Computer Arts 249 (Sampler)

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ISSUE 249 FEBRUARY 2016 Digital edition Produced in the UK

FREELANCE video SPECIAL

BRANDING How high-end motion design is revolutionising branding

Exclusive video: four freelance illustrators and their agent share the secrets of their success

MASTER THE ART OF PAPERCRAFT How Owen Gildersleeve built a life-size Nissan out of foam board and folded paper




WEL CO M E

February 2016

editor’s letter Freelancing doesn’t necessarily get easier as you gain experience: you just have a different set of challenges to face. With this in mind, this month’s retro-games-themed cover feature will help you take things to the next level, whatever stage you’re at. Whether you’re just taking your first steps into the unknown, planning to build on your existing success or are striving for full-scale world domination, there’s plenty there to help you do exactly that. In a similar vein, we’ve also shifted the focus of our regular video insight feature from the inner workings of top studios to the trials and tribulations of freelance life – an agent and four of the illustrators he represents chat to a CA film crew about the secrets of their success. Following the news that Black Pencil-winning motion graphics wizard ManvsMachine – fourth-placed in CA’s UK Studio Rankings 2015 – was recently acquired by global branding behemoth Landor, this issue’s special report asks if this is symptomatic of a much more significant role for motion design in branding. Finally, a spot of housekeeping: I’m heading off on a three-month sabbatical next issue, leaving CA in the more-than-capable hands of acting co-editors Julia Sagar and Jim Thacker. Before I go, we’ve been working together on some exciting plans for next month’s landmark 250th issue, which also happens to mark 20 years since CA was launched – it’ll be a real collector’s item, I promise. See you in April!

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Nick Carson Editor

nick.carson@futurenet.com

featuring

emmanuel pajon

Cover artist Emmanuel (aka Kaeru) is an illustrator based in Buenos Aires. He’s spent several years working for small creative studios as a full-time employee, and as a freelancer for brands including Levi’s, Cynar and MTV. He is currently an art director at mobile game studio LemonChili. www.kaeru.com.ar

Kyle Wilkinson

Award-winning designer Kyle is based in Yorkshire, England. He is a regular panellist on BBC Radio commenting on design, and his clients include Time Inc, Bosch and the NHS. He also nearly blinded himself in the name of design, projecting this issue’s Design Matters piece onto his own eyeball. www.kylewilkinson.co.uk

Stina Jones

Manchester-based freelance illustrator Stina creates quirky, fun imagery for everything from print and web marketing campaigns to art prints and character designs. Her portfolio includes work for BBC, Ordnance Survey and HTC: she shares her wisdom in our cover feature on page 42. www.stinajones.co.uk

Evaldas Cesnavicius

Originally from Lithuania, look development, design and lighting artist Evaldas studied at Los Angeles’ renowned Gnomon School of Visual Effects and now works freelance for various studios around Europe including Trizz, PostPanic and Korb among others. www.blackpixels.net

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Phoebe Glasfurd

Phoebe and creative partner Eren Fieldwalker founded Vancouver studio Glasfurd & Walker in 2007, working across graphic design and art direction for print and online, exhibitions and packaging. Discover how the studio developed a new brand for Canadian restaurant and distillery Park on page 82. www.glasfurdandwalker.com



M EET T H E T E AM

FEbruary 2016

Meet the team Future Publishing Ltd, QUAY HOUSE, THE AMBURY, BATH BA1 1UA Phone 01225 442 244 Fax 01225 732 275 Email hello@computerarts.co.uk Web computerarts.creativebloq.com

Editorial

Advertising

Jo Gulliver Art editor jo.gulliver@futurenet.com

CHRIS MITCHELL AND MATT BAILEY Account directors chris.mitchell@futurenet.com matt.bailey@futurenet.com

Nick Carson Editor nick.carson@futurenet.com

Production & DISTRIBUTION

Julia Sagar COMMISSIONING editor julia.sagar@futurenet.com

Printing: William Gibbons & Sons Ltd Finishing partner: Celloglas Distribution: Seymour Distribution, 2 East Poultry Avenue, London EC1A 9PT, Tel: 0207 429 4000 Overseas distribution: Seymour International

DOMINIC CARTER STAFF WRITER dominic.carter@futurenet.com PETE GRAY VIDEO producer peter.gray@futurenet.com Craig Stewart Managing Editor, Creative Bloq craig.stewart@futurenet.com

Art editor Jo joined Nick to meet the team at MP Arts this month, and put her formidable strength to the test bouldering in Holland. She also has a crush on someone featured in this issue, but won’t reveal who.

Cat Ellis

Circulation

Operations editor Cat had a great time interviewing creatives for this month’s Showcase, but worries what kind of impression she’s made on the team after receiving a Cliff Richard calendar in the office Secret Santa.

JULIETTE WINYARD Trade marketing manager: 07551 150 984

SUBSCRIPTIONS

charlotte lloyd-williams Direct marketing executive charlotte.lloyd-williams@futurenet.com UK readers: 0844 848 2852 Overseas readers: +44 (0)1604 251045 Online enquiries: myfavouritemagazines.co.uk computerarts@myfavouritemagazines.co.uk

Licensing

Matt Ellis Senior licensing and syndication manager matt.ellis@futurenet.com Tel: +44 (0)1225 442244 Fax: +44 (0)1225 732275

Contributors

MANAGEMENT

Want to work for Future? Visit www.futurenet.com/jobs

jo gulliver

VivIENNE CALVERT Production controller Mark Constance Production manager

Kerrie Hughes CoNTENT MANAGER, Creative Bloq kerrie.hughes@futurenet.com

Becca Allen, Zaneta Antosik, Paula Benson, Paul Blackburn, Ladislas Chachignot, Tom Dennis, FranklinTill, Michael Lester, Stasys Mačiulskas, Tom May, Emmanuel Pajon, Anna Richardson Taylor, Jamie Schildhauer, Ben Tallon, Alex Thomas, Kyle Wilkinson, Anne Wollenberg, Tom Woolley

editor Nick is preparing to depart on a well-deserved sabbatical, soaking up the culture in India and Indonesia – but not before travelling to London to interview the team at MP Arts for this month’s video.

SASHA MCGREGOR Ad manager sasha.mcgregor@futurenet.com

Cat Ellis Operations editor cat.ellis@futurenet.com

SAMMY MAINE DEPUTY COMMISSIONING editor sammy.maine.@futurenet.com

Nick Carson

Nial Ferguson Content & Marketing director MATT PIERCE Head of Content & Marketing, Photography, Creative & Design DAN OLIVER Group editor-in-chief, Creative & Design RODNEY DIVE Group art director, Photography, Creative & Design TOM MAY Group content editor

staff COntributors julia sagar

COMMISSIONING EDITOR This month, Julia is facing a small logistical challenge: how to transport a car bonnet, as well as her family’s Christmas presents, from Bristol to Bahrain via public transport. Suggestions on a postcard, please.

Next issue on sale 5 February 2016

Future is an award-winning international media group and leading digital business. We reach more than 49 million international consumers a month and create world-class content and advertising solutions for passionate consumers online, on tablet and smartphone, and in print.

All contents copyright © 2016 Future Publishing Limited or published under licence. All  rights reserved. No part of this magazine may be reproduced, stored, transmitted or used in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Registered office: Quay House, The Ambury, Bath, BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price and other details of products or services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any changes or updates to them. If you submit unsolicited material to us, you automatically grant Future a licence to publish your submission in whole or in part in all editions of the magazine, including licensed editions worldwide and in any physical or digital format throughout the world. Any material you submit is sent at your risk and, although every care is taken, neither Future nor its employees, agents or subcontractors shall be liable for loss or damage.

sammy maine

deputy commissioning editor Sammy is struggling to decide on her favourite album of the year (though The Hunger Games is a clear winner for best film). Despite being spoiled rotten over Christmas, her dog Pickle is failing to help.

production notes printers

We are committed to only using magazine paper which is derived from well managed, certified forestry and chlorine-free manufacture. Future Publishing and its paper suppliers have been independently certified in accordance with the rules of the FSC (Forest Stewardship Council).

text and cover CMYK, Matt laminate plus spot UV varnish, pantone 806 Pink, 809 Yellow and 814 Purple William Gibbons PRINT FINISHING PARTNER

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paper

cover Precision Special Gloss FSC 250gsm P3–74: Graphocote 90gsm P75–98: GraphoInvent 70gsm

typefaces

Trump Gothic West, Neutraface Text & Display, Calluna



february 2016

ISSUE 24 9 f ebrua r y 20 16

10

Culture

Trends: A project that transforms physical objects in digital space, plus knitwear-inspired resin furniture

13

P laces: Nina Geometrieva, chief creative officer of Paktor, shares the hidden delights of Singapore

14 People: Kjell Ekhorn and Jon Forss of Non-Format discuss their new partnership with design giant ANTI 16

vents: The London Illustration Fair comes of age, E and Stack celebrates the best independent magazines

20

B ack to the floor: How Form co-founder Paula Benson achieved the ideal work/life balance

Insight

Stop punishing freelancers: Illustrator 24 Ben Tallon speaks out for freelancers’ right to tax relief

Showcase

26 give in to your inner socialist: Don’t let commercial work drain your soul, says Paul Blackburn

Our selection of the world’s best new graphic design, illustration and motion graphics work 28

d iary 2 diary 1

Project diaries

A new brand identity for a restaurant in the Canadian Rockies, a life-sized papercraft car for Nissan and an astonishing showcase of BMX talent 82

d iary 3

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v id e o ins ig h t

MAKE IT AS A FREELANCER

In a freelance video special, four illustrators and their shared agent reveal the secrets of their success so far 76


C O N TE N TS

february 2016

ne e d t o k no w

Pay less tax

Working for yourself means taking charge of your own tax affairs, but don’t panic – it’s not difficult and you might be surprised what you can claim back to reduce your bill 70

i ndu str y i ssu es

GET TO THE NEXT LEVEL

Anne Wollenberg reveals how to tackle the various challenges that freelance life holds, from first starting out through to building a thriving career 60

SUBSCRIBE AND SAVE UP TO 63% Three great ways to subscribe to the world’s best design mag: Print Digital Both See page 40 Or join Computer Arts Pro! See page 74

s p eci a l r ep or t

Motion matters

Motion design is no longer an add-on in brand development – it’s an essential part of helping clients tell their stories 42

IN CONVERSATION

EVALDUS CESNAVICIUS Don’t let geography hold you back – follow the opportunities wherever they are, says this in-demand Lithuanian freelancer 52

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CULTUR E Tr e n d s

W E L O VE...

Digital upcycling Bastiaan de Nennie reverse-engineers everyday physical objects into completely new forms in digital space ver recent years we’ve witnessed the democratisation of the idea of craft and craftsmanship. The revered masters of traditional design practices have been joined by digital designers mastering 3D printing and algorithmic design. ‘Code-craft’ is usurping handicraft in the hierarchy of skillsets as we see the emergence of the digital artisan. These designers are challenging the preconceived notion of what a digital aesthetic should look like. No longer conforming to the clean, perfected finish that has been synonymous with such design in the past, this bold new generation of digital designers is manipulating established processes and exploiting the infinite potential of the digital palette to create chaotic and ad-hoc approaches with signature styles. Brash and beautiful, Bastiaan de Nennie’s Digital Virtuosity project is a collection of futuristic products for a post digital age with a bizarre and hybridised aesthetic. Through his ‘reverse design process’, De Nennie first deconstructs and digitises familiar objects with the use of a 3D scanner before reconstructing the individual elements in a digital bricolage. The result is a set of curious, amalgamated objects treated with rendered surface patterns and highly synthetic colours that retain an oddly nostalgic resonance of the original form. Through combining ‘man-made’ choices with computer generated distortions, de Nennie sketches entirely new objects for our post-digital future, virtually upcycled from objects of our present. Learn more about de Nennie’s transformative work at www.bastiaandenennie.com Each month, our Trends section is curated by experienced creative consultancy FranklinTill www.franklintill.com

image CrediT: Bastiaan de Nennie

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CULTUR E T rend s

February 2016

D E S I G N ED FOR LI FE

COzy curves KNIT by Curver’s Cozy Stool combines emotional response with functional design he KNIT homewear collection is the fruit of a collaboration between creative plastic expert Curver and design studio FranklinTill. Curver has followed FranklinTill for some time, and its forecasting expertise, combined with its work curating exhibitions, made it the perfect partner for the collection’s launch at the London Design Festival. Knitting elicits feelings of warmth and nostalgia, which Curver sought to capture in each piece. Its parent company, the Keter Group, undertook long and intensive research to understand how a resin-based product could have the ‘feel’ of a knit to create the same reaction. For the collection’s launch, FranklinTill created a designled and colour-inspired five-storey staircase installation and exhibition, with tools, tables, baskets and planters suspended from the ceiling in a playful display. “As creative trend and colour forecasters, we are delighted to be collaborating with Curver on KNIT to curate and showcase an exciting collection that combines true material innovation with directional design styling and colour application,” says FranklinTill’s Kate Franklin.

T

KNIT by Curver www.knitbycurver.com Retailers and prices available soon

Stay one step ahead with our barometer of visual cool

m ainstream

Pastels rule following Pantone’s announcement of Rose Quartz and Serenity as colours of the year for 2016.

STILL FRESH

Food becomes art as ingredients are arranged in strict geometric still life photographs to form colourful patterns.

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emerging

Bright 1980s graphic characters and bubble fonts lend communication design a playful retro direction.

Illustration: Michael Lester www.michaelwilliamlester.com

T R E N D ING


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