OC - Ballet Folklorico

A Supranet Communications World Culture Series Event

Ballet Folklórico de México Fundadora / Founder AMALIA HERNÁNDEZ Directora Artística / Artistic Director NORMA LÓPEZ HERNÁNDEZ VIVIANA BASANTA HERNÁNDEZ Director General / General Director SALVADOR LÓPEZ LÓPEZ

TUE, OCT 9, 2012 | Overture Hall

This project is supported by Dane Arts with additional funds from the The Evjue Foundation, Inc., the charitable arm of the Capital Times.

This program is part of Overture’s Take 10 Series for students and educators. Funding for Take 10 is provided by contributions to Overture Center for the Arts.

Funding for the Community Ticket Program is provided by the Kuehn Family Foundation, a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, and by contributions to Overture Center for the Arts. Learn how you can help make arts experiences real for hundreds of thousands of people in the greater Madision area at overturecenter.com/contribute.

Ballet Folklórico de México | Overture Center

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Some of flamenco’s most unique and creative musicians, singers and dancers burn up the Capitol Theater stage with world–class performances. $10 tickets for K-12 students and educators with iD

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Overture Center | Ballet Folklórico de México

PROGRAM MATACHINES The Matachines is danced in the north side of México City during religious celebrations. The Matachines dance originated from a Middle Ages dance that was brought by the Spaniards during the conquest, and since the 16th century has been danced for the Christian God. TIXTLA PLATAFORM The group dance: El Toro – El Arrancazacate – La Iguana REVOLUTION Modern México began with the Revolution of 1910. The ballet is dedicated to the Soldaderas, the women who supported their men and even bore arms with them in México’s fight for liberty. Contrasted with the footsore men and women is a group of young aristocrats dancing European polkas and flirting — unconcerned with the peoples’ fight for freedom. A group of revolutionaries breaks up the party brandishing their weapons. The peasants dance in the aristocratic drawing room.

CHARREADA The “rope dance” is a country love dance.

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PROGRAM cont.

TLACOTALPAN FESTIVITY January 31 marks the celebration of the Candelaria Virgin in the town of Tlacotalpan.

Stages are built in the main square where musicians and dancers of fandangos are presented.

The Mojigangas are huge figures representing characters that are legends in the village. In the midst of it, Caribbean music is played with conga drums, as in a mardi-gras celebration parade.

Fisher Dance The Indian María The fans The Coco song The Bamba The Mange

The woodpecker bird The weeper The girl from Veracruz The angel The moor The little black boy

The clown The Cu Bird Veracruz Musicians The brown skinned girl The devil

INTERMISSION WEDDING IN THE HUASTECA On the day of his wedding, a young rancher finds a beautiful young Indian girl and cannot resist the temptation of romance with her. Meanwhile, at the Village church, the bride begins the preparations for their wedding. When the groom finally arrives, the couple begins a dance and all the neighbors join in and court her. In the midst of the general gaiety her groom’s rival arrives. In seconds, the happiness of the celebration disappears as the two men get hold of their machetes and fight until the rival dies. The party continues, as is tradition in that region.

The bride and groom finally leave for the church in total splendor but leave behind the mourners in the plaza who are the only memory of the fight and the death of the rival.

DEER DANCE The Yaqui people have stayed away from Spanish influence and constitute the only aboriginal tribe in the country that conserves its original autonomy. Free from racial mingling and modern cultures the Yaquis, who are excellent hunters, continue hunting with bows and arrows, cultivating the land according to their ancestor’s methods and celebrating their ritual dances. The Deer Dance forms a part of the ritual that is preparation for the hunt, and it produces with an astonishing fidelity the movements that persuade prey. Because of its antiquity and its mastery of execution, it constitutes one of the best examples of imitative magic.

JALISCO The state of Jalisco is the land of Charros, Chinas and Mariachis. Since the last century is has become a symbol of Méxican nationality. The Charros of Jalisco are known for their high spirits and joyous grasp of life. Jalisco’s folklore captures the soul of México in its sensual music, refined dances and dazzling costumes. This ballet closes every performance of the Ballet Folklórico’s touring company. It opens with a Mariachi parade playing lively sones at the start of a fiesta. In the background is the traditional gazebo found in all the small towns of México. During the fiesta songs and dances such as The Snake, El Tranchete, La Negra and El Jarabe Tapatío, the famous Mexican Hat Dance, are performed.

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Overture Center | Ballet Folklórico de México

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Sat, apr 20, 8 pM Sun, apr 21, 2 pM PSY delves into the rich and surreal underworld of the human psyche by juxtaposing darker issues with the invigorating and life-affirming language of circus arts.

Post-performance Q & A $10 tickets for K–12 students & educators with ID

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AMALIA HERNÁNDEZ and BALLET FOLKLÓRICO DE MÉXICO The present time fades before your eyes and thus commences our journey through the past. The Lords of Heaven and Earth come back to life, the Jaguars, the Gods born of human flesh, thirty different cultures that blossomed in centuries once, leaving behind a trail of color from which Amalia Hernández was inspired to create the Ballet Folklórico of México.

the Company visits around the world.

Starting in the 1960’s, Amalia Hernández and the Ballet Folklórico of México have developed the choreographies for 40 ballets, composed of 76 folk dancers. The music, technical perfection, sophisticated wardrobe and original choreography combine to create the singular character of this company.

In 1952, Amalia Hernández, dancer and choreographer, founded the Ballet Folklórico of México, having embarked at a very early age on a never ending quest to rescue the dancing traditions of México. The vital search became a basic need to reflect not only in México but the rest of the world, the beauty of the Universe in motion which started with the pre-Colombian civilizations and grew with Hispanic influences.

The Ballet began performing a weekly program on television, sponsored by the Mexican government. Since 1959 it has been permanently presented at the Palace of Fine Arts, the foremost stage for art in México City. The institution has two main artistic companies called The First Company and the Resident Company: both alternate tours and performances in México and abroad.

They have already performed more than five thousand presentations.

In 1954, Amalia started a series of presentations that credited her as the Cultural Representative of México to the world at large. The International success achieved during that first tour has been maintained through fifty years of artistic endeavor. The excellence of the productions serves as a portrait of México’s folklore in every city that

Amalia Hernández and the Ballet Folklórico of México have been distinguished with more than 400 awards in recognition of their artistic merits. The music, dance and costume of Mexican folklore united to the talent of their artists have achieved national and international success.

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Overture Center | Ballet Folklórico de México

Overture Center for the Arts would like to recognize our sponsors and funders and thank them for all they do to support Madison’s thriving arts community. publiC suppOrT

The City of Madison legACy spOnsOrs

$20,000 And AbOve

American Girl Fund for Children American Family Insurance Anonymous Capital Newspapers, Inc. CUNA Mutual Foundation MG&E Foundation, Inc. Madison Community Foundation Arts Access National Endowment for the Arts Park Bank Robert W. Baird & Co. UW Health

Oscar Mayer University Research Park Webcrafters – Frautschi Foundation $5,000 – $9,999

Bell Laboratories CUNA Mutual Group ProVideo TOMCAT Products SupraNet Communications Unity Health Insurance

Courtier Foundation Custer Financial Services Dane Arts Epicentre (an Illumina Company) Goodman’s Jewelers J.H. Findorff & Son, Inc. New England Foundation for the Arts Outrider Foundation Pepsi Cola of Madison PPD Promega Corporation ScheduleSoft Smart Motors Stafford Rosenbaum, S.C. Trek Bicycle Corporation Wisconsin Arts Board

$10,000 – $14,999

$1,000 – $4,999

$15,000 – $19,999

A. Paul Jones Charitable Trust The Bruce Company of Wisconsin DeWitt Ross & Stevens, S.C. Evjue Foundation Exact Sciences Food Fight, Inc. Gammex Kuehn Family Foundation Madison Investment Advisors Diego’s Mexican Bistro & Icon Restaurants Murphy Desmond, S.C.

Anonymous Boardman & Clark LLP Gail Ambrosius Chocolatier Hovde Properties, LLC Monona State Bank Perkins Coie Target Von Briesen & Roper Whyte Hirschboeck Dudek, S.C. Wheeler, Van Sickel & Anderson, S.C. WISC-TV *List current as of 9.7.12

PATRON SERVICES AND INFORMATION

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Your enjoyment is important to us. Please contact an usher or the ticket office if you have any concerns about your experience here.

ORDERING & INFORMATION Order online! overturecenter.com Phone orders: Call 608.258.4141 Mail or fax: online order form at overturecenter.com or in our magazine.

Buy in person: Visit the ticket office located on the main floor just off the Rotunda Lobby.

Ticket office hours: Mon–Fri, 11 AM–5:30 PM; Sat, 11 AM–2 PM; open additional hours evenings and Sundays on days of ticketed performances.

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Etiquette Please turn off all paging devices, cell phones and watch alarms.

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PATRON SERVICES & POLICIES

In consideration of audience members with scent sensitivities and allergies, please use perfumes, aftershaves and other fragrances in moderation.

Accessibility: Request accommodations when ordering your tickets. Call 608.258.4144 for information, questions, or to request the following: ■ ■ ■ ■ ■

wheelchair-accessible seating house wheelchair for transport sign language interpretation Braille playbill other accommodations

RESIDENT ORGANIZATIONS Bach Dancing & Dynamite Society bachdancinganddynamite.org | 608.255.9866 Children’s Theater of Madison ctmtheater.org | 608.255.2080

Information is also available at overturecenter.com/tickets/accessibility

Forward Theater Company forwardtheater.com | 608.234.5001

Children and lap seating: Every person, regardless of age, must have a ticket to enter the theaters for performances. Children under the age of 6 are not permitted at certain performances. See our season brochure, visit our website or call the Help Line at 608.258.4143 for information.

Li Chiao-Ping Dance lichiaopingdance.org | 608.835.6590

Event Staff Stagehand services in Overture are provided by members of Local 251 of the International Alliance of Theatrical Stage Employees.

Usher and other services for Overture are provided by Overture volunteers. For information, visit overturecenter.com/contribute/ volunteer or call 608.258.4177.

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Overture Center | Ballet Folklórico de México

Kanopy Dance Company kanopydance.org | 608.255.2211

Madison Ballet madisonballet.org | 608.278.7990 Madison Opera madisonopera.org |608.238.8085 Madison Symphony Orchestra madisonsymphony.org | 608.257.3734 Wisconsin Academy’s James Watrous Gallery wisconsinacademy.org | 608.265.2500 Wisconsin Chamber Orchestra wcoconcerts.org | 608.257.0638 xx | Overture Center

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