Frontiers Vol. 34, Issue 12 by Frontiers

OCT. 1 - 14, 2015 | VOL. 34, NO. 12

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SHIRLEY MANSON WOMEN WHO ROCK

Peaches Darlene Love Sinéad O’Connor Grace Jones Bonnie McKee Ivy Levan Madonna Ann and Nancy Wilson

AMERICAN HORROR STORY’S

10 QUEEREST MOMENTS

EXPLORING THE GAY GEEK UNDERGROUND PLUS

GAY DAYS DISNEYLAND 2015 INSIDE THE BROAD MUSEUM L.A.’S LUXE DUNGEON HOTELS

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Contents

OCTOBER 1 - 14, 2015

FEATURES

L.A.'s New Art Star

The World of Board Gaymes

Hard-Hitting Women of Music ON THE COVER Shirley Manson of Garbage photographed by Joseph Coultice

OCTOBER 14, 2015

Contents

Download our interactive digital edition with videos, expanded editorial, behind-the-scenes photos and more. Search for Frontiers magazine on

OCTOBER 1 - 14, 2015

DEPARTMENTS NEWSBOX 07 08 10 12

12 14

Kevin McCarthy's War Flashbulb Watercooler Public Outrage Follows Daraprim Price Gouging Pope Francis Charms and Confuses DateBook

07 27

THE GAY AGENDA 17

18 20 20

Book a Night of BDSM at Two L.A. Area Dungeons An L.A. Coffee Classic A Trio of New Gay L.A. Parties 5 Tips on Navigating Disneyland

TRAVEL 23 24 24

One Night in Zurich The Royal Vauxhall Tavern Protected In Search of the World's Best Concert Venues Honolulu Catches Scarlet Fever

17 35

CALENDAR 27 28 29 32 32

Gay Days Anaheim Tom of Finland Art & Culture Festival Don't Tell My Mother It Gets Better at The Wallis Eating Out: Leona

ENTERTAINMENT 35

36 37 38 38 39

The Top 10 Queerest Moments from American Horror Story Film Reviews Music Reviews Lifetime's 2 New 'Unauthorized Stories' Theater Reviews Coming to TV

COLUMNS 56 57 58 64

Billy Masters Gossip Gay Palm Springs Gaydar

23 58 Frontiers magazine is published by New Frontiers Media Holdings, LLC, 5657 Wilshire Blvd., Ste. 470, Los Angeles, CA. 90036, and distributed throughout Southern California. Up to the first three copies of any single issue are free; additional copies are $10 each. Violators caught stealing or destroying issues will be prosecuted under California Penal Code 484. For magazine subscriptions, please call (323) 930- 3220. The contents of Frontiers may not be reproduced in any manner, either in whole or in part, without permission from the publisher. All rights reserved. Letters to the editor, artwork, photography, manuscripts and other correspondence may be submitted to Frontiers at the above address. We cannot acknowledge or return material unless accompanied by a stamped, self-addressed envelope. Allow at least three months for processing. Publication of the name or photograph of any person or organization in articles or advertising in Frontiers is not to be construed as any indication of the sexual orientation or the HIV/AIDS status of such person or organization. Copyright ÂŠ 2015, New Frontiers Media Holdings, LLC.

PEOPLE INDEX James Brolin Mindy Cohn Miley Cyrus Jon Hamm 2

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64 29 39 08, 18

Caitlyn Jenner Dot Marie Jones Tracy Morgan Luke Perry

14 27 56 39

Evan Peters Danny Pintauro Traver Rains Lisa Vanderpump

35 08 25 58

OCTOBER 14, 2015

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Kevin McCarthy’s War Why an imploding GOP is not necessarily a good thing for LGBTs By Karen Ocamb

$2.3M The amount of taxpayer money spent to defend DOMA in federal court—a move backed by McCarthy that could prove problematic

SPEAK OUT

evin McCarthy wants the job. It’s hard to believe that the California Republican House Majority Leader would willingly want to wrangle with the same uncompromising, ideologically pure Tea Party insurgents that forced Speaker John Boehner to resign on Sept. 25. If becoming the third most powerful person in America seems the next step in McCarthy’s ambitious ascent to power since his election to Congress in 2006, will his onetime “Young Gun” ease with gay Republicans now prove an obstacle? And will an endless internal GOP war stymy progress on LGBT issues? He announced his intention to run for the Speakership on Sept. 28. “We have made real progress towards shrinking an overgrown federal government and reforming our broken entitlement system,” McCarthy wrote in a letter to Republican colleagues seeking their support. “But our work is far from done. We can’t ignore the differences that exist, but we can and must heal the divisions in our conference with work, time and trust.” McCarthy promised to listen to the conservative rightwing flank, something that Boehner had promised but apparently failed to do sufficiently. He noted that the majority should be “much closer to the people they represent.” The 50-year-old has at least one challenger, Florida Rep. Daniel Webster, a former speaker of the Florida House who tried to unseat Boehner earlier this year. “I would like to have a principle-based member-driven Congress,” Webster said, indicating he had backing from conservatives who despised Boehner’s occasional inclination to compromise with Democrats. Boehner endorsed McCarthy, which may not help him in the divided Republican House seemingly overtaken by outside

conservative groups and dozens of Tea Partiers—some of whom McCarthy recruited and helped elect in the 2010 Republican revolution. They consider McCarthy more of a political operative than a hardcore ideologue. “I don’t see how members of the Freedom Caucus can vote for Kevin McCarthy and go home to their town halls and tell them that things will be different now,” Kentucky Rep. Thomas Massie told Yahoo News. Even if McCarthy seems like the inevitable next House Speaker, where he stands in the Republican civil war between the business establishment and the right-wing Tea Party conservatives will determine if and how the federal government functions. But right now, the Republican internal war means that little to nothing of consequence will happen legislatively in Congress to benefit or protect the LGBT community. While the majority of Americans want to move on from the constant battles over “social issues,” Tea Party activists are focused on repealing the Affordable Care Act, defunding Planned Parenthood over abortions (even though the Hyde Amendment already prohibits federal funding for abortions), and passing the First Amendment Defense Act, a bill that

“I don’t know how you can get more extreme than that.” U.S. Supreme Court Justice Antonin Scalia is still fuming over June’s marriage equality decision, as evidenced by a recent speech he gave at Rhodes College in Memphis

*According to Statista.com OCTOBER 14, 2015

FLASHBULB continued

would use “religious liberty” as an excuse for an endrun around LGBT non-discrimination laws. Additionally, dismissing the Supreme Court as “un-elected activist” judges, they want a federal constitutional amendment to nullify marriage equality and enshrine heterosexual-only marriage as the law of the land. Here is where McCarthy’s past may haunt him. While McCarthy backed Boehner’s willful spending of $2.3 million of taxpayer money to defend the Defense of Marriage Act in federal court—which President Obama, Attorney General Eric Holder and the U.S. Supreme Court concluded was unconstitutional—the way McCarthy defended DOMA could be problematic. He argued for upholding the law, which religious right-wingers now argue they can ignore under their right to personal “religious liberty.” McCarthy defended the supremacy of the rule of law. There can’t be a system where “somebody decides, ‘Well, that’s law, but I just don’t like it.’ It doesn’t matter what the issue is. We have a court system. We have a rule of law we go through. And I think you have to go through the system,” McCarthy told the Christian Science Monitor in 2012. “I think there’s a responsibility on behalf of Americans to defend the rule of law.” Additionally, as part of the highly publicized team of “Young Guns” with Rep. Paul Ryan and then-Rep. Eric Cantor in 2014, McCarthy tried to invigorate a moribund GOP and recruit a new generation of political talent—which included backing gay congressional candidates Richard Tisei from Massachusetts and Carl DeMaio from San Diego. In fact, in June 2014, when McCarthy was elected Majority Leader, his hometown of Bakersfield was considered among the top 35 LGBT-friendliest cities in America. Former Republican Party Chair Michael Steele warned at the time that the rush to anoint McCarthy as Boehner’s number two would backfire. “Everyone’s doing the, ‘Oh, yes, party unity’ thing. But guess what, folks? This is not how this is going to play out, because there are a lot of conservatives around the country that are not happy with the process,” Steele told MSNBC. The same issue is being raised as McCarthy seeks the Speakership. “Some veteran lawmakers fear that the same group of conservatives that bedeviled the current speaker will trouble his successor,” writes Paul Kane in the Washington Post of the 30-50 Republicans who, with help from outside groups like Heritage Action and the anti-LGBT Family Research Council, make uncompromising judgments based on an ideological “purity” test. Meanwhile, back home, the California Republican Party raised the white flag and eliminated anti-gay language and the term “illegal alien” from the party platform in order to stay relevant. Will McCarthy even notice?

PRIMETIME EMMY AWARDS 2015, Microsoft Theater, Sept. 20—Amazon series Transparent was the big LGBT winner at this year’s ceremony. Top row: Sarah Paulson, Jeffrey Tambor, Lady Gaga, Claire Danes, Naomi Watts with Liev Schreiber, Transparent creator/director Jill Soloway Bottom row: Amy Schumer, Kerry Washington, Taraji P. Henson, Jon Hamm, host Andy Samberg

PALEYFEST FALL TV PREVIEWS, The Paley Center for Media, Sept. 9-16—The Paley Center celebrated the fall TV season with premiere screenings and panels. Top row: Ricky Martin, Ken Jeong, Marcia Gay Harden, William Petersen, Mark-Paul Gosselaar, Chris O’Donnell, LL Cool J Bottom: Marg Helgenberger with Ted Danson, Rob Lowe, Fred Savage, Tisha Campbell-Martin, John Stamos

SPEAK OUT “I missed the opportunity to be a beacon of light for gay kids.” Who’s the Boss? child star Danny Pintauro, now 39, to Oprah Winfrey about being outed in 1997 and revealing he’s been HIV-positive for 12 years

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EQCA EQUALITY AWARDS, JW Mariott at L.A. Live, Sept. 19—Each year EQCA honors the inspirational leaders and outstanding organizations whose selfless work helps create a more fair and just society. Top row: Sen. Ricardo Lara with Senate President Pro Tem Kevin de León, EQCA Executive Director Rick Zbur, Equality Award recipient Lisa Ling, Mayor Eric Garcetti Bottom row: Doreena Wong with EQCA Boardmember David Cruz and Lambda Legal’s Jennifer C. Pizer, Humanitarian Award winner Tom Steyer with State Controller Betty Yee

OCTOBER 14, 2015

WATERCOOLER

Your cheat sheet for intelligent conversation — By Peter DelVecchio

While 2014 saw the second smallest number of hate crimes in Los Angeles County in 25 years, those based on sexual orientation spiked, according to a new report from the L. A. County Commission on Human Relations. “28% of hate crimes were motivated by sexual orientation, and they grew 14%,” the report says. “After falling 41% the previous year, crimes targeting gay men rose 31%. The rate of violence for sexual orientation crimes grew from 71% to 81%, the highest rate of violence since 2003. This rate was much higher than the violence rate for racial crimes (68%) and religious ones (22%).” “Alarmingly, one-third of the reported hate crimes occurred at the homes of the survivors,” the L.A. LGBT Center release says. “And we rarely hear about landlords stepping up to evict a violent tenant or firing a homophobic manager. This is a huge issue.”

Obama Elbows the GOP at LGBT DNC Gala

President Obama doesn’t act like a lame duck. The night before addressing the UN General Assembly on global cooperation to counter extremists, he threw a few elbows at Republicans for their outdated ideas on LGBT rights. In a speech at a Democratic National Committee gala in New York City on Sept. 27, Obama said, “The good news is they probably won’t use marriage equality as a wedge issue [in 2016] like they did in 2004” because “the country has come too far.” Nonetheless, without naming names, Obama alluded to GOP presidential candiates Ted Cruz and Ben Carson and ridiculed former Arkansas Gov. Mike Huckabee’s call to defy the Supreme Court on marriage equality. “I’m sure he loves the Constitution, except for Article III,” Obama said. “And maybe the Equal Protection Amendment. And 14th Amendment, generally.” —K.O.

2 Eric Fanning

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Lesbian Pioneer Jeanne Cordova Bequeaths $2 Million

In a Sept. 23 letter to the LGBT community (read it at FrontiersMedia.com), lesbian pioneer Jeanne Cordova says goodbye. “I have metastasized tothe-brain cancer,” Cordova writes. “I am dying from it in my cerebellum.” An activist for 40 years as publisher of The Lesbian Tide; award-winning author of three books, including When We Were Outlaw;, creator of the 400-page Gay & Lesbian Community Yellow Pages; and cheerleader for the West Hollywood Pride Dyke March, Cordova ignored her colon cancer, discovered in 2008, and the disease spread. “Death should be a part of life. Not hidden, not a secret, something we never said out loud,” Cordova writes. “I want to say thank you to all of you who have loved another woman-identified-woman, who have loved me, or have loved Lesbian Nation.” Cordova also bequeathed $2 million to the Astraea Lesbian Foundation for Justice. —K.O.

Obama Nominates Gay Army Secretary, Huckabee Fumes

President Obama announced Sept. 18 that he is nominating openly gay Eric Fanning, current Acting Undersecretary of the Army, to be Secretary of the Army. If confirmed, Fanning will become the highest ranking out civilian Pentagon official. Fanning has held high civilian positions with the Air Force and Navy and began his career in public service in 1996. He has been a member of the Gay and Lesbian Victory Fund and has long favored open service by gays in the military. The right-wing detonation commenced on cue, with GOP presidential candidate Mike Huckabee leading the way. “President Obama is more interested in appeasing America’s homosexuals than honoring America’s heroes,” he says.

L.A.’s Anti-Gay Hate Crimes Spike, Report Says

Obama speaks at the DNC gala

Jeanne Cordova

5 6

The Center’s Lorri Jean at Mi Centro’s Open House

TSA Detains Transgender Woman Over Penis ‘Anomaly’

As Shadi Petosky approached an Orlando airport security checkpoint on Sept. 21, TSA agents set their body scanner to “woman.” Then they detected an “anomaly”—Petosky’s penis. Despite the L.A. resident’s simple explanation, she says TSA detained her for 40 minutes in an empty room with a guard at the door, “fully disassembled” her luggage, ordered her to “get back in the machine as a man or it was going to be a problem” and caused her to miss her flight. The Human Rights Campaign has called for a full investigation of the incident, and for “comprehensive guidelines” for “officers interacting with transgender individuals.”

The L.A. LGBT Center & Latino Equality Alliance Open Center

The L.A. LGBT Center has partnered with Latino Equality Alliance, LEA, to open its first facility on the East Side of Los Angeles, to be known as Mi Centro, just east of the L.A. River in Boyle Heights. The new center, opening in October, “will offer culturally adapted, community-informed bilingual services operated by the Center and LEA that will eventually include immigration and housing support, legal services, transgender support services, youth and senior programming and family counseling and empowerment programs.” “The Center and LEA are committed to working together and with other Latino and LGBT serviceproviding organizations to both deepen services and provide an LGBT space in Boyle Heights dedicated to dialogue and the celebration of Latino LGBT life and culture,” says Mercedes Marquez, member of both groups’ boards.

OCTOBER 14, 2015

Public Outrage Follows Daraprim Price Gouging

artin Shkreli, 32, former hedge fund manager turned pharmaceutical executive, sparked a nationwide firestorm when he announced last month that his company, Turing Pharmaceuticals, was raising the price of Daraprim by more than 4,000%, from $13.50 to $750 per tablet. Daraprim has long been an important treatment for a potentially fatal parasitic infection sometimes suffered by those with immune systems compromised by diseases such as AIDS or cancer. The drug is also used to treat malaria. Shkreli initially defended the price increase, telling The New York Times, “This isn’t the greedy drug companies trying to gouge patients, it is us trying to stay in business. ... It really doesn’t make sense to get any criticism for this.” Medical professionals, however, as well as the public, were having none of it. “This seems to be all profit-driven for somebody, and I just think it’s a very dangerous process,” says Dr. Judith Aberg, infectious diseases chief at Mount Sinai’s Icahn School of Medicine. Other physicians questioned Turing’s claim that research and development of a new treatment was required and would have to be funded. “I certainly don’t think this is one of those diseases where we have been clamoring for better therapies,” says Emory University infectious diseases professor Dr. Wendy Armstrong. Elected officials and patient advocacy groups joined in the general outrage. Shkreli himself only fanned the flames, engaging in a Twitter war in which he called a biotech newsletter editor a “moron,” and responded similarly to others concerned about the situation. The Daily Beast labeled him “the most hated man in America.” Even the pharmaceutical industry, in the form of the Pharmaceutical Research and Manufacturers of America, joined in the attack. “PhRMA typically does not comment on matters related to individual company products or product pricing decisions,” CEO John Castellani said in a statement. But “Turing Pharmaceutical is not a member of PhRMA and we do not embrace either their recent actions or the conduct of their CEO.” Shkreli finally relented on Sept. 22, announcing a price rollback but without specifying a new price. “The one upside of Martin Shkreli’s price hike is that it unleashed a firestorm of criticism in the media, among the general public and in political circles over the pharmaceutical industry’s greed on drug pricing that has been festering for years,” says AIDS Healthcare Foundation president Michael Weinstein, who has generated his own controversy over the use of HIV meds by opposing the proliferation of PrEP by HIV-negative individuals. —P.D.

POPE FRANCIS CHARMS AND CONFUSES The pope may have been sweetly open with children on his recent trip to America, but he is doctrinaire when it comes to LGBTs By Karen Ocamb

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merica stopped and fawned over Pope Francis during his six-day trip to Washington, D.C., New York City and Philadelphia in late September. LGBT Catholics had hoped to meet with him to build bridges over the Catholic doctrine that still considers homosexuality a sinful “disorder” and persuade the pope of their intrinsically good humanity. That didn’t happen. Since his installation in 2013, the Argentinian-born pope has delighted and confounded Catholics by rejecting the ornate trappings of his predecessors and embracing the deep humility of his namesake, St. Francis of Assisi—publicly washing the feet of prisoners and making poverty a core message of his papacy. And as millions saw on TV as he rode in a humble Fiat or the open “pope-mobile” through city streets, the Bishop of Rome’s broad smile and laughter—especially greeting children—seemed to light up the world. At 78, Francis is an activist pope, playing a key role, for instance, in helping Secretary of State John Kerry re-establish diplomatic ties with Cuba after 53 years of tension. Kerry was the only person the pope stopped to greet before addressing Congress. And in a significant move, Francis demoted conservative St. Louis Archbishop Raymond Burke, who said in 2004 he would deny Kerry communion because he is pro-choice. Such gestures engendered hope in LGBT Catholics who were overjoyed when the pope said, “Who am I to judge?”

75% The percentage of Catholics in the United States aged 18-29 who support marriage for samesex couples, according to a Pew Research study. It’s only among members older than 65 that the majority does not favor inclusion

about gay people in 2013. They have been leaving the church since the Vatican forbade gay men from using condoms, inflaming the AIDS crisis, and began abandoning it in droves when the previous pope called them “intrinsically evil” and initiated witch hunts to ferret out closeted gays in the Vatican and the church worldwide. Instead, there was a kerfuffle when a Vatican representative chaffed at the White House inviting LGBT people—such as gay, partnered Episcopalian Bishop Gene Robinson and outspoken Sister Simone Campbell of the famed Nuns on the Bus—to the large reception with President Obama. Robinson wrote an “open letter” to the pope to calm the whipped up storm. “Based on your demonstrated and notorious compassion, I suspect you will not be offended by a gay bishop and a feisty nun somewhere in the crowd of 10,000 admirers,” Robinson wrote for The Daily Beast on Sept. 19, noting that Francis has no doubt already met gay bishops. “We disagree in our understandings about sexuality and the diverse and wonderful ways God has made us. But as far as I am concerned, that does not keep me from admiring you and praying for you and your ministry.” Robinson concluded by saying that “in these times, the greatest sin would be to write one another off and to stop caring about one another.” Gay teacher and journalist Frank Bua, a board member for the Family Equality Council, was also at the White House reception. “I was moved when I felt the synergy between the pope’s moral imperative for, and the president’s message on, immigration reform and climate change,” he told Frontiers. “I felt inspired and hopeful, forgetting for a moment that we were in Washington, D.C., the city where party is more important than policy.” Bua agrees with Robinson about not writing off Pope Francis. “While this pope is the most progressive pope we’ve seen, there remains much work to do to help LGBTQ Catholics assume their rightful place within the church,” he says. “The church isn’t so different from the U.S. government in this regard. Both are recalcitrant institutions that reject difference under the guise of tradition. I am holding out hope that the pope is more like President Obama than not, a skilled leader playing the long game, working incrementally to move the needle.” LGBT Catholics and their allies gathered in Philadelphia during the pope’s visit, hoping to draw some attention. Among the events on Sept. 26, the Washington Blade reported that Equally Blessed Families, described as “a coalition of groups within the church that support LGBT-specific issues,” and Maryland-based New Ways Ministry, which advocates on behalf of LGBT Catholics, held workshops at a Methodist United Church after having been denied space at a local parish by the Archdiocese of Philadelphia. Margie Winters, a lesbian teacher who was fired from a Catholic school in Philadelphia last July because she got married, hoped Francis would address the way LGBT educators are treated by church officials. “My firing, as too many others like it, has touched the core of who we are as people of faith,” Winters told The Blade. “We’re Catholic. It’s about Catholic identity within the church.” Marianne Duddy-Burke, president of the LGBT Catholic group Dignity USA, told The Blade she was disappointed

OCTOBER 14, 2015

SPEAK

OUT

that Francis did not address anti-LGBT violence and the criminalization of homosexuality during his speech to the UN General Assembly. “I don’t think that LGBT people heard the message of greater inclusion that we were looking for,” she said. Prominent on his itinerary was celebrating mass at the conclusion of the World Meeting of Families on Sept. 27, before which he addressed a gathering of U.S. bishops. It was not surprising that he noted the “unprecedented changes” occurring in society, including “sadly now juridical effects on family bonds,” presumably referring to the Supreme Court’s decision granting marriage equality to same-sex couples. The pope admonished the bishops to make an enthusiastic effort to rebuild the family by “extending a sincere invitation to young people to be brave and to opt for marriage and the family.” Indeed, Pope Francis seemed downright messianic about recruiting young people to the church, as well as healing old wounds. He told five victims of sexual abuse that he was “deeply ashamed” and “profoundly sorry that your innocence was violated by those who you trusted,” promising to hold those responsible accountable, including those involved in the cover-up. And yet, on his visit to Our Lady Queen of Angeles School in East Harlem on Sept. 25, he was accompanied by the beaming Archbishop Timothy Dolan, whose cover-up was exposed in court documents. “Tragic as the sexual abuse scandal in the Roman Catholic Church has been, it is shocking to discover that Cardinal Timothy Dolan, while archbishop of Milwaukee, moved $57 million off the archdiocesan books into a cemetery trust fund six years ago in order to protect the money from damage suits by victims of abuse by priests,” wrote The New York Times editorial board on July 3, 2013. Dolan “denied shielding the funds as an ‘old and discredited’ allegation and ‘malarkey,’” The Times noted, until court documents as part of a Milwaukee Archdiocese bankruptcy court fight involving 575 cases of damage claims proved him a liar. “I foresee an improved protection of these funds from

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any legal claim and liability,” then-Cardinal Dolan wrote in his 2007 letter to the Vatican. Pope Francis told the children and the worldwide television audience that Dolan was “a good man.” The pope also told the children to keep experiencing and help others experience joy. “It’s not easy. In every home there are problems, difficult situations, sickness. But don’t stop dreaming of living with joy,” Francis said. “All of you here, young and old, have the right to dream. Where there are dreams, where there is joy, Jesus is always present. Always.” However, Francis added, “Who is the one who sows sadness, who sows distrust, who sows envy, who sows evil desires? What is his name?” Some of the children responded quietly, and Francis nodded. “The devil, the devil! The devil always sows sadness because he doesn’t want us happy. He doesn’t want us to dream.” In a homily last October, Francis said the devil is not a myth. “The devil exists, and we have to fight him. These are Saint Paul’s words, not mine!” But what of the young children who feel “different” from their peers, with same-sex attractions or feeling they belong to a different gender—children who get depressed and sad over those secret feelings? Francis essentially told them that they are possessed by the devil, “intrinsically evil” as the previous pope said of gay people. How can these children be “good” Catholics, follow the pope’s admonition and be gay at the same time, whether he personally judges them or not? What happens to the dreams of LGBT children? Finally, on his flight back to Italy, Francis seemed to back Kim Davis, the Kentucky clerk who refused to issue marriage licenses to same-sex couples. Asked by reporters “if individuals have a right to refuse to abide by some laws, including the one on issuing marriage licenses to gays,” IBTimes reported, “Francis said that conscientious objection has to be present into every judicial structure ‘because it is a right.’” The beloved Pope Francis still has some catching up to do.

“The problem of sexual minorities in Russia had been deliberately exaggerated from the outside for political reasons, I believe, without any good basis.” Russian President Vladimir Putin challenges the suggestion that his country’s laws persecute LGBT people during a Sept. 27 appearance on 60 Minutes

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continued

DATEBOOK SAT. | OCT. 3

VOICES ON POINT

Point Foundation hosts its signature gala at the Hyatt Regency Century Plaza. Caitlyn Jenner will present the Point Horizon Award to two Point Alums, Rhys Ernst (co-producer of Transparent) and Zach Zyskowski (producer of Becoming Us). pointfoundation.org

TUE. | OCT 6

THE AGING OF METH

The L.A. LGBT Center hosts a frank and provocative discussion about the dynamics of crystal meth in gay and bisexual men over 50, as the latest installment of its ongoing Big Queer Convo series. West Hollywood Councilmember John Duran moderates at The Village at Ed Goula Plaza. learningcurvela.org

SUN. | OCT. 11

NATIONAL COMING OUT DAY

Twenty-seven years ago, on the anniversary of th e N a tio n a l M a rc h o n Washing ton for Lesbian and Gay Rights, we first observed National Coming Out Day as a reminder that one of our most basic tools is the power of coming out. Did you know that when people know someone who is LGBTQ, they are far more likely to support equality under the law?

THU. | OCT. 15

#SPIRITDAY

Millions go purple on Spirit Day in a stand against bullying and to show support for LGBT youth. Observed annually since 2010, individuals, schools, organizations, corporations and public figures wear purple, which symbolizes “spirit” on the rainbow flag. glaad.org/spiritday

MON. | OCT. 19

THEN COMES MARRIAGE

Two champions for equality—Roberta Kaplan, the litigator who won the U.S. v. Windsor case to defeat DOMA, and activist/scholar Lilian Faderman, author of new book The Gay Revolution—hold a conversation with Patt Morrison at the Mark Taper Auditorium. lfla.org

OCTOBER 14, 2015

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THE

GAY AGENDA

Book a Night of BDSM Two L.A.-area dungeons offer an invaluable experience to locals—the opportunity to get as kinky as they want in a stylish and safe environment By Patrick Rosenquist

re you into kink? New to it? Curious what BDSM really entails, or maybe you’re an old hand in the scene? Los Angeles has a thriving fetish culture— no need to go too far to find a leather aficionado—but there’s a difference between dabbling in the scene and truly embracing it. Justine Cross’s two dungeons—named, aptly, Dungeon West and Dungeon East—are among the city’s finest spots to indulge in those dominant or submissive fantasies, as they combine the sexual playground of your dreams with an anything-goes hotel stay. These dungeons are among many in Southern California that give participants the tools necessary to carry out all sorts of fantasies. They offer an array of toys and the safe space to, say, strap yourself up to a St. Andrew’s Cross or explore an impressive cache of dildos. These spaces are usually helmed by a Mistress or Dom—someone who takes charge of the situation, of course—and Cross’s areas are no different. No kink is left untended, from electro-play to bondage. OCTOBER 14, 2015

MAD ABOUT MAD MEN Dungeon East

Dungeon West

What makes these two dungeons stand out from the rest? Cross, who has been part of the scene for years, believes professionalism and cleanliness sets her spaces apart from others available in the area. “I always hear that other spaces are underbooked—either other [mistresses] or the spaces themselves say it,” says Cross, “but we’re always booked. We always make sure things go smoothly.” Cross was fed up with dungeons with a relaxed attitude toward sanitation or confining hours, so after establishing herself as a mistress, she looked into running her own space. She opened Dungeon West, centrally located in L.A., nearly four years ago. The newer East location, in Downtown’s Arts District, began as a competitor. She was able to buy the space—which she admired for its similar attention to detail—and bring it in-line with the sprawling and luxurious amenities that had become synonymous with her original space. The exact location of both areas is kept secret until an appointment has been confirmed. While geared toward heterosexual indulgers of the lifestyle, both Dungeon West and East are open to any participant—and unlike others, the space is not segmented or rented out to several doms at once, so absolute privacy is a given. Whatever your interest, you can be sure to find it at either space. Cross hopes to include a wider spectrum of BDSM practitioners in her spaces, and a queer gathering called Fresh Meat—geared towards queer people of color—rents out Dungeon West on a regular basis. Now in its second year, the group invites all participants of the lifestyle to join, with a special slant towards those outside the gender binary. It has space for nearly 50 people, and it usually fills up fast. Another feature unique to both dungeons is the freedom Mistresses and Doms are given when it comes to booking clients. Most dungeons work on a drop-in basis—you show up and work with the Mistress or Dom available at the moment. Cross’s dungeons only do scheduled appointments, meaning participants can be selective about whom they work with, and professionals can work

when they feel like it. This setup, Cross believes, means everyone involved has a better experience. Both spaces are also available to rent without a Mistress or Dom present—meaning couples (or a group) are free to enjoy the space however they please. Both Dungeon West and Dungeon East can be rented overnight, and a queen bed is provided in both locations. Overnight stays are by far the most popular appointment— a feature not available at other comparable dungeons. “We’re usually booked every night on the weekend,” says Cross. And the space isn’t just limited to kink; it’s available for photo or film shoots, as well as events. “A lot of people come to the space and have no interest in using it for sex. They just think, This looks really fucking cool,” she says. The design of Cross’s dungeons is gothic and moody but thoroughly modern—open and airy, the color scheme is warm and sensual with splashes of black leather, thanks to the various devices and toys available. (Think East Side haunt Faultline as reimagined by Philippe Starck.) Cross is also proud of her commitment to cleanliness, giving the space a weekly deep clean and making sure she provides the accouterments expected from any self-respecting Los Angeles business—safe parking, smooth customer service and a sense of luxury. Of course, with the amenities of a nice hotel—including a full bar, sound system, toiletries and more—it’s priced accordingly, depending on demand and season. If you’re thinking about a visit, be sure to plan ahead. “We usually advertise by word of mouth,” says Cross, “and it’s been really successful.” While other dungeons have been around for decades, this newcomer has been enjoying a lot of success. “Both locations are usually really booked. I have to turn people away sometimes,” she says. There’s apparently no shortage of those willing to explore—or expand—their interest in kink. Go to dungeonlosangeles.com to find more info and book your stay at L.A.’s Dungeon West and Dungeon East.

THOUGH NOW A PART of TV history, the record-breaking series Mad Men captivated viewers with its unique ability to illustrate the ever-changing moods and social mores of America throughout the ‘60s. Now you can continue witnessing its madness at your leisure when you add Mad Men: The Complete Collection to your cache of TV keepsakes. Easily one of the most celebrated TV dramas of our time, the series is renowned for its riveting storylines and award-winning performances. The proof is in the prize-winning pudding when you consider the show accrued three consecutive Golden Globes for Best Television Series as well as four consecutive Primetime Emmys. Just last month, star Jon Hamm finally took home an Emmy after being nominated 16 times. O f f e r e d a s a l i m i te d edition gift set, and priced at $210, the collection includes all seven seasons and every special feature ever released, including four hours of brandnew bonus material. Take a peek into the design and casting of the show, witness a one-on-one sit-down with series creator Matthew Weiner and step into character as you sip from one of the two handmade, silver-rimmed lowball tumblers that are included in the set. —Jim Larkins

AN L.A. COFFEE CLASSIC LOCAL CAFFEINE FIENDS—particularly those who call the East Side home—are no doubt familiar with the LAMILL name. One of the first craft coffee cafés to call the city home (launched in 1998 as a brand and roaster, then expanded into a boutique in 2008), Jonathan Gold remarked that LAMILL’s owners “are devoted to the cult of coffee in the same way that a chapel might be dedicated to its saint.” Nothing much has changed—except for the spot’s menu, recently renovated with chef James Trees at the helm. Consider this a head’s up to revisit (or experience for the first time) a local café that does everything right, even its non-caffeinated fare. Lunch and dinner options range from toasts on the lighter side (avocado with radish and pickled red onion, housemade ricotta with macerated strawberries) to steak frites and a delicious burger for something more hearty. Not in the mood for a latte or macchiato? Try the pilsner, imported from Colorado, or the beyond-refreshing lavender lemonade. Just make a promise that you’ll save room for its L.A.-famous warm brioche donut holes and a crème brûlée cappuccino. 1636 Silver Lake Blvd., Silver Lake. lamillcoffee.com —Stephan Horbelt 18

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OCTOBER 14, 2015

THE

GAY

AGENDA

Party Boy

A trio of new and returning parties add style and substance to L.A. nightlife THE BEAUTY OF LOS ANGELES is that no matter how long you live here, there’s always something new around the corner, especially when it comes to gay nightlife. The city’s myriad neighborhoods each serve a signature flavor of party for satiating L.A.’s diverse palates. If WeHo is too sweet, head over to the East Side or DTLA for something saltier. This month, there are three parties guaranteed to satisfy your nightlife cravings.

HIT & RUN

This new monthly party from the unholy trinity of Andrés Rigal (Evita, Plastic Fantastic), Victor Rodriguez (Beige, Shits and Giggles) and Chris Bowen (Cub Scout, Brutus) is sure to re-establish Thursday as gay Saturday. Opening Oct. 15 (and taking place every third Thursday thereafter) at one of Downtown’s most swanky spaces, Continental Club (116 W. 4th St.), you can expect a sexy, sophisticated bacchanal of gay music and fashion.

FRESH FRIDAYS

On Sept. 18, WeHo’s weekly Friday night dance party returned to Greystone Manor after a summer hiatus with performances by X-Factor alum Leona Lewis and DJ Tracy Young. As with any soirée masterminded by the nightlife twosome of Paul Nicholls and Jeffrery Sanker, Fresh fills the dance floor with a phalanx of Adonises ready to shake their chiseled asses.

ST ANTHONY’S

Anglophiles unite for yet another new monthly fête from Bowen. Beginning Oct. 23 at Echo Park’s The Lost Knight Pub (and running every fourth Friday thereafter), the party will feature guest DJs spinning disco, house and techno, along with $5 drafts and British pub fair. You’re sure to burn off that fish and chips on the dance floor, right? —Mike Ciriaco

TUB TUNES

veryone’s life has a soundtrack, and with the brandnew Aquatunes, you’ll no longer have to press pause before stepping into the shower. The new Bluetooth shower speaker—launching this October, retailing for $149 (grohe. com)—is touted as the best-sounding musical accompaniment to the lathering of your loofah. Whether you’re rockin’ out to the Ramones or immersing yourself in a Sade serenade, Bluetooth pairing will keep your devices at a dry distance. And don’t worry, since the speaker’s anti-slip holder gorilla-grips your music machine to the shower rail, the only thing you’ll be bending over for is the soap. Just keep in mind that California is still in a drought, which means you should save “Freebird” and “November Rain” for drying off. —J.L.

CONQUERING DISNEYLAND 5 tips on navigating the park, saving valuable time and maintaining your sanity

efore you head out to Gay Days Anaheim this weekend (find our story on p. 27), have you given any thought to your plan of attack? Luckily the authors of The Unofficial Guide to Disneyland 2016 (384 pp., $18, Unofficial Guides) did most of the work for you, having crafted field-tested touring plans to save you four hours of standing in line in a single day. Who can argue with that?

DON’T WASTE TIME EARLY IN THE DAY Maximizing your time during the first couple of hours of the park’s operating hours is critical if you want to knock out as many high-traffic attractions with as little wait as possible. Because of this it’s recommended you not stop to sit down and eat breakfast, wait in a long line for morning coffee, meet characters, stop for pictures or any of the other many things that can take time early in the day. Pack a small breakfast in a backpack, save the pictures for later and get moving!

DON’T WASTE TIME AT THE TICKET BOOTHS Ticket booths have long lines through most of the day during the busy times of year, even after the park has closed for the day. Save time by purchasing your tickets online on Disneyland’s official website. All you have to do is print out a voucher and take it to the front gates of whichever park you’re entering.

USE THE SINGLE RIDER LINES Several attractions in Disneyland and Disney California Adventure offer a single rider line—a separate line for people who are alone or don’t mind riding alone or with a stranger. They’re usually much shorter than regular lines because there aren’t many singles, and most groups aren’t willing to split up.

USE DISNEY’S FASTPASS FASTPASS is Disney’s free ride reservation system that lets you experience popular attractions with minimal wait. You can obtain FASTPASS tickets near the entrances of attractions, and on the ticket will be a return time with a onehour window. Using FASTPASS on popular attractions like Space Mountain and Radiator Springs Racers can save you hours.

AT THE VERY LEAST, HAVE A BASIC PLAN

Continental Club

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Even if you and your party is against planning your day down to the minute, you need to at least to have a basic plan of attack. Before arriving, look up a park map online, make a list of a few attractions you want to hit and pick which attraction or land you want to start with. A plan as simple as “We’re starting in Tomorrowland with Space Mountain and then moving on to Star Tours” can make a huge difference. —Guy Selga Jr.

OCTOBER 14, 2015

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TRAVEL

A view of Zurich—Switzerland’s largest city and capital—at night

Swiss Mister PACK IT

An ideal travel companion for the SoCal guy who goes off the grid every now and then, Vapium’s recently launched “Weekender Edition” all-weather vaporizer is a must-pack. In lieu of power outlets, cables and batteries, this portable device taps into the natural resource of sunlight, courtesy of the Spring Solar Charger. Available for $189 from vapium.com, it’s a rugged little vaporizer that’s as powerful as it is small, offering eight preset temperature settings, a vibration notification that tells you when it’s heated and ready and smart technology that turns the vaporizer off when dormant. When the sand, palm trees and gorgeous night sky of Joshua Tree are calling your name for a weekend getaway, this and a tent are all you’ll need. —Stephan Horbelt

From a plethora of bathhouses to film festivals and dance clubs, here’s how to play Zurich all night long By Mark A. Thompson

hould you arrive in Zurich via boat on the lake, the first sight you’ll notice upon disembarking at Bürkliplatz would be the statue of Ganymede, that handsome mortal youth abducted to become Zeus’ lover on Mount Olympus. Who needs a rainbow flag when Ganymede is welcoming you? Just as Manhattan is more than Wall Street, Zurich is a city with an alternative vibe where it’s possible to party all night long. Home to more than 360 banks, Zurich might connote a reputation of fusty financiers, but it’s also home to Street Parade, the world’s largest dance and techno music festival. Held each August with more than 1 million participants, the city’s largest annual event is a reminder that starched collars and cufflinks are but one side of Zurich. For centuries after the Reformation, Zurich maintained the prohibitions against pleasure inaugurated by Huldrych Zwingli, the puritanical priest at the Grossmünster, but the youth movements of the latter 20th century have transformed the city into one of Europe’s most vibrant nighttime capitals. More than 30% of residents are foreigners, representing more than 150 different countries. Those travelers who duck into Zurich’s medieval arcades and stroll through the outlier neighborhoods will

discover a city that loves to play—all night long.

SECRET SQUARES AND BATHHOUSES Zurich’s hidden squares and secluded boîtes reward the flaneur who seeks diversion. Located just off Bahnhofstrasse, Zurich’s fabled boulevard of luxury boutiques, Hiltl (hiltl.ch/en) is the world’s first vegetarian restaurant, which also happens to be a four-story entertainment complex of bohemian chic and all-night revelry that encompasses a bar/lounge and a nightclub notable for its focus on deep house music. Sprinkled throughout the city, more than 1,200 public fountains flow with water from the mountains, and should you feel the desire to jump in, Zurich has more bathing facilities per capita than any other city in Europe.

ZURICH-WEST Similar to what the High Line did for the West Side of Manhattan, so too is Zurich-West in the midst of a remarkable transformation from its industrial roots, a process that was kickstarted by the 2006 opening of Freitag Tower, comprised of 19 freight shipping containers. The neighborhood’s century-old railway arches are now known as Im Viadukt, a veritable double-faced street of 50 purveyors of fashion, art, OCTOBER 14, 2015

TRAVEL

IN SEARCH OF THE

WORLD’S

BEST

Concert Venues

SLANE CASTLE

Clockwise from above: Zurich’s annual Street Parade; the statue of Ganymede at Bürkliplatz; a café under the railway arches in Zurich-West; Europe’s biggest waterfall, Rheinfall

design and gastronomy, all anchored by the food hall Markthalle and its Restaurant Markthalle (restaurant-markthalle.com). A haven for gourmands and night owls, Zurich-West pulses with creative energy, particularly in places such as Frau Gerolds Garten (fraugerold.ch). Originally conceived in 2012 as a beer and produce garden at the base of Prime Tower, the city’s 36-story glass monolith, Mrs. Gerold’s garden has become the neighborhood’s communal kitchen and cocktail lounge with a variety of pop-up shops and eateries housed in shipping containers.

ZURICH NIGHTCRAWLERS Down an industrial alleyway in West Zurich, Hive Club is a nocturnal apiary buzzing with energy and talent. The effervescent owner, Sebastian Woloschanowski (whom everyone calls “Wolo”), embodies Zurich’s dynamic vibe and the all-night parties that roll through sunrise feature a brilliant mash-up of house and techno amidst a vintage bordello atmosphere. During the day and early evening, the club transforms into an Italian-Swiss restaurant named Gerold Chuchi where you can soak up your sins with pasta and sauce. Throughout the year in Zurich, Angels Events produces some of the hottest parties in Europe, including Black Party and White Party weekends, which feature international circuit DJs.

RAINBOW ZURICH In 2009, Zurich made history when lesbian Corine Mauch became mayor, marking the first time in Switzerland history that an openly gay person had been elected mayor. Zurich Pride (zurichpridefestival.ch) has been fighting for “equality without borders” for 22 years with an annual June festival that includes stage shows, cultural performances, and parties. Located near the all-night Niederdorf district in Zurich’s old town, Cranberry Bar (cranberry.ch) has been serving the

LGBT community since 1997 in a stylish two-level space, and with a polished staff that includes a Swiss Bartender of the Year. Founded in 1992 as a demonstration for love, freedom and tolerance, Street Parade (streetparade.com) features a number of LGBT all-night, post-parties such as Angels’ Flash Party, a superhero extravaganza. And each spring there’s Pink Apple (pinkapple.ch/en), Zurich’s LGBT film festival, which has been offering the best of gay film for nearly 20 years.

DADA’S CENTENNIAL Zurich was the birthplace in 1916 of the countercultural Dada movement, which commenced at Cabaret Voltaire on Spiegelgasse, the street of revolutionaries, as a protest against the nationalistic fervor of World War I. The centennial celebrations of Dada in spring 2016 will commemorate a movement known for its heady mix of the absurd and the avant-garde. Alongside the Dada centenary, Manifesta (manifesta.org), one of the most important biennials for contemporary art, will be held in Zurich in 2016.

DAYTRIPPING TO RHEINFALL When the party winds down, consider that Rheinfall is but an hour from Zurich’s city center. Europe’s biggest waterfall, it is neither Iguazu nor Niagara, yet the great volume of Rhine Falls more than compensates for its lesser vertical drop. A boat ride into the waterfall’s basin brings visitors to a promontory that overlooks the thunderous cascade, while the intrepid climb a steep staircase for complete waterfall immersion. The nearby medieval town of Schaffhausen is often considered one of the most beautiful in Switzerland, in part for its lavishly painted facades and splendid oriel windows. After a waterside lunch at Güterhof (gueterhof.ch), take a post-prandial cruise on the Rhine to Stein am Rhein for an apero amidst a town square decorated with frescos, toasting to the Swiss good life.

A ROYAL REDEVELOPMENT BATTLE WON MIRRORING NEW YORK’S STONEWALL INN, home of the gay liberation movement, London’s Royal Vauxhall Tavern—located in a neighborhood that draws similarities to L.A.’s Silver Lake in its swath of gay bars and parties—has officially achieved “hands off” listed status that protects it from any redevelopment threats. The home of Paul O’Grady’s comedic alter-ego Lily Savage, RVT is one of the oldest gay venues in London. The bygone pub could have met with an untimely demise had it not been for a successful bid from local activists pleading for it to be listed, and thus preserved from any changes. “We look forward to continuing our work to ensure the RVT remains a vibrant space of LBGTQ community and culture for generations to come,” says chair of the group RVT Future, comedian Amy Lamé. This move not only distinguishes the history of the structure as a unique landmark but insures the survival of a historic hookup spot for local gay Englishmen. —Jim Larkins 24

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COUNTY MEATH, IRELAND Head-bang to the best— and take a step back in time—at this 300-yearold castle that has played host to such world-class talents as David Bowie, The Red Hot Chili Peppers, Madonna and Bruce Springsteen. slanecastle.ie

DALHALLA

AMPHITHEATRE RATTVIK, SWEDEN With a stage-front moat that keeps fainting fans at bay, Dalhalla gives new meaning to the term “mosh pit.” Even though it’s open only in the summer months, the forestenshrouded venue hosts about 20 to 30 events and draws more than 100,000 visitors annually. dalhalla.se

HOLLYWOOD BOWL

LOS ANGELES Whether Van Halen is wailing about Panama (Oct. 2 & 4) or Florence Welch unleashes her inner beast (Oct. 16-17), there’s no place like The Bowl. This intimate, acoustically impeccable venue seems to have no bad seats. hollywoodbowl.com —J.L.

GOOD TO GO

The Hyatt Regency Aruba is celebrating its 25th birthday in a big way. Starting Oct. 23, the resort’s “Enjoy Something Extra on Us” promotion lets you book a room for $25 (for five nights) with a free upgrade at check-in, $250 resort credit, 25% discount at ZoiA Spa, $2.50 breakfasts and cocktails and more. aruba.hyatt.com

Hawaii Sees Red

Perfect for car enthusiasts, Mandarin Oriental Geneva’s “Lake Geneva Dream Drive” package includes a two-night suite stay, a full day driving the latest Panamera S E-Hybrid Porsche and limousine airport transfers. mandarinoriental.com

A popular Chicago gay club opens up a sister property in Honolulu, beckoning big-name talent to the island

etting off to Hawaii anytime soon? Most don’t think of Oahu as having a buzzworthy gay scene—you probably won’t hear Honolulu compared to San Francisco, Chicago or New York—but a welcoming culture and a few entrepreneurs are recasting the tropical island’s nightlife as something worthy of the word “paradise.” Billed as Honolulu’s first gay dance club, the recently opened Scarlet is redefining what visitors and locals have come to expect from the Aloha State’s queer culture. “There aren’t that many gay bars here in Honolulu, and most of them are just that— bars,” says Traver Rains, one proprietor of the megaclub. “There wasn’t really a place to go and dance like you’d find elsewhere.” Most of the city’s gay bars are also clustered in world-famous Waikiki, a beachside part of town that has, naturally, drawn tourists and mainland shops. That redevelopment has crowded out local businesses, dampening the laid-back and unique culture that made the area a draw in the first place. Scarlet is located in Downtown Honolulu, though, which Rains points out has a more underground vibe. “There are a lot of art galleries, really cool straight bars and cute restaurants here,” he says. That mix makes Downtown Honolulu the center of Hawaiian hip. “It’s definitely a new and fresh scene,” says Rains. Scarlet is a sister property to the famed Chicago Boystown venue of the same name, which is renowned for its talented DJs— including names like Joey Luna, Scotty T and Konsept—and its anything-goes attitude. Rains, who along with Richie Rich created the famed Heatherette design house in 1999 New York and today spearheads his own apparel line, T.Rains, first got the idea to open a club in Honolulu after meeting local media personality Lanai Tabura on

vacation. A seasoned stand-up comedian and recent winner of Food Network’s Food Truck Challenge, Tabura told Rains about a great space he thought could work as a gay dance venue. “I was looking for another adventure,” says Rains, adding, “I thought it would be fun! Plus, I wanted to escape bad weather.” Scarlet’s Honolulu offshoot hopes to match the original in scope—adding a fullservice restaurant and a Tiki bar geared toward happy-hour specials and good conversation. The restaurant, called Rain, will feature American bistro fare with a slight tropical twist. Neither of those extensions have firm opening dates, but Rain is set to open before Halloween, and the Tiki bar should be up and running before winter brings in a flux of tourists looking to escape the mainland. Rains hopes to bring to Hawaii some of the loud, sumptuous fun that defines other gay meccas like Manhattan or West Hollywood. “I noticed there aren’t many drag queens out here, or a celebrity presence in general,” he says. So to help liven up the scene, he’s introducing a weekly Saturday night party called Traver Rains’ Roundup. “Basically I fly my friends out to Hawaii for a few days, and they get to tour the island, do drag and mix it up,” he says. The goal is to cultivate a lively, fun and spontaneous party every week—so far, he’s invited queens like Jujubee, Mariah Balenciaga and Kim Chi. Upcoming appearances include the likes of Willam Belli, Danity Kane and porn performer Adam Ramzi. Not surprisingly, Rains hasn’t had trouble picking up talent. “They’re all totally down to hang out in Hawaii,” he says. With great weather, good music, and awesome dancing—who wouldn’t want to haul themselves off to Oahu? —Patrick Rosenquist

The Ultimate New Zealand Adventure is a 44-day luxury trek that includes whitewater rafting, wine tastings, helicopter flights and sailing, priced at $83,000 per couple. After more than a month in New Zealand, nine days are spent on Maui and Oahu. November through April is the best time to explore this part of the world. frontierstravel.com

COAST TO COAST

PRIDE AT DIVE

NEWFEST

FIESTA LATINA

October 3 H arrah’s Re sor t SoCal in San Diego presents a full day of gay with a pool party from noon to 6 p.m. and “Revue in the Courtyard” later that night, featuring performances by Candis Cayne, Lady Bunny and more, hosted by local drag talents Raja, Trixie Mattel and Delta Work. harrahssocal.com

October 22-27 In association with Outfest, this New Yo r k LG B T f ilm festival celebrates its 27th year. Peter Greenaway’s gorgeous film Eisenstein in Guanajuato kicks off opening night, while Todd Haynes’ Carol, starring Cate Blanchett in a lesbian romance (above), is the festival centerpiece. newfest.org

November 7 iHeartRadio brings a star-studded lineup to American Airlines Arena in Miami, celebrating the best in Latin music. Set to perform are Jennifer Lopez, Don Omar, Marco Antonio Solis, Becky G, Fonseca, Pitbull and more. The event will also b e te l evis e d o n Telemundo on Nov. 15. iheartradio.com OCTOBER 14, 2015

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events ■ Thu. | Oct. 1 STREET ART FAIR Pacific Design Center

This first-ever global fair is a massive public exhibition celebrating graffiti and street art. Attracting collectors, curators, influencers and critics from across the globe, the three-day event will travel internationally in major cities with thriving street art movements. streetartfairs.com

nightlife

theater

■ Fri. | Oct. 2 CMG SHORT FILM FESTIVAL WeHo City Council Chambers

exhibits GAY DAYS ANAHEIM Disneyland Oct 2-4 gaydaysanaheim.com

Now in it’s fourth year, the growing festival presents four programs of LGBT short films with proceeds benefitting AIDS Walk L.A. Both nights will be followed by after-parties. Through Oct. 3. cmgfilmfest.net ■ Sat. | Oct. 3 BEARRACUDA L.A. Faultline

Now every first Saturday at the East Side watering hole, SF-based party Bearracuda features rotating DJs and beefy go-gos, this month’s special guest DJ being Matt Consola. $5. faultlinebar.com ■ Sat. | Oct. 3 PROUD STORIES Grand Park

Continuing its series of intimate, festive events that invite the city’s LGBTQ community to celebrate and connect with each other, Proud Stories allows individuals to share their experiences with an emphasis on storytelling. grandparkla.org

■ Through Oct. 31 SOUND OF MUSIC Ahmanson Theatre

Jack O’Brien directs a lavish new production of the world’s most beloved musical 50 years after the film’s release. The spirited story of Maria and the von Trapp Family will thrill audiences with its beloved songs. centertheatregroup.com

GAY DAYS: DISNEY

■ Fri. | Oct. 2 AMERICAN IDIOT RELOADED! Met Theatre

DOMA Theatre Company remounts its smash hit production (with a few new surprises) about three lifelong friends forced to choose between their dreams and the safety of suburbia. It features the music of Green Day, including the blockbuster title track. Through Oct. 18. greenday.com

■ Sat. | Oct. 3 DRENCHED TBA Private Residence

One last fundraising pool party benefits The Life Group L.A., featuring co-hosts DJ Eur-O-Steve and Stan Smith and the first-ever drag water polo game. Ticket-holders will also enjoy a hosted bar, dance music and, of course, go-gos! thelifegroupla.org

Back to the Gayest Place on Earth Gay Days Anaheim redefines family fun like no other annual LGBT event By Mike Ciriaco

nce again, the Disneyland theme park promises family fun, no matter how you define family. On Oct. 2, Gay Days returns to the happiest place on earth, expecting to attract over 30,000 LGBT attendees. While the event takes place on Disney property, it’s not an official Disney event, meaning the park is still open to the general public, but the result is an interesting mix of traditional families and their queer counterparts. “From the beginning, we thought there was something quite significant about bringing our families of choice to America’s number one family destination, where we could all be families together,” says Eddie Shapiro, producer of Gay Days Anaheim. “Now, of course, gay families aren’t exclusively families of choice. There are marriages and kids, and those families are part of the mix, too. But I think that being there makes an important statement, both to the straight families and to our own community.” Families of all shapes and sizes will be treated not just to classic rides like Splash Mountain and Pirates of the Caribbean but a cavalcade of live performances and parties. The festivities kick off Friday evening with Gay Days’ first-ever live concert. Sixtime Tony winner Audra McDonald takes the stage at the Disneyland Hotel, which serves as a teaser for the upcoming live action Beauty and the Beast movie, in which she will play Garderobe (the wardrobe). McDonald’s inclusion in this year’s Gay Days is a coup for Shapiro. “The Audra

McDonald concert is an addition I’m so thrilled about,” he says. “We’ve never done something like that before, and I can’t wait. Audra usually performs for thousands, so to get to see her in a space where every seat is less than 100 feet from the stage is pretty exciting.” After the concert, head toDowntown Disney for gay dance party Wonderland with DJ Ray Rhodes and RuPaul’s Drag Race vet Ben de la Creme. On Saturday night, hit up the House of Blues for Kingdom, Gay Days’ signature dance extravaganza, featuring DJ Kimberly S, Well Strung and another Drag Race alum, Manila Luzon. The weekend culminates in Plunge, Sunday’s pool party, featuring DJ Zach Moos. VIP packages are available for all three parties, letting you party with the likes of Glee’s Dot Marie Jones, Revenge’s Nick Weschler, and The Horizon’s Jai Rodriguez. The best part of the event for Rodriguez is the unabashed LGBT openness. “It’s really incredible seeing so many people from the LGBT community at the happiest places on earth,” says the Queer Eye for the Straight Guy alum. “It’s so cool seeing same-sex parents with their kids and boyfriends and girlfriends holding hands. Especially because there are tons of straight people that are in the park, too.” Rodriguez was lucky enough to experience Gay Days’ post-traditional family fun for the very first time last year. “I spent the day with Dot Marie Jones, her wife Bridget and their daughters,” he says. “It was awesome to be one big happy gay family.” OCTOBER 14, 2015

■ ■ ■ ■ TOM OF FINLAND ART & CULTURE FESTIVAL TOM House Oct. 2-4 tomoffinland foundation.org

■ Sun. | Oct. 4 APPROPRIATE Mark Taper Forum

Sparks fly when siblings debate possible family ties to an unwanted legacy, and their tenuous reunion brings up old rivalries and family secrets that soon toss them into a tailspin. Through Nov. 1. centertheatregroup.org

■ Thu. | Oct. 8 CINDERELLA Dorothy Chandler Pavilion

One of the most powerful classical story ballets, this celebrated work is set to Sergei Prokofiev’s haunting score, performed by the Marlinsky Orchestra. The vibrant choreography and feisty humor will engage audience members with a glamorous 1930s twist. Through Oct. 11. musiccenter.org ■ Thu. | Oct. 8 CARRIE: THE MUSICAL Los Angeles Theatre

■ Tue. | Oct. 6 GUARDS AT THE TAJ Geffen Playhouse

Based on the novel by Stephen King, this immersive staging of Carrie takes the musical off the stage and puts audiences in the middle of the action, back in the rooms and hallways of high school and, of course, with a prime seat at the prom. experiencecarrie.com

Two guards are handed the grueling task of protecting the Taj Mahal in this wildly comic and astoundingly tragic story that begs bold philosophical questions. Through Nov. 15. geffenplayhouse.com

SNAP SHOTS ✱

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Home is Where the Art Is The 19th annual Tom of Finland Art & Culture Festival takes over the gardens of local gathering place TOM House TOM OF FINLAND MADE THE WORLD a more beautiful place through art. Born Touko Laaksonen, the Scandinavian artist carved his niche during an era when homosexuals were represented solely as effeminate sissies. Rebelling against that stereotype, he usurped traditionally masculine characters—lumberjacks, bikers, cops—and presented them as overtly homoerotic. As a tip of the leather cap to his role in beautifying life, this year’s Tom of Finland Art and Culture Festival, running Oct. 2-4, will be held in the visually stunning gardens of his one-time Echo Park residence, TOM House. “I think it’s very important that there are places where we can experience our arts and culture in a manner that is uninhibited and comfortable to our nature,” says Durk Dehner, President and Cofounder of the Tom of Finland Foundation. “So, what better place than the botanical masterpiece of the Pleasure Park at TOM House?” This year’s iteration of the annual erotica festival features over 30 artists and will include a short film showcase, an emerging artist competition and life-drawing sessions with live male nudes. The event climaxes with a Sunday tea dance, featuring the talents of DJ RocketmanLA. Nearly 15 years after his death, Tom of Finland continues to make our world a sexier place in which to live. —M.C.

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ONE TRICK PONY | GRANDPA JOHNSON'S Photos by Davide Laffe

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TOUCH THURSDAYS | THE ABBEY Photos by Rolling-Blackouts

MUM’S THE WORD Storytelling event Don’t Tell My Mother honors National Coming Out Day with absurd anecdotes Every year, my mother and I would re-enact my birth,” says Nikki Levy, the brains behind the local comedic storytelling event Don’t Tell My Mother. “Seriously. I would straddle her, my legs wrapped around her waist, and we would pretend like it was Oct. 10, 1977, in North Shore Hospital, and she was in labor. Then, I came out to her at 17 and shit got weird!” This calibre of awkwardness is Levy’s calling card. The film exec created the long-running event as a showcase for comics and actors to share true stories that they’d never reveal to their mothers but would prattle off to an audience full of strangers. This month, Levy will honor National Coming Out Day by mounting a ‘coming out’-themed iteration of the show at Busby’s East. “Everyone has a coming out story,” she says. “For me, it had to do with cutting all my hair off so this femme could look the part! Spoiler alert: It didn’t go well. The process of coming out about our sexuality, be it trans, gay, lesbian, bi or anything, is like pressing carbon dioxide into diamonds. It starts off shitty, the heat sets it, we come out the other side. We shine.” Glittering jewels joining Levy for the show include Alec Mapa, The Middle’s Jen Kober and Clipped’s Diona Reasonover, as well as a musical performance by Jill Sobule of “I Kissed a Girl” fame. Past storytellers have DON’T TELL MY included everyone from Drag Race MOTHER alum Courtney Act to Hal Sparks, Busby’s East Mindy Cohn, Teri Hatcher and Oct. 9 Amy Landecker (pictured above). donttellmymother.com A portion of proceeds from the event will benefit the L.A. LGBT Center. Additionally, the night will be sponsored by California’s top fertility clinic, Southern California Reproductive Center, and by California Cryobank, an institution with which Levy has personal experience. “ I used them when I froze embryos this year, and they do so much for our community,” she says. “They are raffling off free vials of sperm at the show, valued at $800. I’m serious!” While the possibility of winning sperm may be enough temptation for some gays and lesbians, Don’t Tell My Mother offers the LGBT community so much more. “As my teacher, the great Alexandra Billings [of Transparent] said, ‘Less is never more. Less is just less.’ And so I created a place where it was appropriate to be inappropriate. In the queer community, many of us had to ‘play it small’ our entire lives. It sucks! It’s time to be more. And those who can’t take it will leave, and we’ll get to wave goodbye to them in the rearview.” —M.C. OCTOBER 14, 2015

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QUEEN KONG | PRECINCT Photos by Jeremy Lucido

■ Thu. | Oct. 8 HOCUS POCUS El Capitan Theatre

■ Sun. | Oct. 11 AIDS WALK L.A. West Hollywood

Hollywood’s legendary movie theater will be Halloween Headquarters with special engagements of Disney’s Hocus Pocus in 3-D with interactive 4-D sensory effects like wind, fog and more. elcapitantickets.com

Oone of the city’s most popular HIV/AIDS fundraisers, put on by APLA, the walk starts and ends in WeHo and is expected to draw a crowd of more than 25,000 and raise millions in support of those afflicted in L.A. County. Register at la.aidswalk.net.

■ Thu. | Oct. 8 TOUCH THURSDAYS The Abbey

As the gay weekend starts on Thursday, Frontiers Media presents a night of dancing, drinking and rabble-rousing before the weekend gets underway. Join us as we people-watch the city’s sexiest men and women ... and maybe ogle a go-go dancer or two. abbeyfoodandbar.com ■ Thu. | Oct. 8 FALL MARKET 2015 Pacific Design Center

Celebrating design around the theme of “Global Glamour,” this daylong event is open to designers and enthusiasts who can expect more than 75 new line introductions, open houses, receptions and showroom programs. pacificdesigncenter.com ■ Sat. | Oct. 10 WE ARE THE TIGERS Hudson Backstage Theatre

A new school year means a new beginning for the Tigers, the worst ranked high school cheerleading team in the state. But when an innocent teambuilding sleepover turns into a murder scene, the Tigers will need more than team spirit to survive. Through Nov. 8. hudsontheatre.com ■ Sat. | Oct. 10 THE ADONIS PROJECT: MASQUERADE Human Resources

For the second year in a row, legendary gay adult movie house the Adonis Theater will be resurrected for one night as artists from L.A.’s queer community share visions around themes of gay sex and liberation. theadonisproject.bpt.me

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■ Sun. | Oct. 11 PROJECT NUNWAY L.A. Mayan Theatre

An outrageous fashion show and designer competition featuring over 30 talented designers returns to benefit two local charities—Being Alive LA and Life Group L.A. This year’s event takes place during L.A. Fashion Week in DTLA’s Historic District. projectnunwayla.com ■ Tue. | Oct. 13 LOVE LETTERS The Wallis

They made history 45 years ago when they starred in Love Story, the most talked about film of its day. Ali MacGraw and Ryan O’Neal now reunite for Love Letters, a special theatrical tour. Through Oct. 25. thewallis.org ■ Wed. | Oct. 14 GUARDIANS OF THE GALAXY Ricardo Montalban Theatre

Rooftop Film Club screens this award-winning comic book adaptation as moviegoers lounge in lush chairs with stateof-the-art headphones and a complimentary blanket for the evening breeze. larooftopfilmclub.com ■ Thu. | Oct. 15 KANSAS CITY CHOIR BOY Kirk Douglas Theater

Courtney Love brings to life a “theatricalized concept album” about a small-town couple looking to leave their drab hamlet. A New York run earlier this year garnered her and composer Todd Almond kudos for their energy and inventiveness. Through Nov. 8. centertheatregroup.com

OCTOBER 14, 2015

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GOOD, BETTER, BEST

EATINGOUT

It Gets Better continues to improve the lives of LGBT youths with help from the Gay Men’s Chorus

Veni Vidi Venice IT GETS BETTER Wallis Annenberg Center Oct 10 thewallis.org

he Gay Men’s Chorus of Los Angeles is striving to make life a little better for LGBT youths. This month the group will begin a week-long residency at the Wallis Annenberg Center for the Performing Arts’ Bram Goldsmith Theater with the touring production It Gets Better, a theatrical collection of music and stories inspired by Dan Savage’s highly visible anti-bullying campaign. The program originated from a music video the chorus contributed to Cyndi Lauper’s True Colors campaign back in 2010. “The video quickly became the most watched nonprofit video on It Gets Better and YouTube that month. We are close to hitting 1 million views in the next month,” says Chris Verdugo, executive director of GMCLA. “That triggered an idea,” he says. “What if we could collaborate with another like-minded organization, take what we had and build a program that would travel the country bringing a message of hope, acceptance and love? Before we knew it, in 2011 we were in production for not just a show but a week-long residency program that includes high school and middle school workshops, sessions with future educators, the creation of PSAs with local youth community groups to create peer-to-peer messaging about bullying and a World Café where community leaders, first responders, teachers, politicians, CEOs and executive directors of nonprofits come together to listen, discuss and develop plans to keep youth safe from bullying.” The current iteration of It Gets Better showcases true stories of overcoming homophobia from ordinary LGBT community members, as well as celebrities—people like out NBA athlete Jason Collins—and juxtaposes them with musical performances. Popular songs like Hozier’s “Take Me to Church,” Pink’s “Fucking Perfect” and Donna Summer’s “Last Dance” will be bolstered by a number of original works, like Morten Kiers’ “Run, Run, Run.” The latter is a personal favorite of Verdugo’s. “It comes near the end and is the story of a trans man, Jay, who at one point considered taking his own life. It chronicles his life and where he is today, a trans man with a wife and two children and the living embodiment of it being better.” A great way to inspire hope in the next generation of LGBTs is to share success stories like Jay’s, and the Gay Men’s Chorus is certainly doing its part. —M.C 32

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fish with cherry tomatoes and paper-thin t seems like every new restaurant openradishes in tomato-watermelon jus with ing these days is over on the Westside. a crispy rice cracker. The wakame-cured But just because there are a lot of new Hamachi is cut thick and comes swimming places to try doesn’t mean one as good as in a savory but light-handed dashi with yuzu Leona should get lost in the mix. You might accents. The summer flatbread, made to remember chef Nyesha Arrington from a order, is currently topped with heirloom stint on Top Chef, but she’s also put in time in summer squash blossoms, lemon zest and the kitchen at Wilshire in Santa Monica, and espelette pepper that tastes like it was just together with partners Kristian and Breegan dug fresh out of the garden. Vallas, the SoCal native has a kitchen to Arrington’s lamb-belly wontons, an call her own in the former Canali space on homage to her Korean grandmother, have Washington Boulevard. been generating a lot of buzz, but even betArrington describes her ethos as “proter is the bulgogi-braised shortrib (another gressive California cuisine.” On the plate, homage). The meat is tender and succulent, that means mixing fresh, seasonal produce and comes on top of sliced potatoes with a with tastes that hearken back to her own slab of sizzling bone marrow for a hint of richmulticultural heritage. ness. The local black cod is thick and juicy, Though the inside space is small, there’s garnished with a beguiling sweet onion jus no shortage of action to keep you occupied. and spicy Japanese mustard greens. For dinner and a show, snag a seat at the You shouldn’t pass up the chef’s counter that overlooks fire-roasted heirloom tomathe working kitchen. There toes with burrata, chives and are cozy banquettes along coconut oil while they’re still one wall for date night; if you summer-fresh, but when the want to make new friends, weather turns colder, the pan have a seat at the communal of rich, thick cauliflower aligot tables or the small bar at the (sort of like a puréed gratin) back with a gorgeous brass will hit the spot. I dare you not chandelier overhead. The to lick the pan clean. indoor dining room is decoLeona Desserts are intriguing rated with vintage photos of 123 Washington Blvd., Venice and inventive. Though taking Venice, tropical wallpaper (310) 822-5379 inspiration from the classics, and dark-wood furniture leonavenice.com Arrington has turned several that lends it all a tropical feel. $$$$$ dishes on their heads. The One of the restaurant’s strawberry shortcake comes draws is the fact that there’s with almost-crunchy strawplenty of seating on the front Atmosphere Breezy Westside casual berry malted ice cream, while patio with a prime view of the the adult “Frosted Flakes” boulevard and refreshing Standout Dishes consist of brown rice pudding ocean breezes. Bulgogi, cauliflower aligot soaked in condensed milk with Though there’s no cockDrinks sugared corn flakes and a kind tail list (yet), there are dozNo cocktails yet, of milk foam. The dish is almost just wine and bee ens of wines skewing French too sweet, but a touch of salt and Californian, and a handHours lightens the tone and makes ful of beers available. Start 5:30-11 p.m. Tue–Sun, 10 a.m.–2 p.m. Sat-Sun it hard to stop eating, even your meal with something when you know you’re full. small like the summer coctel Reservations mixto, a ceviche-like mix of —Eric Rosen Recommended

★★★★★

OCTOBER 14, 2015

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The best in TV, film, music and more

American Homo Story Always a ‘high queer quotient’ series, we take a look at the 10 most memorable moments when American Horror Story went balls-to-the-wall gay By George Skinner

ince 2011, American Horror Story has given television many a splendid thing (Evan Peters immediately comes to mind), and many of those things were dipped in the waters of Lake Homo. To really work ourselves into a lather for the Oct. 7 premiere of the show’s fifth season, Hotel, on FX, we take a stroll down memory lane and look at moments from the first four seasons when creator Ryan Murphy held out a gift box beribboned in black satin and said, “Here you go, gays. This is for you.“ 10. See and Be Seen (Season 1, Murder House) Married man Ben (Dylan McDermott) catches trampy maid Moira pleasuring herself, and though he knows he shouldn’t, he can’t stop watching. When he finally tears himself away from his lust, he beelines to the bedroom, where he stands in front of a huge window, masturbates vigorously and ugly cries to orgasm. That’s when Ben notices a burn victim in a cheap suit (Denis O’Hare) watching him intently before tipping his hat and exiting stage right. 9. Frat Boys Say the Queerest Things (Season 4, Coven) Blond man on campus Kyle (Peters) and his fraternity brothers hit the streets of the French Quarter for some manly bonding, stopping into a tattoo parlor where several of them get inked. Kyle declines, not wanting to carry an alcohol-induced decision around on his body for the rest of his life. He’s also drunkenly singing 1982 hit “Rosanna“ by Toto, and when his musical taste is questioned by Frat Bro Extra #1, Kyle unabashedly replies, “Toto is amazeballs“—offically the gayest three-word sentence to be uttered on the show. 8. The Bad Touch (Season 2, Asylum) Sin, science, skin and salaciousness collide in the office of forward-thinking psychiatrist Dr. Oliver Thredson (Zachary Quinto) when he begins conversion therapy on Lana (Sarah Paulson) to treat her lesbian ways. How does the good doctor plan to change Lana’s lifetime of lady lust? He has the asylum’s most stunningly beautiful male inmate come in and strip, forcing Lana to get handsy with the boy’s nether regions. Lana cries, the beautiful boy sighs and Thredson leers. Oh, and then Lana barfs. (Talk about a boner killer.) Post clean-up, Thredson concedes Lana has a severe case of lesbianism and is off to his next patient, which we presume is that boy with a serious case of blue balls. OCTOBER 14, 2015

film ADDICTED TO FRESNO Opens Oct. 2

*****

Is there an unlimited well of quirkiness from which indie auteurs drink? Jamie Babbit’s new film—written by her wife Karey Dornetto and starring Judy Greer and Natasha Lyonne as dysfunctional sisters attempting to dispose of a dead body after an accident—tries hard and has a few laughs. Greer and Lyonne, as well as many wonderful comedic character actors, give it their all. (Molly Shannon’s brittle, bitter caregiver is a standout.) Yet the film doesn’t gel; its tone is wobbly, the comedy often overplayed (though there’s a great bit where the sisters sell overstocked dildos at a lesbian softball convention), and Greer might want to have a word with the cinematographer about some very harsh lighting. —Dan Loughry

7. “I Said Kiss Me, Not Lick Me!” (Season 4, Freak Show) While the sawdust and cotton candy world of Freak Show was on the whole a mess, there were a few moments that shined like diamonds in elephant manure. Conjoined twins Dot and Bette (Paulson) finally agree to let go of their drab past and let their freak flag fly. Step 1: Get rid of the buzzkill that is virginity. They invite every male under the big top to step right up and pucker up. Enter little person Toulouse, who steps up, leans in, sticks out his incredibly wide tongue and proceeds to lick the twins like a snow cone, provoking the above quote and followed by Toulouse’s only line of the season, “But I am French!“

FREEHELD Opens Oct. 2

*****

6. Like a White-Winged Dove (Season 3, Coven) Ryan Murphy has single-handedly resurrected the popularity of more gay divas than Jesus Christ himself. Season 3’s project was the White Witch of ’70s rock, Stevie Nicks, who appeared as herself in two of the season’s episodes. In the first, she gifts Misty Day (Lily Rabe) with a shawl that has danced across the stages of the world, followed by a twirling lesson. Later, the season finale begins with an all-new music video for Fleetwood Mac’s 1987 track “Seven Wonders.“ Nicks dons a top hat and sings through the halls of Miss Robichaux’s Academy—wishing the four girls luck as they prepare to find the new Supreme—before she takes to the sky like a bell in the night.

Newly minted Academy Award-winner Julianne Moore gives another Oscar-caliber performance as detective Laurel Hester in director Peter Sollett’s unwavering, devastating Freeheld. Written by Ron Nyswaner (Philadelphia) and co-starring Ellen Page, Michael Shannon and Steve Carrell (all exceptional), Freeheld’s portrait of the struggle for the terminally ill Hester to secure pension benefits for her domestic partner Stacie Andree never flinches. The social discrimination to which she’s exposed, coupled with the thornier internal homophobia that Moore essays with precision, is heartbreaking. And though the struggle might seem quaint in the light of this summer’s Supreme Court marriage decision, the film is a sharp reminder to everyone—straight, gay, black, white, etc.—of why equality in the eyes of the law matters. —D.L.

5. What Fresh Hell Is This? (Season 3, Coven) Coven was a season full of personal hells, none more hellaciously decorated than wicked witch bitch Fiona Goode’s (Jessica Lange). After passing the mantle of Supreme onto daughter Cordelia (Paulson), Fiona shuffles from this mortal coil to find that the afterlife looks a lot like a backwoods shack. She quickly learns her hell is her lover’s heaven—the two of them together, living the simple life forever and ever. Drowning in shabby chic, it's too much for Fiona to bear. Summoning the last of her strength, she calls out her merciless tormentor by name: “Knotty Pine?!“ 4. Shear Genius (Season 1, Murder House) Lange's Murder House neighbor Constance was a faded Southern belle with a taste for hard drinking, hard-bodied young men and hardcore bigotry. Through her face-off with Chad (Quinto), the Martha Stewart-worshiping half of a mur-

*****

T h e f a n t a s ti c V ic to r ia unfolds in a single night— a n d i n a n a s to n i s h i n g 134-minute single take. The title character (Laia Costa) is out clubbing in Berlin when she meets Sonne (Frederick Lau). The couple start getting romantic, until his buddy Boxer (Franz Rogowski) pulls him away to pull off a bank heist, with Victoria soon recruited to drive getaway. Director Sebastian Schipper ratchets up the tension as the characters’ impulsive behavior become increasingly more urgent. The actors, all of whoom give nervy performances, improvise most of their dialogue. What’s more, in addition to the many breathtaking set pieces, there is a surprising amount of homoeroticism. Check it out. —Gary M. Kramer 36

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Stonewall

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PHOTO CREDIT TK

Opens Oct. 9

PHOTO CREDIT TK

VICTORIA

music

JOHN GRANT

Grey Tickles, Black Pressure (Partisan)

*****

dered gay couple, the show gives us a dream smackdown between right-wing nut and had-it homo, complete with the composure few of us retain in these real-world situations. The spat ends as Constance spits out, “Man shall not lie with man. It is an abomination,“ to which Chad replies, “So is that hairdo, but I figure that’s your business,“ all while casually sipping a crisp Pinot Grigio. 3. Greatest American Psycho (Season 4, Freak Show) Dandy Mott (Finn Wittrock) has just put the fourth season’s audience out of its misery by killing Patti LaBelle, and his mother (Frances Conroy) is not pleased. She banishes Dandy to his playroom, where he channels his inner Patrick Bateman by stripping down to his tighty whities, gives himself a pep-talk, rubs himself down liberally with baby oil, then does push-ups till every muscle glistens and gleams. 2. There Isn’t Any Name I Can’t Rhyme (Season 2, Asylum) Fresh from a round of electroshock therapy, Sister Jude (Lange) stumbles into the mental institution’s gloomy day room where Lana (Paulson) offers her support and asks if she knows her own name. The day room then suddenly glows with bright Douglas Sirk-esque color. Lange, with a Lesley Gore flip-do, sings “The Name Game,“ leading an American Horror Bandstand with every inmate, including a bewildered Lana, who suddenly wears lip gloss and red ankle-strap cha-cha heels. When the record stops spinning, reality returns and the Technicolor glamour vanishes, leaving the audience slack-jawed and spellbound. 1. Now I Know How Joan of Arc Felt (Season 3, Coven) In truth, most things said by couture enthusiast Myrtle Snow (Conroy) on the third season were 24-karat gay gold. From premiere episode décor (“These drapes! I’m just mad for tartan!“) to fig trees (“In the fall, the rotting leaves smell like an Olympian’s ejaculate!“), this lady could turn a phrase. But it’s Myrtle’s final scene that will forever live in gay hearts. Asked if she has any last words before being burned at the stake for murdering two fellow witches (one of them Leslie Jordan, no less!), Myrtle, no stranger to bouts of sesquipedalian prose, offers a single exclamation: “Balenciaga!“ Don't miss American Horror Story: Hotel, premiering Oct. 7 on FX

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NEW RELEASES

>> music

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Disclosure Caracal

Collective Soul See What You Started by Continuing

Johnny Marr Adrenalin Baby

Silversun Pickups Better Nature The Dead Weather Dodge & Burn

Janet Jackson Unbreakable

Selena Gomez RevivalNature

John Grant’s solo career should be studied by all artists looking to successfully reinvent themselves. After the implosion of The Czars, Grant’s Queen of Denmark introduced a singer-songwriter of exceptional talent, intellect and honesty (especially the refreshingly frank approach to PRIME CUTS: his sexuality). Pale Green Ghosts took a “Black Blizzard” turn toward electro textures inspired, in part, by his “Disappointing” relocation to Iceland. His latest is more hodgepodge— “Snug Slacks” electro, orchestral, metallic, etc.—and all of it works due to the force of his oversized personality, a fantastic vocal instrument that veers between a smooth croon and an impassioned wail, and an unfailing sense of humor that peaks through even the bleakest of scenarios, including his most carnal escapades to recorded date. —D.L.

METRIC

Pagans in Vegas (MMI)

*****

Metric return with this sixth full-length album, and as usual, it’s a spectacular affair. Here Metric honors its obvious historical influences; this is Blondie meets Depeche Mode. Emily Haines coolly delivers clever couplets over angular guitars and pulsating synths. PRIME CUTS: “Lie Lie Lie” opens the album rather deceptively. “Too Bad So Sad” While it’s no slouch, it’s one of the most subtle “Fortunes” songs on the LP. Things kick into high gear after “For Kicks” that, and experimental two-part instrumental tracks cool things down. Eerily proficient, Metric give off the impression that they could pull off albums like this in their sleep. It’d be nice to see them push themselves in a new direction next time, but with results like this, why change? —Dominik Rothbard

NEW ORDER Music Complete (Mute)

*****

It’s easy to forget how many classic songs New Order has released over a 35-year career. And the fact the band has created such a brilliant, robust new album without founding/feuding member Peter Hook is no small feat. The group set out to make an eclectic, euphoric dance record and PRIME CUTS: have heartily succeeded. Most compel“Plastic” ling about this ninth record is how it seamlessly distills “Tutti Frutti” all the elements of New Order’s signature sounds, “Singularity” falling someplace between iconic releases Lowlife and Technique. But there are new tricks up their sleeves, such as shades of Italo disco, funk and some Moroderinspired synth. Add to the mix guest vocals by Iggy Pop, Brandon Flowers and Elly Jackson (La Roux) with production assistance from Tom Rowlands (Chemical Brothers), Stuart Price and Richard X, and you’ve got a front-to-back winner of a comeback album. —Paul V. Vitagliano OCTOBER 14, 2015

By Nathaniel Grey

A Lifetime of Unauthorized Exposés W

stage

THE BAKER'S WIFE

THESE PAPER BULLETS

*****

Actors Co-op Through Oct. 25

Featuring an appealing score by Stephen Schwar tz (Wicked, Pippin) and a charming though rather thin book by Joseph Stein (Fiddler on the Roof, Zorba), based on a 1931 French film, this 1976 musical remains more a cult favorite than a classic. Under the assured direction of Richard Israel, a splendid ensemble cast and a rousing five-piece band keep this lightweight Gallic soufflé buoyantly entertaining. In Provence, France, jovial baker Aimable (Greg Baldwin) and his much younger wife, Genevieve (Chelle Denton), have moved to a local village. An attraction develops between Genevieve and the handsome young handyman, Dominique (Nick Echols), and they run off together, leaving the brokenhearted baker behind. The villagers rally to ensure they don’t lose their despondent new baker, learning some important communal lessons in the process. The handsomely designed production benefits greatly from Wendell C. Carmichael’s spirited choreography and Jake Anthony’s spry music direction. —Les Spindle 38

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producers, reportedly focusing on the show’s first four seasons, its numerous near-cancellations and its eventual massive success. Asked about the project, Perry responded, “I don’t think about it at all,” saying the project “isn’t relevant to anything I’m doing now.” Lifetime’s look at Melrose Place (pictured above at right) is a natural accompaniment to its 90210 project, as the 1992-99 series was originally launched as a companion show. Instead of teens, Melrose Place looked at 20-something life in L.A and quickly got a reputation for its wild storylines. The “unathorized look” will reportedly focus on casting drama and Heather Locklear’s arrival to “save” the series. The voice of Homer on The Simpsons, Dan Castellaneta, and Hot in Cleveland’s Adam Korson appear in both TV films, playing producer Aaron Spelling and series creator Darren Star, respectively. Alyssa Lynch, who played Tiffani-Amber Thiessen in Lifetime’s Saved by the Bell story, will also portray the actress in both of these projects.

Geffen Playhouse Through Oct. 18

Mostly living up to its cheek y subtitle , “A Modish Ripoff of William Shakespeare’s Much Ado About Nothing,” Rolin Jones’ clever confection follows the love lives of a Beatles-like 1960s British band aptly named The Quartos. The tone for this spoof-within-a-spoof is a tightrope walk, and familiarity with the Bard’s timeless romantic comedy will definitely enhance your enjoyment of it. Even Jackson Gay’s frenetic direction can’t keep the high wire taut all night, and Jones’ script could devote less time to the bumbling Scotland Yard stand-ins for Shakespeare’s delicious Dogberry. But Jessica Ford’s fabulous Carnaby Street costumes place us most decidedly in 1964 London, and the band’s songs—written by Green Day’s Billie Joe Armstrong and performed live by the actors—are such a brilliant pastiche of Lennon-McCartney that you’ll swear you’ve heard them before. Nicole Parker’s biting Bea and Damon Daunno’s doe-eyed Claude are standouts in a game cast that hurls themselves into Jones’ seriously silly world. —Christopher Cappiello

PHOTO CREDIT TK BAKER'S WIFE: LINDSAY SCHNEBLY; PAPER BULLETS: MICHAEL LAMONT

hen a project, book or film includes the word “Unauthorized” in its title, one logically questions the validity of its content, but when it comes to a Lifetime movie, does anybody really care? At this point, the cable network has made a name for itself with seemingly Americanized versions of Spanish telenovelas. Following The Unauthorized Saved By The Bell Story, which premiered on the network one year ago, and The Unauthorized Full House Story, which aired in August, here comes The Unauthorized Beverly Hills, 90210 Story, airing Oct. 3, followed one week later by The Unauthorized Melrose Place Story, airing Oct. 10—two shows that spawned modern remakes in the aughts one year apart from each other. Lifetime’s look at 90210 (pictured above at left)—a teen soap opera that ran from 1990-2000—will detail behind-the-scenes drama involving the series’ original cast members—Shannen Doherty, Tori Spelling, Jennie Garth, Ian Ziering, Brian Austin Green, Gabrielle Carteris, Luke Perry and Jason Priestly—and

Saturday Night Saturday Night LiveLive Oct. 3, NBC The NBC comedy giant’s 41st season will kick off with host Miley Cyrus, who is certain to give NBC censors a nervous night during its live (on the East Coast) broadcast. This will mark her third time as host and second as musical guest. In the weeks ahead, Amy Schumer will host the Oct. 10 episode followed by series vet Tracy Morgan returning on Oct. 17 with musical guest Demi Lovato. Unlike in past years, last year’s entire cast will be back, joined by one newcomer, Jon Rudnitsky, who appeared in the 2013 comedy short The Jewish Hunger Games: Kvetching Fire.

DR. KEN Oct. 2, ABC

Former Community cast member and The Hangover scene-stealer Ken Jeong gets his own series, in which art imitates life. The actor was a doctor in real life before he began his successful movie career, and here he plays a well-meaning doctor with terrible bedside manner. It’s a premise that sounds like the old Ted Danson series Becker, but in this version he struggles to balance work with his marriage and family. The comedy will also feature The Goldbergs’ Suzy Nakamura, Dave Foley and Tisha Campbell-Martin. Look for Margaret Cho to appear in an upcoming episode playing his sister Wendie, a famous TV doctor who is a cross between Oprah and Dr. Oz. TELEVISION LONG DIVISION

Scrubs

House M.D.

E.R.

Dr. Ken

Thursday, Oct. 1 In Gigi Does It, David Krumholtz stars as a 76-year-old Jewish grandmother who begins to tackle her bucket list after unexpectedly inheriting a large sum of money. (10:30 p.m., IFC) Friday, Oct. 2 The Jacksons: Next Generation is a a new reality series following three sons of Tito Jackson. The show will center on the trio’s personal and professional lives and will feature appearances by Michael Jackson’s kids, Prince, Paris and Blanket. (10 p.m., Lifetime)

PHOTO CREDIT TK BAKER'S WIFE: LINDSAY SCHNEBLY; PAPER BULLETS: MICHAEL LAMONT

Thursday, Oct. 8 Billy Eichner’s Billy on the Street moves to truTV for its fourth season. Upcoming guests including Will Ferrell, Sarah Jessica Parker, Chris Pratt, Bill Hader, Jason Sudeikis, Anna Kendrick and Julianne Moore. (10:30 p.m., TruTV)

THE WALKING DEAD Oct. 11, AMC The spin-off series Fear the Walking Dead has appeased fans until now, but nothing satiates like the original. The 90-minute season six premiere will explore a darker side of many of the Alexandria residents, centered on conflict between Rick (Andrew Lincoln) and Morgan (season one’s Lennie James, who’s been promoted to regular cast member). New to the season is Salem and Zoo vet Xander Berkeley, who is rumored to play a villain named Negan, which should be familiar to those who’ve read the source books. Look for him in the latter half of the new season.

Monday, Oct. 12 Crazy Ex-Girlfriend is a new comedy from Rachel Bloom and The Devil Wears Prada screenwriter Aline Brosh McKenna. Bloom also stars as a woman so obsessed with her ex-boyfriend that she leaves her NYC job to follow him to West Covina. (8 p.m., CW) Monday, Oct. 12 Season 2 of Fargo is all-new with Patrick Wilson playing the younger version of Keith Carradine’s character from Season 1. Set in 1979, he gets caught up in a case involving a local gang, the mob and a smalltown beautician. He’s joined by Kirsten Dunst, Ted Danson, Nick Offerman, Brad Garrett and Jean Smart. (10 p.m., FX)

SET YOUR

Thursday, Oct. 8 Tonight’s episode of of HGTV’s House Hunters International features Real Housewives of Beverly Hills star Lisa Vanderpump, who is aided by real estate agent Taniel Chemsian in locating Puerto Vallarta property. (10:30 p.m., HGTV) Thursday, Oct. 8 The third season of The People’s Couch begins, featuring Emmett Collins, Blake McIver, Scott Nevins and Julie Goldman. Friends and family members watch TV and comment on shocking moments from everything from reality shows to Game of Thrones. (10 p.m., Bravo) OCTOBER 14, 2015

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Fresh from the Teachescofhe s P ea

On the heels of an experimental new album, punk rock’s queer princess sets a few things straight

or 15 years now, Peaches has been our go-to pussy riot provocateur. From her debut’s electroclash bedroom beats right up to her excellent, just-released album Rub, she has always been a fearless and shameless champion of sex-positivity and gender equality, self-producing the hard beats that make you want to have sex on the dance floor. She recently schooled us on more life lessons in the teaches of Peaches as we caught up with her fresh off a stint of European shows. —Paul V. Vitagliano ON BEING A SOLO FEMALE ELECTRONIC ARTIST

“When I started, people couldn’t figure out what one woman with all electronics was. Was it music? Was it performance art? It was such a big deal then. Then in 2009, people were like, ‘Why is she trying to be like Lady Gaga?’ And today they’re like, ‘Why is that older lady trying to be like Miley Cyrus?’ [Laughs] But I just keep doing my thing.” ON RUB AND ITS VIBE

“I’d say Rub is kind of my nod to my electroclash past, because it’s really raw, but made with a higherquality sound. There’s definitely some trap influences there, too, which is the ultimate raw sound. So Rub is my experimental trap and booty album.”

ON WHO SHE’S INFLUENCED

“I’m never sure what people are listening to, but I know I’m part of the milieu. And I know that I’ve helped raise the bar and championed gender fluidity and encouraged people to be and become their true selves.” ON HER MUSIC VIDEOS

“Here’s an exclusive for ya—the next music video will be for the song ‘Rub,’ and we shot it in Joshua Tree with a crew of 40 women and no men. I made it with trans director Silas Howard, who just did a bunch of Transparent episodes. It features all older burlesque woman who are still active and dancing now. I love it. It’s my favorite video so far.”

“Prince, while he’s playing an insane guitar solo and singing his highest note.”

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“Kanye West, but I know I would be farting the entire time.”

ON LIVING IN BERLIN

“I couldn’t really be who I wanted to be in Canada, and not even in New York City. As soon as I moved to Berlin, it felt cool to me. It’s a city that’s always allowed me the amount of freedom I need to do exactly what I do.”

ON HER DREAM COLLABORATORS

ON HER GAY FANS

“I’d love to work with Tina Fey. And all the Amys— Amy Schumer, Amy Poehler, Amy Sedaris. And Kristen Wiig and the girls from Broad City. I’m obsessed with all these female comedians. I feel like I relate to all of them much more than any musician.”

“My gay and queer fans have always embraced my message, which is that I want everyone to feel comfortable in their own body. Especially in terms of gender fluidity and sexual fluidity. If you push back against that, that’s when you’re going to have problems.

ON ELECTROCLASH’S LEGACY

“Electroclash was a very short-lived genre, and people don’t realize how important it was. It was

3 PEOPLE PEACHES WOULD LOVE TO 1

the first hybrid of punk attitude and electronic music before it became so entrenched. And it was created by people like Miss Kittin, Le Tigre, Chicks on Speed and me. Much of it was dominated by women, and it was completely queer and open and sexual in a really healthy way. But then it died and became, like, ‘new rave’ that focuses on cute boys who play indie rock.”

R ub

“And Grace Jones, who I wanna rub up against while she’s eating oysters backstage.”

Catch Peaches live in Los Angeles on Nov. 13 at The Regent Theater. Rub is out now.

BUCKING THE SYSTEM

McKee is currently taking full advantage of having left the corporate monster behind. “Being an independent artist has been really empowering for me,” she says. “I’ve been in the major label system since I was 16 years old, so it’s really nice to be able to kinda set the tone myself creatively and also timeline-wise. There’s not all the red tape and everything that comes with being a part of corporate overlords. It’s very freeing.” TRULY OUTRAGEOUS

McKee’s music video for “Bombastic,” the EP’s first single, pulls heavily from the ‘80s. It’s packed to the brim with animal print spandex, a full mane of teased pink hair, pelvic thrusts and boom boxes—basically a Jane Fonda workout featuring the cast of Jem and the Holograms. (McKee assures me I’m right on the money—“Yes! Two of my favorite people.”) It turns out that the Jem cartoon—which sees a live-action adaptation hit theaters Oct. 23—was a huge part of McKee’s childhood. About the film, she says, “To be fair, it doesn’t really have anything to do with the cartoon we grew up on, but I was lucky enough to write a song for the movie. Actually, Hasbro invited me to go to Comic-Con in San Diego. I had never been, so I got all excited and I dressed up like Jem, because I’m a nerd. I went to meet them at the Jem booth and I was just standing there, talking, and people started lining up to take pictures of me because they thought I was the official Jem!” THE GAGA GOAL

Bonnie McKee f f O s p Po

No one crafts a hook like this renowned pop songwriter, who has stepped behind the mic with a new EP

hile the name Bonnie McKee is a flashing symbol of credibility for pop music afficionados, it may elude those who don’t spend their time poring over artists’ liner notes like a fanboy. (Guilty!) Even still, you’d be hard-pressed to find a radio-listening soul who isn’t familiar with the 31-year old’s power-pop output. The songwriting talent behind more Top 40 hits than there’s space to list here, presently with 10 number-one singles to her name, McKee has put her imprint on game-changing tracks like Katy Perry’s “California Gurls” and “Teenage Dream,” Britney Spears’ “Hold It Against Me,” Rita Ora’s “How We Do” and Taio Cruz’s “Dynamite.” And while this pop wordsmith has branched out into performing her own work before (most notably on her 2004 debut

album, Trouble, and the 2013 single “American Girl”), she’s now back at the mic in a big way. June saw McKee’s release of Bombastic, a fourtrack EP the name of which is spot-on, seamlessly melding her tried-and-true pop credentials with rock ‘n’ roll fearlessness and a danceable beat. Produced by Sean Walsh (and executive produced by McKee herself), it’s the result of her recent parting of ways with the corporate record industry. Bonnie McKee is now an independent woman—in every sense of the word. Frontiers recently caught up with the songsmith, who opens up about her recent creative freedom, which pop starlet has until now eluded her and a certain pink-haired ‘80s cartoon character whom she cites for pop inspiration.

With the roster of artists whom McKee has worked with in the last decade, it’s hard to imagine who could be left for her to pine after. There is one artist, though, who McKee has the creative hots for. “I would love, love to work with Lady Gaga,” she says. “She’s the one I never got my hands on. And she doesn’t really co-write, so she’s probably untouchable for me, but I respect her so much as an artist and I would absolutely love to work with her.” McKee also cites Bruno Mars and Rihanna as artists she’d love to write with. “I’d like to have the full collection of all of the pop star dolls on my shelf, you know?” she laughs. “But I’m really grateful to have worked with the artists that I have worked with.” WHAT’S NEXT?

Fans of the music video for “Bombastic” can expect three more in the near future. “I’ve made a video for every song on the EP, and they’re already shot,” she says. “One of the videos we shot on film, so that has been kind of time-consuming as far as getting it developed and getting it colored. There’s only one place in L.A. that can actually develop this kind of film. The next one is called ‘Wasted Youth,’ and it’s a really fun, different video. It’s much, much different from ‘Bombastic’ or anything else I’ve ever done.” But as it turns out, the Bombastic EP is only a tease of what McKee has waiting for fans. “I’m going back in this fall to start on the LP,” she says. “I have a bunch of songs that I’ve been saving up that I wrote when I was at Epic Records.” Of course, that won’t keep her from breaking out the pen and putting energy towards some new stuff as well. “I feel like every time I write a song I get a little bit better, so we’ll see what comes out of it.” Bonnie McKee’s Bombastic is available now. OCTOBER 14, 2015

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ToughLo v e

Drew Droege on Sinéad O’Connor “When it comes down to bone-shaking raw vocal talent that vibrates with beautiful rage, nothing compares 2 Sinéad. From her stunning debut album, The Lion and the Cobra, which featured “Mandinka” (in which she don’t know no shame) and “I Want Your (Hands on Me)”—you know, the song that played when the girl from Just The Ten of Us bench-pressed before Freddy Krueger turned her into a bug in Nightmare On Elm Street 4?—to her mainstream breakout with I Do Not Want What I Haven’t Got, every diva who arrived post-Clinton owes this lady a Pope-ripping, Miley-schooling, head-shaving nod. She’s not bossy—she’s the boss.” Droege stars in You’re Welcome at the Cavern Club Theater, Oct. 6-7

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“I

’ve been very busy, but it’s a good busy,” Darlene Love laughingly says about life since the release of 2013 documentary 20 Feet from Stardom, which chronicled the backstories of music’s most famous and talented backup singers. Love was heavily showcased in the Oscar-winning film, which touched on her work with industry giants like Phil Spector, Elvis and Sonny and Cher. “I’m a very active person, and sitting around doesn’t do it for me. I got used to really running around when 20 Feet came out, because they had me going from one city to the next, selling the movie. It hasn’t stopped, actually.” These days Love is promoting a different

project entirely. Fifty-three years after fans first heard “He’s a Rebel” on the radio (Love’s first time singing lead for Spector, who famously ‘gave’ the track to The Crystals, shutting Love out of a credit), she’s released a brand-new full-length record, titled Introducing Darlene Love—ironic because, at this point, she’s an artist who needs no introduction. Arranged and produced by her good friend Steven Van Zandt, the album offers 14 tracks with Love’s vocals front and center, a spot she’s undoubtedly earned. The album has been a long time coming—”30 years in the making,” Love says—and is full of tracks

NADYA GINSBURG: DUSTI CUNNINGHAM

After more than 50 years of professional shut-outs and singing backup for the greats, Darlene Love proves she’s one of the original women of rock ‘n’ roll

written for her by some of history’s best songwriters. Elvis Costello wrote two tracks, along with Bruce Springsteen, Desmond Child and Van Zandt himself. Another artist pegged to work on the album is none other than fellow female rocker Joan Jett. “I’ve known Joan Jett for over 40 years, since I first moved to New York,” says Love. “She’s a good friend of mine. Steven knew she [and famed female songwriter Linda Perry, who also appears] would write powerful songs. Because Steven says I am a rock ‘n’ roll singer. Not a pop singer, not a rhythm and blues singer, but a rock ‘n’ roll singer.” The music industry has of course changed drastically since Love first entered the studio with music genius (and notorious loose cannon) Spector in the ‘60s, but her new effort shows she’s more than willing to roll with it. “You have to accept it and be true to who you are in the industry,” she says. “It changes now constantly. I mean, one day it’s the rappers and then one day it’s somebody else. It’s such a fickle industry right now. That’s why I fit right in, because I’m different, and people are looking for something different that they can cling to.” Asked if there’s anything about the recording industry of the ‘60s that she prefers to today, Love thinks long and hard before offering her response. “No, because it changed and I was lucky enough to change with it,” she says. “Most of the time I was a backup singer. I was on the road with Dionne Warwick for 10 years—that was fantastic. Then I was with Tom Jones for a couple years, then Nancy Sinatra. I was still a part of the industry, watching it change, from the time the Beatles came in.” Many music fans—even those of younger generations, and perhaps more so—came to know Love from a certain Christmastime tradition. For the last 29 years, she famously performed “Christmas (Baby, Please Come Home)” on-air at David Letterman’s request, a tradition that sadly died with the late-night host’s recent retirement. As with everything, though, Darlene Love speaks with the wisdom of a female artist with more than a half-century of industry experience, and she assures us the popular track isn’t going anywhere. “I want to spread it around,” she says. “It would never happen again that you’d sing one song at Christmastime for one network for 29 years. That day is over. Now I will be doing the song on other television shows—not the same show every year—because I don’t believe you can recapture something that great.”

NADYA GINSBURG: DUSTI CUNNINGHAM

Introducing Darlene Love is available now.

The Queen Spe ak s Madonna expert and local comedienne Nadya Ginsburg—who brilliantly lampoons the Material Girl on stage and screen in her Madonnalogues—shares what’s next for the Queen of Pop

adonna was the Boy Toy whom the patriarchy couldn’t play. Her use of sexuality as a weapon of empowerment inspired me, though when asked on MTV if she was a feminist, she quipped, “No, I’m a humanist.” Really? You don’t believe girls deserve equal pay for equal work in this material world? Bummer. Through all her Andy Warhol-inspired reinventions, Madonna is eternally the rebel who desperately needs to be loved and accepted, teasing us by harnessing the power of paradox. Now, at 57, having stretched and kvetched, clenched and strived to stay one step ahead of all of us on the treadmill of life, if she dances around with her pom-poms, we tell her to act her age. If she covers up and pontificates about James Baldwin, we tell her to shut up and show us her tits. Cher once said, “The longer I look good, the better gay men feel.” That’s true for Madonna as well, and so in many ways, Vadge just can’t win. But contrary to all that, Madonna has kept us entertained with her paradoxical pussy, which she continues to

unapologetically flash all the way to the bank. And I wouldn’t have it any other way. Here’s a brief look at some of the things Madonna will surely be entertaining us with in the near future—in “her words.”

Dear Fans, Hot on the heels of giving unsuspecting ingénues unwarranted tonsil massages at outdoor music festivals, and legitimizing the major American art form of sock puppetry, I will be delving deep into the world of hot nunon-nun extreme pole dancing. Af ter I ’m done with my “Unapologetic Blood Money From a Stone” tour, I am going to direct another film. Of the last two I directed, one was about a lonely woman obsessed with the monarchy, and the other was about a crossdressing dominatrix. So I guess it’s true— write what you know. Keep your eyes open for my new lifestyle brand, which will feature skin care, diet and exercise tips and assorted brica-brac, because really, who couldn’t use a throw pillow that

says BITCH CUNT WHORE? It gives me great pleasure to announce my candidacy for a seat on the City Council in the 7th District of Silver Lake in Los Angeles, California. Why not President? Because I have to earn that. That shit has to be earned. If elected, every Friday will be Black Friday, which means every resident living in District 7 will identify as black. This will not be optional. It will be mandatory. Also, the Silver Lake Resevoir will be drained and replaced with coconut water. Finally, we all need to summon the courage to take a stand and admit that cycles and cyclists are fucking annoying. So no more bikes, and no more bike paths. No more pretending that you aren’t sick of swerving to avoid some nimrod with dinner plates in his earlobes hogging up the entire road when you’re already late for hot yoga.

Later, bitches Catch Nadya in Madonnalogues Nov. 17 at The Cavern Club Theater. Season 2 of Madonnalogues: The Series launches in 2016

Willam on Ivy Levan “I met Ivy Levan when she was singing backup for TranzK, the now-defunct drag queen mashup band that terrorized House of Blues and SoCal for a couple years. Upon seeing her, I just figured she was some hot girl hanging out with one of the band guys, but she opened her mouth to sing and there was no doubt this former model should be seen and heard. The Dame’s songs cover speakeasy problems like champagne,

being up to no good and what she’d like you to do to her ‘biscuit.’ Ivy makes the kinda music I want to hear on the daily, as evidenced by her presence on multiple playlists of mine (including one titled ‘Fucklist’) and I feel especially cool when people hear her and go ‘Who is this?!’ to me after I play her.” Willam’s album Shartistry in Motion is out now

OCTOBER 14, 2015

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Amazing ce Gr a

7 things we learned from the brand-new memoirs of Grace Jones

She didn’t think of her early output as disco. “The fact that I made disco music was an accident really,” she says, noting that the French word discothéque just didn’t have the same meaning as it did in ‘70s New York.

Studio 54 really was the ultimate playground. It’s doubtful that anyone has better stories than Grace about ‘the club of all clubs,’ where “the anonymous drag queen could dance next to the international superstar and there was no difference.” Grace takes us into the bar’s “rubber room,” into the celebrityfilled basement and into debaucherous nights of nudity, drugs and circus animals. She quotes Andy

Grace has turned down several songs in her career. And several of them are well-known tracks today, like “Boogie Wonderland,” which she claims was sent to her first. “That song needs a twinkling Tinker Bell to sing it,” she says, “and I’m much more of a witch with a smear of blood on my cheek.” Her list of friends and confidantes is of course impressive. In the memoir, Grace treats us to the stories behind her friendships with Jerry Hall, Marianne Faithfull, Andre Leon Talley, Keith Haring, Lauren Bacall, Divine, Jessica Lange and tons more.

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Grace had a special bond with Andy Warhol. “I was one of the few people he would dance with,” she says, but everything changed after Warhol was shot. “He liked to stay in one place with his back to the wall. He changed his style to protect himself. He wasn’t being a diva; it was a necessity.”

my fault, the lateness,” she says. “I might be a week late sometimes, say, for a chat show appearance in Australia. But I turn up and give everything I have.”

Grace’s son, Paulo, is “the first disco baby.” That’s how the papers referred to him, anyway. “The first thing I did when I was pregnant was give up quaaludes,” she says. Her baby shower was later thrown by Debbie Harry and Warhol.

She naturally demands only the best backstage. The last chapter of the book is nothing more than her rider for live performances. What does Grace Jones demand in her backstage dressing room? Well, six bottles of Cristal and two dozen oysters, for starters. Seems reasonable, don’t you think? I’ll Never Write My Memoirs is available now.

“I need slowing down, not speeding up.” Contrary to her reputation for being a “complete cocaine fiend” because she partied at Studio 54, Grace is actually a bigger fan of downers—”In my basic state I’m already a little bit perky,” she says—and when she did indulge in cocaine, she prefered taking it up the ass as opposed to her nose.

Her reputation for being late isn’t unfounded. “I admit, sometimes it will be

Jackie Beat on Ann and Nancy Wilson “I heart Heart! They’re the ultimate rock bitches—and when a drag queen calls you a bitch, honey, it ain’t nothin’ but love. Now what you kids need to understand is that there are actually two Hearts—the groundbreaking, earth-shaking band from the ‘70s with amazing hits like “Barracuda” and the chart-topping band of the ‘80s (a time they themselves affectionately refer to as “Leave it to Cleavage”). My two brushes with Heart greatness include the time way back in the ‘90s when Sherry Vine and I were set to sing “Magic Man” at Lady Bunny’s Wigstock.

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A friend of mine who knew the Wilson sisters told them about our upcoming performance and they sent us each a scarf that they’d worn on the Bebe Le Strange tour. The scarves definitely added some magic to our show! The second time was when I was flying home from Sydney and they were up front in first class. I couldn’t help but think, If this plane goes down, at least I will die with Heart!” Jackie Beat’s new show, Attention Whore, plays the Cavern Club Theater Oct. 9-10

JOSEPH CULTICE

Grace was almost Tommy’s Acid Queen. “There were two black chicks who were really rocking at that time, not doing the normal stuff,” she says, one being her, the other being Tina Turner, whom Grace refers to as “the first woman I felt that I could be with. She just flat-out turned me on.”

Warhol as saying, “When it was really fun, you expected someone to be murdered.”

GRACE: PRIVATE LIFE COLLECTION; ADRIAN BOOT; JOHN CARMEN

hen you’ve previously gone on record saying you’ll never sit down to write a tell-all, there’s really only one thing you could title that book. In I’ll Never Write My Memoirs (400 pp., $27, Gallery Books), Grace Jones—a woman who has always defied description through her work as a model, singer, actress and Strangé spokesperson—graces us with delicious hypocrisy. The legendary performer gets more revealing than ever, spilling tales of her career and personal life. Here are but a few of the memoir’s most lurid and entertaining tidbits.

Still ‘Queer’ s r a e Y e s e h T l Al Af te r

“I JOSEPH CULTICE

GRACE: PRIVATE LIFE COLLECTION; ADRIAN BOOT; JOHN CARMEN

Shirley Manson returns to the stage with rock group Garbage, revisiting one of rock’s most acclaimed debut albums

don’t fit in, and I never have,” Shirley Manson says to me over the phone, not in a mopey way but in a manner that suggests she’s damn proud of it. It’s clearly a badge of honor for the L.A. resident, who this month will reunite with her band, Garbage, on a 25-city tour of the United States and Europe. The 49-year-old frontwoman has always been in a class of her own, even within the ‘90s music scene from which her multiplatinum-selling group sprung forth. For starters, there was Manson’s fiery red hair and thick Scottish drawl. Sonically, she was anything but a carbon copy of the era’s other top female artists, happy to sit somewhere between the gutteral wails of Courtney Love and the coy

bluntness of PJ Harvey. Shirley Manson is a snarl and a purr wrapped with a bow. As a band, Garbage—formed one year before Manson joined ranks with Duke Erikson, Steve Marker and world-famous music producer Butch Vig in 1994—has always been difficult to pin down as well. Throughout five albums, the group’s sound has famously fused musical styles ranging from industrial rock to punk, trip hop to grunge and shoegaze—a pastiche of genres that some considered too progressive for its time, and which relegated the group to the generic catch-all of “alternative rock.” But there’s nothing generic about Garbage—or Manson, for that matter. She’s an artist who has stood the test of time as a skillful songwriter and OCTOBER 14, 2015

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performer, and she has endeared herself to the LGBT community as both an advocate—cancer research, AIDS organizations and animal rights among her causes—and as a fierce woman of rock ‘n’ roll. That relationship with the LGBT community is one Manson considers particularly special. “I’ve never been a traditional beauty. I’ve never been a cheerleader. I’ve never been particularly popular with boys. I’m aggressive. I feel like I’ve got a lot of testosterone,” she laughs. “I’ve never done things the way everybody else has done them. That’s what I think people can relate to. The LGBT community does their own thing, too, and so we’re all attracted to one another.”

icking off Oct. 6 in San Diego, the upcoming Garbage tour is a departure from the band’s previous stage shows. Dubbed “20 Years Queer,” this tour has the band performing its self-titled 1995 debut album front to back each night. “It was our 20th anniversary, and it seemed like the perfect opportunity to think about playing the record in its entirety. We were issuing a rerelease of the debut, and the whole thing caught fire within our organization,” Manson says. “It was just something that seemed like really good fun. We’ve had the same fans for years now, and we’re always looking for something new to do, because you want to keep things fresh. Ironically, the freshest thing for us seems to be to go and revisit our first record.”

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In addition to the album’s 12 songs, the band has plans to perform several B-sides that were part of that 1995-96 album cycle—songs whose existence is yet another example of a band that has always played by its own rules. “In 1995, everyone thought we were insane because we insisted on releasing all our singles on vinyl at a time when everybody had moved on to CD,” says Manson. “But we were such big lovers of vinyl then. So we had all these B-sides that got released in tandem with the singles themselves.” Other than the shows’ setlist, Manson prefers to keep the ins and outs of the new tour a secret, though after I suggest that fans might love to hear commentary and exposition concerning certain tracks, she says she hadn’t thought of that but “might run with it.” Still, she’s adamant that concertgoers shouldn’t expect contrived behind-the-scenes stories—something she considers a pet peeve. “I don’t ever like to plan what I’m gonna say at shows,” she explains. “I always think it’s really cheesy when you go and see a band and they say these great things, then you see them say exactly the same thing the following night on YouTube, you know? It’s just devastating.”

he 1995 album, the cover of which featured the band’s logo over a bed of bright pink feathers, was critically acclaimed and eventually went on to sell over 4 million copies. Bolstered by high-chart-

ing singles like “Only Happy When It Rains, “Stupid Girl” and “Queer,” Garbage became a household name to the MTV generation and was nominated for the Best New Artist Grammy Award. A tour like “20 Years Queer” isn’t possible— nor profitable—for many albums, which speaks volumes about the timeless nature of the Garbage album. Manson herself acknowledges two reasons for the album’s appeal. “One is that it’s a very forward-thinking record in the first place,” she says. “We definitely were one of the few bands at the time that was really merging sounds together and putting different styles of music together in a different way than had previously been done before. I think it was sort of a template in a way for where music ended up going.” The band’s forward-thinking nature wasn’t loved by all, though. “It’s hard to imagine now, but back then we encountered a lot of criticism,” Manson says. “People felt like we were appropriating stylings from all different types of musical genres, and they didn’t approve of that. They thought that was weird and difficult to pin down. But of course that’s so commonplace now for people. Everybody does that. But back then that was quite novel, I think.” The second reason Manson feels her band’s debut resonated with music lovers worldwide has to do with the record’s adult themes and lyrical content. “When we made the debut, we were a lot older than your average newcomer. They’re not

JOHN COULTICE

Garbage, from left: Butch Vig, Shirley Manson, Steve Marker, Duke Erikson

songs about me kissing boys behind a woodshed at school,” she says with a chuckle. “They’re tackling some serious issues. I’m so proud still of a lot of the words on that record, and I don’t feel embarrassed, and I don’t feel they’re juvenile. I feel like in some cases they are even more necessary and vital today than they were in 1995.”

t was a ballsy move in 1995 to record a song called “Queer,” let alone release it as a single. While organizations like Queer Nation had begun to reclaim the word for the LGBT community starting in the early 1990s, the term was still more widely used as a slur. Garbage took the opportunity to align itself with the world’s outsider communities, embracing the term, and while the band insists the song wasn’t written solely to appeal to the gay community, for many LGBTs, it became a de facto anthem. “Queer” also became the band’s first top 20 hit on Billboard’s Hot Modern Rock Tracks chart. “There wasn’t a lot of discussion about it, as it turns out,” Manson says, referring to conversations among her bandmates concerning use of the word. “I think because we all firmly believed in what we were saying. So we had no fear about it at all. At the time, we stood up for the LGBT community. The song was how we felt about being considered weirdos and not fitting in. It’s only looking back now that I realize it was bold. But we didn’t necessarily feel like we were being outrageous or provocative in any way, shape or form. We just felt we were telling the truth from our hearts about how we felt. “The first time I heard the word ‘queer’ was my granny. I’ve told this story a million times, but it was my granny talking about being a different kid. I was a middle child, and I was not your typical easygoing kid. I was a bit difficult, and my granny always used to say, ’It’s OK if you’re queer, that’s alright. We’re all queer except me and thee, and sometimes even thee is queer,’ meaning everybody is a weirdo, you know? And if you turn that on its head, everybody is special. So I have nothing but beautiful connotations with the word.” Times, of course, have changed drastically in 20

years. The term queer has become a badge of honor for many inside (and outside) the traditional LGBT community—something that, on the band’s upcoming tour, will surely amplify the song’s significance. “That, to me, is what the song always was,” says Manson. “It was meant to encourage people to be who they want to be and to be proud of who they are, regardless of what other people think. And it’s been very moving for us to see the progress of civil rights for the entire LGBT community, to see how that has fully progressed to the point where finally people are allowed to marry those that they love. And it’s been a real privilege for us to be witness to that in our lifetime.”

n Oct. 8, the “20 Years Queer” tour will roll into the Greek Theatre in Los Angeles, a city Manson has called home since 2006. (“I’m practically a native,” she quips.) While only the third city on the tour, Manson will be glad to play for the hometown crowd, though her thoughts about the City of Angels weren’t always so pleasant. “It’s funny, because I used to hate Los Angeles when I came here for work,” she says. “I really, really despised it, and I thought it was a soulless, empty place. Then I moved here for work reasons and discovered what I had done wrong—I had spent my entire time on the west side of the city. Of course, Los Angeles is more than that, and I love it. I’ve come to love it dearly.” When the upcoming tour comes to its scheduled close in mid-November, Manson will no doubt be back here in Los Angeles, but don’t think for a second she’ll be using the time to relax. During our call she confirms that a brand-new Garbage release is indeed slated for a spring release. Naturally, I ask if her perpetually genre-defying group of musicians has a sense of where the sound is leaning. “No, not really. I mean, I think it sounds different from anything we’ve done before,” she says, “but I say that before every record.” A remastered reissue of the Garbage album is available Oct. 2, and don’t miss them at The Greek Theatre on Oct. 8

Girl P o we r Recent and upcoming album releases from some of our favorite females

Carly Rae Jepsen Emotion (out now)

Miley Cyrus

Miley Cyrus & Her Dead Petz (out now)

Lana Del Rey Honeymoon (out now)

Chvrches

Every Open Eye (out now)

Janet Jackson Unbreakable (Oct. 2)

Selena Gomez Revival (Oct. 9)

Demi Lovato Confident (Oct. 16)

Carrie Underwood Storyteller (Oct. 23)

Joanna Newsom Divers (Oct. 23)

Vanessa Carlton Liberman (Oct. 23)

Sharon Jones

It’s a Holiday Soul Party (Oct. 30)

Ellie Goulding Delirium (Nov. 6)

Yoko Ono

JOHN COULTICE

Yes, I’m a Witch Too (Jan. 22) This year may also see new album releases from the likes of Adele, Christina Aguilera, Gwen Stefani, Haim, PJ Harvey, Rihanna, Sky Ferreira and TLC OCTOBER 14, 2015

IWAN BAAN

E N S â&#x20AC;&#x2122; . A A T . L TS R A 50

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IWAN BAAN

W E N R A T

The Broad Museum, our city’s new citadel for contemporary art, is an architectural icon in its own right and a significant step in the reinvigoration of Downtown, but what does it say about Los Angeles? BY DREW MACKIE

ere’s a fun game to play when you go to The Broad Museum: “How L.A. is this?” It’s not a question that can be answered easily or quickly, but it’s one this writer couldn’t stop asking while walking through Downtown Los Angeles’ new 120,000-square-foot art fortress. Opened Sept. 20, it’s a major addition to the contemporary art world, but it’s also a new icon for the city. And as a result of being founded by adopted Angelenos—Eli Broad, the $7 billion man, and wife Edythe—and directed by a native Angeleno, Joanne Heyler, The Broad seems like it should be saying something about Los Angeles. “Los Angeles is increasingly a major center of contemporary art. Anyone interested in contemporary art, from around the world, now regularly comes here. Between the artists and art institutions based here, you really can’t follow fresh developments in art without visiting L.A.,” says Heyler of The Broad’s spot in the arts landscape. “I think of the arts institutions in any city as a cultural ecosystem of sorts—multiple venues and multiple approaches keep things interesting for a growing public audience,” she says. “The appetite among the public in L.A.—visitors and locals alike—for the kind of experience of art The Broad offers is strong.” But how L.A. is the building itself? Very, in the context of Grand Avenue’s gradual transformation into an arts corridor, per Eli Broad’s decree. (Explains Heyler, “The Broads look at their involvement in supporting or initiating many of these projects as a privilege and as a way to play a role in growing the city into one of the world’s great cultural capitals.”) Multiple critics have noted how the $140 million museum building responds to the architecture of the neighboring Disney Concert Hall—matte and porous versus the latter’s metallic and flashy. But it’s also yet another landmark construction that’s divisive in the reactions it elicits. That skeleton-white “veil” of a lattice covering it could be indicative of a new, organic direction for the future of architecture. Some, though, will think it resembles a cheese grater. How L.A. is it to actually go inside The Broad? Well, the interior lends itself to cinematic comparisons. Both methods of ascending to the museum’s main third-floor showroom—by escalator and glass elevator—have been compared to set pieces from the lair of a James Bond villain. And upon arriving at the top, visitors are greeted by Tulips, Jeff Koons’ 16-foot-long, stainless steel sculpture. The blossoms look impossibly perfect, and they may suggest to you any number of iconically L.A. things, from human bodies molded into uncanny, glossy perfection to an astroturf lawn glowing brighter green than real grass. How L.A. is The Broad’s inaugural exhibition? Heyler points out that a sculpture by L.A.-based artist Robert Therrien of oversized, irregularly stacked plates greets visitors as they enter the first floor, and among the 250 works currently on display are some by artists based in or otherwise connected to the greater Los Angeles area, including John Baldessari, Edward Ruscha, Chris Burden, Barbara Kruger, Charles Ray, Lari Pittman, Mike Kelley, Mark Bradford and Sharon Lockhart. Partitions divide up the main floor into rooms, and visitors may well feel like OCTOBER 14, 2015

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perhaps uniquely able to convey depth and range for certain artists. “Our gallery of classic Andy Warhol works from the ‘60s makes for a unique experience among L.A. museums,” notes Heyler, who also names the room of Kara Walker silhouettes a standout, calling it “challenging and beautiful.” Taking the stairs back down, you happen across windows that give a peek into The Broad’s extensive vault, where nearly 2,000 more art treasures await in storage. It’s one of the most thrilling aspects to walking though the museum. And if an L.A. parallel must be made, it recalls a moment from behind-thescenes studio tours wherein you glimpse work on some future movie—a potential blockbuster?—but only from the perspective that your tour guide permits. There’s one final way the Broad is so very L.A., and that’s

IWAN BAAN

(Clockwise from above) Eli Broad with his wife Edythe, whom he credits for his interest in contemporary art; works by Barbara Kruger, Cindy Sherman, Richard Prince and Sherrie Levine in The Broad’s third-floor galleries; the museum’s lobby, which resembles the lair of a Bond villain; Jeff Koons’ Tulips

BROADS: ELIZABETH DANIELS; KOONS: BRUCE DAMONTE

A New Art Era

they’re traversing a single contemporary art “city” consisting of neighborhoods—Twomblytown, Kara Walkerville, the raw but lively Haring-Basquiat District—and that might suggest L.A., too, if walking from one neighborhood to another weren’t still a rarity in our city. Surely the size and scale of The Broad suggests L.A. That top floor is massive, though exploring every corner is more easily accomplished than, say, traversing the city in an effort to see all its sights. The exhibition is anchored by landmarks— grand works that beckon from far off—and foremost among these is Takeshi Murakami’s 82-foot-long “In the Land of the Dead, Stepping on the Tail of a Rainbow.” The painting mixes the grim and the cartoonish among crashing waves, suggesting Japan’s 2011 tsunami disaster, and the fact that the painting was simply too large to fit on any one wall—and therefore had to be split, snaking around a corner in a room dedicated to Murakami’s creations—underscores how it can dwarf everything and everyone near it. The landscape of The Broad even boasts its own “selfie spots.” Just as tourists know to snap a photo of themselves posing with the Hollywood Sign in the background, visitors to The Broad repeatedly pause beneath Therrien’s Under the Table, a giant-sized kitchen table and chairs, for photos that say, “I was at The Broad. Look how comparatively small I am.” Therrien’s work impresses in person in a way a snapshot can never convey, but that doesn’t mean hundreds of visitors a day won’t keep trying. As imposing as these large-scale works may be, it’s the smaller groupings of a single artist’s work—for example, an assemblage of Cindy Sherman self-photos that demonstrates how an artist takes a selfie—that give visitors a flavor of that artist’s body of work so far. To return to the conceit of this article once more, it’s like lingering in a neighborhood long enough to see past the most obvious sights and come to know it more deeply, as a local might. The Broad’s expansive collection is

STATE OF THE ART

IWAN BAAN

BROADS: ELIZABETH DANIELS; KOONS: BRUCE DAMONTE

A sampling of the Broad’s iconic contemporary works

that you will eventually, inevitably go there. Those keen on contemporary art have already requested their free tickets—200,000 signed up for free tickets in the first two weeks they were available—but those whose interests lie elsewhere will eventually find themselves at The Broad, too. Maybe some visiting friend will necessitate the trip, just like they got you to trek out to LAX or The Grove or other L.A.-area landmarks you thought seemed too much of an undertaking. Not that The Broad should be grouped with those spots in that way—and don’t tell The Broad I compared it to The Grove—but it is now one more place Angelenos will find themselves. How much of our city visitors will perceive in The Broad and its art, of course, depends on what experience of Los Angeles they’re bringing with them when they step through the door.

Flag (1967) Jasper Johns

Untitled (1981) Jean-Michel Basquiat

M ichael Jackson and Bubbles (1988) Jeff Koons

Rabbit (1986) Jeff Koons

Infinity Mirrored Room - The Souls of Millions of Light Years Away (2013) Yayoi Kusama

Untitled (Your Body is a Battleground) (1989) Barbara Kruger

Fountain (Buddha) (1996) Sherrie Levine

Untitled (1954) Robert Rauschenberg

OCTOBER 14, 2015

ACROSS THE BOARD Inside the 12-sided dice rolling, dragon slaying, same-sex socializing— and, sure, occasional hooking up—of gay board gaming groups By Drew Mackie

n a sunny Saturday in September, 60 people have gathered in UCLA’s Biomedical Sciences building. They’re in a room that sits on the same floor as the university’s AIDS Research Center, but attendees have not arrived to pursue science. Science-fiction? Maybe. They’re all participating in a meet-up of Gay Board Gaymers, a Glendalebased group that boasts more than 1,100 members and meets about every two weeks throughout the greater Los Angeles area so attendees can roll dice, socialize and learn new rules in the name of fun. I’m sitting at a table next to Matthew Michael Brown, known for winning the second season of the Playstation reality show The Tester, where he proudly bore the nickname “Gaymer.” Today he’s active in Los Angeles’ gay board gaming subculture. The group has decided on Dark Moon, a new release that began as a fanmade Battlestar Galactica game. Brown and six others are midway through the game, and while those Dark Moon-ing for the first time seem comfortable

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with the concept, the conversation frequently breaks into discussions about the rules, with players on opposing sides helping each other understand the modus operandi. The game, after all, is only fun if everyone understands what’s happening, and everyone seems happier to create a sense of camaraderie than simply to crush their opponents into space dust. After about 30 minutes of play, one of the players imitates Heidi Klum’s Project Runway catchphrase—“You’re either in or you’re out.” It’s the gayest thing that’s happened during this game. And that might seem counterintuitive, considering that Gay Board Gaymers has the word “gay” in its name twice. Brown explains that LGBT-focused gaming groups aren’t all that different from their ostensibly hetero counterparts. “In fact all LGBT gaming groups I know are filled with straight attendees,” he says. “Sexuality isn’t a big deal. It’s just an added thing everyone can connect on, and I think people subconsciously like knowing there’s always dating potential within the group.” Monica Yencer is the organizer of Gay Board Gaymers, established in

by not dating and not going to bars. And he agrees that many outside 2009. She credits the group’s success to how welcoming its members the group would be surprised by how an explicitly gay group is often are. “Oftentimes queer people aren’t as close with their families, and not all that sexual. “Sure, no one is shocked when two players hookup, that leads us to create our own families,” she says. “We feel at home and it’s not unusual for someone’s boyfriend to get recruited into the and can be ourselves around people who won’t judge us because they group,” he says, “but the games are usually so involved that we forget to are just like us. And if that isn’t family, I’m not sure what is.” take our shirts off or whatever people might imagine when they picture As it stands now, about one in five of the gamers is female, but a bunch of gays sitting around a table getting drunk.” Yencer pledges that she’s working to even out the ranks. For her, it’s That said, playing these games still carries a stigma with certain important that groups like hers exist so queer people can spend time people—gay and otherwise—who harbor strict ideas about what around each other outside of the bar scene. “This is a way to be around constitutes an acceptable way to enjoy leisure time. our community while participating in a hobby we all love,” she says. “Dungeons & Dragons especially draws a lot of eye rolls,” Lakin says. Back at the Dark Moon table, the group is attempting to suss out “Enough people have played Settlers of Catan to ‘get’ board games, but which of the players is evil. If anyone should be well-suited to pick out mention D&D and most still ask, ‘Do you dress up?’ No, we don’t dress who’s hiding a secret based on behavioral cues, it should be a bunch up. It’s also been a bonerof gay guys. In the end, however, the covert bad guys win. Again, the killer more than once when outcome doesn’t seem to matter I bring it up at a bar or party. as much as the group deciding I think people expect me to whether this new game was worth put on elf ears as soon as the playing. clothes come off.” Brown, who also hosts events The greatest benefit with a smaller, private group he to playing these games, it calls Tabletops and Bottoms, conseems, may be finding the jectures that gay people might be people who do get it—or more willing to participate in an who at least are willing to activity some would dismiss as learn. Locke Webster, a “nerd stuff” because they’ve likely member of Lakin’s D&D grown up with pejorative labels. group, describes a simple “We might be better equipped beauty in the process of to embrace the labels one gets group gaming. for playing these types of games. “The fun for me in Growing up as a ‘faggot’ makes these game systems is ‘nerd’ a title of honor by compariseeing all the possibilison,” he says. “Gaming also lets us ties—watching how interreturn to the fantasy worlds of our locking pieces of chance youth—those same fantasy worlds and player choice weave to which we escaped when we were together to create a good being ostracized or bullied.” or bad game system,” Based on my own experience Webster says. “And you with boardgaming, I think Brown has become a group, probably a point. Since March, Glen Lakin, a out of necessity, because screenwriter (who also happens to it’s almost impossible to be my roommate), has been hosting play a game if all you are Dungeons & Dragons sessions in my gaymer buddies take the game doing is teaching it to garage. It’s nothing my grandmother Matthew Michael Brown and his board togas the out ing Gods & Men to the next level by break other people over and would have envisioned when she over again. You don’t willed me her old bridge tables, but play a game until you clean up the it’s been a lesson on how gaming— pieces and start the second round of it.” and gayming—can provide a valuable outlet for those straddling two Webster says D&D necessitates an especially close bond. different subcultures. “You’re bringing a character to the table that you created and that The group of seven members—all gay, all male, all of whom work to some extent you’re expected to play as,” he says. “The easiest way in some creative field—has been following one story, masterminded to do that is to be with a group of people you feel comfortable not being by Lakin and incorporating bits of classic TV into the swords -andyourself with. There’s a lot of figurative (and imagined) going out on sorcery setting. (Dwarves named after the girls from The Facts of Life, limbs, with the hope that the rest of your party is there to catch you.” for example, and a magical lantern called Judith’s Light, revered by the Church of Angela. Yes, he has plans for The Golden Girls.) Go to gaymers.meetup.com to locate gaymer groups around the world Lakin created the group as a social outlet—to scratch an itch created

A GEEKY GLOSSARY BEER & PRETZELS: ironically the opposite of German-style board games like Catan, these are lighter games with minimal strateg y required BROKEN: used to describe a game whose rules inevitably lead to a crappy play experience DECK-BUILDING: another subset of games in which players build a

hand of cards from a shared source/ market D M /G M ( D U N G E O N /G A M E MASTER): the one who plays every person/monster/hazard not controlled by a player—the game’s dark and omnipotent god, as it were GATEWAY GAME: the kind of easier-to-play tabletop game that can turn an NGF into a hardcore gamer

NGF: “non-gaming friend” PEN AND PAPER: a type of game, like D&D, that usually involves maintaining attribute stats on a character sheet WORLD-BUILDING: the work that goes into creating the fantasy world, including everything from developing a pantheon of resident gods to naming a shopkeeper —D.M.

THE WORLD OF BILLY MASTERS From left: Gio Benitez and Tommy DiDario, Jackie Collins, Tracy Morgan, Belinda Carlisle, Andy Samberg

AN EMMYS 2015 DEBRIEFING, A LEGEND RETURNS TO THE STAGE, MORE GAYS ON TV

A Legend Returns I always time my fall return to L.A. with the Emmy Awards, but this year I zipped west earlier to coincide with my pal Belinda Carlisle’s solo concert at the Fonda Theatre. This was her first full-length solo hometown concert since 2003, and it was a spectacular event. Looking back at my review from 12 years ago, I wrote, “She rocked the near-capacity House of Blues with an hour-and-20-minute set, sporting her trademark Ann-Margret red locks and go-go girl looks.” All of that still applies, except now the concert was 90 minutes. Not only does Carlisle’s voice sound stronger and richer than ever, but her double hip replacement five months ago doesn’t seem to have slowed down any of her kittenish dance moves. And I must make special mention of her opening act, Gabe Lopez. I first met Gabe eons ago as a songwriter, and I’m thrilled to see him now touring with Belinda. (He’s also writing and co-producing 56

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her upcoming album.) He’s paid his dues, and it’s now paying off. Congrats. Social Media Slamming How many times have you read something on Facebook and wished there were a “Dislike” button? Well, Facebook has read our minds. Last week, Mark Zuckerberg said, “People have asked about the ‘Dislike’ button for many years ... and today is a special day. Because today is the day that I actually get to say we are working on it and are very close to shipping a test of it.” What are they shipping? Do I have to buy it or install something on my computer? Where do I get to press “dislike” on this idea? Breaking News I hate to toot my own horn, but since someone isn’t here to do it for me—and since I’m limber— I’ll do it myself. Days after last week’s column, I awoke to the following headline online: “ABC News’ Gio Benitez Gets Down on His Knees.” No surprise there. But this was a report that Gio had proposed to beau Tommy DiDario—days after I told you about their romantic relationship. If I’m not mistaken, I’m the only national columnist to report about this with the same candor (and ebb) I would report a heterosexual relationship. Benitez did it right. He brought Tommy to Paris and, with the Eiffel Tower in the background, got down on one knee. We know the details because Gio hired a photographer to capture the special moment. After all, he is a newsman. Without the photographer, he wouldn’t be able to post it online with the caption, “Time is what’s left behind in the wake of love.” And, you know what they say—a photo is worth a thousand words. In the photo, we get to see Tommy with his hand up to his mouth, as if he’s got the vapors. Of course, you’ll get the vapors when you

see the plethora of photos we have of the handsome couple—in various forms of undress. You can check them out on my site. Full of Hart They say life imitates art. Sometimes art imitates life. Sometimes art imitates art. And sometimes I imitate Mae West, but that’s a different story. The point is, in these days where we see the news reflecting stories that have long been important to our community (gay rights, same-sex marriage, trans issues), sometimes it’s even more powerful to see those stories reflected in art. Well, OK, on television. That’s an awfully highfalutin’ way to announce that NBC is developing a reboot of the 1980s series Hart to Hart with a twist—the two Harts will be gay men. The new series will be about a gay couple—conventional attorney Jonathan Hart and his rule-breaking investigator spouse, Dan Hartman. While we hear that the show will have no direct connection to the original series, I’m told that Stefanie Powers is open to making an appearance. When I want to thank Tracy Morgan for saving the Emmys (and stealing our hearts), it’s definitely time to end yet another column. While I’m getting personal, I must take a moment to acknowledge the death of my pal Jackie Collins. Before my very first trip to Hollywood, Jackie gave me a list of places to go, people to meet and things to do. She was an amazing lady with a wicked sense of humor and a heart of gold. She will be greatly missed. You shouldn’t miss a thing onBillyMasters. com, the site that will never steer you wrong. If you have a question for me, send it along to Billy@ BillyMasters.com, and I promise to get back to you before Gio and Tommy get cast in that remake of Hart to Hart! So, until next time, remember, one man’s filth is another man’s bible.

PHOTO CREDIT TK

Emmys 2015: High on Heat, Low on Laughs I surely would have hit “dislike” from the red carpet, since Hollywood was rocked by a triple-digit heat wave on Emmy night. The funereal mood continued inside for the most unbearably painful awards show I’ve ever attended—and I was at the Oscars when Rob Lowe sang with Snow White! And poor Andy Samberg. He used to be so funny, but there was nary a laugh to be found in his monologue. I really shouldn’t single him out—almost every scripted bit fell flat. Here’s a fun fact: this year’s Emmy show actually ran under schedule because the time allotted for laughs was unnecessary. At a certain point they stopped asking winners to wrap it up. During one commercial break, they asked if any of us in the audience had anyone we’d like to thank.

QUEERSAY

BY GOSSIP GAY

DEAR CATTY QUEEN

m I a tad complicated? Maybe. Am I a little demanding? Perhaps. But when I’m paying over $6 for a venti extra-shot six-pump sugar-free vanilla café breve, I want it made right! And while the blonde, bubble-butted super twink who typically works the morning rush at WeHo’s Big Gay Starbucks always gets it correct, he was a bit off his game last Wednesday. My drink was far from breve, and even farther from sugar-free. So in my most cool, calm and collected voice, I asked my spank-bankable barista to remake my drink. Of course he was all-smiles agreeable and got right to pumping. (It must be true love, right?) All was right with the world ... or so I thought. It was right about then that the stuffy woman of rotund repute behind me began to get huffy, mumbling under her breath that “some WeHo queens think they have all the right in the world.” Typically I would have let such hushed monologuing slide, but I was in a mood and decided to dramatically engage the obviously unhappy-with-herself woman. She didn’t back down, explaining to me “that beautiful guys like you [me!] in West Hollywood think the world revolves around you and spend your life sliding by on L.A.-10 good looks.” Some may have heard a shaming chastisement in her speech, but all I heard was that this sweaty, red-faced woman thought I was an L.A.-10. With nothing to contest, I merely thanked her and turned back to retrieve my (excellently remade) beverage. That’s when the real catty queen sauntered into the conversation. Standing behind that raging hobbit of a woman was a past-his-prime otter who began to laugh hysterically. When I asked him to explain how his eavesdropping had produced such chortling, he simply responded, “Honey, you’re an L.A.-5 at best, and that’s after a few too many drinks and Vasoline on the lens!” Everyone within earshot gasped! Talk about hate speech! At the time, I was tongue-tied. Frankly, I still haven’t found the appropriate shade to throw at this catty queen. Instead I leave all my gay brothers with a queer query: With people like Kim Davis in the world, isn’t it time we all got along?

THE CINEMATIC STONING OF ‘STONEWALL’

was moved to literal tears when I heard that the incidents of Stonewall would be captured in a big screen Hollywood film, now in theaters. But I was sadly disappointed in the not only negative reviews but full-throttle backlash—with one Rotten Tomatoes reviewer going as far as calling the film’s portrayal “beyond inaccurate and completely offensive.” That said, I had a mole onset—a young gay-identified 20-something who was tangentially affiliated with the film’s production. I asked his views on the film’s inaccuracies: “It was a strange shoot,” he says. “I was so excited to sign onto the project because I thought I’d be a part of gay cinematic history. But in my opinion, that wasn’t the case. Everything moved so fast, and it seemed more about making an Oscar-winning film than accurately honoring the gay liberation narrative. Throughout the filming, a lot of us found ourselves whispering, “Uh, did it really happen like this?” In a word, the answer is no, and I’m kind of sad that I was—even in a small way—a part of this.” Needless to say, this will surely be a ‘Netflix and chill’ film, not one I’ll be seeing in a theater anytime soon!

For more Gossip Gay, go to FrontiersMedia.com. Drop me your dirty little secrets at QueerSay@hotmail.com, and don’t worry, I never give up my deep throat! OCTOBER 14, 2015

PALM SPRINGS

AWARDING ACTIVISM Equality California unveils its brand-new direction while honoring the achievements of four local activists and allies at its annual desert gala By Mike Ciriaco From left: Dolores Huerta, Geoff Kors, EQCA Executive Director Rick Zbur, Darrell L. Tucci, Lisa Vanderpump

Palm Springs Equality Awards Riviera Resort & Spa Oct. 10 eqcaawards.org

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ay advocacy group EQCA has much to celebrate this year. This past June, same-sex marriage was legalized across the nation, thanks in no small part to its efforts. With that recent victory in its back pocket, EQCA will assemble on Oct. 10 at the Riviera Resort & Spa for the Palm Springs iteration of its annual Equality Awards. The event will not only acknowledge the personal achievements of LGBT advocates and straight allies but mark a brand-new direction for the group. “What we are asking is for members of our community to make a commitment to the next phase of the LGBT civil rights movement,” says Rick Zbur, executive director of EQCA. “Our primary focus is addressing the disparities in health and well-being that our community faces, as well as assuring that LGBT people are accepted in all the communities that we are a part of. And, on top of that, helping members of our community outside of California.” The Equality Award traces back to the advent of EQCA, which evolved from The California Alliance for Pride and Equality in 2003. The organization hit its stride in 2008, when it became a prominent challenger of anti-gay marriage initiative Proposition 8. It’s an award spotlighting the efforts of admirable individuals toiling within the LGBT community. “We want to celebrate and recognize the people doing the hard work for our community,” Zbur says. “Many times, the people doing this work are unsung, and the broader community is unaware of the contributions they are making. The Equality Awards allows us to showcase, celebrate and thank those people doing that work.” This year’s awards will honor four individuals whose personal efforts have benefited LGBT civil rights. Most prominent of these honorees is Geoff Kors, the former executive director of EQCA, who will receive the first-ever Geoff Kors Leadership Award. “The award recognizes how important his work has been to the LGBT community,” says Zbur. “It will be awarded periodically to an LGBT individual in California whose work has had an impact

on the national stage. We are honoring Geoff for his body of work, and not only at EQCA, where he developed the strategy that started the successful work that achieved civil rights in California.” Kors is joined in this year’s accolades by another openly gay advocate, Darrell L. Tucci, who is being lauded for his work as Development Director of the Desert AIDS Project, as well as his involvement in various Palm Springs-based LGBT organizations. “Darrell is receiving the State Farm Good Neighbor Award,” says Zbur, “which is given to a local community leader who has worked in the community and advanced either social justice or equality for LGBT people. Not only is his work important for addressing the health and well-being of people with HIV and those living with AIDS, but he is really part of the core of the LGBT community in Palm Springs. He’s on every committee supporting work of the Center, EQCA and various transgender groups. He’s a part of everything.” These men are joined by a pair of straight female allies. The first, Dolores Huerta, is renowned for founding the United Farmers Workers with Cesar Chavas, although The Vangard Leadership Award aims to showcase her work for the LGBT community. “She always had broad focus on making sure that all communities that have been disadvantaged and subject to discrimination—that they achieve equal rights and justice,” Zbur says. “She has made LGBT equality one of her highest priorities. She has been one of our most effective and highest profile straight advocates.” Last but not least is Real Housewives of Beverly Hills star and West Hollywood restauranteur Lisa Vanderpump, who will be honored with the evening’s Ally Leadership Award. “Lisa is another straight ally who uses her high profile to advocate for LGBT people,” says Zbur. “She has utilized her businesses and contributed broadly to the LGBT community, both in Los Angeles and in Palm Springs.” Thanks to the achievements of not just this quartet of queer rights champions but of Equality Califoria, the LGBT community is sure to have as much to celebrate in 2016 as we did in 2015.

Thu. | Oct. 8 9 TO 5 Ultra Star Max Cinema, Cathedral City

Dolly Parton, Lily Tomlin and Jane Fonda take feminism to corporate America in this hilarious 1980 office satire. Drag queen Jersey Shore provides live commentary while the movie screens. 7 p.m. ultrastarmovies.com Fri. | Oct. 9 KYLE DEAN MASSEY Copa Nightclub

The openly gay actor/-singer has appeared on Broadway in Pippin and Next to Normal but is best known for playing Kevin Bick, the boyfriend of country singer Will Lexington, on TV’s Nashville. 8 p.m. copapalmsprings.com Sat. | Oct. 10 JASON STUART Purple Room

The gay comedian tells brutally honest and wickedly funny jokes in his new show, titled I’m Only Gay on the Weekends. Dinner at 5:30 p.m., show at 7. purpleroompalmsprings.com

Sun. | Oct 11 AAP ANGEL PROGRAM KICKOFF Colony 29

This annual celebration launches another year of fundraising for the AIDS Assistance Program. An RSVP is required. aidsassistance.org Wed. | Oct 14 CITY COUNCIL AND MAYORAL CANDIDATES DEBATE Jewish Community Center

Candidates for the Nov. 3 election will debate issues in a forum moderated by TV reporter and columnist Hank Plante, starting at 6 p.m. Sat. | Oct 17 DESERT AIDS WALK Ruth Hardy Park

Desert AIDS Project’s annual fundraiser steps off at 9:30 a.m., with music, activities, venders, community booths and more in the park both before and after the walk. desertaidsproject.org

BUSCH BRAVES THE DESERT MOST DRAG ARTISTS HAVE an outrageous name to go with their drag persona, but not Charles Busch. He’s so well-known for drag that he simply uses his real name. Nonetheless, he knows how to delight audiences with campy shows, and CHARLES BUSCH he heads to the desert Copa Palm Springs this month, playing the Oct. 16 & 17 copapalmsprings.com Copa Nightclub for two nights in a special return engagement. “Drag is being more—more than you can be,” Busch has said. “When I first started drag, I wasn’t this shy young man but a powerful woman. It liberated within me a whole vocabulary of expression. It was less a political statement than an aesthetic one.” After making a splash off-Broadway in Vampire Lesbians of Sodom, Busch has starred in film versions of his plays Psycho Beach Party and Die, Mommie, Die, and he also wrote the acclaimed Broadway play The Tale of the Allergist’s Wife. Clearly he has lots of stories to share with desert dwellers in the show, in which he channels Old Hollywood leading ladies like Bette Davis and Rosalind Russell. —J.F.M. OCTOBER 14, 2015

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The Beehive of Beverly Hills

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Halloween & Gay Horror ADVERTISING DEADLINE: OCT 9, 2015

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OCTOBER 14, 2015

GAYDAR

CHECKING IN From high-end to low-rent, there’s something about the suite life that screams gay DESTINATION UNREAL

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NO-TELL MOTEL

THIS ROOM NEEDS SERVICE

I’M SO FANCY

PRESIDENTAL SUITE

Hotel mini-bars: the world’s most expensive almost-buzz

Those maids at The Overlook left something in the tub

James Brolin of Hotel fame is husband to Barbra and the father of the actor who kills Milk

The worst thing to happen to Beverly Hills since the Clampetts

Norman enjoys small animals, meeting new people and quiet time with Mother

So continental!

The Ice Queen cometh

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THEN San Vicente Inn: a hedonistic gay playground no more?

Eloise lives at the Plaza and, yes, that makes her better than you A hotel run by Gaga always wins

I see London, I see France

Reg. Bev. Wil.

There’s plenty of room at the Hotel California

That thing where you hear a knock-knock and “housekeeping” at 7 a.m. and you’d rather it be The Babadook

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64 FRONTIER

A massaging blast from the past—equally as skeevy and yesteryear as the massage ads that appeared in certain magazines

JULY 23, 2014

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