black panther “Marvel wants this to be their version of James Bond” Ryan Coogler
Retur n of th e king!
The world’s most trusted film reviews
del Toro’s
margot robbie The movie she
The Shape Of Water Aqua adventure = awards?
had to make
W ORLD e x c l u s i v e !
From Star Wars to
uprising John Boyega’s new sci-fi blockbuster
every new release reviewed
“I hired everybody from Star Wars for this movie” John Boyega
Plus
Early Man Dumbledore! Joaquin Phoenix Jurassic World: Fallen Kingdom
What’s your favourite on-screen robot? Tell us yours @totalfilm #topbot
Editor-In-Chief Jane Crowther (JC) jane.crowther@futurenet.com
Welcome to
@totalfilm_jane The Iron Giant
deputy editor Matt
Maytum (MM) matt.maytum@futurenet.com @mattmaytum The robot butler from Rocky IV
Reviews Editor Matthew
Leyland (ML) matthew.leyland@futurenet.com @totalfilm_mattl Gonk droid
News Editor Jordan
Farley (JF) jordan.farley@futurenet.com @jordanfarley R2-D2
Operations Editor Andrew
westbrook (AW) andrew.westbrook@futurenet.com @andy_westbrook Roy Batty
Art Editor Mike
Brennan mike.brennan@futurenet.com @mike_brennan01 Johnny 5
FILM GROUP, BATH
Editor (SFX) Richard Edwards Art Editor Jonathan Coates Production Editor Kimberley Ballard Features Editor Nick Setchfield Home Entertainment Editor Ian Berriman
ONLINE
Entertainment Editor, GamesRadar+ Lauren O’Callaghan lauren.ocallaghan@futurenet.com
Contributors
Editor-at-Large Jamie Graham RoboCop (1987) Art studio Cliff Newman Prepress and cover manipulation Gary Stuckey Hollywood Correspondent Jenny Cooney Carrillo (JCC) Contributing Editors Kevin Harley (KH), James Mottram (JM), Neil Smith (NS), Josh Winning (JW) Contributors Paul Bradshaw (PB), Ali Catterall (AC), Tim Coleman (TC), Tom Dawson (TD), Philip Kemp (PK), Simon Kinnear (SKi), Matt Looker (MLo), Joe McCabe (JMc), Ken McIntyre (KM), Libby Plummer (LP), Chris Schilling (CS), Kate Stables (KS) Illustration Lizzy Thomas, 17th & Oak Photography August, Contour, Getty, Rex Thanks to Nick Chen, Roy Delaney (Production), Rhian Drinkwater (Production), Nicky Gotobed (Art)
ADVERTISING
Media packs are available on request. Please contact Simon Rawle Commercial Director Clare Dove clare.dove@futurenet.com Advertising Manager Simon Rawle simon.rawle@futurenet.com Account Director Steven Pyatt steven.pyatt@futurenet.com
licensing
Total Film is available for licensing. Contact the international department to discuss partnership opportunities. International Licensing Director Matt Ellis matt.ellis@futurenet.com
subscriptions
UK orders and enquiries 0844 848 2852; overseas orders & enquiries +44 (0)1604 251 045 Online enquiries www.myfavouritemagazines.co.uk Email totalfilm@myfavouritemagazines.co.uk
marketing and circulation
Head of Brand and Trade Marketing Nada Khalil Head of Subscriptions Sharon Todd Direct Marketing Campaign Manager William Hardy Head of Newstrade Tim Mathers
print, PRODUCTION and DISTRIBUTION
Production Controller Frances Twentyman Head of Production, UK & US Mark Constance Production Project Manager Clare Scott Advertising Production Manager Joanne Crosby Digital Editions Controller Jason Hudson Printed in the UK by Wyndeham Peterborough, Storey’s Bar Road, Peterborough, Cambridgeshire PE1 5YS Distributed by Marketforce, 2nd Floor, 5 Churchill Place, Canary Wharf, London E14 5HU. Tel: 0203 787 9001
A
fter his heroics in The Last Jedi, we couldn’t wait to see what cover star John Boyega would do next… which is why we got the inside track on his monster new blockbuster Pacific Rim Uprising and found out how he led the charge on getting this bombastic sequel off the ground. We also grabbed time with everyone involved in Marvel’s latest game-changer, Black Panther; talked fishy goings-on on del Toro’s gorgeous The Shape Of Water; mused on comingof-agers with Lady Bird’s ladies Greta Gerwig and Saoirse Ronan; and got all plasticiney with Aardman on set of Early Man. We also caught up with the team behind I, Tonya (real ’tache or no?), Lynne Ramsay and cast for You Were Never Really Here, and Paddy Considine for his latest passion project, Journeyman. A real mix of multi-million-dollar blockbusters and indie gems to get 2018 started with a wallop. Yeah! Let’s go!
Enjoy the issue!
Management
Managing Director Aaron Asadi Editorial Director Paul Newman Art and Design Director Ross Andrews Head of Art & Design Rodney Dive Commercial Finance Director Dan Jotcham
Jane Crowther, Editor-in-Chief
All contents © 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/ services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein.
Call Sheet This issue’s extras
If you submit material to us, you warrant that you own the material and/or have the necessary rights/permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.
ISSN Total Film 1366-3135, Total Film Compact 1758-034X We encourage you to recycle this magazine, either through your household recyclable waste collection service or at a recycling site. We are committed to only using magazine paper that is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable, managed forests, conforming to strict environmental and socio-economic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation.
Future plc is a public company quoted on the London Stock Exchange (symbol: FUTR) www.futureplc.com
Matt Maytum
Jordan Farley
josh winning
Features Editor
news Editor
contributing Editor
I went on a massive, epic set visit this month that was so secretive I may never be able to reveal what it was. Seriously. In fact, I’ve said too much already…
Loved visiting Aardman for this month’s Early Man feature, particularly hearing the familiar thrum of The Thing soundtrack echoing through the corridors.
It was pretty hilarious to watch Will Smith attempting to bag co-star Joel Edgerton a date at the London premiere of Bright.
Chief executive Zillah Byng-Thorne Non-executive chairman Peter Allen Chief financial officer Penny Ladkin-Brand Tel +44 (0)1225 442 244
february 2018 | Total Film
03
Contents #268
This issue 56 Pacific rim uprising John Boyega powers this monster-scale return to robot wars. 62 black panther T’Challa gets his standalone movie and we get goss on everything. 68 the shape of water Falling hook, line and sinker for del Toro’s fishy tale. 74 lady bird Greta Gerwig and Saoirse Ronan chat nuns, fangirling and fame. 04
78 Early Man Hidds as a French buffoon and Redmayne as a caveman. Aardman is back. 84 you were never really here Lynne Ramsay and Joaquin Phoenix team up for an anti-Bond revenge drama. 88 I, Tonya Skaters and haters with Margot Robbie.
every issue 3 editor’s letter Dating with Will Smith, plus a super-secret set visit. 7 dialogue More of your musings on all this silver screen. 92 Total Film interview Paddy Considine invites us round his gaff.
february 2018
teasers 11 Jurassic world: fallen kingdom Lava + dinos = disaster. 17 dark River Clio Barnard’s return to Yorkshire. 18 Thoroughbreds Stone cold teen hijinks.
56 battle stations Producer-star John Boyega talks Pacific Rim Uprising.
24 my movie life It must be love. No, it’s Suggs. 26 sundance preview What’s going to set Park City on fire? 28 IT SHOULDn’T HAPPEN TO A FILM jOURNALIST Jamie’s juggling with the awards season. 31 between takes Rebecca Ferguson likes a French Exit. 33 TF hero We bow at Lesley Manville’s feet.
total film buff 120 Is it bollocks? Can we buy a lightsaber? 121 station send-offs The top 10 train ta-ras. 123 Is it just me? Or were video stores meccas of pure heaven? 130 60-second screenplay Justice League gets the treatment. Only Wonder Woman comes out well.
11 Subscribe at www.totalfilm.com/subs
88
38 big screen
62
38 phantom thread Is Day-Lewis going out with a bang as he retires? 40 star wars: The last jedi Maybe you’ve heard? It’s good. 44 all the money in the world Drama, stress, a seemingly impossible situation. And that’s just erasing Spacey. 46 Journey’s end In the trenches to re-visit a WW1-set classic.
68
48 pitch perfect 3 In perfect harmony or hitting all the wrong notes? 50 Jumanji: welcome to the jungle Jack Black is a teenage girl. And other delights.
small screen 102 it The horror gamechanger gets appraised. 104 Mother! An artistic feat and bold statement… or merely pretentious twaddle? 106 bottle rocket Wes Anderson and friends start out… 108 extras Suits you, sir!
‘it’s larger than life. we want to do more of these’ gamesradar.com/totalfilm
110 altered carbon The classic sci-fi novel gets the small-screen treatment. 114 4K tech guide How? Why? What’s the best buy?
74
118 games Carving up monsters and exploring new worlds.
february 2018 | Total Film
05
Dialogue Mail, rants, theories etc.
Email totalfilm@futurenet.com Write Total Film, 1-10 Praed Mews, London W2 1QY gamesradar.com/totalfilm twitter.com/totalfilm facebook.com/totalfilm Drop us a line totalfilm@futurenet.com
TF’s cinematic agony uncle has your back.
DEAR WINGMAN
I spent half a day this weekend reorganising my DVDs and Blu-rays. While scanning the titles a thought struck me. James Bond, Jason Bourne, John Wick, Jack Reacher, John McClane, Jack Ryan… what is Hollywood’s fascination with serial action heroes having names beginning with J? Any ideas? gurpreet bhatia, via email
wingman says…
And don’t forget John Rambo, John Shaft, John Connor, Johnny, um, English… Maybe it’s because it’s the letter of the alphabet that most resembles a weapon – just look at the giant one The Rock waves about for most of Moana! While we’re in this ballpark, why are so many baddies Doctor this-or-that? Don’t GPs have it hard enough without cinemagoers subconsciously linking them with cannibals, laser sharks and the word ‘no’?
Gamesradar.com/totalfilm
07
STAR LETTER
★
I’m a movie-continuity nut and recently I was watching Errol Flynn in The Adventures Of Robin Hood (1938). During the scene where Will Scarlett finds Much wounded in the forest, I could swear I saw a car going past. Can you verify this? Other noticeable gaffes: Sean Connery’s shirt being buttoned/unbuttoned in The Untouchables, or the blood splatter before Joe Pesci kills Samuel L. Jackson in Goodfellas. How about an article on these errors? I hope you’d be able to handle the subsequent flood of letters! GREG NEAL, VIA EMAIL There is indeed a car passing casually through ye olde woods, like some uncanny pre-make of The Village. Another classic anachronism is in the 1959 Ben-Hur, where one of the chariot racers appears to be wearing a wrist-watch (ironically, cinemagoers
spent most of the 2016 version glancing at their own timepieces). How about more recent movies – anyone spot anything in Justice League? Greg and everyone with a letter printed here will receive a copy of Darren Aronofsky’s visually arresting psychological thriller mother!, out now on digital and out 22 January on DVD, Blu-ray and 4K Ultra HD. Didn’t send an address? Email it! You know, like Robin Hood would.
under the hood He really didn’t want to give Robin a lift home, but who could resist those eyes?
VIII MAIL
I
just watched Star Wars: The Last Jedi at Waterloo’s BFI IMAX; what a top movie. Job well done, Mr. Johnson! However, I did feel proper sorry for
reflective interest curve™ Thrilled Entertained flippin’ eck!
Festive Bafta drinks Jamie’s rat attack
bad times… week
0
Pizza week! Last Jedi premiere Last Jedi Last Jedi screening mega-debate
1
2
Future Christmas Last-minute dinner/ A-list quiz/Mario set visit Kart
3
deadline
february 2018 | Total Film
Bless ’im, Hux only wants a hug.
totalfilmonline @totalfilm
SWORDSMAN OF THE MONTH bit.ly/2pa252q Of all the visitors to TF Towers – Snoopy, Chappie, Mr. Stay-Puft – none has quite dazzled like martial artist David Cheung, performing a swordplay show to tie in with Blade Of The Immortal. Watch the vid!
NEW STAR WARS TRILOGY: DISCUSS bit.ly/2BNiwEj “I’d like to see something between Episode VI and VII,” said @Admirals_Army. @MaxiWinterburn7 wants “The Old Republic”, but done by “Villeneuve not Johnson”.
08
poor old General Hux, surely one of the most openly abused employees in the galaxy. The poor fella was viciously slapped, put in a Force choke-hold and bodily thrown around his office, all in direct violation of his basic human rights within the workplace. If I was Mr. Hux, I would seek legal advice, put a bloody great claim in and then retire to some nice quiet planet on my gains from winning an open-and-shut constructive dismissal case. PHIL SLOAN, BEXLEY
W
hy is it some movies require a second viewing before you can decide how much you enjoyed them, or where they rate among others in the franchise? Take The Last Jedi, for example. I know I enjoyed it. But I can’t decide whether I enjoyed it more than Episode IV or VII. The Empire Strikes Back is safe. Without wishing to give spoilers, I’ll simply say the ending has me undecided. Will it go down as
classic, or as a missed opportunity? Only repeat viewings will tell. On another note, did anyone else think poor Finn’s story arc was pointless? Some prequel-CGI crept in too… too much, or just right? RUSS TRIBE, FAREHAM
I
’m sure you have received many rants about The Last Jedi and, yes, this is another. But Star Wars fan (which I still am but starting to question it) or not… this film is just bad! Primarily, “WTF’s going on here?” As part of a continuing story, it shits over everything set up prior to it. Is it visually spectacular? Nothing we haven’t seen before! Is there ANYTHING good to say? Ade Edmonson is in it!! That’s it!! So to summarise… I currently still look forward to and enjoy my monthly copy of Total Film. Please, PLEASE make the right call on this to help me keep the faith. JIM INGRAM, ANTRIM
Office spaced
Chatter ‘gems’ overheard in the Total Film office this month…
“Shall we do the dance of the fidget spinners?” * “I’ve got an aching arm from holding a fidget spinner!” * “Ow! Spinner-related injury!” * “Would’ve been a better film if they’d left his bollocks in, tbh…” Total Film | february 2018
DISNEY-FOX DEAL: YOU REACT bit.ly/2BWNlcb “Shame we couldn’t see Hugh Jackman’s Wolverine with Chris Evans’ Cap,” lamented @jrudy33 (well, you never know…) while presumed Deadpool fan @Varun_dvn said, “R-rated movies better be there!”
FOOD FREEBIE PUN OF 2017 bit.ly/2z9LWtf Cutting it very fine indeed, Brawl In Cell Block 99 saw off all-comers in the final weeks of December with 2017’s finest film/food play on words: Vince Pies. And they were damn tasty too. Pure food Vaughn.
CLOWN CAKE OF THE CENTURY bit.ly/2p6uW7v Thanks to Bingo: The King Of The Mornings for this detailed, delicious treat. This is the ‘before’ picture; you do not want to see the ‘after’ picture, which looked like some unrated cut of It crossed with Chinatown.
JUMANJI SURVIVAL KIT bit.ly/2CS8Is9 Not sure how we’re supposed to leg it through the jungle with all that cake inside us. Suppose we could stuff a wedge in the gob of an attacking hippo, but that seems a tragic loss of sugary goodness.
THE HAMPER THAT INVENTED CHRISTMAS bit.ly/2kUh9eQ Cheers to The Man Who Invented Christmas, whose Fortnum & Mason hamper saved us some last-minute shopping (course, we still did a bit – one has to respect tradition).
Subscribe at www.totalfilm.com/subs
Get a FREE issue of Start your 30-day trial today on iPad, iPhone or Android
Search for Total Film on your device
POWER TO THE HENCHPEOPLE
Hate to disturb your faith, but we’ve gone with top marks for Star Wars (see p40 for our holographic-Snokeou know what would be nice with sized review). At least we can these superhero blockbusters? agree about Ade Edmondson; To hear a little from the other if any non-UK readers are side. I’m talking about your unfamiliar, he’s the TV everyman footsoldier in actor who taught Dialogue the evil swarming hordes; the ways of the fouryou know, a member of letter word in the ’80s. the chitauri, or one of The divisiveness The those cannon-fodder • videos • reviews Last Jedi seems to have Parademons. I can imagine • trailers • news provoked is new territory a chubby, funny one chatting for the saga, when for years with a shy, sensitive one: “What we had broad consensus: original are we doing today?” “Erm, I heard trilogy great; prequel trilogy great for it’s gonna be more mayhem showcasing the latest men’s bathrobe and destruction!” “Oh, fashions. As for Hux, we feel less I was hoping for a quiet sorry for him than the cleaners one…” It would give tidying up after Kylo Ren’s tantrums; us some more insight that Mr. Vader may have been strict, – because the old adage but at least he didn’t leave lots of surely holds true, these little bits in the carpet, just corpses. movies are only as good as their villains! ELEANOR HARGREAVES, VIA EMAIL s it necessary for DVD and Blu-ray on-screen menus to preview It’d be good too to see some of the whole film before the viewer has these minions of doom feeling a bit even pressed play? Why not just let alienated from their work. Don’t try the film get there and let the viewer to tell us that every time an Uruk-hai enjoy being surprised? JAMES FISHER, VIA EMAIL
Y
have your say
gamesradar.com/ totalfilm
MAKING A SCENE
I
Indeed – for some reason, advances in chapter-selection technology have turned discs into the software equivalent of your loudmouth mate who just can’t wait to tell you which shock death occurs 70 minutes in. But why do these preview menus never tip you off about the nudey bits? Just asking for our loudmouth mate.
Gamesradar.com/totalfilm
frenziedly attempts to snuff out the light with cold darkness everlasting that it feels as good as the first. Duvet days, not end of days!
DIFFERENT LEAGUE
I
orc talk Don’t judge. Eddie the Uruk-hai was having troubles at home and could do without this One Ring bullshit.
have a question for you: is Justice League redeemable via a new edit in the form of a Director’s Cut? One that would increase its running time to three hours and provide better character development and storytelling? Examples from the past exist; Blade Runner comes to mind. I’m sure you’ll come up with others. PAUL TURNER, LLANGOLLEN
09
Well, there’s another Ridley Scott movie, Kingdom Of Heaven; the extended versions of The Lord Of The Rings… sorry, could you just hold on a sec? We need to put a foil blanket round the Wingman, who’s had a bit of a turn at the mention of a longer Justice League. OK, he says he’s up for it so long as there’s 50 per cent more Wonder Woman and 100 per cent less Steppinpoop, or whatever he’s called.
get the best package some massive savings * Bag on a TF subscription * Your own exclusive subscriber-only covers
Print just
£22 every 6 months
Visit www.myfavouritemagazines.co.uk/TOFsubs
february 2018 | Total Film
Coming attractions An all-star comedy caper p15 Meet the millennial Heathers p18
Luke-ing back on The Last Jedi p21 Glimpse this year’s indie hits p26 Edited by Jordan farley
11
first look
Roar power Jurassic World: Fallen Kingdom I Even the dinosaurs are running scared. Juan Antonio Bayona brings fresh terrors to Isla Nublar…
T
wenty-five years ago, Sam Neill and pals didn’t just have dinotrouble to contend with at John Hammond’s joint. They also faced frightful rain as a tropical storm blew in. Now, containment breaches on the follow-up to 2015’s $1.67bn-grossing fourquel Jurassic World tell us director Juan Antonio Bayona is bringing the saga full circle to usher it forwards with a tale of nature red in tooth, claw… and hot lava. “We’re literally blowing up the island,” says Chris Pratt, returning as veloci-whisperer Owen Grady. Star-Lord might be over-literal in his description, but Isla Nublar certainly has elemental issues, four years on from Jurassic World. Her relationship with Owen presumably extinguished, Bryce Dallas Howard’s Claire Dearing
gamesradar.com/totalfilm
calls on her old squeeze in her new role as Dinosaur Protection Group founder, when the scaly giants face potential extinction (again). Something is rumbling – and it’ll take more than reflective kitchen surfaces to deflect a volcano’s impact. “It’s a disaster dinosaur movie – a new genre,” says Bayona, who seems
eminently equipped to follow Colin Trevorrow as franchise director. The Spanish auteur made his feature debut with 2007 horror The Orphanage, combining old-school suspense skills with a new-school nous for fear roped to deep feelings. Tsunami movie The Impossible and grief fable A Monster Calls showed his chops at natural disasters and working with kids. “You will find elements of both films in this new one,” says Bayona, who also pays much homage to the 1993 original and a little to its sequel, The Lost World, in spirit and in substance. “My first instinct was to
having a ball The Isla Nublar locals are happy to see Chris Pratt’s dino buddy Owen Grady back in town.
February 2018 | Total Film
12
go back to the reaction I had watching the first Jurassic Park when I was a kid,” Bayona told The Independent, adding, “We wanted to bring back some more scary elements with fear and horror in this one.” And character elements. While James Cromwell’s Benjamin Lockwood has a connection with Richard Attenborough’s John Hammond, BD Wong also returns as Dr. Wu to create the sense that this sequel is also a fan-friendly, faithful-to-source fivequel. “For Colin and I,” Bayona expands, “it was about finding connections with the old trilogy. That makes it very rich as we are expanding Jurassic World but also finding new connections with Jurassic Park.” Another connection is Jeff Goldblum, who will, uh, find a way back to the saga as chaos flirt-osaurus Ian Malcolm. “He might have something to say about the current confluence of circumstances around the use and misuse of technology,” teases Goldblum. “With some wry irony, but also some deep, wise, passionate conviction.” Though Bayona describes Goldblum’s appearance as a “meaningful” one, the director cautions that it’s only a cameo. Malcolm won’t be on dino duty – but he might have recognised one or two beasts from first-hand knowledge. Jurassic Park’s brachiosaurus and titanic T-rex return, while reminders that its 1997 sequel wasn’t an entirely lost cause come in the diminutive shape of the compys, glimpsed in the trailer. Meanwhile, World’s Lassie-like loveable ’raptor Blue returns as a carrot Claire dangles to tempt Owen back to the island of teeth, terror and romantic trauma. But, as Bayona says, “The challenge of making a sequel is finding the right balance between what people are expecting and what people will be surprised by.” New dinos out to shock us include the trailer-glimpsed baryonyx, a crocodilian creature doubling as a sly homage to earlier Jurassic visits: the baryonyx had a paddock on the original film’s park
map and it was teased as an attraction in Jurassic World’s Cretaceous Cruise. The mighty piscivore (who, one suspects, will develop a taste for human-shaped snacks as well as fish) was also name-checked in Jurassic Park III, when youngster Billy Brennan mistook the spinosaurus for our bary. Also appearing is horned devil the carnotaurus, a creature capable of camouflage and famed for terrorising Michael Crichton’s sequel novel to Jurassic Park, The Lost World; it was also sneak-teased in Jurassic World as part of the Indominus-rex’s DNA mash-up. Something resembling an allosaurus gallops into trailer view as well, while rumours of a new hybrid persist. As for the dino-menu, new cast-member Justice Smith (The Get Down) looks set to bring some levity to proceedings with his eardrum-piercing shriek. Daniella Pineda, Rafe Spall and Bayona favourite Geraldine Chaplin make Jurassic debuts, while returning talent includes Jurassic World composer Michael Giacchino, who promises a “darker, more moody and more suspenseful” film than its predecessor. And, perhaps, less CGI-heavy, as Bayona enthuses about practical tools: “I think animatronics bring soul and reality to it. We’re trying to find the balance between animatronics and CGI in order to cheat the audience so they don’t know what they’re seeing.” If creature shop head Neal Scanlan does for dinosaurs what he did for cuter animals in porcine classic Babe, he may yet silence the ’raptor-clawed gripes about CGI that dogged Jurassic World. And should anyone be sharpening their claws, practical footwear will also be worn. Asked if Claire will be rocking heels, Dallas Howard is emphatic. “No. Oh, no. That’s over. Claire is prepared. Claire would never wear heels in a situation where she was planning to run.” On which note, Ian Malcolm’s wisdom bears revisiting: there will be running. And, uh, screaming. KH
‘We’re trying to find the balance between animatronics and CGI’ Juan Antonio Bayona
Total Film | february 2018
Open-mouthed Bryce Dallas Howard and Justice Smith giving it the full Laura Dern Jurassic Gape (top). Double danger Plenty of peril as the pair struggle to avoid gnashing teeth and boiling lava (top right). scaled up Owen catches up with old buddy Blue (right), whose bigger cousins roam wild around the island (far right). familiar face Jeff Goldblum’s Ian Malcolm makes a fleeting appearance (bottom right).
ETA | 8 June / Jurassic World: Fallen Kingdom opens this summer.
Subscribe at www.totalfilm.com/subs
SPECIALS & GUIDES
myfavouritemagazines has over 100 one-off guides and specials which celebrate your favourite subjects. There’s something for everyone treat yourself or give gift.
DELIVERY INCLUDED
https://www.myfavouritemagazines.co.uk/guides
Or call now – UK: 0344 848 2852 Overseas: +44 344 848 2852 MyFavouriteMagazines is the official magazine subscription store of Future. You can save up to 74% on a huge range of popular magazine titles. Every magazine subscription will be delivered direct to your door, and includes free UK delivery; guaranteeing you don’t miss a copy of your favourite magazine.