72 HOURS August 11, 2012

Page 16

FILM

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72 HOURS

Oscilloscope/Film Camp

Courtney Barnett in “Anonymous Club.”

A peek inside the mind of Courtney Barnett

BY MICHAEL O’SULLIVAN

on which Barnett maintains a kind of audio diary over the three years during which the film was shot.) The low-key music documentary The bulk of the film, which is “Anonymous Club” — ostensibly a divided into chapters with such portrait of Australian singer-songwriter wry titles as “You Must Be Having Courtney Barnett — kind of feels like So Much Fun” and “I Just Can’t Yell a movie about someone who doesn’t Anymore,” consists of Barnett traveling, really want to be in a movie. This is performing, interacting with fans, fine, and probably appropriate. working on songs and engaging in Barnett is known to be publicitysuch downtime activities as visiting a shy, to put it euphemistically, so guitar maker’s studio. She doesn’t talk it’s no surprise there aren’t many about relationships at all, or her hopes moments when she sits down in and dreams all that much, although front of filmmaker Danny Cohen’s there are times when someone asks her camera and answers questions. There about, for example, her experience of are, however, snippets here and panic attacks and depression. there of interviews she has given to, Mostly, the insight the film provides say, a radio station or some other into those things comes from her media outlet. (Cohen, a friend of the songs, of which there are — blissfully, musician, has shot some of Barnett’s for her many fans — plentiful examples. music videos and seems to know her At one point, Barnett reads from her well — well enough to have had the website, on which she had invited good idea to give her a voice recorder the public to post how they feel.

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