MKE Rep - Woody Sez

Patty and Jay Baker Theater Complex Stackner Cabaret Mark Clements Artistic Director

Chad Bauman Managing Director

Devised by

David M. Lutken with Nick Corley and Darcie Deaville, Helen Jean Russell and Andy Teirstein Wayne and Kristine Lueders, Associate Producers

Directed by

Nick Corley Music Director

DAVID M. LUTKEN* Lighting Designer

CHARLES COOPER Directing Intern

FRANK HONTS Costume Director

MARY FOLINO Properties Director

JAMES GUY

Scenic Designer

LUKE HEGEL-CANTARELLA Sound Designer

BARRY G. FUNDERBURG Production Manager

MELISSA VARTANIAN-MIKAELIAN

Costume Designer

JEFFERY MEEK Stage Manager

LAURA F. WENDT* Technical Director

TYLER SMITH

Lighting & Video Director

Interim Sound Director

Assistant Properies Director

Charge Scenic Artist

RYAN BERTELSON ANNA WARREN

ERIN PAIGE

JIM MEDVED

Originally produced as part of the Edinburgh Festival Fringe 2007, by The Melting Pot Theatre and Paul Lucas Productions, by special arrangement with Mary and Pierre Cossette.

First American production at the Lyric Theatre, Oklahoma City, 2009.

West End premiere, The Arts Theatre, Leicester Square, 2011, by Mary Cossette Productions. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The videotaping or other video or audio recording of this production is strictly prohibited.

Woody Sez –

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CAST LIST David M. Lutken * David Finch * Leenya Rideout * Helen Jean Russell * Understudies: Kevin Barry Crowley, Patrick Budde, Elyse Edelman *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

This production will have one intermission.

A N O T E A B O U T WO O DY G U T H R I E WOODY GUTHRIE IS AMERICA’S BEST-KNOWN, important, influential, obscure, protest folksong writer. Most folks don’t know his name or his story but many recognize his songs. A man very much of his time and place, his books, essays, articles, poems, scribbled observations, letters, lyrics and over a thousand songs contain volumes both topical and timeless, introspective and universal.

He came from Oklahoma in the American Great Plains, the son of an up-and-down land speculator, part-time politician/merchant, and the beautiful but troubled daughter of a pioneer school marm, both of ScotsIrish descent. His father named him in honor of the then-democratic presidential nominee, Woodrow Wilson.

Woody’s songs and his message stand on their own. The local and world events that surrounded his life produced his politics and his rustic philosophy. Molded in the very American manner of Mark Twain and fellow Oklahoman Will Rogers (both avid banjo players), Woody’s ironic humor and pointed social commentary are either more hard-edged and less worldly and intelligent, or farther ahead of their time depending on your point of view. It is his personal history, his restless, tragic, prodigal, triumphant, gut-wrenching and defiant life that gives astonishing depth and dimension to his achievements and his famous obscurity.

Woody was always determined and hopeful, even through his stubborn orneriness. He was a Homeric figure— a soldier engaged in a never-ending siege against those who abused their power, and on behalf of those with only the power of their spirit and voices, ever yearning to set off for the next and newest site of conflict. Throughout his short life, and for as long as he could continue during his last years as he gradually succumbed to Huntington’s disease, Woody sought to make himself the voice of the common people; to sing their thoughts, desires and accumulated wisdom.

His own life story is the catalyst that brings his elemental art into a singular and progressively less obscure light.

— David M. Lutken 3

– Woody Sez

WO O DY S E Z S O N G L I S T ACT I

THIS TRAIN IS BOUND FOR GLORY.............................................................................. Company TALKIN’ NEW YORK CITY, 1940...............................................................................................David WHY DO YOU STAND THERE IN THE RAIN.......................................................................David NICKEL, NICKEL......................................................................................................... Leenya & Helen THIS LAND IS YOUR LAND........................................................................................................David THE BALLAD OF TOM JOAD................................................................................................. Leenya GYPSY DAVEY................................................................................................................ Helen & David JACKHAMMER JOHN..................................................................................Finch, Leenya & Helen I RIDE AN OLD PAINT................................................................................................. Finch & David CURLY HEADED BABY.............................................................................. Helen, David & Leenya MULE SKINNER BLUES.................................................................................David, Helen & Finch OKLAHOMA HILLS................................................................................................................ Company SO LONG IT’S BEEN GOOD TO KNOW YUH........................................................................ Company TALKIN’ DUST BOWL................................................................................................................... Finch DUST STORM DISASTER.............................................................................................................David THIS TRAIN IS BOUND FOR GLORY (Reprise).................................................................... Company DO RE MI................................................................................................................................... Company JOLLY BANKER.......................................................................................................... David & Leenya INTERNATIONALE................................................................................................................. Company I’VE GOT TO KNOW / WHY DO YOU STAND THERE IN THE RAIN (Reprise)................................................................................................................... David & Company

ACT II

I AIN’T GOT NO HOME................................................................................................................David THE BALLAD OF TOM JOAD (REPRISE).......................................................................... Leenya I RIDE AN OLD PAINT (Reprise)...................................................................................... Company COLUMBUS STOCKADE.......................................................................................... Helen & Leenya GOING DOWN THAT ROAD FEELIN’ BAD....................................................... Helen, Leenya & Finch PASTURES OF PLENTY...................................................................................... David & Company GROUNDHOG.......................................................................................................................... Company VIGILANTE MAN........................................................................................................... Finch & David UNION MAID...........................................................................................Leenya, Helen & Company SINKING OF THE REUBEN JAMES................................................................................. Company TALKING MERCHANT MARINE............................................................................................. Leenya BIGGEST THING THAT MAN HAS EVER DONE........................................................................ Company DU, DU....................................................................................................................................................................... Helen RIDING IN MY CAR............................................................................................... David & Company THEM OLD COTTONFIELDS BACK HOME................................................................... Company THIS LAND IS YOUR LAND (Reprise)........................................................... David & Company THIS TRAIN IS BOUND FOR GLORY Adapted by Woody Guthrie. © 1958 (renewed) by Woody Guthrie Publications, Inc. | WHY DO YOU STAND THERE IN THE RAIN Words & Music by Woody Guthrie. TRO © 1975 by Ludlow Music, Inc. | NICKEL, NICKEL By Alan Bradley Kent & Austen Herbert Croom-Johnson. © 1939 General Publishing Group, Los Angeles, CA | THIS LAND IS YOUR LAND By Woody Guthrie. TRO© 1956, 1958 (renewed) by Ludlow Music, Inc. | THE BALLAD OF TOM JOAD By Woody Guthrie. TRO © 1960, 1963 (renewed) by Ludlow Music, Inc. | GYPSY DAVY New Words and Music Adaptation by Woody Guthrie. TRO © 1961 (renewed) by Ludlow Music, Inc. | JACKHAMMER JOHN By Woody Guthrie. TRO © 1961, 1963 (renewed) by Ludlow Music, Inc. | I RIDE AN OLD PAINT Traditional. Words adapted by Woody Guthrie | CURLY HEADED BABY By Woody Guthrie. TRO © 1956, 1958 (renewed) by Folkways Music Publishers, Inc. | MULE SKINNER BLUES Traditional. Arranged by David M. Lutken | OKLAHOMA HILLS By Woody Guthrie and Jack Guthrie. © 1945 (renewed) by Michael Goldsen Music, Inc. | SO LONG IT’S BEEN GOOD TO KNOW YUH By Woody Guthrie. TRO © 1940, 1950 (renewed) by Folkways Music Publishers, Inc. | TALKIN’ DUST BOWL By Woody Guthrie. TRO © 1960, 1963 (renewed)

by Ludlow Music, Inc. | DUST STORM DISASTER By Woody Guthrie. TRO © 1960, 1963 (renewed) by Ludlow Music, Inc. | DO RE MI By Woody Guthrie. TRO © 1961, 1963 (renewed) by Ludlow Music, Inc. | JOLLY BANKER By Woody Guthrie. © 1964 (renewed) by Woody Guthrie Publications, Inc. | INTERNATIONALE Words by Eugene Pottier. Music by Pierre Degeyter. © Alistair Hulett | I’VE GOT TO KNOW Words and Music by Woody Guthrie. © 1963 (renewed) by TRO-Ludlow Music, Inc. | I AIN’T GOT NO HOME Words and Music

by Woody Guthrie. © 1961 (renewed) and 1963 (renewed) by TRO-Ludlow Music, Inc. | COLUMBUS STOCKADE Adapted by Woody Guthrie. TRO © 1974, 1977 by Ludlow Music, Inc. | GOING DOWN THAT ROAD FEELIN’ BAD By Woody Guthrie and Lee Hays. TRO © 1960 (renewed) by Hollis Music, Inc. | PASTURES OF PLENTY By Woody Guthrie. TRO © 1960, 1963 (renewed) by Ludlow Music, Inc. | GROUNDHOG Traditional. Arranged by David M. Lutken | VIGILANTE MAN By Woody Guthrie. TRO © 1961, 1963 (renewed) by Ludlow Music, Inc. | UNION MAID By Woody Guthrie. TRO © 1961 (renewed) by Ludlow Music, Inc. | SINKING OF THE REUBEN JAMES By Woody Guthrie. © 1942 (renewed) by MCA Music Publishers c/o Universal Music | TALKING MERCHANT MARINE By Woody Guthrie. © 1958 (renewed) by Sanga Music, Inc. | BIGGEST THING THAT MAN HAS EVER DONE By Woody Guthrie. TRO © 1961 (renewed) by Ludlow Music, Inc. | RIDING IN MY CAR By Woody Guthrie. TRO © 1948 (renewed) by Folkways Music Publishers, Inc. | THEM OLD COTTON FIELDS BACK HOME By Huddie Ledbetter. Published by TRO—The Richmond Organization Quotes by Woody Guthrie. (c) 1958 (renewed) by Woody Guthrie Publications, Inc. Excerpts taken from Woody Sez, American Folk Song and Bound for Glory by Woody Guthrie and From California to the New York Island by Millard Lampell. WOODY SEZ is fully protected by copyright. It may not be acted by professionals or amateurs without formal permission and the payment of a royalty. All rights, including professional, amateur, stock, radio and television, broadcasting, motion picture, recitation, lecturing, public reading, recording and the rights of translation into foreign languages are reserved. All inquiries should be sent via e-mail to: WoodySezNYC@aol.com or mbw@mbwent. com. TALKIN’ NEW YORK CITY, 1940 By Woody Guthrie © 1943 (renewed) by Woody Guthrie Publications, Inc. DU,DU, Traditional Palestinian tune. Lyrics by Aliza Greenblatt.

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A RTISTIC DIR ECTOR NOTE Welcome!

Thank you for joining us for Woody Sez: The Life and Music of Woody Guthrie.

Since my first season here at Milwaukee Rep in 2010, I have been interested in exploring Woody Guthrie as a subject matter for inclusion in a Stackner Cabaret season. Woody Guthrie’s melodic canon of work still has resonance in this day and age, and his iconic songs to my mind still capture the true spirit and ethos of what it is to be an American, in equally powerful ways today as it was during his life time: “This land is your land, this land is my land This land was made for you and me”

I had the good fortune last year to see David Lutken’s, Jeff Award winning, Woody Sez at Northlight Theatre in Chicago, and felt the whole cast and production captured the spirit of Woody Guthrie’s music amazingly well, whilst creating an evening of great storytelling and celebratory theatre. So much so, I decided that this was a must see for Milwaukee audiences and I am delighted to welcome David Lutken and his original team of brilliant multi instrumentalists to recreate the show for us here in the intimacy of the Stackner Cabaret.

I hope you enjoy this evening as much as I do.

Cheers, Mark Clements

The Trusted Name

Quality REPutation enjoy the 5

– Woody Sez

show!

since 1956

C A S T A N D C R E AT V I E T E A M B I O G R A P H I E S David M. Lutken, Deviser/ Music Director David studied at London’s Webber Douglas Academy of Dramatic Arts.

He has performed in Europe, Israel, the United Kingdom, at Lincoln Center, the 92nd Street Y and Carnegie Hall. He made his West End debut with Woody Sez (2011 London Evening Standard nominee, Best Musical). Broadway: Inherit the Wing, Ring of Fire, The Civil War and The Will Rogers Follies.

Off-Broadway: Southern Comfort, Stars in Your Eyes, The Portable Pioneer and Prairie Show, Woody Guthrie’s American Song and Winter Man. Regional theater: (U.K.) Dark of the Moon, Bonnie and Clyde and A Month in the Country. (U.S.) Man of La Mancha, Elmer Gantry, Finian’s Rainbow, Big River, Pump Boys and Dinettes, The Love List, Death in England, On Golden Pond, The Man Who Came to Dinner, Fire on the Mountain, Stand by Your Man and In the Deep Heart’s Core. For his role in Woody Sez, David received both the 2013 Helen Hayes Award and Joseph Jefferson awards for Best Actor.

David Finch, David is an actor/ musician based in Brooklyn, New York.

He has performed with Alan Cumming, Serj Tankian, Tony Bennett, Amanda Palmer and Dee Snider, among others, in venues ranging from Lincoln Center to San Francisco’s Castro Theatre. A cast member of the Tony award-winning revival of Cabaret, he performed on Broadway at Studio 54 and toured the U.S., Canada and Japan. He made his West End debut with Evening Standard Best Musical

nominee Woody Sez. Off- Broadway credits include Fame on 42nd Street and the New York premiere of Tennessee Williams’ Spring Storm.

He toured Europe, the U.S. and Canada with Fame the Musical, and had performed regionally in most of the U.S. Finch was an Associate Producer at Broadway Cares/Equity Fights AIDS in New York from 2004 to 2006. His CD The Fiddle Made Me Do It is available on iTunes. He is also Co-Creator and Musical Supervisor of Careless Love: A Down Home Musical. Please visit his website www. dhfinch.com Leenya Rideout, Broadway: War Horse; Cyrano de Bergerac (w/ Kevin Kline); Company (Jenny); and Cabaret. Off-Broadway: Yiddle with a Fiddle, American Jewish Theatre; The Portable Pioneer and Prairie Show, Melting Pot Theatre Company; and Cowgirls, Minetta Lane Theatre. Regional: The Last of the Red Hot Lovers and Gypsy, Hangar Theatre; Holidays with the Chalks, Alliance Theater; Merrily We Roll Along (Gussie), Cincinnati Playhouse in the Park; Man of La Mancha (Aldonza), ACCC; Cardenio, American Repertory Theater; Summer of 42, Mill Mountain Theatre; The Canterbury Tales, Guthrie Theater; Guys and Dolls (Sarah), North Carolina Theatre; Avenue X, Cincinnati Playhouse in the Park; and Honky Tonk Highway, Florida Studio Theatre. International Tour: My Fair Lady (Eliza). Film: Mona Lisa Smile; Loser; and Bittersweet. Television/Radio: Company (PBS); Cyrano de Bergerac (PBS); My Favorite Broadway (PBS); Nashville Star (USA Network), Jerry Lee Lewis Telethon, and Selected Shorts (NPR). Concert: Sondheim Unplugged (54 Below); Wall to Wall Woody Sez –

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C A S T A N D C R E AT I V E T E A M B I O G R A P H I E S Broadway (Symphony Space); Nothing Like a Dame 2007; and Bringing Broadway Back Home (Fort Colins Symphony Orchestra). Original songs available at www.leenya.com.

Helen Jean Russell, Co-Deviser Helen grew up making music. After relocating from a small town in Maryland to New York City, she switched her focus to acting, which led to producing variety shows featuring The City Singers, an a cappella choir that she co-founded and directed. Russell was part of Woody Sez’s 2007 debut in Edinburgh, as well as subsequent tours throughout the U.K., Israel and Europe, the American debut at Lyric Theatre of Oklahoma, Arts Theatre in London’s West End, and at American Repertory Theater in Boston. At home in Manhattan, she works as an actor, musical director and publishing technology consultant. In 2012, she was nominated for a 2013 Helen Hayes Award, Best Lead Actress for her work in Woody Sez. Her debut CD, Holly Days, was released in 2008, and she is at work on a second. “Her voice, pure and supple, handed down through generations, recalls the rich and rolling piedmont of her native home.”

Nick Corley, Director/Co-Deviser Nick made his London West End, Chicago, Boston, and Washington, D.C. directing debuts with Woody Sez, which he also co-wrote. (Helen Hayes and Evening Standard “Best Musical” award nominations.) He has directed many world premieres including Woody Sez for Edinburgh 7

– Woody Sez

Festival Fringe and the New York City productions of Tall Grass; Flight (Callaway Award Nomination); About Face (New York Music Theatre Festival nomination, Best Direction); Fables in Slang; Tim and Scrooge; The Overcoat; and Tallboy Walkin.’

Regional premieres include The Civil War (co-directed at Houston’s Alley Theatre); A Young Lady of Fashion (Fulton Opera House — also a co-author); and Eliot Ness… in Cleveland (Denver Center Theatre Company — also a co-author). As former Artistic Director of Lyric Theatre of Oklahoma, he directed Sweeney Todd, The Music Man, The Who’s Tommy, and Steel Magnolias.

Other directing credits include The Bomb-itty of Errors (Adirondack Theatre Festival and The Repertory Theatre of St. Louis — four Kevin Kline nominations); Mother Russia (Carnegie Hall); The Little Foxes (Fulton Opera House); and The Robber Bridegroom, Drood, Man of La Mancha, Bat Boy, A Little Night Music and Lucky Stiff, all for The Commons Group in Vermont. He has directed over 100 workshops and readings, many of them for New York University’s graduate musical theatre writing program. His appearances as a performer include The Mystery of Edwin Drood, Mary Poppins, A Christmas Carol and She Loves Me on Broadway; off-Broadway; regional theatre; the film Kissing Jessica Stein; recordings; and television.

Luke Hegel-Cantarella, Scenic Designer Luke Hegel-Cantarella designs scenery and space for stage and film production. His work has been seen in over 100 theater, dance and opera projects across the United States and internationally. Regional theater credits include the American Repertory Theater, Pittsburgh Public Theater, Yale Repertory Theatre,

C R E AT I V E T E A M B I O G R A P H I E S The Repertory Theater of St. Louis, Prince Music Theater, Berkshire Theater Festival, TheaterWorks (Hartford), Barrington Stage Company, City Theater Company, and many others. Opera credits include Cosi Fan Tutte, La Clemenza di Tito, Don Giovanni, The Rake’s Progress, La Traviata, and Albert Herring. He has designed dance projects for The Wooden Floor in collaboration with choreographers Mark Haim, Jeff Slayton, Melanie Rios-Glaser, and Susan Rethorst. Other dance credits include projects for Dance Connecticut, Eastern Connecticut Ballet, Inc., Patrick Corbin and Noemie LaFrance’s Noir for 2004 Whitney Biennial. In New York his credits include work at Atlantic Theater Company, New World Stages, Lucille Lortel Theatre, HERE Arts Center, and The Lambs. Internationally, his work has been seen on London’s West

End, the Amsterdam Fringe Festival and in Cairo. His recent installation, Trade is Sublime, a series of short films on trade processes was shown at the World Trade Organization in Geneva, Switzerland. Luke is Head of the Set Design Program at Pace University and holds a M.F.A from the Yale School of Drama.

Jeffery Meek, Costume Designer Jeffery is in his thirteenth season as resident costume designer with Lyric Theatre of Oklahoma. For ten years, he served as principal costumer for The Ohio Light Opera. He has worked with such companies as The Point Theatre, Jewel Box Theatre, Carpenter Square Theatre, Eastman School of Music, and Colossal Studios. Meek designed Romeo and Juliet for Oklahoma City’s Reduxion Theatre Company and A Christmas Carol: The Musical, Annie, and Dis-

music theatre

GROUPS OF 10+ SAVE 414.291.7800 www.skylightmusictheatre.org Woody Sez –

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– Woody Sez

C R E AT I V E T E A M B I O G R A P H I E S ney’s High School Musical for Casa Mañana Theatre. He served as costumer for Tulsa Opera and designed Wichita productions of Swing!, I Do, I Do, and the world premiere of Are We There Yet? with Stage One. For the past seven years he has designed A Very Merry Pops for the Oklahoma City Philharmonic. Most recently he has branched into the world of film, designing wardrobe for Pearl Carter Scott with Media 13 and Fingerprints. Meek is a proud graduate of Oklahoma City University.

Charles Cooper, Lighting Designer Charles returns to The Rep where he previously designed Gutenberg!

The Musical! Recent work includes To Master The Art (Chicago Commercial Collective/TimeLine Theatre Company/Broadway in Chicago); Hairspray and Curtains (Drury Lane Theatre Oakbrook Terrace); A Wrinkle in Time (First Stage Children’s Theater); Love, Loss and What I Wore (Asolo Rep Theatre, Philadelphia Theatre Co., San Jose Repertory Theatre, Broadway in Chicago, 1st National Tour); Do The Hustle and Old Glory (Writers’ Theatre); Of Mice and Men and First Look Repertory of New York (Steppenwolf Theatre Company); Around the World in 80 Days (Indiana Repertory Theatre); Tree and Blue Door (Victory Gardens Theater); Eclipsed and She Stoops to Conquer (Northlight Theatre); Sunday in the Park with George, Chicago, A Few Good Men and Around the World in 80 Days (Peninsula Players Theatre); Pitmen Painters and To Master the Art (TimeLine Theatre Company; Associate Artist); Pajama Game, Pippin and Fugitive Songs (The Music Theatre Company); Mahal (Bailiwick Chicago); Creditors (Remy Bumppo Theatre Company). Current and upcoming work includes: the Chicago Company of Old Jews Telling Jokes, Mill Fire (Shattered

Globe Theatre) and Carrie The Musical (Bailiwick Chicago). Charles has received five Jeff Award nominations and two After Dark Awards. Member of United Scenic Artists. www.Cooperportfolio.com.

Barry G. Funderburg, Sound Designer Barry is excited to return to the Rep for his 65th production. Memorable Rep productions include Blues in the Night, Othello, The 39 Steps, The Cherry Orchard, Pride and Prejudice, Armadale, Mary Stuart, Work Song, and Angels in America.

Off-Broadway, Barry designed the critically acclaimed New York premiere of Wittenberg at The Pearl Theatre Company. Regional theatre credits include Fake, Carter’s Way, and Mother Courage and Her Children at Steppenwolf Theatre Company, sixteen productions at Utah Shakespeare Festival, including the recent regional theatre premiere of Peter and the Starcatcher, and Kansas City Repertory Theatre, Arizona Theatre Company, City Theatre Company (Pittsburgh), CenterStage (Baltimore), Alabama Shakespeare Festival, Peninsula Players Theatre, American Players Theatre, L.A. Theatre Works, and Indiana Repertory Theatre. Chicago credits include Next Theatre, Theatre at the Center, and Lookingglass Theatre Company. Barry has received four Chicago Equity Jeff Award nominations, the 1996 and 2008 Jeff Awards for Sound Design, and an MFA in sound design from Purdue University.

Laura F. Wendt, Stage Manager Laura is excited to spend her eighth season here at Milwaukee Repertory Theater. She is a Wisconsin native and graduate from the University of Wisconsin-Whitewater. Other regional theater credits include: Woody Sez –

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C R E AT I V E T E A M B I O G R A P H I E S Riverside Theatre Shakespeare Festival, American Players Theatre and Nebraska Shakespeare Festival.

Thank you for supporting the arts!

Enjoy the show.

PACK. CRATE. SHIP.

Frank Honts, Directing Intern Frank was Assistant Director for Noises Off and Venus in Fur earlier this season, and prior to that, Frank worked as Artistic Associate at Forward Theater Company in Madison. Recent directing projects include 9 Circles (Midwest premiere) and Speech & Debate. In addition to his work as a director, dramaturg, and assistant director at Forward Theater, Frank has worked with American Players Theatre, California Shakespeare Theater, Utah Shakespeare Festival, Madison Opera, and Children’s Theater of Madison. Education: AB, History, Brown University.

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Special Thanks: Woody Sez would not have been possible without Mary Cossette. Her encouragement and generosity brought this project to life. We extend our heartfelt gratitude to Mary Jo Guthrie-Edgmon, Nora Guthrie and Michael Kleff, Anna Canoni, Tiffany Collanino, Michael Smith, Larry Richmond, Louis Hartshorn and Brian Hook, Tamsin Rose, David and Mary Lou Wertz, Emily Lutken, Patrick Flaherty, Tom Wirtshafter, Murray Biedenharn and Dennis Brown, all the staff of Lyric Theatre of Oklahoma, Paul Lucas, Laurie Gamache, Kate Weeden, Jerry Silverman, Maurice Simpson, Larry Kartiganer, Brannon Wiles, Gene Jones, Larry Hirschhorn, John Lahr, the indefatigable Helen Russell and especially to Sam Ellis, Ruth, Pete and Sherry Lutken.

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