

RHYS DARBY
is bringing his signature silliness to the Melbourne International Comedy Festival









































is bringing his signature silliness to the Melbourne International Comedy Festival
SAT 07 JUNE 2025
NAARM/MELBOURNE
ANDRAS & OSCAR • ANNIE AND THE CALDWELLS
ANTENNA • BAD VACATION • BKTHERULA
CHAPTER MUSIC : END OF AN ERA • DIIV
DJ TRAVELLA • ELA STILES • EDDY EKETE
GREGOR • GUY BLACKMAN BAND • KAMPIRE
KEANU NELSON • LADY HASH • LITTLE UGLY GIRLS
MC YALLAH • MOUNT KIMBIE (DJ SET)
NPCEDE • NYEGE NYEGE COLLECTIVE
RIPPLE EFFECT BAND • RYAN DAVIS • SIDNEY PHILLIPS
SPIKE F*CK • TENNISCOATS • THE VOVOS
TIKIMAN & RICHARD AKINGBEHIN • TRIPLE R DJS
PRINT EDITOR
Kaya Martin
EDITOR
Lucas Radbourne
GRAPHIC DESIGNER
Riley McDonald
GIG GUIDE
Jacob Colliver
CONTRIBUTORS
Words by Kosa Monteith, Lily Baumgartl, Joshua Jennings, Liam Heitmann-Ryce-LeMercier, Juliette Salom, Luke Carlino, Jeremy Malcomson, Sofia Perica and Bryget Chrisfield
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PUBLISHER
Furst Media Pty Ltd
FOUNDER
Rob Furst
SOCIALS BeatMag beatmagazine BeatTV beat.com.au beatmagazine
Æ There’s a strange sound echoing out of venues across our fair city, seeping out of stage doors and up venue stairs. It’s raucous, repetitive and somewhat animalistic, ranging from bird-like squawks to big cat growls. Worst of all, it’s contagious.
That’s right – the Melbourne International Comedy Festival is in town. And if you’re looking to giggle, guffaw, chuckle and chortle your way through April, you’ve come to the right place, because we’re offering up a whole whack of information and a few free jokes while we’re at it.
Cover star Rhys Darby tells us his favourite Kiwi eats, Singapore’s Jin Hao Li takes us into the dreamscape and Russia’s Olga Koch gives us… well, a taste of Koch. Plus, we’ve got a rundown of the events you won’t want to miss, from bargain scores to all-star showcases.
If you’re struggling with where to start, here’s our winning strategy, honed by years of attendance. Grab a mate, pick a night (we recommend Tightarse Tuesday) and go see one comedian you love and one you’ve never heard of, with a quick stop for dinner. Also, this goes without saying, but don’t sit in the front unless you want to get roasted.
And we didn’t forget about the music. We’ve still got the album reviews, a Slowdive deep-dive and a sneak peek into a new project aiming to save one of Australia’s rarest languages for you.
So yeah, you’re welcome!
Our magazine is published on the lands of the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their elders, past, present and emerging.
Beat Mag will be distributed free every month to hundreds of locations around metro Melbourne, to enquire about having it at your venue email distribution@furstmedia.com.au
Our April cover star is Rhys Darby shot by Robyn Van Swank
MELBOURNE’S WINTER FESTIVAL LED BY SUKI WATERHOUSE, PETE & BAS, BLACK STAR
RISING returns in 2025 with a bold, expansive program of new art, music and performance across the CBD. From June 4 to 15, the city will transform into a pulsating playground featuring 65 events, 327 artists, 15 new commissions, nine world premieres and a dazzling array of Australian exclusives.
FLINDERS STREET STATION’S SECRET ROOM IS TURNING INTO A SURREAL MINI GOLF PLAYGROUND
In a bold move by RISING festival, the heritage-listed Flinders Street Ballroom will host Swingers: The Art of Mini Golf, an immersive art experience that marries competitive sport with contemporary installations.
The Capitol’s crystal-cave ceiling becomes a playground for Japanese artist Shohei Fujimoto’s first Melbourne installation, transforming the space with pulsing red beams. Fujimoto, known for using light to explore inner and outer truth, has data-mapped the Capitol’s architecture to create floating prisms, spheres and cubes that enter the realm of the real without physical properties.
South Korean artist Woopsyang challenges Melburnians to embrace collective stillness with Space-Out Competition, a contest rewarding those who can do absolutely nothing. Participants sit for 90 minutes, maintaining perfect calm without sleeping, laughing or using technology – all while spectators and commentators watch the glorious nothingness unfold.
Melbourne artist Sara Retallick invites swimmers to experience sound through their entire body in a nocturnal bathing experience. Saturate transforms the historic venue into an immersive sonic environment where participants float and swim through zones of electroacoustic composition specially designed to be experienced underwater.
Fed Square is gearing up to transform into a vibrant slice of Punjab with the upcoming Blockbuster event, curated by Ayesha Bux in partnership with SalamFest. The free, all-ages celebration offers a dive into South Asian culture through music, visual arts, cinema and food, with the traditional concept of Baithak – communal gathering and storytelling – at its heart.
State Library Victoria’s newest exhibition will be the backdrop for one of RISING Festival’s most anticipated events, giving punters exclusive after-hours access to the iconic Melbourne institution. Library Up Late x Make Believe delivers a multi-sensory experience where dancing, art and discussions collide in a rare opportunity to party among the stacks.
Little Bands, a movement that ran parallel to the punk explosion, is being reignited by RISING in collaboration with three of Melbourne’s most adventurous music collectives. Chapter Music, Liquid Architecture and Cease + Desist will curate a free night of impromptu performances across three iconic local music venues on June 14.
08/05 20 YEARS OF ELI PAPERBOY REED (USA) 10/05 ‘90’S ROCK RAGER’ FT .EVEN FLOW 16/05 THE LONGEST JOHNS (UK) SOLD OUT 30/05 THE BEAUTIFUL GIRLS 01/06 OORKA (IND) 13/06 THE SUPERJESUS 14/06 BURTON C. BELL 29/06 BON BUT NOT FORGOTTEN 31/06 MICROWAVE (USA) + FREE THROW (USA) 04/07 LITTLE BIRDY 07/08 EMF (UK) 11/09 CHERIE CURIE (USA)
22/11 ONSLAUGHT (UK)
05/12 THROWING MUSES (USA)
06/01 MCLUSKY (UK)
MORE EVENTS
GUIDE
SUNNY MORRIS 05/04 HIDDEN
04/05 KINGS OF COUNTRY ROCK (MATINEE)
18/05 CRATE DIGGER RECORD FAIR
w
KANEKOAYANO (JPN) 05/07 VELVET BLOOM 08/08 THE YACHTSKI BROTHERS STICKING AROUND FOR A BEV AFTER THE GIG? FLASH YOUR STAMP OR TICKET TO ONE OF OUR BAR STAFF FOR 10% OFF POST-SHOW DRINKS
London trio Palace will return to Australian stages this winter, announcing their most ambitious tour yet. The announcement follows a sold-out run through the UK and Europe, with the band set to showcase their forthcoming EP, out April 1.
Australian record stores are gearing up for vinyl’s biggest celebration, with Pond and Dannii Minogue among this year’s releases. The event will see more than 200 independent record shops nationwide offering limited-edition vinyl, in-store performances and special activities on April 12.
Multi-instrumentalist and composer Solune has been announced as Melbourne International Jazz Festival’s 2025 Take Note program leader. Known for her boundary-pushing approach to jazz, she’s carved out a reputation for merging traditional elements with progressive metal and electronic sounds. Melbourne International Jazz Festival returns 17-26 October 2025.
The Australian Grand Prix Corporation announced the F1 Melbourne Fan Festival 2025, transforming Melbourne Park Oval into a high-octane hub of motorsport culture. Festival-goers can dive into a range of F1 experiences including Virtual Driver Selfies, F1 Blast Lane, and up-close encounters with an iconic show car.
The 2025 APRA Music Awards have been announced on April 30 with a stellar lineup of hosts and the return of an important accolade. The International Recognition Award makes its comeback to the prestigious event. The award celebrates members who predominantly live and work internationally, acknowledging their remarkable achievements separate from domestic performance metrics.
Veteran manager and industry champion Fiona Duncan has been announced as Music Victoria’s new CEO. As one of Australia’s longest-serving female music managers, she’s best known for steering Spiderbait from scrappy upstarts to genuine rock royalty, complete with ARIA #1s, Hottest 100 victories and sold-out theatre tours.
Abbotsford stalwart Lulie Tavern is celebrating a decade of rock ‘n’ roll revelry with a massive week-long party from March 31 to April 6, featuring world record attempts, disco and country throwdowns.
Residence, a bold new concept restaurant set to transform Melbourne’s food scene, is now searching for its inaugural culinary leader. Opening at Parkville’s Potter Museum of Art, the restaurant introduces an innovative annual Chef in Residence program designed to give emerging talent the opportunity to realise their restaurant dreams from conception to reality.
Victorian animal welfare organisations can now apply for a share of $1.6 million in government funding to provide lower cost pet care services. The program offers funding for organisations to upgrade facilities, purchase equipment, provide low-cost veterinary services and support rehoming initiatives.
Melbourne’s most mind-bending beer celebration is back to challenge everything you thought you knew about what belongs in a pint glass. The legendary event will pour over 120 new, festival-exclusive beers and 20 bespoke cocktails under the Melbourne Convention and Exhibition Centre roof on April 4 and 5.
NSW’s monster live music program just got bigger with two new outdoor experiences added to the Great Southern Nights 2025 calendar. The new additions come as the series prepares to deliver over 330 gigs across NSW from 21 March to 6 April.
The fifth YIRRAMBOI Festival is set to take over Narrm’s arts precinct in May, with a dedicated hub honouring the late trailblazer Uncle Jack Charles. Returning from 1 to 11 May 2025, the festival will feature five world premieres, two international presentations and a feast of up-late activations, all celebrating First Nations storytelling.
Frankston’s South Side Festival is back for its fourth year, packed with visual arts, immersive installations and performances from May 8 to 18. The program features both returning favourites and new additions, designed to showcase the creative spirit of the beachside suburb while appealing to diverse audiences across Melbourne.
Indie darlings Spacey Jane have just dropped news of their biggest tour yet – a massive 20-date run across Australia and New Zealand to support their highly anticipated third album If That Makes Sense, out May 9. They’ll perform at PICA on June 17 and 18.
The first highlights of the 2025 HSBC German Film Festival have been announced, showcasing a diverse program of German cinema. Palace, in collaboration with German Films, has revealed an exciting lineup featuring acclaimed dramas, timely documentaries, comedies and family films. The festival will run from 30 April to 28 May at Palace Cinemas, Palace Nova and Luna Palace Cinemas across Australia.
The highly anticipated Les Misérables Arena Spectacular is coming to Australia, following sold-out shows across the UK and Europe. This production, celebrating the 40th anniversary of the world’s longest-running musical, will bring its larger-than-life staging to Sydney, Melbourne and Brisbane in April and May 2025.
Melbourne’s party series Spasta returns on April 12 with its most ambitious lineup to date, taking over a stunning new venue in the CBD. The event will christen the grandiose RMIT Alumni Courtyard at the Old Melbourne Gaol with an eight-hour session of house and disco featuring Marcellus Pittman, Dean Chew and more.
The iconic Aussie rockers You Am I will be releasing their live album Someone Else’s Crowd for the very first time on vinyl, pressed on classic black wax with brand new artwork. Rising indie darlings Royel Otis have also climbed aboard, offering an exclusive pressing of their Nashville Sessions EP on 10-inch vinyl.
After slinging 39 sold-out gigs last year, Sooshi Mango have announced they’re back for another crack at the Home Made tour in 2025. Joe Salanitri, Carlo Salanitri and Andrew Manfre – recently crowned the monarchs of this year’s Moomba Festival – have experienced a meteoric rise in Aussie comedy, driven by their nostalgic and relatable family-centric humour.
Melbourne’s favourite flower festival is blooming back into the Dandenong Ranges this autumn, bringing activities for the whole family. Set across five sprawling acres, the Tesselaar KaBloom Festival of Flowers transforms Silvan into a mesmerising display of sunflowers, salvias, marigolds and dahlias.
Melbourne’s breakthrough camping festival Sonder returns to Tallarook on April 18, bringing three days of cutting-edge electronic music and arts. After a successful debut in 2024, the festival organised by 188 Naarm is back with an expanded lineup featuring international heavyweights and local legends.
Following two successful years, the urban country music festival has announced its return. Dust off those Stetsons and polish your boots – the concrete jungle is about to get a whole lot more country as Ridin’ Hearts Festival rolls back into town for its third rootin’ tootin’ year. It’ll be happening at Melbourne’s Caribbean Gardens on October 26.
Melbourne’s Metro Tunnel project reaches a milestone with the unveiling of the impressive Town Hall Station concourse, sitting beneath the iconic City Square. The 18-metre-wide space will function as both a transit hub and public gathering spot, featuring retail and dining options in the heart of the CBD.
Melbourne Fringe Festival has opened applications for its 2025 Fringe Fund program, offering cash injections for artists across multiple categories and experience levels. The program aims to support independent creatives with bold artistic ideas while removing barriers to participation, particularly for artists from marginalised communities.
In a massive win for the renting population, Victoria’s Parliament has given the green light to a hefty package of rental reforms, cementing the state’s reputation as the ultimate champion of renters’ rights nationwide. The new measures include banning no fault evictions, extending notice times for rent hikes and more.
Beloved Australian singer-songwriter Pete Murray drops new single I Am Fire alongside plans for his biggest tour ever. Murray will embark on his first-ever Australian solo acoustic tour, spanning an impressive 55 dates across the country from May to September 2025, supported by Rachael Fahim and Brett Wood.
The Ian Potter Centre for Performing Arts is gearing up for an epic jazz-fuelled day featuring more than 150 musicians across five unique spaces. Melbourne’s jazz lovers are in for a treat this autumn with the Big Jazz Day Out festival taking over Monash University’s Clayton campus.
UK indie rock icons Bloc Party are headed down under. The Silent Alarm creators will hit Australia this August with special guests Young The Giant in tow, performing their debut album alongside their greatest hits from their six-album catalogue. See them at John Cain Arena on August 3.
BAND ROOM
Friday 4 April
Angus Montaigne
Sunday 6 April
Andrew McSweeney
Thursday 10 April
Watar Music Ensemble
Saturday 12 April
Sam Buckingham
Sunday 13 April
Lucid
Thursday 17 April
Basement Spaceman
Thursday 24 April
Taylor Henderson
Sunday 27 April
Ruth Parker
Friday 4 April
Saturday
Thursday
Saturday
Thursday
David
Thursday
Curly
Sunday
267 SWAN STREET
FRI 6TH BEKA BAKER presents BACK CATALOGUE BOWIE with guest MICHAEL DWYER
SAT 7TH STEVE LUC AS – A Night of X Music
MURDERS (Under Northern Lights Album Launch)
FRI 13TH MOVING TOWARD THE PULSEBEAT (DJ Randy Lipz XXX & DJ Bricolage)
SAT 14TH VIDEO DISCO (Fringe Festival Event)
FRI 20TH SUPERSONIC 90ʼs f t. DJ Dan Brunswick & DJ Eddie Monsoon
FRI 18TH ʻTHEY CAME FROM BALLARAT,ʼ THE MAVISʼS (Warm Up Show) with THE DEAD SALESMEN
SUN 20TH SOUND AS EVER presents ʻ THE FL ANNEL FILESʼ CD L AUNCH f t. per formances by Anthony Atkinson, Jane McCracken, K T V (duo), Rob Clarkson, Sodastream (duo), Penny Hewson, and Robots In Love (formerly Sobriquet)
FRI 25TH PSYCHO SEQUINZ (Glam Rock Covers)
SAT 19TH LITTLE MURDERS (Under Northern Lights Album Launch)
SUN 6 TOKYO NOON / JAPANESE EXPERIENCE FT. LIVE MUSIC BY NANA KOIZUMI & AS SAT 12 MOVING TOWARDS THE PULSEBEAT BYO RSD RELEASES W/ DJ BRICOLAGE
SAT 26TH DARK GLOVE (Michael Sheridan of Max Q & No)
SUN 20TH SOUND AS EVER presents ʻ THE FL ANNEL FILESʼ CD L AUNCH
WED 16 SOFT CELL CELEBRATION NIGHT W/ DJ RANDY
SUN 27TH PIANO 4TE with Adam Rudegeair, Solune, Ania Reynolds, Hong Yang
THU 31ST HALLOWEEN TIM BURTON/DANNY ELFMAN TRIBUTE ft. Lake Minnetonka
For full gig list & event details visit v
f t. per formances by Anthony Atkinson, Jane McCracken, K T V (duo), Rob Clarkson, Sodastream (duo), Penny Hewson, and Robots In Love (formerly Sobriquet)
FRI 25TH PSYCHO SEQUINZ (Glam Rock Covers)
SAT 26TH DARK GLOVE (Michael Sheridan of Max Q & No)
SUN 27TH PIANO 4TE with Adam Rudegeair, Solune, Ania Reynolds, Hong Yang
ODEON RICHMOND IS AVAIL ABLE FOR PRIVATE HIRE
THU 31ST HALLOWEEN TIM BURTON/DANNY ELFMAN TRIBUTE ft. Lake Minnetonka
For full gig list & event details visit v
SC AN QR FOR ALL EVENT TIX (OZTIX.COM.AU)
SC AN QR FOR ALL EVENT TIX (OZTIX.COM.AU)
Want a gig at Odeon Richmond? Send band bio/performance links to: en q u i r ies @od e o n r i c hm o n d. c o m .a u
Want a gig at Odeon Richmond? Send band bio/performance links to: en q u i r ies @od e o n r i c hm o n d. c o m .a u ODEON RICHMOND IS AVAIL ABLE FOR PRIVATE HIRE
It’s been a long time since Rhys Darby lived in the land of the long white cloud.
Æ But it’s where he’ll be kicking off his international standup tour
The Legend Returns in March 2025. It’s a joyful return and a milestone after a long hiatus from touring.
It’s a big deal. He’s a big deal. The comedian, writer and star of screen and podcast is arguably one of New Zealand’s most significant exports alongside high quality dairy (and other high quality comedians, like his friend and collaborator Taika Waititi).
And yet the only thing my Kiwi friends were desperate for me to ask about? Kiwi food – his thoughts on ‘asparagus rolls’ (“I think they’re weird and fun and I’ll have more than one”), Kiwi dip (“Love it. Top marks, and hard to get here because you’ve got to have the special soup mix”) and his Longest Drink In Town milkshake syrup of choice (“Toss-up between creaming soda and caramel. Creaming soda’s nostalgic because that reminds me of my mum. If we’re out, I’d always get a creaming soda milkshake”) – a test from countrymen of his continued New Zealandness, perhaps.
He’s based in LA now, and when we talk, Darby’s been on a series of gigs in the US constructing material. It’s been 10 years since his last global tour, but he said it feels like getting “back on the bicycle”.
“It’s easy,” Darby said. “Last year I did a 25-year celebration tour, a ‘best of’ show in the UK. That and a couple of shows in New Zealand kind of re-whet my appetite because I’ve been concentrating on acting for the last decade. I forgot how fun it is to be in a live environment, just feeling the energy of the audience. I thought Gosh darn it, let’s do it again!”
His new show, drawn from a decade of notebooks and on-stage creation, has been refined into a reflection on the rapid pace of technology and the future of humanity and creativity.
“It’s all about AI, robots and technology,” he said. “The thing that’s hit me in the last 10 years is how quickly things have changed. We’ve got these large language models and artificial intelligence. Whether you like it or not, they’re on our phones, they’re everywhere. And they’re telling you, ‘Oh, let me help you with that, I’ll do that for you,’ and you say, ‘Wait, wait – I want to do my own stuff, thank you!’” he said.
“Turning 50 this year was also a big one for me. It’s a milestone and I’m kind of tackling being an older guy trying to stay relevant. Do I keep up with all the AI stuff? Do I, as a creative, want to fight it or not? If it’s happening now, where are we in five, 10 years, and should the creative side of humans stop it from diminishing us as a species? Which I feel some tech does tend to do. There’s the social media side that’s keeping us together and enabling humanity to bond closer in some ways. But then there’s the other, toxic side of that coin… Are we heading down the right track?”
His thought-provoking curiosity has a regular outlet in his long-time podcast, The Cryptid Factor, dedicated to cryptozoology and the unexplained. While he’s a cryptid enthusiast with a soft spot for El Chupacabra, the goat sucker (“We actually found one! This lady called Phyllis in Austin Texas captured one and got it taxidermied. It’s a freaky, freaky little creature”), cryptids are unlikely to make an appearance in stand-up (“It doesn’t seem to work”).
For all that his topics of AI and technology are almost anxiously relevant to the present moment, Darby said he generally steers clear of controversial current event subjects in his routine.
“I stay away from all that because I just try to give people their happy joy,” he said. “Comedy of silliness.”
It’s that signature silliness of storytelling, physical comedy and an impressive library of sound effects that defines his standup.
“If I dug deep enough, the root of that would probably be things like Spike Milligan, the Goon Show, Monty Python,” he said.
“I like doing multiple characters in a story. I’ve always been able to do sound effects, as a kid playing with my toys, doing the sound of sirens and helicopters, the list goes on. Once I heard them amplified through a microphone back in the early days, I realised the audience loved that, it sounds really cool. It became my thing by happy accident.”
Darby finds qualities of his comedy that are broadly, culturally Kiwi –those same aspects that global audiences have found so charming in New Zealand-led works like Flight Of The Conchords.
“I think there’s a kindness element to my comedy,” he said. “A very low-fi, innovative nature to the characters. That kind of Murray Hewitt-esque vibe of living on a very low budget and loving it. I think the New Zealand psyche is making something out of nothing and taking on the world – the little guy who’s punching his way out. Also, the silly nature of my style, which could be taken as a British thing. I think the New Zealand version comes with a much drier sense of humour; self-deprecating.”
“The thing that’s hit me in the last 10 years is how quickly things have changed.”
Darby’s first The Legend Returns show in Wellington on 27 March starts three busy months performing across New Zealand, Australia and the UK. It could be a daunting prospect after all this time, but he’s visibly excited.
“I’m really looking forward to the whole thing and meeting the fans,” he said. “I just gotta get on the road, get into those big theatres and make people laugh.”
RHYS DARBY
WHERE: ANTHENAEUM THEATRE
WHEN: 8–13 APR
Some of the best shows to see at the Melbourne International Comedy Festival until 20 April.
Australian comedian Luke Morris is concerned about the plight of introverts in today’s society. For those who are less socially inclined, tutor Matt Boring (Mr Morris) is offering a lecture to examine the past, present and future of introverts in modern day society and to explore potential ways forward.
VARIOUS VENUES 29 MAR–17 APR
One of Australia’s fastest rising stars Jeremy Dooley is coming in hot with his debut show, tackling all of the dos and don’t’s of fatherhood. A former mixed martial arts fighter, Dooley has gone from winning titles to winning giggles. Expect dad jokes only at this heartfelt and hilarious show.
COMEDY COLLECTIVE 28 MAR–20 APR
Sometimes a comedian bombs a show, but they don’t usually have a full-on heart attack. Sam Petersen did! The incident was the rotten cherry on top of a rough run. His two comedy mentors, both struggling with addiction, had let him down. Then he wrote a book about his facial palsy, which this current show is affectionately named after.
TASMA TERRACE 1 8–20 APR
Will and Stacey are getting married, and despite never having met the happy couple, you’ve scored an invite. Nice! But what’s supposed to be a special day is set to go wildly wrong in every way imaginable, turning to absolute mayhem right in front of your eyes. This highly improvised interactive theatre show has become a crowd favourite.
OAKS ON MARKET HOTEL 10–13 APR
Award-winning actor Rob Carlton is bringing a power hour of personal stories to MIFC. He’ll be sharing turbulent tales from his twenties to fifties involving sexual taboos, lies, heartache and hope. Directed by theatre and comedy icon Darren Gilshenan, the show takes viewers through the full spectrum of emotion.
THE MALTHOUSE –BECKETT THEATRE 1–2 APR
Like church, but better. Irish comedian Alan McElroy grew up among the religious fervour of the ‘80s and ‘90s, but rather than a passion for Christ, he was religiously obsessed with pop culture. Ay, Jaysus follows last year’s show Mad, Innit?! which charted his undiagnosed childhood ADD.
CHARLES DICKENS TAVERN 7–20 APR
If you like your laughs with a little musical accompaniment, this show is for you. Known for his piano-based comedy and observational humour, Melbourne-based comedian Alister Kingsley is bringing his one man show Get It Together to MICF for a shortbut-sweet run.
MOTLEY BAUHAUS – THEATRETTE 7–13 APR
Returning to Melbourne after two sold-out seasons...
The first thing you notice about Aussie comedian Clay McMath is his towering stature. The second thing you notice is his warm personality and quick wit. In his latest special, he discusses the hilarious perils of navigating everyday life, from family reunions to high society. See the man in all of his sizable glory.
MC SHOWROOM –CLUBROOM 25 MAR–5 APR
Marc Isaac is an autistic queer Scottish medic. And guess what? He’s also funny! Cheeky in all the right ways, this camp and quirky show covers his journey through the medical system, both as a patient and as a carer. Exploring queer neurodivergence and alternative perspectives with an optimistic twist, the doctor’s in.
LIMERICK ARMS 17–19 APR
Beloved worldwide, this chaotic dinner party returns to Melbourne for a limited run. Step into the iconic BBC sitcom, rubbing shoulders with all of your favourite characters as they get into trouble. Immersive, interactive and improvised, this two-hour show is different every night and comes with a threecourse meal.
OAKS ON MARKET HOTEL 27 MAR–6 APR
Ever wondered what Kath and Kim have been up to lately? This drag parody play hilariously relives the experience of the COVID-19 pandemic through the beloved characters of Kim, Kath and Sharon. Get ready for a silly hoot and a holler.
THE ROUND 4 APR
New Zealand born comedian David Correos graces The Greek – Mezzanine for an emotional and musical rollercoaster ride. His offbeat humour with a tinge of ADHD madness lends itself to an absurd, energy-filled show. Teaming up with Sydney-based DJ COD, he blends music and comedy: “Think Fred Again in Scale, and David Correos in funny,” he assures his audiences.
THE GREEK – MEZZANINE 27 MAR–20 APR
Join Harry Jun on his quest for besties. His latest show is about finding friendship but more importantly, losing it. If you want to make new pals and have a bit of a laugh, come to the Greek Apollo between April 23 and 27.
THE GREEK – THE APOLLO 27 MAR–20 APR
Join two IT consultants, Loyd and Pete, for a tech-savvy, interactive comedy show. It’s where Bingo meets tech meets comedy, made especially for introverts, who can play along on their charged phones. Get ready for robots, chaos, deadpan humour and everything in between.
THE GREEK – PAW PAW JUMP 1–20 APR
Jess Fuchs’ comedic hour at The Greek will be raunchy, chaotic and boisterous, to say the least. Not only that, but she will get personal, sharing anecdotes about relationships and living as a woman in her thirties. Catch her for a night of empowerment, laughs and unfiltered mayhem.
THE GREEK – ATTIC 27 MAR–6 APR
Your favourite mindfulness meditation teacher is… Fran Middleton? She returns to the Melbourne International Comedy Festival, but this time as an ethereal tree with a head injury. Be ready for Barklife with Tara Bark, where there will be deep breathing exercises and totally chill vibes.
TASMA TERRACE 7–20 APR
Time to laugh, innit bruv? This showcase brings the best of the UK to Melbourne. This year, the triple header features the infectiously energetic Amy Annette, the hot new talent Emmanuel Sonubi and the charmingly witty Paddy Young. Three of the best in one hour only – get in while they’re here!
MELBOURNE TOWN HALL –
CLOAK ROOM 27 MAR–20 APR
Edinburgh Comedy Award winner Ahir Shah’s new show Ends is making its way to Melbourne. Touching on world politics, philosophical inquiry and goofy gags, Ends is intellectual comedy at its finest. Shah is no stranger to the Melbourne International Comedy Festival, gaining his reputation with a successful run in the 2019 season.
THE WESTIN – ONE 5 MAR–20 APR
Melbourne’s honorary Brit, the hyperactive Mark Watson (Taskmaster, No More Jockeys) returns with a world premiere show inspired by a harrowing Aussie flight. The novelist-comedian tackles the peculiar vulnerability of aging, other people’s expectations and humanity’s uncertain future.
MELBOURNE TOWN HALL –
LOWER HALL 27 MAR–20 APR
British actor, writer and comedian Amy Gledhill is set to make her much-anticipated Aussie debut. Covering self-esteem, her love life and much more, the show has been a smash hit, winning her Best Show at the Edinburgh Comedy Awards 2024. Punters may recognise her from her roles in the television series’ Alma’s Not Normal and Sex Education, and if you were wondering, yes – she does look fit on the poster.
THE WETSIN – TWO 27 MAR–20 APR
Anirban Dasgupta wanted a life in sports, but he got this one instead. In this quizzical examination of his new role as a dad, he ponders if fatherhood actually has some similarities with sport. Known for his relatable tone, cheeky charm and signature wit, he’s a favourite for a reason.
MELBOURNE TOWN HALL –CLOAK ROOM 5–20 APR
In his latest offering, UK export Carl Donnelly is honing in on one of the funniest subjects out there: going to the hospital. He ended up in one during last year’s festival and his young daughter ended up there soon after with a serious illness. Sound hilarious, right? If anyone can turn his darkest moments into comedy gold, it’s Donnelly.
VICTORIA HOTEL –BOARDROOM 27 MAR–20 APR
Straight outta New York’s toughest comedy scene, Chanel Ali transforms her chaotic upbringing into comedy gold. From foster care to discovering her dad was a cop via paternity test at 18, Ali’s masterful storytelling turns trauma into triumph. This rising star delivers an hour of raw, hilarious truths that’ll have you cackling while contemplating your own family dramas.
THE WESTIN – TWO 8–20 APR
TIGER DAUGHTER: OR, HOW I BROUGHT MY IMMIGRANT MOTHER ULTIMATE
Singer-songwriter, comedian and actor Charlene Kaye (Succession, SNL) brings her unhinged one-woman show to Melbourne. This musical comedy masterclass dives into the gloriously messy relationship with her mother Lily, exploring the tightrope walk between crushing parental expectations and carving out space as an Asian American rockstar.
ACMI – GANDEL LAB 27 MAR–20 APR
Football-obsessed comic Chloe Petts returns with her trademark ladish charm to get personal. Bouncing between internet trolls and childhood bullies, she’s taking no prisoners. Whether unpacking her Crystal Palace obsession or dismantling gender politics, Petts transforms everyday observations into comedy dynamite with effortless precision.
MELBOURNE TOWN HALL –PORTRAIT ROOM 27 MAR–20 APR
Returning for its second year, the Asian Allstars Gala is an unmissable night of stand up comedy featuring top talent from across the globe. Hosted by Japan’s Takashi Wakasugi, this two-hour spectacular brings together some of the finest comedians from India, Malaysia, Singapore, Hong Kong and more. Urooj Ashfaq, Anirban Dasgupta, Fadzri Rashid and Jin Hao Li will be taking the stage to deliver pure comedy gold.
MELBOURNE
CONVERSATIONS ABOUT COMEDY: CHEAT CODES
Cheat Codes is what happens when gaming meets comedy. Comedian and gaming enthusiast Harry Jun will lead a deep dive into the evolution of humour in video games. Featuring the quick-witted Demi Lardner, Maddy Weeks and game developers Matthew Jackson (Toot Games) and Jo Jo Zhou (Massive Monster), this event will explore how interactive storytelling, glitches and in-game banter have shaped modern comedy.
ACMI
UPFRONT
5 APR
Hosted by Becky Lucas, Upfront is a flagship event of the Comedy Festival, presenting a lineup of international and local stars. It showcases some of the fiercest and funniest female and non-binary comedians in the game, featuring Amy Annette, Chanel Ali, Charlene Kaye, Emma Holland, Frankie McNair, Kirsty Webeck, Mel & Sam, Melanie Bracewell, Olga Koch, Robyn Reynolds, Sara Pascoe, Scout Boxall, Tarsh Jago, Urooj Ashfaq and more. It’s brilliant, bold and one of the most in-demand shows on the calendar.
MELBOURNE TOWN HALL
ABORIGINAL COMEDY ALLSTARS
Bringing together some of Australia’s top First Nations comedians, the show will feature sets from Andy Saunders, Elaine Crombie, Janty Blair, Jay Wymarra, Kevin Kropinyeri and Sean Choolburra. This night of big laughs and sharp cultural insights is a masterclass in storytelling, satire and quick-witted humour.
CAPITOL THEATRE 12 APR
COMEDY BONANZA
If you’re into bold and unpredictable, the Comedy Bonanza is your fix. It brings together a mix of comedians performing everything from improv to stand-up to character comedy. Held every Friday and Saturday at the iconic Festival Club, this showcase features some of the biggest names of the festival and a few surprise guests will be dropping in too.
MAX WATT’S 27–28 MAR / 4, 5, 11, 12, 17 & 18 APR
Instructions For Life will delve into life advice you didn’t know you needed. Hosted by Mark Watson, the show sees some of the festival’s wisest comedians share some witty and bizarre insights on how to navigate the world.
MAX WATT’S 16 APR
Hosted by Nat Harris and Oliver Coleman, Character Bonanza is a showcase of the festival’s finest character comedians. They only have one rule: no matter who they are, they can’t break character. Some comedians tell jokes – this time, they become them.
MAX WATT’S 3 APR
8 APR
Lip Sync Battle is where comedians trade punchlines for pop star performances. Hosted on Fridays by the iconic duo Alex Hines and Lou Wall, expect big wigs, bold moves and bangers.
MAX WATT’S 28 MAR / 4, 11, 18 APR
This fast-paced comedy quiz pits team captains Jess Perkins and Matt Stewart against each other, with special guests joining in to tackle a topic from history. Hosted by Dave Warneke, the Do Go On: The Quiz Show is where history, comedy and trivia collide.
MAX WATT’S 2 APR
Picture TED Talks, but delivered by comedians who have no idea what they’re talking about. Welcome to Tod Talks. Stand-ups must bluff their way through expert presentations they’ve never seen before. This is improv comedy at its finest, hosted by Owen Merriman.
MAX WATT’S 6 APR
Berlin meets Melbourne in Haus Party! It’s a wild, genre-defying comedy cabaret hosted by Otto and Astrid of Die Roten Punkte. With DJ Andrew McClelland bringing the beats, this late night bash is an unpredictable mix of music, mayhem and high-energy comedy.
MAX WATT’S 16 APR
Josh Glanc is hosting Down To Clown, an absurdist playground of physical comedy, mime, and surreal humour. Clowning is back and better than ever. Whether you’re a clowning connoisseur or a newcomer, this show promises hilarity of the highest order.
MAX WATT’S 10 APR
10 Comedians for 10 Bucks is spoiling us with a show every Tuesday. Enjoy a rapid-fire showcase of rising stars and some of the festival’s favourites, all for the price of a sandwich. It’s a big laugh for a small price tag.
MAX WATT’S 1, 8 & 15 APR
The title says it all. Comedians love the spotlight, but can they actually sing? Hosted by Michelle Brasier and Ben Russel, this show puts comedians to the test as they belt out tunes and compete for their dream musical roles. It’ll be hilarious and chaotic, and maybe even a little impressive.
MAX WATT’S 19 APR
WORDS BY JOSHUA JENNINGS
Chinese-born Singaporean comic Jin Hao Li’s offbeat storytelling and penchant for non-sequiturs has already landed him a sell-out debut at Edinburgh Fringe 2024, along with a Best Newcomer nomination at the same festival.
Æ Renowned for a curious mix of childlike wonder and incisive cultural commentary, Li is Melbourne-bound for his Melbourne International Comedy Festival debut, performing his hour-long show Swimming in a Submarine.
In the show, Li immerses his audiences in the universes of three bizarre dreamscapes where he’s a plastic bag looking for a life at the supermarket, a spider knocked back by a racist bouncer at a nightclub and an anglerfish all out of light.
Ahead of his debut, he has some things to say about kangaroos, plane routines and bombing on stage.
What’s an example of a touristic experience you’re most interested to have in Australia?
I would love to see a kangaroo. I cannot believe they have pouches and they punch. That’s two things. Most animals only have one gimmick. Giraffe has long neck and fish swim. These roos are punching people, then keeping the gloves back in themselves.
What sort of things do you expect to do in the time you have on your flight to Australia?
To what extent do you tailor your material when you perform in different countries?
I speak a bit more Singlish when I’m back home in Singapore. I do think the audience will naturally change the show in ways I haven’t predicted, so I’m very excited about that.
What would you tell someone thinking about seeing your show, to speed up their decision?
Hurry up!! Hurry up dude! What is wrong with you?!???
What does the title of your show mean to you?
Hehehe that’s a secret. Actually I’ll tell you. LOL. When you’re a child, anything you imagine is correct, especially the nonsensical stuff.
Your show has been described as “soft surrealism meets the autobiographical standup of a man who went from the Singaporean army to an English degree at St Andrews uni.” How apt does that sound to you?
What the heck is soft surrealism? I’m tough as nails and straight to the point. Don’t ever describe the show again. Maybe draw the show, yeah. I want reviewers to come in with an easel.
What’s an example of an event or experience you had that sparked inspiration for your show?
I went to see Tyler, The Creator at Wireless Festival and he has a song called RUNITUP, which is my favorite song, and it forced me to pursue my dreams.
What’s something you remember especially vividly about writing your show?
I remember going to the art store to buy paper. I like to take myself super seriously. I dislike the aesthetic of the relaxed comedian. Be stressed. I also remember spending lots of time deciding on the font on the Google Doc.
Comparing yourself as a comedian today versus your first year in comedy, what’s one of the major differences you see in yourself?
My first year I was very into soft drinks and now I’m on juice. I’m a bit more fearless I think. I’ve learned that bombing is fine. Nothing bad happens.
What are some discoveries you have made about performing your show that have affected your approach to performing it?
I realised that I should make more noises during the show. Right now it’s very word dependent, but people really enjoy it when I make a silly noise.
What expectations do you have for the festival?
Webster’s Dictionary defines expectations as a strong belief that something will happen or be the case. And Oxford Dictionary defines expectations as the act or state of expecting. Which is more correct? You choose.
After MICF, what else is on the horizon for 2025? The sun, as always.
CHINESE MUSEUM – SILK ROOM / THE WESTIN – THREE 27 MAR–18 APR
WORDS BY LIAM HEITMANN-RYCE-LEMERCIER
‘Relatable content’ is the buzzword marketing strategy of just about every social media star and wannabe comedian looking to win over new audiences. Not so for Russian-British standup Olga Koch.
Æ The child of a former Deputy Prime Minister of Russia, Koch’s lavish start in life pits her somewhat at odds with many of her cashstrapped peers in the stand-up comedy circuit – but at least she’s aware of it.
Marketed as a piss-take of the sort of opulence slathered across our screens in The White Lotus and Succession, new comedy show Olga Koch Comes From Money promises audiences “another little white bitch you will love to hate”.
Your dad is the former Deputy Prime Minister of Russia. This is not usually the kind of background that spawns a career in standup comedy. Why do you think your career pathway has diverged so starkly from that of your father’s?
I actually think our careers are very similar. Politicians and comedians both tell lies into microphones for the approval of complete strangers. In that way, I am my father’s daughter. Fundamentally, every little girl dreams of being Deputy Prime Minister of Russia and I hope there’s still time for me.
You have lived in the US and the UK. I grew up in England as well, so I can understand some of that country’s uniquely dry sense of humour. How have you moulded your comedy after living in countries that have fairly strong differences in their comedic style? Is your style of standup more US- or UK-centric?
Not to brag, but nothing about me has ever been described as “uniquely dry” and I intend to keep it that way. From a comedy perspective, living in different countries has given me the opportunity to approach any culture as an outsider and that point of view has been my most valuable writing tool. That being said, I don’t really think it matters where you come from – I have performed comedy everywhere from Japan to India to Norway and people from all across the globe feel equally comfortable laughing at me.
What can you tell us about your upcoming show, Olga Koch Comes From Money, and what do you want audiences to take away from watching it?
I’d say it does everything that it says on the tin (or your money back). Look, I’ve written six standup shows and addressed every taboo in the book: age gaps, ass-eating, male pattern baldness. It’s time wealth got a taste of Koch.
Melbourne is in the midst of a notable housing crisis, and wealth disparity is something of a sharp issue here. How are you feeling about performing a show about experiences of wealth, in a city with a substantial left-leaning populace such as Melbourne?
Oh my God, do you think my show is right-wing? In all seriousness, transparency when it comes to money is more important now than ever. Privileged people like me can’t avoid the issue out of discomfort and ‘politeness’. I don’t think my show exists in opposition to Melbourne’s substantial left-leaning populace, but I suppose you’ll have to see it to believe it.
What do you like about audiences of Australian comedy shows and what has drawn you to perform here in Australia? How does your experience in Australia differ, say, from performing in Edinburgh?
I’ve always loved Australian live comedy because the performers are never afraid of being weird and experimental. I think generally Australian audiences are more open-minded and ready to see something new and something different. That being said, they’re also way more open about telling you that you’re not their cup of tea. But hey, negging has always worked on me.
OLGA KOCH
WHERE: MELBOURNE TOWN HALL - BACKSTAGE ROOM
WHEN: 27 MAR–20 APR
WORDS BY JULIETTE SALOM
You’ll never be stuck for something to do in the city with ACMI’s free exhibition, The Story of The Moving Image. This family-friendly and accessible exhibition invites movie-lovers and cinephiles to journey through the history of the moving image.
ACMI THROUGHOUT APR
Beloved festival Cresfest is coming back to the heritage town of Creswick for its fourth lap around the sun. Cresfest is a wholesome three-day extravaganza featuring some stellar Australian and international talent, as well as workshops and a busking competition.
CRESWICK 4–6 APR
Yayoi Kusama’s revolutionary artwork will be getting one last wind at the NGV this April as NGV Friday Nights close out the exhibition with a final bang. Expect top-notch musicians soundtracking the gallery halls as you peruse the art.
NATIONAL GALLERY OF VICTORIA 4, 11 & 18 APR
JAMIESON AUTUMN FESTIVAL
Experience autumn to the maximum around the rolling hills of Jamieson at this year’s Autumn Festival. There’ll be music, arts and crafts, food and community games to get you involved.
JAMIESON 4–6 APR
Castlemaine is getting kooky this month as the local Fringe Festival takes over town. A plethora of events will be happening at a wide range of venues throughout the first week of April, with comedy, performance, music, art and more.
CASTLEMAINE UNTIL 6 APR
Experience a Sunday in Shepparton like no other with the Albanian Harvest Festival unfolding in early April. This hub of culture, community and entertainment will be a sight to behold, happening at Queens Garden.
SHEPPARTON 6 APR
Corryong’s favourite bush festival is back for another rodeo in Victoria’s high country. The jam-packed festivities include a wide range of events to get you in the country spirit, from ute musters to bush music.
CORRYONG 10–13 APR
Back for its 10-year anniversary, the Benalla Street Art Festival will breathe a burst of colour into the streets, roads and alleyways of Victoria’s North East. The art is free for all to see, but a guided walking tour can also be enjoyed for just $5.
BENALLA 11–13 APR
Electronic music festival Ultra is coming to Naarm this month with a lineup to rival them all. Swedish producer Axwell, Norwegian duo Da Tweekaz and Italian DJ Deborah De Luca are all bringing some international flavour to Aussie shores.
FLEMINGTON RACECOURSE 12 APR
Tattoo enthusiasts are invited to the Convention Centre for a two-day bonanza that will feature workshops, sessions and panels on all-things tattooing. See the work of great artists in action and get in on the fun by getting a tat of your own.
CONVENTION CENTRE 11–13 APR
April will see Wyndham Park in Werribee transform into a playground of light and colour as LIT takes over. A free, family-friendly and all-accessible festival, it’s the perfect chance to check out the amazing light installations on display.
WERRIBEE UNTIL 13 APR
Over two special nights in mid-April, the Melbourne Symphony Orchestra will be bringing its signature soundscapes to Melbourne Recital Centre. Metropolis Festival will be placing talented young composers centre stage.
MELBOURNE RECITAL CENTRE 16–17 APR
The regional city hub of Bendigo is throwing a massive Easter Festival over the long weekend. Taking over Rosalind Park and the surrounding streets, this is the perfect way to spend the Easter weekend with the family.
BENDIGO 18–21 APR
The Stars & Bars Festival in Heathcote is creating a magical mystery tour of its own with a multi-stop bus ride that will journey party-goers to a variety of venues, breweries and wineries. Plus, there’ll be loads of great music.
HEATHCOTE 25 & 26 APR
Goulburn Valley’s premier food and wine festival is back for another swing around the valley with festivities unfolding in Seymour. Live bands, chef demonstrations, tastings and more will be on offer at Tastes of the Goulburn.
SEYMOUR 16 APR
WORDS BY JULIETTE SALOM
Whether you’re searching for a place to sink your teeth into local poetry or you need an audience to listen to poetry of your own, the Motley Bauhaus’ Poetry Open Mic nights are your one-stop literary shop this month.
THE MOTLEY BAUHAUS THROUGHOUT APR
It’s back, bigger and bolder than ever before. This new production of Jesus Christ Superstar is a classic of the theatre world. See it again in all its glory, or experience the magic of the musical for the first time.
THE PRINCESS THEATRE THROUGHOUT APR
THE VAUDEVILLE REVUE: CABARET, COMEDY AND BURLESQUE
It’s a dash of cabaret, a sprinkle of comedy and a splash of burlesque, all in the space of one extravagant night. This is a must-see show for both locals and visitors alike, and has been voted as one of the best burlesque shows in the country.
SPEAKEASY THEATRE THROUGHOUT APR
THE LATE NITE POWERPOINT COMEDY SHOWCASE
Whoever said PowerPoint presentations had to be boring? Six comedians are taking the medium to new heights with their Late Nite Comedy Showcase, after they fix all the typical Microsoft technical difficulties.
THE WESTIN MELBOURNE THROUGHOUT APR
Kiwi national Alayne Dick is bringing her sold-out comedy show across the pond to add a bit of colour (exclusively purple) to the Comedy Festival’s program. A hot, gay librarian with a talent for cracking jokes, she’s not one to miss.
TASMA TERRACE 1–6 APR
Whether you’re an Austen devotee or just in need of a laugh, Jane Austen Improvised is exactly what it sounds like. It’s regency London, plus a handful of contemporary comedians. Whatever could go wrong?
IMPRO MELBOURNE 1–20 APR
It’s ballet, but not as you know it. Transforming the story of Sleeping Beauty to a performance of light, colour and movement, dancers will guide you through this journey with lit up costumes and glittering talent.
THE CAPITOL 4, 23 & 27 APR
It’s dinner and a show – and a step back in time – at Sorcery and Swing. Prepare to be transported back to the 1920s when moonshine and jazz were all the rage. Plus, there’ll be a dash of magic to keep you on your toes.
STAMFORD PLAZA MELBOURNE 5 APR
The best of the best are being placed centre stage for the Asian Allstars Gala as part of the Melbourne International Comedy Festival. A mix of established legends and newcomers fill the lineup for this night of laughs.
MELBOURNE TOWN HALL 5 APR
The kids don’t have to miss out on the laughs this comedy season, with Melbourne Museum’s Comedy Club for Kids. The family-friendly performances mean that the little ones can join in with the big ones for a giggle or two.
MELBOURNE MUSEUM THEATRE 5–20 APR
The hilarious British duo Flo and Joan are making their way down under for a string of comedy shows that promise madness, mayhem and perhaps a little bit of music here and there.
MELBOURNE TOWN HALL 5, 12, 13, 19 & 20 APR
The black, loud and proud Deadly Funny National Grand Final will see the national finalists of the competition and some special guest performers win hearts and laughs this month at the Arts Centre.
ARTS CENTRE MELBOURNE 14 APR
Renowned funny guy Julio Torres is bringing his surrealist comedy to Aussie audiences for a string of debut performances down under. The creator behind TV show Fantasmas and the film Problemista, this comedian isn’t one to miss.
MAX WATTS 15–20 APR
This Good Friday is about to get really really good with RocKwiz’s live music and comedy show at Hamer Hall. All the usual stars will be rearing their heads, including Julia Zemiro and Brian Nankervis.
HAMER HALL 18 APR
When Slowdive first emerged from Reading in 1989, no one thought the shy, self-effacing teenagers would become one of the most influential bands of their generation.
Æ It isn’t easy to be a band for more than three decades. It also isn’t easy to find widespread acclaim with a sound that no one was used to (or liked) and then go on to inspire countless other artists. Slowdive did all of this, however, and as they prepare for their upcoming Australian tour, it’s worth reflecting on their remarkable journey from critical punching bags to revered innovators.
Formed by childhood friends Neil Halstead and Rachel Goswell, Slowdive quickly expanded to include Christian Savill, Nick Chaplin and Simon Scott. They found some fast acclaim with their early EPs and honed their unique sound into a perfect summation – their debut album Just for a Day. Their woozy, immersive soundscapes are what we now refer to as shoegaze, but at the time, this musical movement was just finding its legs. Drawing inspiration from Dinosaur Jr., Sonic Youth and the Cocteau Twins, Slowdive crafted a wall of noise that was as curious as their introspective stage presence, and since we fear what we do not understand, their early accolades would soon take a turn.
By the time Souvlaki, which is now listed in countless wrap-ups as one of the greatest shoegaze albums of all time, arrived, the genre had become the butt of the music industry’s jokes. The album’s creation was complicated by the dissolution of Halstead and Goswell’s romantic relationship, pushing Halstead toward more remote songwriting. Despite collaboration with Brian Eno, Souvlaki received a lukewarm reception from critics who simply no longer seemed to get it. Today, the sophomore effort stands as their masterpiece – a revolutionary, pioneering artifact that is timeless and home to some of the band’s most beloved songs.
If people didn’t get Souvlaki, its follow-up Pygmalion was never going to fare well in the mid-’90s British music scene, despite its slight departure from the shoegaze genre. Still, people weren’t going to get songs like Blue Skied an’ Clear when Wonderwall was dominating the airwaves. The band’s label wanted a pop record and Slowdive opted to go in the opposite direction. Pygmalion was an ambient, experimental step toward electronic music, influenced by techno, early Aphex Twin and John Cage. Recorded in bedrooms and kitchens rather than professional studios, the album came together on samplers and computer software. The band were dropped by their label a week after its release and then dissolved without any formal breakup conversation.
So, we gave props to Slowdive for their longevity in the opening sentence, but it does include a 22-year gap. The band members moved on to other projects after Pygmalion, with Halstead and Goswell forming Mojave 3. They reunited in 2014 for Spain’s Primavera Sound festival to tens of thousands of fans and their self-titled comeback album arrived in 2017 to widespread acclaim. The record captured the essence of their earlier work while sounding fresh and contemporary. Tracks like Sugar for the Pill demonstrated that Slowdive could evolve without abandoning their distinctive sound, the true goal of any reunion album. Slowdive were back and possibly better than ever.
Six years after their comeback, Slowdive returned with their latest record everything is alive, perhaps their most cohesive album yet. Created during the pandemic and dedicated to Goswell’s mother and Scott’s father, the record balances the light and dark with some doses of pop and plenty of atmospheric synths and droning guitars.
In September 2024, the band released a mini-EP for the single Kisses which featured a remix from English electronic producer Daniel Avery and an ambient version of the song by Grouper.
Originally set for an Australian headline tour and as part of the Daydream Festival in Melbourne in 2023, the band had to cancel last minute after drummer Simon Scott suffered a back injury. They popped back out later that year to make up for it with a run of sold-out shows and are returning once again with New York’s Beach Fossils in tow.
SLOWDIVE
WHERE: FESTIVAL HALL
WHEN: 3 MAY Made in partnership with Destroy All Lines.
WORDS BY JEREMY MALCOMSON
On a nondescript day in 1987, a young Telecom worker named Bryan Derrick was casually flipping through the local classifieds page during his lunch break.
Æ Something caught his eye and he flipped back a couple of pages to a small ad that read ‘Music Shop For Sale’. Its name was Music Swop Shop and it was run by a small group of artists in Carlton, opening whenever they felt inclined and experiencing the odd customer or two if they happened to stumble through the front door at the right time.
Bryan was a respected drummer in the Melbourne music scene and the dream of owning a business that could help him – in his words –“Pay for the music habit” grew into a reality and he scraped his money together to purchase the small venture. With the help of his friend Chris, they took on board a small store specialising in selling musical instruments on consignment, taking on whatever weird, wonderful, plain, boring or different instrument that was brought through the door.
Bryan liked the idea of being completely neutral in every deal. As he had no vested interest in any particular item, he could always give his honest opinion. Business was quite slow and casual in the early days but this suited Bryan and his muso friends, often closing early when a spontaneous jam session erupted in the store. Music always came first and this only added to the legitimacy of the store. It was a store run by musos, for musos.
Fast forward several years and the reputation of The Swoppy grew to be respected by all who knew it. Many international stars would drop in because someone had told them on the other side of the world ‘Hey, if you’re ever in Melbourne you’ve got to check out this cool little store…!’. Bryan had a knack for remembering the name of every single person who ever walked through the door. One could disappear for many years and then walk in one day to be greeted by Bryan’s friendly smile and a casual ‘Oh hi [insert every name of every
person ever to set foot in the Swoppy!].’ Bryan’s number one rule was always total honesty. He would often say “You can always remember the truth.” He built a personal and professional reputation as someone and somewhere to be trusted. Everyone was treated the same, from a budding teenager with small pockets and big aspirations to ageing rockers looking to add another Gibson Les Paul to their collection. Bryan afforded everyone the same courtesy and time of day. This led so many people to say, ‘I’m a mate of Bryan’s’.
Although not smoking for the past two decades, Bryan used to say he smoked two packs of cigarettes per day – one for him, and one for every friend who would drop through the door during the day, bum a cigarette and chat away for hours on end. He kept an active lifestyle and continued drumming all the way through his life, constantly getting asked to play with so many bands around Melbourne. Time off for staff to play gigs was always met with an enthusiastic smile and yes.
Bryan succumbed to a lung infection following treatment for lung cancer on January 28, 2025. He will be sorely missed by the entire Melbourne musical community and you won’t find a single person with anything negative to say about him. He was one of the nicest and most genuine human beings to ever bless the face of the earth. His wishes were for the Music Swop Shop to continue on his legacy, supporting the local music scene and helping every musician on their journey.
The shop has expanded to be two stores on either side of Elgin Street in Carlton at 145 and 136. It has never been about amassing any fortune but making enough to support the staff that work there and making gear and services affordable for all. It will continue to welcome anyone in an environment free from judgement or snobbery. It is still the cheapest place to get guitar strings and every day you will find a cacophony of sound as it encourages its hands-on approach to trying out new gear.
Bryan played his last gig on New Year’s 2025, drumming three one-hour sets. At 71 years old he was still doing what he truly loved. He would want everyone to keep playing music and always look on the bright side of life.
THU 03 SUNSHINE TIP ACOUSTIC TRIO FEAT. DAVE BOWERS, DEE HANNAN AND ALICE GARNER (EMBER LOUNGE)
FRI 04 ALMA ZYGIER "SHE IS A GREAT SINGER, BOTH COMPELLING AND CONVINCING…” PAUL KELLY SAT 05 THE ANGELS – EXCLUSIVE SHOWCASE ALBUM
SUN 06 WHISPERING JACK SHOW – A TRIBUTE TO THE MUSIC OF JOHN FARNHAM
THU 10 MAX KÖNIG THE SAXOPHONIST DRAWS INSPIRATION FROM JAZZ GIANTS AND ARABIC, TURKISH AND KLEZMER MUSIC
FRI 11 WE’RE RIDING WITH THE KINGS FEAT. BOBBY VALENTINE AS BB KING AND ANDY MCGARVIE AS CLAPTON
SAT 12 THE EAGLES STORY
THU 24 HERMOSA
WORDS BY SOPHIA PERICA
LIVE MUSIC: Footscray Community Arts offers diverse live music experiences, from warehouse DJ sets to soulful R&B performances in the outdoor amphitheatre where one can sit on the lush grass and enjoy the view of the Maribyrnong River.
FAMOUS FOR: The centre is celebrated for its inclusive approach. Its mission is to champion artists from diverse backgrounds, including artists from LGBT+ and First Nations communities or those with disabilities. This commitment fosters a rich tapestry of cultural expression and dialogue within the Melbourne arts scene.
INFAMOUS FOR: It’s not just your run-of-the-mill community centre where retired people come to volunteer or parents come to manage their kids in after-school antics. FAC is so much more than that. It’s a modern, edgy arts venue that goes beyond local engagement; it’s about weaving art and culture into the fabric of the community.
Æ Kickin’ since 1974, FAC is a versatile performance space that hosts a wide variety of events from film screenings to live music and installations. One look at the centre’s huge programme of creative workshops (for children, young people and adults), arts and crafts exhibitions, performances and colloquia tells you it’s working hard and happily on its mission.
Whether you want to learn how to dance or explore new art forms, FAC’s ArtLife program has something for everyone. You can experiment with digital art, printmaking, painting, or mixed media in workshops led by skilled facilitators. Even established artists can utilise self-directed studio spaces to work on their personal projects. You’ll leave this centre feeling empowered, and more importantly, like you’re a part of something bigger. It’s a safe space, allowing visitors to connect to others and fostering a sense of local community, something that we all very much need in this modern world.
WHERE: 45 MORELAND ST, FOOTSCRAY
OPEN: MON-FRI 9.30AM-5PM / SAT 10AM-4PM
LIVE MUSIC: is at the heart of Melbourne Recital Centre’s mission. Lately, the venue has had a massive rebrand, offering more contemporary projects than ever before. Supporting a diverse range of genres, Melbourne Recital Centre truly believes in music’s ability to change lives.
FAMOUS FOR: its instantly-recognisable building, an architectural marvel found in the Melbourne Arts Precinct. From colours that adapt to the performances to the iconic hexagonal honeycomb windows, the space is perfectly designed to accompany the shows.
INFAMOUS FOR: its wild and unpredictable billing. From classical masterpieces to quirky, contemporary gems that’ll leave you pondering for weeks to come, the space plays host to the best of the best, although you never know what you might stumble into.
Æ Melbourne Recital Centre is an extremely civilised place to see a concert. It’s the kind of venue that never lets you down. Whether you’re seeing an artist in the intimate Primrose Potter Salon or the vast Elisabeth Murdoch Hall, the seats will always be comfy and the sound will always be pristine. Same goes, we expect, for the soonto-be-debuted Peter and Ruth McMullin Beacon, the centre’s rooftop performance area with stunning views of the city.
The venue has come a long way since it opened its doors in 2009. It’s constantly striving to be as innovative as possible, giving us lucky people of Melbourne the chance to see world-class art and be at the forefront of what’s happening in the music world.
As Sandra Willis, CEO of Melbourne Recital Centre, explains, “Our new identity and digital transformation exemplifies our bold vision for the future of live music in Australia. It’s a statement of our commitment to pushing boundaries and creating transformative musical experiences for all audiences.”
What’s especially great about Melbourne Recital Centre is its inclusivity and accessibility. Fans of all ages, tastes, backgrounds and ability levels are invited in with open arms, with a specialised hearing loop system, lifts, guide dogs welcome and even a multi-language podcast detailing the building’s many accessibility features.
WHERE: 31 STURT ST, SOUTHBANK OPEN: MON–FRI 11AM–5PM
LIVE MUSIC: is just one of the weekly events on at the Rainbow Hotel. With nights dedicated to steak, burgers, roasts and trivia, every day is a new adventure at this place.
FAMOUS FOR: its laidback atmosphere and killer Happy Hour on every weekday ($10 pints!).
INFAMOUS FOR: its no pub crawls policy. This place likes to keep the vibe charming and comfortable, so don’t come through if you’re too drunk and acting up.
Æ Okay, so you’ve had a big, bad week and you’ve finally made it to Friday arvo. All you want in the world is a cold pitcher of beer and a good feed – something rich, savoury and well-portioned to take the edge off. In this case, book your Uber straight to the Rainbow Hotel.
Homey and fuss-free, the place invites you to put your feet up and settle in for a long, luxurious night of unwinding. The staff will take care of your every need. The drinks will be free flowing. If you need more dopamine than that, the beer garden is dog friendly, meaning you might even be lucky enough to pet a few pups while you’re at it.
Sometimes, you just need a pub that’s reliable and trustworthy – somewhere that’ll have the game on the TV and always a few tables free. Operating for more than 150 years, the Rainbow has stayed true to its roots as a classic Fitzroy watering hole, even though the menu has surely been revamped since then, bringing in pan-continental influences that reflect the diversity of Melbourne itself.
Find big cuts of meat alongside Moroccan, Nepalese and Korean-inspired dishes. Steak Night on Wednesdays is always a fave, featuring an assortment of accompaniments including red wine jus, café de paris butter, chimichurri, peppercorn, mushroom and blue cheese sauce. If you’re mouth’s not watering yet, there’s something wrong with you.
Stuart Joel Nuggett and David
and the Reasons to Live bring endangered Jingulu to the masses with a national tour.
Æ I’m sure many of you know of Kneecap, the Belfast rap trio who set out to save the Gaelic language through the power of music (and recently brought out more than 14,000 fans to Fed Square).
But have you heard of these guys?
Indigenous singer-songwriter Stuart Joel Nuggett and country rockers David Garnham and the Reasons to Live are harnessing the same power to draw attention to Jingulu, an Aboriginal language spoken by fewer than 10 people. This April, they’re heading out on their first-ever national tour, bringing the rare language across the country.
Nuggett, who hails from Kulumindini (Elliott) in the Northern Territory but now calls Mpartnwe/Alice Springs home, blends folk tunes and outlaw country delivered in both English and Jingulu, the critically endangered language of his people.
“Language is everything for Aboriginal people,” says Nuggett.
“It’s our identity, it’s who we are and if the younger generation lose this language… it’s all gone.”
Backing him are David Garnham and the Reasons to Live, a crew who “look like truckers but sing like angels.” Garnham himself is described as “part larrikin, part broken bird, part bleeding heart” –the perfect musical companions for this ambitious cultural journey.
The tour kicks off in Darwin on April 2 before heading south to regional Victoria. The nine-date run includes a city gig at Fitzroy’s Punters Club and winds through regional NSW before culminating with a spot at the National Folk Festival in Canberra.
It’s not just about the tunes either – Nuggett will lead language workshops on tour, teaching and writing songs in Jingulu as part of the project’s broader mission.
The project has been assisted by the Australian Government through Creative Australia with support from the Northern Territory Government. Produced by Artback NT, the project represents a cultural lifeline for one of Australia’s most endangered languages, wrapped in the accessible package of quality roots music.
WHERE: 27 ST DAVID ST, FITZROY
OPEN: MON–WED 3–11PM / THU 3PM–12AM / FRI–SAT 12PM–1AM / SUN 12–11PM
WHERE: PUNTERS CLUB
WHEN: 9 APR
Æ In recent years, Liz Stringer has shone as one of Midnight Oil’s backing vocalists of choice. She’s right up there with Eva Cassidy as far as we’re concerned, boasting pipes that are best appreciated with minimal adornment. Check out those Annie Lennox-level vocalisations that close out I’ll Never Abandon Myself Again! “I’d rather be on my own and afraid than alone with someone like you” – ouch. The Second High’s focus track, this strutting empowerment anthem gradually gathers strength and momentum until a cheer squad of rallying BVs fortify resolve, repeating, “No fear, I’ll never abandon myself again,” to close.
Throughout this record (and especially Anger, a stirring piano ballad), Stringer’s transcendent singing and astute observations are cradled by glorious, velvety background harmonies.
Coming Home, the opening lead single, features a stately piano intro that sounds like something Bruce Springsteen would go for. “‘Cause I don’t need nothing/ But I’d love someone like you/ To come and complete me…” – hopeful melodies swirl and intensify during this standout track, which yearns for “the feeling of coming home” that true love brings – just like we’ve been promised since we were kids.
“Don’t pretend you got what you got because you worked any harder” – the unflinching Criminal totally takes it there, over swinging percussion and insistent piano chords.
On The Level’s opening lines – “You used to look over my shoulder while we talked/ But I was good with it…” – are so dispirited it hurts.
Where to begin with the classy, understated To Survive? This one was inspired by a friend Stringer met while fundraising at a housing crisis centre in Melbourne. “Cast out for who I am/ All my feathers and flesh…” – kicked outta home due to how he identifies, Stringer’s friend was forced to live out his young life on the streets but now works to empower youth who find themselves in similar positions.
There’s a dialled-in depth to Stringer’s vocal performances that can’t be taught. Her portrayals encapsulate the full spectrum of feels – from complete despair to the utmost joy, sometimes both extremes in a single song. At times you could hear Stringer’s vocal power through a hurricane, but she also knows exactly how much singing quietly can mess with our hearts.
(“I’m too much…”) I’ve Always Known It redefines desolate melancholy. Dripping with insecurity, worthlessness and fear (“inside I’m a trembling joey”), our protagonist often shrinks to make space for others. “Watch me leave while I am silent…” – it’s devastating, but ultimately relatable.
She’ll be nine years sober by the end of the year, and this record’s buoyant title track – with its playful piano trills, reassuring strings and striking percussive flourishes – serves as a constant reminder that life’s better on the other side of addiction. As an artist, Stringer just keeps going from strength to strength.
LABEL: DOT DASH RECORDINGS
RELEASE: OUT NOW
Æ In this album’s accompanying presser, Thornhill admit that their concept-heavy preceding set, Heroine, was probably a bit alienating for some. Enter: BODIES, which the band tease is their “heaviest and most explosive work to date”.
DIESEL powers in like a current to supercharge takeoff, with vocalist Jacob Charlton cutting through dense riffs and pummelling drums.
“I fled your touch/ Why do you keep me this close?” – Silver Swarm’s instrumental tone echoes the emotional anguish of feeling trapped by a master manipulator. The calming ‘falling into the wind’ belongs on a meditation app, but it’s merely a sonic palate cleanser before TONGUES barges in like a siren of doom, melting our faces. Over a steady, marching pace, this one switches between full-throttle expression and restraint.
“They did a botch job of your lips…” –‘nerv’ is a masterclass in dynamic intrigue, with yet another nuanced, intuitive vocal performance from Charlton. A soaring, atmospheric soundscape that isn’t afraid to sit in peak lushness for a bit, Obsession hits like an out-of-body experience. “Silver revolver over my shoulder” – AutoTune-ish vocal effects add android appeal to the synthdriven CRUSH.
For Now closes proceedings with a (tease)bang – we’re lured into thinking it’ll be a heartfelt, stripped-back ballad at first, until stacked-on instrumentation promises cathartic thrashing moments at future Thornhill gigs.
BODIES feels spontaneous. We can easily imagine Thornhill’s band members making excited eye contact, seeking permission to extend a section once they’re on a roll. Open your ears, and let the energy Thornhill pour into album number three flow through every muscle and sinew.
Æ “Regrets in bright lights and silhouettes”, letters to Geoffrey O’Connor’s younger self, BVs supplied by the one and only Margret RoadKnight – we recommend pairing your I Love What We Do listening sesh with a Cosmopolitan or vodka and lime.
A flurry of flutes and shimmering, fairyland-express harp usher in this record’s opening title track. Then cue woozy harmonies and upbeat melodies, which take delightfully unexpected detours. “Maybe I am a thing of the past/ If there was a moment, I didn’t make it last…” – lyrics are jauntily delivered; bitterness, begone!
With its pulsating Love Is In The Air bassline, Let’s Make Love Feel Good Again luxuriates in “the dancefloor of my mind”. I Don’t Want To Be Loved makes us pine for the protagonist’s backstory. The sauntering, self-preserving I’m So Lonely I Could Fall In Love embodies vulnerability and Thank God I’m Not Good’s humour is emphasized by triangle accents.
“Life it is good, not unbearable/ But I think of you all the time and it is terrible…” –Love Takes What It Takes ponders the price of acting on “big feelings”. (“I’m always…”) Late To Love acknowledges a pattern, with breezy instrumentation suggesting a playful facepalm is more fitting than an admonishment here.
Atmospheric rainfall – which O’Connor recorded during lockdown – underscores this eclectic collection, which closes out with It’s Nice To Think. Featuring singing saw, this Sarah Mary Chadwick duet brings reflective acquiescence: “It’s nice to be old/ Making love like a dinosaur/ Feeling less, and more…”
Æ “The language is a beautiful tool that unlocked something in me,” Marlon Williams has said of creating his latest album, Te Whare Tiwekaweka (translation: ‘This Messy House’), which is sung entirely in Te Reo Māori.
Williams has spent the last five years reconnecting with his Ngāi Tahu and Ngāi Tai roots. While learning his ancestral tongue, we can tell Williams fixated on perfecting specific speech sounds and – particularly during Ko Tena Ua – he delivers crisp consonants with percussive flair. Whakameattia is a swinging little number that makes us wanna swish about in a full, ruffled skirt. A softly strummed, cooing delight, Aua Atu Ra transports us directly into a hammock slung between nikau palms and overlooking a shimmering lake in Aotearoa.
Next time we visit New Zealand, here’s hoping the lively sounds of Korero Māori greet us as we step off the plane (preferably performed live by Williams, The Yarra Benders and He Waka Kōtuia singers) –what a chill vibe! And perusing this song’s English translation unearthed an absolute gem: “Stop your aggressive haka and sway with me.” Pokaia Ra Te Marama closes this record with a reverent sense of ceremony.
Listening to music with lyrics in a language we don’t yet understand is freeing. Without the distraction of words and searching for meaning, we can surrender completely to the melodies and rhythms.
Te Whare Tiwekaweka is audio medicine.
This collection of songs for sweet reverie will be released alongside Marlon Williams: Ngā Ao E Rua – Two Worlds, a feature-length making-of doco, which was directed by Ursula Grace.
MIA WRAY
Æ Luv’d-upness, self-discovery, getting out of her own way – hi, it’s nice to meet me introduces Noosa’s Mia Wray, freehearted after coming to terms with her queerness. This danceable debut album, which follows three EPs (Mia’s debut, self-titled set dropped in 2014), bursts with ear-catching melodies, interspersed with confessional piano ballads (see: Sad But True) and sweeping, orchestral swayers (including Only Love). “What if you were stood right there with my T-shirt on/ You parked your car outside, played my favourite song…” – the joyous What If takes a gamble on love. Fake A Smile is about concealing your true self. But love Is love, right? “Even if it breaks my heart/ I wanna hold your hand, don’t wanna hide who I am…” – Not Enough’s clap-along breakdown is tailor made for empowering festival singalongs. Standout track The Way She Moves, resplendent with piano-house hook, soars – thanks to Mia’s operatic chorus flourishes (dat Kate Miller-Heidke?) it’s euphoric; a real, gospelly hands-in-the-air moment.
Thanks to lyrical specificity (“cigarette butts in the bottles”, magical post-set pashes that leave “glitter on your face”), we’re completely invested in Not The Same As Yesterday as its central love story slowly unfolds: “There’s no way I’m going back, ‘cause it’s the best sex I’ve ever had!” Don’t settle, babe. You deserve it all!
Mia’s Disney Princess vocal trills that close Everybody Knows float and hover like The Birds fluttering ‘round helping Cinderella glow-up for the ball.
We’ll never tire of listening to this one – nice to meet you, too, Mia!
Did you know? Mia signed to Mushroom Records when she was 16, after winning the 2011 Telstra Roads To Discovery songwriting competition. LABEL: DINOSAUR RECORDS
ANIA
Wesley Anne. Northcote. 6pm.
THE ARTIE STYLES QUARTET
Bar 303. Northcote. 8pm. $20.
RACHEL CLARK
Edinburgh Castle Hotel. Brunswick. 6pm.
THE BETHS Corner Hotel. Richmond. 8pm.
DON WEST
The Curtin. Carlton. 7.30pm.
SELECT ALL + NO QUESTIONS.
CASS AWARE
Stay Gold. Brunswick. 7pm. $16.31.
EARTH CADET. WALLS & WAVES, KOOL00Z, JASPER HILL
Bar Open. Fitzroy. 8pm. $11.25.
ALI MCGREGOR’S:
LATE-NITE VARIETY NITE NIGHT
Arts Centre Melbourne. Melbourne. 10pm. $37 - 40.
EVIL DEAD: THE MUSICAL
The Round. Nunawading. 8pm. $50.
PRIMA
FT: Sadiva, more Section 8. Melbourne. 6pm.
STRUTS
FT: Mansplainers
Brunswick Ballroom. Brunswick. 7pm. $28.15. Catharsis 1969. Antonia Kay, Tim K Mamma Chen’s. Footscray. 7.30pm. $15 - 20.
19-TWENTY & FRIENDS. HUSSY HICKS, BILL BARBER & THE HOLDING CELL, JEFF LANG
Hotel Esplanade (aka The Espy). St Kilda. 6.30pm. $35.
CONOR ANDERSONVAGUE TRIO
Wesley Anne. Northcote. 6pm. Free.
OPA! BATO BALKAN BRASS
Bar 303. Northcote. 8pm. $25 - 30. LIZ VIOLI SINGS NOSTALGIC NOTES... 80S & 90S REVAMPED & REIMAGINED
Paris Cat Jazz Club. Melbourne. 6.30pm. $45. MARK SEYMOUR Bird’s Basement. Melbourne. 6pm. $70. ROSCO MULE. THE TERRAPINS, PHOENIX STREET
Stay Gold. Brunswick. 8pm. $17.48.
TANNER KEAST. SWEATSHOP, VIOLET
Bar Open. Fitzroy. 8.30pm. $11.25.
ROSCO MULE. THE TERRAPINS, PHOENIX STREET
Cherry Bar. Melbourne. 8pm. $15.
DJ DIDDY WAH
Old Bar. Fitzroy. 11.45pm.
SPIKE F*CK. WET KISS, MORE
Corner Hotel. Richmond. 8.30pm. $40.40.
SUPERSONIC 90S: BRITPOP & UK ELECTRONIC BEATS
Odeon Richmond. Richmond. 8pm. $23.50.
SPINCYCLE: A FANTASTIC THOUGHT
FT: Neil E, Big City Bill, Bex, Terri Wax Music Lounge. Melbourne. 8pm. $10.95 - 27.40.
GILLIAN COSGRIFF: FRESH NEW WORRIES Arts Centre Melbourne. Melbourne. 7.20pm. $30 - 39.
MEREDITH WILLSON’S THE MUSIC MAN
The Round. Nunawading. 7.30pm. $56.
TECH N9NE + JOEY COOL. SHORTY MIC Northcote Theatre. Northcote. 7.30pm. $89.90.
SEASONS:
VIVALDI & MORE Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $81.
SHAKY STILLS
Union Hotel. Brunswick 5pm. Free. THE COUNTERFEIT PRESENTS THE MUSIC OF ENNIO MORRICONE & THE SPAGHETTI WEST
Brunswick Ballroom. Brunswick. 8.30pm. $38.86.
THE POEMS, PRAYERS & PROMISES OF JOHN DENVER WITH DARREN COGGAN Clocktower Centre. Moonee Ponds. 7.30pm. $65.
MARK SEYMOUR
Bird’s Basement. Melbourne. 6pm. $70.
BENCH PRESS: FINAL SHOW. PROPAINE, HOOPER CRESCENT, AQUATICO
Old Bar. Fitzroy. 8pm. SWEET TALK
The Curtin. Carlton. 8pm. $27.95. VISUALIS. DEMON HEAD, RAWTISM, KATANA CARTEL
Stay Gold. Brunswick. 7pm. $17.48.
ALICE IVY
Northcote Social Club. Northcote. 8.30pm. $29.10.
BIAS B
FT: DJ Rellik, Shem Beathedz, Tap Dons, DJ FX, DJ Mizhap, Slap618 Wax Music Lounge. Melbourne. 8pm. $54.80.
NADIRA & EAMON MCNELIS PRESENT: THE MAGIC OF JAZZ DUETS
Paris Cat Jazz Club. Melbourne. 9.30pm. $45.
THE DILAPIDATED DIVA: ON THE VERGE...
Bar Open. Fitzroy. 7pm. $17.50 - 27.50. THE EMMA GILMARTIN QUARTET
Lido Jazz Room. Hawthorn. 8pm. $25 - 30.
RAVEL & THE SPIRIT OF FRENCH MUSIC
Melbourne Recital Centre. Southbank. 1pm. $62.
MELBOURNE SYMPHONY ORCHESTRA PRESENTS CORONATION ANTHEMS
Hamer Hall (Arts Centre Melbourne). Melbourne. 2pm. $67.
ALI MCGREGOR’S: LATE-NITE VARIETY NITE NIGHT
Arts Centre Melbourne. Melbourne. 10pm. $37 - 40.
EVIL DEAD: THE MUSICAL
The Round. Nunawading. 2pm. $50.
TELENOVA. LOTTE GALLAGHER, TASH Northcote Theatre. Northcote. 7pm. $49.90.
HOT GLUE. MANPLAINERS
Hotel Esplanade (aka The Espy). St Kilda. 7.30pm. Free.
MASAMI KAWAGUCHI & KIM SALMON. SARITA MCHARG, POLLY FONIK
Old Bar. Fitzroy. 7.30pm. $17.35. THE MURDER CAPITAL Corner Hotel. Richmond. 8pm. $83.75. WITHIN DESTRUCTION. DISTANT, GRAVEMIND
Stay Gold. Brunswick. 7pm. $74.90.
JEFF LORBER FUSION
Bird’s Basement. Melbourne. 6pm. $65.
HENRY MANETTA & THE TRIP
Paris Cat Jazz Club. Melbourne. 8pm. $40. THE DILAPIDATED DIVA: ON THE VERGE... Bar Open. Fitzroy. 7pm. $17.50 - 27.50.
JACKSON COMBO
Bar 303. Northcote. 8pm. $20.
AMELIA ADLER. BLACK DIME CABARET, LINA Retreat Hotel. Brunswick. 7pm. $15.
BACH’S ORCHESTRAL SUITES
Melbourne Recital Centre. Southbank. 7pm. $30 - 175.
DANIIL TRIFONOV PLAYS RACHMANINOV Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $84.
ALI MCGREGOR’S: LATE-NITE VARIETY NITE NIGHT
Arts Centre Melbourne. Melbourne. 10pm. $37 - 40.
THE HEARTBREAK CLUB
George Lane. St Kilda. 7pm. $23.
SUNSHINE TIP
Memo Music Hall. St Kilda. 7.30pm. $25 - 40.
MERPIRE
The Tote. Collingwood. 7pm. $29.90.
HEARTACHE TONIGHT
FT: Queenie & Hank, Ruby & Loretta, Patrick Wilson, DJ Ernie Lulie Tavern. Abbotsford. 8pm. HALADENE. COMMON EVIL, ATRIOX, ALL MONSTERS ARE HUMAN
The Last Chance Rock & Roll Bar. North Melbourne. 7pm. $16.35.
BEST OF MELBOURNE COMEDY
Morris House. Melbourne. 7.45pm. $27. GROOVE AT THE BERGY FT: Plan B, Taken By Fish, Krill, The New York Minutes
Bergy Bandroom. Brunswick. 6.45pm. $22.95.
ALEXANDER FLOOD
The Night Cat. Fitzroy. 8pm. $20.90 - 24.90.
THE SEVEN UPS. JUNKYARD WIZARDS
Shotkickers. Thornbury. 8pm. Free.
OUT OF SIGHT EXHIBITION
Revolver Upstairs. Prahran. 5pm. Free.
VICTOR RAY
Prince Bandroom. St Kilda. 8pm. $69.90.
DAVE FRANCEY
George Lane. St Kilda. 7pm. $35.
RUST IN DESTRUCTION. RARE MAIDEN, AUSLANDERS
Bendigo Hotel. Collingwood. 9pm. $20.40. ALMA ZYGIER
Memo Music Hall. St Kilda. 7pm. $25 - 40. BAD BUNNY NIGHT Hotel Esplanade (aka The Espy). St Kilda. 9pm. $11.75 - 22.95.
BRIAN MORLEY & THE WYKD FOLK
The Drunken Poet. West Melbourne. 8.30pm.
SUGARUSH: TATE MCRAE NIGHT
Stay Gold. Brunswick. 11pm. $17 - 22.
GILLIAN COSGRIFF: FRESH NEW WORRIES
Arts Centre Melbourne. Melbourne. 7.20pm. $30 - 39.
THE AUSTRALIAN BEE GEES SHOW
Hamer Hall (Arts Centre Melbourne). Melbourne. 8pm. $65 - 85. KINEMATIC. TIM REID
The Merri Creek Tavern. Northcote. 8pm. $25. WINGER
170 Russell. Melbourne. 6pm. $99.
THINK ABOUT YOU. DAISYPICKER, OLD PLACES, PIGGIETAILS
Retreat Hotel. Brunswick. 7.30pm. Free.
MEL & SAM: NO HAT, NO PLAY! THE CABARET
The Toff In Town. Melbourne. 9.45pm. $38. MOD CON. ZIPPER, CASINO
The Last Chance Rock & Roll Bar. North Melbourne. 8pm. $16.35. DETHKLOK. FREEDOM OF FEAR Forum Theatre. Melbourne. 8pm. UNDERGROUND CABARET: PURSUING PLEASURE
The Round. Nunawading. 8pm. $30 - 40. BUSTED CHOPS
Edinburgh Castle Hotel. Brunswick. 7pm. JEFF LORBER FUSION
Bird’s Basement. Melbourne. 6pm. $65. NOW.HERE. THIS ALL-STAR BAND. F. DANIEL MERRIWEATHER, ED MOON, THNDO Brunswick Ballroom. Brunswick. 8.30pm. $33.76.
WHISKERS & WISHES: FUNDRAISER SHOW
FT: Marilyn Costello, Belial Bzarr, Darmanatrix, Mr. Misty-Eyed, Ovary Action, Roxy Rawhide, Linh Uendo, Abeloth Addams
The Penny Black. Brunswick. 8pm. $22.38.
DAVID COSMA
Thornbury Local. Thornbury. 8pm.
4HR PARKING. ROYAL CHANT, STONED APE THEORY
The Workers Club. Fitzroy. 8pm. $17.85.
KATIE NOONAN & KARIN SCHAUPP
Melbourne Recital Centre. Southbank. 7.30pm. $65 - 75.
NEW YORK AFTER DARK: A NIGHT OF BALLADS AND BLUES WITH OSCAR BRUTEN
Paris Cat Jazz Club. Melbourne. 9.30pm. $45.
DERN RUTLIDGE
The Tote. Collingwood. 8pm. $28.60.
THE DILAPIDATED
DIVA: ON THE VERGE... Bar Open. Fitzroy. 7pm. $17.50 - 27.50.
PEPPER LA FLOYD. PARADISE
ALLEY, CHLOE
BOOTH, MORE Old Bar. Fitzroy. 8pm. $15.30.
BITCH LET’S RIDE FT: The Vovos, Checkpoint, Busted Head Racket, Men’s Health Club, Loveboner, Local Sweetheart, DJ Koles Radio Quadraphonic Club. Brunswick. 5pm. $25. THE REFUGE. ECHO SOCIAL CLUB, WOMBAT, JADED STATE Bergy Bandroom. Brunswick. 7.30pm. $16.85.
THE PEEP TEMPEL. LAST QUOKKA, MORE Corner Hotel. Richmond. 8.30pm.
JAKE DALBY. HANNAH &THE HEARTSTRINGS, DOWN THE DRAIN Bar Open. Fitzroy. 8.30pm. $15.
THE WONDER YEARS. SUZI, JOYCE MANOR
Northcote Theatre. Northcote. 6.30pm. $79.90.
VANILLA GORILLA Brunswick Ballroom. Brunswick. 8pm. $39.90.
MÉMOIRE
TRAJECTOIRE: CLASSICAL CONCERT Odeon Richmond. Richmond. 6.30pm.
ONE MAN MUSICAL BY FLO & JOAN
Arts Centre Melbourne. Melbourne. 8pm. $32 - 36.
JUPITA + SWAMP Wax Music Lounge. Melbourne. 8pm. $21.95.
B’DAY 8
FT: Mothafunk, HDSNJMSJR x THNDO, OJ Kush, Sadiva, So. Crates, Soul Energise Whitehart Bar. Melbourne. 12pm. GECKO Hotel Esplanade (aka The Espy). St Kilda. 6.30pm. $15.85.
CRASH TEST DUMMIES. HASSALL
Northcote Theatre. Northcote. 8pm. $79.90. GUSH. SPOUSE, CRAWLING, CAMOMILE
Old Bar. Fitzroy. 8pm. $15. HIDDEN INTENT. IN MALICE’S WAKE, BATTLEGRAVE, FIRING SQUAD
Northcote Social Club. Northcote. 7.30pm. $27.
ZEOLITE
The Last Chance Rock & Roll Bar. North Melbourne. 8pm. $28.60.
VOLATILE WAYS Bendigo Hotel. Collingwood. 7.30pm. $28.05.
B!TE: VOL 2 AT THE TOFF
FT: Fosters, Manchesta Blu, Mimi, Mimosa, Telefixa The Toff In Town. Melbourne. 10pm. Free.
THE ANGELS. THE BREWSTER BROTHERS
Memo Music Hall. St Kilda. 7pm. $50 - 60.
HARRIET WRAITH. PEACH FUZZ, KOOK JOEY Retreat Hotel. Brunswick. 6.30pm. $12.25 - 17.95. THE PEEP TEMPEL. LAST QUOKKA, MORE Corner Hotel. Richmond. 8.30pm.
SEX PISTOLS WITH FRANK CARTER Festival Hall. West Melbourne. 8pm. $152.76.
ATLVS. SIGNALS, SAME PAINS, SLOWBURN
Stay Gold. Brunswick. 7pm. AND THEN THEY RUN. THE THONGS, WET LOVE
Bar Open. Fitzroy. 8.30pm. $15. ROBBIE THUNDER + SCUD Gem Bar. Collingwood. 4pm. Free.
THE DEADLY APPLE-JOHNS
Thornbury Local. Thornbury. 8pm.
JUDE PERL: JUDE PERL TRIES TO FINISH A SENTENCE Arts Centre Melbourne. Melbourne. 6pm. $32 - 35.
MALLRAT. DAINE, DENIM, PROPHECY GIRL Forum Theatre. Melbourne. 7pm. $75.20.
KHAN.
SEEDY JEEZUS, DROID
The Tote. Collingwood. 8pm. $23.50 - 28.60.
DARREN KIELY
The Night Cat. Fitzroy. 7.30pm. $61.07. DESTRENDS. MILLY STRANGE, THE MUNDAYNES Bergy Bandroom. Brunswick. 8pm. $22.95 - 28.05.
LULIE’S BIG BANG 10TH BIRTHDAY PARTY
FT: Dad Bod, House of Cheese, Sugar Mama, Nkechi, Ginny Lulie Tavern. Abbotsford. 4pm.
JEFF LORBER FUSION
Bird’s Basement. Melbourne. 6pm. $65.
PINKO COLLECTIVE
Bar 303. Northcote. 4.30pm. Free.
KATIE REDDINCLANCY: END GAME
The MC Showroom. Prahran. 7pm. $25 - 35.
THE MICHELLE NICOLLE BAND
Classic Southside. Elsternwick. 8pm. $30.
HYPER GLOBAL SOUNDSYSTEM
FT: Utensil, DJ Shinpad, Yo-see, Sketti Bar 303. Northcote. 8pm. Free.
MOTLEY JAZZ JAM
Motley Bauhaus. Carlton. 8.30pm. VAPORWAVE POP UP SHOP. JR/KS, DAYDREAM DELUXE, MORE Quadraphonic Club. Brunswick. 4.20pm. $21.97.
OLIVER CRONIN Hotel Esplanade (aka The Espy). St Kilda. 3.30pm. $44.40.
BACH’S ORCHESTRAL SUITES Melbourne Recital Centre. Southbank. 7pm. $30 - 175.
MÉMOIRE TRAJECTOIRE: GIRLS WITH GUITARS
Odeon Richmond. Richmond. 6.30pm. ONE MAN MUSICAL BY FLO & JOAN Arts Centre Melbourne. Melbourne. 8pm. $32 - 36.
DANIIL TRIFONOV PLAYS RACHMANINOV Hamer Hall (Arts Centre Melbourne). Melbourne. 2pm. $84.
CORN NUT CREEK. JOYCE PRESCHER Natural Habitat Studios. Reservoir. 7pm. $25. WILSON DIXON: LOVE DON’T LIVE HERE ANYMORE, YOU DO Chinese Museum. Melbourne. 9.10pm. $25 - 35.
JOSHUA BATTEN & THE LABLIGHTERS
Hotel Esplanade (aka The Espy). St Kilda. 7.30pm. Free. THE STEVENSON EXPERIENCE: O BROTHER, WHERE ART THOU? (ON STAGE, BESIDE ME)
The Toff In Town. Melbourne. 7.15pm. $31. AMY, AMY Bird’s Basement. Melbourne. 6pm. $40. THE DARRYN FARRUGIA PROJECT
Paris Cat Jazz Club. Melbourne. 7.30pm. $40. THE SWEET SOULS Bar Open. Fitzroy. 6.30pm. Free. LOVE POLICE PRESENTS JOHN CRAIGIE + KASSI VALAZZA George Lane. St Kilda. 7pm. $47. NED BAULDERSTONE. RACOO, JACK SPENCER
The Workers Club. Fitzroy. 7pm. $12.75. GENTLES
Old Bar. Fitzroy. 7.30pm. GUM + AMBROSE KENNY-SMITH III. HEAVY MOSS Corner Hotel. Richmond. 7.30pm. $51.10. MATTHEW IFIELD
Northcote Social Club. Northcote. 7.30pm. $30.
KATANKIN
The Drunken Poet. West Melbourne. 8pm.
MARY OCHER
The Curtin. Carlton. 7.30pm. $38.70 - 43.80.
AMEB SOUND INSIGHTS:
PIANO LEVEL 2
Melbourne Recital Centre. Southbank. 11am. $30.
MÉMOIRE TRAJECTOIRE:
DRINK & DRAMA Odeon Richmond. Richmond. 6.30pm.
ONE MAN MUSICAL BY FLO & JOAN Arts Centre Melbourne. Melbourne. 8pm. $32 - 36.
JAIME CONDUCTS
BRAHMS & RAVEL Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $75.
PAPER DAISIES + HONEYBEAM
The Merri Creek Tavern. Northcote. 8pm. $8.
ANTI-SAPIEN. BLUDGER, GRIM RIPPER
The Last Chance Rock & Roll Bar. North Melbourne. 7pm. $28.60.
RYAN.B
170 Russell. Melbourne. 6pm. $89.
YOU AM I Forum Theatre. Melbourne. 7pm. $90.60.
MAX KÖNIG
Memo Music Hall. St Kilda. 7.30pm. $15 - 30.
NAN’S FAVOURITES: THE GREAT AUSSIE PUB CRAWL Leadbeater Hotel. Richmond. 6pm.
OLINÉ.
EMMA YUE, LUCKYMAX Bergy Bandroom. Brunswick. 7.30pm. $16.85.
CRUSH3D PRESENTS EV3R
Northcote Theatre. Northcote. 8pm. $51.20. USER.
HARRY HOWARD PRESENTS SLIGHT PAVILLIONS, LONG HOURS Old Bar. Fitzroy. 8pm. $15.
JADE MACRAE
Bird’s Basement. Melbourne. 7.30pm. $38.
RODA DE SAMBA Bar 303. Northcote. 7pm.
WE’RE RIDING WITH THE KINGS Memo Music Hall. St Kilda. 7pm. $29 - 49.
GRIM REALITY. CUTTERS, HEAT, TIME PEACE, IMPLODE
Bendigo Hotel. Collingwood. 8pm. $22.95.
THE KEVIN BORICH EXPRESS. JON CARSON & CHRIS GILBERT
George Lane. St Kilda. 7pm. $40. BEST OF THE FESTIVAL: COMEDY SUPERSTARS
The Toff In Town. Melbourne. 6pm. $35.50.
BAD MANNERS: 50TH ANNIVERSARY TOUR. THE KITTYHAWKS
170 Russell. Melbourne. 8pm. $69.90.
VAN WALKER & NICK O’MARA
The Drunken Poet. West Melbourne. 8.30pm. YOU AM I Forum Theatre. Melbourne. 7pm. ABLAZE Northcote Social Club. Northcote. 8pm. $24.
PRIDE DRAG BINGO
Pride of our Footscray
Community Bar. Footscray. 7pm. $10.
PSYCHEDELIC PORN CRUMPETS
Corner Hotel. Richmond. 8.30pm. $51.10.
ORIGAMI ANGEL
Stay Gold. Brunswick. 7pm. $54.90.
+++! GO DOWN UNDA
FT: Church + AP. deadforest, Dera Meelan, RNZÕ, Zion Garcia, Srirachi
The Workers Club. Fitzroy. 6.30pm. $17.85.
SUCH A DAZE. SKIPTONS, HONEYMOON PHASE
Bar Open. Fitzroy. 8.30pm. $17.35.
PETER COMBE: GREATEST HITS SHOW
Melbourne Recital Centre. Southbank. 2pm. $0 - 30.
SUGARUSH: PINK PONY CLUB - CHAPPELL ROAN NIGHT
Stay Gold. Brunswick. 11pm. $18 - 25.
JUDE PERL: JUDE PERL TRIES TO FINISH A SENTENCE Arts Centre Melbourne. Melbourne. 6pm. $32 - 35.
BURIED FEATHER. NEON GOBLIN
Shotkickers. Thornbury. 8pm. $23.45.
CAMOUFLY Howler. Brunswick. 8pm. $54.57.
STUDIO 2: 0401 CLEARED (TRY AGAIN)
The Tote. Collingwood. 6pm. $34.20.
THE
COUNTERTENOR: BACH’S HOLY SPIRIT
Melbourne Recital Centre. Southbank. 7pm. $75.
BRET MOSLEY
Thornbury Local. Thornbury. 8pm.
PET THERAPY. TERRA ROUGE, LAURA & THE HELLCUTZ, ZERO CITY
Bergy Bandroom. Brunswick. 7.30pm. $16.85.
LIZ STRINGER. CANDICE LORRAE
The Night Cat. Fitzroy. 8pm. $49.96.
BB SABINA + LOW MONROE & THE FUGITIVES
Gem Bar. Collingwood. 4pm. Free.
STARS Bird’s Basement. Melbourne. 6pm. $38. SOCIETY OF BEGGARS. GREAT AUSTRALIAN BANK, PALPITATIONS
Old Bar. Fitzroy. 8pm. $11.25.
KIM SALMON’S SMOKED SALMON. DAN KELLY, ROSIE WESTBROOK
Northcote Social Club. Northcote. 8.30pm. $40.40.
SLOWLY SLOWLY
Margaret Court Arena. Melbourne. 7pm. $79.90.
THE EAGLES STORY
Memo Music Hall. St Kilda. 7pm. $35 - 50.
JOURNEY OF SOUND
FT: Henry Saiz
Howler. Brunswick. 2pm. $38.37.
PIERCE BROTHERS. FLYNN GURRY
Corner Hotel. Richmond. 8.30pm. $46.
WE PREFER TO SWING
Brunswick Ballroom. Brunswick. 12.30pm. $28.15 - 38.86.
DEATH TAX. SEVEN HELLS, TREPACIDE, CHASM
The Last Chance Rock & Roll Bar. North Melbourne. 8pm. $23.50.
UNLOCKING THE DOORS: THE DOORS TRIBUTE
Revolver Upstairs. Prahran. 7pm. $29.60. SNAP!. CECE PENISTON, D:REAM, PDULA Forum Theatre. Melbourne. 7.30pm. $110.85. TOADSTOOL. GOODWIN, SECOND HAND HIGH Bendigo Hotel. Collingwood. 9pm. $14.30.
THE RESIGNATORS + LOIN GROIN
George Lane. St Kilda. 7pm. $25.
SARA PASCOE: I AM A STRANGE GLOOP Max Watt’s. Melbourne. 4pm. $40. UMBRA MOON. R.EM.EDY, MORE The Workers Club. Fitzroy. 8pm. $20.
TEAM VOM (LAST SHOW EVER). CAT CRAWL, CRANES AGAINST CLOUDS Bergy Bandroom. Brunswick. 12.30pm. $11.75.
THE WHARF REVUE 2025 The Round. Nunawading. 1.30pm. $69. OK HOTEL The Tote. Collingwood. 8pm. $16.35.
THE DILAPIDATED DIVA: ON THE VERGE... Bar Open. Fitzroy. 7pm. $17.50 - 27.50.
FEM BELLING BAND
Classic Southside. Elsternwick. 8pm. $30.
ABEL SELAOCOE Melbourne Recital Centre. Southbank. 7.30pm. $30 - 158.
ONE MAN MUSICAL BY FLO & JOAN Arts Centre Melbourne. Melbourne. 8pm. $32 - 36.
JAIME CONDUCTS BRAHMS & RAVEL Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $75.
JESSEMELANCHOLY. STOKAHR, CMPLXTRA, LYRAH GRAY Stay Gold. Brunswick. 7pm. $19.99.
JUDE PERL: JUDE PERL TRIES TO FINISH A SENTENCE Arts Centre Melbourne. Melbourne. 6pm. $32 - 35. ROSARIO DE MARCO Thornbury Local. Thornbury. 8pm.
MONDO FREAKS
The Night Cat. Fitzroy. 7.30pm. $29.57.
METROPOLIS: COMPOSING AUSTRALIA TWO Melbourne Recital Centre. Southbank. 7.30pm. $55. ANOXIA Leadbeater Hotel. Richmond. 8pm. $23.75.
THE PRETTY LITTLES Corner Hotel. Richmond. 8pm. $40.40.
GEORGIA BROOKS SWINGTET
Paris Cat Jazz Club. Melbourne. 8pm. $45. THE SEVEN UPS. BOGGLE Shotkickers. Thornbury. 8pm. Free.
DAEZY. STRAWBZ, HANNAH DONNELLY, SWIM STATE The Workers Club. Fitzroy. 7pm. $23.50.
MONTY SHNIER QUARTET
Bar Open. Fitzroy. 6.30pm. Free. SUNDREAMER. RECKON, MATAHARI The Tote. Collingwood. 7.30pm. $20.40.
CLARA CUPCAKES: ASPIC - THE JOYS OF GELATINOUS COOKING & HOME MAINTENANCE: THE ULTIMATE GUIDE TO WOMANHOOD Motley Bauhaus. Carlton. 9.40pm. $24.31.
2025 REGENT SOLO CONCERT
The Round. Nunawading. 2pm. $25.
SLEEPAZOID. MR. INDUSTRY, RESENTER Bergy Bandroom. Brunswick. 7.30pm. $16.85 - 22.95.
BEST OF MELBOURNE COMEDY
Morris House. Melbourne. 7.45pm. $27.
NORMAN JAY PRESENTS: GOOD TIMES MELBOURNE
The Night Cat. Fitzroy. 9pm. $34.66 - 44.86.
FUNGUS. THE ANTICS, THE MED HEADS
The Last Chance
Rock & Roll Bar. North Melbourne. 8pm. $11.25.
MONSTERS OF RIFF
FT: Elm Street, Dead City Ruins, True Believer, Black Aces Northcote Social Club. Northcote. 7.30pm. $40.40.
ROCKWIZ’S REALLY REALLY GOOD FRIDAY 2025
Hamer Hall (Arts Centre Melbourne). Melbourne. 8pm. $104 - 144.
DARTZ
The Tote. Collingwood. 8pm. $15.
PARMY
DHILLON. THE HEARTSTRINGS, RED ENVY, KINGS OF MERCURY
Bergy Bandroom. Brunswick. 8pm. $16.85. JUNE LOW Thornbury Local. Thornbury. 7pm.
J.S. BACH: ST JOHN PASSION Melbourne Recital Centre. Southbank. 2.30pm. $72 - 140.
THE WILDEST SHOW @ PARIS CAT: MUSIC OF LOUIS PRIMA WITH JUSTIN FERMINO Paris Cat Jazz Club. Melbourne. 9pm. $45. NICOLE GULASEKHARAM: CASUAL RECEPTIONIST OF THE QUARTER
Motley Bauhaus. Carlton. 5.45pm. $28.36.
MALICY. ALL MONSTERS ARE HUMAN, TITRATION, SLOWSHELL
The Workers Club. Fitzroy. 8pm. $15.
NAZEEM HUSSAIN: YOU PAID FOR THIS
Max Watt’s. Melbourne. 4pm. $45. ROMCOM. HANNAH KATE, PROKOP, KILL BELL Shotkickers. Thornbury. 7.30pm. $18.35.
THE BLACK CHARADE (MY CHEMICAL ROMANCE TRIBUTE)
170 Russell. Melbourne. 8pm. $59.90.
FUNGAS + DOLL TALK
Gem Bar. Collingwood. 4pm. Free.
NERVOSA
Northcote Social Club. Northcote. 8pm. $54.95. ED KUEPPER
Brunswick Ballroom. Brunswick. 8.30pm. $54.67.
TWO COOKED: THE FIRST COURSE
OneSixOne. Prahran. 3pm. $65.
MIND STAIN.
C.A.T.O, PROJECTILE DYSFUNCTION
Bar Open. Fitzroy. 8.30pm. $15.
YACHT ROCK REVIVAL
Corner Hotel. Richmond. 8.30pm. $41.45.
NOT SO BIG BAND: SHAKEN NOT STIRRED - THE MUSIC OF JAMES BOND WITH BEN MCGILL
Paris Cat Jazz Club. Melbourne. 9pm. $45.
AARDVARK.
STREET SWEEPER, LOTHARIO, WILLIE J’S 6V6S The Tote. Collingwood. 8pm. $16.35.
GILLIAN COSGRIFF: FRESH NEW WORRIES Arts Centre Melbourne. Melbourne. 7.20pm. $30 - 39.
POPERA: SEX, DEATH & POLITICS
Motley Bauhaus. Carlton. 4pm. $28.36.
FRANKIE BELL
Thornbury Local. Thornbury. 8pm. SHINGO NAKAMURA. RSHAND, SEVEN DROPS, FLOATING DREAMS
Howler. Brunswick. 4pm. $23.46.
QUEEN OF HEARTS GAY SPEED DATING Pride of our Footscray Community Bar. Footscray. 6pm. $20.
STRANGE TALK. FOLEY, SAB SAGASTUME Bergy Bandroom. Brunswick. 8pm. $36.25.
MELBOURNE INTERNATIONAL COMEDY FESTIVAL: FESTIVAL CLUB
Max Watt’s. Melbourne. 11pm. $22. ALKALI. BURIED BELOW, PHAT CAT TRIO
The Workers Club. Fitzroy. 1pm. $17.85.
TENTENDO
Northcote Social Club. Northcote. 8pm. $29.10. THE SHACKMEN Bar 303. Northcote. 8pm. $20.
THE DARYL MCKENZIE JAZZ ORCHESTRA WITH NINA FERRO
Paris Cat Jazz Club. Melbourne. 7.30pm. $45. PORPOISE SPIT. SIMONA, MICHAEL BEACH/UNITS OF MEASUREMENT
The Tote. Collingwood. 8pm. $28.60.
COUSIN TONY’S BRAND NEW FIREBIRD: PLAY
“THE ALBUMS”
Evelyn Hotel. Fitzroy. 8pm. $35.20.
PBS 106.7FM PRESENTS MIDNIGHT DRIVER. MZRIZK, MIKE GURRIERI, JONNY ALEXANDER
Revolver Upstairs. Prahran. 9pm. $26.52.
EARTHBONG
Bendigo Hotel. Collingwood. 9pm. $33.70. PSEUDO ECHO Brunswick Ballroom. Brunswick. 8.30pm. $55.
MIA WRAY. FLYNN GURRY
Corner Hotel. Richmond. 8pm. $29.10.
KEVIN SILVESTER: LIVE. TERRA ROUGE, GETJAXXED
Stay Gold. Brunswick. 7pm. $19.99.
THE AUDREYS
Sooki Lounge. Belgrave. 7pm. $47.95.
OPIUO
Max Watt’s. Melbourne. 9pm. $54.10 - 65.80.
THE SEVEN UPS. BROWN SPIRITS
Shotkickers. Thornbury. 8pm. Free.
HERMOSA SOUNDS: AN EVENING OF FEMALE VOICES
FT: Samantha Levy, Mia Pisano, Rebecca Barnard, Tanya Lee Davies, Allison Ferrier Trio Memo Music Hall. St Kilda. 7pm. $20 - 30.
BEDROCK SHOWCASE MELBOURNE 2025
FT: John Digweed, Simon Vuarambon, Zankee Gulati Northcote Theatre. Northcote. 3.30pm. $82.86 - 99.91.
ROCK FOR YOUR SOUL
FT: 74 Kings, Sheer Chance, Dark Flame, Danger Den Leadbeater Hotel. Richmond. 7.30pm. $17.85.
DEATH FROM ABOVE 1979
170 Russell. Melbourne. 8pm. $81.50.
JUNO. JEWEL OWUSU Bergy Bandroom. Brunswick. 7pm. $24.90.
NAHKO
FT: Elm Street, Dead City Ruins, True Believer, Black Aces Northcote Social Club. Northcote. 8pm. $77.20.
THE AUDREYS
Brunswick Ballroom. Brunswick. 8.30pm. $43.96.
B.I HYPE
Festival Hall. West Melbourne. 7.30pm. $218.
DENNIS. GAVIN!, GAVIN! + GO GO TOBOGGAN
The Curtin. Carlton. 8pm. $17.75.
ANIME MUSIC FESTIVAL 2025
FT: Animelodies, Hoka no Tea Time, DJ 35Low Stay Gold. Brunswick. 7pm. $15 - 25.
STEVIE WONDER FUL
Paris Cat Jazz Club. Melbourne. 6.30pm. $48.
VISIONARY-STEEL. QUINCOCTION
Bar Open. Fitzroy. 8.30pm. $22.45.
BROADWAY BAR
Motley Bauhaus. Carlton. 6.30pm. $15.20.
SZARA FOX DUO Thornbury Local. Thornbury. 7pm.
MOOD SWING & CHEVY BASS BLOCK PARTY
FT: The Sponges, Wongo Howler. Brunswick. 3pm. $59.67.
LARISSA LAMBERT Max Watt’s. Melbourne. 7.30pm. $28.05 - 38.25.
YUNG SINGH. BROWN SUGA PRINCESS, JPS, KAMPAI
Northcote Theatre. Northcote. 8pm. $62.42 - 83.84.
FLOYD THURSBY Daylesford Hotel. Daylesford. 2pm. Free.
DIAMOND LOVE: THE MUSIC OF SADE The Round. Nunawading. 8pm. $30.
THE REFLEX: THE AUSTRALIAN DURAN DURAN EXPERIENCE Brunswick Ballroom. Brunswick. 8pm. $39.
BOOM CRASH OPERA + MODELS Prince Bandroom. St Kilda. 6.30pm. $65.
BACKO. THE OPALS, CHLOE BOOTH Leadbeater Hotel. Richmond. 8pm. $23.75. DICE.
DEAR SUNDAY, DIZZY DAYS Corner Hotel. Richmond. 8.30pm. $46.
NECK DEEP. STATE CHAMPS, LATE 90’S Festival Hall. West Melbourne. 8pm. $99.90. AM//PM EMO NIGHT FT: State Champs (DJ) Stay Gold. Brunswick. 8pm. $23.75.
SOPHISTICATED LADY: A TRIBUTE TO JAZZ’S FIRST LADIES OF SONG Paris Cat Jazz Club. Melbourne. 9.30pm. $45. BINGO LOCO 170 Russell. Melbourne. 6pm. THIS WILL DESTROY YOU Howler. Brunswick. 7.30pm. $85.17.
MELBOURNE CITY MOSH
FT: Blood On My Hands, Nebulam, Ends In Tragedy, Seven Hells, As Long As It Bleeds The Tote. Collingwood. 7.30pm. $20.
LOCIAN (ALBUM & BOOK LAUNCH)
DIVINE WAVE Motley Bauhaus. Carlton. 6pm. $20.26. AMOS ROACH Thornbury Local. Thornbury. 8pm. THE BUZZ LOVERS PERFORMS ‘NEVERMIND’ + FAN FAVES Max Watt’s. Melbourne. 8pm.