20231107_Wind Emsemble

THE FLORIDA STATE UNIVERSITY College of Music presents

University Wind Emsemble Patrick Dunnigan, Conductor Ashley Deane & Andy Dubbert, Graduate Associate Conductors

Tuesday, November 7, 2023 7:30 p.m. | Ruby Diamond Concert Hall

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PROGRAM Symphony No. 3 I. Allegro energico II. Adagio III. Allegretto IV. Allegro con brio

Vittorio Giannini (1903–1966)

Ballo del Granduca

Jan Pieterszoon Sweelinck (1562–1621) tr. Michael Walters Ashley Deane, conductor

Extinguish Thou My Eyes

Dale Voelker tr. David Thornton/David Biedenbender Andy Dubbert, conductor

Toccata and Fugue

Johann Sebastian Bach (1685–1750) arr. Jalen Smalls (b. 2001)

Introduction and Cappricio

John Barnes Chance (1932–1972) Dain Lee, piano

To Ensure An Enjoyable Concert Experience For All… Please refrain from talking, entering, or exiting during performances. Food and drink are prohibited in all concert halls. Recording or broadcasting of the concert by any means, including the use of digital cameras, cell phones, or other devices is expressly forbidden. Please deactivate all portable electronic devices including watches, cell phones, pagers, hand-held gaming devices or other electronic equipment that may distract the audience or performers.

Recording Notice: This performance may be recorded. Please note that members of the audience may at times be included in this process. By attending this performance you consent to have your image or likeness appear in any live or recorded video or other transmission or reproduction made in conjunction to the performance.

Florida State University provides accommodations for persons with disabilities. Please notify the College of Music at (850) 644-3424 at least five working days prior to a musical event to request accommodation for disability or alternative program format.

NOTES ON THE PROGRAM Giannini: Symphony No. 3 for Band Vittorio Giannini, a distinguished American composer and educator of the 20th century, left an enduring legacy through his richly expressive compositions and his influential role in shaping the landscape of American music.

Born in 1903 in Philadelphia, Giannini displayed prodigious musical talent from an early age. His musical journey would lead him to become a prominent figure in the world of classical music, known for his diverse and prolific output. Giannini’s early musical education began at the Curtis Institute of Music, where he studied composition with Rosario Scalero. He furthered his studies in Italy, training under the guidance of renowned Italian composers such as Ildebrando Pizzetti and Gian Francesco Malipiero. Giannini’s compositional style is characterized by its lyrical beauty, emotional depth, and a strong foundation in traditional Western classical forms. His music often reflects his Italian heritage, blending the sensibilities of Italian opera with American romanticism.

Symphony No. 3 opens with a bold and majestic Allegro enerico. Giannini’s use of rich harmonies and powerful brass fanfares sets the stage for an exciting and dynamic musical journey. The second movement, Adagio, provides a lyrical and expressive contrast to the first. Giannini’s melodic writing shines through, creating a serene and introspective atmosphere. The symphony’s third movement, Allegretto, is a playful and lively section that showcases the band’s technical prowess and rhythmic precision. Giannini’s use of syncopation and shifting meters adds an element of surprise and excitement. The symphony concludes with an exhilarating Allegro con brio. The band unleashes its full energy in a thrilling conclusion to the work, with triumphant themes and powerful climaxes.

Sweelinck: Ballo Del Granduca Jan Pieterszoon Sweelinck, often hailed as the “Orpheus of Amsterdam,” was a prominent Dutch composer, organist, and teacher of the late Renaissance and early Baroque periods. His contributions to keyboard music and choral compositions had a lasting impact on the musical landscape and often bridged the gap between the Renaissance and Baroque styles, making his music a crucial link in the evolution of Western classical music. Sweelinck’s Ballo del Granduca is a splendid example of his artistry and craftsmanship.

Ballo del Granduca is a dance composition typical of the Renaissance era, popularized during the late 16th and early 17th centuries. Sweelinck, known for his contrapuntal genius, took this simple dance form and infused it with his own unique style, resulting in a charming and graceful piece. The piece is a stately dance in triple meter, characterized by its courtly elegance. Sweelinck’s genius lies in his intricate writing, with multiple voices interweaving in a harmonious dance. The piece exudes a sense of grandeur, as the title “Granduca” suggests, and it captures the spirit of the Renaissance courtly dance.

Voelker: Extinguish Thou My Eyes David Biedenbender completed his undergraduate degree in music composition and theory from Central Michigan University and completed both a master’s degree and a DMA in composition at the University of Michigan. Having taught at various institutions across the country, Biedenbender currently serves on the faculty at Boise State University as an Assistant Professor of Music Theory and Composition. His compositional interests span all ensemble sizes and styles, including electronic interfaces. Biedenbender has collaborated with many prestigious national and international groups, including the United States Navy Band, Eastman Wind Ensemble, and the Aspen Contemporary Ensemble.

Among his many accolades are the 2011 and 2012 ASCAP Morton Gould Young Composer Award.

David Thornton completed his undergraduate degree in music education and clarinet performance from Florida State University. He then taught at Eau Galle High School and Leon High School. Following completion of a master’s and doctorate in Wind Band Conducting from Michigan State University, he joined the MSU faculty following his graduation. He actively arranges and transcribes works that have been performed both nationally and internationally and frequently collaborates with notable composers such as Omar Thomas, Steven Bryant, and various more contemporary composers. Dr. Thornton leads the Spartan Marching Band, various athletic bands, and teaches instrumental conducting.

Extinguish Thou My Eyes is a collaborative transcription by both Biedenbender and Thornton, premiered by the Michigan State University Symphony Band Chamber Winds in April of 2023. Biednebender and Thornton transcribed Lösch mir die Augen aus by Dale Voelker, which was written for choir. Voelker’s work was influenced by a poem of the same name written in 1899 by Rainer Maria Rilke (translated below). This chamber work features minimal instrumentation, extended techniques, and complex harmonies.

Rilke: Lösch mir die Augen aus Extinguish Thou my eyes: I still can see Thee, deprive my ears of sound: I still can hear Thee, and without feet I still can come to Thee, and without voice I still can call to Thee.

Sever my arms from me, I still will hold Thee with all my heart as with a single hand, arrest my heart, my brain will keep on beating, and Should Thy fire at last my brain consume, the flowing of my blood will carry Thee.

– translation by Albert Ernest Flemming Bach: Toccata and fugue in D minor Johann Sebastian Bach, a towering figure in the history of Western classical music, is celebrated for his remarkable contributions to a variety of musical genres. His Toccata and Fugue in D minor is one of his most iconic and instantly recognizable compositions. Its dramatic and virtuosic character is undeniably Bach, and the piece remains a staple of the organ repertoire.

Jalen Smalls is an arranger and a senior in the instrumental music education program at Florida State University. He is a graduate of the Osceola County School for the Arts and a native of Kissimmee, FL. Smalls intends to become a band director upon his graduation, where he will continue using his arranging abilities to provide his students with a variety of music they otherwise would not have the opportunity to play.

Composed during the Baroque period, Toccata and Fugue in D Minor is a prime example of Bach’s mastery of the contrapuntal and improvisational styles prevalent in his time. The Baroque era was characterized by its ornate and intricate compositions, and Bach was a virtuoso performer and composer who epitomized the era’s artistic spirit. The arranger artfully uses the instruments of the band to replicate the tone and timbre of the various organ stops used in the original. The work is divided into two distinct sections: the Toccata, and the Fugue. The Toccata serves as an attention-grabbing introduction. The piece begins with a flourish of rapid, virtuosic arpeggios and intricate passages that showcase the performer’s technical prowess. The contrasting dynamics and tempos adds to the dramatic effect

of this section, and its bold, ostinato pedal line creates a sense of urgency and excitement. Following the Toccata, the Fugue presents a striking contrast in mood. Fugues are characterized by their complex interplay of voices, and this one is no exception. The main theme, or subject, is presented in a solemn and stately manner, and a sense of artistry is displayed as multiple voices weave together in a harmonious and intricate manner. The Fugue gradually builds in intensity as the subject is explored and expanded upon, culminating in a powerful and majestic conclusion.

Chance: Introduction and Capriccio John Barnes Chance was an American composer who began his composition career as a percussionist in his high school band. His first symphony was premiered by his high school orchestra director during his senior year. Chance completed both bachelor’s and master’s degrees at the University of Texas. Following performances with two of the Army bands, Chance became the resident composer for the Greensboro, NC, school system. He didn’t publish many compositions due to passing away at a young age, but several of his works became staples in wind band literature.

Among his more popular works that are frequently performed by wind bands today are Incantation and Dance and the ABA Ostwald Prize-winner, Variations on a Korean Folk Song.

Introduction and Capriccio is a short work featuring piano soloist Dain Lee and a small wind band. A capriccio is a short work that is lively and somewhat humorous in nature. It contains a loose structure free of form restrictions. The capriccio was commonplace in the Baroque period and was frequently used by Bach and Frescobaldi.

University Wind Emsemble Patrick Dunnigan, Conductor Ashley Deane and Andy Dubbert, Graduate Associate Conductors Piccolo Cameron McGill

E-flat Clarinet Joshua Collins

Bass Saxophone Kaeden Parks

Flute Isabelle Rodriguez* Taylor Hawkins Talley Powell Allison Acevedo Kathryn Lang

Clarinet Jariel Santiago* Leah Price* Ethan Burke Dawson Huynh Daniel Burrow Daniel Gonzalez Carly Davis Mark Stevens

Trumpet Bob Kerr* CarlosManuel Aceves* Easton Barham Danielle Monahan Joshua Puente Brian Ratledge

Oboe Sarah Ward* Haley O’Neill Loanne Masson Alice Frisch English Horn Loanne Masson Bassoon Timothy Schwindt* Zach Martin Korsica Kegg Contrabassoon Korsica Kegg

Bass Clarinet Nicholas Mackley Alto Saxophone Kaeden Parks* Daniel Sgattoni Micah Cheng

Horn Allison Kirkpatrick* Isaac Roman Emma Brockman Vincent Adoretta Isaí Santos Adam Agonoy

Tenor Saxophone Jack Blumer

Trombone Mateo Butriago Sarah Castillo Justus Smith

Baritone Saxophone Parker Franklin

Bass Trombone Kevin Li

Euphonium Adam Zierden* Alan Jean-Baptiste Tuba Daniel Sullivan* Matthew Morejon Sophia Farfante String Bass Charlie Storch Percussion Clinton Washington Nicholas Montoya Jacquelyn Tabone Andy Dubbert Ashley Deane Piano Dain Lee

* Principal

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