Forte 761

From Tennessee to Bendigo

CHASE RICE

is bringing his uninhibited force down under, and he’s going down singin’.

21 March

23 March 2024

Victoria

Hiatus Kaiyote ‣ Pond

MJ Lenderman & The Wind

Empress Of ‣ Kaiit ‣ Floodlights

Marcellus Pittman ‣ ORB

dameeeela ‣ Osmosis Jones

Guitar Wolf ‣ Pureblast ‣ Armlock

Chee Shimizu ‣ Twine ‣ Eggy

Big Yawn ‣ Empress ‣ Miles Nautu

Proto Moro ‣ Pop Filter

Annie-Rose Maloney ‣ Mika James

Think About You ‣ Follow The Robin

Npcede ‣ James Range Band

EXPLORE WHAT’S COMING UP AT YOUR ARTS CENTRE

NOW CALL 1300 251 200 IN PERSON 50 LITTLE MALOP ST GEELONG ONLINE GEELONGARTSCENTRE.ORG.AU

AMY SHARKTHE SOLO ACOUSTIC “SONGS & STORIES” TOUR FOR THE FIRST TIME EVER, AMY WILL PERFORM THE ENTIRE SET ACOUSTICALLY 18 FEB DIONNE WARWICK AND THE SONGS OF BURT BACHARACH A TOE-TAPPING TRIBUTE TO ONE GREAT ARTIST, TWO GREAT SONGWRITERS AND POP MUSIC’S FINEST DECADE 19 FEB THE JOE COCKER EXPRESS

GEELONG SYMPHONY ORCHESTRASCHEHERAZADE

SWEEPING ORCHESTRAL PIECES INSPIRED BY ONE THOUSAND AND ONE NIGHTS 22 FEB TONI CHILDS: RETROSPECTIVE

LENNY PEARCE’S REEF RAVE

“MAD DOG VS THE ENGLISHMAN” IS AN EXTRAORDINARY JOURNEY THROUGH THE CAREER OF JOE COCKER. 20 FEB DADDY CONVERSATION, DANCE AND

EMMY WINNING AND MULTI GRAMMY NOMINATED ARTIST TONI CHILDS IS RETURNING TO GEELONG! 22 FEB SAMMY J - THE KANGAROO EFFECT - SPECIAL PREVIEW

DONT MISS THE TRAILBLAZING ARCHITECT BEHIND THE WORLD FIRST ‘TODDLER TECHNO’ AND ‘BABY RAVES’ 2 MAR JUNKLANDIA

SAMMY J PREVIEWS HIS TIME-BENDING MEMOIR AHEAD HIS NATIONAL TOUR 1 MAR ANTHONY CALLEA & TIM CAMPBELL - THE SONGS OF ELTON & GEORGE AN UNMISSABLE CELEBRATION OF TWO ICONIC MUSICAL LEGENDS, TOGETHER WITH THEIR BAND! 1 MAR

FROM JUNK TO FUNK! ORDINARY RECYCLED MATERIALS ARE TRANSFORMED INTO EXTRAORDINARY MUSICAL INSTRUMENTS. 5 MAR COME FROM AWAY

CENTRESTAGE PRESENTS COME FROM AWAY, BEING STAGED FOR THE FIRST TIME IN GEELONG! 7-22 MAR DAMIEN LEITH - UP CLOSE & PERSONAL AN INTIMATE AND SPECIAL EVENING OF MUSIC AND STORYTELLING 7 MAR

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EDITORIAL NOTE 761

EDITOR

Frankie Anderson-Byrne

PARTNERSHIPS

& CAMPAIGN MANAGER

Matt Wilkinson

DESIGNER

Riley McDonald

GIG GUIDE

Frankie Anderson-Byrne

CONTRIBUTORS

Alex Callan, Chester Ogilvie, Chloe Cicero, Kaya Martin, Lucas Radbourne, Benjamin Lamb, Molly England, Juliette Salom

ILLUSTRATIONS

Alixandra June, Riley McDonald

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Goodness gracious me, is it February already? Say it ain’t so! It’s been a whole two months since you heard from us but we’re back with a bang - launching into the new year with vigour, vibrance and oh so much goodness coming your way for 2025.

Æ Kicking things off in the only way he knows how, big and bold as our cover story; Chase Rice chats with us about his new era while reflecting on the journey towards his most authentic self. The MEATSTOCK headliner is set to charm audiences throughout March with the gravelly-voiced talent fans know and love.

Stepping behind the lens in this issue, we celebrate both local and international talent. Campbell Addy has an intimate, raw quality to his work that has caught the eye of some famous names, and the British-Ghanaian photographer’s striking imagery is heading to Ballarat’s International Foto Biennale.

From the first woman in Victoria to graduate with First Class Honours in photography, to exploring the practice of yoga in cultures around the world, get to know Angelsea’s resident firecracker, expert bluffer and brilliant photographer Christina de Water as she dives back into her extraordinary past - ahead of group exhibition The Basement.

Local art continues to thrive across the region with an earth-moving contemporary dance performance One Single Action on the Her Majesty’s Theatre Ballarat stage, and Geelong’s Platform Arts’ The Cloud Maker exploring the stories of five goddesses from across cultures in a one-off show.

We chat to the prolific Joan as Policewoman and British pop-rockers The Kooks before checking out new music from Franz Ferdinand, Ela Minus, Dear Seattle, The Horrors and Delivery.

There’s something for everyone in our venue spotlight this month; fine dining at Two Noble, cake-lovers Cake Cult, family run Farmdog Brewing and the multi-faceted Archive Wine Bar.

Happy belated New Year to you, let’s get this party started!

ACKNOWLEDGEMENT OF TRADITIONAL OWNERS

Our magazine is published on the lands of the Wadawurrung People of the Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their

Our February cover is Chase Rice for Meatstock.

Credit: Ben Christensen

The powerful force that is American singer-songwriter Chase Rice is bringing his unbeholden, uninhibited new sound down under – headlining Australia’s biggest barbecue festival, Meatstock, this March.

NEWS

Ç GEELONG’S ONLY ALT COMEDY SHOW IS LAUNCHING THIS FEB

The time has come…Geelong’s only alt comedy show will arrive on the scene this weekend with a spectacular line-up of Geelong and Melbourne’s best underground alt comics joining forces to bring you a night of the funnies. Alternative comedy is all about breaking the mold and doing things differently, a focus on weird, offbeat humour with mixes of absurdity. The first show will kick off at 8pm on Thursday 6 Feb, at Manhatten Bar, Geelong.

FRANKSTON’S ICONIC WATERFRONT FESTIVAL RETURNS FOR 2025

Frankston’s award-winning foreshore is being activated over the summer period for a two-day arts, music and cultural celebration. Presented by Frankston City Council, the festival makes its return on Friday 7 February and Saturday 8 February, bringing a plentiful program of water and land activities. Legendary Aussie duo and UFO anthemmakers, Sneaky Sound System are set to headline the mainstage. They will be joined by Sunshine & Disco Faith Choir, Amaru Tribe and Coco Michelle.

MIDSUMMA REGIONAL ACTIVATION CELEBRATES LGBTQIA+ COMMUNITIES ACROSS THE STATE

Alongside The Pride finder Podcast Season 2, these activations culminate in an electrifying day-and-night street party in Naarm/Melbourne’s iconic Gertrude and Smith Street precinct on Sunday 9 February. This statewide celebration goes beyond metropolitan borders, ensuring a vibrant and inclusive representation of LGBTQIA+ cultures while fostering a sense of pride that resonates across Victoria.

Ç PAKO FESTA 2025

Cultura’s Pako Festa is Victoria’s largest free multicultural street festival and continues to celebrate Geelong’s diversity through the magic of food, dance and music along Pakington Street, Geelong West. The street is lined with authentic food from around the globe and you’re invited to a feast of the senses as you sample and soak the unique atmosphere on offer. The Street Parade – one of the major attractions of the event –will kick off at 11am and is shaping into one of the most colourful, vibrant displays of communities for its 43rd year. Established in 1983, Pako Festa is a spectacular cultural experience and continues to be a highlight on the Major Events Calendar. The event stage program features over 40 acts across five outdoor stages, look out for the chill out spaces to rest up and soak up the community spirit and visit the Global Craft market to discover unique hand crafted items from inside the West Town Hall.

VICTORIA HAS LEGALISED DRUG TESTING FOR POWDERS, LIQUIDS, CAPSULES AND MORE

Up to 10 festivals and events in Victoria will pioneer drug testing stations this summer, with a fixed pill testing site slated to open in mid-2025. Data collected from this trial will inform future public health responses.

Ç BOLLOCKS ABOUND ON AUSSIE LAND COME APRIL – SEX PISTOLS ARE BACK IN TOWN

In a move that’s got the punk scene absolutely frothing, the Sex Pistols have announced they’re finally dragging their anarchic circus back to Australian shores after a three-decade absence –and they’re bringing modern-day punk powerhouse Frank Carter along for the riot. Catch this historic collision of punk past and present before it burns everything to the ground.

APPLICATIONS HAVE OPENED FOR THE FIRST CREATIVE VICTORIA FUNDING PROGRAMS FOR 2025

The Music Works program supports Victorian-based contemporary music industry artists or industry professionals across all genres and career stages to undertake projects with creative and/ or commercial outcomes. This round of the program will support activity taking place from 1 July 2025. Applications close 3pm, Thursday 13 February 2025. The Creative Projects Fund supports creative and professional development projects led by Victorian professional artists, creative practitioners, groups/ collectives and creative micro to small organisations at all career stages.

GEELONG COMEDIANS BATTLED IT OUT

Geelong Arts Centre hosted the next wave of comedy legends last weekend, with Melbourne International Comedy Festival’s RAW Comedy openmic showdown catching the train to Geelong as part of a state-wide series of competition heats. The heats will also visit Victoria’s other major cities including, Bendigo, Melbourne, Mullumbimby, Newcastle, Parramatta, Perth, Sunshine Coast, Surfers Paradise, Sydney and Wollongong.

Ç LOCHHART’S FINAL CURTAIN

One of Victoria’s favourite independent music festivals announced this will be its final year. With a heavy heart but no shortage of lifelong memories and five-festivals-worth of well-earned pride, the organisers of Loch Hart Music Festival announced the 2025 instalment, held over 10-12 January, would be its last. Taking to instagram last month, the festival cited ever-growing costs and ever-slowing ticket sales as the reason for their boutique festival dream being rendered “not feasible”.

NEW INDEPENDENT THEATRE COMPANY ARRIVES IN GEELONG

Overflow Theatre Company is debuting its first production of Shakespeare’s The Tragedy of Macbeth in 2025. Three young creatives are screwing their courage to the sticking place and establishing a new independent theatre collective in central Geelong. Their first production slated for mid-2025, The Tragedy of Macbeth, is a particular favourite of the team.

Ç GOOM FEST LINE-UP

Welcome to Goom, the magical outdoor, overnight music festival sharing in a deep love for music. The team behind Goom Fest may be small, but their passion for bringing people together, celebrating connection and the magic that is live music, is mighty. The biannual festival last month announced the line-up for this year’s event, and goodness are we excited!

THE WAIFS ANNOUNCE SUMMERSALT SERIES REGIONAL TOUR

THIS MARCH.

Following the success of their recent Australia-wide, sold-out fifty-date ‘Up All Night’ 25th Anniversary album tour, The Waifs continue to forge a proudly independent path with no sign of slowing down. The band are thrilled to add additional regional shows to their 2025 touring plans as well as a slew of appearances at the nationally touring SummerSalt series.

BERNARD FANNING AND PAUL DEMPSEY ARE BRINGING THEIR MUSICAL COLLABORATION TO THE REGIONS

Rock royalty Powderfinger’s Bernard Fanning and Something for Kate’s Paul Dempsey have today announced they will be taking their much lauded musical collaboration, Fanning Dempsey National Park, on tour to regional Australia in April and May. In addition, last month saw the release of new single ‘Blackstar’, a bonus song not included on the album.

YOU MAY SOON BE ABLE TO DRIVE AFTER USING CANNABIS

The Victorian government has launched a closed-circuit driving trail to evaluate the safety of individuals using medicinal cannabis behind the wheel. The initiative, which aims to provide valuable insights into how medicinal cannabis impacts driving abilities, began its first phase at the METEC Driver Training facility in Bayswater.

NATIONAL REGIONAL ARTS FELLOWSHIP PROGRAM FUNDING IS NOW OPEN

National Regional Arts Fellowship Program funding is now open and this year Regional Arts Australia are looking for bold proposals that explore economic, cultural, or environmental sustainability. This is your chance to secure guaranteed funding to focus on your creative practice, develop your skills, grow your networks, or dive into research.

Ç STARFISH BAKERY HAVE ANNOUNCED

RETIREMENT AFTER MORE THAN 25 YEARS

The Fox family have made the difficult decision to sell Starfish Bakery, but they’re not closing just yet! The Fox family took to social media to share the sad news they’ll be closing up shop, at least for owners Paul and Dinah who are looking to head into a very well-deserved retirement.

JUMP

START YOUR NEXT PROJECT WITH GEELONG ARTS CENTRE FINANCIAL GRANTS

Have a creative idea or project you’ve been pondering that needs a bit of momentum? Geelong Arts Centre is diving into 2025 with a new round of financial grants and in-kind studio and co-working access at the iconic Ryrie Street building! Applications are now open and close 9:00am, Monday 10 February.

QUEENSCLIFF MUSIC

FESTIVAL’S MUSIC INDUSTRY KICKSTARTER GRANT APPLICATIONS ARE OPEN

Do you have a bold and ambitious idea for your next musical project? You’re in the right place to find support! QMF Inc provides financial support to people in the Bellarine, Geelong and Surfcoast community, during the early stages of their music career, providing opportunity for creative or professional development. Two funding rounds are available in 2025 with a total grant pool of $10,000, with round one applications open 1 Dec 2024 – 1 Mar 2025.

GET CRAFTY: BALLARAT HERITAGE FESTIVAL’S

CRAFT LAB PRACTITIONERS HAVE BEEN ANNOUNCED

Now in its fifth year, Craft Lab is back again for 2025, with a brand-new cohort of local practitioners just announced. The free event showcases the artisanal work of Ballarat practitioners and is hailed as a cornerstone of the festival. The selected group feature a wide range of artisans from textiles, ceramics, sculptors, furniture and even millinery.

ASIA TOPA FESTIVAL UNVEILS FULL 2025 PROGRAM

After a give-year hiatus, Asia TOPA returns with a spectacular program of performances, exhibitions and events. Taking place from 20 February to 10 March 2025, Asia TOPA will showcase the vibrant creativity and cultural dynamism of the Asia-Pacific region, featuring 33 performances, 18 of which are world premiers and 18 new commissions.

Ç VICTORIAN ARTISTS ARE INVITED TO APPLY FOR THE 2025 URBACH LANDSCAPE PRIZE AND STUDIO SCHOLARSHIP

Shepparton Art Museum (SAM) invites Victorian-based artists to apply for The Urbach with applications for the $10,000 prize and scholarship encouraging explorations in the field Australian landscape painting currently open.The awarded artist will receive a $5000 cash prize and a scholarship stipend of $5000 to support them as they undertake the three-month, nonresidential scholarship at SAM’s onsite artist studio from 1 May to 31 July 2025.

Ç BIG OCEAN BOOGIE

Surfrider Foundation Australia are putting on a huge celebration following the 2024 community victory that protected 7.7 million hectares of the Southern Ocean from offshore gas exploration. Pasiflorez, Suneden and Daniel Aaron will be playing some funky tunes so come along, kick back and enjoy an afternoon of celebrating the local coastline and community on Wadawurrung Country. Hear the stories and campaign reflections from the people behind the national movement and fundraise for future environmental work. The event is being held on Saturday, February 22 at the Torquay Surf Lifesaving Club.

ART GALLERY OF BALLARAT TO CLOSE UNTIL EARLY 2026 FOR $5.5M UPGRADE

From Monday 3 February some galleries will close to de-install temporary exhibitions such as Medieval to Metal. Other galleries, along with the permanent collection, will remain open. On Monday 3 March the Art Gallery of Ballarat will close entirely. It is anticipated that it will re-open in early 2026. The major upgrades will enable the gallery to display more works from its permanent collection and secure more international exhibitions.

AVALON AUSTRALIAN INTERNATIONAL AIRSHOW FLIES INTO VIEW FOR 2025

Held biennially, Avalon Australian International Airshow 2025 will be the sixteenth airshow and exposition staged at Geelong’s Avalon Airport. Heading back to the local airport from 25 – 30 March, Avalon Australian International Airshow is the largest airshow in the Southern Hemisphere.

Ç SURF COAST TREK TURNS TEN

7759 trekkers, 281,268kms travelled, 12,000 bananas eaten and $2.1m raised, Surf Coast Trek walks into its tenth year, returning to the Geelong region in 2025.An annual favourite fundraiser on the region’s calendars, The Surf Coast Trek will travel to Torquay from either Airey’s Inlet or Anglesea on Saturday 5 April 2025.

SUMMERSALT DROPS 2025 LINEUP AND DATES

SummerSalt is gearing up for another year of stellar entertainment, announcing their first wave of shows. With four dates across March and April in Launceston, Mornington, Mount Gambier and Port Macquarie, SummerSalt will go allAussie with Missy Higgins, John Butler, Fanning Dempsey National Park, The Waifs, The Whitlams, and Josh Pyke.

PITCH MUSIC & ARTS PULLS TOGETHER A GIANT LINEUP FOR 2025 INCLUDING HONEY DIJON

Pitch Music & Arts returns for its eighth iteration from 7 to 11 March 2025, bringing an electrifying lineup of music and arts to the scenic Grampian Plains in Moyston, Victoria.

LOOKOUT FESTIVAL BRINGS AUSTRALIAN ROCK ROYALTY TO TORQUAY AND MORNINGTON

Following a successful 2024 inaugural event featuring Live and Incubus, Lookout Festival returns and expands for 2025 with a mammoth lineup to go with it. Australian rock legends Jet, Grinspoon, The Veronicas, Spiderbait, Jebediah, Magic Dirt and Youth Group team up for the 2025 tidal wave, taking to stages in Torquay and Mornington across February and March.

WILDLIFE PHOTOGRAPHER OF THE YEAR

Geelong’s National Wool Museum is the exclusive Victorian home of the much-loved Wildlife Photographer of the Year from the Natural History Museum, London, exhiibting until 18 May. Wildlife Photographer of the Year is the most prestigious photography event of its kind, providing a global platform that showcases some of the best photography talent from around the world for nearly 60 years. Launching in 1965, today the competition receives entries from 117 countries and territories all over the world, highlighting its enduring appeal. This year’s awardwinning images will embark on an international tour that will allow them to be seen by well over a million people.

PAWS FOR GAWS

Join Geelong Animal Welfare Society (GAWS) on 2 March for a vibrant celebration of our four-legged friends, our community, and our shared commitment to animal welfare in our region. Paws for GAWS aims to generate significant funds to support the amazing work Geelong Animal Welfare Society undertakes to promote the welfare and value of companion animals to improve the health and wellbeing of the wider community.

GET YOUR COWBOY BOOTS OUT FOR GEELONG PRO RODEO

With rides, food, live music and rodeo action till late, M5Rodeo Promotions is proud to bring rodeo back and kicking off with their M5 Jnr Pro Rodeo where you will be able to see all the kids put their hat in the ring. Free Cowkids hour between 5.30pm - 6.30pm where all the kids are invited to come down and swing a rope and jump on the bucking dummies. Then it’s time to watch the best bucking stock in the country at 7pm.

CELEBRATE INTERNATIONAL WOMEN’S DAY WITH LIFELINE GEELONG!

This inspiring afternoon will celebrate the strength, resilience, and achievements of women while raising essential funds to support the lifesaving services of Lifeline Geelong. Special guests, Nikki Everett, author of Uncomfortably Comfortable and dedicated Lifeline Crisis Supporter, and Sophie Marshall, Founder of Gentle Habits, will share their journeys as guest speakers. Together, they’ll explore themes of mental health, wellbeing, resilience, and the power of embracing challenges. Hosted by Geelong’s own Roxie Bennett, this promises to be a truly uplifting and empowering event.

A new era, album and state of mind for the unbeholden

CHASE RICE

WORDS BY FRANKIE ANDERSON-BYRNE

American country singer-songwriter Chase Rice has entered a new era of music, and isn’t chasing anything other than ducks with his dog Jack in the snowy backcountry of Oklahoma.

Æ In fact, that’s exactly what he was doing when he logged on for our chat, and I was greeted with a rugged-up Rice almost entirely obscured by swirls of white as he trudged through the sleet.

On the back of his most recent albums, I hate Cowboys & All Dogs Go To Hell in 2023 and Go Down Singin’ last September, Rice’s new music has been described as “the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited.”

He says he’s just simply telling real stories.

“I’m not chasing anything now; I just sit down with a guitar and my ideas and try to tell real stories, instead of trying to write a hit for the radio.”

“And it’s worked; I haven’t had a hit on the radio since I started doing it this way which is fine with me because I just want to make great music.

“For me great music is when I believe the artist; what they’re saying and if they believe their own songs.”

From emotional reckoning to an admiration of the American West, Rice’s music continues to evolve to reflect the realities of his life, which he says is a kind of therapy.

“I’ve lived these stories so it’s easy to turn into something tangible.

“Whether it’s about losing my Dad or one of my best friends who almost killed himself, the stories still respect the person but it’s my story too and if you hear what the story is saying, that’s a recipe for a good track.”

“It’s typically a positive experience for me, even with a tougher subject, it’s almost therapeutic; you go into those feelings, facing them head-on and not hiding from them.

“This evolution is what it should’ve been about the whole time, but I had to get through the wrong stuff to figure out the real stuff.”

Unplanned time off during 2020 COVID gave Rice the freedom to live a real life for a while, which he says is the reason for his evolution.

“So when I went back to writing it was just me and a guitar, which is how I started, so that naturally turned into real songs and I had the stories there because of all that time off.

“I’m sharing music that’s true and personal and seeing fans resonate with that.

“It’s cool to see people I’ve seen at shows for 10 years still coming, and they’re not necessarily there for Eyes On You or Drinking Beer, Talking God, Amen, they’re here for the new stuff.”

Which is exactly what Rice wants, he’s “not going back on this new way of writing songs” and says he’s just going to keep on evolving.

“I’m not sure of the setlist for these next few months of touring, but I won’t be playing much of the old stuff because honestly I think the new stuff is better.”

“It will be a lot of Go Down Singin’ and I Hate Cowboys, with maybe a couple of hits thrown in.”

Rice has also already teased his next album Eldora, set to be done and dusted at the end of the month.

“Myself, Wyatt McCubbin and Oscar Charles went down to a cabin in Colarado and sat in there for three days with a guitar.

“We wrote nine songs, I already had two written and it was just a no-brainer.

“They all had the American Western theme, it’s very Colarado-inspired, but it’s a lot of different stories.

“The track ‘Eldora’ is about a couple of had an abortion, in Circa 1943 I used my grandparent’s names but not their story, there’s one titled ‘Coors’ which is almost an ode to Adolph Coors and there’s another called Cotton Mouth about the first time getting high.

“So it’s all over the map in terms of what it’s about but the western-based theme is key and for me its about continuing on from my last two records.”

Eldora is halfway complete, and Rice wants to get it out as soon as possible.

“Eldora is really what we’re focused on now, it should be done by the end of Feb and I’ll put that out as soon as I can,” he confirmed.

“In the meantime I’m just focusing on Go Down Singin’ and I Hate Cowboys; they’re great records themselves so I’ll keep touring those.”

Chase Rice is headlining for the first time in Australia, his fourth trip to a country much warmer than his Oklahoma and Colarado visits, performing at Meatstock Festival across multiple dates.

“I’ve never headlined in Australia so that’ll be fun.

“We’re starting the year there so it should be a blast; it’s a long flight but always worth it. “In my past experience I’ve just played festival line-ups and the fans are great, they love the music and are super passionate.

“I’m going to keep coming back so long as people keep caring.”

“This evolution is what it should’ve been about the whole time, but I had to get through the wrong stuff to figure out the real stuff.”

CHASE RICE AT MEATSTOCK

WHERE: BENDIGO SHOWGROUNDS

WHEN: 14–15 MAR

CAMPBELL ADDY: the importance of consuming and authenticity in creation

WORDS BY BENJAMIN LAMB

London photographer Campbell Addy has been behind the lens with artists such as Beyonce, FKA Twigs and Naomi Campbell, his work showcased in New York, Paris, London, Oslo and, now, Ballarat with Addy headlining the 2025 Ballarat International Foto Biennale.

Æ

“Everyone’s so lovely,” Campbell notes, speaking from Ballarat back when the line-up was announced in December.

The lineup announcement wrapped up a mammoth year for the photographer; winning the prestigious Isabella Blow prize; an important part of the annual Fashion Awards. Campbell also had a Disney+ special; X.

“It still feels a bit odd,” Campbell notes with a laugh. “I’m very blessed and grateful to work, and to be honoured for it as well.

“Having the recognition from peers and people I’ve looked up to is priceless. I’m shocked, so shocked, but very grateful.”

For the world of photography, Addy notes that his influences are wide-ranging, ideas stem not just from other images.

“I think with all artists, the beauty of it is that we’re consumers first and then we create because of what we consume. But recently, FKA Twigs released a short video for her two lead singles of her new album, and the dedication, the filming, the lyrics, the audio, everything about it; I haven’t been that moved by moving image and a musical piece in a very long time.”

“FKA Twigs is a huge inspiration for me, the way she dedicates to craft, wherever it’s dance, or singing, it just makes me want to be more connected and even more raw with my work.”

As noted, Campbell has worked with figures like Kendall Jenner, FKA Twigs, and Tyler, The Creator, each artists’ with a distinct style that Campbell aligns with, finding a balance between his and their visions.

“I think every person I have photographed, whether it’s an artist or model, I make sure that I generally relate to and like the works they do.

“I think a genuine love between two artists, whatever the art form is, is often obvious when you see the work that they generally respect one another. And if it’s someone like Tyler or Twigs, or Kendall, I’d start by doing research into them, how they usually do photographs, what projects they’re doing at the moment.

“I always remind myself to meet my collaborators or models of subjects as who they are in that moment. Because although I research a lot, and I think I know who they are, I only know who they are in the present time, and that allows me to have an authentic representation of self in an image.”

Campbell’s work also exists away from the celebrity space, the Ghanaian often travelling to Ghana to establish a further understanding of his heritage.

“I’ve been very blessed to have amazing mentors and teachers throughout my entire life, and they’ve always instilled in me the importance of the image in history. Whether it’s painting, whether it’s a photograph, it will outlive the creator, and it will then change, it can change and mould the view of the subject, of the place, or even times in history.

“Going back to Ghana, a lot of the images that I digested growing up of the diaspora of Africa was always in the lens and was always very poverty-driven. Everything was so, like, one-dimensional, in my opinion. And I remember visiting Ghana as a kid, I remember vividly thinking, ‘Wait, this is Ghana?’. Even though my family is from there, the images I saw of them were so different.

“I may choose to take a picture of a specific village; it would be a disservice to capture something in a manner that means whoever sees the image sees it in a not-so-beautiful way.

“I think, as image makers, that is our role. Our role is to capture the essence of beauty in a positive way. So then the next generation go to the country and don’t just think about it in one way. We are so multi-dimensional as humans that it’s a shame that certain humans only get captured in one way.”

With Campbell’s work hitting the Ballarat International Foto Biennale later this year, he speaks on how he hopes the work will be consumed.

“I think it’s important that I don’t want the work to alienate anyone. I want my work to be of the community. I want people to come in if they don’t understand the work, find nuggets in the work that represents them. Ask questions, pose questions, you know, critique it.”

THE 11TH BALLARAT INTERNATIONAL

FOTO BIENNALE

WHERE: VARIOUS VENUES, BALLARAT

WHEN: 23 AUG–19 OCT

CHRISTINA DE WATER Life is the light, be the lightcatcher

WORDS BY FRANKIE ANDERSON-BYRNE

Christina Siebina Cato de Water was always meant for a big life.

Æ Born in Holland in 1951, the 73 year old has the stubbornness of her dutch roots, an unparallelled work ethic and an incredible ability to bluff her way into life-changing jobs. As we sat in her garden, sipping on tea, gently brushing away bees and enjoying her favourite Arabic singer, I travelled back through her history and all things photography, fashion, meditation, love. Together we visited France, Africa, India, Bali, New York and more. Dive in.

“We came to Australia when I was three, my father’s engineer job brought us here.”

“We moved to Highton, overlooking Queen’s Park, I went to school there. I’m dyslexic but didn’t know it so I struggled with school.

“My mother was an oil painter and I was really good at art.

“Eventually I graduated from high school and couldn’t wait to get out of Geelong; I didn’t like the whole mentality of getting married, having a kid and moving to Grovedale.

“Plus the only options for women were secretarial, teaching or nursing.

“My sister was doing an art course at The Gordan so I followed suit and did entrance exams for Preston, RMIT, Swinburne; all of them…and I got into every one.

“I chose the first complete art school in Melbourne; Prahan College of Advanced Education, which had incredible teachers and courses.

“Print makers, sculpturs, photography, painting, fine arts, design, you name it.”

Unsurprisingly, de Water was very independent during college, luxuriating in her own apartment, with a boyfriend and freedom to be herself.

“It was a very happy time for me,” she smiles.

“It was the golden era and Prahan produced some of Australia’s best photographers.

“We had a looseness to us but all our teachers were older and had been in the industry so we had to do the work.

“I knew I was breaking new ground but I also didn’t have the excellence I saw around me. I only felt that excellence three years ago at my artists residency ‘Postcards of Terang’ solo exhibition.

“My fourth year work experience was with fashion photographer Bruno Benini and that was everything I’d ever wanted.

“I would help dress the models and at night he would let me take photographs.

“His wife taught me styling, took me to openings, runways and I got the best of both worlds; I was a sponge and soaked it all in.

“I caught the enormity and possibility of things really quickly.

“Then I went back and graduated; I was the first woman to get First Class Honours in photography in Victoria.

“I got a cheque for $50 which I used to buy film.”

Sydney fashion was on the rise and de Water left Melbourne to work at the first Australian Centre for Photography.

“Through that I met photographer David Smith who was working with Levi, Faberge, Rolls Royce and some other big clients.

“I bluffed my way into being his assistant; I did lots of bluffing in my life but you have to back it up I tell you what.

“I did some really big jobs, went out on location to the gold mines, to Thailand for portraits; we were really cutting edge and the budgets were out of this world.

“Then he went into film and television and I didn’t really like that world so I became a stylist in my own right for 15 years in Sydney.”

Yoga practice suddenly appeared in de Water’s life, changing the course of her personal growth in a big way.

“My work began feeling very frivolous.

“When I first went to Sydney, my husband Phil Quirk, since divorced, stayed behind to teach before joining me.

“He asked me to start up a photography agency with him and that was another huge chapter of 11 years. I dropped everything; yoga and styling, because it was so exciting.

“We had Australia’s best photographers, expanded to include NZ and we were creating new waves in Australia.

“That got us noticed internationally and we received export grants to go to Paris, Washington, Milan, Japan.

“National Geographic sponsored the first ‘A Day in the life of Australia’ we coordinated and I hosted a number of international photographers in my Bondi Beach home for a cocktail party before they headed out on assignment.

“Then, the yoga thing was taking over my headspace I could feel the transition, which effected the marriage and we divorced.

“I did a lot of introspective work during that time, intense work with therapists in Africa, India, and Bali for 13 years.”

Until 2023, de Water was moving around the world following jobs and connections, before settling in Angelsea.

Her work from college years will be on show at an upcoming exhibition at the Museum of Australian Photography.

THE BASEMENT: PHOTOGRAPHY FROM PRAHRAN COLLEGE (1968–1981)

WHERE: PRAHRAN COLLEGE, 152 HIGH ST, WINDSOR

WHEN: 1 MAR–25 MAY

A Single Action; a story of two

Two dancers, two giant hammers, one eerie glass orb, a thumping soundtrack; go inside the new contemporary dance work

One Single Action, with it’s creator, award-winning choreographer Lucy Guerin ahead of its arrival on the Her Maj stage.

Æ Since opening its doors in 1875, originally as The Academy of Music, Her Majesty’s Theatre Ballarat has been the heart of entertainment for the region.

Victoria’s oldest and largest working theatre also just celebrated its 150th birthday; help them celebrate all year long - the 2025 season is just beginning.

One Single Action is a new dance work from internationally acclaimed choreographer Lucy Guerin. Two dancers traverse a narrow path, in and out of sync, in conflict and in harmony – moving through fragmented terrain that leads in one direction.

In an attempt to interrupt the acceleration of our times and pause the relentless scrolling of their thoughts, they resort to a single desperate action.

Performed by Amber McCartney and Geoffrey Watson, this captivating duet embodies the disjuncture between the internal and external dimensions of the human experience in a world fraught with interference. Following the premieres of two large-scale works in 2021 (PENDULUM) and 2023 (NEWRETRO),

One Single Action is a return to the intimacy of Guerin’s award-winning work Split.

“I knew I wanted to make a new duet with these two dancers, Geoffrey Watson and Amber McCarney, who are both really wonderful dancers, but also have this quite enigmatic quality about the way they perform.” - Lucy Guerin

“When thinking of what I wanted the content of the work to be, I kept jumping from one thing to another. I had a lot of ideas, but I was having trouble just landing on the right one and feeling a lot of pressure from a lot of different stakeholders, audiences and peers I have.

“So, I thought that I would like to use that sense of layered information as a driver for the choreography. This idea of excess stimulation, excess information became a very strong part of the work.”

One Single Action is the story of two people; conspirators united in their common cause to make a difference in the world.

But when they succeed in their mission, the intensity of their act creates tension and mistrust between them. As they try to inhabit what remains of their environment, it divides them irreconcilably.

The show brings together several interrelated contemporary concerns; the excess and overload of information, the desire to be able to act decisively to create change, and the effect of extreme actions on human connections.

“The making of One Single Action has been a close collaboration with dancers McCartney and Watson.”

“As well as patiently absorbing a barrage of hectic, fragmented choreography, they have built intriguing personas through improvisation and expressive characterisations, bringing fascinating aspects of themselves to the work.

“The piece really began with the decision to work with these two dancers and has been a central motivating force throughout the creation. A huge thank you to them both.”

Geoffrey Watson is a Naarm/Melbournebased artist whose work is rooted in choreography but has branches in wearable design, text, lighting, sculpture and photography. Through this work, Watson advocates for a state of perceptual unrest: an agent to further confound the already confusing landscapes of art, history and reality.

Amber McCartney is a Naarm/ Melbourne-based dancer and choreographer. Her practice incorporates prosthetics, mask-making, film and practical special effects to create new augmented bodies, unfamiliar to both the performer and viewer.

One Single Action has played in Melbourne and Jakarta, with Guerin noticing the unique ways audiences responded to the show.

“People had quite interesting takes on it in Melbourne. I think it is one of those works that does feel very metaphorical. So, some people saw it as this kind of assault on the planet, as a kind of attack on the earth, as a sort of environmental work. Others saw it as a destruction of an ideology or a society. There were lots of different responses to it.

“With dance, people can sometimes feel compelled to find a story in it. And I think in Jakarta they were surprised by it, they were intrigued. But mostly they were very keen to have souvenirs — to meet us and get their photo taken with us afterwards, which was a really different response to what would happen in Australia.”

Guerin’s works have merged with film, words, music, design, and visual art in collaboration with many other artists. New productions are generated through an experimental approach to the creative process. Guerin works towards creating small societies in her productions that devise their rules from the human body’s relationship to space, rhythm, and other people. The dancers are her primary collaborators

WHERE: HER MAJESTY’S THEATRE BALLARAT

WHEN: THU 13 FEB

Credit: Gregory Lorenzutti

THE CLOUD MAKER

An extraordinary one-off concert is coming to Platform Arts

In an extraordinary collaboration between five experimental jazz musicians, The Cloud Maker is arriving at Platform Arts for a single regional show set to be a whirlwind, spiritual experience like no other.

Æ

The master musicians; Te Kahureremoa Taumata, Aviva Endean, Sunny Kim, Freya Schack-Arnott and Maria Moles, will celebrate goddesses from each of their cultures, channeling ancient tales of fierce battles, shaman dances, and journeys to the afterlife.

Featuring Taonga Pūoro (Maori singing treasures), bass clarinet, harmonic flutes, cello, nyckelharpa (Nordic fiddle), prepared piano, drums and voices, The Cloud Maker harnesses the power of archetypal stories to transport listeners across time and space. Weaving sound and performance, the collaboration remembers ancient bloodlines and breathes new life into old stories.

Winner of the APRA AMCOS Art Music Award (Performance of the Year –Jazz/Improvised Music, 2023), The Cloud Maker began on the snowy peaks of Canada, where Te Kahureremoa Taumata, Sunny Kim, and Aviva Endean met on a residency at The Banff Centre in 2019. In a cosy wooden hut, they connected over a story of the Maori moth goddess Raukatauri, the creation story of the Putorino, a cocoon-shaped flute, and just one of the many tāonga pūoro (singing treasures) which Taumata plays.

On another mountain, at the Ukaria centre in the Adelaide Hills, The Cloud Maker delved deeper into their connection, with an expanded line-up interweaving Te Kahureremoa’s knowledge of the Maori Tāonga Pūoro (including nose flutes, bone flutes and poi), Aviva’s experimental approach to clarinets and winds, and Sunny’s evocative vocals, alongside master instrumentalists Freya Schack-Arnott (cello/ nyckelharpa) and Maria Moles (drums).

“We met Mayari, the Filipino goddess ofthe moon, Freya, the Norse Goddess of love, fertility, battle and death, Princess Bari who is worshipped by Korean shamans and is told to have resurrected her parents with the water of life, Miriam, the Jewish prophetess who inspired women into song and dance after crossing the red sea, and who carried a miraculous well as they wandered through the desert, The Selkies, mythological Irish creatures who can transform between seal and human form, and Hine Pu Te Hue, the goddess of the gourd who swallows the storm.”

On returning home, we gathered up a group of masterful musicians who each brought to the project their musical voices as well as their stories.”

AVIVA ENDEAN

Through reimagined goddess folklore from their many shared heritages, The Cloud Maker weaves powerful music that echoes tales of creation, regeneration, and transformation, evoking a time when music and language, art and life, were intertwined. The Cloud Maker’s debut album will be released in February 2025.

THE CLOUD MAKER

WHERE: PLATFORM ARTS, 60 LITTLE MALOP STREET

WHEN: THU 20 FEB, 7.30PM

Credit: Sung Hyun Sohn

JOAN AS POLICEWOMAN on new music, Aussie tour memories, and the art of the song.

WORDS BY BENJAMIN LAMB

You’d be hard pressed to find an artist as prolific as Joan As Policewoman. The luminary has worked with such artists as Elton John, Lou Reed, Rufus Wainwright, John Cale, Sheryl Crow, Scissor Sisters, and Fan Modine, among many more.

Æ 2024 saw the musician release her 10th record, Lemons, Limes and Orchids, full of the rock amalgamation mix we’ve come to love from her over the years. Joan also dropped a bunch of Aussie tour dates and we caught up with her to chat about it all.

“I feel very happy about the response (my new album has recieved),” Joan notes. “I never know how people are going to respond.”

“It’s been incredibly positive, and I’m never upset about that. The more I feel like people can relate to my music, the less lonely I feel.”

Fans have found solace in Joan’s emotion-laden lyrics since the early 2000s, the artist noting the story of a song, and the journey it takes.

“I feel like once I release a song, I’m the last person that owns it. Everyone else owns it first, and that’s sort of a relief for me, because I’ve worked on it so much.

“One of my favourite things is having someone say; ‘Oh, that song, I can relate to that song, the same thing happened to me!’

“Then they’ll tell me what it is that happened to them, and it will have very little relation to what I was singing about or relaying. And you know that that’s the great thing about music and art in gen-

If you haven’t been lucky enough to catch Joan when she’s been down under over the years, her live set is something to be marvelled at, with Aussie fans in for a treat, Joan hitting the stage solo for her tour this May.

“The solo set allows total freedom for me in all the ways. It’s incredibly intimate because it’s just me and either the piano or the guitar. I get to create arrangements that are specific to that.

“And there’s no possible way to embarrass anyone else on stage,” Joan adds with a laugh. “So I often just end up talking a lot, asking questions to the audience; I get to be really relaxed on stage.

“I sort of just say whatever is on my mind, I’m just allowed to run free.

Joan’s first tour to Oz came a few decades ago, playing pubs, clubs and more, this tour hitting Melbourne’s iconic Recital Centre, Joan shares a vivid memory of landing on our shores over the years.

“I’ve had such wonderful experiences in playing Australia, across the board. The people are just so enthusiastic about music and it’s very inspiring.

“The first time I played was maybe ‘94. We were driving everywhere, which meant incredibly long distances. We were driving overnight in a van to Melbourne, and the sun was just coming up.

“I had to pee, so we stopped at this, like, roadhouse by the side of the road, there was nothing else around. Just a free-standing bar/pub type of thing.

“At the time I had some pretty crazy hair with a giant blonde streak in the front. I remember opening the door of this establishment, and it was packed; there was tons of people in there who had been there all night drinking, who were still there. It was like a movie, I opened the door and everyone stopped and were looking at me like I was an alien.

“I walked through and used the bathroom in the back, and then walked back through and there was not very much talking the entire time. I didn’t feel afraid, it was really cinematic.

“Who knows what happened when I left? Yeah, probably laughter. Probably the rambunctiousness continued. But it’s a very strong memory seared into my mind, about the recesses of your country, how far away certain parts are, and how fun it all is.”

Joan as Policewoman hits Melbourne Recital Centre this May.

THE KOOKS are recharged, re-energised and enriched heading into 2025

WORDS BY BENJAMIN LAMB

Now celebrating 21 years of making hits, selling out shows and inspiring countless young bands, The Kooks are set to return to Aussie shores this month, hitting the stage for solo shows and appearances at festivals amongst the likes of Party in the Paddock and Yours and Owls.

We caught up with band members Hugh Harris and Luke Pritchard to get the lowdown on it all.

Æ “Looking back, it’s been a really cool year. We finished an album, we toured all over the world, and we feel very vitalised for next year.

“Actually, it’s probably the first year after a long year of touring. I feel very energetic. So that’s good, even though I’m getting old.

“It has been really energising, hasn’t it? There’s been so much work, but what do they say about extroverts being recharged by people?

“I feel like the work is kind of been recharging for us. It’s not been something to complain about. I got a cat this year. That’s pretty cool.”

With a couple of decades of touring under their belt, it’s easy to fall into habits, and feel like the road becomes a bit of a chore. But the pair note that with such a well-oiled machine, there’s more time for themselves when they’re on the road.

“Waking up early and getting a coffee in the morning, that wasn’t the case a few years ago; enjoying a city in the morning. There’s different sides of touring,” Pritchard notes.

“I’ve kind of noticed how wonderful and rare this all is, the job is to play music and travel for a living, be welcomed by people because of your artistry. That is mad, that is absolutely unheard of,” Harris adds.

“It’s genuinely quite a beautiful way to experience life on earth as a human being, just playing in a band, touring the world; it’s unbelievably enriching for me. It’s really clicked in this year. Just super grateful about it all.”

While more time does come up for The Kooks when touring in this day and age, and while the boys will be hitting Aussie shores for about four weeks, rarely does pen hit paper, the ‘Naïve’ hitmakers preferring to save song writing for their return home.

But inspiration does happen while they’re on the road.

“You probably get inspiration but I don’t do any writing on tour. I used to try; I once put a little studio in the bus, and I think I wrote half a song?” says Pritchard.

“I love just saving it all up, you get this nice, big juicy tank after a while of ideas and then they explode in the studio.

“I was in the studio last night, and the engineer went out to get some wine. And I wrote a song in like fucking three minutes, and it just explodes like that. When you leave it and leave it and leave it, it just builds up, like a pressure cooker.”

With the boys hitting the road a fair bit last year, and with a big 2025 on their plates, a refresh of the setlist will be in order.

“I think we’re going to completely reinvigorate the set list, because it’s been a while. We basically did a 15-year anniversary for our first album, we ended up touring it for about three years.

“I can’t wait to get to the rehearsal room, because we can play some songs we’ve not played for ages, and stuff like that. And so, yeah, it does change. We’ve also got brand new album that’s going to be coming out around the time we’re touring Australia, so a few singles will be out.”

There’s no question that The Kooks have a bit of a love affair with us all down under, the 2025 tour marking their 12th visit, the first way back in 2008. Luke and Hugh note their fondest memories about making their way around Australia over the years.

“We’ve had so many great experiences out there. It’s just a very beautiful reflection of the nature.

“I love seeing my cousins, out there too, they’re farmers,” Harris notes. “They live far out, so I love going to see them. They usually put me on a naughty horse and watch me struggle for my life around the paddock. So that’s really nice too.”

THE KOOKS

WHERE: PALACE FORESHORE, ST KILDA

WHEN: 25 FEB

Credit: María Villanueva

ARTS GUIDE

WORDS BY CHESTER OGILVIE

SYMPOIESIS

Coined by Beth Dempster and developed upon by philosopher and ecofeminist Donna Haraway, Sympoiesis basically means ‘making-with”. It is an idea that no single thing exists in a vacuum. Take, for example, the making of a painting. You have, of course, the artist. You also have those who made the paint, the materials used to create that paint, the techniques of painting behind the work, the audience for which it was painted and so on. This exhibition is where exploration and curiosity meet.

PLATFORM ARTS 20 FEB–17 APR

FUTURE CREATIVES

“Every artist was first an amateur” –Ralph Waldo Emerson. The annual exhibition celebrating young emerging artists from the region returns with its Victorian Certificate of Education in 2024 class. Your artists in 2025 are Maya Althaus (Sacred Heart College), Tessa Bahen (The Geelong College), Asher Bobele (Surf Coast Secondary College), Bailee Bonanno (Clonard College), Abbey Engelman (Bellarine Secondary College), Tessa Lewis (Covenant College), Grace McConachy (Oberon High School) and Owen Mueller and Jayke Severn (Belmont High School).

GEELONG GALLERY 22 FEB–30 MAR

CULTURES OF BALLARAT

Known for its food, art and film, France ranks second place on the list of Cultural Influence Rankings (usnews.com). Italy is ranked in top spot, owed, in part, to its Renaissance art. India is known for its old, religious traditions. Nepal is known for its art, craft, music, dance, philosophy and religion stemming from more than 120 ethnic groups. But what of the culture of Ballarat? Join the Ballarat Society of Artists as they explore this question.

LAKE WENDOUREE MUSEUM 23 FEB

JULIE ANDREWS –FOLLOWING THE HALF-LIGHT

For some, the sun’s first rays that illuminate the earth enrich the soul. There are those that prefer the beauty in silence, that peacefulness when the world is still weary. For others, it’s the evenings that fill the heart. The world is busier, the energy hums. In Following the Half-Light, Julie Andrews explores these environs with an eye for the transient effects of light on the landscape. Currently showing, Julie Andrews – Following the Half-Light will be on display at Cascade Art Gallery, Maldon until March 2

CASCADE ART GALLERY, MALDO 2 MAR

CREATIONS FROM AGITATION HILL

Prints, pastel, mixed media, collage, watercolour, oil painting, gouache, acrylic and photography will all feature at this exhibition from the Agitation Hill artist collective, a place with a rich history in the Australian gold rush. Exhibitors include Leonie Auhl, Gary Beaumont, Jill Brennan, Amanda Fennessy, Marianne Heard, Julie Henchman, Brian Heydon, Richard Hollis, Allison Howarth, Christine King, Beverley Larwell, Suki Lee, Lesley Little, Chris Moule and Vivien Pells.

PHEE BROADWAY THEATRE

FOYER, CASTLEMAINE 5 FEB–24 MAR

UNBOUND ART AWARD

The inaugural Unbound Art Award was announced on December 3 last year, recognised as the International Day of People with Disability. In short, Unbound aims to honour the “creativity, diversity and the contributions of artists with disability to the vibrant tapestry of our Greater Bendigo community”. Major awards will be presented to emerging artists 25 years and under and open artist over 25. It will serve as a lead up to the Bendigoexclusive exhibition of Frida Kahlo.

DUDLEY HOUSE, BENDIGO 10–23

AKETH-AKETH (BECOMING LIGHT)

Welcome, sunshine. In partnership with Everywhen Art and Artists of Ampilatwatja, Aketh-Aketh is a celebration of the early light of dawn where the land has been illuminated by the first rays of the sun. Fifteen artists will display their work. Established in 1999, 325km north east of Alice Springs, the Artists of Ampilatwatja community are recognised for creating works that pay homage to the significance and use of traditional bush medicine, allowing viewers an insight into their community.

SALT CONTEMPORARY ART, QUEENSCLIFF 6 FEB–2 MAR

LORNE SCULPTURE BIENNALE

Take a stroll and breathe in the delights. Regarded as Victoria’s most prestigious sculpture event, the outdoor Lorne Sculpture Biennale celebrates the best of local and international sculpture. Your artists are Lucy Allinson, Darcey Bella Arnold, Matthew Bird and Charity Edwards, Richard Collopy, Nicholas Currie, DarkQuiet: Madeleine Flynn, Jenny Hector and Tim Humphrey, Naomi Eller, Carly Fischer, James Geurts, Natasha Johns-Messenger, Anne-Marie May, John Meade, Kerrie Poliness, Studio Forrest, Jen Valender, Chaohui Xie and Yusi Zang.

VARIOUS VENUES THROUGHOUT MAR

STAGE GUIDE

WORDS BY CHESTER OGILVIE

BONDI LEGAL

It’s time to pony up. Tony Laumberg is a lawyer with a Bachelor of Law from Sydney University. He is also a playwright, which came in handy when it came to one of his more peculiar cases. In this chaotic courtroom comedy based upon a Bondi litigation matter, we learn of a young girl’s show-pony that loses its luscious mane after using a chemical company’s product. Presented by Geelong Repertory Theatre Company, it’s your classic story of down-to-earth Aussie battlers taking on the Big Guys.

WOODBIN THEATRE, GAC 7–22 FEB

KINKY BOOTS

Invest in a good pair of shoes and be kind to your feet, folks. The winner of six Tonys and featuring a score by Cyndi Lauper, Kinky Boots is the story of Charlie Price and his inheritance of his father’s floundering shoe factory. When he meets the cabaret performer Lola, the pair set out to create new boots for a very particular clientele and save the family business. The big-hearted musical is presented here by Ballarat Lyric Theatre.

HER MAJESTY’S THEATRE, BALLARAT 27 FEB–9 MAR

SAMMY J: THE KANGAROO EFFECT

We know of the butterfly effect, but what is the Kangaroo Effect? Hop along and find out in a story about how, once upon a time, a butterfly flapped its wings and four decades later Sammy J turns up to a 40th birthday party dressed as a kangaroo. Join the comedian, author, composer and broadcaster as he shares a journey about the life of a recovering attention seeker via song, stories and VHS tapes.

THE CAPITAL, BENDIGO 28 FEB

THE STORY HOUSE, GAC 1 MAR

BRING IT ON

Enter a world where cheerocracy is queen. After being pitched 27 times, the cheerleading film Bring It On finally received a ‘yes’ and would serve as a bridge between the classic teen films of the ’90s and a new breed in the 2000s. Kirsten Dunst, Gabrielle Union, Eliza Dushku and Jesse Bradford would star. Presented by Colac’s Red Door Dance and Theatre Co, join Campbell and her adventures as the new kid at a cheer-less school in a musical loosely based on the 2000 favourite.

RED DOOR DANCE AND THEATRE CO, COLAC 6–9 FEB

JARRYD GOUNDREY

Comedian Jarryd Goundrey is surrounded by high-achieving family members. But have any of them amassed more than 25-million online views? Not sure, but Jarryd does it better. Once upon a time he served in the Australian Army as an infantry soldier. After seven years he left to become a chef. After that, a vanilla slice connoisseur. Somewhere along the way he also turned his attention to making people laugh, something he is very good at. Great Australian Stepson is his new show.

MOZART HALL, WARRNAMBOOL 22 FEB

THE IMPORTANCE OF BEING EARNEST

Oscar Wilde’s The Importance of Being Earnest is regarded as one of the finest theatrical comedies ever written. In it, we meet Jack Worthing, an upstanding man if ever there was one. He also doubles as Ernest, his fictional black sheep brother who he constantly bails out. Only his close friend and confidant Algernon is wise to his ways, but things take a turn when love comes to town. This production comes from The Mount Players.

MOUNTVIEW THEATRE, MACEDON 21 FEB–9 MAR

RAW COMEDY BENDIGO HEAT

Held by the Melbourne International Comedy Festival since the mid-nineties, RAW Comedy sets out to find the funniest people lurking in the shadows. And it’s a pretty big deal, with previous winners including Josh Thomas, Hannah Gadsby, Cassie Workman and Luke Heggie. The list of finalists is equally as impressive. So, who’s out there in Bendigo? Is it your work colleague, your sister, your neighbour? Come on down to Australia’s largest open-mic competition.

PIANO BAR, BENDIGO 21 FEB

AARON CHEN

With the Melbourne International Comedy Festival on the horizon, why not first take a stroll with Aaron Chen through his Funny Garden. Speaking of the festival, he’s a big time favourite in those parts. He won Best Newcomer in 2017, Director’s Choice in 2019 and People’s Choice Award last year for most tickets sold. As well as appearing on FISK and Guy Montgomery’s Guy Mont-Spelling Bee, he recently appeared on Late Night with Seth Meyers.

COSTA HALL, DEAKIN UNIVERSITY 2 MAR

The Human Fear

Æ When one of the most common searches for your band is, ‘what happened to —?’, it’s normally a fair indication that something has gone awry.

In the case of Franz Ferdinand, it was. Having blitzed the commercial circuit in the early 2000s, with tracks like Take Me Out, No You Girls and Do You Want DOMINATING the airwaves so much that they were almost a guaranteed play in every car ride, the next decade was a lot more low key. So low key, in fact, that it seemed the Glasgow based outfit had faded into obscurity with the rest of the dance-based indie rock acts of the mid-200’s (Ok Go, Operator Please, Gossip, Passion Pit—the list goes on).

So naturally, it came as a pretty huge surprise when my inbox started flooding with ‘u heard the new Franz Ferdinand album? It’s pretty sick,’ messages. Sure, it wasn’t the comeback we were expecting, but it’s one we’re undoubtedly here for.

In a similar vein to The Strokes, The Hives and LCD Soundsystem, Franz Ferdinand always had a sound far beyond their years for a group of, at the time, mid-twenty year olds. So now that a few decades have passed, there was always going to be a natural curiosity to hear how they are faring now that they are actually sitting in the older age bracket.

To be honest, upon first listen, not great.

Ok, that was a bit too harsh. Let’s just say, if you pre-ordered the vinyl, you’ll be stoked–Side B is great. Side A on the other hand, not so spiffy.

And before the diehard’s burn me at the stake for saying that – it’s not because they’ve tried something different on the first half of The Human Fear. If anything, newly adopted elements like the whimsical music box melodies of Audacious, synth heavy proto-punk changeup of The Doctor, and thumping electro basslines of Hooked are by far Side A’s shining moments.

Just overall, The Human Fear’s introductory songs don’t quite feel genuine to the group’s sound, instead leaning too heavily into their influences and straying far from the individualism that Franz Ferdinand had always possessed.

Then, Build It Up comes around, and for the next six songs, it’s Franz Ferdinand at their best. Seriously, it’s like Night Or Day (cheeky segue there), with songs like the aforementioned Build It Up, Night Or Day and Black Eyelashes honing in on the polka-infused dance-rock style they’ve always been known for and delivering it in a much more refined and methodical approach that leans into jazz percussion, Eastern-European Folk and alt-country.

By the time the twangy riffs of The Birds kicked in, I had completely changed my tone–I was sold.

So, that being said, have you heard the new Franz Ferdinand album? It’s pretty sick.

LABEL: DOMINO RECORDING COMPANY

RELEASE: OUT NOW

DELIVERY

Force Majeure

Æ Mannn, Delivery just keeps getting better and better. Having absolutely hustled the Aussie gig circuit for the last few years, the Melbourne-based upstarts have carefully crafted a reputation for consistently awesome live sets, all off the back of their debut release, Forever Giving Handshakes (2022).

Now, on their second effort; Force Majeure, they’ve served up another absolute belter, channelling the best parts of their Skyhooks X Eddy Current Suppression Ring hybrid brand of art-punk while also upping the ante and leaning in to the chaos and frenetic energy of the media conference depicted on the front cover.

From the faux rage spoken-word in lieu of singing on What For? being delivered with all the rapid-fire intensity of a realtor at a Sunday auction, to Only A Fool’s sloppy punk edge and off-kilter rhythms, and Put Your Back Into It’s chaotic math-rock freakouts, Force Majeure stands up as more of a statement than just your standard follow-up release.

Yet, it’s artsy without being overly avant garde, punk without being too tryhard angsty, and witty without being preachy. Even in softer moments, like the strippedback, grunge-infused Focus, Right, Delivery maintains such authentic sound. Nothing’s ever added to fit the bill or tie them to any one genre, they’re just doing what works for them, and it always lands.

Honestly, they’re just a great band, and considering this is only their second release, who’s to say what’s in-store for their future. Considering they’ve just signed to Heavenly Recordings (King Gizzard, Kneecap, Night Beats), it seems pretty big things.

LABEL: HEAVENLY

RELEASE: OUT NOW

ELA MINUS

DIA

Æ Whether you’re in the car, at home or having a social drink – if you’re listening to DÍA, you’re in a haze in the middle of a dance floor. Ethereal and atmospheric yet lively and dancy at the same time, Colombian multi-instrumentalist Ela Minus’ second release explores the full scope of UK electronica, ebbing and flowing between atmospheric, slow-burning builds; hard-hitting garage breakbeats, and airy dancefloor ballads.

Imagine Joy Division in dream-pop form–then add emphasis to the word ‘dream’.

Abrir Monte kicks in gradually, immediately reeling in your attention through dissonant trip-hop loops and harmonic key changes which evoke a similar anticipation to the feeling you get during the slow ascent to the peak of a roller coaster. BROKEN balances the openness of a cinematic score alongside elements of UK Garage, driving MPC’s and delicate vocals melodies. I WANT TO BE BETTER and ONWARDS on the other hand, introduce glitchy off-kilter beats that sit between 90’s rave acts like Leftfield or Underworld and early 2000’s indie electronica favourites like Crystal Castles and Digitalism. It’s a perfect dose of nostalgia, while still constantly maintaining a futuristic edge that’s impossible to ignore.

A dark and meditative haze that’s simultaneously pensive, sombre and uplifting all at the same time, DIA sees Minus continue to flourish, pushing her avant-garde artistry in exciting new directions and honing in on the subtle complexities that helped her rise to fame. An essential listen for fans of Massive Attack, Portishead or Morcheeba.

DEAR SEATTLE

TOY

Æ There should really be a study into pop-punk and why the saddest, most traumatic parts of a person’s life can result in such catchy, up-beat music. Any other genre, a breakup or death will almost always result in a slow, sad song. Pop-punk, you’re listening to some dude bear his heart and soul and all you want to do is go skating and eat pizza with your best buds.

It’s the only genre like it. It’s also a pretty bang on way to describe Dear Seattle’s third album, TOY. At its core, TOY’s a heartfelt open-journal detailing the tortured thoughts of the group’s lead vocalist Brae Fisher. But at face value, it’s a collection of vibrant, surfy, pump-up pop-punk tunes.

It doesn’t matter if it’s unpacking lost friendships (We Were So Close), imposter syndrome (Cut My Hair), love lost (Promise) or blossoming lust (Reckless Pessimistic), TOY always maintains a glossy, ‘it’s all good’ exterior.

Which may not click for listeners keener on a grittier listen that’s more true to its themes, but for those of you who grew up listening to New Found Glory, The Maine and All Time Low, Toy is guaranteed to pack massive nostalgia vibes. Evergreen’s singalongs will have you reminiscing about being front row at Warped Tour, Say What You Want and Elastic will have you two-steppin’ in your loungeroom, and While We Were So Close will have you crying in the mirror tearing up photos of your ex.

Honestly, Toy is the soundtrack to your teenage years, 15 years later.

THE HORRORS

More Than Life

Æ In 2007, when The Horrors were THE band for the time, the posterboys of Cramps-infused Munsters meets indiepop goth, they were too good at it and got labelled as ‘industry plants’. In ‘09 when they delved deep into psych-rock— years before the mid-2000’s psych-rock explosion— they’d changed their sound too much and weren’t cool anymore… Since then, it’s been an uphill battle. No matter the genre, The Horrors have seen release-after-release falling upon deaf ears, rarely ever seeing the reception they deserve.

But the thing is, the English-based outfit have consistently released solid albums. Not only that, but each album has always managed to constantly stay ahead of their trends. Right band, wrong time? Maybe. Lacking in quality? Definitely not.

Their newest EP, More Than Life –which comes in anticipation for their upcoming sixth studio album, Night Life–stands as a testament to this, blending elements of all of the groups varying styles together to create ambient, gothic-infused shoegaze rock that cuts its teeth on lofi 90’s electronica.

Think somewhere between The Jesus and Mary Chain and Orbital. Undoubtedly a weird mix, but one that works incredibly well, with the ambient lofi synth lines, Aphex-Twin inspired MPC’s and ethereal, drawn-out soundscapes perfectly complimenting the sombre, deep husk of lead vocalist Faris Badwan.

It may not be The Horrors’ highlight release for those of you who you tapped out after Sheena Is A Punk Rocker, but More Than Life offers an opportunity for the underappreciated English gems to extend their sound to new audiences and hopefully, finally get the acclaim they have so long deserved. Here’s hoping.

DOMINO RECORDING COMPANY

LABEL: DOMESTIC LA LA RELEASE: 17 JAN

LABEL: FICTION RECORDS

LABEL:

WHO’S YOUR DADDY?

WORDS BY MOLLY ENGLAND

Senior Producer of Creative Industries and Programming Nicole La Bianca knows exactly how to curate a season of spectacular theatre.

Æ The Geelong Arts Centre’s 2025 REWIRE line up boasts a decadent display of daring creativity and bold new voices, from explorations of identity through song and movement to fresh adaptations of classics.

This collection of contemporary, vibrant new works promise a year of unconventional entertainment to keep us on the edge of our seats and challenge our definition of what a night at the theatre can look like.

The first of this sweet lineup comes from the mind of multiaward-winning choreographer and performer Joel Bray (I Liked it BUT…), as he returns to the Geelong Arts Centre this month with Daddy. There’s no sugar-coating here. Daddy launches its audience into an immersive world of cotton-candy clouds, contemporary dance and cultural conversations. On the surface, Daddy is sweet enough to make your teeth hurt. Oozing confectionary and copious amounts of powdered sugar, the audience are hands-on in this cycle of sweet sugar-high and crashing sucrose headaches.

Yet Bray’s eclectic work reveals itself to be a much deeper exploration of the consequences of colonisation, displacement, and the cavity of an absent father figure. This exploration of the insatiable craving for more invites the audience into a candyland of Joel’s imagination, and promises to be an evening of eccentric, physically charged performance that will literally keep you on your toes.

Daddy is the first in what promises to be a year of innovative, thrilling theatre. Nancy Denis’ M’ap Boule (April 4th -5th) will follow in its fierce glory. Trade your evening wear for trainers with Burnout Paradise (27th – 28th June), Pony Cam’s fast-paced, treadmill-based commentary on the demands of our everyday lives. The bonkers team at Bloodshed promise to bring their trademark sharp political satire with their adaptation of Jane Austen’s Pride and Prejudice in August (15th - 16th), with the season closing out with The Last Great Hunt’s Night Night, a story of life, death and other dimensions (29th – 30th August).

There’s no need to fear missing any of these instalments. Become a part of the ensemble and experience the joy of brilliant live theatre by subscribing to the Gold Membership Flexi Package (ooh, so fancy!)

You can treat yourself to a night at the theatre at geelongartscentre.org.au, or by contacting the Box Office on 1300 251 200.

LOVE, FLOWERS AND FRESH TRENDS: VALENTINE’S

DAY DONE RIGHT

Valentine’s Day is fast approaching and florals are taking centre stage with bold, fresh trends that blend tradition with modern flair.

Æ While classic red roses remain a symbol of love, this year’s Valentine’s arrangements embrace soft pinks, blush tones, and unexpected pops of lavender. Hand-tied bouquets, minimalistic designs and lush greenery are all the rage, offering a personalised twist to the timeless gesture of giving flowers.

“Florists are moving away from traditional designs and incorporating more diverse colors and textures into their Valentine’s Day florals,” says Natalie Raffaele, floral design instructor at The Gordon.

“There’s a strong focus on creating bespoke designs that speak to the individuality of the customer.”

At The Gordon, floral design students are mastering these trends and more. With hands-on training, they learn everything from flower care to advanced arranging techniques, all while preparing for one of the busiest seasons of the year.

Valentine’s Day is the perfect opportunity for students to put their skills to the test and create arrangements that blend creativity with precision.

“Students get to experiment with the latest trends in class and work on real projects that reflect the current industry demands,” explains Natalie.

“We focus not only on design but also on the logistical side of the floral industry—client consultations, event coordination and pricing. It’s about preparing them for a career where they can make their mark.”

As this Valentine’s Day approaches, The Gordon’s floral design students are ready to take on the challenge, bringing their artistic vision to life and creating stunning bouquets that make love bloom in every arrangement.

Feel inspired? For more information on studying Floristry at The Gordon, visit www.thegordon.edu.au and search ‘floristry’. This course is designed for budding florists or creative folk with a love of flowers.

Start a rewarding career in floristry today and head to thegordon.edu.au to apply

VENUE GUIDE

CAKE CULT

Æ Put your hands together for Geelong’s only late night venue, entirely dedicated to CAKE.

Introducing Cake Cult. Providing a unique dessert experience, Cake Cult is an absolute haven for dessert lovers, offering a wide range of tasty and creative desserts.

All desserts are made in house, and will definitely leave you wanting more.

Owners noted that Geelong was lacking a cake and coffee night spot and decided that it was time to give the people what they wanted – and they weren’t wrong.

A cosy, cool lax place to catch up with friends and have a piece of homemade cake later at night. And once the space became available, it was time to pounce.

Now, a lot of you long-time Geelongians will remember the location as the old Kustom Culture studio. Many of you may be able to point out if you were tattooed or pierced there, but the venue has well and truly transformed from what you once knew, with the owners opting for an Eclectic vibe mixed with a bit of Lux.

As George Costanza said “if it was socially acceptable, I would drape myself in velvet” and they most definitely took that on board. Think velvet couches, velvet cushions and of course, velvet chairs. With vintage paintings reimagined as Simpsons Characters, a last supper painting with everyone indulging in cake! And the ever so instagramable neon sign that reads “Forget nudes, send cake”.

Menu highlights include: a Triple Chocolate Brownie, Lemon Meringue Pie, Sticky Date Pudding, and a Reeses Pieces Peanut Butter Cheesecake, but that is only a brief selection of many delicious mouth-watering options to choose from.

The team prides themselves in using ingredients sourced from Geelong and surrounding areas. They of course sell a range of hot or cold drinks to enjoy with your cake – and they also have a MUST TRY Nutella hot chocolate – im literally drooling.

Did I mention that they bake fresh on site, AND offer dairy free, vegan and gluten free options – always ensuring to try their best to cater to everyone, because lets face it, no one should ever miss out on cake!

Make sure to keep an eye on the socials, as there is always something new being added to the menu.

With many different seating options, the space caters for bigger groups if needed, or there is intimate spaces for just a one-onone catch-up, they surely do have something for every cakeaholic!

TWO NOBLE

Æ We’d like to welcome you all to Two Noble, one of Geelong’s fine dining destinations.

This acclaimed new contemporary Asian restaurant is located directly above Sawyers Arms Tavern in Newtown.

Focused on locally sourced produce and regional wines, prepare your tastebuds ready to combine the flavours of South East Asian cuisine, fused with a modern Australian flair, it surely is a delightful culinary journey – what more could you want?

Led by chef Mario Tambajong, the menu at Two Noble has an emphasis on shared dining, encouraging this exploration to enrich your fine dining experience. Whether it’s a Balinese Vegetable Curry, or a Roasted Duck with Hoisin and Cointreau, this menu will not disappoint!

Restaurant Manager Adam Zelley has curated an ever-changing drinks list, in his quest to introduce diners to new things. The current drinks menu features fan favourites like the Poppy’s Martini, a Strawberry Aperol Sour and a Chilli Marg. You can also look forward to the new $65 set lunch menu (Friday – Sunday), with features 5 dishes, wine beer or a cocktail, or try a few different dishes with the $85 chefs banquet ($95 with dessert).

Two Nobles contemporary aesthetic is a nod to the Asian infused cuisine from renowned local interior designer Pip Johnson. Through a selection of organic materials, suspended lanterns and curated artwork, the space really does exude warmth and comfort. With a palette of soft greens, natural timber and fluted glass, you cant help but feel relaxed and at home as soon as you sit down.

The team behind Two Noble chose a crane to symbolise their dining experience – a crane signifies happiness, good fortune, wisdom and eternal youth. Cranes are extremely social creatures, flocking together and feeding alongside each other – and that is the aim of the Two Noble experience, bringing people together, surrounded by delicious food and drinks, in harmony with a uniquely comfortable dining space.

They also cater to a range of dietary requirements – there is absolutely nothing stopping you from heading down and trying the Two Noble experience for yourself.

WHERE: 101 LITTLE MALOP STREET, GEELONG

WHEN: THU–SUN, 6–11PM

WHERE:

WHEN: FRI–SUN, 12–2:30PM & 5:30PM–LATE

FARMDOG BREWING

Æ Calling all Gin enthusiasts, Beer lovers, and local wine fanatics, FarmDog Brewing has you absolutely covered! Brewing craft beer and distilling boutique gin onsite – oh did i mention ‘onsite’ is a winery?

Welcome to FarmDog Brewing, where it’s a real family affair.

Siblings Jaimie and Maddy run FarmDog, which is situated on a vineyard, McGlashan’s Estate. Their parents bought the farm and planted the vines back in 1995, then building the Cellar Door and ran the venue for 15 years. Recently, their parents have retired and let the kids take the reins, adding a passionate new twist on the family tradition.

Namely, they have added a distillery and brewery (Jaimie & Maddy’s partners Jeremy & Jake are head distiller / brewer), and started opening nights + hosting weddings - where your dog can even walk down the aisle with you and hang around as a party guest – can it get any better than that?

In terms of venue vibes, think casual, with plenty of open space overlooking the vineyard, festoon lights, fire pits and outdoor beanbags – absolutely bloody perfect I reckon. They have also added Saturday nights to the mix, so, theres really no excuse not to go. And to top things off, the venue even hosts live music on Sundays, which sets a really relaxed vibe.

People often arrive and say ‘we aren’t staying long’ but get swept into the serenity and end up settling in for the afternoon.

AND, you can expect to be greeted by Hamish the FarmDog – honestly, what a time to be alive.

The beverage menu features self-guided tasting flights, which are available for sampling the full range of beer, gin and wine. It also features cocktails showcasing the unique flavours of the FarmDog gin (Pandan Splice, Mandarini, Wallington Mule) – which is their best seller. The menu features a white-chocolate raspberry bullet sour beer, which is brewed with real white choc raspberry bullets – tell me more!

They also have whiskey in barrels which they are super pumped for, but unfortunately won’t be ready for a few years, and will most definitely be worth the wait.

In terms of food, there is a range of grazing and snacking options, such as a Farmdog Platter, a Brewers Board, Na Cho Cheese, and Pulled Pork Tacos. There is also a range of bigger meal options, that include the Miss Mary, which is a lamb pizza, and is a crowd favourite, and hearty burgers. A lot of the ingredients in the kitchen are locally sourced, including the Bellarine Smokehouse salmon pate.

WHERE: 225 SWAN BAY ROAD, WALLINGTON (MCGLASHAN’S ESTATE)

OPEN: THU 5–8PM / FRI & SAT 11AM–8PM / SUN 11AM–5PM

ARCHIVE WINE BAR

Æ They say sharing is caring, and it all started with a love of wine and sharing their collection with loved ones, to then building their collection to add whisky, gin, and rum, the founders of Archive Wine Bar want to share their collection, their archive, with us all. Archive is the culmination of a lifelong passion for wine shared by founders Ingrid and Graham. With over 20 years of experience in the wine industry spanning Brisbane to Edinburgh, their dream of creating a wine sanctuary became a reality in 2018. What began as an idea for a modest wine shop with a small bar has blossomed into a sprawling establishment, complete with a spacious beer garden and versatile function space.

Nestled in the heart of Belmont, Archive stands as a beacon for those seeking to explore the boundless world of wine. With over 170 wines available by the glass, it is believed Archive holds the title of offering the most extensive selection in all of Australia. Their drink offerings also include a range of classic cocktails, and an extensive collection of beers, spirits, whisky’s and of course, non alcoholic options, this means no one misses out on the archive experience. From intimate gatherings to grand celebrations, Archive offers a venue like no other—a place where every glass tells a story, and every moment is infused with warmth and hospitality. Complementing their exceptional wine selection is a delectable Grazing menu designed for sharing and pairing. Featuring some of Australia’s finest imported and local cheeses, as well as charcuterie sourced from esteemed Victorian producers like Salt Kitchen in Ballarat, who only source free-range pork for their delicious Jambon and Capocollo. Indulge in the signature Archive Grazing Platter or treat yourself to the newest winter delights, including Gin Cured Salmon and the irresistible Million Dollar Mac’n’Cheese. Beyond serving as a sanctuary for wine enthusiasts, Archive is a hub for learning and exploration. Ascend to their drinks education school, where they offer internationally recognized Wine & Spirits Education Trust (WSET) courses, led by their lead educator Graham Sutherland DipWSET. Archive have also recently launched Australia’s first WSET Beer course with resident beer expert Ryan “Lofty” Loft. Join the team for monthly wine tastings, ranging from intimate gatherings, to their legendary Garden Parties, where importers and winemakers showcase a curated selection of wines paired with some delicious bites from the kitchen.

WHERE: 140 HIGH STREET, BELMONT

OPEN: WED 5–8:30PM / THU 3–10PM / FRI 3–11PM / SATURDAY 1–11PM / SUN 1–7PM

GIG GUIDE

THU 6 FEB

FRI 7 FEB

SAT 8 FEB

SUN

9 FEB

REPUTATION THE ULTIMATE TAYLOR SWIFT SHOW THEATRE ROYAL, CASTLEMAINE 3:30PM $39.90

PLOT TWIST + WITH IMMORTAL FISH AND COOLDAD

BARWON CLUB HOTEL,

FRI 14 FEB

KIM CHURCHIILL THEATRE ROYAL, CASTLEMAINE 7:30PM

BONES AND JONES LEADBEATER HOTEL, MELBOURNE 7PM

SAT 15 FEB

THE KILL DEVIL HILLS

BRIDGE HOTEL, CASTLEMAINE

8PM FREE

BIC RUNGA

THEATRE ROYAL, CASTLEMAINE

7PM $56.65

TIJUANA CARTLE

TORQUAY HOTEL, TORQUAY

8PM $42.35

THE GRIMWOODS

BARWON CLUB HOTEL, GEELONG

6.30PM $18.40

SUN 16 FEB

PACO LARA

+ DUENDE FLAMENCO

THEATRE ROYAL, CASTLEMAINE 1.30PM $54.60

TUE 18 FEB

AMY SHARK

GEELONG ARTS CENTRE, GEELONG 7PM $85.74

WED 19 FEB

IN HEARTS WAKE VOLTA, BALLARAT 7PM $55.25

THU 20 FEB

IN HEARTS WAKE

THE WOOL EXCHANGE, GEELONG 7PM $54.40

THE JOE COCKER EXPRESS

+ MAD DOG VS THE ENGLISHMAN

GEELONG ARTS CENTRE

7.30PM $69

FRI 21 FEB

THE BUTTERFLY EFFECT

TORQUAY HOTEL, TORQUAY

8:30PM $75

SARGENT BAKER

BARWON CLUB HOTEL, GEELONG

7PM $15

GLASS BEAMS FED SQUARE, MELBOURNE FREE

SAT 22 FEB

HOT WATER MUSIC TORQUAY HOTEL, TORQUAY 8PM $79.90

MELTED FESTIVAL

FT: Orpheus Omega, Flaming Wrekage, The Ascended, Caution:Thieves, Get Rekt, Apollo Project, Thrash Gordon

BARWON CLUB HOTEL, GEELONG 4PM $34.70

AUSTRALIAN PANTERA SHOW

+ WITH SPECIAL GUESTS STRONGER THAN ALL (SEPULTURA)

THE WOOL EXCHANGE, GEELONG 8PM $34.70

THE BIG OCEAN BOOGIE

FT: Pasi Florez, Sun Eden, Daniel Aaron

TORQUAY SURF LIFE SAVING CLUB, TORQUAY 4-10PM $20

TEAM PICKS

FRANKIE Editor ‘Black Velvet’ Alannah Myles

“That bass, that rasp! A smoky, sensual track for February’s lovers...truly a new religion that’ll bring you to your knees.”

MATT Partnerships & Campaign Manager ‘Bricked’ Jaron Jay

“Turns out his song isn’t even about LEGO Like, not even a little bit at all.”

SUN 23 FEB LA DESCARGA BARWON

FRI 28

FEB

DRAGON - GREATEST HITS TOUR

,

RILEY Designer ‘Snowlover’

Unprocessed

“I honestly can’t tell if I even like this song, but I keep listening to it. The mix is so clangy and claustrophobic, and yet... It works? Must be the slap bass.”

Club 8: Big Bao & ASIA TOPA

WORDS BY JULIETTE SALOM

Asia TOPA Club 8 Program:

FEB 20

OPENING NIGHTLIFE

FT: Big Bao, Scarlett So Hung Son (Scotty So), Rainbow Chan and Aurora Labeija

FEB 21

INAMO KIKI BALL

FT: Kianna Oricci of the House of Oricci and Mirasia Silky of House of Silky

FEB 22

SHAPESHIFTERS

FT: Phasmahammer (Justin Talpacido Shoulder) and PANELIA

FEB 27

AARI? ARAY!

FT: Fateeha, Miss A of Moro Beats and Réjizz

FEB 28

乒乒乓乓 PIN-PIN-PIÀNG-PIÀNG

CURATED BY HARRISON HALL AND CLOUDY KU

MAR 1

BLAX: ACT ONE

CURATED BY YIRRAMBOI

FT: Soju Gang, Katayanagi Twins and nudibranchia

MAR 6

THE PREY AND THE RULER

CURATED BY ROOM40

MAR 7

CLUB 4A: NIGHT VISION

CURATED BY CLUB 4A

MAR 8

THE B_B

FT: Betty Apple and Betty Grumble

When Asia TOPA reached out to Big Bao to collaborate on Opening Nightlife, a high-energy launch event for both the festival and the highly anticipated Club 8, Vivan Vo immediately knew it was a perfect fit.

Æ As an artist manager, producer (Big Bao), radio host (Mooncake on Triple R 102.7FM), and DJ (Small Fry), Vivan has an eye for exciting projects, and this one was no exception. After spinning at Friday Night Social last November, she caught a glimpse of the vibrant energy that Asia TOPA brings, calling it her “favourite set of the year.” Now, she’s gearing up to bring the party back on Thursday, February 20, as she takes the stage for Opening Nightlife at Club 8.

Club 8, a fresh hotspot inside the Arts Centre’s Leaper Family Pavilion, will launch Asia TOPA’s triennial with an event that embodies the spirit of Naarm. Serving as the festival’s late-night hub, Club 8 will host nine thrilling nights packed with experimental art, boundary-pushing music, and plenty of surprises.

The name “Club 8” is a nod to both its eighth-floor location and the significance of the number eight in Chinese numerology, symbolizing luck, prosperity, and success. Over three weekends, the space will host standout events like the INAMO Kiki Ball, celebrating Naarm’s ballroom culture, the gender-fluid rave 乒 乒乓乓 pin-pin-piàng-piàng, and THE B_B, a “transcendent dance ritual” – and that’s just scratching the surface.

Before all that, Opening Nightlife will set the stage for the party to come. Vivan, who is both leading and performing at the event, explains how her many roles—artist manager, producer, radio host, DJ—complement each other. “They tend to feed into and inform one another,” she says.

Hosting Mooncake on Triple R 102.7FM, Vivan has built a reputation for her eclectic musical taste and her dedication to promoting Asian artists and sounds. “It definitely influences my DJ sets as Small FRY and the artists I curate for Big Bao events,” she notes.

Together with Angela Schilling and Yeo Choong, Vivan’s work with Big Bao involves carefully curating events that showcase some of the best talent around. “We love partnering with organizations that support Asian artists and the local music scene,” she says.

In collaboration with Asia TOPA, Big Bao will deliver a “Lazy Susan” of Asian excellence across music, drag, and performance. “We spent months in the kitchen crafting a lineup that blends sounds, visuals, and genres,” Vivan says.

The Opening Nightlife lineup is stacked, featuring both established and emerging talent. “We’ve got AnSo, an experimental artist from Gadigal, kicking off the night,” Vivan shares. “Naarm’s finest—Rainbow Chan and Yeo—will also be performing, with surprise guests throughout their sets. Plus, roaming performances from drag legends Scarlett So Hung Son (Scotty So) and Aurora Labeija from Thailand. And of course, Small FRY and kāmna will close the night with specialty sets of their own.”

Vivan is particularly excited about her set, promising a dynamic mix that pulls from a wide range of Asian-inspired sounds. “Expect high-energy K-pop with a dash of V-pop—think NewJeans, CL, TWICE, and aespa,” she says. “I’ll be dancing the whole time, supporting the incredible performers on stage.”

And when it’s time for kāmna to take over with her South Asian-inspired Punjabi/Bollywood set, Vivan plans to hit the dancefloor herself. “That’s when I’ll join the crowd and get into it,” she laughs.

Credit: James

Barras-Miller

KAGAMI

RYUICHI SAKAMOTO AND TIN DRUM SAKAMOTO

Rising to prominence in the male-dominated New York graffiti scene of the 1990s, pioneering artist Claw Money gained international notoriety with her distinctive claw paw moniker and iconic collaborations with brands including Nike, Vans, My Little Pony and Mountain Dew. Her fashion label has attracted celebrity followers such as Kanye West, M.I.A, Amy Winehouse, Rihanna and Kendrick Lamar, for its contemporary blend of streetwear and couture. WARRNAMBOOL ART GALLERY—26 Liebig Street, Warrnambool, Victoria.