




Explore Heathcote & beyond with a Sonic Sojourn through Central Victoria’s Heartland:
Explore Heathcote & beyond with a Sonic Sojourn through Central Victoria’s Heartland:
6-8 MAY
BOULÉ MUSIC, REVOLUTION AND SELF-RECKONING COLLIDE 4-5 APR JIMEOIN
ADAM KAY - THIS IS GOING TO HURT A COMEDY SHOW BASED ON ‘THIS IS GOING TO HURT: SECRET DIARIES OF A JUNIOR DOCTOR’
FIND OUT ALL THE ANSWERS TO THE WORLD’S BIG QUESTIONS WITH JIMEOIN 6 APR BABBA - ABBA’S GREATEST HITS
DUST OF YOUR DANCING SHOES, DON YOUR FLARES AND JOIN THE PARTY
MUSICAL ABOUT THE IMPORTANCE OF BELIEVING IN YOURSELF, BASED ON THE
BY
FRENCH 16-17
LIVVY & PETE: THE SONGS OF OLIVIA NEWTON-JOHN AND PETER ALLEN RELIVE ALL OF THE SINGALONG CLASSICS FROM RIO TO TENTERFIELD, ALL THE WAY TO XANADU AND BEYOND 9 APR
SONGS FROM THE CANYON FT. HUSKY GAWENDA, DAN KELLY, CHARM OF FINCHES, HANNAH CAMERON, STEPHEN GRADY, AND DAN CHALLIS
EDITOR
Frankie Anderson-Byrne
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& CAMPAIGN MANAGER
Matt Wilkinson
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Riley McDonald
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Frankie Anderson-Byrne
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The weather may
be getting colder, the wind is picking up
and I donned my favourite scarf last week, but thankfully we’ve got a little something to warm your hands and soul.
Æ It’s not winter yet, though! Autumn welcomes the sonic sojourn that is Heathcote’s Stars and Bars Festival, part winery/brewery tour, part magical mystery musical bus tour - a whole lotta fun.
Going up the country, experience a countrified combo of amazingly talented artists, legendary Locales while exploring the region's finest wine, beer, spirits and food as well as that famous Heathcote hospitality.
Get ready, rock fans! Australian powerhouse band Kingswood gives us an inside look into their record-breaking Hometowns Tour with their documentary ‘Claptrap’, premiering at The Pivotonian this month. We sat down with the duo to chat all things behind the scenes.
The world of comedy is widely appreciated, we all like a laugh, don’t we? But in this edition we dive into the nuance, performance and inner-child magic of the art form with local funnyman PJ White and his French mentor; master clown, pedagogue, and professor of theatre Philippe Gaulier.
In an exciting new collaboration between Forte Magazine and Australian music legends Tim Henwood and Matty Orchard, the new Beach Blokes Recorders is the hottest new production team in town. Already supporting a number local young bands through their first recordings, these guys have the experience and equipment to get the job done right.
A well-known and much-loved mountain range, the You Yangs, receives a warm ode from one local hiking enthusiast. Phuong Quach takes us through her experience as a passionate solo hiker.
Some bangin’ new releases in the album world this month, check out our resident reviewer’s thoughts on new music from Djo, Lisa, Thornhill and The Cat Empire, plus a look back to early tape recordings from Rüdiger Lorenz. More music to our ears; Scroll Lab, Santara Restaurant, Griggs Creek Providore and Crooked Kitchen are the foodie highlights this month and our tummies are rumbling.
Forte Magazine is best paired with your favourite reading chair, a warming cup of tea and some Neil Young in the background… go on, you know you want to X
Our magazine is published on the lands of the Wadawurrung People of the Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their elders, past, present and emerging.
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Our April cover is Shiraz Republic for Heathcote’s Stars and Bars Festival
@beanybeanybeans @edenariston
FRANKIE Editor ‘Orange Moon’ Erykah Badu
“I love the moon. I love Erykah Badu. Orange is a very nice colour. It’s as simple as that this month, folks. Have a listen x” MATT Partnerships & Campaign Manager ‘Modern Love’ David Bowie
“I know when to go out I know when to stay in. Get things done.”
RILEY Designer ‘Judgement Day’ Architects
“Hits that sweet spot between heavy and up-beat dancey nonsense that I'm forever looking for. Lyrics are a tad naff, but the groove is worth it."
Geelong’s only alt comedy show arrived on the scene in Feb, and will return this week with a spectacular line-up of Geelong and Melbourne’s best underground alt comics joining forces to bring you a night of the funnies. At The Comedy Underground your host and local clown (non-derogatory, we promise) PJ White wants to give Geelong Audiences the opportunity to see some of Geelongs and Melbournes best Alternative comedy acts, because you deserve to take a break and have a giggle!
The hottest vintage event is finally making its way to Geelong, introducing Second Life Markets
The wait is over, and the uniquely curated Second Life Markets is coming to town bringing you vintage finds, sustainable shopping, and a diverse variety of sellers.
Second Life Markets hosts quarterly events in Australia and the UK and, for the first time ever, gracing Geelong with their goods.
The band has announced the release of their highly anticipated eighth studio album, Like Love, set to drop on Friday 4 April. Alongside the album announcement, they’ve unveiled their latest single, ‘Please Don’t Move To Melbourne,’ and revealed plans for a massive Australian and New Zealand tour this coming May and June.
Taking place over 14 spectacular and magical evenings, Thursday to Sunday, from 27 March to 13 April, LIT returns with an all-new program of incredible light installations to explore and extended opening hours. Now in its fourth year, this awardwinning light festival is a truly immersive experience, transforming the beautiful riverside location of Wyndham Park in central Werribee into a dazzling, dreamlike canvas.
One of Gippsland’s most anticipated events, the Tinamba Food & Wine Festival will be held on Sunday 6 April. This much-loved street party celebrates the best of the region from artisan producers and award-winning restaurants and vendors. A familyfriendly festival with live music, premium wines and delicious local food, including the iconic Tinamba Hotel.
This April, the charming seaside town on the Mornington Peninsula will transform into a literary haven, welcoming over 6000 visitors to take part in more than 160 events. With 220 speakers from across Australia’s literary, artistic, and creative world, this year’s festival promises to be a cultural feast for the mind—and the soul.
If you’ve been craving a taste of Africa right here in our backyard, mark your calendars, because the Bantu African Fest is back for more groovin’ good times
From the moment you step onto the grounds, you’ll be transported to the heart of Africa with an electrifying mix of traditional African rhythms and Afrobeat bangers.
In an exciting announcement for basketball fans across Australia, the New Orleans Pelicans will play two preseason NBA games against NBL teams in Melbourne this October. The Pelicans will face off against Melbourne United and South East Melbourne Phoenix on October 3 and 5, marking the first time an NBA team has played games in Australia.
Get ready to Move It, Move It! because Madagascar The Musical is heading to Australia this April school holidays, bringing the beloved DreamWorks film to life in a spectacular Broadway-style production.
Featuring the iconic characters, catchy tunes, and vibrant storytelling, this high-energy show promises to be an unforgettable experience for the whole family!
Get ready for a weekend of colour, creativity, and community as the Wall to Wall Festival marks its 10th anniversary in 2025. Australia’s most beloved regional street art festival returns to Mordi Village this April for an unforgettable celebration of art and culture. The event will showcase murals by some of the world’s most exciting street artists, doubling the number of works in the area and transforming the precinct into a vibrant open-air gallery.
RISING, Melbourne’s rapturous winter festival, returns in 2025 with a bold, expansive program of new art, music and performance across the CBD. Over 12 nights, the city will transform into a pulsating playground featuring 65 events, 327 artists, 15 new commissions, nine world premieres and a dazzling array of Australian exclusives. RISING will spill into Melbourne’s laneways, arcades, underground basements and grand theatres from Wednesday 4 to Sunday 15 June.
Be inspired...by nature! As the autumn breezes blow in, and the bugs fill the garden, you’re reminded that nature truly is one of the greatest sources of creative inspiration. MoPA’s educators have been digging in the dirt (not even joking)... and, inspired by all the furry, wriggly, winged things they found, they’ve designed some gorgeous new activities that celebrate nature.
Can you crack the code to unlock your bag of Easter treats? Follow the clues through the Museum galleries to solve the mystery and claim your prize. Self-guided family activity for families with children 3 years and above.
Be inspired...by nature! As the autumn breezes blow in, and the bugs fill the garden, you’re reminded that nature truly is one of the greatest sources of creative inspiration. MoPA’s educators have been digging in the dirt (not even joking)... and, inspired by all the furry, wriggly, winged things they found, they’ve designed some gorgeous new activities that celebrate nature.
Bring the family down to the Mini Railway during Easter. The great news is that everything on Saturday 19 April will cost only $2.00 – Train Rides, Food, Drinks, Ice Creams. On Sunday 20 April, there will be lots of train rides, an hourly lucky draw and easter eggs!! (Normal fares will apply.) Picnic tables, seats, electric BBQ’s and toilets – available on site. Bring a picnic lunch or have lunch with us onsite.
Join Marta from Sunnyside Yoga for a relaxing session of breathwork, meditation and a gentle yoga flow to encourage the stretching, strengthening, and mobilizing of body, mind and soul. Head down to Corio Library.
Hop on board to meet the Easter Bunny! Ride the steam train from Queenscliff to Lakers Siding, where the Easter Bunny will welcome everyone for photos and offer a chocolate treat for children. It’s recommend you book in early, as this family special sells out each year!
After four decades on the road, countless stories untold, and a voice that can stop you in your tracks, the Aussie icon is taking her legendary music to regional towns across the country.
The tour isn’t just a stroll down memory lane—it’s a celebration of Kate’s platinum hits and a love letter to some of the most iconic tunes that shaped Australian music.
Well, folks, it’s a bittersweet moment for the Lowercase Poetry crew as they announce a well-deserved break after nine years of running their loved monthly poetry events.
This March marks nearly a decade of fostering creativity, celebrating underthe-radar poetic voices, and connecting poets with their community. After much thought, the team has decided it’s time to press pause and take a breather.
Filmmaker Leah Baulch talks us through the journey of creating her latest film Lara, a project borne from personal experience and a deep connection to family, art, and the pressures of modern life. At its core, Lara follows Emily, a burnt-out Melbourne photographer who’s become so absorbed in her art that she’s lost touch with her own needs. Emily’s visit to her boyfriend’s sister in the countryside town of Lara forces her to confront questions about a future she never imagined.
2025!
Step into a world of creativity, culture, and connection as we bring the 54 Art Fair to life! This event celebrates the rich diversity of contemporary African art, showcasing breath taking visual art, installations, and multimedia works from renowned and emerging African artists and those in the diaspora.
Haitian Creole for “I’m on fire” – is a play with songs that tells the story of a child born of immigrants growing up in a country called Australia. It’s the story of Nancy Denis. Told through re-enactments, original music, and poetry, Nancy recounts her exploration of intersectional identity framed by stories of the first black-led republic of Haiti when black Haitian slaves revolted against British and French colonists.
Summer is officially over, and that means the final Ocean Grove Summer Market for the season is coming, the first Sunday in April and as always, the Easter Monday market. Crafts, clothes, produce, foods, music all in the park next to the shopping centre.
Celebrating 10 years of trekking together, the Surf Coast Trek is a unique opportunity to take part in a challenging and rewarding community event. Journey through Ironbark forests, along stunning exposed cliff tops, and across long sandy beaches, all with sweeping ocean views, as you raise funds to support Give Where You Live Foundation and Kids+ Foundation who provide vital support services to our region.
This event will comprise of vintage, veteran and classic vehicles from many different eras, vehicle owners will be on site to converse with visitors who may wish to discuss the display vehicles. Photo opportunities will also be available for anyone wanting to take photos. Historic vehicles will be on site from 10.00am until 2.00pm. This display will be a non – powered activity, with free entry.
Comics! Toys! Other pop culture collectables! All under one roof! All your passions in one place. An open and welcoming space for everyone to connect, discuss and explore their community at their own pace. 34 Vendors spread over 60 tables! Vendors from across the state as well as local retailers and private collectors with a wide range of stock available. Includes a How To Create A Comic Character And Page workshop for kids aged around 8 to 15 years.
The Gateways Presents Easter Family Fun Festival is back in 2025 and will once again feature a day of FREE family fun for everyone to enjoy! There will be plenty of activities and entertainment to enjoy with a full day of live entertainment, Easter craft activities, a quiet hour, games and delicious food available.
Best of all the event is FREE, with no entry fee it is an affordable and accessible choice for a day of fun for the whole family.
The dedicated volunteer team are once again bringing family fun, delectable Italian cuisine and incredible regional wines to the heart of Myrtleford, Victoria. Whilst Myrtleford’s La Fiera is very much about celebrating the contributions of the Italian generations to the region, it is also about Community. Our local Italian Circoli – Calabrese, Trentini, Trevisani & Vicentini – play an integral part in the festivities, in promoting the Italian Culture and their regional cuisine.
Having enjoyed sell-out success with past tours in Australia, the all-new Peppa Pig’s Fun Day Out LIVE! looks set for a triumphant Australian debut in 2025. Prepare to sing and dance with colourful scarecrows, feed the penguins, build big sandcastles, and even swim in the sea! Packed full of songs, dance and muddy puddles, this show guarantees giggles and snorts for all Peppa fans and is a perfect introduction to theatre. Coming to Geelong on May 3.
Stars and Bars Festival rides again as the epic event; part winery/ brewery tour, part magical mystery musical bus trip returns to Heathcote this Anzac Day long weekend.
Going up the country, experience a countrified combo of amazingly talented artists, legendary Locales while exploring the region’s finest wine, beer, spirits and food as well as that famous Heathcote hospitality.
Æ The locales are much more than just pubs and wineries; they’re immersive spaces with stories to tell, ideally suited for musical performances boasting indoor/outdoor stages with stunningly serene vistas.
Explore Heathcote and surrounds and discover the Union Hotel Heathcote, Axedale Tavern, Tellurian Wines, Shiraz Republic, Cornella Brewery and Palling Bros Brewery.
Soundtrack your sonic sojourn in Central Victoria’s heartland with The Drunken Poachers, Bog Log III, Mightiest Of Guns, Karl S. Williams & Sally Wiggins, Ezra Lee & His Boogie Woogie Band, Annie-Rose Maloney, Paper Jane, Ally Row + special guest DJ Chunky Love.
With ample time to slow down the pace of this year’s journey, we’re going up the country for a real long weekender this Autumn. Explore Heathcote as you roadtrip the highways, byways and everything in between to and from your favourite annual Central Victorian stay-cation destination.
Heathcote offers a wide variety of accommodation options from motels, country caravan parks, bed & breakfasts, glamping to rustic farmstays taking in the great outdoors. Regardless of your needs and travel style, Heathcote has got you covered!
Buy the ticket, take the ride...
Each of these hand-picked locales offers more than just a backdrop—they bring their own unique stories, flavours and atmosphere to the Stars & Bars Festival experience. So, grab a drink, find a seat, and let the music guide your weekend in Central Victoria’s heartland!
A true Heathcote institution, The Union Hotel is where history meets hospitality. Known for its hearty counter meals, selection of local beers and wine and warm country charm, this is the perfect spot to kick off Stars & Bars with the Friday Night Family Dinner. The indoor beer garden stage will transform into an alt-country/ rockabilly blues bar, setting the tone for a weekend of great music, food, and fun.
Tucked away in the scenic township of Axedale, this rustic gem is the ideal place to settle in for a midday matinee of live music. The menu delivers classic pub fare with a touch of country flair, while the laid-back beer garden provides the perfect setting to soak in the sounds of Stars & Bars. Cold beers, hearty meals, and a warm welcome - Axedale Tavern is the definition of country hospitality.
A must-visit for wine lovers, Tellurian Wines showcases the very best of Heathcote’s renowned Shiraz. Perched on the red Cambrian soils of Mt Camel, this family-run winery pairs stunning vineyard views with award-winning organic wines. The modern cellar door is a perfect escape for a relaxed tasting session, offering a sip of Heathcote’s rich terroir with every glass. Tellurian Cellar Door offers cheese and
charcuterie platters sourced from local producers to perfectly pair with wines on tasting for a mid-afternoon session on Tellurian’s deck.
Where fine wine meets craft beer, Shiraz Republic and Cornella Brewery deliver the best of both worlds. This 25-acre vineyard and brewery serves up bold Shiraz, refreshing lagers and a laid-back atmosphere perfect for kicking back with live music as Golden Hour strikes. Whether you’re sipping a glass of red among the vines or cracking open a cold tinnie, this is a must-visit stop on the Stars & Bars trail. Bonus: onsite cabins make it easy to turn any visit to Cornella into a full-blown staycation.
A brewery with deep roots in Heathcote’s Goldfields history, Palling Bros brings a legendary brewing tradition back to life. With an on-site brewery pumping out tasty handcrafted ales and a lively beer garden ready for good times, this is a paradise for craft beer lovers. Expect a mix of locally brewed classics, an ever-changing menu of seasonal pours, and a dog-friendly, musicfilled atmosphere that makes every visit a celebration. The Evening Session at Palling Brothers is the final stop in your epic whistle-stop tour of Heathcote.
THE DRUNKEN POACHERS are a Melbourne-based band known for their high-energy blend of bluegrass, folk, and country return to Heathcote after their crowd-favourite turn at last year’s festival. A reputation for lively performances filled with foot-stomping drinking songs and covers of traditional tunes.
BOB LOG III is an American slide guitar one-man band based in Tucson, Arizona, and Melbourne, whose show has been described as a blues punk guitar dance party. Equipped with old Silvertone archtop guitars, wearing a full-body human cannonball suit and a helmet wired to a telephone receiver, which allows him to devote his hands and feet to guitar and drums as a one-man blues explosion.
MIGHTIEST OF GUNS are a country band from Melbourne playing a dark, slacker country style infused with themes of desperation and outlaw folklore. Their music explores the dreams and follies of the downtrodden across genre-twisting releases which equal their menacing onstage presence.
KARL S. WILLIAMS AND SALLY WIGGINS make music that is steeped in delta blues, gospel and old-time folk, with poetic sensibilities that call to mind the classic singer-songwriters of yesteryear. With a voice that sounds about a thousand years old, Karl moves between guitar, piano and banjo while Sally holds it down on the kit with mesmerising rhythms drawn from her wealth of jazz and Afro influences.
EZRA LEE is a dynamic Australian singer, songwriter, and pianist known for his high-energy performances and retro sound. Specializing in rockabilly, boogie-woogie, and blues, Ezra draws inspiration from the classic rock ‘n’ roll era. Having shared stages with icons like Jerry Lee Lewis and Wanda Jackson, Lee’s music blends vintage influences with a contemporary edge.
ANNIE-ROSE MALONEY blends folk and indie elements with raw emotional depth. Her recent single, I Run From Pain, showcases a hauntingly intimate sound, combining delicate guitar melodies with her distinct vocals. Annie-Rose will be joined by longtime collaborator Jess Ellwood performing as a duo.
ALLY ROW are a Gunaikurnai/Gippslandbased indie pop-folk rock duo breaking the barriers of genres with toe-tapping yet emotive music. Together, Alice Fitzgerald and Rowan Sizer comprise a two-piece creating a powerful synergy with heartfelt memorable originals that will get you dancing.
PAPER JANE the band are the “succulent Chinese meal” of Melbourne Americana. An original Central Victorian Americana band originating just down the road from Heathcote in Riddells Creek, featuring wooden sonic tones and fragile unprocessed voices.
DJ CHUNKY LOVE Geelong’s Very Own international super star DJ hails from the Mean Streets known as postcode 3219. The Eastside Massive be playing all your favourite vintage vinyl Classic Rock & Roll Hits & Memories, Powerful Punk & Ballsy Blues as well as a smattering of Guaranteed Dancefloor Fillers.
1. THE HEATHCOTE EXPRESS BUS TOUR SAT 26 APR, 10:30AM–10:30PM
7 acts across 4 locales over 12 hours
Includes 3 Tastings & complimentary afternoon tea.
Bus Tour Ticket Includes entry to Palling Bros Evening Session
$145 + B/F Tickets Strictly Limited
2. FRIDAY NIGHT FAMILY DINNER @ THE UNION HOTEL HEATHCOTE FRI 25 APR, 7–11PM – 171 High St, Heathcote.
Ezra Lee & His Boogie Woogie Band, Paper Jane, DJ Chunky Love.
$20 + B/F Limited tix available at door
3. THE EVENING SESSION @ PALLING BROS BREWERY SAT 26 APR, 6–11PM – 168 High St, Heathcote. – The Drunken Poachers, Bob Log III, Mightiest Of Guns, DJ Chunky Love.
$35 + B/F Limited tix available at door For full event details visit www.starsandbars.com.au
It’s been a huge few years for Kingswood. Their Hometowns Tour made headlines, 2023’s The Tale of GC Townes got the boys their first Golden Guitar Award nomination, and they’ve played to sold-out crowds across the country. The group have truly made their mark in the fabric of the industry.
“He’s made a really interesting look into the psychology of being on the road for that long and diving a little bit into everyone’s lives and personality,” says Linacre.
With the movie space jam-packed with interesting and unique ways of storytelling, guitarist Alex Laksa spoke on what the band looked at for inspiration for CLAPTRAP.
“We kept referencing Dead Man (1995, Johnny Depp). It’s scored by Neil Young, and a lot of the energy that you would find in like a psych Western, or an acid Western, It’s encapsulating that same feeling in a way psychologically. But it is not at all what that is.”
Æ
But don’t fret, as 2025 is set to be another massive year for the four-piece as they wander into the world of film, with documentary CLAPTRAP about to hit our screens.
“It’s [CLAPTRAP] been in the works for a while,” vocalist Fergus Linacre notes. “It was made in the first half of 2023 so it’s nice that it’s finally getting out and people can see it.” CLAPTRAP came to life during Kingwood’s mammoth 112-date Hometowns Tour, where they were joined by 23-year-old filmmaker Darcy Newton. Linacre revealed how the group came to bring Newton on the road.
“We wanted to have a social media expert on the road, and we presented the idea to our publicist at the time to see if she knew anyone.
“She was like, “there’s this kid who I used to babysit, he works at Mushroom, and he studied film.
“He came on tour with us for six months, stayed on the bus, had his own little bunk, and eventually it was as if, he was just behind the camera, and when he was rolling, we didn’t really think that he was he was there, it all became quite natural.”
The documentary comes to life with an interesting point of view and unique idea; Linacre says the band didn’t want it to come across like an in-house documentary that can sometimes be a little bit contrived.
“It’s not the most accurate telling of the whole tour, but that’s okay, that would be impossible,” he says.
“I had to sort of take an angle and from the get-go we gave Darcy, the director, the reins, to make his own film.
“We realized that if we were too involved and trying to push it in a certain direction, that it would kind of become a documentary that’s one of those that is made by the artist, where the artist oversees it, and they kind of just puff pieces.”
Newton found an interesting approach highlighting the mindset of a band on tour, an element that doesn’t make its way into too many music documentaries.
Kingswood and Newton looked at Dead Man to try and establish the unsettling nature of filmmaking.
“Dead Man was heavily spoken about in the tone, I think Darcy and the editing team have achieved whatever is unsettling in a positive way, and you experience in that film,” says Laksa.
“For us, at least, it’s unsettling in a positive way from judging from the way people reacted to it, I don’t think they found it unsettling.
“It’s probably because we’re perceiving ourselves in a petri dish, and then having to face our own realities as documented forever, which is why it’s probably more unsettling for us.”
Besides the documentary, 2025 is a great year to be a Kingswood fan, the pair note there’s some new music on the way.
“We’re gonna be dropping a song very shortly, it’s actually going to be a Tom Petty cover,” Laksa shares.
CLAPTRAP is making its way across the country, kicking off Friday 4 April at Melbourne’s Astor Theatre, before hitting Geelong’s Pivotonian Cinema on 6 April, with a Q&A session, before making its way across Australia throughout the month of April.
CLAPTRAP is in cinema’s throughout April. Friday 4 April at Melbourne’s Astor Theatre, before hitting Geelong’s Pivotonian Cinema on 6 April.
WORDS BY FRANKIE ANDERSON-BYRNE
From a 30-year friendship, to the award-winning House of Rock and the just-launched Beach Blokes Recorders, Matty Orchard and Tim Henwood are cementing their status as guys who give a shit about local music - and have all the skills and knowledge to see that music shared with the world.
Æ For these two surfcoast Aussie music legends, best mates and massive KISS fans; teaming up to create a recording and production studio for local young musos to kickstart their careers was an easy decision.
“Tim and I have been in the game, so to speak, for about thirty years,” Matty says.
“We first came across each other at The Armadale Hotel; a local watering hole and hotbed for up-and-coming bands in the late 80s/early 90s. Tim went on to play in some of the biggest bands in the land (The Androids, Rogue Traders, Jon Stevens, Suzi Quattro, Noiseworks and Superjesus), and I became a working muso with more than 4000 gigs under my belt in the last 25 years.
“We hooked up again around 2008 when I was on the committee of The Apollo Bay Music Festival and I helped slot his band, Palace Of The King, into the artist roster for that year. Shortly after that, I needed a duo partner for some acoustic gigs so I called him up.
“The idea was that there was no rehearsal, no set list and that we would simply play song for song, sharing lead vocals. It went well, we had some natural chemistry, possibly aided by the fact that we are both massive KISS fans. The combo became known as The Beach Blokes and was a cool, underthe-radar gig when Tim wasn’t on the road with the big guns.
“It turned out that we had also both independently developed a love for the studio on the other side of the desk, in terms of recording and production, and had a thorough knowledge of Protools, which eventually led to working in the studio together.”
Matty has been teaching at at Apollo Bay P-12 College since 1999, and the House Of Rock music program has been an incredibly valued institution for more than a decade of that time, a passion that led him to recieve the 2022 ARIA Award for Music Teaching
Tim has last year joined the teaching team at the College, tutoring students and delighting them (and their parents) with his presence as a bonafide rock star - reports Matty.
“Our principal at the time became aware of a school grant available for I.T., but he was way into the arts and approached me about whether I thought I.T. would include studio gear… of course I replied in the affirmative.
“I called my good friend and Platinum Award-winning engineer, Mat-Gearing-Thomas, and asked him to source and build “the best man cave studio you can with the budget.”
“From there we were able to use $90,000 on quality studio gear and retro-fitted the existing music room with a studio control room, eventually christening it, The House Of Rock.”
The studio is just one, albeit important, part of Beach Blokes Recorders (BBR). Matty and Tim work between the Apollo Bay studio and Medici Studios in Geelong, bringing through young bands keen to get started on recording their music, outside of their makeshift home studios.
“We’ve had dozens of bands through the room, many of whom were studying VET Music at Apollo Bay P-12 College. Names like The Fillmores, The Refuge and Lina Music have all recorded there and gone on to be successful bands in the Victorian scene. More recently the Beach Blokes have been working with acts such as Insufficient Funds and Sugargum who are both ripper outfits,” Tim said.
“These days it’s super common to be able to record in the comfort of a living room and there are plenty of different home recording set-ups available. It’s a totally viable way of doing it and, once you’re set up, a relatively inexpensive option to get your stuff out there.
“However, the advantage of recording in a fully set up studio is having access to world-class gear, including dozens of different types of mics, pre-amps, quality compressors and more, and rooms designed with superior sonics in mind.”
With the added gold of Matty and Tim’s decades of experience as seasoned musicians and producers/engineers behind the mixing board, you’ve hit the jackpot when it comes to accessible, local support.
“We’ve learnt a few tricks here and there, there probably isn’t an onstage or recording situation I haven’t lived through,” Matty says.
“It’s a simple process, take Sugargum for example; the band initially reached out via word of mouth about recording a single.
“We did some basic pre-production and then headed into Medici in early December.
“As they were really well-rehearsed, the lads recorded their debut track, ‘Loose Socket’, in a single day and it was released at the beginning of January.
“We often record the basic tracking of a song; drums, bass, keyboards, guitars, at Medici and then do final vocals and harmonies at The House Of Rock. This is made easy by the fact that sending entire recording sessions via email is second nature these days.”
In addition to the BBR offerings, the duo have teamed up with Forte Magazine to offer a press package deal - opportunities for interviews, song reviews and more when you work with BBR.
“It’s a fantastic way to help build momentum and spread the word quickly around the industry via a trusted source of street press,” Matty says.
WORDS BY FRANKIE ANDERSON-BYRNE
W
hen I first met PJ White, I had to stop him mid-story for an explanation.
“Sorry – could we circle back to “when I was at clown school in France”, real quick?”
Æ Belly laughs and joy were quickly on the menu with PJ, but there is more to him than simply being a funny guy and it all comes down to his passion for people, the inner-child, chasing happiness and earnest performance.
The Geelong comedian, performer, theatre practitioner and sandwich-slinger wants us to take a deeper look at comedy as an art form.
“My background is all theatre and I was a big movies kid, so I was well into performing before I was into comedy and I didn’t fully make the connection of being a comedic performer until high school,” he says.
“I was also an ADD-riddled kid as well - that kept me up as far as energy but I was probably more disruptive than funny in school to be honest.
“I live in a world where sometimes I just exist and people laugh at that; I understand I have a weird way of getting my thoughts across sometimes, and perhaps the expectation that I’m going to be funny makes people ready to laugh.
“I did always do the funny role in shows through school, but comedy was a big driver when I was 13; around the time my older brother Blaise started comedy.”
PJ’s brother and his wife Kelly has since founded the annual Geelong Comedy Festival and run a local weekly stand-up night - funny is in the family.
“I love bouncing off others, I’m very collaboratively minded so if I could write with three other people I love to do it.”
“Comedy is such an obviously reactive art form - the response you’re getting is so instantaneous, the gratification is instant.
“There’s no second guessing; if they laugh, you’ve won, and that’s satisfying for me.
“I’ve always felt a very instinctual connection with comedy and the way we go about it.
“The constant on-ness of some comedic people, where there’s a point in all conversations you’re trying to instill a bit of comedy.
“I’m always trying to find the funny in something and I translate that into performance.
“The characters I do, I don’t necessarily put them in a place of reality at all.
“Sure, there are some based on human ideas but they’re mostly me in a funny costume, being silly and playful, I don’t feel my comedy has something to say.
“There’s simplicity in it. I just got lucky that I already had a comedic sensibility.”
For PJ, the question of ‘why’ something was funny, led him to the Ecole (school) of master clown, pedagogue, and professor of theatre, Philippe Gaulier.
“There’s only so much you can learn in two weeks, but you’re taking something away with you every time Gaulier speaks,” PJ says.
“What it gave me, which I thought I already had, was more confidence.
“At the school, you’re fighting for yourself and your right to be on stage and stay on stage, because if it’s not good he gets you off quick-smart.
“You were allowed to poke fun at him too, though.
“Lots of the best comedy in the world is questioning authority, sometimes it looks like George Carlin talking about the government and sometimes it looks like impersonating some French teacher because he’s making fun of you.
“It’s that childlike quality again; you tell a kid not to do something and they go to it anyway - hilarious. Why did we ever think they were going to follow the rules? We are the fools.”
“Gaulier is such an earnest guy, you believe everything he’s saying but he’s giving you things to latch on to. By saying ‘that’s bad’ he’s giving you an opportunity to acknowledge being in the flop and try to turn it around.
“For me, a lot of clowning games are about understanding what the fuck you’re doing. It’s this Mr Miyagi situation of ‘why are we painting the fence?, ‘why are we waxing the car?’ - but when he gives you the opportunity to utilise what you learnt, you go ‘oh right, that’s why’.
“I’ve always had an interest in the Why of the funny and clown class felt like comedy math to me, it was something tangible as to how you approach getting laughs on stage as a performer of comedy.
“It’s so childlike, a lot of it is just showing joy on stage. If you’re not enjoying yourself on stage, they’re probably going to notice.
“It re-set me as a performer and made me feel like there were so many more options and little tools to make it easier to do.
“I went into it knowing my classmates would be professionals in this industry but I’m happy to be the worst at something if I have the most progression, if I’ve got the most to learn that’s great.”
Back home, the Geelong comedy culture is inherently community-based, being a much smaller pool than the Melbourne scene.
“We’re an art form that a lot of people love but don’t respect.”
“The culture is crazy; the idea that just because you’re not doing something “serious” means you shouldn’t be taken seriously, is mental to me.
“This is what I like doing, this is what I was given, and all I want to do is chase happiness. There’s only so many things that can get me to that feeling. I don’t know what that feeling is.
“I enjoy the process of writing down my ideas, giving them value, considering how they will go and then I get to share those moments with people and if they love it the way I love it, great - the validation is just a byproduct of that.
“Overall, Geelong performing art is very important to me and there’s so much theatre here, lots of people making movies and short films and I’m thankful to have beautiful spaces for visual art. The gap between being a performer at a level I’m at and the jump to having accessible spaces for shows, is very low.
“I’d like to see more of Geelong get around our local, smaller performers.”
From Geelong to France, Philippe Gaulier tells me the essence of clowning is childhood.
“I always made stupid jokes. That’s just who I am as a person. So, I thought being a clown would be the perfect job for me - I was attracted to clowning from the age of seven,” he said.
“I grew up in a family with four sisters, and my mother was my best audience. She laughed a lot at my stupid jokes. So, I thought: If my mother loves me, then everybody will love me! And I just kept going.”
“The essence of a clown is childhood. There is no better clown than a child. A five-year-old child, for example—they don’t know how to walk properly, they hesitate, just like Charlie Chaplin. The way they talk, their little accents, their pure joy when they discover a new game— this is the true essence of clowning.
“A clown is not about arrogance. If a child says, "My father is a policeman, and he’s going to put you in jail!"—we don’t believe them, but if something comes from deep inside their heart, we find it beautiful and it makes us laugh.
“Everything that comes from the innocent, childlike part of your soul is good for clowning. Even when you cry and laugh at the same time— that’s the beauty of it.”
Clowning draws it’s beauty from the soul of the performer, according to Gaulier.
“For a clown, if you act with the arrogance of a child pretending to be an adult, it can be funny. But if you bring something deep from your soul, something true, then it’s beautiful.
“The clown imitates the adult, pretending to be grown-up, but in reality, they are still a child.
“Surprise is also so important. Something like being scared of being scared. A surprise, or something that makes you scared, can help you. It grounds you. It’s like a present—you know, like "Happy Birthday to you!" It’s a gift.
“Ah, it’s my birthday! It’s a surprise that moves your soul. If you don’t move your soul, you cannot show your clown. So, if you want to be a good clown, you have to prepare a lot of surprises. In a show, you must include many surprises. After that, you have to surprise the audience.
Why is this so important?
Because imagine it’s your birthday, and you forgot about it. Then, 15 people in the hallway start singing "Happy Birthday" to you. At first, you don’t remember—it’s your birthday! And suddenly, you realize, Oh, it really is my birthday! You feel so touched by your friends who came to celebrate you. That feeling of surprise is so important.
So, you mean surprise is a gift for the audience?
“Yes, of course! Surprise is a gift for the audience, but it’s also a gift for the clown.
“A good clown can create something beautiful out of nothing. That’s it.
“What interests and fascinates me is the power to make the audience laugh. The reason I chose this path is simple: making the audience laugh is essential. If you don’t make them laugh, you are not a clown. I always tried to make people laugh, and since I was a child, I was a bit funny—an idiot, but funny. That’s why I succeeded.
“Without clowns and their stupidity, the world would be less beautiful. Clowns are part of the beauty of the world.”
“This is the power of the fool. The fool has the power to make people laugh, and that’s what I love about it.”
A question; What if a clown is arrogant?
“If you are arrogant and try to succeed with arrogance alone, you are just a top-level idiot. You should shut up and try to be subtle. A real clown is subtle. But if it’s the elegance of a child, that’s different. A child might act arrogant like their father, pretending to be an adult— that works for a clown.
“A clown does things to make us believe. Authenticity matters.
“If a clown is not commercialized, if he doesn’t fake happiness, if his soul is genuine, we love him. If he is just commercial, we hate him.
We don’t like that kind of clown.
“The problem is, if the audience sees you trying too hard—if you force yourself to create something beautiful—they won’t like it. But if you do it naturally, they will love you. The clown must find a funny face or gesture within his soul to be truly lovable.
“To be loved by the audience is the most important thing for a clown.” I asked Gaulier if he believed clowns played a role within society, but Gaulier is not a sociologist.
“I’m just a guy walking down the street. But we need everything—we need beauty, we need fools, we need all kinds of people to see how wonderful the world is. Without clowns and their stupidity, the world would be less beautiful. Clowns are part of the beauty of the world.
“If you have a talented company, it’s rare and special. Many people have created amazing clown performances.”
UNDERGROUND COMEDY
MANHATTAN BAR 3 APRIL
OVERFLOW THEATRE COMPANY’S
‘THE TRAGEDY OF MACBETH’ PLATFORM ARTS, GEELONG 15–18 MAY
GEELONG COMEDY FESTIVAL
VARIOUS VENUES
30 OCT–2 NOV
HIGHLY CONTAGIOUS:
Naarm’s mesmerizing dance-punk outfit, Gut Health, is taking their electrifying sound to the countryside, joined by a stellar lineup of Melbourne’s musical elite.
Æ The latest edition of Highly Contagious is heading to regional Victoria for its first-ever country showcase, following its explosive debut at Brunswick’s Estonian House in March. Gut Health has partnered with local underground collective Slow Clap to curate an impressive roster, featuring some of Melbourne’s most captivating acts.
This special afternoon event will unfold at the historic Theatre Royal in Castlemaine, offering a wide array of performances throughout the venue.
Alien Nosejob, the prolific project of Jake Robertson (Ausmuteants, Leather Towel), will bring their frenetic post-punk energy to the stage, while the enigmatic Gregor will deliver their uniquely woozy and otherworldly pop. Adding to the eclectic mix, Palm Springs will showcase their distinctive sound alongside headline act Gut Health, with Miss Brenna O of Wet Kiss and Silicone Prairie keeping the vibe flowing between sets.
This regional expansion follows the event’s successful Brunswick debut, which featured international acts Sneaks (USA) and Frenzee (GR) alongside local talent Vanessa Worm (NZ) and DJs Lori and Cease and Desist.
The event marks a pivotal moment for the regional music scene, giving country fans the chance to experience groundbreaking acts usually reserved for inner-city venues. This fusion of urban and regional music communities seeks to enrich Victoria’s diverse musical landscape.
Gut Health and Slow Clap have acknowledged the Dja Dja Wurrung people as the traditional owners of the land on which the event will take place, paying respects to all First Nations elders past and present.
With tickets already selling fast, music enthusiasts are encouraged to secure their spots promptly to avoid missing this unique celebration of Victoria’s vibrant music scene.
GEELONG’S ULTIMATE CELEBRATION OF AFRICAN MUSIC, FOOD, AND CULTURE RETURNS:
Æ If you’ve been craving a taste of Africa right here in our backyard, mark your calendars, because the Bantu African Fest is back for more groovin’ good times.
From the moment you step onto the grounds, you’ll be transported to the heart of Africa with an electrifying mix of traditional African rhythms and Afrobeat bangers. Local talent and international artists are joining forces to light up the stage with performances that will make you wanna dance your shoes off.
If you’re a foodie (and let’s be real, who isn’t?), you’re in for a treat! Take your taste buds on an adventure with dishes that bring the heat, flavour, and spice of Africa right to your plate. From spicy stews to sweet treats, there’s something for every palate. Plus, don’t miss the Ethiopian coffee ceremony – it’s not just a drink, it’s an experience!
The festival’s vibrant market stalls are packed with handmade fashion, unique homewares, and artisan goods. It’s the perfect spot to pick up a one-of-a-kind souvenir while supporting local and international vendors.
Bantu Fest is for everyone, no matter your age! Got kids? Don’t worry – there’s plenty to keep them entertained with face painting, cultural arts and crafts, and interactive workshops. Let the little ones explore, create, and have a blast while you soak in the sounds and flavours.
Step into a world of creativity, culture, and connection as Bantu African Fest bring the 54 Art Fair to life! This event celebrates the rich diversity of contemporary African art, showcasing breathtaking visual art, installations, and multimedia works from renowned and emerging African artists and those in the diaspora.
Discover stunning works from local and international artists, featuring a mix of traditional and modern art styles.
Don’t miss this opportunity to revel in a day filled with African culture and diverse entertainment – a true celebration of unity and joy.
HIGHLY CONTAGIOUS
WHERE: THEATRE ROYAL, CASTLEMAINE
WHEN: SAT 19 APR
WHERE: JOHNSTONE PARK, WADAWURRUNG COUNTRY
WHEN: SAT 26 APR 12–8PM
Let’s have fun the Italian way!
Fri 16 — Sun 18 May, 2025
La Fiera Festival is a non-stop celebration of Myrtleford’s Italian Heritage
For program, ticketing and updates visit lafiera.com.au or follow:
La Fiera set in Autumn in the Alpine Valleys, where chestnuts roast, wine flows and Myrtleford comes alive Italian style!
From La Festa to Il Mercato, enjoy authentic italian food, live music, dance and ‘divertimento per tutti’ (fun for all ages)!
La Fiera Italian Festival Myrtleford La Fiera Italian Festival
WORDS BY FRANKIE ANDERSON-BYRNE
Close your eyes for a moment and travel back in time—long before you were born, before anyone you’ve ever known existed.
Picture this land, not as it is now, but as it was tens of thousands of years ago. No roads, no fences, no farm animals. Just vast, open plains stretching endlessly, and rising from the earth, these ancient rocky peaks—the You Yangs.
In your mind’s eye, look to the horizon and see the Wadawurrung people, the Yawangi clan, moving gracefully across the land. Their bare feet know every twist and turn, every hidden path. The air is thick with the scent of eucalyptus, a wisp of smoke curls from a small fire, blending with the songs of birds and the hum of insects.
This is the You Yangs—an ancient, living place, holding stories older than the pyramids.
Open your eyes, and come with me.
Æ For the last five years of her life, she has learnt to distort time, sit with reflection and be at peace with change, all thanks to, well, rocks! Before we follow her dreams to the Nepalese ranges, let’s turn back the clock to where this love for moving in the outdoors began.
“Growing up as a kid we were a one-car household, which meant I walked everywhere,” Phuong says.
“I had a constant and ripper tan line and was known through school as the kid who was always walking.
“Naturally, I got my license and started going on amazing day trips by myself; if I really reflect on why, I have this independent streak that needs to come out in a healthy, productive way, and hiking was my outlet for that.
“With my psychology background I know that humans don’t learn by just doing things, we learn by reflecting on them.
“While hiking I’m reflecting on my whole week, the week ahead and, beyond that, it’s about grasping the very real mental and physical challenges of “far out, there’s no one for kilometres around,” if something goes wrong, I’m the sole problem-solver, and there’s something quite exciting about that for me.”
The beauty of nature is an obvious attraction for most, but for Phuong it’s something deeper.
“This sentiment of ‘nature is beautiful’ - it’s not that I disagree, it’s just a minute expression of a much bigger idea. At the end of the day, that’s something we’ve decided.
“I look around and think “I could die, and it wouldn’t be that hard”; it’s made me realise the outdoors are so indifferent to our fragile bodies, so we’ve got to look after our surroundings and ourselves with respect and care.
“I’m not naive about how dangerous the elements are, however I do prepare quite thoroughly and, as a young woman, my personal biggest fear is, admittedly, people I don’t know. But my emotional reaction to risk has changed a lot because of hiking. There are so many things in everyday life that are not within your control, just like in a remote place.
“You can’t change the wind but you can change your sails. Honestly, a lot of it comes down to common sense. Sensible and safe is my motto.”
Hiking has also brought Phuong an escape from the bustle of her weekday life.
“We live in such a busy, manic world, so when I’m out on the trail and it’s just me, there’s nothing I need to worry about except safety and sunlight. That’s my clock for the day.” she says.
“In that way I can slow down time and just be present and enjoy things at my own pace. As we get older as adults life seems to move as this rapid blur. My favourite way to mediate or combat that is to constantly have new, novel experiences.
“Sometimes I just pick a bug and watch it exist and it truly slows down time. Suddenly you can warp time back into your own hands.
“I love it all but the flavour of most months is rocks, they remind me that change is the only constant, even when things appear ‘rock solid’.
“When you look at something like the You Yangs you think it will be there forever and never change, but in the same vein those rocks as we know it weren’t there millions of years ago and millions of years into the future who knows what it will look like. It makes me feel grounded but also at peace with impermanence.”
Though she’s spent two summers solo travelling Tasmania and once tackled a challenging period of her life by hiking five of Australia’s tallest peaks, the You Yangs have a special place in Phuongs heart.
“I could talk for hours about Tasmania, it’s one of my favourite places in the world, but I don’t need to dream about Tas while I’m here, it’s the You Yangs through and through.
“The East to West walk takes you up, down and around; you can see the ridge you’ll soon be on from the opposite side at one point.
“That part of the trail is so gorgeous, massive granite boulders big enough for you to be a lizard on them, and the sun setting makes everything glow.
“Outside of home, my first big trip will be Nepal. There’s a few tracks I have my eye on but I just want to see mountains and be challenged.”
With a motto of ‘leave no trace’ Phuong has very few hiking traditions.
“I always pick up rubbish. I used to get annoyed seeing it, but I’ve learned not to assume the worst—most people just forget or don’t realise. It’s easier to clean up and keep moving than to let it bother me.”
“I love taking photos when I’m out there and, looking back at them, I always look my happiest. “They remind me how close my biggest joy is. I hike almost every weekend and I walk as much as possible through the week.
“I’m someone whose good at finding small joys and hiking enables me to do that. You don’t have to do something massive to be happy - you can find it in your everyday life.
“When you’re out in nature, there’s nothing to conquer. You’re getting to the summit - the mountain doesn’t care about youyou’re crawling into the lap of your mother and you’re at the mercy of nature.”
Phuong recently led a group hike and guided reflection at the You Yangs, combining her passion for psychology and hiking. To join her next adventure be sure to follow @psyched_to_hike on instagram.
Get ready to sweat it
out with Her Majesty’s Theatre as Peking Duk rave heads come your way—this is gonna be one for the books!
Æ If you’ve somehow missed the hype, Peking Duk is the Aussie electronic/pop duo that’s taken the music scene by storm. With two ARIA Awards under their belt, a staggering 26 Platinum certifications, and a mind-blowing 1 billion streams, these guys are Aussie legends. Their tracks are staples on every playlist, and they’ve landed seven Top 40 ARIA Singles to prove it. And the best part? They’re still going strong. Their latest single Thrills is dropping soon, and trust us—you do not want to miss it. If you’re itching to hear it first, sign up here to get an exclusive first listen. We’re not kidding, you’ll want to be ahead of the curve and get the drop on the next big anthem!
Peking Duk is about to bring their explosive energy to the stage once again with their Thrills Tour in April and May 2025, and this time, they’re hitting up both the coastal hotspots and regional gems across Australia. It’s not just a tour; it’s an experience. Adam Hyde and Reuben Styles are
known for their insane stage presence, and this time, they’re bringing even more heat. Expect to hear all the classics, plus a few surprises along the way. New music? Oh yeah, they’ve been teasing it on Instagram, so get ready for some fresh bangers that are sure to get the crowd hyped.
Fans can expect an electrifying, high-energy night where the duo delivers everything you love about their live shows— and maybe even a few surprises. Whether you’re a die-hard fan or a newbie to the Peking Duk scene, the Thrills Tour promises to be an unforgettable night of pure energy, wild beats, and of course, good vibes.
Ballarat, are you ready? This is your chance to be a part of something legendary. Peking Duk are bringing the heat to your town, and you won’t want to miss it. So get your dancing shoes on, grab your mates, and get ready to party like never before. The Thrills Tour is about to take over Australia— don’t get left behind!
Suitable for 18+ only
WORDS BY CHESTER OGILVIE
The first Apollo Bay Art Show took place in 1976 when Jean Berry, along with Bob and Nan Davis, held a fundraiser for the local Historical Society. It is an annual event that runs across the school holidays. This year you will find more than 300 artworks from more than 100 artists across a range of mediums from both emerging and professional artists. Impressively, over 1500 art lovers took in the show last year, with around one-third of the artworks being sold.
4 WHELAN STREET, APOLLO BAY 12–20 APR
Africa spans 54 countries, with each rich in its own culture, traditions and customs. Here, creativity, culture and connection combine for an exhibition highlighting the diversity of both traditional and contemporary African art. From renowned and emerging African artists to those in the diaspora, come along to discover a world of visual art, installations and multimedia works. Visitors will also be able to enjoy interactive workshops and cultural workshops, including those in beadmaking, crafting and textile art.
GEN U GALLERY, GEELONG UNTIL 25 APR
BENDIGO
A popular event run as part of the Bendigo Easter Festival, this exhibition serves as the Rotary Club of Bendigo’s principal fundraiser supporting local, national and international humanitarian and youth programs. Oils, acrylic, watercolours, pastels and drawings will all feature among the 750+ works. All artwork is available to purchase. If you are unable to make the trip or just want to go about business at a more leisurely pace, all artwork will be viewable through bendigoartshow. com.au/physical-art-show.
BENDIGO TOWN HALL, BENDIGO 18–21 APR
Take flight to a world of paper as Megan J Riedl celebrates the niche nerdery of Autistic people. Through using a range of recycled paper including magazines, storybooks and colouring-in sheets, Megan’s works reflect the special interests of her loved ones. We’re talking dinosaurs, Star Wars, fairy princesses and feminist icons – all the cool stuff. The exhibition also serves to reclaim the ‘Manic Pixie Dream Girl’ idea, coined by film critic Nathan Rabin and prominent in films including Garden State and television series including New Girl.
UNICORN LANE, BALLARAT UNTIL 27 APR
Art and science combine in this groundbreaking installation of soundscapes, visual artistry and scientific insight. Ocean LAB invites you to begin your journey with a guided sound walk at Eastern Beach. Listen to the ocean’s haunting songs as you discover the environments that shape the coastal community. The journey continues at Platform Arts as cutting-edge technology brings attendees face-to-face with the kelp restoration supporting the 8000 kilometres of Australia’s southern coastline. A Q&A with the Ocean LAB artists will also feature.
PLATFORM ARTS, GEELONG 12 APR
From rolling hills to bushland to small townships, the stunning drive along the north and south trails is littered with unique character. It’s a cherry on top of the Golden Plains Arts Trail. More than 40 artists and 20 venues will participate across the two-day event, a record number, including both private and public venues. Visitors can take part in interactive workshops and guided tours as they enjoy exhibitions, installations and performances that traverse visual arts, music, literature and dance.
GOLDEN PLAINS SHIRE 12 & 13 APR
Once again, Warrnambool FReeZA has done a call out to young artists aged 12-25 to have their work displayed as part of Up in Lights. And it doesn’t matter whether they’re a photographer, sculptor, painter, designer, textile artist or illustrator. It’s all about the art. Unveiled in 2021, those chosen have their works housed in custombuilt light boxes along Timor Walk. It makes for a particularly striking sight at night. Further information on the artists should be available closer to date.
TIMOR WALK, WARRNAMBOOL 24 APR 2025–APR 2026
From pumpkins to polka dots, Yayoi Kusama is an avant-garde art icon. As a female artist in post-war Japan, she faced challenges of gender bias and conservatism. She would venture to the US in order to reach a more embracing art world. In the 1970s, she returned to Japan to voluntary enter a mental health facility. She has resided there since, continuing to grace the world with her vision. Artists including Marian Blank, Louise Blyton, Moli Carew and Charlotte Ivey pay tribute to her work here.
QUEENSCLIFF GALLERY, QUEENSCLIFF 3–27 APR
WORDS BY CHESTER OGILVIE
First held in 2016, the TENx10 short film festival does just what its name suggests. Ten original plays are selected by a panel of local representatives, each up to ten minutes in length. Each play is fronted by a different director and all plays are written by local playwrights, with a wide range of genres featured. There was no information about 2025’s plays at the time of writing, but be sure to check in on bendigotheatrecompany. org.au for updates.
PATRICIA LYON BLACK BOX THEATRE, BENDIGO 3–6, 10–13 APR
Released in 1980, John Landis’ The Blues Brothers is an all-time classic. Here, The Black Blues Brothers pay tribute through human pyramids, limbo dancing with fire, rope jumping, hoop stunts and much more. Featuring five Kenyan acrobats of the famous Nairobi Sarukazi School, the production is a virtuoso American-style show of contemporary circus and comedy – with a cracking musical score to boot. Have you seen the light? You will after this show.
ULUMBARRA THEATRE, BENDIGO 12 APR
COSTA HALL, GEELONG 13 APR
The two most important days in your life are the day you are born and the day you find out why” – Mark Twain. Life can be a tricky thing. It can feel as though the downs are not balanced out by the ups. Written by Barry Kay, This is the Way the World Ends is a collection of short plays, songs and character monologues that explore the often difficult search for meaning and need for connectedness.
BALLARAT MECHANICS’ INSTITUTE, BALLARAT 4 & 6 APR
Hailing from Sragen, Central Java, shadow puppeteer Sumardi is a master of the shadow puppetry craft. At the age of eleven, Sumardi embarked on a nine-year journey to earn the title of Dalang, or Master. His puppets are made from tortoise shells (from a time when tortoise hunting was legal), handed down to him by his grandmother, once the only practicing female Dalang in Java. They are more than 100 years old. Enjoy an afternoon of ancestral spirit storytelling through puppetry, dance and vocal performance.
COPACC 12 APR
First published by Harper’s Bazaar in 1921, Margery Williams’ The Velveteen Rabbit tells the tale of a stuffed rabbit’s desire to become real through the love of his owner. Set within a film shoot and layered with live projections, physical theatre ensemble Born in a Taxi brings this childhood classic to life. Children are encouraged to bring their own snuggly toy along for a production that mixes audience participation, live and recorded music and live stream video and projections. It’s playful, visual and poetic.
ARARAT TOWN HALL, ARARAT 5 APR
Referenced in the 1984 film Amadeus, The Abduction from the Seraglio became one of Mozart’s most frequently performed operas during his lifetime and is regarded as the epitome of his musical genius. A singspiel (a light opera, typically with spoken dialogue) told in three acts, the plot revolves around Belmonte and his servant Pedrillo as they attempt to rescue Konstanze from the seraglio of Pasha Selim. A farcical, colourful romance, an ABC-commissioned production was made for TV in 1961.
THE POTATO SHED, DRYSDALE 5 APR ROSS
Have you ever asked someone what they’re thinking and they respond with something absurd? Well, that’s kind of what you get with a Ross Noble show. He sets off on a journey, makes a few detours, taps on the GPS, and brings it all back home. It is why he is known as the Wizard of Waffle, The Rambler Royale and The Noodlers’ Noodler. Take off your shoes and step inside his Cranium of Curiosities.
KYNETON TOWN HALL, KYNETON 29 APR
THEATRE ROYAL, CASTLEMAINE 1 MAY
ULUMBARRA THEATRE, BENDIGO 2 MAY
How far will you go and what would you be willing to change for what you want or who you love? Written by Neil LaBute in 2001 and set against a backdrop of a contemporary art world, The Shape of Things explores such themes as gender struggles, personal identity, sexual intimacy, moral values, manipulation and the value of truth in relationships. Paul Rudd, Rachel Weisz, Gretchen Mol and Fred Weller would star in a 2003 film adaptation. It is brought to life here by the Geelong Repertory Theatre Company.
WOODBIN THEATRE, GAC 2–17 MAY
RÜDIGER LORENZ SYNRISE
Æ It doesn’t matter how great your sound is, if it’s too ahead of its time it’ll struggle to impact the masses. The Stooges, Kraftwerk, Ween, Refused– all acts that had the right sound at the wrong time, struggling to make a commercial impact until further down the line–where their following was then deemed as ‘cult’. Although more often than not, artists that fit this mould tend to have a shelf life that extends far beyond the acts perfectly suited for the current era.
Cue, Rüdiger Lorenz. A pharmacist with an insatiable thirst for audio production, owning over 10,000 records and 38 synthesisers (majority of which he’d personally customised), Lorenz stands out as one of the most avant-garde, prolific producers of Germany’s emerging electronica scene in the early-80s.
Yet, he was a loner by nature. You wouldn’t catch him schmoozing with Eno or Bowie at the revered Cafe Exil. He wasn’t fronting headliner tours or hitting the town every night in search of a scene to belong to – he was a homebody. A self-confessed recluse who spent every waking minute caring for his family–or synthesising the sounds of the future.
As a result, his 18 releases didn’t just fall on deaf ears–they fell on no ears. Yet, even 40 years after its original release, Lorenz’s music STILL has an original, forward-thinking, and futuristic sound. Honestly, it’s probably the closest the human race has ever got to communicating with aliens.
An explosion of atmospheric, world-building electronica that ties in elements of German motorik, jazz, and the ethereal ambient qualities of Jean-Micheal Jarre or Edgar Froese, Synrise (Early Tape Recordings 1981-83) snapshots Lorenz’ unique ability to capture cosmic collages of interstitial synthscapes. With each and every minute key-change, Lorenz immerses you into luscious worlds of layered synths, simmering dissonance and immersive binaural explorations.
If you never got into the Euro electronica explosion of the late-70s, early 80s, think of the opening minute of the Dire Straits ‘Money For Nothing’ – before the guitars kick in. Pounding layers of building percussion all led by ever-evolving synthscapes that take their time to build.
Notice we mention soundscapes rather than melodies? Yep – it’s evident to see why Lorenz’s music wasn’t scoring widespread radio play. Although for the huge market of cinephiles and budding filmmakers with a love for film scores, there’s endless potential. Blade Runner, Drive, Interstellar, Terminator–realistically, any trip sci-fi movie– all films that would all benefit from the inclusion of his under-appreciated production.
And while posthumous re-releases of Lorenz’s music such as Synrise still won’t necessarily click for the masses, for niche listeners wanting something left of centre to bliss out to, it’s a rabbit hole well worth diving headfirst into.
Æ It’s the question on everyone’s lips: will Djo be a one-hit wonder or are they going to Djo onto indie-rock greatness?
Having reached a level of limelight even the group weren’t anticipating, thanks to vocalist Joe Keery’s evergrowing Stranger Things fame, does their follow-up record, The Crux , live up to the hype that their breakout single, End of the Beginning set?
For the younger audience that the band has found fandom in, absolutely. For more seasoned listeners, The Crux may just feel like more of the same, delivering mainstream indie pop-rock ballads primed for radio play.
Although overall, while an incredibly accessible listen, what may bug most listeners, is that The Crux tends to lean a bit too much into its influences. Opener, ‘Lonesome Is A State of Mind’ channels very similar meandering cadences to the nonchalant, free-flowing quality of The Strokes’ ‘Julian Casblancas’–as does ‘Egg’, which also offers up an eerily similar melody of The Strokes’ ‘Ode To The Mets’. ‘Basic Being Basic’ changes style to match its synth-heavy art-pop beats, seeing Keery channelling robotic vocals akin to Monkey House-era The Dandy Warhols, while ‘Charlie’s Garden’ borrows HEAVILY into its Beatles-influences.
Even still, there are some truly standout moments. The slow, hazy acoustic guitars on slacker daydream ‘Fly’, the folk sensibilities and falsetto harmonies of ‘The Potion’, ‘Gap Tooth Smile’ rock swagger, The Crux serves up some ripper songs.
It may not be the most original release of all time, but sometimes all you need is more music that sounds like your favourite artists, and in the case of Djo, is it really a bad thing if we have more music that sounds like The Beatles or The Strokes?
Æ When Jules Verne first wrote ‘Around the World in 80 Days’, the idea of visiting every continent on earth in such a short amount of time was completely and utterly inconceivable. Who would have thought that all these years later The Cat Empire would be able to do it in just fifty minutes?
A vivid celebration of all corners of the earth, their newest release, Bird In Paradise, sees the iconic Melbourne outfit returning to their flamenco roots to celebrate all things latin-fusion. Delivering a rich tapestry of flavours that unifies cultures, genres and influences from all over the world into a delicious melting pot of funky grooves.
Title-track, Bird in Paradise, strikes a balance between sensual and jovial, blending the romanticism of traditional flamenco finger licks alongside softly whispered female Spanish vocals; shuffled jazz snare patterns, latin horns and rhythmic tango grooves – evoking a similar feeling to the iconic dance scene in Mr and Mrs Smith. There’s something so deadly about it, yet you can’t help but fall into desire.
‘Going to Live’ dabbles it much darker terrain, with Felix Riebl’s simmering, atmospheric raps gradually building from soft mumbles to deep growls, while ‘Shooting Star’ plays with vibrant hand percussive elements, powerful chants and infectious samba-rooted piano leads–making you feel like you’re in the middle of the bleachers at a raucous final-level football game.
Really, if you’ve been looking for an excuse to spontaneously call a ‘margarita and taco night’, Bird In Paradise is it. A perfectly infectious blend of traditional flamenco beauty and vibrant LatinAmerican charm that you can’t help but party to.
Æ I would hate to be a worker at JB HIFI trying to figure out which section to put Thornhill’s records in. Each and every release, the Melbourne-based metalcore outfit drop something completely new, fresh and dramatically influential on the Australian metal scene. Then, they’ve completely re-route their style.
And while BODIES undeniably continues this trend, abandoning the Deftones-inspired industrial grunge stylings of Heroine for a more gutsy Poison The Well take on nü metal. For the first time, it seems Thornhill has stopped caring about where they sit in the world of metal, no longer striving to push new ground and instead just doing whatever the hell they want.
The results are evident. Bold and unpredictable synth programming, high-energy pummels of mpc, the ritalin-addled ravaged energy of Nine Inch Nails, Bodies shows just how unrefined and maniacal Thornhill truly can be.
Case in point, the ironically unnerving, ‘Nerv’, which sees Jacob Charleton contorting his vocals between dramatically different layers of brutally aggressive screams and slowed, tortured groans; or the equally unhinged pitch-shifting shrieks of ‘TONGUES’.
But while these inclusions are relatively new for Thornhill, none of that is out of the blue for Bodies, with the album ultimately celebrating spontaneity–even stretching its wings as far as the lofi ‘CRUSH’, which falls more inline with the hard-hitting sub-electronica grooves of The Blaze or Mount Kimbie.
It’s these left-of-centre inclusions that could have easily come across as contrived, try-hard, or just all-round lame if the group waned even the slightest bit of effort, but as always, Thornhill have honed in on their ‘go big or go home’ mentality, and yet again, it’s paid off big time.
Æ If it wasn’t clear from her dramatic rebrand—fronting Victoria’s Secret catwalks, appearing in HBO’s The White Lotus , collabing with everyone from Future to Doja, and even incorporating curse words into her lyrics for the first time in her decade-long career—Lisa is making it crystal clear on Alter Ego: she’s not the same Lisa. She’s a ‘New Woman’ and “If you want the old Lisa, listen to [her] old shit” (Fxck Up The World).
Alter Ego is a definitive break from the innocent K-pop idol image that fans once knew. It’s bold, hard-hitting, and unapologetically chaotic, reflecting a hyper-pop vision that’s as daring as it is diverse. With not one but five new personas—Roxi, Speedy, Vixie, Sunny, and Kiki—Lisa reintroduces herself as a multifaceted artist that’s both fresh and multi-dimensional in her sound.
Although, what’s even more unmissable, is Lisa’s overall bravado throughout the release. Having long been associated with hard bars and ego-driven one-liners as ‘the rapper’ of BlackPink–albeit the only ‘rapper’ worldwide to be sponsored by ‘Celine’– Lisa’s not afraid to show that, while a fresh face on the US scene, she’s by no means a newcomer. “Fast cars, drop tops and tank tops…La to Bangkok” - “this ain’t just luck, this [her] lifestyle.”
And it works. In a world of rappers faking it til they make it, Lisa’s rhymes ring a whole lot truer. She’s not trying to be something she’s not, instead, she’s flexin’ what she got. She’s a “rockstar” and on Alter Ego, she ain’t afraid to show it.
This week, The Gordon is gearing up to celebrate 19 incredible students at the 2025 Gordon Awards for Excellence, welcoming the students, their friends and families to the Geelong Arts Centre.
Æ These prestigious awards are all about recognizing the students who’ve really stood out in their studies, leadership, training, and community engagement. The students who demonstrated outstanding commitment to everything they achieve at The Gordan.
The event, set to take place in front of a full crowd in the booked-out theatre, will announce the winners of two big awards— Student of the Year and Apprentice of the Year—along with three special recognition awards and 14 category-specific awards. There are 42 finalists in total, and they’ve all been selected for their amazing contributions while studying at The Gordon.
Joe Ormeno, CEO of The Gordon, couldn’t be prouder of the finalists.
“These awards recognise the commitment and perseverance to succeed. To be named a finalist amongst the more than 11,500 students who studied at The Gordon in 2024 is an outstanding achievement,” he says.
“These students, apprentices, and trainees represent the best of
The Gordon — a diverse, talented, and determined group of learners who set out to achieve something more.”
All 42 finalists deserve to be celebrated for their amazing accomplishments and the hard work that got them there; this recognition is well deserved.
If you’re curious to see who takes home the top prizes, make sure you’re following The Gordon’s social media for all the updates from the event. And of course, The Gordon team sends a big thank you to all the sponsors who helped make the 2025 Gordon Awards for Excellence possible! Your support means the world to these students.
“These awards recognise the commitment and perseverance to succeed.”
DON’T HAVE TO BE A DANCE EXPERT TO LOVE
Æ You no longer have to head to Melbourne (or further) to experience world-class performances and workshops; Geelong is quickly becoming a top spot for incredible, boundary-pushing dance, with two exciting events in April and May that offer something for everyone—even if you’re new to the art form.
Australia’s premier contemporary dance company, Sydney Dance Company, is bringing their highly anticipated performance momenta to Geelong in May. After wowing audiences around the world, including a sell-out run in Paris, momenta is sure to deliver the same energy and innovation right here in Geelong. momenta takes audiences on a journey into the poetry and physicality of human bonds. This mesmerising work presents a kaleidoscope of energy, capturing moments where individual trajectories collide and intertwine. From the most tender exchanges to an intense physical storm, witness an extraordinary force of movement, striking individuality and powerful unity, escalating to a joyous release. The connection is instinctive. The moment is transformational. Setting aside all the nuance, you don’t need to understand it, just sit back and be immersed in the unparalleled athleticism and captivating visual beauty.
But there’s more than just performances—Geelong is also hosting an exclusive workshop with award-winning choreographer Joel Bray. On April 12-13, Bray will lead a two-day workshop at Geelong Arts Centre, focusing on physical improvisation and audience participation techniques. Bray, known for his immersive and participatory works like Daddy, will guide participants through an abbreviated version of the creative process he has developed over ten years, crafting his award-winning trademark immersive and participatory dance-theatre, offering a unique chance to learn from one of Australia’s leading contemporary artists. It’s the perfect opportunity for anyone new to dance, or the more experienced, to dive into the world of innovative, experiential performance. The workshop is suitable for all artists with an embodied practice, including disabled artists.
Geelong’s cultural scene is buzzing, proving you don’t need to travel to experience cutting-edge dance. Whether you’re learning something new in Joel Bray’s immersive workshop or watching the dynamic performance of momenta, Geelong is making world-class dance accessible and exciting for everyone.
So mark your calendars for April and May, and get ready for an unforgettable experience, right in your own backyard.
FRIDAY, APR 4, 2025: SELLING FAST!
FRIDAY, APR 18, 2025: SELLING FAST!
SATURDAY, APR 5, 2025: ON SALE NOW!
FT. NARCISS B2B MORPHENA + WOLTERS + NED BENNETT + DENIM + MORE!
SUNDAY, APR 27, 2025: ON SALE NOW!
SATURDAY, APR 12, 2025: SELLING FAST!
FRIDAY, MAY 2, 2025: SELLING FAST!
THURSDAY, APR 17, 2025: SELLING FAST!
SATURDAY, MAY 3, 2025: FINAL TICKETS!
Set against the stunning backdrop of Queenscli Beach, TARRA is more than a place to dine - It’s an experience. Executive Chef Mike Jaques delivers a menu with the freshest local seafood, seasonal produce, and bold flavours that capture the essence of coastal living.
Open for breakfast and lunch.
Located at the Queenscli Ferry Terminal tarra.com.au
Æ Just when you thought you’d seen it all. Introducing Scroll Lab, Ballarat’s very own micro-bakery, specialising in cinnamon scrolls. Owner Daniel Shrimpton is a big believer in doing one thing, and one thing well. At Scroll Lab, the classic cinnamon scrolls meets bold new flavours.
Culinary scientist and owner Daniel has been a chef for 15 years. He has worked from Melbourne to London, and realised the one thing that Ballarat was missing was a tasty cinnamon scroll, so he set out to redefine these much-loved treats and make tasters fall in love with every bite.
Daniel has always loved cooking and making pastries. About two years ago he started making cinnamon scrolls at work and they flew out the door. So one day he thought “hey, let’s turn this into a business”, and boy, was this a brilliant plan in the making. Loving the idea of doing one thing and being the best, with some classic and bold twists of course, Scroll Lab was created.
Last year they rented out a kitchen and sold wholesale and did a few pop-ups and markets, quite successfully might I add. While they are currently on the lookout for a space to create a shop front to sell direct to the public and do markets again, they do have some current stockists where you can head to and try some tasty creations.
These stockists include Cobbs Coffee, Kinfolk, Wen & Ware and Little Square Garage.
Daniel says the most popular flavours are the original scroll, a lemon curd and raspberry scroll, and the trusty Biscoff. Experimental flavours include matcha and strawberry, roasted rhubarb and a Crème Brulee scroll. Trying to use nothing but the best local ingredients, all the dairy is from Inglenook and all the fruits are straight from the market.
Daniel reiterates that he loves making them, they are a fun product to work with and create new flavours, and of course, they go perfect with a morning coffee. STOCKED IN: COBBS COFFEE, KINFOLK, WEN & WARE AND LITTLE SQUARE GARAGE
Æ Nestled in the retro Sunnymead Hotel, Santara Restaurant has been designed for sharing good food and good company! Their modern fusion menu brings together fragrant dishes, inspired by a love of travel, people and culture. Patrons can expect colour, fun and a local flavour in Santara’s signature warm palette and sunny style.
Santara is the onsite fusion restaurant at Sunnymead Hotel, previously known as Lightkeepers Inn Motel which was taken over, renovated and rebranded in late 2022. The property is colourful and fun, so naturally, the restaurant is no different! Guests are encouraged to ‘eat, drink, vibe’, with the vibrant space matching the property’s warm sunny theme, while also inspired by the owner’s travels to India. The restaurant has a burnt orange bar and bright, funky dinnerware. The entire property is sunny-themed, even through to the creative cocktail menu and mustard-coloured pool bar area.
Dishes to try include the Momos (steamed dumpling), a much-loved family recipe of Head Chef Praj, made by his wife, Ish. Chicken Ruby - Another dish they have kept from previous menus as it’s a crowd-favourite! The name is playful input from the British Executive Chef, Adam. ‘Ruby Murray’ is cockney rhyming slang for curry. A vibrant dish and an absolute winner with Chef Praj’s sauce!
If alcohol is your thing, never fear, there is a list of cocktails and other bevvies to please everyone. For cocktails, we have the classic spicy marg, and ‘Sunny Colada’ to quirky favourites such as Masala Sunrise, Chai-Tini and a not-so-classic take on a gin bramble, Santara’s own ‘Guvvo’s Bramble’. There is also a range of carefully selected wines, local craft beers and spirits available on offer. Ingredients are sourced as locally as possible. Santara’s seasonal menu features local suppliers including Great Ocean Road Chocolaterie & Ice Creamery, Anglesea Fruitz, Yarra Valley Caviar, Blackman’s Brewery, Timboon Whisky, Great Ocean Road Gin and Surf Coast Coffee Roasters.
Santara caters for outdoor events at the hotel as well, like hen’s days or birthdays by the pool or firepit.
WHERE: SUNNYMEAD HOTEL, 64 GREAT OCEAN ROAD, AIREYS INLET
OPEN: FRI–TUE, 5–8:30PM
Æ Grigg’s Creek Providore, where rustic charm meets community spirit. Nestled in the heart of Curlewis, Grigg’s isn’t just a café, it’s a gathering place infused with warmth, character, and a deep connection to the local community. It’s a place where you can connect with local and regional growers, farmers and creative artisans also offering workshops!
Envision a welcoming haven where people could slow down, savour quality coffee, and explore a thoughtfully curated selection of local and regional goods, or join one of Griggs Creek’s high teas, workshops, Meet the Maker series or community fruit & vegetable swap, you’ll feel right at home.
Step inside, and you’ll find a space that feels both nostalgic and timeless. The atmosphere is laid back and inviting, a perfect blend of old-world charm and modern hospitality. Rumour has it the customers don’t want to leave.
At Grigg’s Creek, coffee is at the heart of what they do, crafted with care and made to be savoured. But the experience doesn’t stop there. The menu features freshly baked pastries, hearty toasties, and housemade sweet treats that celebrate local ingredients and flavours. They’re proud to stock handpicked artisan products, from small batch preserves to premium pantry staples, ensuring every item has a story behind it.
At Grigg’s, they believe that food should be fresh, local, and full of heart. That’s why they work closely with regional growers, makers, and suppliers to bring you the best the Bellarine has to offer.
Whether it’s the coffee beans in your cup, the honey on the shelves, or the bread in your sandwich, every product is chosen with care. The menu is evolving, soon to do breakfasts, Cacao and Matcha, smoothies and soups for the colder months.
Æ The newest kid on the Bendigo block, Crooked Kitchen. The venue, a casual cafe, is only a month old, compared to their wellknown takeaway-only venue; Crooked Kitchenette.
Nestled in a stunning heritage building that beautifully merges history with modern dining. Guests can enjoy the warm ambience of exposed brick interiors that exude character and charm. For those seeking a breath of fresh air, the outdoor dining area offers a delightful setting to indulge in your meal.
Proudly being Bendigo’s ONLY entirely gluten-free café, the menu focus is on gluten-free versions of what everyone else can have, every day. Highlights include avocado toast with whipped feta, pistachio dukkah and hot honey, pumpkin and three cheese Arancini with balsamic beetroot salad and truffle aioli, zucchini and corn fritters with Moroccan spiced cauliflower salad and aioli and a Karaage chicken burger with smashed avo, kewpie in a toasted new freedom bun with fries.
When Covid19 hit and the impacts were being felt by all businesses, the team made the decision to take out the dine-in of the small establishment in Lyttleton Terrace (now the Crooked Kitchenette) and go completely takeaway.
The team has also catered weddings, baby showers and corporate events for up to 500 people out of the Lyttleton Terrace store which is tiny in comparison to the new venue. Part of the new venue includes a license for liquor, so they can host wedding receptions and parties soon! The team at Crooked Kitchen/ette also prepare and deliver meals directly to the homes of busy families, people with disabilities and recovering from injuries and surgeries.
The Lyttleton Terrace store continues to offer fresh, healthy lunch options to the workers of the Bendigo CBD and people looking for a healthy offering. Both venues are completely gluten and peanut free. There are also a range of meal options to suit vegetarians, vegans, tree nut free, egg free, soy free, refined sugar free, dairy free, and Low FODMAP’s.
DINE IN
WHERE: 4-10 HOWARD STREET, BENDIGO 3550 (DINE IN)
OPEN: TUE–FRI 7:30AM–3PM / SAT 8AM–2:30PM
TAKEAWAY
WHERE: 103 CENTENNIAL BOULEVARD, BELLARINE
OPEN: WED & THU 9AM-4PM / FRI 7AM–3PM / SAT 8AM–4PM / SUN 8AM–2PM
WHERE: 287 LYTTLETON TERRACE, BENDIGO
OPEN: MON–SAT 11AM–4:30PM
THU 3 APR
KATIE NOONAN AND KARIN SCHAUPP
QUEENSCLIFF TOWN HALL, QUEENSCLIFF
7PM $59.90
HOT GLUE + MANPLAINERS
HOTEL ESPLANADE (AKA THE ESPY), ST KILDA.
7:30PM FREE
FRI 4 APR
CHARLIE NEEDS BRACES
SHEDSHAKER BREWING, CASTLEMAINE
8PM FREE
HAZEL RAY
BELLS BEACH BREWING, TORQUAY
6PM FREE
STAND ATLANTIC
SUN 6 APR
REBECCA O’CONNOR “SIMPLY
THU 10 APR
THE AUSTRALIAN BEE GEES SHOW
HAMER HALL (ARTS CENTRE MELBOURNE), MELBOURNE
8PM $65–85
SAT 5 APR
KATIE NOONAN AND KARIN SCHAUPP THE CAPITAL, BENDIGO 7PM $49
JORDAN BRANDO
TORQUAY HOTEL, TORQUAY 9PM $20
SWEETHEARTS BARWON CLUB, GEELONG
SAT 5 APR
GEELONG JUKEBOX ROCKERS CLUB ITALIA, MOOLAP 7:30PM $22
SUPER TROUPER ABBA TRIBUTE
OCEAN GROVE HOTEL, OCEAN GROVE 6PM
MALLRAT + DAINE, DENIM, PROPHECY GIRL
WED 9 APR
SAT 12 APR QUEENIE AND
LONESOME
COWBOYS BALL
+ THE MAVERICKS, DWIGHT YOAKAM, GEORGE STRAIT, BROOKS & DUNN
WHITE EAGLE HOUSE, BREAKWATER
7PM $25
RECORD STORE DAY
BELLS BEACH
BREWING, TORQUAY
12PM FREE
MIA WRAY
VOLTA, BALLARAT
7:30PM $28.85
SLOWLY SLOWLY
MARGARET COURT ARENA, MELBOURNE
7PM $79.90
SUN 13 APR
QUEENIE AND ANDY GOLLEDGE
THE SHIRAZ REPUBLIC, CORNELLA
7PM ENTRY BY DONATION
COASTAL SOUNDS DJS
BELLS BEACH
BREWING, TORQUAY
3PM FREE
BONNYVALE BEATS
SUNDAY SESH
+ BAILEY GRAY, PHONES AND SLEEVES, ANGUS JONES, TRACK LARKIN, BELCH
OCEAN GROVE HOTEL, OCEAN GROVE
3PM $20
THU 17 APR
SURFCOAST
OPEN MIC
BELLS BEACH
BREWING, TORQUAY 6PM FREE
PEKING DUCK
TORQUAY HOTEL, TORQUAY
9PM $66.85
TUSK – FLEETWOOD MAC TRIBUTE SHOW
OCEAN GROVE HOTEL, OCEAN GROVE
6PM $40
THE PRETTY LITTLES
CORNER HOTEL, RICHMOND
8PM $40.40
SAT 19 APR
THE SWELL SESSIONS
FT: Bad//Dreems, The Pretty Littles, The Miffs, And Good Sniff
TORQUAY SURF LIFESAVING CLUB, TORQUAY 4PM $30
AUSSIETALLICA
BELLS BEACH BREWING, TORQUAY 6PM $20
HIGHLY CONTAGIOUS
FT: Gut Health, Alien Nosejob, Gregor, Palm Springs
THEATRE ROYAL, CASTLEMAINE
3PM $39.80
BOBBY ALU
THE LOCAL, GEELONG
8AM FREE
BOBBY ALU
SURFCOAST WHOLEFOODS, TORQUAY 10:30AM FREE
SUN 20 APR
THE GRINDING EYES + THE STRIP, TOMMY DYNAMITE & THE EXPLOSIONS, DEPORSAL BELLS BEACH BREWING, TORQUAY 4PM $20
THU 24 APR
ANZAC DAY EVE
FT: Dirty Wasabi / Poppin’ Mommas / Sacramento Sweaters / Mulshlucka BARWON CLUB, GEELONG 7PM $18.40
PSEUDO ECHO
BRUNSWICK BALLROOM, BRUNSWICK
8:30PM $55
FRI 25 APR
STARS AND BARS FESTIVAL
FRIDAY NIGHT FAMILY DINNER AND A SHOW MULTIPLE VENUES, HEATHCOTE 7PM $20
SAT 26 APR
SEX PISTOLS TRIBUTE + KMART WARRIORS, WOT ROT, A.D.H.D BREAKWATER HOTEL, BREAKWATER 2PM $10
STARS AND BARS FESTIVAL
MULTIPLE VENUES, HEATHCOTE
10:30AM $35–$145
HELLS BELLS ROCK ALL DAY ROCK FEST
FT: Rennie & The Shitchair, Sargent Baker, The Ian’s, The Munks (NSW), Repo Band, Ozone Street, Chrome Gypsy, Red Whyte Band, The Quick Size Sixes, Party God DJs, Yo-Yo Hobo Dj BELLS BEACH BREWING, TORQUAY 12PM $30
ASH GRUNWALD THEATRE ROYAL, CASTLEMAINE
7:30PM $61.75
SUN 27 APR
KARL S WILLIAMS SHEDSHAKER TAPROOM, CASTLEMAINE 4PM FREE
DICE
TORQUAY HOTEL, TORQUAY 7PM $45.40
MONDAY TUESDAY
WEDNESDAY THURSDAY
A 5-TRACK CELEBRATION OF MELBOURNE’S THRIVING MUSIC SCENE
CAN’T STOP THE FUNK is pure energy– fusing funk, soul, and groove, taken from the duo’s forthcoming EP.
Alongside the release, fans can dive into a high-energy live music video and an exclusive behind-the-scenes documentary that brings the whole creative process to life.
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