mR. burns, a post electric play written by Anne Washbu rn score by Michael Friedm an
presents
Mr. Burns, a post-electric play by Anne Washburn
score by michael friedman lyrics by anne washburn Directed by jeremy wechsler
PRoduction sponsor: The bayless family foundation
Cast Quincy/Bart..................................................................... leslie ann sheppard* Matt/homer/scratchy..................................................daniel desmarais* Colleen/1st FBI agent/itchy................................................... Eileen Doan sam/burns........................................................................................ andrew jessop Lisa..............................................................................................Tina Muñoz Pandya Maria/2nd FBI AGENT/MArge............................................................. Ana silva Jenny/marge/Mrs. Krabapel..............................................will wilhelm* gibson/sideshow bob/homer.....................................Jonah D. winston*
musicians - Eugene Dizon, Scott sedlacek, carlos mendoza understudies - trey deluna, nina jayashankar, gaby moldovan, derek self “Mr. Burns, a post-electric play” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com Playwrights Horizons, Inc. produced the New York City premiere of the play off-Broadway in 2013. Originally produced in June, 2012 by Woolly Mammoth Theatre Company, Washington, DC, Howard Shalwitz, Artistic Director; Jeffrey Herrmann, Managing Director. Mr. Burns was Commissioned by The Civilians, New York, NY Steven Cosson, Artistic Director. For the language of the remembering of the Simpsons’ episode, Cape Feare, the author would like to credit the Civilians actors involved in the initial workshop: Quincy Tyler Bernstine, Maria Dizzia, Gibson Frazier, Matt Maher, Jennifer Morris, Colleen Werthmann and Sam Breslin Wright.
Crew Director................................................................................. Jeremy Wechsler assistant director......................................................elizabeth lovelady music director........................................................................... Eugene dizon arrangements..................................................................andra velis simon choreographer..................................................................... brigitte ditmars Scenic Design........................................................................... joe schermoly Lighting Design................................................................... Heather Gilbert Costume Design............. Mara Blumenfeld, mieka van der ploeg assistant costume design........................................................Maddy Low wardrobe supervisor...................................................................... sarah beck properties design...............................................jonathan berg-einhorn Sound Design........................................................................... christopher kriz fight choreography................. david woolley, jon beal, kai young production manager..................................................... matthew r. chase Stage Manager.......................................................................Katie Klemme* asst stage manager....................................................................... Lucy whipp stage crew....................................................................................Lauren Peters technical director.......................................................... harrison ornelas master electrician......................................................................... liz gomez paint charge............................................................................... emily altman Prop Craftman................................................................................ Morgan Tsan casting.....................................................................................rachael jimenez
* Denotes member of Actors’ Equity Association, the union of professional stage managers in the United States. Thanks to The Saints for providing ushers for the performances. Special Thanks Nick Sula, Linda Madonia Theater Wit is partially supported and funded by generous grants from the Bayless Family Foundation, a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, Friends of Lakeview NFP, The Gaylord and Dorothy Donnelley Foundation, the Illinois Arts Council Agency, The League Of Chicago Theaters, The MacArthur Fund for Arts and Culture at Prince, the MorganSenior Foundation, the Paul M. Agnell Family Foundation, The Shubert Foundation, and The Saints Volunteers for the Performing Arts.
CAST LESLIE ANN SHEPPARD (Quincy/ Bart) (she/her) is grateful to return to Mr Burns and Theater Wit. She was last seen in SHEEPDOG by Kevin Artigue (Shattered Globe Theatre, Jeff Award/BTAA nominations) and CHICAGO FIRE. Local credits: Chicago Shakespeare Theater, Steppenwolf Theatre Company, Northlight Theatre, First Folio Theatre, Victory Gardens, Chicago Children’s Theatre, and TimeLine Theatre Company. Regional/international credits: Illinois Shakespeare Festival, TheatreSquared, Classical Kids Live! (Kennedy Center, Singapore Symphony Orchestra), the Hypocrites (Pasadena Playhouse, Olney Theatre Center). TV credits: MOB DOCTOR. She served as Artistic Director for the Suitcase Shakespeare Company, holds a B.A. degree in acting from Illinois State University and founder of Padded Corner Studios. She’s also a poet, playwright and screenwriter and creator and star of Sister Series, BLACKWELL, WISH/S; OR WHAT I SHOULD HAVE SAID, and short film, SUBORDINATE. She is represented by Gray Talent Group. TREY DELUNA (u/s Matt/Scratchy/Mr. Burns) is excited to be making his Chicago theatre debut with the company of MR. BURNS at Theater Wit. This past summer, he was in Traverse City, Michigan performing as Rolf in THE SOUND OF MUSIC and Linus in YOU’RE A GOOD MAN, CHARLIE BROWN at Parallel 45 Theatre Festival. His other summer stock experience includes working at Hope Summer Repertory where he performed as the King in CINDERELLA, Chino in WEST SIDE STORY, and was in the ensemble of SHAKESPEARE IN LOVE. A graduate of
Millikin University, Trey was involved in numerous productions including Raoul in the PHANTOM OF THE OPERA, Mr. Marks in INTIMATE APPAREL, and could be seen in CHICAGO THE MUSICAL, NICE WORK IF YOU CAN GET IT and AS YOU LIKE IT. While studying abroad, he also had the opportunity to train at Shakespeare’s Globe Theatre in London, England to deepen his understanding of the history and art of creating theatre. Trey is represented by Gray Talent Group. DANIEL DESMARAIS (Matt/Homer/Scratchy) is thrilled to return to Theater Wit and MR. BURNS. Some Chicago credits include: THIS BITTER EARTH (About Face Theatre), CHARLOTTE’S WEB (Drury Lane), THE AWAKE (First Floor), THE RAID (Jackalope), 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, FLARE PATH, THE STINKY CHEESE MAN (Griffin Theatre Company), HIT THE WALL (The Inconvenience), and POWERLESS (a comic book superhero play that was performed in a loft space above a Family Dollar). He has worked with Victory Gardens, Goodman Theatre, Actors Theatre of Louisville and Williamstown Theatre Festival. Daniel is a graduate of UC Berkeley with a degree in Geography. Other well-known geography majors are Michael Jordan and Prince William, clearly his peers. EILEEN DOAN (Colleen/Itchy) (she/they) is excited to be making their Theater Wit debut. Eileen is a Kentucky native recently transplanted to Chicago and an actor, multi-instrumentalist, and singer-songwriter. Their past credits include CAMBODIAN ROCK BAND (Victory Gardens Theatre, City Theatre, Merrimack
CAST continued Repertory Theatre), ANYTOWN and NEW KID (George Street Playhouse), and UNTO THESE HILLS (Mountainside Theatre). She has four albums available on all streaming platforms, including her most recent full-length album “Small Love”. Eileen is proudly represented by DDO Artists Agency. eileendoan.com | IG: @eileeneileend NINA JAYASHANKAR (U/S Maria/Lisa/Mrs. Krabapel) (she/her) is so excited to be making her Theater Wit debut. She was most recently seen in The Goodman Theatre’s Future Labs reading of SHAKUNTALA. Her Chicago credits include: LIONS AND TIGERS (TimeLine Theatre), KISS (Haven Theatre), SOHNI MAHIWAL (The Blank Theatre), ANYTHING GOES (Metropolis Performing Arts Centre), and PETER PAN (Music Theatre Works). She was also recently a member of Porchlight Music Theatre’s New Faces sing Broadway Now. Nina is a graduate of Northwestern University where she earned her Bachelor of Arts in Theatre and Mathematics with a certificate in Music Theatre. She is proud to be represented by Gray Talent Group. www.ninajayashankar.com ANDREW JESSOP (SAM/MR. BURNS) is happy to return to the stage after working as a full time IT professional for the past 4 years. Previous theater credits include NAPERVILLE (Theater Wit), A CHRISTMAS CAROL (Goodman Theatre), MR. BURNS: A POST ELECTRIC PLAY (Theater Wit), COMPLETENESS (Theater Wit), LOBBY HERO (Redtwist Theatre – Jeff Nomination Best Actor), PILLOWMAN (Redtwist Theatre – Jeff Nomination Best
Actor), and Director for MAN FROM NEBRASKA (Redtwist Theatre – Jeff Award Best Production). Special Thanks to Theater Wit Staff, Roberta Ibarra, and my darling pooch Honeybutter (AKA – Mr. Burns’ Little Helper). GABY MOLDOVAN (u/s Jenny/Colleen/ Marge/Itchy) (she/her) is so happy to be here making her Theater Wit and professional debut. She is a proud Governing Ensemble Member of The Story Theatre, through which she earned her most recent credits, LEAVE ME ALONE! and ARTEMIS BOOKS and the WELL MEANING MAN. She holds a Bachelor of Fine Arts from Florida State University and works as a personal trainer when she’s not performing. She’s incredibly grateful to be here, learning from this immensely talented cast and crew. TINA MUÑOZ PANDYA (Lisa, u/s Quincy/Bart) (she/her/ hers) is an actor, musician, and teaching artist, and is so excited to put her Simpsons and Gilbert and Sullivan nerdery to good use! Chicago credits include: The MOUSETRAP (Court Theatre); ALWAYS PATSY CLINE (Firebrand Theatre); PINOCCHIO (The House Theatre of Chicago); X-MARKS THE SPOT/THE WORLD INSIDE ME (Chicago Children’s Theatre); THE ARISTOPHANESATHON (The Hypocrites); THE TALL GIRLS (Shattered Globe Theatre); THE GREAT AND TERRIBLE WIZARD OF OZ (The House Theatre of Chicago); and OCTAGON (Jackalope Theatre). Touring credits include: THE MERRY WIVES OF WINDSOR and HENRY IV PT 1 (Montana Shakespere in the Parks); HMS PINAFORE, THE PIRATES OF PENZANCE, and THE MIKADO (The Hypocrites); and A MIDSUMMER NIGHT’S DREAM, JULIUS CAESAR, and A TALE OF TWO CITIES (National Players).You can also hear her on
CAST continued the Chicago-based audio drama THE VANISHING ACT. DEREK SELF (u/s Sam/ Gibson/Homer) (he/him) is thrilled to be making his Theater Wit debut. Chicago credits include: COMPANY, LITTLE SHOP OF HORRORS (Mercury Theater Chicago); WOMAN OF THE YEAR (Porchlight Music Theatre); CANDIDE, PETER PAN (Music Theater Works). Derek is the lead singer of Prom Night Perm and has performed at some of Chicago’s most renowned venues, including Bottom Lounge, Elbo Room, and Reggie’s. He is an improviser and a founding member of the iO Theater house team, First Beat. Derek is grateful for the support of his family and friends - thanks for your love and guidance!
Candy, and Improvised Jane Austen. Follow her on Twitter and Instagram, @theAnaSilvaShow, or check her out online www.theanasilva.com. Proudly represented by Gray Talent Group.
WILL WILHELM (Jenny/Marge/Mrs. Krabapel) (they/them) is thrilled to be returning to Chicago stages with their Theater Wit debut. Recently, Will became the first non-binary company member at the Oregon Shakespeare Festival. There, they reimagined genderqueer characters in AS YOU LIKE IT, MACBETH, and Bill Rauch’s OKLAHOMA! Chicago credits include creating the role of Person in Charge in STRAIGHT WHITE MEN, written and directed by Young Jean Lee (Midwest Premiere at Steppenwolf Theatre Company), and Angel in RENT (Metropolis Performing Arts Center, BroadwayWorld Chicago ANA SILVA (Maria/ Marge) (she/her/hers) is Award winner). Will has developed new elated to be making her work with Goodman Theatre,Victory Gardens Theater, and OSF. Other theatre Theater Wit debut! A affiliations Williamstown Theatre Festival, native of Portland, OR (the cool Portland) and Northlight Theatre, and Chicago Children’s Theatre. Will hosts the podcast TEACAKES a graduate of AMDA & TAROT: CONVERSATIONS WITH (LA/NY), Ana is an ALTA award winner for Outstanding Improviser in Chicago. She was QUEER FUTURISTS, in which they interview artists about how to actualize a in the Chicago UP Comedy cast of The more inclusive industry. Will’s voice can also Second City’s She the People, a recipient of be heard on the animated series TOIL & the NBC Universal/The Second City’s Bob Curry Fellowship, and an understudy for The TROUBLE being released next year on Netflix. They are currently developing their Second City’s National Touring Company. Select Theater Credits Include: KENTUCKY debut solo show with About Face Theatre and Island Shakespeare Festival. In 2020, Will (The Gift Theatre), XY: THE MUSICAL wrote “GENDER IS PERFORMANCE” for (Staged Reading - Chicago Shakespeare HowlRound and was featured in the Theater), and IN THE HEIGHTS (Casa Chicago Tribune. Will is a proud 0101/ Teatro Nuevos Horizontes). Ana is a writer and performer for the award-winning Northwestern graduate and is represented by Gray Talent Group. willwilhelm.com IG: web series IN-DIANA, the short film @wwilhelm SPEEDING TOWARDS RED LIGHTS, and star of the web series DIAGNOSIS: BORING.You can see Ana improvise with her teams: Matt Damon Improv, Baby Wants
CAST continued JONAH D. WINSTON (Gibson/Sideshow Bob/ Homer/Fight Captain) (he/him) is overjoyed to be making his Theater Wit debut! An award winning and multi-time Jeff Award nominated performer, Jonah hails from the city of Indianapolis, Indiana where he graduated from the Jordan College of the Arts at Butler University in 2008 with a Bachelor’s Degree in Theatre and a Minor in Vocal Music. He also studied at Flinders University in Adelaide, South Australia, focusing on acting and film techniques and earning a Master of Letters Degree in drama. Jonah has worked with numerous nationally and internationally recognized theatre and film artists, including director Anne Bogart, Italian director Alessandro Fabrizi, Russian directors Tamara and Alexander Anissimov, Scottish vocal coach/ artist Kristin Linklater, and Australian director/cinematographer Richard Back. He is also the co-founder of the performance collective Half/Black Productions with his twin sibling, Jo, and together they have produced and performed multiple wellreceived productions, including JONAH’S ONE-MAN SHOW, DIASPORA, THE DEAD EMCEE SCROLLS based on the poetry of Saul Williams. Relocating to the Windy City in the Fall of 2014, Jonah has worked with such esteemed Chicago theatres and institutions such as the Goodman Theatre, Lyric Opera of Chicago, Second City, The Mercury Theater of Chicago, Writer’s Theatre, Chicago Children’s Theatre, First Folio Theatre, and Porchlight Music Theatre, to name a few. Regionally he has performed with the Illinois Shakespeare Festival, Beef and Boards Dinner Theatre, Indiana Repertory Theatre, and The Cleveland Playhouse. Film credits include EVIL LURKS and LACY’S CHRISTMAS DO-OVER. Television and commercial credits include NBC’S CHICAGO FIRE, CHICAGO P.D., SKITTLES, KOOL-AID, BOOST MOBILE, SARA LEE, MCDONALD’S, WAL-MART, and
SIERRA MIST. Jonah is a member of Actor’s Equity, SAG-AFTRA, and AGMA, and represented by Gray Talent Group. To learn more about Jonah’s continued adventures and work, be sure to visit his website jonahdwinston.com. “For R.D.W and P.S.G., the ancestors who are always with me.” JEREMY WECHSLER (Director) is the founding Artistic Director of Theater Wit where he has also directed the Chicago premieres of THE REALISTIC JONESES, THE ANTELOPE PARTY, 10 OUT OF 12, NAPERVILLE (Jeff Award), THIS WAY OUT OF SANTALAND, THE NEW SINCERITY, THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE (Best of 2015 - Sun Times), BAD JEWS (Best of 2015 - New City), MR BURNS: A POST-ELECTRIC PLAY (Time Out Peoples’ Choice Award for Direction, Best of 2015), SEVEN HOMELESS MAMMOTHS WANDER NEW ENGLAND (Sun Times Best of Year 2014), COMPLETENESS, TIGERS BE STILL, THIS, THE FOUR OF US, FEYDEAU-SI-DEAU, MEN OF STEEL, THOM PAIN (BASED ON NOTHING) (Jeff Award - Best Solo Peformance), TWO FOR THE SHOW and many many productions of THE SANTALAND DIARIES. Under Jeremy’s leadership over the last fifteen years, Theater Wit has emerged as the go to destination for cutting edge contemporary work, gaining national recognition for excellence. He has directed over sixty shows in the last twenty years at various theaters, including TRAGEDY A TRAGEDY, THE FLU SEASON, A TASTE OF HONEY (“US Best of 2008” in The Wall Street Journal), NOW THEN AGAIN (Jeff Award - Best New Work), THE PLAY ABOUT THE SQUIRREL, THE WHITE DEVIL, THIS IS NOT A PLAY ABOUT CANCER, PEER GYNT, THE REAL THING, SZINHAZ, THE DUCHESS OF MALFI, TRAGEDY A TRAGEDY, TITUS ANDRONICUS, THE ROARING GIRL, FLIGHT, THE MOST FABULOUS STORY EVERY TOLD, THIS IS THE RILL SPEAKING, HAY FEVER, A MONTH IN THE COUNTRY, EUROPE, HENRY VI: BLOOD OF A NATION, THE
CAST continued PROMISE, SPIN, UN ROBOT, HORROR ACADEMY, KIND LADY, PLAYING BY THE RULES, THE MARRIAGE OF BETTE AND BOO, SOLITAIRE, THE COARSE ACTING SHOW, LIFE IS A DREAM, THE PRISONER’S DILEMMA, CABARET and THE THREEPENNY OPERA. His productions have been nominated for and won multiple awards for design, performance, adaptation and best new work. ELIZABETH LOVELADY (Assistant Director) (She/Her) Elizabeth is a director, playwright and arts administrator. She is glad to return to Theater Wit where she formerly served as Development Manager. Chicago companies she has worked with as a director include Strawdog, Babes with Blades, Wildclaw and Red Theater Chicago, where she is also a company member. She was the winner of the 2016 Jeff Award for Best Adaptation for DOA, an adaptation of the noir film, which she also directed. Most recently she has returned to Chicago after receiving an MFA in Directing from The Lir Academy at Trinity College, Dublin. EUGENE DIZON (Music Director/ Conductor) is honored to make his debut at Theater Wit. Eugene has been musical directing for over two decades garnering 6 Jeff Awards (RAGTIME, SWEENEY TODD, AMADEUS, COMPANY, INTO THE WOODS, MERRILY WE ROLL ALONG), as well as Jeff nominations for A GRAND NIGHT FOR SINGING, CANDIDE, NINE THE MUSICAL, CLOSER THAN EVER, A LITTLE NIGHT MUSIC, PASSION, COLETTE COLLAGE, and FALSETTOS; 4 After Dark Awards (RAGTIME, SWEENEY TODD, A NEW BRAIN, MERRILY WE ROLL ALONG); a BroadwayWorld Award for Mercury’s AVENUE Q and BroadwayWorld nominations for LITTLE SHOP OF HORRORS, HAIR, MARY POPPINS, and THE COLOR PURPLE. Additionally at the Mercury, he has musical directed MONTY PYTHON’S SPAMALOT,
PIPPIN, COMPANY, MARY POPPINS, THE PRODUCERS, THE ADDAMS FAMILY and BARNUM. He is honored to have been inducted into the Chicago Filipino Hall of Fame. Eugene has co-produced six “SEASON OF CAROLS” CD’s and the most recent CD “SECOND CITY DIVAS LIVE IN CONCERT at Mercury Theater Chicago”, for which Season of Concern awarded him the 2013 Larry Sloan Advocate Award and the Season of Concern 2018 Larry Sloan Legacy Award for “consistently and passionately being a trailblazer on behalf of Season of Concern.” An Executive Producer at Mercury Theater Chicago, his next projects include co-producing SISTER ACT in the fall of 2021 and musical directing PRISCILLA QUEEN OF THE DESERT in the summer of 2022. BRIGITTE DITMARS (Choreographer) is thrilled to be back at Theater Wit having choreographed the 2015 production of MR. BURNS: A POST ELECTRIC PLAY. A Chicago based director and choreographer, her favorite credits include ALWAYS, PATSY CLINE and CAROLINE, OR CHANGE (Firebrand Theatre), SCHOOLHOUSE ROCK LIVE and CINDERELLA (Birmingham Children’s Theatre), XANADU (American Theatre Company), ROCK OF AGES (Timberlake Playhouse), ALL SHOOK UP (Clinton Area Showboat Theatre) THE PRODUCERS (Mercury Theater), PETER AND THE STARCATCHER (Metropolis Performing Arts Center), REEFER MADNESS (Circle Theatre), NUNSENSE and FOREVER PLAID (Fox Valley Repertory), POSEIDON! AN UPSIDE DOWN MUSICAL (Hell in a Handbag Productions) IN TROUSERS (Porchlight Music Theatre) and AMERICAN IDIOT (Northwestern University). She has received two Joseph Jefferson Awards for Outstanding Achievement in Choreography, as well as four additional nominations.
CAST continued JOE SCHERMOLY (Scenic Design) is celebrating our return to the theatre after this long and painful hiatus to work on this exquisite examination of the power of gathering to tell stories. We produced this play not long ago in a different world far away and it’s exciting to re-examine its meaning and joy as we gather together again. Joe’s previous Theater Wit design credits include NAPERVILLE, THE WATSON INTELLIGENCE, SEVEN HOMELESS MAMMOTHS, COMPLETENESS. Other Chicago credits include:YASMINA’S NECKLACE (Goodman Theatre), CONSTELLATIONS (Steppenwolf Theatre), HAND TO GOD, SAMSARA (Victory Gardens); FRANKENSTEIN, PUFF: BELIEVE IT OR NOT, PIRANDELLO’S HENRY IV, TRAVESTIES (Remy Bumppo); POMONA, RED REX, LINDA, BIRDLAND, WASTWATER AND LELA & CO. (Steep); THE GULF, THIS BITTER EARTH,THE TEMPERAMENTALS, LE SWITCH (About Face Theatre); POCATELLO, TITANIC, SPELLING BEE, FLARE PATH, PUNK ROCK (Griffin). Joe studied scenic design at Northwestern University, has received two Equity Jeff Awards, two After Dark Awards and six Jeff Nominations. www.joeschermoly.com HEATHER GILBERT (Lighting Design) is a Chicago based lighting designer. She previously designed WOMEN LAUGHING ALONE WITH SALAD for Theater Wit. Broadway credits include THE SOUND INSIDE: Drama Desk Award, Outer Critics Circle Award, Tony Nominee. In Chicago Heather has designed at Steppenwolf Theatre Company, Goodman Theatre, Writers Theatre, Northlight Theatre, Victory Gardens Theatre, Court Theatre, Steep Theatre, The Hypocrites, and many many storefronts near you. Regionally her work has been seen on stages such as Center Theatre Group, Studio Theatre, Actor’s Theatre Louisville, Alley Theatre, American Repertory Theater, Magic Theatre,
Williamstown Theatre Festival, Oregon Shakespeare Festival, Pasadena Playhouse, Berkeley Repertory Theatre, and Olney Theatre Center. Heather was a recipient of the NEA/TCG Career Development Grant and the 3Arts Award in Chicago. She is the Head of Lighting Design at Columbia College Chicago and received her MFA at The Theatre School at DePaul University. MARA BLUMENFELD (Costume Design) is happy to be back at Theater Wit where she has previously designed THE SANTALAND DIARIES. Chicago design credits include numerous productions at The Goodman Theatre, Steppenwolf Theatre Company, Chicago Shakespeare Theater, Court Theatre, and Lookingglass Theatre Company, where she is an ensemble member. Her work has been seen extensively at regional theatres around the country and internationally. She is the recipient of four Jeff Awards and the 2012 Michael Merritt Award. MIEKA VAN DER PLOEG (Costume Designer) - Credits include designs with Goodman Theatre, Chicago Shakespeare Theatre, Steppenwolf, Milwaukee Repertory Theater, Court Theater, Writers Theatre, Lyric Opera Unlimited, Lookingglass Theatre, Paramount Theatre, Marriott Theatre, Remy Bumppo, Second City, Redmoon, The Hypocrites, Chicago Children’s Theatre, About Face Theatre, Steep Theatre, Theater Wit, Albany Park Theater Project, Manual Cinema, and the Under the Radar Festival at The Public Theatre. She won a non-Equity Jeff award in 2020 for FIRST LOVE IS THE REVOLUTION, Steep Theatre. She is proud to be a member of USA829. www.miekavanderploeg.com SARAH BECK (Wardrobe Supervisor) is excited to return to theater with MR. BURNS and Theater Wit. Based in Chicago, Sarah has worked at Victory Gardens, Northwestern University’s opera
CAST continued program, and the Chicago Puppet Theater Festival. Most recently, she completed an apprenticeship at Steppenwolf, where she served as a dresser in their production of DANCE NATION.
at Peninsula Players. A winner of 5 Jeff Awards with a total of 22 nominations, Kriz is a proud member of United Scenic Artists 829. To hear more of his work, please visit http://christopherkriz.com
DAVID WOOLLEY (Fight Choreographer) David Woolley is a Fight Master with the Society of American Fight Directors; a Professor of Instruction at Columbia College of Chicago, teaching stage combat and overseeing the violence in the theater department; and Guido Crescendo in Dirk and Guido: the Swordsmen! -now in their 31st season A free-lance fight director with over 400 productions staged over the past 40 years here in Chicago with side trips to New York, LA, London and Dublin. Award winning fights include: PLAYBOY OF THE WESTERN WORLD, Raven Theater (Jeff Award for Best Fight Direction, 2014); SUPERIOR DONUTS, Mary Arrchie Theatre Company (Joseph Jefferson nomination for best fight direction 2012); THE ELABORATE ENTRANCE OF CHAD DEITY, Teatro Vista at Victory Gardens (Jeff Award for Best Fight Direction, 2010); NORMA AND WANDA, the Purple Rose Theater in Chelsea, Mich, (Oakland Press Award for Best Choreography 2005); LES LIASONS DANGEREUSE, Interplay Theatre, (Off-Loop Theatre Award for Best Fight Direction 1991). For his body of work in 1988, he was CHRISTOPHER KRIZ (Sound Design) is awarded a Special Joseph Jefferson Award an award winning composer and sound designer based in Chicago. For Theater Wit, for Consistent Excellence in Stage Combat Kriz has designed THE REALISTIC JONESES, Choreography, (14 productions including all the nominated best productions). Favorite SIGNIFICANT OTHER, MR. BURNS: A past stagings include: the world premiere POST-ELECTRIC PLAY, SEVEN HOMELESS MAMMOTHS WANDER NEW ENGLAND, of EDMOND, Goodman Theater and TIGERS BE STILL, THIS, AND SPIN. Chicago: Provincetown Playhouse, NYC; PYRATES!, Defiant Theatre; THREE MUSKETEERS, Goodman Theatre, Steppenwolf, Chicago Shakespeare, Chicago Symphony Orchestra, Emanon Theater company; ten years as resident fight director for the Chicago Remy Bumppo,Victory Gardens, Timeline, The Gift Theatre, American Blues, Shattered Shakespeare Theater and three years of Dungeonmaster: the Ultimate Role-Playing Globe, and many others. Regional: Seattle Fantasy Trip for Moose Productions. His Repertory Theatre, Kansas City Repertory last staging before the pandemic put an end Theatre, Alabama Shakespeare Festival, Theatre Squared, and many summer seasons to life as we knew it was twenty50 at the Denver Center for the Performing Arts. JONATHAN BERG-EINHORN (Properties Designer)is a Chicago based designer and artisan. Scenic Design: WHO KILLED JOAN CRAWFORD? (Glitterati Productions), ALICE IN WONDERLAND, THE ARC TRIALS (Mudlark Theatre); CURIOUS GEORGE: THE GOLDEN MEATBALL (Hope Summer Repertory Theater); BROOKE ASTOR’S LAST AFFAIR (Chicago Musical Theatre Festival), THE SEVEN DEADLY SINS, ENDGAME (Boston University). Prop Design: TEENAGE DICK (Theater Wit) HAYMARKET (Underscore Theatre); SOMETHING CLEAN, SCIENTIFIC METHOD, I WANNA FUCKING TEAR YOU APART (Rivendell Theatre Ensemble); HELA, THE RIDICULOUS DARKNESS (Sideshow Theatre); SHEEPDOG, HANNAH AND MARTIN (Shattered Globe Theatre);TWICE, THRICE, FRICE (Silk Road Rising); ELEPHANT MAN, BOMBER’S MOON (William Street Rep); I KNOW MY OWN HEART (Pride Films and Plays). www.Jonathanbergeinhorn.com.
CAST continued JON BEAL (Fight Choreographer) past design credits include The House Theatre, Silk Road Rising, Goodman,Victory Gardens, The Hypocrites, Birch House Immersive, BoHo Theater, Black Burton’s Eyes, Steep Theatre, Sideshow Theatre, Muse of Fire Theatre, and Jackalope. Jon recently received an Equity Jeff Award for fight choreography for his work in CARDBOARD PIANO at TimeLine Theatre, and will be seen onstage this fall in MACBETH at the Lyric Opera of Chicago. For more, visit jonbeal.com or jkfights.com KAI YOUNG (Fight Choreographer) is a chicago based stunt performer, actor, and action designer. he frequently enjoys manifesting mayhem for the stage and screen. enjoy the show! MATTHEW R. CHASE (Production & Facilities Manager) Matthew R. Chase is a Chicago-based Theatrical Production Manager & Sound Designer. Recent credits include: Sound Design of ANYONE CAN WHISTLE, COOKING WITH BUBBIE & VERONICA’S ROOM (Skokie Theatre), GIGI’S PARTY (Yellow Rose Theatre), URINETOWN & XANADU (Columbia College Chicago), 9 TO 5 & MAMA MIA (Golden Ticket Productions) Assistant Sound Designer for SOPHISTICATED LADIES, SUNSET BOULEVARD, A CHORUS LINE & A GENTLEMAN’S GUIDE TO LOVE AND MURDER (Porchlight Musical Theatre) HEDWIG AND THE ANGRY INCH (Theo Ubique), THE BALLAD OF LEFTY & CRABBE (Underscore Theatre Company) KATIE KLEMME (Stage Manager) is delighted to be revisiting MR. BURNS after having stage managed Wit’s 2015 production. Other Theater Wit credits include The REALISTIC JONES, 10 OUT OF 12, THE NEW SINCERITY, SANTALAND DIARIES, SEVEN HOMELESS MAMMOTHS WANDER NEW ENGLAND (Chicago & Las Vegas), and SPIN. Other recent credits:
HAMILTON: AN AMERICAN MUSICAL (Chicago, Sub), INTIMATE APPAREL, THE WICKHAMS: CHRISTMAS AT PEMBERLEY AND LANDLADIES (Northlight); INTO THE WOODS (Writers); SORIN: A NOTRE DAME STORY (National Tour); IF I FORGET, INDECENT, LETTIE (Victory Gardens); SOUTHERN GOTHIC, APARTMENT 3A, THINGS YOU SHOULDN’T SAY PAST MIDNIGHT (Windy City Playhouse); and MOTHER AND ME (Geva Theater Center, Rochester, NY). She was resident production stage manager at American Theater Company from 2008-2018 where highlights included the world premieres of DISGRACED (Pulitzer Prize), THE PROJECT(S), AND COLUMBINUS (Chicago and ArtsEmerson, Boston). She is on the faculty at Loyola University Chicago and is a proud member of Actors Equity Association. LUCY WHIPP (Assistant Stage Manager) is a stage manager and production manager and now an assistant stage manager in her first production with Theater Wit. She works primarily with The Story Theatre as a member of the governing ensemble and production manager, including productions of LEAVE ME ALONE! and AT THE WAKE OF A DEAD DRAG QUEEN, as well as several digital workshops and readings with Chicago playwrights developing new work. Other favorite credits include PLANO (First Floor Theater, Steppenwolf Lookout), HOODOO LOVE (Raven Theater), and FAILURE: A LOVE STORY (LUC). Holding remembrance for those we have lost, feeling incredibly grateful for her friends, family, her partner and those that are coming to the theater once again. LAUREN PETERS (Run Crew) (She/Her) is a recent graduate of Loyola University Chicago and first timer at Theater Wit. Credits include: 25TH ANNUAL… SPELLING BEE (ASM), MY MAÑANA COMES (SM), MUCH ADO ABOUT NOTHING (ASM), FUN HOME (SM). She hopes you enjoy the show!
CAST continued LIZ GOMEZ (Production Electrician) Liz is an electrician based in Chicago and is thrilled to be working with Theater Wit for the first time. Recent productions in Chicago include:VERBOTEN, THE NUTCRACKER, and THE LAST DEFENDER (House Theatre), A DOLL’S HOUSE (Raven Theatre), and Labyrinth (Broken Nose Theatre). Liz has also been the production electrician and designer at Perry-Mansfield Performing Arts in Steamboat Springs, Colorado for several summers. Liz is a Columbia College graduate in Lighting Design EMILY ALTMAN (Paint Charge) is excited to be back at work painting theatre and special event scenery all over Chicagoland. She has overseen the paint process on over 60 theatre productions over the last 15 years in addition to her mural and faux finish work in commercial and residential spaces. In addition to Theater Wit’s production of MR. BURNS, her work can be seen on Fever Production’s performance of SLEEPY HOLLOW currently playing downtown CARLOS MENDOZA (Percussion) Originally from the southside of Chicago, Carlos holds a bachelor’s degree in music education and percussion performance from The Chicago College of Performing Arts at Roosevelt University. Records/ UK), Frankie Avalon (Varese Sarabande), Michael McDermott (EMI) and Oh My God (Warner Brothers). Carlos began his theater career as a 10-year veteran of the original Chicago cast of TONY N’ TINA’S WEDDING at Pipers Alley in 1996 and since then, has performed for a wide variety of Chicago theatre productions. Most recent shows include: THE FULL MONTY, ALTAR BOYZ, A NEW BRAIN, A CHORUS LINE, HEDWIG AND THE ANGRY INCH, HELLO AGAIN, WORKING AND GREY GARDENS. When not performing, Carlos is also a music educator and producer in
Chicago. Carlos would like to give a special shout out and thank you to his two amazing children Zen & Solstice and his mom Sharon for all of their support! SCOTT SEDLACEK (Acoustic Guitar/ Upright Bass) is extremely happy to be performing at Theater Wit. He has been a regular at Mercury Theater Chicago playing guitar for THE COLOR PURPLE, AVENUE Q (2014 & 2018), THE ADDAMS FAMILY, HAIR, AND LITTLE SHOP OF HORRORS. He has also worked as a sound engineer for the Mercury and many other venues and professional companies across Chicago. Other shows include OKLAHOMA and THE SPITFIRE GRILL at American Blues/ American Theater Company. Scott is a graduate of Columbia College in Music Composition. He would like to thank his family; wife Janet and kids Joey and Kristiana for letting his freak flag fly! Scott would also like to wish “Peace on all of ya’s!”.
YOU
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At Theater Wit We are a theater company within a building, within a community, within a world. As a production company, Theater Wit’s mission is to be the premier “smart art” theater in Chicago by producing humorous, challenging, and intelligent plays that speak with a contemporary theatrical voice. As an institution, Theater Wit seeks to be the hub of the Chicago neighborhood theater scene. In our three spaces, we bring together Chicago’s best storefront theater companies. Here you will find a smorgasbord of excellent productions, see the work of a parade of talented artists, and mingle with audiences from all over Chicago.
In the Middle of a Community Everyone here: folks in the audience… the person who handed you this program… somewhere on or off the stage there are actors… if you look up in the corner you might get a glimpse of the stage manager in the booth… We’re all in this room for the same reason: to be a part of this shared experience. No matter who they are or where they come from; no matter if they are complete strangers or familiar faces; no matter how different the age, the race, or the walk of life; after this performance, you will have something in common. So, strike up a conversation in the lobby, introduce yourself to someone new. Meet our staff, shake hands with an actor, get a drink from our bar. We’re all in this together.
Part of the Chicago Scene Theater is part of the Chicago experience. Each year, over 200 theaters present thousands of shows to Chicago’s loyal and enthusiastic theater-going audience. Chicago’s theater community is recognized around the world for its talent, its innovation and its power to entertain and enlighten. If Tony awards were sports championships, our artists would beat out the combined efforts of Michael Jordan, Bobby Hull, Jim McMahon, Jermaine Dye, and the entire Chicago Cubs roster going back 100 years. This stage is a Chicago stage, contributing to the vibrant artistic life of our city and the economic development of our neighborhood. Very few cities on the planet offer the theatrical richness and diversity of Chicago. But you get to share in it. Because you are here.
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HERre E ANY TIME ANY SHOW AS OFTEN AS YOU LIKE
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STAFF BOARD OF DIRECTORS KATHRYN STIEBER President CHARLES HORNEWER Treasurer NEAL SMYTH Secretary ROGER DANIEL DAVID MAHVI ROCHE SCHULFER BRUCE WECHSLER
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