training program, can attend regardless of their financial means. For the vast majority of our students, pursuing their passion for the theatre profession is a financial struggle. We work hard every year to make funding available to help our students reach their professional goals.

NEW ENDOWED AND EXPENDABLE SCHOLASHIPS The total in endowed scholarship accounts is $1,997,080.81.

EXPENDABLE SCHOLARSHIPS The Gala Live Auction at The Theatre School Gala added another 5 expendable $10K scholarships to be awarded in the 2010-11 academic year. Donors: Joseph and Leslie Antunovich Sondra and Denis Healy A scholarship in memory of Deborah Ann Goldwater John Simon and Millie Rosenbloom Richard Driehause The Evans, Kozoman and Obenshain Scholarship DONATIONS TO EXISTING SCHOLARSHIPS Merle Reskin made a $15,000 pledge payment to the Merle Reskin Endowed Scholarship.

Alum Scott Ellis made a pledge payment of $10,000 to the Joseph Slowik Scholarship and to an expendable scholarship for 10-11.

Alum Robert Shook and Leslie Shook made a pledge payment to the Lighting Design Scholarship.

Andrea Ganzel Saccone made an additional gift to the Mark Ganzel Memorial Scholarship.

Gerald McLaughlin made additional gifts to the Michael Maggio Endowed Scholarship.

The following alums and friends made donations to the Itkin and Slowik Endowed scholarships: Becky Borczon, Richard and Barbara Bull, John Castaneda, Nancy Costikyan, Tessa Craib-Cox, Joan and Michael Dry, Herbert Felsenfeld, Al Fenske, Charles Gerace and Brigid Duffy Gerace, Michelle Gross and Betty Bayard, Patricia and Christopher Hoffman, William Hollis and Coleen Maloney-Hollis, Christina James, Sandi Juhlin, , Betty Martinez , Denise McCauley, William McDonnell, Dawn McKesey, Cynthia McWilliams, Janet Messmer, Mr. and Mrs. Jack Million, Jeffrey Neal, Rich Pierrelouis, James Rau, Kenneth Ruta , Maureen Huntley Sheahen and Paul Sheahen, Robert and Leslie Shook, Carlo da Silva, Kevin Slaughter, Ted Wass, Kevin White, Jann Wilson.

If you are interested in making a gift to support student scholarships or a program at The Theatre School, please call Tessa Craib-Cox, Director of Development at 773-325-7929

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A L U M N I FAC T S Participation: Over 700 alumni were listed in Theatre School News during its ninth year of production. TSN is an electronic alumni activity newsletter published monthly (except July).

Though originally created as a vehicle to communicate alumni activities among alumni, it is now also used for admissions, recruitment, fund raising, advertising and promotion. It is also responsible for gradually increasing the number of alumni within the school’s database with active electronic and snail-mail addresses and phone numbers. The statistics below are based on issues between August 2009 and June 2010. http://theatreschool.depaul.edu/tsn The listings included the following selected alumni activities:  Alumni worked at 147 different Chicagoland area theatre companies including Chicago Shakespeare, Goodman, Victory Gardens, Steppenwolf, TimeLine, Next Theatre and The Second City.  Alumni worked at 58 different theatre and film festivals internationally including West Hollywood International Film Festival, Cannes Film Festival, Williamstown Theatre Festival, the 45th Annual Chicago International Film Festival, Chicago Humanities Festival, Just For Laughs Festival, NYC SketchFest, 2010 Latino Theatre Festival, Femme International Film Festival, San Francisco Film Festival and countless Shakespeare Festivals across the country.  Alumni have worked at 87 different schools including Yale, USC, Harvard, The Art Institute of Chicago, University of Michigan, Columbia University, NYU, Walter Payton College Prep, Columbia College, Notre Dame, Old Town School of Folk Music, SUNY Purchase, Steppenwolf School, and The American Film Institute  Alumni worked on 35 Broadway/touring shows including Billy Elliot, The Addams Family, August: Osage County, Dreamgirls, Spider Man- Turn off the Dark, In the Heights, The Miracle Worker, Fences, The Lion King, Wicked, A Chorus Line, Mary Poppins, Legally Blonde, Chicago, Xanadu, West Side Story, The Color Purple, Ain’t Misbehavin’ and Jersey Boys  Alumni worked at 61 other theatres in the New York area.  Alumni worked at 49 different theatres in California.  Alumni worked in 38 different states.  Alumni worked in 21 countries other than the United States including Brazil, Canada, China, England, France, Germany, Holland, Honduras, Japan, Korea, Nigeria, Peru, Serbia, Singapore, South Africa, Sri Lanka and Sweden  Alumni worked on 104 films this year including 500 Days of Summer, Alice in Wonderland, Cedar Rapids, Cirque du Freak, Columbus Day, Familiar Strangers, Grown Ups, Hannah Free, International Departures, Lonely Street, Love and Other Drugs, Marmaduke, Moby Dick, Nine, Public Enemies, Step Brothers, Up in the Air  Alumni worked on 394 theatre productions.  Alumni worked on more than 32 different television channels ABC, Bravo, CBS, NBC, VHI, HBO, CW, MTV, Showtime and Fox, on 85 different programs including 90210, All My Children, Bones, Burn Notice, Castle, Criminal Minds, CSI, Damages, Dexter, Flash Forward, Glee, Hannah Montana, Hawthorne, Heroes, Law and Order: Criminal Intent, Lost, Modern Family, Nip/Tuck, Nurse Jackie, The Middle, The Office, The Oprah Winfrey Show, The Real Housewives of NYC, The View, True Blood, Weeds  Alumni have multiple television shows in syndication or online including Arrested Development, Mad About You, Babylon-5, Providence, Early Edition and The X-Files.  Alumni worked on 30 commercials or voiceovers for products including A1 Steaksauce, AT&T, Budweiser, Cold Stone Creamery, Comcast, Home Run Pizza, Johnsonville Sausages, KFC, Red Lobster, Target, Union Bank and Whirpool.  Alumni worked at more than 30 production companies including Fox Searchlight Productions, Miramax Films, Paramount Vantage, Showman, Spyglass Entertainment, Starmaker Group, Tribeca Productions, Universal Pictures and Walt Disney Pictures.  55 alumni are Artistic or Co-Artistic Directors of theatres.  Alumni were featured in numerous articles in publications including USA Today, The New York Times, Entertainment Weekly, Chicago Tribune, Chicago Reader, Chicago Magazine, Chicago Sun-Times, Time Out Chicago, American Theatre Magazine, PerformInk and the Washington Post.  Alumni were recognized with 37 awards or award nominations, including GLAAD Media Award, Joseph Jefferson Awards, Emmy’s Awards, Joseph Jefferson Citations, J. Williams Fullbright Foreign Scholarship, Black Theatre Alliance Awards, The 1st Annual New York Times Outstanding Playwright Award, and Tony Awards.

Mini Versions of Theatre School News: Mini versions of Theatre School News were created for each admissions‑related festival, conference and open house, and for the eight regional audition/ interview locations.

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