UWM Peck School of the Arts - Les Liaisons Dangereuses

MAINSTAGE SERIES

Les Liaisons Dangereuses November 20-24, 2013 7:30pm WED-Sat, 2:00PM SUN MAINSTAGE THEATRE arts.uwm.edu/theatre

Ladies and gentlemen, there can be no flash photography during the performances and no video or audio recording of the show. We thank you for remembering to turn off any personal electronic devices that might beep, buzz, ring, or vibrate.

Written by Christopher Hampton Directed by Rebecca Holderness

Scenic Designer Costume Designer Lighting Designer Sound Designer Wig and Makeup Designer

R.H. Graham Jason Orlenko Sarah M. Hamilton Chris Guse Dana Rochester

“Les Liaisons Dangereuses� is presented by special arrangement with SAMUEL FRENCH, INC.

The director of this show is a member of the Stage Directors and Choreographers Society There will be one 15 minute intermission.

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CAST Le Vicomte de Valmont...........................................................................................McCormick Sweeney La Marquise de Merteuil........................................................................................................... Sasha Sigel Major-domo...........................................................................................................................Andy Montano Mme. De Volanges......................................................................................................................Emily Rindt Cecile Volanges.............................................................................................................Gretchen Mahkorn Azolan, Valmont’s valet de chamber.......................................................................................Willy Jonas Mme. De Rosemonde........................................................................................................Louisa Ochieng La Presidente de Tourvel.................................................................................................Maggie McGwin Emilie, a courtesan.......................................................................................................................Emily Mello Le Chevalier Danceny..........................................................................................................Bryson Langer Servants.................................................................................... Nolen Borne, Clara Forrest, Kelly Layde D R A M AT U R G ’ S N O T E S Turmoil in France, Turmoil in the Theatre The 18th Century theatre in France, as in much of Europe, was a time of tumultuous change. The codified rules of Classicism were beginning to lose their hold on the drama and Shakespeare was beginning to make inroads on the French stage, though only in carefully sanitized and regularized adaptations. Traditions regarding appropriate subject matter for serious drama were breaking down and by the middle of the century even the bourgeoisie was beginning to find a place in derivations from the English play, The London Merchant, by George Lillo. Even the highly distinctive baroque form of musical theatre developed by Lully and Charpentier and continued by Rameau was beginning to face competition from the more free and easy style of Italian opera or the reform operas written in Paris by the German composer, Gluck. This turmoil in the theatre was only one element, of course, in the rumblings of the greater disturbances to come in 1789 with the storming of the Bastille.

When Choderlos de Laclos’ novel, Les Liaisons Dangereuses made its sensational appearance in 1782 these changes, both artistic and political, were very much in the air. Only two years later Beaumarchais’ Le Marriage de Figaro, with its overt challenge to the aristocracy, was a huge hit. While opinions are divided about how consciously Laclos was criticizing the morality of the upper class, readers could hardly overlook these implications of the novel in the context of such a politically charged time. It is worth noting that the sexual aspects of the book for which the novel later became notorious, while certainly noted, did not lead to its being banned until 1824, well after the Revolution.

Art and politics in our day have a lot in common with their state in the 18th Century, and it is not surprising that Les Liaisons Dangereuses has inspired such an array of theatrical and cinematic adaptations in the last twenty years. Sadly, its cutthroat amorality and calculated venom are quite in tune with life in the 20th and 21st Centuries. How long can it be before an adaption comes along which is specifically set in the world of the one percent?

Corliss Phillabaum 2

UWM Peck School of the Arts

D I R E C TO R N O T E S We study in the theater. We study everything from texts to table manners. The stage is our classroom. But what is the underlying subject of our study? I think it is the puzzle of human beings. To me each play is a maze of human beings, a puzzle ball of sorts, to be unlocked.

What unlocks this play for me is passion. It is elusive and compelling, animal and analytical, life affirming and destructive. I am a passionate woman. Women are often relegated to the compassionate gender not the passionate one. Yet women tell of the loss of passion in their lives as similar to the loss of a limb. I ask myself and I ask you, if you met the person who inspired and met your passion, what would you do for them? Or to them?

In this play there is a tension between the call of skin on skin and the pleasure of artifice.

In this play we question compassion, desire, cruelty and finally love. In spite of their corsets and lace, I feel a beating humanity in each of these creatures. So I hope you see them framed on a proscenium stage as both distant and familiar. As intimates.

Your presence is a present.

Thank you for being our audience.

Rebecca Holderness SPECIAL THANKS Wigboys, Oregon Shakespeare Festival Costume Rentals, Skylight Music Theatre, Milwaukee Repertory Theatre, Rebecca Littman and the Music Library, Max Yela and Special Collections, Corliss Phillabaum, Jim Guy at Milwaukee Repertory Theatre and Wayne Smith at The Theatre School at DePaul University CAST BIOGR APHIES Nolen Borne Servant Nolen is a Junior in the BFA Acting program at UWM. He’s so thankful to Rebecca for the opportunity to assistant direct! He’s thrilled to be working with such talented people, and getting a different perspective on the acting process.

Nolen recently appeared in Pink Banana Theatre Co.’s production of Dark Play or Stories for Boys.

Clara Forrest Servant Clara is a Junior and in her second year in the BFA Acting program.

This is her first role on the Mainstage.

She has previously been in Meet Me at the Avant Garde and was an understudy in Uncommon Women and Others. She has really enjoyed working with everyone in the cast and being involved in such a large production. She would like to thank her family, friends and everyone who has been supportive of her career choice.

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Willy Jonas Azolan Willy is a Junior at UWM, and a second year in the BFA Acting program. His previous roles at UWM include Mr. Marmalade in Mr. Marmalade, Lenny in Marisol, and the unforgettable role of Servant/Old Man in King Lear. He would like to thank everyone for coming to the show.

Bryson Langer Le Chevalier Danceny Bryson, originally from Columbus, Wisconsin, is a Freshman who was recently accepted into the BFA acting program. He is honored to be playing Le Chevalier Danceny in his first UWM production. Bryson has been acting since the age of ten and has been in numerous shows with the Red Bud Theatre of Columbus and the Sun Prairie Civic Theatre. He would like to thank his family for the incredible amount of support.

Enjoy the show!

Kelly Layde Servant Kelly, a Milwaukee county native, is a first-year BFA Acting student. This is her first production at UWM, which has been an exciting, challenging, and overall, refreshing experience for her thus far in her training. Although her role is small, Kelly is proud to be given the opportunity to explore the world of 18th century France. She thanks everyone involved for all the hard work they’ve put into every performance.

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Gretchen Mahkorn Cecile Volanges Gretchen is in the BFA Acting Program at UWM. Past UWM credits include: King Lear and As You Like It. She is the Artistic Director and cofounder of The World’s Stage Theatre Company, and has produced over 15 productions. This past summer she made her Off-Broadway producing and acting debut in Waiting... A Song Cycle at the Cherry Lane Theatre with The World’s Stage Theatre. Gretchen trained at London Academy of Music and Dramatic Art in their intensive classical summer conservatory.

Maggie McGwin La Presidente de Tourvel Maggie McGwin is in her fourth and final year at UWM, pursuing a BFA in Acting as well as a certificate in Celtic Studies. Previous credits include The Penelope Project with Sojourn Theatre, A Piece of My Heart, Mr. Marmalade, Independence, Blood Wedding, and Eclipsed with Milwaukee Irish Arts. Maggie has also studied at the Gaiety School of Acting, The National Theatre School of Ireland, in Dublin. Special thanks goes to her family and friends for their constant love, support, and patience.

Emily Mello Emilie Emily is in her second year of the BFA Acting Program and is honored to be a part of this stunning production. A few of her past experiences include UWM’s Blood Wedding, Gruesome Playground Injuries, Julius Caesar - Abridged and several student films. Having studied

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Theatre, Film and Journalism, Emily plans to continue her work on the West Coast as an actor and writer for the stage and screen. Emily would like to thank her family and friends for their never-ending support and inspiration.

Andy Montano Major-domo Andy Montano is delighted to be making his UWM debut in Les Liasons Dangereuses!

Andy is a first year student hoping to enter the BFA program next semester. Previous productions at the College of Lake County include: Dr. Stockman in Enemy of the People, Tiny Tom in Urinetown, and King Menalaus in Orestes.

Thanks to everyone who came to see the show and who supported and believed in him to make this journey a great one. Enjoy the show!

Louisa Ochieng Mme. de Rosemonde Louisa Ochieng is returning to the UWM Mainstage as a junior in the BFA Acting program. Roles Louisa has played in the past include Sophie in Lynn Nottage’s Ruined, and The Beauty in A Memory, a Monologue, a Rant, and a Prayer, as well as Mama Euralie in Once On This Island. Louisa would like to thank her amazing friends and family for their continued love and support.

Emily Rindt Mme. de Volanges Emily is a secondyear senior at UWM studying in the BFA Acting program. She is extremely happy to be involved in this performance of Les Liaisons Dangereuses and to be working

with such a great cast and crew. Her recent credits include Meet me at the Avant Garde and Independence in the UWM Labworks series, and Punkplay with The World’s Stage Theatre Company. Emily also recently had her directing debut with Fly Steffens Love is a Horse. Emily is really grateful to her friends and family for all of their support throughout the process of this show.

Sasha Sigel La Marquise de Merteuil Sasha will be graduating this spring with a BFA in Acting and a certificate in Peace Studies and Conflict Resolution. Previous acting credits at UWM include Blood Wedding, Independence, Mr. Marmalade, A Piece of My Heart, Aimee and Jaguar, and How It Is in Heaven. She assistant directed Anton’s Walk at UWM and The Detective’s Wife at Chamber Theatre. Sasha would like to thank her co-artists, family, friends, and John for their love and support.

McCormick Sweeney Le Vicomte de Valmont McCormick is a second year in the BFA Acting program here at UWM. Liaisons is his fifth show with previous credits including Three Sisters, King Lear, As You Like It, and Meet Me at the Avant Garde.

McCormick would like to thank his family, his cast, his directors, his professors, his dogs, and the Kid$.

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C R E AT I V E T E A M B I O G R A P H I E S Rebecca Holderness Director Rebecca Holderness is a director, choreographer and teacher, artistic director of The Battery Factory- Selected Projects: Lori-Parks 365 Plays at Joe’s Pub and The Public Theatre/NYC with the Director’s Project, King Lear at Shakespeare and Company, as well as acclaimed Ruined, Twelfth Night, Einstein’s Dreams, and Crowns at Burning Coal in North Carolina, NYC/Off Broadway: The Life of Spiders, Kelly Stuart, HTC/The Culture Project; The Lion, The Witch and The Wardrobe, tour for Lincoln Center Institute; LCT Lab and with award winning writers Einstein’s Dreams, Kipp Erente Cheng at The Culture Project. With HOLDERNESS THEATER COMPANY Cymbeline, Twelfth Night and, The Changeling at 45 Bleeker and The Rose Theater Lincoln Center. 1000 Butterflies Steve Belber at Julliard. Further directing at Shakespeare and Company, Les Choregies D’Orange, and France and around the USA. At UWM, King Lear, Three Sisters, Hay Fever by Coward, The Road North – Meet Met at the Avant Garde,

original musical works, Accidental Death of an Anarchist , by Fo, Of Mice and Men

by Steinbeck, 1001 by Jason Grote, Ghost

by Zakiyyah Alexander, Mr. Melancholy by Matt Cameron. In 2011 choreographer for As You Like It at Shakespeare and Company.

Associate professor of Acting, Directing at UWM. Received her MFA in Directing from Columbia University NY and is an associate Teacher of Fitzmaurice Voice Work. Member of SDC. Jason Orlenko Costume Designer Is thrilled to return to UWM after graduating in 2008. Since then, Jason has received an MFA in Costume Design at Indiana University where he designed A Midsummer Night’s Dream, The Vibrator Play, Angels in America, Rent, and Take Me Out. Other previous designs include Forever Plaid (Milwaukee Rep), Dirty Rotten Scoundrels (Marquette), Waiting…A Song Cycle (The World’s Stage Theatre and Cherry Lane Theatre, NYC), 4000 Miles (Rep of St. Louis), The Nightmare Room (In Tandem Theatre),

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PECK SCHOOL OF THE ARTS

Les Liaisons Dangereuses TICKET STUB IS WORTH

20% off 2625 N. Downer Ave. Milwaukee, WI www.viadowner.com 414.501.4510 6

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One per check. Food only.

Valid until December 7th, 2013 Not combined with any other offer.

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The Sound of Music and Oklahoma! (Jenny Wiley Amphitheatre), You Can’t Take It With You and The Taming of the Shrew (Indiana Festival Theatre). Upcoming, Jason will be designing The Understudy for Renaissance Theatreworks and Hydrogen Jukebox for Skylight Music Theatre. www.jasonorlenko.com R.H. Graham Scenic Designer Mr. Graham was a Resident Scenic and Lighting Designer for the Milwaukee Repertory Theatre Company for five years during Nagle Jackson’s artistic leadership and Resident Lighting Designer for the Milwaukee Ballet Company for three years during Jean Paul Comelin’s artistic leadership. Mr. Graham has also been a Resident Designer at the Alley Theatre in Houston and the Mill Mountain Playhouse in Roanoke, Virginia. He has designed for theatre, dance and opera across the country, including New York and Chicago and for virtually every theatre company in Milwaukee as well as the Milwaukee Art Museum, the Milwaukee Symphony Orchestra and Discovery World. He was resident designer for Theatre X for 14 years and a member of the company. His international credits include productions in Germany, Japan, Australia, Canada, Slovenia, and China. His critically acclaimed scenic design for Michael Pink’s Peter Pan for Milwaukee Ballet was presented in Denver in March, 2012 and again in May at the Marcus Center in Milwaukee.

His scenic design for Milwaukee Ballet‘s World Premiere of La Boheme opened in October, 2012. His recent designs include Renaissance Theatreworks, Next Act Theatre, and Theatre Gigante where he serves on the Board of Directors. Mr. Graham has been teaching and designing at the University of Wisconsin- Milwaukee since the founding of the Professional Theatre Training Program

by Sanford Robbins.

Chris Guse Sound Designer Chris most recently designed sound for Ruined, Blood Wedding, Sins of Sor Juana, By The Bogs of Cats and The Last Days of Judas Iscariot with the University of Wisconsin

- Milwaukee. He also recently designed sound and projections for Milwaukee Chamber Theatre’s The Detective’s Wife. Not so recent sound design projects include The Flu Season with Youngblood Theatre Company, Collected Stories, Heroes, Jeeve’s Intervenes, Duet for One, Well, Talley’s Folly and Moonlight and Magnolias with Milwaukee Chamber Theatre and Neat and Crumbs from the Table of Joy with Uprooted/ Renaissance Theatreworks. Chris designed sound and composed music for UWM’s productions of Oedipus Rex, 1001, Caucasian Chalk Circle, Mr. Melancholy, Einstein’s Dreams, and From These Green Heights. He assisted R.H. Graham on the Scenic Design for Milwaukee Ballet’s La Boheme and Peter Pan, and designed the sound systems for the KOHL’S WILD THEATRE installation at the Milwaukee County Zoo. An Associate Professor at UWM, Chris is a Certified Online Instructor, teaching in the areas of sound design/technology, computer drafting and technical direction.

Sarah M. Hamilton Lighting Designer Sarah is proud to be joining the UWM Department of Theatre for her first production. Currently the Production Manager for the UWM Department of Dance, Sarah has spent nearly fifteen years in regional theatre design and production. She has worked with a diverse array of companies including the Illinois Shakespeare Festival, Victory Gardens Theatre, CenterStage (Baltimore), and Portland Center Stage. Locally, Sarah has served on the technical staff of First Stage Children’s Theatre, Skylight Music Theatre, Boulevard Ensemble Studio Theatre, Carroll University, and the Milwaukee Ballet. She holds an MFA in Theatre (Lighting Design) from Illinois State University, and designs for a variety of independent architectural and events clients in addition to theatrical and dance productions. Special thanks to Jess Green and Hannah Hamilton for their love and support!

Dana Rochester Wig and Makeup Designer Dana Rochester is an alumna of UWLes Liaisons Dangereuses

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Milwaukee with a BFA in Theatre for Costumes and a graduate from The Institute of Beauty and Wellness, an Aveda Cosmetology Academy. She currently teaches the Stage Makeup classes here at UWM and is very excited to be teaching an Advanced Makeup class in the spring as well. Her most recent hair and makeup design work was done for Skylight’s Fidelio. Her work as a hair and makeup designer / artist / assistant / build crew / run crew has been with such lovely companies as Skylight Music Theatre, The Milwaukee Rep, Florentine Opera, Chamber Theatre, Intandem Theatre, Pine Mountain Musical Festival, Utah Shakespeare Company, The Prairie School, Marquette University, Cardinal Stritch University, and of course UWM. Corin Davidson Stage Manager Corin is a third year BFA Stage Management student. Her previous UWM shows include: A Piece of My Heart, Mr. Marmalade, As You Like It, Uncommon Women and Others, and Blood Wedding. Her professional experiences

include shows with The World’s Stage Theatre Company and Chamber Theatre.

Corin is thrilled to be working with this amazing cast and crew. She would like to thank her Grandmother for always making the trip, Jess for always being a phone call away, and Kelsey for her never-ending love and patience.

Alex Grzybowski Assistant Stage Manager Alex is a senior in the BFA Stage Management program. He is very excited to be working on this production of Les Liaisons Dangereuses.

Previously he has stage managed for the UWM shows Ruined and Independence; as well as working as the assistant stage manager for The Sins of Sor Juana and The Nature of Mutation. Thank you to the cast and the production team for all of your hard work on this show!

PRODUCTION PERSONNEL Artistic Staff Assistants to the Director............................................................ Nolen Borne, Erika Kirkstein-Zastrow Fight Choreographer........................................................................................................Gretchen Mahkorn Stage Management Staff Stage Manager...........................................................................................................................Corin Davidson Assistant Stage Manager..................................................................................................... Alex Grzybowski

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Technical Production Staff Technical Director.............................................................................................................................. Chris Guse Production Shop Supervisor....................................................................................................Tim Laughner Assistant Technical Director............................................................................................... Cody Sherlowsky Paint Charge................................................................................................................................. Robert Boinski Scenic Artisans............................................................ Cody Sherlowsky, Robert Boinski, Will Haglund Technical Crew.................................................................................................... Students of 214 Stagecraft Properties Director..................................................................................................................Sandra J. Strawn Props Master................................................................................................................................ Adam Jermain Properties Artisan......................................................................Katrina Moondancer Drake, John Leahy Lighting Director............................................................................................................... Stephen Roy White UWM Peck School of the Arts

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Master Electrician..............................................................................................................................John Leahy Electricians............................................................................................................ Students of 214 Stagecraft Light Board Operator................................................................................... Corbin Putz, Jennifer Higgins Sound Board Operator..................................................................................................... Victoria Schleicher Deck Crew......................................................................... Lindsay Schneider, Corinne Roth, Reed Little, Jessica Ruppel, Erin Poulos, Conner Dempsey, Alec Lachman Costume Production Staff Costume Director................................................................................................................Pamela J. Rehberg Show Supervisor................................................................................................................................ Chen Chen Assistant Show Supervisor.............................................................................................. Megan Linesmeier Costume Crafts............................................................................................................................. Andrew Beyer Drapers................................................................................................................Chen Chen, Olivia J. Herrera, Megan Linesmeier, Levi Miles, Katie Young First Hands......................................................................... Jane Anello, Colby Breyfogle, Katherine July, Jennifer Magnuson, Clare Richey-Kaplan, Emily Strohmenger Stitchers.........................................................................................Students of 225 Costume Construction Wardrobe Supervisor........................................................................................................ Megan Linsemeier Wardrobe Crew.............................................................. Olivia J.Herrera, Katie Young, Wren DuVernois

D E PA R TM E N T O F T H E AT R E LeRoy Stoner...................................................................................................................................................Chair Administrative Staff Kristy Volbrecht..........................................................................................................................Office Manager Faculty and Teaching Academic Staff Katherine Balsley....................................................................................................Lecturer, Popular Culture Anne Basting, Ph.D....................................................................................................... Professor, Playwriting Jessica Berlin................................................................................................... Lecturer, Stage Management Dick Chudnow...........................................................................................................................Lecturer, Acting R.H. Graham..............................................................................Associate Professor, Graphics and Design Christopher J. Guse...............................................Associate Professor, Scenic and Audio Production Rebecca Holderness..........................................................................................Associate Professor, Acting Anthony Horne.............................................................. Assistant Professor, Directing, Musical Theatre Tim Laughner................................... Associate Instrumentation Innovator, Scene Shop Supervisor Jeffrey Lieder...........................................................Associate Professor, Head of Costume Production Michelle Lopez-Rios..........................................................................Associate Professor, Voice & Speech Raeleen McMillion......................................................................................................Senior Lecturer, Acting Robin Mello, Ph.D........................................................................Associate Professor, Theatre Education Corliss Phillabaum, Ph.D..................................................................Professor Emeritus, Theatre History Pamela J. Rehberg........................................................................................................... Professor, Costumes Alvaro Saar Rios........................................... Assistant Professor, Play Analysis, Playwriting, Devising Pamela Schermer....................... Associate Professor, Visual Communication for Performing Arts Sandra J. Strawn.......................... Professor, Properties Production, Head of Technical Production James Tasse.................................................................................................................................Lecturer, Acting Jenny Wanasek..........................................................................................................................Lecturer, Acting William Watson................................................................................... Associate Professor, Head of Acting Stephen Roy White................................................................................. Senior Lecturer, Lighting Design Les Liaisons Dangereuses

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PECK SCHOOL OF THE ARTS Scott Emmons................................................................................................................................................Dean Kimberly Cosier..........................................................................................................................Associate Dean James Burmeister....................................................................................................... Interim Assistant Dean ADMINISTRATIVE STAFF Mary McCoy.....................................................................................................................Assistant to the Dean Randall Trumbull-Holper.................................................................................................. Facilities Manager Sandra Stetter.................................................................................................... Human Resources Manager Amanda Obermeyer..................................................................................................... Accounting Manager DEVELOPMENT AND MARKETING STAFF Diane Grace.................................................................................................................. Development Director Ellen Friebert Schupper.............................................Director, Marketing and Community Relations Nicole Schanen................................................................................................................Marketing Specialist Justin Kunesh...............................................................................Manager of Design/Web Development Jaclyn Gerbenskey............................................................................................................... Student Designer BOX OFFICE Christine Barclay............................................................................................................... Box Office Manager Maria Del Carmen Corpus, Charlie Ewert,.........................................................................Box Office Staff Alycia Griesi, Katie Henry, Aaron Kuczmarski, Marissa Milano, Alyse Page, Liz Parsons, Sam Pavel, Marina Rebellato, Bob Schaab, Veronica Thornton and Patrick Wilson.

T H E C O R L I S S P H I L A B AU M T H E AT R E P R I Z E Established by an anonymous donor, the prize provides scholarships to undergraduate students majoring in theatre. The donor named the award in honor of Professor Phillabaum for his role inspiring students with the depth of theatrical traditions while teaching at UWM. Professor Emeritus Phillabaum taught theatre history in UWM’s Department of Theatre from 1964 to 2004. The donor views this award as an opportunity to acknowledge and support the hard work of current students. Aware of the many hours demanded of students in the theatre program, and that many students need outside jobs as well to support their education, the donor wishes to provide a little something extra to help out and encourage a new generation of theatre professionals.

Congratulations to the Fall 2013 Phillabaum Prize recipients: Andrew Beyer Robert Boinski Nolen Borne Chen Chen Corin Davidson Katie Grayson

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UWM Peck School of the Arts

John Leahy Gretchen Mahkorn Edward Massey Maggie McGwin Levi Miles Emily Rindt

Megan Scheftner Sasha Sigel Emily Stromenger Katie Young Angela Zylla

C A L E N DA R Mainstage Series Mar 5-9 Laughing Stock

By Charles Morey; Directed by Michelle Lopez-Rios April 30-May 4 Urinetown: The Musical Music and lyrics by Mark Hollmann; Book and lyrics by Greg Kotis; Directed by Tony Horne Tickets: $17 general/$15 seniors, faculty, alumni/$8 students ($5.00 presale) Mainstage Theatre The Arts Center 2400 E.Kenwood Blvd.

LabWorks Series Dec 4-8 Gint

By Romulus Linney; Directed by Jim Tasse Feb 28-Mar 2 & Mar 6-9 Cementville

By Jane Martin; Directed by Michael Cotey April 25-27 & May 1-4 Cinderella: The First 30,000 Years A devised work written by Robin Mello and cast; Directed by Robin Mello Tickets: $10.

Kenilworth Studio 508 Kenilworth Square East 1925 E Kenilworth Pl. Labworks in Community May 7-18 Island of Milwaukee (Times/Locations TBD) A devised work written and directed by Anne Basting; devised by The Sojourn Theatre Company Additional Productions Dec 15 Musical Theatre Capstones in Mitchell Hall Room 254 April 3-6 Almost Maine (student-directed production; in Kenilworth 508)

By John Cariani; Directed by Emily Rindt

Box Office: Phone: (414) 229-4308 Location: Helene Zelazo Center for the Performing Arts 2419 E. Kenwood Blvd.

University of Wisconsin-Milwaukee Please visit our website: arts.uwm.edu

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